Cinematographer Adam Greenberg, who earned an Oscar nomination for his work on James Cameron’s “Terminator 2: Judgment Day,” began to learn the craft of filmmaking working in the Israeli Army’s photo section.
Landing a technician job in a one-room production lab in Tel Aviv, he used his downtime wisely. “Reading old copies of Cinematographer magazine was my training,” says Greenberg (born Grinberg), who wound up in the Middle East at age 3, after fleeing from the Nazi war machine in his native Krakow in 1942 with his two sisters. “The articles taught me how to shoot newsreels.” Using “short ends” — partial rolls of unexposed film stock left in a camera — he applied techniques he learned from the magazine and processed the film himself.
Eventually earning an assistant’s job, Greenberg interned on David Perlov’s seminal 1963 short documentary “In Jerusalem.” That led to work on Israel Becker’s far-out Hebrew-language musical comedy “The Flying Matchmaker.
Landing a technician job in a one-room production lab in Tel Aviv, he used his downtime wisely. “Reading old copies of Cinematographer magazine was my training,” says Greenberg (born Grinberg), who wound up in the Middle East at age 3, after fleeing from the Nazi war machine in his native Krakow in 1942 with his two sisters. “The articles taught me how to shoot newsreels.” Using “short ends” — partial rolls of unexposed film stock left in a camera — he applied techniques he learned from the magazine and processed the film himself.
Eventually earning an assistant’s job, Greenberg interned on David Perlov’s seminal 1963 short documentary “In Jerusalem.” That led to work on Israel Becker’s far-out Hebrew-language musical comedy “The Flying Matchmaker.
- 11/29/2019
- by James C. Udel
- Variety Film + TV
The Israeli cinema veteran is stepping down at the end of the year.
Renen Schorr has just enjoyed his last edition of the Cannes Film Festival in his role as director of the prestigious Sam Spiegel School for Cinema and Television in Jerusalem, which he has spearheaded over the past 30 years.
The Israeli cinema industry veteran announced his departure in the Israeli press on the eve of the festival and is now on a swansong tour.
“I will be stepping down from the school in five months’ time, around November, December time,” Schorr told Screen. ”Until then I am working...
Renen Schorr has just enjoyed his last edition of the Cannes Film Festival in his role as director of the prestigious Sam Spiegel School for Cinema and Television in Jerusalem, which he has spearheaded over the past 30 years.
The Israeli cinema industry veteran announced his departure in the Israeli press on the eve of the festival and is now on a swansong tour.
“I will be stepping down from the school in five months’ time, around November, December time,” Schorr told Screen. ”Until then I am working...
- 5/24/2019
- by Melanie Goodfellow
- ScreenDaily
The Center adds about 600 to 800 films per year to its library.
The growing Visual Center of Yad Vashem, The World Holocaust Remembrance Center, hopes to one day offer a platform for films in its extensive library of 12,000 videos and films to be viewed online globally. The matter of rights issues is the hold-up for now. Liat Benhabib, director of the Visual Center, tells Screen International at the Jerusalem Film Festival (Jff), “I really believe in creating a platform to watch films online. We are still debating internally about how, when and where we will get the budget. We don’t...
The growing Visual Center of Yad Vashem, The World Holocaust Remembrance Center, hopes to one day offer a platform for films in its extensive library of 12,000 videos and films to be viewed online globally. The matter of rights issues is the hold-up for now. Liat Benhabib, director of the Visual Center, tells Screen International at the Jerusalem Film Festival (Jff), “I really believe in creating a platform to watch films online. We are still debating internally about how, when and where we will get the budget. We don’t...
- 7/30/2018
- by Wendy Mitchell
- ScreenDaily
The Video Essay is a joint project of Mubi and Filmadrid Festival Internacional de Cine. Film analysis and criticism found a completely new and innovative path with the arrival of the video essay, a relatively recent form that already has its own masters and is becoming increasingly popular. The limits of this discipline are constantly expanding; new essayists are finding innovative ways to study the history of cinema working with images. With this non-competitive section of the festival both Mubi and Filmadrid will offer the platform and visibility the video essay deserves. The six selected works will be shown during the dates of Filmadrid on Mubi’s cinema publication, the Notebook. There will also be a free public screening of the selected works during the festival. The selection was made by the programmers of Mubi and Filmadrid.Solar Quadrantby Luis LechosaSolar Quadrant reflects on the gaze of the sun in cinema.
- 6/13/2018
- MUBI
A total 120 projects from Morocco to Syria are set to be supported over the next three years by the new $2.2m (€2m) Icam programme co-funded the European Union.
Speaking to ScreenDaily, Catherine Buresi, one of Icam’s initiators, explained that “the idea was to create a programme to support the development of projects, training measures and networking events as a forum for producers from the nine Arab countries”.
Icam (Investing in Culture & Arts in the South Mediterranean) started operations from headquarters in Cairo at the Noon Foundation earlier this year and will run for three years until April 2018.
The eligible countries are Morocco, Algeria, Tunisia, Libya, Egypt, Palestine, Jordan, Lebanon and Syria.
According to Buresi, the project is working with local partners throughout the region such as Jordan’s Luminus Media, Egypt/Cyprus-based Semat for production & distribution, Morocco’s Rabii Films Productions, Algeria’s M.D. Ciné as well as the non-profit association Cap Network in Belgium...
Speaking to ScreenDaily, Catherine Buresi, one of Icam’s initiators, explained that “the idea was to create a programme to support the development of projects, training measures and networking events as a forum for producers from the nine Arab countries”.
Icam (Investing in Culture & Arts in the South Mediterranean) started operations from headquarters in Cairo at the Noon Foundation earlier this year and will run for three years until April 2018.
The eligible countries are Morocco, Algeria, Tunisia, Libya, Egypt, Palestine, Jordan, Lebanon and Syria.
According to Buresi, the project is working with local partners throughout the region such as Jordan’s Luminus Media, Egypt/Cyprus-based Semat for production & distribution, Morocco’s Rabii Films Productions, Algeria’s M.D. Ciné as well as the non-profit association Cap Network in Belgium...
- 8/18/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Many—maybe too many, looking at this bunch of bone-tired warriors of Av-virtue—were the travels the Ferroni Brigade embarked on all through 2011: oftentimes for festivals all over Europe, sometimes for visits to this archive or that as part of our programming arbeit (to be read with a Japanese drawl). During those months in the dark, we saw a lot—some of which chimed and rhymed with new works we encountered in this multiplex back home or that gallery abroad, on this collector's Steenbeck or in that producer's private projection room (they still exist).
On one of those trips, we were joined by our main Mubi-man, His Kasness a.k.a. the Kasest with whom we plunged one evening into a brainstorming on what The Festival would look and feel like (truth be told: it was more like a communal delirium—but what do you expect from folks sitting...
On one of those trips, we were joined by our main Mubi-man, His Kasness a.k.a. the Kasest with whom we plunged one evening into a brainstorming on what The Festival would look and feel like (truth be told: it was more like a communal delirium—but what do you expect from folks sitting...
- 1/5/2012
- MUBI
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