Paramount+'s 2023 series "Grease: Rise of the Pink Ladies" serves as a prequel to the hit 1978 film. The musical series follows Jane (Marisa Davila), Olivia (Cheyenne Isabel Wells), Cynthia (Ari Notartomaso), and Nancy (Tricia Fukuhara) as they form the girl gang the Pink Ladies in 1954. In "Grease," which is set in 1958, Sandy (played by the late Olivia Newton-John) is befriended by the Pink Ladies clique when she becomes a student at Rydell High, though Betty Rizzo, Frenchy, Jan, and Marty are all different levels of welcoming toward her.
How does "Rise of the Pink Ladies" connect to the original "Grease"? Well, of course, the new Pink Ladies and T-Birds attend the same high school that the original characters do. In the movie, Rydell High is run by Principal McGee, played by the late Eve Arden, but in "Rise of the Pink Ladies," she's Assistant Principal McGee, played pitch-perfectly by comedic icon Jackie Hoffman.
How does "Rise of the Pink Ladies" connect to the original "Grease"? Well, of course, the new Pink Ladies and T-Birds attend the same high school that the original characters do. In the movie, Rydell High is run by Principal McGee, played by the late Eve Arden, but in "Rise of the Pink Ladies," she's Assistant Principal McGee, played pitch-perfectly by comedic icon Jackie Hoffman.
- 5/18/2023
- by Victoria Edel
- Popsugar.com
This article contains Hollywood spoilers. You can find our easter egg guide for the previous episode here.
If you wanted a star-gazing episode from Ryan Murphy (or perhaps a different four-letter word to do with stars), then this is it. In one episode we get Vivien Leigh, Tallulah Bankhead, Alfred Hitchcock, Noel Coward, and some juicy gossip about Errol Flynn. So get ready to go to a George Cukor party!
Hollywood Episode 3
-The third episode begins to the sound of Ella Fitzgerald’s “I’m Beginning to See the Light.”
-Ernie reveals to the boys that they’re going to a George Cukor party. While I was aware that Cole Porter and, at this point, retired director James Whale enjoyed scandalous pool parties, I’d been under the impression that Cukor was more deeply in the closet, preferring urbane Saturday night parties with celebrities. Which is still true, but according to Scotty Bowers,...
If you wanted a star-gazing episode from Ryan Murphy (or perhaps a different four-letter word to do with stars), then this is it. In one episode we get Vivien Leigh, Tallulah Bankhead, Alfred Hitchcock, Noel Coward, and some juicy gossip about Errol Flynn. So get ready to go to a George Cukor party!
Hollywood Episode 3
-The third episode begins to the sound of Ella Fitzgerald’s “I’m Beginning to See the Light.”
-Ernie reveals to the boys that they’re going to a George Cukor party. While I was aware that Cole Porter and, at this point, retired director James Whale enjoyed scandalous pool parties, I’d been under the impression that Cukor was more deeply in the closet, preferring urbane Saturday night parties with celebrities. Which is still true, but according to Scotty Bowers,...
- 5/2/2020
- by David Crow
- Den of Geek
Here’s a partial list of musicians we lost in the 2010s: Aretha Franklin, David Bowie, Chuck Berry, Ornette Coleman, B.B. King, Etta James, Whitney Houston, Lou Reed, Leonard Cohen, Prince, Merle Haggard, Kitty Wells, João Gilberto, Ravi Shankar, Tabu Ley Rochereau, David Mancuso, Amy Winehouse, Abbie Lincoln, Gil Scott Heron, George Jones, George Martin, George Michael, Allen Toussaint, Donna Summer, Phife Dawg, Prodigy, Adam Yauch, Heavy D, Captain Beefheart, Robert Hunter, Gregory Isaacs, Johnny Otis, Big Jay McNeely, Levon Helm, Kate McGarrigle, Guy Clark, Pete Seeger, Ralph Stanley, Gregg Allman,...
- 12/11/2019
- by Will Hermes
- Rollingstone.com
One of the greatest rhythm sections to ever rub-a-dub on planet Earth, Sly and Robbie’s client roster has included Dylan, Madonna, Serge Gainsbourg, and No Doubt. But the team’s best jams are the most deeply rooted in the Jamaican music they helped invent — at the core of Peter Tosh’s band; with the Compass Point All-Stars; and on their own Taxi Records sessions, source of some of the reggae canon’s mightiest sides. Their ur-grooves justify from the get-go Red Gold Green & Blue, a set of blues, r...
- 7/12/2019
- by Will Hermes
- Rollingstone.com
In a time when Puerto Rican music is more popular than ever — more specifically, that of urbano superstars like Daddy Yankee, Bad Bunny and Ozuna — reviving a rock band seems like a hard sell. But this summer, beloved Boricua punks Dávila 666 are up for a challenge.
“We felt it was time to wake the beast up and play some rock ‘n’ roll,” vocalist-bassist Aj Dávila tells Rolling Stone. “We missed playing music with each other, and also for the Children of Darkness.”
Back with their first release in five years,...
“We felt it was time to wake the beast up and play some rock ‘n’ roll,” vocalist-bassist Aj Dávila tells Rolling Stone. “We missed playing music with each other, and also for the Children of Darkness.”
Back with their first release in five years,...
- 6/7/2019
- by Suzy Exposito
- Rollingstone.com
I have to write about this great series because after all, I am a Los Angelina myself!
Los Angeles Filmforum was started in 1975 by Terry Cannon. Adam Hyman became director in 2003 as an act of love for films which would not reach the light of day without his work. That Moca is supporting him in this series is also important and it shows that Los Angeles has a sense of itself and finds the sense in preserving what film history has created.
Los Angeles Filmforum at Moca is supported through both organizations by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission; the Department of Cultural Affairs, City of Los Angeles; and at Moca by Catherine Opie.
Additional support of Filmforum's screening series comes from the Mike Kelley Foundation for the Arts. Additional support to Filmforum generously provided by American Cinematheque. They also depend on our members, ticket buyers, and individual donors.
Los Angeles is perhaps the most photographed, yet least understood city in the world. For all of the countless images, it is as though few people have actually seen the city well enough to depict it. Coinciding with A New Sculpturalism: Contemporary Architecture from Southern California, Los Angeles Filmforum at Moca presents a program of recent films that break this mold, and in so doing document the changing landscape of the city in the 21st century. Thom Andersen, Alexandra Cuesta, and Clay Dean use poignant and at times even poetic images of buildings, immigrant neighborhoods, deteriorating signage, and readymade still lifes to give us a sense of place as well as the uncanny. Serving as an elegiac prologue to this recent efflorescence of observational cinema is Kent MacKenzie’s heartbreaking Bunker Hill 1956, a rich documentary memorializing the site whose destruction preceded downtown’s current incarnation as a corporate office block (and home to Moca).
In person: Thom Anderson and Clay Dean
What: Los Angeles Filmforum at Moca Presents: This is the City
When: Thursday, July 11, 2013 – 7pm
Where: Moca Grand Avenue, Ahmanson Auditorium, 250 South Grand Avenue, Los Angeles 90012
Tickets: $12 general admission; $7 students with valid ID
Tickets available at moca.org
Free for Moca and Los Angeles Filmforum members; must present current membership card to claim free tickets
Info 213/621-1745 or education[a]moca.org
“Get Out [of the Car]” began as an outgrowth of “Los Angeles Plays Itself,” inspired by a peeling billboard. The film became a 30-minute symphony devoted to the remnants of a vanished Los Angeles of neighborhood farms and demolished concert halls. —Saul Austerlitz, New York Times
“Although Los Angeles has appeared in more films than any other city, I believe that it has not been well served by these films. San Francisco, New York, London, Paris, Berlin, Tokyo have all left more indelible impressions. It happens that many film-makers working in Los Angeles don’t appreciate the city, and very few of them understand much about it, but their failures in depicting it may have more profound causes.
“In Los Angeles Plays Itself, I claimed that the city is not cinematogenic. ‘It’s just beyond the reach of an image.’ Now I’m not so sure. In any case, I became gradually obsessed with making a proper Los Angeles city symphony film.” —Thom Andersen, “Get Out of the Car: A Commentary”
Screening:
Kent MacKenzie, Bunker Hill 1956
1956, 16mm, black and white, sound; 18min.
Print courtesy of USC.
Before making his landmark feature The Exiles, Kent MacKenzie produced this intelligent and sensitive portrait of the Bunker Hill neighborhood, which was already in 1956 under very serious threat of total redevelopment and eradication. The film focuses in particular on the single, elderly pensioners who lived in the neighborhood, and proposes that far from being a slum, Bunker Hill was a very defined and beloved community. —Mark Toscano
Alexandra Cuesta, Despedida (Farewell)
2013; 16mm, color, sound; 10 min.
Shot in Boyle Heights in East Los Angeles, this transitory neighborhood resonates with the poetry of local resident Mapkaulu Roger Nduku. Verses about endings, looking and passing through open up the space projected. A string of tableaus gather a portrait of a place and compose a goodbye letter to an ephemeral home. —AC
Clay Dean, Not West of Western
2011; 16mm, black and white, sound; 13.5 min.
Walking within parameters that define the heart of Los Angeles, Not West of Western explores the cross section of still photography and cinema while at the same time calling attention to the unique cross-cultural landscape of the city. —CD
Thom Andersen, Get Out of the Car
2010; 16mm, color, sound; 35 min.
Direction: Thom Andersen; camera: Madison Brookshire, Adam R. Levine; editing: Adam R. Levine; sound: Craig Smith
Get Out of the Car is a city symphony film in 16mm composed from advertising signs, building facades, fragments of music and conversation, and unmarked sites of vanished cultural landmarks (including El Monte Legion Stadium and the Barrelhouse in Watts). The musical fragments compose an impressionistic survey of popular music made in Los Angeles (and a few other places) from 1941 to 1999, with an emphasis on rhythm’n’blues and jazz from the 1950s and corridos from the 1990s. The music of Richard Berry, Johnny Otis, Leiber and Stoller, and Los Tigres del Norte is featured prominently. —Ta
Total Running Time: 76.5 min.
Programmed by Madison Brookshire
Los Angeles Filmforum at Moca furthers Moca’s mission to be the defining museum of contemporary art by adding a bimonthly series of film and video screenings organized and co-presented by Los Angeles Filmforum—the city’s longest-running organization dedicated to weekly screenings of experimental film, documentaries, video art, and experimental animation.
Los Angeles Filmforum was started in 1975 by Terry Cannon. Adam Hyman became director in 2003 as an act of love for films which would not reach the light of day without his work. That Moca is supporting him in this series is also important and it shows that Los Angeles has a sense of itself and finds the sense in preserving what film history has created.
Los Angeles Filmforum at Moca is supported through both organizations by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission; the Department of Cultural Affairs, City of Los Angeles; and at Moca by Catherine Opie.
Additional support of Filmforum's screening series comes from the Mike Kelley Foundation for the Arts. Additional support to Filmforum generously provided by American Cinematheque. They also depend on our members, ticket buyers, and individual donors.
Los Angeles is perhaps the most photographed, yet least understood city in the world. For all of the countless images, it is as though few people have actually seen the city well enough to depict it. Coinciding with A New Sculpturalism: Contemporary Architecture from Southern California, Los Angeles Filmforum at Moca presents a program of recent films that break this mold, and in so doing document the changing landscape of the city in the 21st century. Thom Andersen, Alexandra Cuesta, and Clay Dean use poignant and at times even poetic images of buildings, immigrant neighborhoods, deteriorating signage, and readymade still lifes to give us a sense of place as well as the uncanny. Serving as an elegiac prologue to this recent efflorescence of observational cinema is Kent MacKenzie’s heartbreaking Bunker Hill 1956, a rich documentary memorializing the site whose destruction preceded downtown’s current incarnation as a corporate office block (and home to Moca).
In person: Thom Anderson and Clay Dean
What: Los Angeles Filmforum at Moca Presents: This is the City
When: Thursday, July 11, 2013 – 7pm
Where: Moca Grand Avenue, Ahmanson Auditorium, 250 South Grand Avenue, Los Angeles 90012
Tickets: $12 general admission; $7 students with valid ID
Tickets available at moca.org
Free for Moca and Los Angeles Filmforum members; must present current membership card to claim free tickets
Info 213/621-1745 or education[a]moca.org
“Get Out [of the Car]” began as an outgrowth of “Los Angeles Plays Itself,” inspired by a peeling billboard. The film became a 30-minute symphony devoted to the remnants of a vanished Los Angeles of neighborhood farms and demolished concert halls. —Saul Austerlitz, New York Times
“Although Los Angeles has appeared in more films than any other city, I believe that it has not been well served by these films. San Francisco, New York, London, Paris, Berlin, Tokyo have all left more indelible impressions. It happens that many film-makers working in Los Angeles don’t appreciate the city, and very few of them understand much about it, but their failures in depicting it may have more profound causes.
“In Los Angeles Plays Itself, I claimed that the city is not cinematogenic. ‘It’s just beyond the reach of an image.’ Now I’m not so sure. In any case, I became gradually obsessed with making a proper Los Angeles city symphony film.” —Thom Andersen, “Get Out of the Car: A Commentary”
Screening:
Kent MacKenzie, Bunker Hill 1956
1956, 16mm, black and white, sound; 18min.
Print courtesy of USC.
Before making his landmark feature The Exiles, Kent MacKenzie produced this intelligent and sensitive portrait of the Bunker Hill neighborhood, which was already in 1956 under very serious threat of total redevelopment and eradication. The film focuses in particular on the single, elderly pensioners who lived in the neighborhood, and proposes that far from being a slum, Bunker Hill was a very defined and beloved community. —Mark Toscano
Alexandra Cuesta, Despedida (Farewell)
2013; 16mm, color, sound; 10 min.
Shot in Boyle Heights in East Los Angeles, this transitory neighborhood resonates with the poetry of local resident Mapkaulu Roger Nduku. Verses about endings, looking and passing through open up the space projected. A string of tableaus gather a portrait of a place and compose a goodbye letter to an ephemeral home. —AC
Clay Dean, Not West of Western
2011; 16mm, black and white, sound; 13.5 min.
Walking within parameters that define the heart of Los Angeles, Not West of Western explores the cross section of still photography and cinema while at the same time calling attention to the unique cross-cultural landscape of the city. —CD
Thom Andersen, Get Out of the Car
2010; 16mm, color, sound; 35 min.
Direction: Thom Andersen; camera: Madison Brookshire, Adam R. Levine; editing: Adam R. Levine; sound: Craig Smith
Get Out of the Car is a city symphony film in 16mm composed from advertising signs, building facades, fragments of music and conversation, and unmarked sites of vanished cultural landmarks (including El Monte Legion Stadium and the Barrelhouse in Watts). The musical fragments compose an impressionistic survey of popular music made in Los Angeles (and a few other places) from 1941 to 1999, with an emphasis on rhythm’n’blues and jazz from the 1950s and corridos from the 1990s. The music of Richard Berry, Johnny Otis, Leiber and Stoller, and Los Tigres del Norte is featured prominently. —Ta
Total Running Time: 76.5 min.
Programmed by Madison Brookshire
Los Angeles Filmforum at Moca furthers Moca’s mission to be the defining museum of contemporary art by adding a bimonthly series of film and video screenings organized and co-presented by Los Angeles Filmforum—the city’s longest-running organization dedicated to weekly screenings of experimental film, documentaries, video art, and experimental animation.
- 6/19/2013
- by Sydney Levine
- Sydney's Buzz
In the wake of the smash success and pop culture phenomenon of AMC's "Mad Men," other networks have been scrambling to develop their own period based dramas. ABC and NBC each tried with "Pan Am" and "The Playboy Club" respectively and failed, with both shows already canceled. But Starz has faith in their late '50s soaked "Magic City," chronicling the glitzy highlife (and lowlife) of Miami of the era. And with show already renewed for a second season, they are looking to stick around for a while.
With show now a couple of episodes in, Starz is not waiting to get the alternate revenue streams rolling as the soundtrack for the series is already on the way. And it's pretty solid. Boasting eleven tunes, it's steeped in the era with blues cuts from Bo Diddley and Johnny Otis, jazz from Lee Morgan, soul from Ray Charles and pop radio...
With show now a couple of episodes in, Starz is not waiting to get the alternate revenue streams rolling as the soundtrack for the series is already on the way. And it's pretty solid. Boasting eleven tunes, it's steeped in the era with blues cuts from Bo Diddley and Johnny Otis, jazz from Lee Morgan, soul from Ray Charles and pop radio...
- 4/16/2012
- by Kevin Jagernauth
- The Playlist
Christina Aguilera paid tibute to the late Etta James at her funeral today in California. Aguilera was also joined by Stevie Wonder, and Al Sharpton eulogized the blues singer as President Barack Obama spoke of James in a statement at the funeral. Four-time Grammy-winning singer and Rock and Roll Hall of Fame inductee James, a devotee of the late Johnny Otis (who also passed away last week), died Jan. 20 at age 73 after battling leukemia and complications from other health issues. Dlisted.com has a photo gallery showing Aguilera singing. The song that most people know James for is the romantic 1961 classic "At Last." Even President Obama and first lady Michelle Obama played this song (sung by Beyonce) at...
- 1/29/2012
- by April MacIntyre
- Monsters and Critics
American music icon Etta James, who made the rolls as a member of the Rock & Roll, Rockabilly, Blues and Grammy halls of fame, also honored with a star on the Hollywood Walk of Fame, died on January 20 at the age of 73. Ms. James, born in Los Angeles, moved to San Francisco in 1950, and formed a doo-wop trio. Ms. James was a devotee of the late Johnny Otis, who passed away Tuesday, January 17 at age 90. She referred to Mr. Otis as her "guru." Ms. James' style consisted of haunting melodic riffs and powerful blues, R&B and jazz laced with real-life emotion with a voice tinged with the demons of drug addiction. In 2010, Ms. James...
- 1/21/2012
- by April MacIntyre
- Monsters and Critics
It's an annual event as well as a browse that could suck up an entire weekend: Senses of Cinema's worldwide poll of… well, they're not all critics, so let's just call them friends of cinema. You'll want to scroll up and down the whole thing, but take a look, too, at the best of 2011 according to Notebook editor Daniel Kasman and contributors Celluloid Liberation Front, Christoph Huber, Olaf Möller and Dan Sallitt as well as a major presence here in the Forum and elsewhere, David Ehrenstein.
London. This is the year we'll be seeing the results of Sight & Sound's poll of more friends of cinema regarding the greatest films of all time. It happens only once every ten years and in the magazine's pages, Graham Fuller argues a mighty case for the return of Jean Vigo's L'Atalante (1934) to the top ten. The film's opening today for an extended run at BFI Southbank,...
London. This is the year we'll be seeing the results of Sight & Sound's poll of more friends of cinema regarding the greatest films of all time. It happens only once every ten years and in the magazine's pages, Graham Fuller argues a mighty case for the return of Jean Vigo's L'Atalante (1934) to the top ten. The film's opening today for an extended run at BFI Southbank,...
- 1/20/2012
- MUBI
R&B great Etta James, best known for her classic song "At Last," has died from chronic leukemia. She was 73.
James had been struggling with the disease for several years. She died at a hospital in Riverside, Calif. with her husband of 41 years, Artis Mills, and her sons by her side.
Etta's longtime friend and manager, Lupe De Leon, said, "This is a tremendous loss for the family, her friends and fans around the world.
James had been struggling with the disease for several years. She died at a hospital in Riverside, Calif. with her husband of 41 years, Artis Mills, and her sons by her side.
Etta's longtime friend and manager, Lupe De Leon, said, "This is a tremendous loss for the family, her friends and fans around the world.
- 1/20/2012
- Extra
Everett Etta James, c. late 1950s
Etta James, the sultry, powerful blues, R&B and jazz singer who infused her work with a depth of emotion culled from hard-fought experience, died today in Riverside, Calif. She was 73. In 2010, Ms. James was diagnosed with leukemia. The singer also suffered from hepatitis C and dementia and spent two weeks in the hospital earlier this month.
Ms. James is best known for her 1961 hit “At Last,” which is the definitive version of the oft-covered classic.
Etta James, the sultry, powerful blues, R&B and jazz singer who infused her work with a depth of emotion culled from hard-fought experience, died today in Riverside, Calif. She was 73. In 2010, Ms. James was diagnosed with leukemia. The singer also suffered from hepatitis C and dementia and spent two weeks in the hospital earlier this month.
Ms. James is best known for her 1961 hit “At Last,” which is the definitive version of the oft-covered classic.
- 1/20/2012
- by Jim Fusilli
- Speakeasy/Wall Street Journal
Etta James, the powerful blues voice behind the chart-topping 1961 evergreen "At Last," has died after a lengthy struggle with leukemia. She was 73. Her longtime friend and manager, Lupe De Leon, first confirmed the news to CNN. "This is a tremendous loss for the family, her friends and fans around the world," De Leon said. "She was a true original who could sing it all - her music defied category. I worked with Etta for over 30 years. She was my friend and I will miss her always." Because of her health concerns, James had curtailed her concerts in January 2010 to enter...
- 1/20/2012
- by Stephen M. Silverman
- PEOPLE.com
Soul-singing legend Etta James has died from complications arising from leukemia. Her husband, Artis Mills, and her sons were at her side, according to her longtime friend and manager Lupe De Leon. She was seventy-three. Born Jamesetta Hawkins in Los Angeles to a teen mother, James never knew her father, though she suspected he was the pool player Minnesota Fats. She grew up with a series of surrogate parents, including a couple that owned a boardinghouse. In 1950, she set up shop in San Francisco, where she was discovered by Johnny Otis. Eventually, she was signed to Chess Records, where she recorded classic cuts like "Stormy Weather" and perennial wedding favorite "At Last" (dramatized inaccurately in the film Cadillac Records). James had her share of personal struggles, including a battle with heroin addiction and a disposition charitably described as "brassy." De Leon told CNN [...]...
- 1/20/2012
- Nerve
Rock and Roll Hall of Famer Johnny Otis died Tuesday at his home in Altadena, Calif. He was 90 years old. His death was confirmed to the New York Times by manager Terry Gould. The musician, who lead a band in the late 1940s that was credited with helping to create modern day rhythm and blues by combining big band jazz standards with the blues and gospel music and earning him the nickname "the godfather of rhythm and blues," was inducted into the Hall of Fame in 1994. At his induction, Etta James called Otis her "guru." Otis produced tEtta James, Jackie Wilson and Big Mama Thorton, who originally recorded "Hound Dog" in 1952, four years before...
- 1/20/2012
- by April MacIntyre
- Monsters and Critics
Johnny Otis has died, aged 90. The 'godfather of rhythm and blues', who helped bring black music to mainstream white audiences in the 1940s, passed away on Tuesday at his home in Altadena, California. Otis had hits with 'Harlem Nocturne' and 'Willie and the Hand Jive', which sold over 1.5 million copies in 1950 and was later covered by Eric Clapton among others. He also supported the early careers of Etta James, Big Mama Thornton and wrote (more)...
- 1/19/2012
- by By Tom Eames
- Digital Spy
Los Angeles (AP) — Johnny Otis, the "godfather of rhythm and blues" who wrote and recorded the R&B classic "Willie and the Hand Jive" and for decades evangelized black music to white audiences as a bandleader and radio host, has died. He was 90. Otis, who had been in poor health for several years, died at his home in the Los Angeles foothill suburb of Altadena on Tuesday, said his manager, Terry Gould. Otis, who was white, was born John Veliotes to Greek immigrants and grew up in a black section of Berkeley, where he said he identified far more with...
- 1/19/2012
- by Robert Jablon/AP Staff
- Hitfix
Cage The Elephant Cage The Elephant is the pristine punky-funky quintette founded by brothers Matt (vocals) and Brad (guitars) Shultz, in 2005. Jared Champion (drums), Daniel Tichenor (bass, vocals), and Lincoln Parish (guitars) round out this Bowling Green, Kentucky unit. "Back Stabbin' Betty," from the band's self-titled 2009 collection, Cage The Elephant, produced by Grammy winner Jay Joyce, has a rock-'n'-roll majesty. Currently on tour. Buy: iTunes Genre: Rock 'n' Roll Artist: Cage The Elephant Song: Back Stabbin' Betty Album: Cage The Elephant Tour: Visit Shuggie Otis Rock-'n'-soul singer, writer, producer, arranger, and multi-instrumentalist (guitar, bass, vibraphone, piano, organ, drums) Shuggie Otis was born in Los Angeles in 1953, the son of legendary blues master Johnny Otis. A child guitar prodigy, Shuggie started his career at the tender age of 12. By his mid-teens, he penned "Strawberry Letter 23," which became a big hit for The Brothers Johnson....
- 6/5/2009
- by Phil Ramone and Danielle Evin
- Huffington Post
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