To celebrate the DVD release of The Halfway House available on DVD now, Optimum Home Entertainment have given us three copies of the movie to give away on DVD. The movie was directed by Basil Dearden and stars Mervyn Johns, Glynis Johns and Sally Ann Howes.
2011 sees the centenary of the birth of Ealing stalwart Basil Dearden, who directed more Ealing films than any of his peers – 18 – including The Blue Lamp, Saraband for Dead Lovers and The Halfway House. He was also the director of the ground-breaking Victim, starring Dirk Bogarde.
The Halfway House is an enjoyable mystery tale of a group of strangers driven to take shelter at a remote Welsh Inn during a storm. Each has a personal problem to hide, but they are soon brought together by unsettling events perhaps precipitated by their hosts, the enigmatic innkeepers. Starring Mervyn Johns and real-life daughter Glynis, The Halfway House...
2011 sees the centenary of the birth of Ealing stalwart Basil Dearden, who directed more Ealing films than any of his peers – 18 – including The Blue Lamp, Saraband for Dead Lovers and The Halfway House. He was also the director of the ground-breaking Victim, starring Dirk Bogarde.
The Halfway House is an enjoyable mystery tale of a group of strangers driven to take shelter at a remote Welsh Inn during a storm. Each has a personal problem to hide, but they are soon brought together by unsettling events perhaps precipitated by their hosts, the enigmatic innkeepers. Starring Mervyn Johns and real-life daughter Glynis, The Halfway House...
- 6/24/2011
- by Competitons
- HeyUGuys.co.uk
“Time stands still, here in the Valley” - Mr Rhys the Innkeeper.
When we think of the legacy of Ealing Studios, film fans will always remember the classic comedies Passport to Pimlico (1949), The Lavender Hill Mob (1951) and The Man in the White Suit (1951). Long considered the Studios' finest cinema achievements, the beauty of an Ealing comedy is its realist style. Whereas The Carry On films and the Boulting Brothers relied on caricature, Ealing always focused on the ordinary man, notably Stanley Holloway and Alec Guinness, being placed in an extraordinary situation.
Such was their comedy success it’s easy to forget that Ealing dabbled in more serious, and at times, much darker stuff. Horror was never a genre associated with the studio, although the black humour of the excellent Kind Hearts and Coronets (1949) - with its imaginative murders - pre-dated the ghoulish Theatre of Blood (1973) by nearly 25 years; and yet...
When we think of the legacy of Ealing Studios, film fans will always remember the classic comedies Passport to Pimlico (1949), The Lavender Hill Mob (1951) and The Man in the White Suit (1951). Long considered the Studios' finest cinema achievements, the beauty of an Ealing comedy is its realist style. Whereas The Carry On films and the Boulting Brothers relied on caricature, Ealing always focused on the ordinary man, notably Stanley Holloway and Alec Guinness, being placed in an extraordinary situation.
Such was their comedy success it’s easy to forget that Ealing dabbled in more serious, and at times, much darker stuff. Horror was never a genre associated with the studio, although the black humour of the excellent Kind Hearts and Coronets (1949) - with its imaginative murders - pre-dated the ghoulish Theatre of Blood (1973) by nearly 25 years; and yet...
- 6/14/2011
- Shadowlocked
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