This year’s selection will be announced over two waves to account for pandemic conditions.
The first 32 features up for the 2020 European Films Awards has been announced with a second wave of “pandemic year” titles due to be revealed in September.
Scroll down for first selection of films
The titles include Armando Iannucci’s The Personal History Of David Copperfield and Viggo Mortensen’s Falling as well as Berlinale award-winners Undine, by Christian Petzold; Hidden Away, by Giorgio Diritti; Bad Tales, by the D’Innocenzo Brothers; Dau. Natasha, by Ilya Khrzhanovskiy and Jekaterina Oertel; and Delete History, by Benoît Delépine and Gustave Kervern.
The first 32 features up for the 2020 European Films Awards has been announced with a second wave of “pandemic year” titles due to be revealed in September.
Scroll down for first selection of films
The titles include Armando Iannucci’s The Personal History Of David Copperfield and Viggo Mortensen’s Falling as well as Berlinale award-winners Undine, by Christian Petzold; Hidden Away, by Giorgio Diritti; Bad Tales, by the D’Innocenzo Brothers; Dau. Natasha, by Ilya Khrzhanovskiy and Jekaterina Oertel; and Delete History, by Benoît Delépine and Gustave Kervern.
- 8/18/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Dau, the 700-hour behemoth of a cinema project, directed by Ilya Khrzhanovskiy, Jekaterina Oertel and Ilya Permyakov, caused quite a stir when two of its films premiered this year at Berlinale. The six-hour Dau. Degeneration and the four-hour Dau. Natasha both featured an extensive cast of mostly non-professional yet intensely watchable, often heartbreakingly convincing actors. Most of the project had been shot on the 42,000-square-feet set in Ukraine, which created an isolated, immersive atmosphere. With panache, some debauchery and plenty chugged vodka, the films inducted viewers into the universe of an isolated, top-secret Soviet research institute, where science and reason succumb to ruthless might and political machinations.In contrast to the sprawling Degeneration, and in line with the more intimate Natasha, the latest feature of the project to be released, Dau. Nora Mother, is modest. At just under one hour and thirty minutes, it feels slight, but that’s not necessarily a bad thing.
- 5/4/2020
- MUBI
Early as it may be to provide a cogent assessment of the 70th Berlinale, the first edition under the new leadership of executive director Mariette Rissenbeek and artistic director Carlo Chatrian, fresh finds and new ideas seemed to herald much-welcomed changes to the festival's curatorial vision. Sure, the official competition—historically a mix bag often stashed with one too many crowd-pleasers under former Berlinale director Dieter Kosslick—may not have featured “many more truly great and prize-worthy contributions” than in the past, as noted by Andreas Kilb at Frankfurter Allgemeine Zeitung. But in his thorough analysis of Chatrian’s first mandate, over at IndieWire Eric Kohn contends that the fest’s official lineup has always had to wrestle with a difficult calendar slot:Hamstrung by its placement after Sundance and before Cannes, [Berlin] must compete with both the most prominent festival in the U.S. and the most revered one in the world.
- 3/9/2020
- MUBI
Above: Dau. DegenerationThere comes a scene in Dau. Degeneration, the smorgasbord of a film co- directed by Ilya Khrzhanovsky and Ilya Permyakov, when a pig is painted with anti-semitic and anti-democratic slogans, dragged out of a pigsty to a boarding house, where residents (mostly members of scientific community) are having dinner, and then savagely slaughtered and hacked to bits before them, by a ruthless Kgb-agent-in-training, as blood and guts gush out. The long scene’s visceral shock says much about Dau as a project—an endurance test of sorts, which the Dau directors and cast undertook by secluding themselves for three years to film what, by now, reportedly amounts to 700 hours of footage. The saga is dedicated to the malice of Soviet Russia, but, as one of the actors present at the Berlin Film Festival where the film premiered put it, truly to how Russia never digested its past,...
- 3/4/2020
- MUBI
Iranian filmmaker Mohammad Rasoulof’s “There Is No Evil,” a drama about the impact of capital punishment on society and the human condition, won the Golden Bear at this year’s Berlin Film Festival on Saturday.
The seven-person festival jury, headed by Jeremy Irons, spread the prizes far and wide, with no single filmmaker dominating the awards.
American writer-director Eliza Hittman won the Silver Bear Grand Jury Prize for “Never Rarely Sometimes Always,” a drama about teen pregnancy, while the Silver Bear for best director went to South Korea’s Hong Sang Soo for his Seoul-set drama “The Woman Who Ran.”
Rasoulof, who is unable to leave Iran due to a travel ban, faces a one-year prison sentence for “spreading propaganda.” The filmmaker released a statement on Friday expressing his sorrow at missing the premiere of “There Is No Evil”: “I am sorry that I will not be able...
The seven-person festival jury, headed by Jeremy Irons, spread the prizes far and wide, with no single filmmaker dominating the awards.
American writer-director Eliza Hittman won the Silver Bear Grand Jury Prize for “Never Rarely Sometimes Always,” a drama about teen pregnancy, while the Silver Bear for best director went to South Korea’s Hong Sang Soo for his Seoul-set drama “The Woman Who Ran.”
Rasoulof, who is unable to leave Iran due to a travel ban, faces a one-year prison sentence for “spreading propaganda.” The filmmaker released a statement on Friday expressing his sorrow at missing the premiere of “There Is No Evil”: “I am sorry that I will not be able...
- 2/29/2020
- by Ed Meza
- Variety Film + TV
A group of Russian journalists at the Berlinale have published an open letter to festival leadership, questioning their selection of controversial Russian film “Dau. Natasha” during a period “marked by the struggle against the culture of violence and abuse in the film industry.”
The post, published Saturday on Russian feminist film website Kkbbd.com and signed by five accredited journalists, takes aim at the alleged violence, both psychological and physical, towards cast members in the making of the Russian epic, which was largely shot on a sprawling Ukrainian set over several years, with cast and crew completely immersed throughout the period.
Directed by Ilya Khrzhanovsky and Jekaterina Oertel, “Dau. Natasha” is one instalment of a planned series of films culled from more than 700 hours of footage. A second film, “Dau. Degeneration,” premiered out of competition in the Berlinale Special selection Friday.
Addressed to Berlinale creative director Carlo Chatrian and executive director Mariette Rissenbeek,...
The post, published Saturday on Russian feminist film website Kkbbd.com and signed by five accredited journalists, takes aim at the alleged violence, both psychological and physical, towards cast members in the making of the Russian epic, which was largely shot on a sprawling Ukrainian set over several years, with cast and crew completely immersed throughout the period.
Directed by Ilya Khrzhanovsky and Jekaterina Oertel, “Dau. Natasha” is one instalment of a planned series of films culled from more than 700 hours of footage. A second film, “Dau. Degeneration,” premiered out of competition in the Berlinale Special selection Friday.
Addressed to Berlinale creative director Carlo Chatrian and executive director Mariette Rissenbeek,...
- 2/29/2020
- by Manori Ravindran and Rebecca Davis
- Variety Film + TV
It is no use of hyperbole to suggest that Dau. Natasha already looks like one of the most provocative art films ever made. The first strictly theatrical feature to be released from Ilya Khrzhanovsky’s gargantuan, unprecedented Dau project (12 other films were shown at an immersive exhibition in Paris last year), it offers the viewer a kind of Westworld-style trip into a fully realized Stalinist world; a frighteningly believable place where seemingly no act is deemed unfit for the screen. Further installments are alleged to be on their way to Cannes and Venice. May God help us all.
Has a production ever been so shrouded in mystery? Substantial security and non-disclosure agreements have, for the most part, succeeded in keeping a lid on Khrzhanovsky’s universe: a living, working Soviet town (with running water and electricity) that has apparently been in operation for years; populated with hundreds of cast members who live,...
Has a production ever been so shrouded in mystery? Substantial security and non-disclosure agreements have, for the most part, succeeded in keeping a lid on Khrzhanovsky’s universe: a living, working Soviet town (with running water and electricity) that has apparently been in operation for years; populated with hundreds of cast members who live,...
- 2/28/2020
- by Rory O'Connor
- The Film Stage
‘Never Rarely Sometimes Always’ still leads.
Burhan Qurbani’s Berlin Alexanderplatz and Sally Potter’s The Roads Not Taken scored low on Screen’s Berlin 2020 Competition jury grid, as controversial Russian title Dau. Natasha split opinion for a joint-third place spot.
Qurbani’s adaptation of Alfred Döblin’s 1929 novel scored three ones (poor) from Segnocinema’s Paolo Bertolin, Meduza’s Anton Dolin, and The Morning Star’s Rita Di Santo, as well as three twos (average), with only one positive score of three (good) from Dagens Nyheter’s Helena Lindblad. This brought it an average of 1.7, the fourth-lowest score on the grid.
Burhan Qurbani’s Berlin Alexanderplatz and Sally Potter’s The Roads Not Taken scored low on Screen’s Berlin 2020 Competition jury grid, as controversial Russian title Dau. Natasha split opinion for a joint-third place spot.
Qurbani’s adaptation of Alfred Döblin’s 1929 novel scored three ones (poor) from Segnocinema’s Paolo Bertolin, Meduza’s Anton Dolin, and The Morning Star’s Rita Di Santo, as well as three twos (average), with only one positive score of three (good) from Dagens Nyheter’s Helena Lindblad. This brought it an average of 1.7, the fourth-lowest score on the grid.
- 2/27/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
“Dau. Natasha” has no credits to explain the wild concept behind its existence, but context is everything. The sophomore feature from Russian director Ilya Khrzhanovskiy follows his well-received 2004 debut “4,” but this is the rare case of an extensive delay that makes complete sense. The movie takes the form of a sexually explicit drama with a jarring Orwellian turn in its final act, and ends with a harrowing sexual assault, but the circumstances behind the scenes deepen the queasy intrigue that has defined the life of this project for more than a dozen years.
Khrzhanovskiy initially set out to make a traditional biopic of Soviet-era physicist Lev Landau, but the production later transformed into an epic installation piece, and eventually the most ambitious filmmaking experiment in history. The filmmaker built a sprawling 42,000-square-foot set in Kharkiv, Ukraine, and cast some 352,000 people to live 24 hours a day in a meticulous recreation of a Soviet science institute.
Khrzhanovskiy initially set out to make a traditional biopic of Soviet-era physicist Lev Landau, but the production later transformed into an epic installation piece, and eventually the most ambitious filmmaking experiment in history. The filmmaker built a sprawling 42,000-square-foot set in Kharkiv, Ukraine, and cast some 352,000 people to live 24 hours a day in a meticulous recreation of a Soviet science institute.
- 2/26/2020
- by Eric Kohn
- Indiewire
There’s a school of critical thought that believes no contextual details or backstory to a film — be they to do with its source material, the circumstances of its production, or its makers’ motivation — should be examined or factored into a review of it, that the final product up on the screen is the only thing that counts. In many cases, that’s correct. It’s an all but impossible approach to take, however, to “Dau. Natasha,” the first theatrical feature to emerge from the mammoth, multidisciplinary Dau art project — equal parts long-term film shoot, performance installation and “Truman Show”-esque anthropological experiment — intended to recreate the experience of everyday life under Stalinist oppression in a vast, fictitious Soviet research institution in the 1950s.
Ilya Khrzhanovskiy and Jekaterina Oertel impressively punishing chamber piece is ostensibly self-contained, yet to view it with no knowledge of the Dau project feels tantamount to...
Ilya Khrzhanovskiy and Jekaterina Oertel impressively punishing chamber piece is ostensibly self-contained, yet to view it with no knowledge of the Dau project feels tantamount to...
- 2/26/2020
- by Guy Lodge
- Variety Film + TV
“Dau. Natasha,” the Russian art project-turned-movie franchise competing at the Berlinale, has triggered headlines in the local and international press over the years due to its epic scale, scenes of graphic violence and anecdotes of an allegedly oppressive work environment for women.
Hours before the film’s premiere at a presser on Wednesday, Ilya Khrzhanovsky, who co-directed “Dau. Natasha” with Jekaterina Oertel, addressed several questions from journalists about claims of harassment and a difficult on-set environment for women, saying that such accusations were “a bit fashionable” and a byproduct of the immersive nature of the film.
“I think what you’re referring to didn’t happen. It’s a rather odd project, so people go digging around, ‘Surely someone raped someone,’” he said. “This project was running for a long time and we worked with a lot of different people, and there were various conflict situations — but they all had...
Hours before the film’s premiere at a presser on Wednesday, Ilya Khrzhanovsky, who co-directed “Dau. Natasha” with Jekaterina Oertel, addressed several questions from journalists about claims of harassment and a difficult on-set environment for women, saying that such accusations were “a bit fashionable” and a byproduct of the immersive nature of the film.
“I think what you’re referring to didn’t happen. It’s a rather odd project, so people go digging around, ‘Surely someone raped someone,’” he said. “This project was running for a long time and we worked with a lot of different people, and there were various conflict situations — but they all had...
- 2/26/2020
- by Rebecca Davis and Elsa Keslassy
- Variety Film + TV
‘The Woman Who Ran’, ‘Bad Tales’ score moderately.
Eliza Hittman’s Us drama Never Rarely Sometimes Always has become the runaway leader on Screen’s Berlin 2020 Competition jury grid.
The film achieved 3.4 - 0.3 ahead of the previous leader, Christian Petzold’s Undine.
This is also significantly ahead of the 3.0 for Synonyms and A Tale Of Three Sisters, the tied winners for 2019; and tops the 3.3 of 2018 winner Isle Of Dogs.
Segnocinema’s Paolo Bertolin, Meduza’s Anton Dolin and The Morning Star’s Rita Di Santo each gave it a top-score four (excellent), with the remaining three critics to have scored...
Eliza Hittman’s Us drama Never Rarely Sometimes Always has become the runaway leader on Screen’s Berlin 2020 Competition jury grid.
The film achieved 3.4 - 0.3 ahead of the previous leader, Christian Petzold’s Undine.
This is also significantly ahead of the 3.0 for Synonyms and A Tale Of Three Sisters, the tied winners for 2019; and tops the 3.3 of 2018 winner Isle Of Dogs.
Segnocinema’s Paolo Bertolin, Meduza’s Anton Dolin and The Morning Star’s Rita Di Santo each gave it a top-score four (excellent), with the remaining three critics to have scored...
- 2/26/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
Coproduction Office reveals first deals on ’Dau. Natasha’.
Four more Dau features are in post-production and ready to be unveiled at film festivals later this year and next, revealed Russian director Ilya Khrzhanovskiy, the co-director of Dau. Natasha, which is making its world premiere at the Berlinale tonight (February 26).
Dau. Natasha is the first standalone feature to emerge from the controversial multi-million dollar Dau immersive art project and is co-directed by Khrzhanovskiy and Jekaterina Oertel. Oertel was originally the head of makeup and hair design on the Dau project and took on an editing and co-direction role in post-production.
The...
Four more Dau features are in post-production and ready to be unveiled at film festivals later this year and next, revealed Russian director Ilya Khrzhanovskiy, the co-director of Dau. Natasha, which is making its world premiere at the Berlinale tonight (February 26).
Dau. Natasha is the first standalone feature to emerge from the controversial multi-million dollar Dau immersive art project and is co-directed by Khrzhanovskiy and Jekaterina Oertel. Oertel was originally the head of makeup and hair design on the Dau project and took on an editing and co-direction role in post-production.
The...
- 2/26/2020
- by 57¦Geoffrey Macnab¦41¦
- ScreenDaily
Coproduction Office reveals first deals on ’Dau.Natasha’.
Four more Dau features are in post-production and ready to be unveiled at film festivals later this year and next, revealed Russian director Ilya Khrzhanovskiy, the co-director of Dau. Natasha, which is making its world premiere at the Berlinale tonight (February 26).
Dau. Natasha is the first standalone feature to emerge from the controversial multi-million dollar Dau immersive art project and is co-directed by Khrzhanovskiy and Jekaterina Oertel. Oertel was originally the head of make up and hair design on the Dau project and took on an editing and co-direction role in post production.
Four more Dau features are in post-production and ready to be unveiled at film festivals later this year and next, revealed Russian director Ilya Khrzhanovskiy, the co-director of Dau. Natasha, which is making its world premiere at the Berlinale tonight (February 26).
Dau. Natasha is the first standalone feature to emerge from the controversial multi-million dollar Dau immersive art project and is co-directed by Khrzhanovskiy and Jekaterina Oertel. Oertel was originally the head of make up and hair design on the Dau project and took on an editing and co-direction role in post production.
- 2/26/2020
- by 57¦Geoffrey Macnab¦41¦
- ScreenDaily
The network of regional film funds is taking the opportunity to call for the von der Leyen Commission (2019-2024) to respect “the cultural exception" in Europe. As the 50 regional film funds that comprise the CineRegio network meet for their usual plenary session at Landesvertretung Thüringen to exchange learning and inspiration, the impact of their work is evident in the 39 films selected for the 70th Berlin Film Festival. The CineRegio members have supported 9 of the 18 feature films in this year's Golden Bear Competition (equivalent to 50%), as well as 9 titles in Panorama and 10 titles in Generation; and 2 titles in the new Encounters section devoted to new cinematic visions. For example the supported titles in Competition are Burhan Qurbani's Berlin Alexanderplatz (Mfg Baden Württemberg), Ilya Khrzhanovsky and Jekaterina Oertel's Dau. Natasha (Mitteldeutsche Medienförderung), Gustave Kervern and Benoît Delepine's Delete History (Pictanovo Région Hauts-de-France), Damiano and...
DaysThe titles for the 70th Berlin International Film Festival are being announced in anticipation of the event running February 20 - March 2, 2020. We will update the program as new films are revealed.COMPETITIONBerlin Alexanderplatz (Burhan Qurbani): Francis has survived his escape from Africa. In Berlin he gets to know Hasenheide park, the city’s clubs and its streets. His pal Reinhold becomes an adversary. Mieze brings both happiness and tragedy. Dau. Natasha (Ilya Khrzhanovskiy and Jekaterina Oertel): Natasha works in the canteen of a secret Soviet research institute. She drinks a lot, likes to talk about love and embarks on an affair. State security intervenes. A tale of violence that is as radical as it is provocative.The Woman Who Ran (Hong Sangsoo): While her husband is on a business trip, Gamhee meets three of her friends on the outskirts of Seoul. They make friendly conversation, as always,...
- 1/29/2020
- MUBI
The Berlinale lineup already includes films from Jia Zhangke, Matías Piñeiro, and more, but now the competition slate has arrived and it’s an incredibly promising selection. Headed by Carlo Chatrian, it includes many of our most-anticipated films of the year with Christian Petzold’s Undine, Hong Sang-soo’s The Woman Who Ran, Tsai Ming-Liang’s Days, Philippe Garrel’s The Salt of Tears, Abel Ferrara’s Siberia, and Caetano Gotardo & Marco Dutra’s All the Dead Ones, plus recent festival favorites: Kelly Reichardt’s First Cow and Eliza Hittman’s Never Rarely Sometimes Always.
Check out the lineup below and return for our coverage.
Competition
Berlin Alexanderplatz
Germany / Netherlands
by Burhan Qurbani
with Welket Bungué, Jella Haase, Albrecht Schuch, Joachim Król, Annabelle Mandeng, Nils Verkooijen, Richard Fouofié Djimeli
World premiere
Dau. Natasha
Germany / Ukraine / United Kingdom / Russian Federation
by Ilya Khrzhanovskiy, Jekaterina Oertel
with Natalia Berezhnaya, Olga Shkabarnya, Vladimir Azhippo,...
Check out the lineup below and return for our coverage.
Competition
Berlin Alexanderplatz
Germany / Netherlands
by Burhan Qurbani
with Welket Bungué, Jella Haase, Albrecht Schuch, Joachim Król, Annabelle Mandeng, Nils Verkooijen, Richard Fouofié Djimeli
World premiere
Dau. Natasha
Germany / Ukraine / United Kingdom / Russian Federation
by Ilya Khrzhanovskiy, Jekaterina Oertel
with Natalia Berezhnaya, Olga Shkabarnya, Vladimir Azhippo,...
- 1/29/2020
- by Jordan Raup
- The Film Stage
What to make of Carlo Chatrian’s first selection?
Berlin Film Festival has announced its Competition lineup for the 70th edition, which runs from February 20 - March 1.
Screen has picked out six key talking points to arise from the selection.
Berlin Film Festival unveils 2020 Competition line-up It looks pretty familiar
Carlo Chatrian’s first main competition selection does not look wildly different from the Dieter Kosslick years at first glance. Ilya Khrzhanovskiy and Jekaterina Oertel’s Dau, Natasha, Burham Qurbani’s Berlin Alexanderplatz, Benoît Delépine and Gustave Kervern’s Delete Forever and Philippe Garrel’s The Salt Of Tears are...
Berlin Film Festival has announced its Competition lineup for the 70th edition, which runs from February 20 - March 1.
Screen has picked out six key talking points to arise from the selection.
Berlin Film Festival unveils 2020 Competition line-up It looks pretty familiar
Carlo Chatrian’s first main competition selection does not look wildly different from the Dieter Kosslick years at first glance. Ilya Khrzhanovskiy and Jekaterina Oertel’s Dau, Natasha, Burham Qurbani’s Berlin Alexanderplatz, Benoît Delépine and Gustave Kervern’s Delete Forever and Philippe Garrel’s The Salt Of Tears are...
- 1/29/2020
- by 88¦Louise Tutt¦0¦¬1101321¦Ben Dalton¦26¦¬1101184¦Orlando Parfitt¦38¦¬1100453¦Michael Rosser¦9¦
- ScreenDaily
This morning’s Berlinale Competition line-up announcement featured 33% films (six of 18) with women directors, including one project, Dau. Natasha, which is co-directed by a man and a woman (Ilya Khrzhanovskiy and Jekaterina Oertel).
That’s a drop on last year’s percentage of 41%, when seven of 17 pics selected were from female filmmakers.
Still, the Berlin fest continues to compare favorably to the other major European festivals. In 2019, Venice featured just two women directors of the 21 films in its Competition (less than 10%), while Cannes selected four of 21 (19%).
Of the six films by women filmmakers, four are world premieres, with Kelly Reichardt’s First Cow arriving following its Telluride debut last year, and Eliza Hittman’s Never Rarely Sometimes Always having played more recently in Sundance. Those are the only two...
That’s a drop on last year’s percentage of 41%, when seven of 17 pics selected were from female filmmakers.
Still, the Berlin fest continues to compare favorably to the other major European festivals. In 2019, Venice featured just two women directors of the 21 films in its Competition (less than 10%), while Cannes selected four of 21 (19%).
Of the six films by women filmmakers, four are world premieres, with Kelly Reichardt’s First Cow arriving following its Telluride debut last year, and Eliza Hittman’s Never Rarely Sometimes Always having played more recently in Sundance. Those are the only two...
- 1/29/2020
- by Tom Grater
- Deadline Film + TV
The Berlin International Film Festival on Wednesday morning revealed the main competition lineup and gala selections for festival’s 70th edition.
The festival, which begins February 20, will screen 18 films in competition, including movies from Sally Potter, Kelly Reichardt, and Eliza Hittman. Six are from female directors.
Among the gala presentations is Pixar’s” Onward.” The Dan Scanlon-helmed urban fantasy includes the voices of Tom Holland, Chris Pratt, Julia-Louis Dreyfus, Octavia Spencer, Mel Rodriguez, Kyle Bornheimer, Lena Waithe, and Ali Wong.
Here is the complete list:
Competition
“Berlin Alexanderplatz” (Germany/Netherlands)
Director: Burhan Qurbani
Cast: Welket Bungué, Jella Haase, Albrecht Schuch, Joachim Król, Annabelle Mandeng, Nils Verkooijen, and Richard Fouofié Djimeli
“Dau. Natasha” (Germany/Ukraine/United Kingdom/Russia)
Directors: Ilya Khrzhanovskiy and Jekaterina Oertel
Cast: Natalia Berezhnaya, Olga Shkabarnya, Vladimir Azhippo, Alexei Blinov, and Luc Bigé
“Domangchin yeoja” (“The Woman Who Ran”) (South Korea)
Director: Hong Sangsoo
Cast: Kim Minhee,...
The festival, which begins February 20, will screen 18 films in competition, including movies from Sally Potter, Kelly Reichardt, and Eliza Hittman. Six are from female directors.
Among the gala presentations is Pixar’s” Onward.” The Dan Scanlon-helmed urban fantasy includes the voices of Tom Holland, Chris Pratt, Julia-Louis Dreyfus, Octavia Spencer, Mel Rodriguez, Kyle Bornheimer, Lena Waithe, and Ali Wong.
Here is the complete list:
Competition
“Berlin Alexanderplatz” (Germany/Netherlands)
Director: Burhan Qurbani
Cast: Welket Bungué, Jella Haase, Albrecht Schuch, Joachim Król, Annabelle Mandeng, Nils Verkooijen, and Richard Fouofié Djimeli
“Dau. Natasha” (Germany/Ukraine/United Kingdom/Russia)
Directors: Ilya Khrzhanovskiy and Jekaterina Oertel
Cast: Natalia Berezhnaya, Olga Shkabarnya, Vladimir Azhippo, Alexei Blinov, and Luc Bigé
“Domangchin yeoja” (“The Woman Who Ran”) (South Korea)
Director: Hong Sangsoo
Cast: Kim Minhee,...
- 1/29/2020
- by Chris Lindahl
- Indiewire
18-strong Competition strand includes films by Sally Potter, Hong Sangsoo, Tsai Ming-Liang, Christian Petzold, Rithy Panh and Philippe Garrel.
The 18-strong competition line-up for the 70th Berlin International Film Festival (Feb 20-Mar 1) has been unveiled by the festival’s new executive director Mariette Rissenbeek and artistic director Carlo Chatrian.
Among the titles selected are new work by Sally Potter, Kelly Reichardt, Hong Sangsoo, Philippe Garrel, Rithy Panh, Tsai Ming-Liang and Silver Bear winner Christian Petzold.
Other intriguing projects include Burhan Qurbani’s Berlin Alexanderplatz and Ilya Khrzhanovskiy and Jekaterina Oertel’s long-gestating project Dau. Natasha.
Six of the 18 films selected...
The 18-strong competition line-up for the 70th Berlin International Film Festival (Feb 20-Mar 1) has been unveiled by the festival’s new executive director Mariette Rissenbeek and artistic director Carlo Chatrian.
Among the titles selected are new work by Sally Potter, Kelly Reichardt, Hong Sangsoo, Philippe Garrel, Rithy Panh, Tsai Ming-Liang and Silver Bear winner Christian Petzold.
Other intriguing projects include Burhan Qurbani’s Berlin Alexanderplatz and Ilya Khrzhanovskiy and Jekaterina Oertel’s long-gestating project Dau. Natasha.
Six of the 18 films selected...
- 1/29/2020
- by 1101184¦Orlando Parfitt¦38¦
- ScreenDaily
The Berlin International Film Festival has unveiled its 2020 line-up, with 18 films playing in competition from directors such as Abel Ferrara, Sally Potter, Christian Petzold, Hong Sangsoo, Kelly Reichardt and Eliza Hittman.
Abel Ferrara’s Willem Dafoe starrer “Siberia” is a world premiere in competition, as is Sally Potter’s “The Roads Not Taken.”
Among the U.S. films at the Berlinale, Reichardt’s “First Cow” is an international premiere, and so too is Hittman’s “Never Rarely Sometimes Always.”
Pixar’s latest animation, “Onward”, also has its international premiere out of competition in the Special Galas section.
Previous Berlin Silver Bear winner Christian Petzold’s latest, “Undine”, world premieres, while Iranian director Mohammed Rasoulof, who is not allowed to travel outside his home country, world premieres his latest, “There is No Evil.”
Six out of the 18 films in competition are helmed by female directors.
The 70th edition of the festival...
Abel Ferrara’s Willem Dafoe starrer “Siberia” is a world premiere in competition, as is Sally Potter’s “The Roads Not Taken.”
Among the U.S. films at the Berlinale, Reichardt’s “First Cow” is an international premiere, and so too is Hittman’s “Never Rarely Sometimes Always.”
Pixar’s latest animation, “Onward”, also has its international premiere out of competition in the Special Galas section.
Previous Berlin Silver Bear winner Christian Petzold’s latest, “Undine”, world premieres, while Iranian director Mohammed Rasoulof, who is not allowed to travel outside his home country, world premieres his latest, “There is No Evil.”
Six out of the 18 films in competition are helmed by female directors.
The 70th edition of the festival...
- 1/29/2020
- by Tim Dams
- Variety Film + TV
The Berlin Film Festival revealed its main competition lineup and additional galas this morning at a press conference in the German capital.
The lineup includes new films by Sally Potter, Kelly Reichardt, Abel Ferrara, Christian Petzold, Hong Sangsoo and Iranian filmmaker Mohammad Rasoulof (who is unable to leave Iran due to a travel ban). Scroll down for the lineup in full.
Artistic director Carlo Chatrian confirmed that all main cast and all directors – other than Rasoulof – are due to attend the festival. Guests are set to include Hillary Clinton, who is the subject of Nanette Burstein’s docu-series Hillary; Stateless star and producer Cate Blanchett; Willem Dafoe, star of Abel Ferrara’s Siberia; and Javier Bardem, Elle Fanning and Salma Hayek, the stars of Potter’s drama The Roads Not Taken.
The 18-strong competition lineup includes six films by women directors. Last year, 17 films were selected for the competition with seven helmed by women.
The lineup includes new films by Sally Potter, Kelly Reichardt, Abel Ferrara, Christian Petzold, Hong Sangsoo and Iranian filmmaker Mohammad Rasoulof (who is unable to leave Iran due to a travel ban). Scroll down for the lineup in full.
Artistic director Carlo Chatrian confirmed that all main cast and all directors – other than Rasoulof – are due to attend the festival. Guests are set to include Hillary Clinton, who is the subject of Nanette Burstein’s docu-series Hillary; Stateless star and producer Cate Blanchett; Willem Dafoe, star of Abel Ferrara’s Siberia; and Javier Bardem, Elle Fanning and Salma Hayek, the stars of Potter’s drama The Roads Not Taken.
The 18-strong competition lineup includes six films by women directors. Last year, 17 films were selected for the competition with seven helmed by women.
- 1/29/2020
- by Andreas Wiseman
- Deadline Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.