After a decade working as a creative producer and Dp (“White on White”), José Angel Ayalón, co-founder of Tenerife-based El Viaje Films, has moved into production on “La Lucha,” a feature film set against the background of lucha canaria wrestling, a contact sport dating back to ancient times.
“La Lucha” marks the latest title from Tenerife-based El Viaje Films, behind 2015 international breakout “Dead Slow Ahead,” “Undergrowth” which took two prizes at this month’s Malaga Festival, the standout 2021 “They Carry Death,” selected for Venice’s Critics Week, as well as serving as the Spanish producer on Chile’s Oscar entry “White on White,” a 2019 Venice Horizons best film and director entry.
Just a decade back, “La Lucha’s” shoot would have been notable for its very existence. Now it forms part of a domestic Canary Islands film scene which, though years in its build, is suddenly seeming to be coming into focus,...
“La Lucha” marks the latest title from Tenerife-based El Viaje Films, behind 2015 international breakout “Dead Slow Ahead,” “Undergrowth” which took two prizes at this month’s Malaga Festival, the standout 2021 “They Carry Death,” selected for Venice’s Critics Week, as well as serving as the Spanish producer on Chile’s Oscar entry “White on White,” a 2019 Venice Horizons best film and director entry.
Just a decade back, “La Lucha’s” shoot would have been notable for its very existence. Now it forms part of a domestic Canary Islands film scene which, though years in its build, is suddenly seeming to be coming into focus,...
- 3/25/2024
- by John Hopewell and Callum McLennan
- Variety Film + TV
TelevisaUnivision’s streaming platform ViX is firing up six new original shows during the first quarter of the year, including a comedy feature with Spain’s The Mediapro Studio.
“From hilarious comedies to impactful reality shows and docuseries, the new ViX Originals exhibits the diversity of genres and storytelling that can only be found on ViX,” said Rodrigo Mazon, executive VP & chief content officer for ViX at TelevisaUnivision.
In a nod to its creative partners, Mazon added: “At ViX, audiences can find content for everyone, consistently maintaining a high standard of quality made by the best content creators of today.”
According to TelevisaUnivision’s 2023 4th Quarter report, the Spanish-language streaming service ended the year with more than 7 million subscribers and generated more than $700 million in revenue.
However, like most other streaming platforms facing competitive headwinds and higher costs, production budgets per episode are being trimmed at ViX, according to sources.
“From hilarious comedies to impactful reality shows and docuseries, the new ViX Originals exhibits the diversity of genres and storytelling that can only be found on ViX,” said Rodrigo Mazon, executive VP & chief content officer for ViX at TelevisaUnivision.
In a nod to its creative partners, Mazon added: “At ViX, audiences can find content for everyone, consistently maintaining a high standard of quality made by the best content creators of today.”
According to TelevisaUnivision’s 2023 4th Quarter report, the Spanish-language streaming service ended the year with more than 7 million subscribers and generated more than $700 million in revenue.
However, like most other streaming platforms facing competitive headwinds and higher costs, production budgets per episode are being trimmed at ViX, according to sources.
- 3/20/2024
- by Anna Marie de la Fuente
- Variety Film + TV
Fox’s back-to-back talent show telecasts of “The Masked Singer’s” fifth season debut at 8 p.m. followed by the series premiere of “Game of Talents” with host Wayne Brady at 9 p.m. outperformed on Wednesday primetime fast-affiliate numbers.
“The Masked Singer” received a rating of 1.2 in the adults ages 18-49 demographic and 5.42 million viewers, and “Game of Talents” obtained a 0.7 in the key demo and 3.10 million viewers. In comparison with the performance of the Big 4 network’s primetime programming and the Spanish-language network broadcasts between 8 and 11 p.m., Fox was number one in the key demo on March 10, obtaining a 1.0 rating and 4.26 million viewers. NBC was atypically runner-up in the key demo for the evening, obtaining a 0.9 rating, but still triumphed over Fox in viewers with 6.65 million.
NBC’s “Chicago” crossover trio, which consists of the three dramas “Chicago Med,” “Chicago Fire,” and “Chicago Pd,” took up the top...
“The Masked Singer” received a rating of 1.2 in the adults ages 18-49 demographic and 5.42 million viewers, and “Game of Talents” obtained a 0.7 in the key demo and 3.10 million viewers. In comparison with the performance of the Big 4 network’s primetime programming and the Spanish-language network broadcasts between 8 and 11 p.m., Fox was number one in the key demo on March 10, obtaining a 1.0 rating and 4.26 million viewers. NBC was atypically runner-up in the key demo for the evening, obtaining a 0.9 rating, but still triumphed over Fox in viewers with 6.65 million.
NBC’s “Chicago” crossover trio, which consists of the three dramas “Chicago Med,” “Chicago Fire,” and “Chicago Pd,” took up the top...
- 3/11/2021
- by Mónica Marie Zorrilla
- Variety Film + TV
NBC’s two-day Season 20 debut of “The Voice” at 9 p.m. outperformed all other programs in Niseln Live+Same Day fast affiliate numbers on Monday and Tuesday night. On March 2, the singing competition scored a 0.9 in the adults 18-49 demographic and 6.16 million viewers.
CBS’ “NCIS” at 8 p.m. came second in the key demo with a 0.8 but triumphed over all shows aired during the evening in viewership numbers with 9.34 million watchers. CBS also ran new episodes of “FBI” at 9 p.m. and “FBI: Most Wanted” at 10 p.m..
Episodes of NBC’s newest sitcoms “Young Rock” and “Kenan” dropped, with the Dwayne “The Rock” Johnson-centered comedy obtaining a 0.6 in the key demo and 3.12 million viewers at 8 p.m. and the Kenan Thompson-led comedy obtaining a 0.5 in the key demo and 2.36 million viewers at 8:30 p.m.
NBC also ran the Season Three debut of “New Amsterdam” in the 10 p.
CBS’ “NCIS” at 8 p.m. came second in the key demo with a 0.8 but triumphed over all shows aired during the evening in viewership numbers with 9.34 million watchers. CBS also ran new episodes of “FBI” at 9 p.m. and “FBI: Most Wanted” at 10 p.m..
Episodes of NBC’s newest sitcoms “Young Rock” and “Kenan” dropped, with the Dwayne “The Rock” Johnson-centered comedy obtaining a 0.6 in the key demo and 3.12 million viewers at 8 p.m. and the Kenan Thompson-led comedy obtaining a 0.5 in the key demo and 2.36 million viewers at 8:30 p.m.
NBC also ran the Season Three debut of “New Amsterdam” in the 10 p.
- 3/3/2021
- by Mónica Marie Zorrilla
- Variety Film + TV
The return of Season 20 of NBC’s hit singing competition “The Voice,” featuring celebrity coaches Kelly Clarkson, John Legend and Blake Shelton, knocked the Monday primetime crown off of “The Bachelor’s” head, dropping the long-running ABC show in ranks after several weeks of being at the top.
“The Voice” drew a 1.1 in the Nielsen Live+Same Day adults 18-49 key demographic rankings and 7.74 million viewers. NBC also premiered the sci-fi drama series “Debris” at 10 p.m. The show, starring Jonathan Tucker, Riann Steele, Norbert Leo Butz and Scroobius Pip, garnered a 0.6 in the key demo and 4.36 million viewers.
The “Women Tell All” episode of Matt James’ season lured 4.62 million viewers, placing “The Bachelor” fourth for ratings sorted by total viewership. The show was down 16.67% in the key demo compared to last week (1.105 versus 1.26) and down 14.54% in watchers. After the 8 p.m. to 10 p.m. window, the alphabet network dropped...
“The Voice” drew a 1.1 in the Nielsen Live+Same Day adults 18-49 key demographic rankings and 7.74 million viewers. NBC also premiered the sci-fi drama series “Debris” at 10 p.m. The show, starring Jonathan Tucker, Riann Steele, Norbert Leo Butz and Scroobius Pip, garnered a 0.6 in the key demo and 4.36 million viewers.
The “Women Tell All” episode of Matt James’ season lured 4.62 million viewers, placing “The Bachelor” fourth for ratings sorted by total viewership. The show was down 16.67% in the key demo compared to last week (1.105 versus 1.26) and down 14.54% in watchers. After the 8 p.m. to 10 p.m. window, the alphabet network dropped...
- 3/2/2021
- by Mónica Marie Zorrilla
- Variety Film + TV
Though it wasn’t one of the top programs of Tuesday evening according to Nielsen Live+Same Day fast affiliate numbers (that triumph goes to an original of NBC’s “This Is Us” and to an encore of CBS’ “NCIS”), The CW’s series debut of “Superman & Lois” at 8 p.m. and the “Superman & Lois: Legacy of Hope” special both scored substantial primetime numbers compared to the network’s typical ages 18-49 performance. “Superman & Lois” beamed 1.71 million viewers to its premiere telecast and drew a rating of 0.3 in the key demo. The subsequent special also obtained a 0.3 and drew 1.50 million viewers.
Elsewhere on television, NBC was dominating Tuesday, starting with the 9 p.m. airing of a new episode of “This Is Us” that garnered 5 million viewers and a 0.9 rating in the key demo. It came first in terms of ages 18-49 rankings and second in total viewership for the night.
Elsewhere on television, NBC was dominating Tuesday, starting with the 9 p.m. airing of a new episode of “This Is Us” that garnered 5 million viewers and a 0.9 rating in the key demo. It came first in terms of ages 18-49 rankings and second in total viewership for the night.
- 2/24/2021
- by Mónica Marie Zorrilla
- Variety Film + TV
Although Monday’s primetime crown winner was ABC’s long-running dating game show “The Bachelor” in Nielsen Live+Same Day adults 18-49 dey demographic rankings, total viewership slipped from the prior week amid a controversy surrounding host Chris Harrison and frontrunner contestant Rachael Kirkconnell over past racist behavior.
The “hometown dates” episode of Matt James’ season, usually one of the most highly anticipated climaxes of the show, lured 5.23 million viewers, placing “The Bachelor” in fifth for ratings sorted by total viewership. The show was down 16.67% in the key demo compared to last week (1.2 versus 1.44), and down 5.07% in watchers.
Also on at 8 p.m. on Feb. 22 was Fox’s “9-1-1,” which came second in the overall key demo ratings, garnering a 1.0 and came first in the overall viewership scores with 6.54 million viewers. CBS also debuted a new episode of “The Neighborhood”, NBC ran a new episode of “Ellen’s Game of Games...
The “hometown dates” episode of Matt James’ season, usually one of the most highly anticipated climaxes of the show, lured 5.23 million viewers, placing “The Bachelor” in fifth for ratings sorted by total viewership. The show was down 16.67% in the key demo compared to last week (1.2 versus 1.44), and down 5.07% in watchers.
Also on at 8 p.m. on Feb. 22 was Fox’s “9-1-1,” which came second in the overall key demo ratings, garnering a 1.0 and came first in the overall viewership scores with 6.54 million viewers. CBS also debuted a new episode of “The Neighborhood”, NBC ran a new episode of “Ellen’s Game of Games...
- 2/23/2021
- by Mónica Marie Zorrilla
- Variety Film + TV
As usual, NBC’s “Chicago” crossover trio, which consists of the three dramas “Chicago Med,” “Chicago Fire,” and “Chicago Pd,” took up the top three slots in Wednesday, Feb. 17’s overnight primetime numbers.
The fast affiliate ratings from Nielsen+Live Same Day indicate that a new episode of the third installment of executive producer Dick Wolf’s franchise, “Chicago Med,” drew a solid 0.9 in the key adults 18-49 demo and approximately 7.38 million viewers at 8 p.m. Brother series “Chicago Fire” was runnerup to the medical drama in the key demo, which ran at 9 p.m. and drew a 0.9 rating and 7.09 million viewers. Closing out the NBC trio at 10 p.m. was a new episode of “Chicago P.D.,” which earned a 0.8 in the 18-49 demographic and 5.72 million viewers.
However, “Riverdale,” the CW’s gritty teen “Archie” comics-inspired drama developed by Roberto Aguirre-Sacasa, got a notable and significant boost in last night’s ratings.
The fast affiliate ratings from Nielsen+Live Same Day indicate that a new episode of the third installment of executive producer Dick Wolf’s franchise, “Chicago Med,” drew a solid 0.9 in the key adults 18-49 demo and approximately 7.38 million viewers at 8 p.m. Brother series “Chicago Fire” was runnerup to the medical drama in the key demo, which ran at 9 p.m. and drew a 0.9 rating and 7.09 million viewers. Closing out the NBC trio at 10 p.m. was a new episode of “Chicago P.D.,” which earned a 0.8 in the 18-49 demographic and 5.72 million viewers.
However, “Riverdale,” the CW’s gritty teen “Archie” comics-inspired drama developed by Roberto Aguirre-Sacasa, got a notable and significant boost in last night’s ratings.
- 2/18/2021
- by Mónica Marie Zorrilla
- Variety Film + TV
Monday’s primetime crown winner among adults ages 18-49 Live+Same Day ratings was, for the seventh week in a row, ABC’s competitive long-running dating show “The Bachelor.” The newest episode of Matt James’ season landed at the top of fast affiliate rankings with a 1.4 rating in the demo and approximately 5.23 million viewers. These numbers are comparable to the rest of the season’s Monday night domination and did not appear to be affected by any of the bad press the ABC franchise has been receiving recently after its host, Chris Harrison, made comments in defense of the frontrunner contestant Rachel Kirkconnell’s past racist behavior.
And, like previous weeks, Fox’s “9-1-1” police procedural duo outdid “The Bachelor’s” overall viewership. A new episode of “9-1-1” at 8 p.m. pulled a 1.0 in the key demo and 6.63 million viewers; a new episode of “9-1-1: Lone Star” at 9 p.m.
And, like previous weeks, Fox’s “9-1-1” police procedural duo outdid “The Bachelor’s” overall viewership. A new episode of “9-1-1” at 8 p.m. pulled a 1.0 in the key demo and 6.63 million viewers; a new episode of “9-1-1: Lone Star” at 9 p.m.
- 2/16/2021
- by Mónica Marie Zorrilla
- Variety Film + TV
Though it wasn’t the top program of Tuesday evening according to Nielsen Live+Same Day fast affiliate numbers (that triumph goes to an original of NBC’s “This Is Us”), The CW’s broadcasts of “Two Sentence Horror Stories” and “Trickster” both scored substantial boosts of 66.67% in the key demo, soaring above the previous week’s episodes.
Last night’s new episode of spooky anthology series from Guam-born creator Vera Miao earned a 0.1 rating in the key, adults 18-49 demographic and drew 0.52 million viewers during its 8 p.m. timeslot. The new episode of the coming-of-age tale about an Indigenous teen earned a 0.1 rating in the key demo, and drew 0.37 million viewers at 9 p.m. “Trickster” was recently embedded in a scandal, as its director and producer Michelle Latimer was found guilty of “indigenous-fishing,” claiming to be of Aboriginal descent when she is not. The aftermath led The CW and...
Last night’s new episode of spooky anthology series from Guam-born creator Vera Miao earned a 0.1 rating in the key, adults 18-49 demographic and drew 0.52 million viewers during its 8 p.m. timeslot. The new episode of the coming-of-age tale about an Indigenous teen earned a 0.1 rating in the key demo, and drew 0.37 million viewers at 9 p.m. “Trickster” was recently embedded in a scandal, as its director and producer Michelle Latimer was found guilty of “indigenous-fishing,” claiming to be of Aboriginal descent when she is not. The aftermath led The CW and...
- 2/10/2021
- by Mónica Marie Zorrilla
- Variety Film + TV
Monday’s primetime crown winner was, for the sixth time in a row, ABC’s long-running dating game show “The Bachelor.” A new episode of Matt James’ season featuring Bachelor Nation favorites Tyler Cameron and Heather Martin came out at the top of Nielsen’s Live+Same Day fast affiliate rankings, with a 1.3 in the adults 18-49 demographic and approximately 5.2 million viewers.
After ABC’s triumphant 8 to 10 p.m. window, the network dropped a rerun of “The Good Doctor.”
Like the previous two weeks, a new episode of Fox’s “9-1-1” at 8 p.m. was runner-up to “The Bachelor” in Monday’s overnight 18-49 numbers, pulling a 1.1 in the key demo— a 7.84% boost compared to last week’s debut episode —and almost 6.69 million viewers, followed by a new episode of “9-1-1” spinoff “9-1-1: Lone Star” that saw similar gains in the key demo (up 7.14%).
Elsewhere on television, NBC dropped new...
After ABC’s triumphant 8 to 10 p.m. window, the network dropped a rerun of “The Good Doctor.”
Like the previous two weeks, a new episode of Fox’s “9-1-1” at 8 p.m. was runner-up to “The Bachelor” in Monday’s overnight 18-49 numbers, pulling a 1.1 in the key demo— a 7.84% boost compared to last week’s debut episode —and almost 6.69 million viewers, followed by a new episode of “9-1-1” spinoff “9-1-1: Lone Star” that saw similar gains in the key demo (up 7.14%).
Elsewhere on television, NBC dropped new...
- 2/9/2021
- by Mónica Marie Zorrilla
- Variety Film + TV
NBC’s “Chicago” crossover trio, which consists of the three dramas “Chicago Med,” “Chicago Fire,” and “Chicago Pd,” took up the top three slots in Wednesday’s overnight primetime numbers— again. In the last two weeks, they pulled the same triumph (and in the same order), dominating total viewers and all key demos among the Big 4 networks.
The fast affiliate ratings from Nielsen+Live Same Day indicate that a new episode of the third installment of executive producer Dick Wolf’s franchise, “Chicago Med,” drew a solid 1.0 in the adults ages 18-49 key demo and approximately 7.30 million viewers at 8 p.m. Brother series “Chicago Fire” was runnerup to the medical drama in the key demo, which ran at 9 p.m. and drew a 0.9 rating and 7.18 million viewers. Closing out the NBC trio at 10 p.m. was a new episode of “Chicago P.D.,” which earned a 0.8 in the 18-49 demographic and 6.02 million viewers.
The fast affiliate ratings from Nielsen+Live Same Day indicate that a new episode of the third installment of executive producer Dick Wolf’s franchise, “Chicago Med,” drew a solid 1.0 in the adults ages 18-49 key demo and approximately 7.30 million viewers at 8 p.m. Brother series “Chicago Fire” was runnerup to the medical drama in the key demo, which ran at 9 p.m. and drew a 0.9 rating and 7.18 million viewers. Closing out the NBC trio at 10 p.m. was a new episode of “Chicago P.D.,” which earned a 0.8 in the 18-49 demographic and 6.02 million viewers.
- 2/4/2021
- by Mónica Marie Zorrilla
- Variety Film + TV
Monday’s primetime crown winner was, for the fifth time in a row, ABC’s long-running dating game show “The Bachelor.” A new episode of Matt James’ season came out at the top of Nielsen’s Live+Same Day fast affiliate rankings, with a 1.4 in the key, adults 18-49 demographic and approximately 5.3 million viewers.
That marks a season high for “The Bachelor,” the second straight week the show has set such a high. The show has also managed to grow its audience for three straight weeks. After ABC’s triumphant 8 to 10 p.m. window, the network dropped a rerun of “The Good Doctor.”
Like last week, a debut episode of Fox’s “9-1-1” at 8 p.m. was runner-up to “The Bachelor” in Monday’s overnight 18-49 numbers, pulling a 0.9 in the key demo and almost 6.49 million viewers, followed by a new episode of “9-1-1” spinoff “9-1-1: Lone Star”.
Elsewhere on television,...
That marks a season high for “The Bachelor,” the second straight week the show has set such a high. The show has also managed to grow its audience for three straight weeks. After ABC’s triumphant 8 to 10 p.m. window, the network dropped a rerun of “The Good Doctor.”
Like last week, a debut episode of Fox’s “9-1-1” at 8 p.m. was runner-up to “The Bachelor” in Monday’s overnight 18-49 numbers, pulling a 0.9 in the key demo and almost 6.49 million viewers, followed by a new episode of “9-1-1” spinoff “9-1-1: Lone Star”.
Elsewhere on television,...
- 2/2/2021
- by Mónica Marie Zorrilla
- Variety Film + TV
Last night’s episode of “Celebrity Wheel of Fortune” at 8 p.m., the star-studded ABC spinoff of the original game show led by Pat Sajak and Vanna White, was the winner of Thursday’s Live+Same Day overnight, fast affiliate numbers. The series garnered a 0.8 rating in the key, adults ages 18-49 demographic, and 6.39 million viewers.
The rest of ABC’s slate for Thursday night included a new episode of “The Chase” at 9 p.m., which earned a 0.6 rating in the key demo and 4.72 million viewers, and “The Hustlers” in the next hour-long broadcast window, which drew a 0.5 in the key demo and 2.98 million viewers.
Elsewhere on television, Fox aired a new episode of “Hell’s Kitchen” at 8 p.m., which attracted 2.49 million viewers and a 0.7 in the 18-49 demo, ranking in second place for the night’s telecasts overall. The network also dropped new episodes of “Call Me Kat” at 9 p.
The rest of ABC’s slate for Thursday night included a new episode of “The Chase” at 9 p.m., which earned a 0.6 rating in the key demo and 4.72 million viewers, and “The Hustlers” in the next hour-long broadcast window, which drew a 0.5 in the key demo and 2.98 million viewers.
Elsewhere on television, Fox aired a new episode of “Hell’s Kitchen” at 8 p.m., which attracted 2.49 million viewers and a 0.7 in the 18-49 demo, ranking in second place for the night’s telecasts overall. The network also dropped new episodes of “Call Me Kat” at 9 p.
- 1/29/2021
- by Mónica Marie Zorrilla
- Variety Film + TV
For the second Tuesday in a row, CBS’ cop drama “NCIS” was the top program of the evening according to Nielsen Live+Same Day fast affiliate numbers. The 8 p.m. airing of a brand new episode garnered 9.74 million viewers, soaring above the rest of the primetime rankings. “NCIS” was also first in the adults 18-49 demographic, drawing a 0.9 rating.
CBS continued to dominate Tuesday, with the “FBI” duo taking second and third place for the night in both the key demo and in viewership. At 9 p.m., “FBI” attracted 8.08 million viewers and a 0.8 in adults 18-49; at 10 p.m., “FBI: Most Wanted” landed a season-best amount of watchers (6.14 million), and a 0.6 in the key demo.
Elsewhere on television, ABC debuted the sixth season of the “To Tell the Truth” revival, hosted by Anthony Anderson, which obtained a 0.6 in the key demo and 4.29 million viewers during its 8 p.m. showtime. Additionally,...
CBS continued to dominate Tuesday, with the “FBI” duo taking second and third place for the night in both the key demo and in viewership. At 9 p.m., “FBI” attracted 8.08 million viewers and a 0.8 in adults 18-49; at 10 p.m., “FBI: Most Wanted” landed a season-best amount of watchers (6.14 million), and a 0.6 in the key demo.
Elsewhere on television, ABC debuted the sixth season of the “To Tell the Truth” revival, hosted by Anthony Anderson, which obtained a 0.6 in the key demo and 4.29 million viewers during its 8 p.m. showtime. Additionally,...
- 1/27/2021
- by Mónica Marie Zorrilla
- Variety Film + TV
The time has come to reveal the names of those who made it on this year’s list of People en Español’s Most Beautiful June issue. And in this special edition celebrating the 20th anniversary of ‘The Most Beautiful,’ we doubled the usual 50 names to feature 100!
The cover features superstars from the worlds of music, movies, television and the runway. They are: Marjorie De Sousa, Romeo Santos, Esmeralda Pimentel, Francisca Lachapel, Emeraude Toubia, Lineisy Montero and Carmen Villalobos. The cover photos were taken by photographer Omar Cruz at the 1 Hotel Brooklyn Bridge, with the Brooklyn Bridge and the New...
The cover features superstars from the worlds of music, movies, television and the runway. They are: Marjorie De Sousa, Romeo Santos, Esmeralda Pimentel, Francisca Lachapel, Emeraude Toubia, Lineisy Montero and Carmen Villalobos. The cover photos were taken by photographer Omar Cruz at the 1 Hotel Brooklyn Bridge, with the Brooklyn Bridge and the New...
- 5/1/2017
- by Lena Hansen
- PEOPLE.com
On Wednesday, May 27th, Premios Platino's hosts Alessandra Rosaldo and Juan Carlos Arciniegas alongside actor Eugenio Derbez, as well as Elvi Cano (Director Egeda Us) and Gonzalo Elvira (Fipca Mexico) will announce the nominees for the Awards in Los Angeles, CA.
During the press conference Mexican actress Kate Del Castillo will announce the recipient of the Premio de Honor (Lifetime Achievement Award). In addition Rick Nicita, Chairman of the American Cinematheque, will accept a special Platino Award to The American Cinematheque for its contribution to Iberoamerican Cinema.
Produced by Egeda, in collaboration with Fipca, the Premios Platino of Iberoamerican Cinema was born with the vocation to establish itself as a major international ceremony, promoting Latin American cinema as a whole and transcending borders. It is one of the most important tools to promote and support our film industry and all the professionals who, day after day, put forth all their effort and commitment so that audiences can enjoy the best films.
The candidates for the 2nd Platino Awards (Premios Platino) were announced during the 18th Málaga Film Festival in Spain. 73 feature films and 18 Ibero- American countries compete for the final nominations in the 14 categories for this prestigious award. The competing films had to be commercially released or premiered in an A-List Film Festival during 2014. The final nominations will be announced tomorrow at the Andaz Hotel West Hollywood. The Premios Platino Award Ceremony will take place on July 18, 2015 at Starlite Marbella in Spain.
As part of the same event The Premios Platino has distinguished the Málaga Film Festival with a special award for its contribution to the circulation and promotion of Spanish and Ibero- American cinema.
Here is the list of preselected candidates in each category ahead of tomorrow's final nominations
Premio Platino for the Best Ibero-American Fictional Film
· "Cantinflas"
(Kenio Films) (Mexico).
· "Conducta" (Behavior)
(Instituto Cubano Del Arte E Industria Cinematográfica, Rtv Comercial) (Cuba).
· "El Mudo" (The Mute)
(Maretazo Cine, Urban Factory) (Peru, Mexico).
· "El Niño"
(Vaca Films Studio, S.L., Telecinco Cinema, S.A., Ikiru Films, S.L., La Ferme! Productions, El Niño la película, A.I.E.) (Spain).
· "La Danza de la Realidad" (The Dance of Reality)
(Camera One, Pathe Y Le Soleil Films) (Chile).
· "La Dictadura Perfecta" (The Perfect Dictatorship)
(Imcine - Instituto Mexicano De Cinematografía, Estudios Churubusco Azteca, S.A., Bandidos Films, Fidecine, Eficine 226) (Mexico).
· "La Isla Mínima" (Marshland)
(Antena 3 Films, S.L., Atípica Films, S.L. y Sacromonte Films S.L.) (Spain).
· "Libertador" (The Liberator)
(Producciones Insurgentes, San Mateo Films) (Venezuela, Spain).
· "Matar a un Hombre" (To Kill a Man)
(Arizona Production, El Remanso Cine Ltda) (Chile).
· "Mr. Kaplan"
(Baobab 66 Films, S.L., Salado Media, Expresso Films) (Uruguay, Spain).
· "O Lobo Atrás da Porta" (A Wolf at the Door)
(Tc Filmes, Gullane Filmes) (Brazil).
· "Os gatos não têm vertigens" (Cats Don't Have Vertigo)
(Mgn Filmes) (Portugal).
· "Pelo Malo" (Bad Hair)
(Sudaca Films, Hanfgarn & Ufer Filmproduktion, Artefactos S.F., Imagen Latina, La Sociedad Post) (Venezuela Peru, Argentina).
· "Refugiado"
(Gale Cine, Burning Blue, El Campo Cine, Staron Films, Bellota Films, Río Rojo Contenidos) (Argentina, Colombia).
. "Relatos Salvajes" (Wild Tales)
(Kramer & Sigman Films, El Deseo P.C - S.A.) (Argentina, Spain).
Premio Platino for Best Directing
Alberto Rodríguez (Spain), for "La Isla Mínima." Alejandro Jodorowsky (Chile), for "La danza de la Realidad." Álvaro Brechner (Uruguay), for "Mr Kaplan." António-Pedro Vasconcelos (Portugal), for "Os gatos não têm vertigens." Claudia Pinto (Venezuela), for "La Distancia más Larga." Damián Szifron (Argentina), for "Relatos Salvajes." Daniel Monzón (Spain), for "El Niño." Daniel Vega (Peru) and Diego Vega (Peru), for "El Mudo." Ernesto Daranas (Cuba), for "Conducta." Fernando Coimbra (Brazil), for "O lobo atrás da porta." Fernando Pérez (Cuba), "La Pared de las Palabras." Luis Estrada (Mexico), for "La Dictadura Perfecta." Mariana Rondón (Venezuela), for "Pelo Malo." Miguel Cohan (Argentina), for "Betibú." Sebastián del Amo (Mexico), for "Cantinflas. "
Premio Platino for Best Actor
Benicio Del Toro (Puerto Rico), for Escobar. "Paraíso Perdido." Damián Alcázar (Mexico), for "La Dictadura Perfecta. Dani Rovira (Spain), for "Ocho Apellidos Vascos." Daniel Candia (Chile), for "Matar a un Hombre." Daniel Fanego (Argentina), for "Betibú." Edgar Ramírez (Venezuela), for "Libertador." Fernando Bacilio (Peru), "El Mudo." Ghilherme Lobo (Brazil), "The Way He Looks." Javier Gutiérrez (Spain), for "La Isla Mínima." Jorge Perugorría (Cuba), for "La Pared de las Palabras." Leonardo Sbaraglia (Argentina), for "Relatos Salvajes." Oscar Jaenada (Spain), by "Cantinflas." Salvador del Solar (Peru), for "El Elefante Desaparecido." Viggo Mortensen (USA), for "Jauja." Wagner Moura (Brazil), for "Futuro Beach" .
Premio Platino for Best Actress
Angie Cepeda (Colombia), for "El Elefante Desaparecido." Bárbara Lennie (Spain), by "Magical Girl." Carme Elías (Spain), for "La Distancia Más Larga." Elena Anaya (Spain), for "Todos Están Muertos." Érica Rivas (Argentina), for "Relatos Salvajes." Geraldine Chaplin (USA), for "Dólares de Arena." Isabel Santos (Cuba), for "La Pared de las Palabras." Julieta Díaz (Argentina), for "Refugiado." Laura de la Uz (Cuba), for "Vestido de Novia." Leandra Leal (Brazil), for "O Lobo Atrás da Porta." Maria do Céu Guerra (Portugal), for "Os gatos não têm vertigens." Martha Higareda (Mexico), for "Cásese Quien Pueda." Paulina García (Chile), for "Las Analfabetas." Samantha Castillo (Venezuela), for "Pelo Malo." Silvia Navarro (Mexico), for "La Dictadura Perfecta. "
Premio Platino for Best Original Score
Adán Jodorowsky (Chile), for "La Danza de la Realidad." Antonio Pinto (Brazil), for "Trash. A esperança vem do lixo." Edilio Paredes (Dominican Republic), Ramón Cordero (Dominican Republic), Benjamín de Menil (Dominican Republic), for "Dólares de Arena." Federico Jusid (Argentina), for "Betibú" Gustavo Dudamel (Venezuela), for "Libertador." Gustavo Santaolalla (Argentina), for "Relatos Salvajes." Juan A. Leyva (Cuba), Magda R. Galbán (Cuba), for "Conducta." Julio de la Rosa (Spain), for "La iIsla Mínima." Mikel Salas (Spain), for "Mr Kaplan." Pedro Subercaseaux (Chile), for "Crystal Fairy y el Cactus Mágico." Ricardo Cutz (Brazil), "O lobo atrás da porta." Roque Baños (Spain), for "El Niño." Ruy Folguera (Argentina), for" Olvidados." Selma Mutal (Peru), for "El Elefante Desaparecido." Vicent Barrière (France), for "La Distancia más Larga."
Premio Platino for Best Animated Film
"Até que a Sbórnia nos Separe" (Otto Desenhos Animados) (Brazil). "Dixie y la Rebelión Zombi" (Abra Prod. S.L.) (Spain) "El Ultimo Mago o Bilembambudín" (Fabula Producciones, Aleph Media S.A., Filmar Uno) (Argentina, Chile). "Historia de Cronopios y de Famas" (Prodarte) (Argentina). "La Leyenda de las Momias de Guanajuato" (Ánima Estudios, S.A. De C.V.) (Mexico). "La Tropa de Trapo en la Selva del Arcoíris" (Continental Producciones, S.L, Anera Films, S.L., Abano Producions, S.L. La Tropa De Trapo, S.L.) (Spain, Brazil). "Meñique" (Ficción Producciones, S.L., Estudios De Animación Icaic) (Cuba, Spain). "Mortadelo y Filemón Contra Jimmy el Cachondo" (Zeta Audiovisual y Películas Pendelton) (Spain). "The Boy and the World" (Filme de Papel) (Brazil). "Pichinguitos. Tgus, la Película" (Non Plus Ultra) (Mexico, Honduras). "Ritos de Passagem" (Liberato Produçoes Culturais) (Brazil).
Premio Platino for Best Documentary Film
• "¿Quién es Dayani Cristal?" (Canana Films, Pulse Films Limited) (Mexico).
"2014, Nacido en Gaza" (La Claqueta Pc, S.L.Contramedia Films) (Spain). "Avant" (Trivial Media Srl, Tarkio Film) (Uruguay, Argentina). "Buscando a Gastón" (Chiwake Films) (Peru). "E agora? Lémbra-me" (C.R.I.M. Produçoes, Presente Edições De Autor) (Portugal). "El Color que Cayó del Cielo" (K & S Films) (Argentina). "El Ojo del Tiburón" (Astronauta Films, Gema Films) (Argentina, Spain). "El Río que Nos Atraviesa" (Ochi Producciones, Maraisa Films Producciones) (Venezuela). "El Sueño de Todos" (S3d Films, Tridi Films) (Chile). "El Vals de los Inútiles" (La Pata De Juana, Cusicanqui Films) (Chile, Argentina). "Invasión" (Apertura Films, Ajimolido Films) (Panama, Argentina). "Maracaná" (Coral Cine, S.R.L., Tenfield S.A.) (Uruguay, Brazil). "The Salt of the Earth" (Decia Films) (Brazil) "Paco de Lucía. La búsqueda" (Ziggurat Films, S.L.) (Spain) "Pichuco" (Puente Films) (Argentina).
Premio Platino for Best Screenplay
Alberto Rodríguez (Spain), Rafael Cobos (Spain), for" La Isla Mínima." Alejandro Jodorowsky (Chile), for "La Danza de la Realidad." Álvaro Brechner (Uruguay), for "Mr. Kaplan." Anahí Berneri (Argentina), Javier Van Couter (Argentina), for "Aire Libre." Carlos Vermut (Spain), for "Magical Girl." Claudia Pinto (Venezuela), for "La Distancia Más Larga." Damián Szifron (Argentina), for "Relatos Salvajes." Daniel Ribeiro (Brazil), for "The Way He Looks." Daniel Vega (Peru), Diego Vega (Peru), for "El Mudo." Ernesto Daranas (Cuba), for "Conducta." Fernando Coimbra (Brazil), for "O lobo atrás da porta." Luis Arambilet (Dominican Republic), for "Código Paz." Luis Estrada (Mexico), Jaime Sampietro (Mexico), for "La Dictadura Perfecta." Mariana Rondón (Venezuela), for "Pelo Malo." Tiago Santos (Portugal) for "Os gatos não têm vertigens. "
Premio Platino for Best Ibero-American Fiction Debut
"10.000 Km," by Carlos Marqués- Marcet (Lastor Media, S.L., La Panda) (Spain). "23 segundos," by Dimitry Rudakov (Clever Producciones) (Uruguay). "Branco sai, preto fica," by Adirley Queirós (Cinco Da Norte Serviços Audiovisuais) (Brazil). "Ciencias Naturales," by Matías Lucchesi (Tarea Fina, Metaluna Productions) (Argentina). "Código Paz," by Pedro Urrutia (One Alliance Srl) (Dominican Republic). "Feriado" by Diego Araujo (Cepa Audiovisual S.R.L., Abacafilms, S.A., Lunafilms Audiovisual) (Ecuador, Argentina). Historias del Canal (Hypatia Films, Manglar Films, Tvn Films and Wp Films) (Panama). "La Distancia Más Larga," by Claudia Pinto (Castro Producciones Cinematograficas, S.L.U., Sin Rodeos Films C.A., Claudia Lepage) (Venezuela). "Las Vacas con Gafas," by Alex Santiago Pérez (Cozy Light Pictures) (Puerto Rico). "Luna de Cigarras," by Jorge Bedoya (Oima Films, Koreko Gua, S.R.L., Sabate Films) (Paraguay). "Mateo," by Maria Gamboa (Hangar Filmsdiafragma, Fabrica De Peliculas, Cine Sud Promotion) (Colombia). "Perro Guardian," by Bacha Caravedo, Chinón Higashionna (Señor Z)(Peru). "Vestido de Novia," by Marilyn Solaya (Icaic) (Cuba). "Visitantes," by Acan Coen (Sobrevivientes Films, Akira Producciones, Nodancingtoday) (Mexico). "Volantín Cortao," by Diego Ayala and Aníbal Jofré (Gallinazo Films) (Chile)...
During the press conference Mexican actress Kate Del Castillo will announce the recipient of the Premio de Honor (Lifetime Achievement Award). In addition Rick Nicita, Chairman of the American Cinematheque, will accept a special Platino Award to The American Cinematheque for its contribution to Iberoamerican Cinema.
Produced by Egeda, in collaboration with Fipca, the Premios Platino of Iberoamerican Cinema was born with the vocation to establish itself as a major international ceremony, promoting Latin American cinema as a whole and transcending borders. It is one of the most important tools to promote and support our film industry and all the professionals who, day after day, put forth all their effort and commitment so that audiences can enjoy the best films.
The candidates for the 2nd Platino Awards (Premios Platino) were announced during the 18th Málaga Film Festival in Spain. 73 feature films and 18 Ibero- American countries compete for the final nominations in the 14 categories for this prestigious award. The competing films had to be commercially released or premiered in an A-List Film Festival during 2014. The final nominations will be announced tomorrow at the Andaz Hotel West Hollywood. The Premios Platino Award Ceremony will take place on July 18, 2015 at Starlite Marbella in Spain.
As part of the same event The Premios Platino has distinguished the Málaga Film Festival with a special award for its contribution to the circulation and promotion of Spanish and Ibero- American cinema.
Here is the list of preselected candidates in each category ahead of tomorrow's final nominations
Premio Platino for the Best Ibero-American Fictional Film
· "Cantinflas"
(Kenio Films) (Mexico).
· "Conducta" (Behavior)
(Instituto Cubano Del Arte E Industria Cinematográfica, Rtv Comercial) (Cuba).
· "El Mudo" (The Mute)
(Maretazo Cine, Urban Factory) (Peru, Mexico).
· "El Niño"
(Vaca Films Studio, S.L., Telecinco Cinema, S.A., Ikiru Films, S.L., La Ferme! Productions, El Niño la película, A.I.E.) (Spain).
· "La Danza de la Realidad" (The Dance of Reality)
(Camera One, Pathe Y Le Soleil Films) (Chile).
· "La Dictadura Perfecta" (The Perfect Dictatorship)
(Imcine - Instituto Mexicano De Cinematografía, Estudios Churubusco Azteca, S.A., Bandidos Films, Fidecine, Eficine 226) (Mexico).
· "La Isla Mínima" (Marshland)
(Antena 3 Films, S.L., Atípica Films, S.L. y Sacromonte Films S.L.) (Spain).
· "Libertador" (The Liberator)
(Producciones Insurgentes, San Mateo Films) (Venezuela, Spain).
· "Matar a un Hombre" (To Kill a Man)
(Arizona Production, El Remanso Cine Ltda) (Chile).
· "Mr. Kaplan"
(Baobab 66 Films, S.L., Salado Media, Expresso Films) (Uruguay, Spain).
· "O Lobo Atrás da Porta" (A Wolf at the Door)
(Tc Filmes, Gullane Filmes) (Brazil).
· "Os gatos não têm vertigens" (Cats Don't Have Vertigo)
(Mgn Filmes) (Portugal).
· "Pelo Malo" (Bad Hair)
(Sudaca Films, Hanfgarn & Ufer Filmproduktion, Artefactos S.F., Imagen Latina, La Sociedad Post) (Venezuela Peru, Argentina).
· "Refugiado"
(Gale Cine, Burning Blue, El Campo Cine, Staron Films, Bellota Films, Río Rojo Contenidos) (Argentina, Colombia).
. "Relatos Salvajes" (Wild Tales)
(Kramer & Sigman Films, El Deseo P.C - S.A.) (Argentina, Spain).
Premio Platino for Best Directing
Alberto Rodríguez (Spain), for "La Isla Mínima." Alejandro Jodorowsky (Chile), for "La danza de la Realidad." Álvaro Brechner (Uruguay), for "Mr Kaplan." António-Pedro Vasconcelos (Portugal), for "Os gatos não têm vertigens." Claudia Pinto (Venezuela), for "La Distancia más Larga." Damián Szifron (Argentina), for "Relatos Salvajes." Daniel Monzón (Spain), for "El Niño." Daniel Vega (Peru) and Diego Vega (Peru), for "El Mudo." Ernesto Daranas (Cuba), for "Conducta." Fernando Coimbra (Brazil), for "O lobo atrás da porta." Fernando Pérez (Cuba), "La Pared de las Palabras." Luis Estrada (Mexico), for "La Dictadura Perfecta." Mariana Rondón (Venezuela), for "Pelo Malo." Miguel Cohan (Argentina), for "Betibú." Sebastián del Amo (Mexico), for "Cantinflas. "
Premio Platino for Best Actor
Benicio Del Toro (Puerto Rico), for Escobar. "Paraíso Perdido." Damián Alcázar (Mexico), for "La Dictadura Perfecta. Dani Rovira (Spain), for "Ocho Apellidos Vascos." Daniel Candia (Chile), for "Matar a un Hombre." Daniel Fanego (Argentina), for "Betibú." Edgar Ramírez (Venezuela), for "Libertador." Fernando Bacilio (Peru), "El Mudo." Ghilherme Lobo (Brazil), "The Way He Looks." Javier Gutiérrez (Spain), for "La Isla Mínima." Jorge Perugorría (Cuba), for "La Pared de las Palabras." Leonardo Sbaraglia (Argentina), for "Relatos Salvajes." Oscar Jaenada (Spain), by "Cantinflas." Salvador del Solar (Peru), for "El Elefante Desaparecido." Viggo Mortensen (USA), for "Jauja." Wagner Moura (Brazil), for "Futuro Beach" .
Premio Platino for Best Actress
Angie Cepeda (Colombia), for "El Elefante Desaparecido." Bárbara Lennie (Spain), by "Magical Girl." Carme Elías (Spain), for "La Distancia Más Larga." Elena Anaya (Spain), for "Todos Están Muertos." Érica Rivas (Argentina), for "Relatos Salvajes." Geraldine Chaplin (USA), for "Dólares de Arena." Isabel Santos (Cuba), for "La Pared de las Palabras." Julieta Díaz (Argentina), for "Refugiado." Laura de la Uz (Cuba), for "Vestido de Novia." Leandra Leal (Brazil), for "O Lobo Atrás da Porta." Maria do Céu Guerra (Portugal), for "Os gatos não têm vertigens." Martha Higareda (Mexico), for "Cásese Quien Pueda." Paulina García (Chile), for "Las Analfabetas." Samantha Castillo (Venezuela), for "Pelo Malo." Silvia Navarro (Mexico), for "La Dictadura Perfecta. "
Premio Platino for Best Original Score
Adán Jodorowsky (Chile), for "La Danza de la Realidad." Antonio Pinto (Brazil), for "Trash. A esperança vem do lixo." Edilio Paredes (Dominican Republic), Ramón Cordero (Dominican Republic), Benjamín de Menil (Dominican Republic), for "Dólares de Arena." Federico Jusid (Argentina), for "Betibú" Gustavo Dudamel (Venezuela), for "Libertador." Gustavo Santaolalla (Argentina), for "Relatos Salvajes." Juan A. Leyva (Cuba), Magda R. Galbán (Cuba), for "Conducta." Julio de la Rosa (Spain), for "La iIsla Mínima." Mikel Salas (Spain), for "Mr Kaplan." Pedro Subercaseaux (Chile), for "Crystal Fairy y el Cactus Mágico." Ricardo Cutz (Brazil), "O lobo atrás da porta." Roque Baños (Spain), for "El Niño." Ruy Folguera (Argentina), for" Olvidados." Selma Mutal (Peru), for "El Elefante Desaparecido." Vicent Barrière (France), for "La Distancia más Larga."
Premio Platino for Best Animated Film
"Até que a Sbórnia nos Separe" (Otto Desenhos Animados) (Brazil). "Dixie y la Rebelión Zombi" (Abra Prod. S.L.) (Spain) "El Ultimo Mago o Bilembambudín" (Fabula Producciones, Aleph Media S.A., Filmar Uno) (Argentina, Chile). "Historia de Cronopios y de Famas" (Prodarte) (Argentina). "La Leyenda de las Momias de Guanajuato" (Ánima Estudios, S.A. De C.V.) (Mexico). "La Tropa de Trapo en la Selva del Arcoíris" (Continental Producciones, S.L, Anera Films, S.L., Abano Producions, S.L. La Tropa De Trapo, S.L.) (Spain, Brazil). "Meñique" (Ficción Producciones, S.L., Estudios De Animación Icaic) (Cuba, Spain). "Mortadelo y Filemón Contra Jimmy el Cachondo" (Zeta Audiovisual y Películas Pendelton) (Spain). "The Boy and the World" (Filme de Papel) (Brazil). "Pichinguitos. Tgus, la Película" (Non Plus Ultra) (Mexico, Honduras). "Ritos de Passagem" (Liberato Produçoes Culturais) (Brazil).
Premio Platino for Best Documentary Film
• "¿Quién es Dayani Cristal?" (Canana Films, Pulse Films Limited) (Mexico).
"2014, Nacido en Gaza" (La Claqueta Pc, S.L.Contramedia Films) (Spain). "Avant" (Trivial Media Srl, Tarkio Film) (Uruguay, Argentina). "Buscando a Gastón" (Chiwake Films) (Peru). "E agora? Lémbra-me" (C.R.I.M. Produçoes, Presente Edições De Autor) (Portugal). "El Color que Cayó del Cielo" (K & S Films) (Argentina). "El Ojo del Tiburón" (Astronauta Films, Gema Films) (Argentina, Spain). "El Río que Nos Atraviesa" (Ochi Producciones, Maraisa Films Producciones) (Venezuela). "El Sueño de Todos" (S3d Films, Tridi Films) (Chile). "El Vals de los Inútiles" (La Pata De Juana, Cusicanqui Films) (Chile, Argentina). "Invasión" (Apertura Films, Ajimolido Films) (Panama, Argentina). "Maracaná" (Coral Cine, S.R.L., Tenfield S.A.) (Uruguay, Brazil). "The Salt of the Earth" (Decia Films) (Brazil) "Paco de Lucía. La búsqueda" (Ziggurat Films, S.L.) (Spain) "Pichuco" (Puente Films) (Argentina).
Premio Platino for Best Screenplay
Alberto Rodríguez (Spain), Rafael Cobos (Spain), for" La Isla Mínima." Alejandro Jodorowsky (Chile), for "La Danza de la Realidad." Álvaro Brechner (Uruguay), for "Mr. Kaplan." Anahí Berneri (Argentina), Javier Van Couter (Argentina), for "Aire Libre." Carlos Vermut (Spain), for "Magical Girl." Claudia Pinto (Venezuela), for "La Distancia Más Larga." Damián Szifron (Argentina), for "Relatos Salvajes." Daniel Ribeiro (Brazil), for "The Way He Looks." Daniel Vega (Peru), Diego Vega (Peru), for "El Mudo." Ernesto Daranas (Cuba), for "Conducta." Fernando Coimbra (Brazil), for "O lobo atrás da porta." Luis Arambilet (Dominican Republic), for "Código Paz." Luis Estrada (Mexico), Jaime Sampietro (Mexico), for "La Dictadura Perfecta." Mariana Rondón (Venezuela), for "Pelo Malo." Tiago Santos (Portugal) for "Os gatos não têm vertigens. "
Premio Platino for Best Ibero-American Fiction Debut
"10.000 Km," by Carlos Marqués- Marcet (Lastor Media, S.L., La Panda) (Spain). "23 segundos," by Dimitry Rudakov (Clever Producciones) (Uruguay). "Branco sai, preto fica," by Adirley Queirós (Cinco Da Norte Serviços Audiovisuais) (Brazil). "Ciencias Naturales," by Matías Lucchesi (Tarea Fina, Metaluna Productions) (Argentina). "Código Paz," by Pedro Urrutia (One Alliance Srl) (Dominican Republic). "Feriado" by Diego Araujo (Cepa Audiovisual S.R.L., Abacafilms, S.A., Lunafilms Audiovisual) (Ecuador, Argentina). Historias del Canal (Hypatia Films, Manglar Films, Tvn Films and Wp Films) (Panama). "La Distancia Más Larga," by Claudia Pinto (Castro Producciones Cinematograficas, S.L.U., Sin Rodeos Films C.A., Claudia Lepage) (Venezuela). "Las Vacas con Gafas," by Alex Santiago Pérez (Cozy Light Pictures) (Puerto Rico). "Luna de Cigarras," by Jorge Bedoya (Oima Films, Koreko Gua, S.R.L., Sabate Films) (Paraguay). "Mateo," by Maria Gamboa (Hangar Filmsdiafragma, Fabrica De Peliculas, Cine Sud Promotion) (Colombia). "Perro Guardian," by Bacha Caravedo, Chinón Higashionna (Señor Z)(Peru). "Vestido de Novia," by Marilyn Solaya (Icaic) (Cuba). "Visitantes," by Acan Coen (Sobrevivientes Films, Akira Producciones, Nodancingtoday) (Mexico). "Volantín Cortao," by Diego Ayala and Aníbal Jofré (Gallinazo Films) (Chile)...
- 5/26/2015
- by Sydney Levine
- Sydney's Buzz
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.