Rowan Woods. Aftrs has appointed new heads of directing, documentary, cinematography and visual effects.
Head of directing is Rowan Woods, head of documentary Rachel Landers, head of cinematography Kim Batterham and head of visual effects Susan Danta.
.I am thrilled to confirm these new members of our team across the Discipline areas. Rowan, Rachel, Kim and Susan each have impressive careers as filmmakers as well as in teaching and I know our students across the curriculum will benefit from their incredible expertise and experience,. said Aftrs CEO Neil Peplow.
Woods, an Aftrs graduate, has a list of directorial credits that include The Kettering Incident, Nowhere Boys 3, The Straits, Little Fish and The Boys
Landers has been a lecturer at Aftrs since 2009; most recently she has been the subject leader for Non Fiction, developing and running the BA (Screen) and teaching the Master of Screen Arts.. A filmmaker and historian, Landers...
Head of directing is Rowan Woods, head of documentary Rachel Landers, head of cinematography Kim Batterham and head of visual effects Susan Danta.
.I am thrilled to confirm these new members of our team across the Discipline areas. Rowan, Rachel, Kim and Susan each have impressive careers as filmmakers as well as in teaching and I know our students across the curriculum will benefit from their incredible expertise and experience,. said Aftrs CEO Neil Peplow.
Woods, an Aftrs graduate, has a list of directorial credits that include The Kettering Incident, Nowhere Boys 3, The Straits, Little Fish and The Boys
Landers has been a lecturer at Aftrs since 2009; most recently she has been the subject leader for Non Fiction, developing and running the BA (Screen) and teaching the Master of Screen Arts.. A filmmaker and historian, Landers...
- 10/19/2016
- by Staff Writer
- IF.com.au
Forty years ago my main regular writing spot was a weekly page of general commentary on the arts for the New Statesman, and due to the current discussion provoked by Julian Barnes's The Sense of an Ending and the appearance of Rod Lurie's 40th anniversary remake of Straw Dogs, two of the items in the column of 2 December 1971 have a certain topical interest. One is about the third winner of the Booker prize, of which I observed: "Vs Naipaul's In a Free State is a splendid book but is it, as the Booker conditions demand, a full-length novel?"
The other is about a film that had opened the previous week: "I was at the press show for Sam Peckinpah's Straw Dogs, and rarely have I experienced such a palpable sense of shock and disgust sweep through an audience. Peckinpah is an artist I admire immensely and I wouldn't want to ban his film,...
The other is about a film that had opened the previous week: "I was at the press show for Sam Peckinpah's Straw Dogs, and rarely have I experienced such a palpable sense of shock and disgust sweep through an audience. Peckinpah is an artist I admire immensely and I wouldn't want to ban his film,...
- 11/6/2011
- by Philip French
- The Guardian - Film News
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