Still one of the bestselling books of all time since its publication in 1976, The Hite Report offered a groundbreaking look at women’s sexual desires through anonymous survey responses. Despite its success at demystifying vulvas and those who possess them, the book’s author Shere Hite has remained a relatively obscure figure in popular culture. Filmmaker Nicole Newnham’s latest, The Disappearance of Shere Hite, attempts to bring this woman back into relevancy while investigating why her legacy has gone unspoken for so long. Editor Eileen Meyer tells Filmmaker about her experience cutting this project, also offering insight on she came to work […]
The post “…Feminist Thought and Knowledge of Bodies With a Vulva Have Been Suppressed Over and Over Again”: Editor Eileen Meyer on The Disappearance of Shere Hite first appeared on Filmmaker Magazine.
The post “…Feminist Thought and Knowledge of Bodies With a Vulva Have Been Suppressed Over and Over Again”: Editor Eileen Meyer on The Disappearance of Shere Hite first appeared on Filmmaker Magazine.
- 1/30/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Still one of the bestselling books of all time since its publication in 1976, The Hite Report offered a groundbreaking look at women’s sexual desires through anonymous survey responses. Despite its success at demystifying vulvas and those who possess them, the book’s author Shere Hite has remained a relatively obscure figure in popular culture. Filmmaker Nicole Newnham’s latest, The Disappearance of Shere Hite, attempts to bring this woman back into relevancy while investigating why her legacy has gone unspoken for so long. Editor Eileen Meyer tells Filmmaker about her experience cutting this project, also offering insight on she came to work […]
The post “…Feminist Thought and Knowledge of Bodies With a Vulva Have Been Suppressed Over and Over Again”: Editor Eileen Meyer on The Disappearance of Shere Hite first appeared on Filmmaker Magazine.
The post “…Feminist Thought and Knowledge of Bodies With a Vulva Have Been Suppressed Over and Over Again”: Editor Eileen Meyer on The Disappearance of Shere Hite first appeared on Filmmaker Magazine.
- 1/30/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
On September 11, 2020 the New York Times published an obituary for Shere Hite, the renowned sex researcher and author, noting that her work “helped awaken women to their sexual power and advance the Second Wave of feminism.”
One of the readers of that obituary was filmmaker Nicole Newnham, and it became the spark that set her on a journey to document a woman who sold almost 50 million books worldwide but who faced such a backlash over her research that it drove her into exile. The result of that cinematic quest is the film The Disappearance of Shere Hite, which just premiered in U.S. Documentary Competition at the Sundance Film Festival.
Director Nicole Newnham and editor Eileen Meyer attend the premiere of ‘The Disappearance of Shere Hite’ at Sundance on January 20, 2023 in Park City, Utah.
For Newnham, the Oscar-nominated director of Crip Camp (co-directed with Jim LeBrecht), the new film amounted to a rediscovery of Hite.
One of the readers of that obituary was filmmaker Nicole Newnham, and it became the spark that set her on a journey to document a woman who sold almost 50 million books worldwide but who faced such a backlash over her research that it drove her into exile. The result of that cinematic quest is the film The Disappearance of Shere Hite, which just premiered in U.S. Documentary Competition at the Sundance Film Festival.
Director Nicole Newnham and editor Eileen Meyer attend the premiere of ‘The Disappearance of Shere Hite’ at Sundance on January 20, 2023 in Park City, Utah.
For Newnham, the Oscar-nominated director of Crip Camp (co-directed with Jim LeBrecht), the new film amounted to a rediscovery of Hite.
- 1/27/2023
- by Matthew Carey
- Deadline Film + TV
If, partway through Nicole Newnham’s extraordinary new documentary, you find yourself fighting the urge to do a bit of Googling — just to make sure that Shere Hite was a real person and you are not the victim of some wildly elaborate deepfake prank — don’t be alarmed. Be a little ashamed, perhaps, but not alarmed: You are not alone if you simply can’t stop asking yourself, “How on earth did I not know about this woman before?” “The Disappearance of Shere Hite” is an astonishing, beautifully made corrective to the cultural amnesia that has for decades surrounded Hite, the author of “The Hite Report,” a landmark 1976 survey on female sexuality, that is apparently still ranked the 30th best-selling book in history.
Aside from a few blips, like a 2006 “Colbert Report” appearance and the obituaries that ran after Hite’s 2020 death, it’s been a silence so deafening — in...
Aside from a few blips, like a 2006 “Colbert Report” appearance and the obituaries that ran after Hite’s 2020 death, it’s been a silence so deafening — in...
- 1/27/2023
- by Jessica Kiang
- Variety Film + TV
Jonas Poher Rasmussen’s singular animated doc Flee and Ahmir “Questlove” Thompson’s Sundance Grand Jury Prize winner Summer of Soul will head into the 15th annual Cinema Eye Honors as the leaders in nominations, Cinema Eye announced today.
Flee led all films with seven nominations, with Summer of Soul claiming six. Jessica Kingdon’s Ascension, Jessica Beshir’s Faya Dayi and E. Chai Vasarhelyi and Jimmy Chin’s The Rescue followed with five noms apiece, with Todd Haynes’ Apple pic The Velvet Underground claiming four. HBO led all distributors with 16 nominations, with Hulu notching 12. Nat Geo and Neon followed with 11 each.
Of particular note with regard to the noms list was a newly introduced category for Outstanding Sound Design, which will see All Light, Everywhere contending alongside Faya Dayi, Flee, Summer of Soul and The Velvet Underground.
The award ceremony recognizing...
Flee led all films with seven nominations, with Summer of Soul claiming six. Jessica Kingdon’s Ascension, Jessica Beshir’s Faya Dayi and E. Chai Vasarhelyi and Jimmy Chin’s The Rescue followed with five noms apiece, with Todd Haynes’ Apple pic The Velvet Underground claiming four. HBO led all distributors with 16 nominations, with Hulu notching 12. Nat Geo and Neon followed with 11 each.
Of particular note with regard to the noms list was a newly introduced category for Outstanding Sound Design, which will see All Light, Everywhere contending alongside Faya Dayi, Flee, Summer of Soul and The Velvet Underground.
The award ceremony recognizing...
- 11/10/2021
- by Matt Grobar
- Deadline Film + TV
Two releases, very well reviewed and pretty widely available by recent specialty standards, look set to heat up the arthouse box office this weekend — Pig with Nicolas Cage in one of his best performances in years and Roadrunner: A Film About Anthony Bourdain open on 600 and 952 screens respectively, and only in theaters.
Oscar-winning filmmaker Morgan Neville’s documentary about the late chef, writer and adventurer Bourdain is an intimate look at his rise to world-renowned cultural icon, capturing his presence, voice and inner demons. Vigorous marketing by distributor Focus Features was made possible by public familiarity with the Peabody and Emmy-award winning Bourdain, whose weekly series Parts Unknown moved to CNN in 2012 after running for years on Discovery’s Travel Channel (where it was called No Reservations). The intrepid master storyteller tragically took his own life in 2018 at age 61.
The media...
Oscar-winning filmmaker Morgan Neville’s documentary about the late chef, writer and adventurer Bourdain is an intimate look at his rise to world-renowned cultural icon, capturing his presence, voice and inner demons. Vigorous marketing by distributor Focus Features was made possible by public familiarity with the Peabody and Emmy-award winning Bourdain, whose weekly series Parts Unknown moved to CNN in 2012 after running for years on Discovery’s Travel Channel (where it was called No Reservations). The intrepid master storyteller tragically took his own life in 2018 at age 61.
The media...
- 7/16/2021
- by Jill Goldsmith
- Deadline Film + TV
Although the fate of its subject is communicated early on, by said subject himself in his typical no-nonsense, matter-of-fact voice-over style, Roadrunner: A Film About Anthony Bourdain, still proves to be a fascinating and captivating portrait of the adored celebrity chef and author that also explores, in some detail, the question as to exactly why his life ended when, on June 8, 2018, Bourdain hung himself in his hotel room.
An intimate chronicle of Bourdain’s life from obscure, anonymous chef to world-famous author, the film is told from Bourdain’s own perspective using footage (both previously seen and unseen) from his various projects. Morgan Neville’s film is an uncompromising look at a true cultural icon and the tremendous impact he had on the world, and the toll that that inevitably had on him.
Throughout the film, director Neville seems genuinely enthralled by his subject, and it is rather easy to...
An intimate chronicle of Bourdain’s life from obscure, anonymous chef to world-famous author, the film is told from Bourdain’s own perspective using footage (both previously seen and unseen) from his various projects. Morgan Neville’s film is an uncompromising look at a true cultural icon and the tremendous impact he had on the world, and the toll that that inevitably had on him.
Throughout the film, director Neville seems genuinely enthralled by his subject, and it is rather easy to...
- 7/16/2021
- by Mike Tyrkus
- CinemaNerdz
Documentary filmmaker Morgan Neville paints a raw and personal image of Anthony Bourdain in his new documentary, “Roadrunner: A Film About Anthony Bourdain” which opens in theaters on Friday.
In the documentary, editors Eileen Meyer and Aaron Wickenden weave in narration by Bourdain pulled from audio clips, show outtakes, video interviews and audiobooks. However, when asked how he obtained some quotes from Bourdain in a new article in the New Yorker, Neville tells writer Helen Rosner that he used artificial intelligence to create three quotes with Bourdain’s voice. “I created an AI model of his voice,” Neville says. He goes on to say, “If you watch the film, other than that line you mentioned, you probably don’t know what the other lines are that were spoken by the AI, and you’re not going to know.”
Speaking to GQ magazine, Neville explained the process to Brett Martin. He said,...
In the documentary, editors Eileen Meyer and Aaron Wickenden weave in narration by Bourdain pulled from audio clips, show outtakes, video interviews and audiobooks. However, when asked how he obtained some quotes from Bourdain in a new article in the New Yorker, Neville tells writer Helen Rosner that he used artificial intelligence to create three quotes with Bourdain’s voice. “I created an AI model of his voice,” Neville says. He goes on to say, “If you watch the film, other than that line you mentioned, you probably don’t know what the other lines are that were spoken by the AI, and you’re not going to know.”
Speaking to GQ magazine, Neville explained the process to Brett Martin. He said,...
- 7/15/2021
- by Jazz Tangcay
- Variety Film + TV
Anthony Bourdain took his own life. It’s common knowledge. It’s not the most defining facet of his legacy, but he knew his death would be of interest. He talked about it often and joked about it just as much, posing an ironic sense of confrontation that leaned more toward the what than the why. And while his passing isn’t the whole truth, Morgan Neville’s documentary immediately focuses on it. It opens the film; it holds over a nearly two-hour runtime, anticipating to bookend the story. Roadrunner: A Film About Anthony Bourdain is, like its subject, not too focused on the why. What happened happened; what matters is how it felt.
With that, the film borders on absurdist, in the philosophical sense of the word. Moments of Bourdain’s life, often those of great impact, simply occur. They happen because he started a low-paying job, because one thing led to another.
With that, the film borders on absurdist, in the philosophical sense of the word. Moments of Bourdain’s life, often those of great impact, simply occur. They happen because he started a low-paying job, because one thing led to another.
- 7/14/2021
- by Matt Cipolla
- The Film Stage
“Dick Johnson is Dead” won both Best Documentary Feature and Best Director (Kirsten Johnson) at the fifth annual Critics’ Choice Documentary Awards. This Netflix film came into the competition with four bids; it lost the cinematography race to another Netflix title, “My Octopus Teacher,” and thee narration award to “David Attenborough: A Life on Our Planet.” “The Way I See It” won for score while “Totally Under Control” took editing. See the full list of Ccda winners announced on November 16 below.
The six genre prizes were awarded as follows: “MLK/FBI” (Best Archival Documentary); “John Lewis: Good Trouble” (Best Historical/Biographical Documentary); both “Beastie Boys Story” and “The Go-Go’s” (Best Music Documentary); “Boys State” (Best Political Documentary”); “My Octopus Teacher” (Best Science/Nature Documentary); and both “Ali & Cavett: The Tale of the Tapes” and “Athlete A” (Best Sports Documentary).
The Shoes in the Bed title “Mr. Soul!” won one of its...
The six genre prizes were awarded as follows: “MLK/FBI” (Best Archival Documentary); “John Lewis: Good Trouble” (Best Historical/Biographical Documentary); both “Beastie Boys Story” and “The Go-Go’s” (Best Music Documentary); “Boys State” (Best Political Documentary”); “My Octopus Teacher” (Best Science/Nature Documentary); and both “Ali & Cavett: The Tale of the Tapes” and “Athlete A” (Best Sports Documentary).
The Shoes in the Bed title “Mr. Soul!” won one of its...
- 11/16/2020
- by Paul Sheehan
- Gold Derby
Three films lead the fifth annual Critics’ Choice Documentary Awards with five nominations apiece. “Crip Camp: A Disability Revolution” and “Gunda,” both nabbed nominations for Best Documentary Feature and Best Director as well as three others apiece while “Mr. Soul!” was nominated for Best Documentary Feature and Best First Documentary Feature as well as three more.
Netflix led the way of all distributors with an impressive 31 nominations. In addition to “Crip Camp,” the studio also earned Best Documentary Feature bids forr “Athlete A,” “Dick Johnson Is Dead,” “My Octopus Teacher,” “A Secret Love,” and “The Social Dilemma.” Rounding out the top category nominees are “Belushi” and “The Go-Gos” from Showtime, “Feels Good Man” from Wavelength and PBS Independent, “The Fight” from Magnolia, “The Painter and the Thief” from Neon, and “Time” from Amazon. “Gunda” is Neon’s second nominee and “Mr. Soul!” comes to us from Shoes in the Bed.
Netflix led the way of all distributors with an impressive 31 nominations. In addition to “Crip Camp,” the studio also earned Best Documentary Feature bids forr “Athlete A,” “Dick Johnson Is Dead,” “My Octopus Teacher,” “A Secret Love,” and “The Social Dilemma.” Rounding out the top category nominees are “Belushi” and “The Go-Gos” from Showtime, “Feels Good Man” from Wavelength and PBS Independent, “The Fight” from Magnolia, “The Painter and the Thief” from Neon, and “Time” from Amazon. “Gunda” is Neon’s second nominee and “Mr. Soul!” comes to us from Shoes in the Bed.
- 10/26/2020
- by John Benutty
- Gold Derby
“Crip Camp: A Disability Revolution,” “Gunda” and “Mr. Soul” lead the fifth annual Critics Choice Association’s documentary nominations, with five apiece. Among the eclectic list of nominees are Taylor Swift, Greta Thunberg, veteran filmmaker Werner Herzog and longtime disability advocate Judith Heumann, as well as docs about such notables as John Lewis, Muhammad Ali, Bruce Lee and Frank Zappa.
Recognized with four nominations each are “Athlete A,” “Dick Johnson Is Dead,” “My Octopus Teacher” and “Totally Under Control.”
In terms of distributors, Netflix led with 31 nominations, followed by Neon with 14 and Magnolia Pictures with nine. Showtime had six, while HBO, Amazon, National Geographic, PBS Independent Lens and Shoes in the Bed Productions earned five each.
It’s the fifth annual documentary honors for the group, honoring projects released in theaters, on TV and on major digital platforms, as determined by the voting of Cca members. Winners will be announced at a presentation on Nov.
Recognized with four nominations each are “Athlete A,” “Dick Johnson Is Dead,” “My Octopus Teacher” and “Totally Under Control.”
In terms of distributors, Netflix led with 31 nominations, followed by Neon with 14 and Magnolia Pictures with nine. Showtime had six, while HBO, Amazon, National Geographic, PBS Independent Lens and Shoes in the Bed Productions earned five each.
It’s the fifth annual documentary honors for the group, honoring projects released in theaters, on TV and on major digital platforms, as determined by the voting of Cca members. Winners will be announced at a presentation on Nov.
- 10/26/2020
- by Tim Gray
- Variety Film + TV
“Crip Camp,” “Gunda” and “Mr. Soul!” led all films in nominations for the fifth annual Critics Choice Documentary Awards, which were announced on Monday by the Critics Choice Association.
The three films each received five nominations, including nods in the Best Documentary Feature category. As usual, that category cast a very wide net and contains far more nominees than other awards for nonfiction filmmaking — 14 this year, with nominations also going to “Athlete A,” “Belushi,” “Dick Johnson Is Dead,” “Feels Good Man,” “The Fight,” “The Go-Go’s,” “My Octopus Teacher,” “The Painter and the Thief,” “A Secret Love,” “The Social Dilemma” and “Time.”
Films with four nominations are “Athlete A,” “Dick Johnson Is Dead,” “Octopus Teacher” and “Totally Under Control.”
The list was missing many of the year’s most acclaimed nonfiction films, including “Welcome to Chechnya,” “The Dissident,” “Collective,” “Disclosure,” “76 Days” and “On the Record,” none of which received any nominations.
The three films each received five nominations, including nods in the Best Documentary Feature category. As usual, that category cast a very wide net and contains far more nominees than other awards for nonfiction filmmaking — 14 this year, with nominations also going to “Athlete A,” “Belushi,” “Dick Johnson Is Dead,” “Feels Good Man,” “The Fight,” “The Go-Go’s,” “My Octopus Teacher,” “The Painter and the Thief,” “A Secret Love,” “The Social Dilemma” and “Time.”
Films with four nominations are “Athlete A,” “Dick Johnson Is Dead,” “Octopus Teacher” and “Totally Under Control.”
The list was missing many of the year’s most acclaimed nonfiction films, including “Welcome to Chechnya,” “The Dissident,” “Collective,” “Disclosure,” “76 Days” and “On the Record,” none of which received any nominations.
- 10/26/2020
- by Steve Pond
- The Wrap
In what is signaling a very good year for documentaries, the Critics’ Choice Association on Monday announced its list of nominations for the fifth annual Critics’ Choice Documentary Awards, and if the past is any clue it could be an indicator of what to expect from the Oscars next spring.
With an inclusive list, to say the least, of about 50 films from approximately 200 submissions, three docs led the way with five noms apiece: Mr. Soul, about a historic Black TV show; Gunda, a touching film about the daily life of a pig and farm companions from exec producer Joaquin Phoenix; and Netflix’s Crip Camp: A Disability Revolution, an archival film about a summer camp catering to disabled young people.
Close behind with four nods each were Alex Gibney’s striking Covid-19 docu Totally Under Control that was actually just completed about two weeks ago; the personal story of a father and daugher, Dick Johnson Is Dead; the remarkable nature doc My Octopus Teacher; and gymnastics scandal pic Athlete A. The latter three hail from Netflix, which swamped the competition with 31 nominations, a more than 2-to-1 distance between next closest distributor Neon with 14. They are the only two distributors to reach double digits.
Overall the critics were in a generous mood, offering 15 films noms for Best Documentary Feature alone.
“At a unique time for the entertainment industry and the world, documentaries are more important and fortunately more abundant and more available and more essential than ever,” said Christopher Campbell, president of the documentary branch of Cca. “In 2020, documentaries have taken us to places and shown us perspectives we’ve never experienced before. They’ve chronicled events and life stories that are enlightening and enthralling — and sometimes frightening. It is a great honor for the Cca to celebrate these stories and subjects and shed light on the work of so many incredible filmmakers. The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year. Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Nominees were selected by Critics’ Choice members who were divided into five committees to whittle down the field.
Belushi (Showtime)
Crip Camp: A Disability Revolution (Netflix)
Dick Johnson is Dead (Netflix)
Feels Good Man (Wavelength Productions/PBS Independent Lens)
The Fight (Magnolia Pictures)
The Go-Go’s (Showtime)
Gunda (Neon)
Mr. Soul! (Shoes in the Bed Productions)
My Octopus Teacher (Netflix)
The Painter and the Thief (Neon)
A Secret Love (Netflix)
The Social Dilemma (Netflix)
Time (Amazon Studios)
Best Director
Garrett Bradley, Time (Amazon Studios)
Bonni Cohen and Jon Shenk, Athlete A (Netflix)
Kirsten Johnson, Dick Johnson is Dead (Netflix)
Victor Kossakovsky, Gunda (Neon)
James Lebrecht and Nicole Newnham, Crip Camp: A Disability Revolution (Netflix)
Dawn Porter, John Lewis: Good Trouble (Magnolia Pictures)
Benjamin Ree, The Painter and the Thief (Neon)
Best First Documentary Feature
Robert S. Bader, Ali & Cavett: The Tale of the Tapes (HBO)
Chris Bolan, A Secret Love (Netflix)
Melissa Haizlip, Mr. Soul! (Shoes in the Bed Productions)
Arthur Jones, Feels Good Man (Wavelength Productions/PBS Independent Lens)
Elizabeth Leiter and Kim Woodard, Jane Goodall: The Hope (National Geographic)
Elizabeth Lo, Stray (Magnolia Pictures)
Sasha Joseph Neulinger, Rewind (Grizzly Creek Films/PBS Independent Lens)
Best Cinematography
Michael Dweck and Gregory Kershaw, The Truffle Hunters (Sony Pictures Classics)
Roger Horrocks, My Octopus Teacher (Netflix)
Kirsten Johnson, Dick Johnson is Dead (Netflix)
Victor Kossakovsky and Egil Håskjold Larsen, Gunda (Neon)
Scott Ressler, Neil Gelinas and Stefan Wiesen, The Last Ice (National Geographic)
Gianfranco Rosi, Notturno (Stemal Entertainment)
Ruben Woodin Dechamps, The Reason I Jump (Kino Lorber)
Best Editing
Don Bernier, Athlete A (Netflix)
Eli Despres, Greg Finton and Kim Roberts, The Fight (Magnolia Pictures)
Lindy Jankura and Alex Keipper, Totally Under Control (Neon)
Helen Kearns, Assassins (Greenwich Entertainment)
Victor Kossakovsky and Ainara Vera, Gunda (Neon)
Eileen Meyer and Andrew Gersh, Crip Camp: A Disability Revolution (Netflix)
Charlotte Munch Bengtsen, The Truffle Hunters (Sony Pictures Classics)
Best Score
Ari Balouzian and Ryan Hope, Feels Good Man (Wavelength Productions/PBS Independent Lens)
Marco Beltrami, Brandon Roberts and Buck Sanders, The Way I See It (Focus Features)
Tyler Durham, Sven Faulconer and Xander Rodzinski, The Last Ice (National Geographic)
Peter Nashel and Brian Deming, Totally Under Control (Neon)
Daniel Pemberton, Rising Phoenix (Netflix)
Jeff Tweedy, Long Gone Summer (ESPN)
Jeff Tweedy, Spencer Tweedy and Sammy Tweedy, Showbiz Kids (HBO)
Best Narration
David Attenborough: A Life on Our Planet (Netflix)
David Attenborough, Narrator
David Attenborough, Writer
Dick Johnson is Dead (Netflix)
Kirsten Johnson, Narrator
Kirsten Johnson, Writer
Fireball: Visitors From Darker Worlds (Apple)
Werner Herzog, Narrator
Werner Herzog, Writer
Mr. Soul! (Shoes in the Bed Productions)
Blair Underwood, Narrator
Melissa Haizlip, Writer
My Octopus Teacher (Netflix)
Craig Foster, Narrator
Craig Foster, Writer
Time (Amazon Studios)
Fox Rich, Narrator
Fox Rich, Writer
Totally Under Control (Neon)
Alex Gibney, Narrator
Alex Gibney, Writer
Best Archival Documentary
Ali & Cavett: The Tale of the Tapes (HBO)
Belushi (Showtime)
Class Action Park (HBO Max)
Crip Camp: A Disability Revolution (Netflix)
MLK/FBI (Field of Vision/IFC Films)
Mr. Soul! (Shoes in the Bed Productions)
Spaceship Earth (Neon)
Best Historical/Biographical Documentary
Belushi (Showtime)
Crip Camp: A Disability Revolution (Netflix)
Howard (Disney+)
John Lewis: Good Trouble (Magnolia Pictures)
Mr. Soul! (Shoes in the Bed Production)
Mucho Mucho Amor: The Legend of Walter Mercado (Netflix)
Natalie Wood: What Remains Behind (HBO)
Best Music Documentary
Beastie Boys Story (Apple)
Crock of Gold: A Few Rounds with Shane MacGowan (Magnolia Pictures)
The Go-Go’s (Showtime)
Laurel Canyon (Epix)
Once Were Brothers: Robbie Robertson and The Band (Magnolia Pictures)
Other Music (Factory 25)
Zappa (Magnolia Pictures)
Best Political Documentary
All In: The Fight for Democracy (Amazon Studios)
Boys State (Apple)
John Lewis: Good Trouble (Magnolia Pictures)
MLK/FBI (Field of Vision/IFC Films)
The Social Dilemma (Netflix)
Totally Under Control (Neon)
The Way I See It (Focus Features)
Best Science/Nature Documentary
Coded Bias (7th Empire Media/PBS Independent Lens)
Fantastic Fungi (Moving Art)
Gunda (Neon)
I Am Greta (Hulu)
The Last Ice (National Geographic)
My Octopus Teacher (Netflix)
Spaceship Earth (Neon)
Best Sports Documentary
Ali & Cavett: The Tale of the Tapes (HBO)
Athlete A (Netflix)
Be Water (ESPN)
A Most Beautiful Thing (50 Eggs Films)
Red Penguins (Universal Pictures)
Rising Phoenix (Netflix)
You Cannot Kill David Arquette (Super Ltd)
Best Short Documentary
Blackfeet Boxing: Not Invisible (ESPN)
(Directors: Kristen Lappas and Tom Rinaldi. Producers: Craig Lazarus, José Morales, Lindsay Rovegno, Victor Vitarelli and Ben Webber)
The Claudia Kishi Club (Netflix)
(Director and Producer: Sue Ding)
Crescendo! (Quibi)
(Director: Alex Mallis. Producers: Matt O’Neill and Perri Peltz)
Elevator Pitch (Field of Vision)
(Director and Producer: Martyna Starosta)
Hunger Ward (Spin Film/Vulcan Productions/Ryot Films)
(Director and Producer: Skye Fitzgerald. Producer: Michael Scheuerman)
Into the Fire (National Geographic)
(Director: Orlando von Einsiedel. Producers: Mark Bauch, Harri Grace and Dan Lin)
My Father the Mover (MTV Documentary Films)
(Director: Julia Jansch. Producer: Mandilakhe Yengo)
The Rifleman (Field of Vision)
(Director: Sierra Pettengill. Producer: Arielle de Saint Phalle)
The Speed Cubers (Netflix)
(Director and Producer: Sue Kim. Producers: Evan Krauss and Chris Romano)
St. Louis Superman (MTV Documentary Films)
(Directors and Producers: Sami Khan and Smriti Mundhra. Producer: Poh Si Teng)
Most Compelling Living Subjects Of A Documentary (Honor)
Dr. Rick Bright – Totally Under Control (Neon)
Steven Garza – Boys State (Apple)
The Go-Go’s – The Go-Go’s (Showtime)
Judith Heumann – Crip Camp: A Disability Revolution (Netflix)
Dick Johnson – Dick Johnson is Dead (Netflix)
Maggie Nichols, Rachael Denhollander, Jamie Dantzscher – Athlete A (Netflix)
Fox Rich – Time (Amazon)
Pete Souza – The Way I See It (Focus Features)
Taylor Swift – Miss Americana (Netflix)
Greta Thunberg – I Am Greta (Hulu)
Distributor Nominations
Netflix: 31
Neon: 14
Magnolia Pictures: 9
Showtime: 6
Amazon Studios: 5
HBO: 5
National Geographic: 5
PBS Independent Lens: 5
Shoes in the Bed Productions: 5
Apple: 4
ESPN: 3
Focus Features: 3
Wavelength Productions: 3
Field of Vision: 2
Hulu: 2
IFC: 2
MTV Documentary Films: 2
Sony: 2
7th Empire Media: 1
50 Eggs Films: 1
Disney+: 1
Epix: 1
Factory 25: 1
Greenwich Entertainment: 1
Grizzly Creek Films: 1
HBO Max: 1
Kino Lorber: 1
Moving Art: 1
Quibi: 1
Spin Film/Vulcan Productions/Ryot Films: 1
Stemal Entertainment: 1
Super Ltd: 1
Universal: 1...
With an inclusive list, to say the least, of about 50 films from approximately 200 submissions, three docs led the way with five noms apiece: Mr. Soul, about a historic Black TV show; Gunda, a touching film about the daily life of a pig and farm companions from exec producer Joaquin Phoenix; and Netflix’s Crip Camp: A Disability Revolution, an archival film about a summer camp catering to disabled young people.
Close behind with four nods each were Alex Gibney’s striking Covid-19 docu Totally Under Control that was actually just completed about two weeks ago; the personal story of a father and daugher, Dick Johnson Is Dead; the remarkable nature doc My Octopus Teacher; and gymnastics scandal pic Athlete A. The latter three hail from Netflix, which swamped the competition with 31 nominations, a more than 2-to-1 distance between next closest distributor Neon with 14. They are the only two distributors to reach double digits.
Overall the critics were in a generous mood, offering 15 films noms for Best Documentary Feature alone.
“At a unique time for the entertainment industry and the world, documentaries are more important and fortunately more abundant and more available and more essential than ever,” said Christopher Campbell, president of the documentary branch of Cca. “In 2020, documentaries have taken us to places and shown us perspectives we’ve never experienced before. They’ve chronicled events and life stories that are enlightening and enthralling — and sometimes frightening. It is a great honor for the Cca to celebrate these stories and subjects and shed light on the work of so many incredible filmmakers. The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year. Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Nominees were selected by Critics’ Choice members who were divided into five committees to whittle down the field.
Belushi (Showtime)
Crip Camp: A Disability Revolution (Netflix)
Dick Johnson is Dead (Netflix)
Feels Good Man (Wavelength Productions/PBS Independent Lens)
The Fight (Magnolia Pictures)
The Go-Go’s (Showtime)
Gunda (Neon)
Mr. Soul! (Shoes in the Bed Productions)
My Octopus Teacher (Netflix)
The Painter and the Thief (Neon)
A Secret Love (Netflix)
The Social Dilemma (Netflix)
Time (Amazon Studios)
Best Director
Garrett Bradley, Time (Amazon Studios)
Bonni Cohen and Jon Shenk, Athlete A (Netflix)
Kirsten Johnson, Dick Johnson is Dead (Netflix)
Victor Kossakovsky, Gunda (Neon)
James Lebrecht and Nicole Newnham, Crip Camp: A Disability Revolution (Netflix)
Dawn Porter, John Lewis: Good Trouble (Magnolia Pictures)
Benjamin Ree, The Painter and the Thief (Neon)
Best First Documentary Feature
Robert S. Bader, Ali & Cavett: The Tale of the Tapes (HBO)
Chris Bolan, A Secret Love (Netflix)
Melissa Haizlip, Mr. Soul! (Shoes in the Bed Productions)
Arthur Jones, Feels Good Man (Wavelength Productions/PBS Independent Lens)
Elizabeth Leiter and Kim Woodard, Jane Goodall: The Hope (National Geographic)
Elizabeth Lo, Stray (Magnolia Pictures)
Sasha Joseph Neulinger, Rewind (Grizzly Creek Films/PBS Independent Lens)
Best Cinematography
Michael Dweck and Gregory Kershaw, The Truffle Hunters (Sony Pictures Classics)
Roger Horrocks, My Octopus Teacher (Netflix)
Kirsten Johnson, Dick Johnson is Dead (Netflix)
Victor Kossakovsky and Egil Håskjold Larsen, Gunda (Neon)
Scott Ressler, Neil Gelinas and Stefan Wiesen, The Last Ice (National Geographic)
Gianfranco Rosi, Notturno (Stemal Entertainment)
Ruben Woodin Dechamps, The Reason I Jump (Kino Lorber)
Best Editing
Don Bernier, Athlete A (Netflix)
Eli Despres, Greg Finton and Kim Roberts, The Fight (Magnolia Pictures)
Lindy Jankura and Alex Keipper, Totally Under Control (Neon)
Helen Kearns, Assassins (Greenwich Entertainment)
Victor Kossakovsky and Ainara Vera, Gunda (Neon)
Eileen Meyer and Andrew Gersh, Crip Camp: A Disability Revolution (Netflix)
Charlotte Munch Bengtsen, The Truffle Hunters (Sony Pictures Classics)
Best Score
Ari Balouzian and Ryan Hope, Feels Good Man (Wavelength Productions/PBS Independent Lens)
Marco Beltrami, Brandon Roberts and Buck Sanders, The Way I See It (Focus Features)
Tyler Durham, Sven Faulconer and Xander Rodzinski, The Last Ice (National Geographic)
Peter Nashel and Brian Deming, Totally Under Control (Neon)
Daniel Pemberton, Rising Phoenix (Netflix)
Jeff Tweedy, Long Gone Summer (ESPN)
Jeff Tweedy, Spencer Tweedy and Sammy Tweedy, Showbiz Kids (HBO)
Best Narration
David Attenborough: A Life on Our Planet (Netflix)
David Attenborough, Narrator
David Attenborough, Writer
Dick Johnson is Dead (Netflix)
Kirsten Johnson, Narrator
Kirsten Johnson, Writer
Fireball: Visitors From Darker Worlds (Apple)
Werner Herzog, Narrator
Werner Herzog, Writer
Mr. Soul! (Shoes in the Bed Productions)
Blair Underwood, Narrator
Melissa Haizlip, Writer
My Octopus Teacher (Netflix)
Craig Foster, Narrator
Craig Foster, Writer
Time (Amazon Studios)
Fox Rich, Narrator
Fox Rich, Writer
Totally Under Control (Neon)
Alex Gibney, Narrator
Alex Gibney, Writer
Best Archival Documentary
Ali & Cavett: The Tale of the Tapes (HBO)
Belushi (Showtime)
Class Action Park (HBO Max)
Crip Camp: A Disability Revolution (Netflix)
MLK/FBI (Field of Vision/IFC Films)
Mr. Soul! (Shoes in the Bed Productions)
Spaceship Earth (Neon)
Best Historical/Biographical Documentary
Belushi (Showtime)
Crip Camp: A Disability Revolution (Netflix)
Howard (Disney+)
John Lewis: Good Trouble (Magnolia Pictures)
Mr. Soul! (Shoes in the Bed Production)
Mucho Mucho Amor: The Legend of Walter Mercado (Netflix)
Natalie Wood: What Remains Behind (HBO)
Best Music Documentary
Beastie Boys Story (Apple)
Crock of Gold: A Few Rounds with Shane MacGowan (Magnolia Pictures)
The Go-Go’s (Showtime)
Laurel Canyon (Epix)
Once Were Brothers: Robbie Robertson and The Band (Magnolia Pictures)
Other Music (Factory 25)
Zappa (Magnolia Pictures)
Best Political Documentary
All In: The Fight for Democracy (Amazon Studios)
Boys State (Apple)
John Lewis: Good Trouble (Magnolia Pictures)
MLK/FBI (Field of Vision/IFC Films)
The Social Dilemma (Netflix)
Totally Under Control (Neon)
The Way I See It (Focus Features)
Best Science/Nature Documentary
Coded Bias (7th Empire Media/PBS Independent Lens)
Fantastic Fungi (Moving Art)
Gunda (Neon)
I Am Greta (Hulu)
The Last Ice (National Geographic)
My Octopus Teacher (Netflix)
Spaceship Earth (Neon)
Best Sports Documentary
Ali & Cavett: The Tale of the Tapes (HBO)
Athlete A (Netflix)
Be Water (ESPN)
A Most Beautiful Thing (50 Eggs Films)
Red Penguins (Universal Pictures)
Rising Phoenix (Netflix)
You Cannot Kill David Arquette (Super Ltd)
Best Short Documentary
Blackfeet Boxing: Not Invisible (ESPN)
(Directors: Kristen Lappas and Tom Rinaldi. Producers: Craig Lazarus, José Morales, Lindsay Rovegno, Victor Vitarelli and Ben Webber)
The Claudia Kishi Club (Netflix)
(Director and Producer: Sue Ding)
Crescendo! (Quibi)
(Director: Alex Mallis. Producers: Matt O’Neill and Perri Peltz)
Elevator Pitch (Field of Vision)
(Director and Producer: Martyna Starosta)
Hunger Ward (Spin Film/Vulcan Productions/Ryot Films)
(Director and Producer: Skye Fitzgerald. Producer: Michael Scheuerman)
Into the Fire (National Geographic)
(Director: Orlando von Einsiedel. Producers: Mark Bauch, Harri Grace and Dan Lin)
My Father the Mover (MTV Documentary Films)
(Director: Julia Jansch. Producer: Mandilakhe Yengo)
The Rifleman (Field of Vision)
(Director: Sierra Pettengill. Producer: Arielle de Saint Phalle)
The Speed Cubers (Netflix)
(Director and Producer: Sue Kim. Producers: Evan Krauss and Chris Romano)
St. Louis Superman (MTV Documentary Films)
(Directors and Producers: Sami Khan and Smriti Mundhra. Producer: Poh Si Teng)
Most Compelling Living Subjects Of A Documentary (Honor)
Dr. Rick Bright – Totally Under Control (Neon)
Steven Garza – Boys State (Apple)
The Go-Go’s – The Go-Go’s (Showtime)
Judith Heumann – Crip Camp: A Disability Revolution (Netflix)
Dick Johnson – Dick Johnson is Dead (Netflix)
Maggie Nichols, Rachael Denhollander, Jamie Dantzscher – Athlete A (Netflix)
Fox Rich – Time (Amazon)
Pete Souza – The Way I See It (Focus Features)
Taylor Swift – Miss Americana (Netflix)
Greta Thunberg – I Am Greta (Hulu)
Distributor Nominations
Netflix: 31
Neon: 14
Magnolia Pictures: 9
Showtime: 6
Amazon Studios: 5
HBO: 5
National Geographic: 5
PBS Independent Lens: 5
Shoes in the Bed Productions: 5
Apple: 4
ESPN: 3
Focus Features: 3
Wavelength Productions: 3
Field of Vision: 2
Hulu: 2
IFC: 2
MTV Documentary Films: 2
Sony: 2
7th Empire Media: 1
50 Eggs Films: 1
Disney+: 1
Epix: 1
Factory 25: 1
Greenwich Entertainment: 1
Grizzly Creek Films: 1
HBO Max: 1
Kino Lorber: 1
Moving Art: 1
Quibi: 1
Spin Film/Vulcan Productions/Ryot Films: 1
Stemal Entertainment: 1
Super Ltd: 1
Universal: 1...
- 10/26/2020
- by Pete Hammond
- Deadline Film + TV
The 2016 Karen Schmeer Film Editing Fellowship has been awarded to film editor Eileen Meyer, best known for her work on the award-winning documentary Best of Enemies. In announcing the news, the awards committee said, “Eileen impressed us with her confident spirit, strong work ethic, and the ways in which she has been pushing herself to new professional heights. We also loved her playful and insightful editorial style in her work as an editor of Best of Enemies.” Meyer will receive the fellowship on Tuesday, March 15, 2016 at the SXSW Film Festival Awards Ceremony in Austin, Texas. In addition to a […]...
- 3/10/2016
- by Paula Bernstein
- Filmmaker Magazine - Blog
Plus: Tyler Perry greenlights Apartheid drama; Semana Del Cine Español to kick off in Puerto Rico
Josh Wiggins and Odeya Rush have joined J.K. Simmons and Julie Delpy on ensemble feature The Bachelors. Principal photography is set to being on March 14 in Los Angeles.
Kurt Voelker directs the comedy-drama and Windowseat Entertainment is fully financing. Fortitude International handles sales outside the Us and The Gersh Agency and CAA represent North American rights.
Tyler Perry’s 34th Street Films is in development on The Year Of The Great Storm, with Doug Liman and George C. Wolfe on board as executive producers. Karzan Kader will direct the story of Amy Biehl, an American Fulbright scholar whose death in South Africa during the Apartheid years prompted her parents to move to the country in an effort to bring about change. Wme is packaging the project.Spanish star Paco Leon and writer-director Daniel Guzman will be among the attractions at the...
Josh Wiggins and Odeya Rush have joined J.K. Simmons and Julie Delpy on ensemble feature The Bachelors. Principal photography is set to being on March 14 in Los Angeles.
Kurt Voelker directs the comedy-drama and Windowseat Entertainment is fully financing. Fortitude International handles sales outside the Us and The Gersh Agency and CAA represent North American rights.
Tyler Perry’s 34th Street Films is in development on The Year Of The Great Storm, with Doug Liman and George C. Wolfe on board as executive producers. Karzan Kader will direct the story of Amy Biehl, an American Fulbright scholar whose death in South Africa during the Apartheid years prompted her parents to move to the country in an effort to bring about change. Wme is packaging the project.Spanish star Paco Leon and writer-director Daniel Guzman will be among the attractions at the...
- 3/9/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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