Spoiler alert! If you haven’t watched the “Los Fantasmas” episode of Sons of Anarchy (read our full recap), stop now. We asked the FX drama’s special effects supervisor Chris Nelson to take us inside its two most graphic scenes. You may never look at watermelon the same way again.
In the episode, directed by Peter Weller, the Da (Cch Pounder) had it leaked to the press that the weapon used by the 11-year-old shooter may trace back to the Byz Lats and Sons of Anarchy. As Jax (Charlie Hunnam) and the Samcro boys met with the Byz Lats...
In the episode, directed by Peter Weller, the Da (Cch Pounder) had it leaked to the press that the weapon used by the 11-year-old shooter may trace back to the Byz Lats and Sons of Anarchy. As Jax (Charlie Hunnam) and the Samcro boys met with the Byz Lats...
- 10/30/2013
- by Mandi Bierly
- EW - Inside TV
DVD Release Date: Aug. 21, 2012
Price: DVD $27.99
Studio: Strand Releasing
A close shave? Natalia Galgani and Diego Noguera star in Bonsái.
Bonsái is a 2011 Chilean romance-drama film based on the novella by noted Chilean writer Alejandro Zambra.
Julio (Diego Noguera) is a struggling young writer who has hit a wall. Unemployed and involved in a half-hearted relationship with his neighbor (Trinidad Gonzalez), things are finally starting to look up when he gets an interview with a renowned author Hugo Medina) to transcribe his latest work. Things don’t go as planned, however, and Julio doesn’t get the job. Instead of admitting the truth to his girlfriend, he pretends to be transcribing the novel when actually writing his own story. Searching for inspiration and a plot, Julio revisits a romance with a woman (Nathalia Galgani) he had eight years ago when studying literature in Valdivia.
Helmed and written by first-time feature film director Cristián Jiménez,...
Price: DVD $27.99
Studio: Strand Releasing
A close shave? Natalia Galgani and Diego Noguera star in Bonsái.
Bonsái is a 2011 Chilean romance-drama film based on the novella by noted Chilean writer Alejandro Zambra.
Julio (Diego Noguera) is a struggling young writer who has hit a wall. Unemployed and involved in a half-hearted relationship with his neighbor (Trinidad Gonzalez), things are finally starting to look up when he gets an interview with a renowned author Hugo Medina) to transcribe his latest work. Things don’t go as planned, however, and Julio doesn’t get the job. Instead of admitting the truth to his girlfriend, he pretends to be transcribing the novel when actually writing his own story. Searching for inspiration and a plot, Julio revisits a romance with a woman (Nathalia Galgani) he had eight years ago when studying literature in Valdivia.
Helmed and written by first-time feature film director Cristián Jiménez,...
- 7/23/2012
- by Laurence
- Disc Dish
This is a reprint of our review from the Cannes Film Festival.
Cannes, more so than other film festivals, feels like the 10 days of nutrition offered in the hopeful attempt to make up for the other 355 days of dessert modern movie going offers us. Abandonment, murder, suicide, prostitution -- these are the concerns of all too many films in the competition and sidebars here at Cannes. A film like Christián Jiménez's "Bonsái," in the Un Certain Regard selection -- seemingly slight, seemingly light, small in scope and scene -- is exactly the kind of film that whispers when other films shout and gets overlooked in the hue and cry. But that doesn't mean that it doesn't speak the truth, or that what it's saying isn't heartfelt, articulate and funny. You have to lean into a film like "Bonsái" so you can see how intricate, simple and elegant it is, even...
Cannes, more so than other film festivals, feels like the 10 days of nutrition offered in the hopeful attempt to make up for the other 355 days of dessert modern movie going offers us. Abandonment, murder, suicide, prostitution -- these are the concerns of all too many films in the competition and sidebars here at Cannes. A film like Christián Jiménez's "Bonsái," in the Un Certain Regard selection -- seemingly slight, seemingly light, small in scope and scene -- is exactly the kind of film that whispers when other films shout and gets overlooked in the hue and cry. But that doesn't mean that it doesn't speak the truth, or that what it's saying isn't heartfelt, articulate and funny. You have to lean into a film like "Bonsái" so you can see how intricate, simple and elegant it is, even...
- 5/9/2012
- by James Rocchi
- The Playlist
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