Barry Ward with Anna Bederke in That The May Face The Rising Sun. Ward: 'My approach to TV and film remains the same, though, in terms of research and preparation' Photo: Conic Adapted from John McGahern’s acclaimed novel of the same name and boasting a sweeping success at this year’s Irish Film and Television Awards, That They May Face The Rising Sun tells a gentle story of a couple who have relocated from London to the Irish countryside. As writer Joe (Barry Ward) rediscovers the rural life of his upbringing, the film ultimately settles on a stoic sentiment about finding peace in the mundane and the cyclical nature of life. Ward’s charisma adds to this stoicism, his warm performance imbuing the film with a quiet sense of ease and melancholia.
The subdued charm of Ward is often a staple of his screen presence, perhaps best put to...
The subdued charm of Ward is often a staple of his screen presence, perhaps best put to...
- 5/25/2024
- by Dora Leu
- eyeforfilm.co.uk
That They May Face the Rising Sun, about a small rural community in Ireland, has little obvious drama. The director explains how that is exactly what’s winning it awards
For most directors it would be an agonising predicament: how do you translate a novel with no discernible plot, in which nothing really happens, to the screen? John McGahern called his experimental masterpiece That They May Face the Rising Sun, about a small rural Irish community, an “anti-novel” for its rejection of conventional narrative.
“I thought that the act of taking drama out of it, if it was consciously done, could be dramatic in itself,” he told the Observer in 2005. “My whole idea was to take plot and everything else out of the novel and see what was left.”...
For most directors it would be an agonising predicament: how do you translate a novel with no discernible plot, in which nothing really happens, to the screen? John McGahern called his experimental masterpiece That They May Face the Rising Sun, about a small rural Irish community, an “anti-novel” for its rejection of conventional narrative.
“I thought that the act of taking drama out of it, if it was consciously done, could be dramatic in itself,” he told the Observer in 2005. “My whole idea was to take plot and everything else out of the novel and see what was left.”...
- 5/6/2024
- by Rory Carroll
- The Guardian - Film News
The Emerald Isle has rarely looked greener than it does in That They May Face The Rising Sun. A film built on the repeated turn of the seasons and the idea of leaving and returning, in its rural setting the hillsides glow with the verdancy of high rainfall even in summer, while the colour also provides an accent for everything from woodstain to the ribbon on a wedding cake.
Time moves slower in this late-Seventies world recalled by John McGahern - and adapted for the screen by writer/director Pat Collins and his co-writer Eamon Little - but it passes all the same. “You really are in no hurry,” someone tells Joe Ruttledge (Bary Ward). It’s true, writer Joe has, presumably, returned to Ireland from London some years before precisely because he and his artist wife Kate (Anna Bederke) have had their fill of the rat race. Collins, too,...
Time moves slower in this late-Seventies world recalled by John McGahern - and adapted for the screen by writer/director Pat Collins and his co-writer Eamon Little - but it passes all the same. “You really are in no hurry,” someone tells Joe Ruttledge (Bary Ward). It’s true, writer Joe has, presumably, returned to Ireland from London some years before precisely because he and his artist wife Kate (Anna Bederke) have had their fill of the rat race. Collins, too,...
- 5/4/2024
- by Amber Wilkinson
- eyeforfilm.co.uk
Luca Guadagnino’s love triangle drama Challengers starts its UK-Ireland box office campaign this weekend through Warner Bros.
Opening in 702 sites with additional venues still being added, the film stars Zendaya, 2016 Screen Star of Tomorrow Josh O’Connor and Mike Faist in the story of three aspiring tennis professionals fighting both for championships and romantically.
Initially programmed as the opening film of last year’s Venice Film Festival, Challengers was withdrawn following the actors’ strike, which would have prevented its starry cast from promoting the release.
It is Italian filmmaker Guadagnino’s eighth feature film. He broke out internationally with his fifth,...
Opening in 702 sites with additional venues still being added, the film stars Zendaya, 2016 Screen Star of Tomorrow Josh O’Connor and Mike Faist in the story of three aspiring tennis professionals fighting both for championships and romantically.
Initially programmed as the opening film of last year’s Venice Film Festival, Challengers was withdrawn following the actors’ strike, which would have prevented its starry cast from promoting the release.
It is Italian filmmaker Guadagnino’s eighth feature film. He broke out internationally with his fifth,...
- 4/26/2024
- ScreenDaily
In this adaptation of the John McGahern novel, about a middle-aged man who has returned, with his wife, to the countryside of his childhood, makeshift friendships are forged and life’s grand rhythms observed
‘Does anything happen, or is it the usual?” asks a regular loose cannon in Pat Collins’ rural-set Irish drama. “Not much in the way of drama, just the day-to-day stuff,” replies his writer friend. That’s very much the lay of the land in this film, with squirely novelist Joe Ruttledge (Barry Ward) serving as a proxy for John McGahern and his early-Joycean realism, and from whose lauded final 2002 novel this is adapted. By extension it speaks for Collins too, who remains a faithful follower of that approach – almost to a fault.
At some point in the 1980s, Joe and his wife Kate (Anna Bederke) – who is from some unspecified European country – have quit London to...
‘Does anything happen, or is it the usual?” asks a regular loose cannon in Pat Collins’ rural-set Irish drama. “Not much in the way of drama, just the day-to-day stuff,” replies his writer friend. That’s very much the lay of the land in this film, with squirely novelist Joe Ruttledge (Barry Ward) serving as a proxy for John McGahern and his early-Joycean realism, and from whose lauded final 2002 novel this is adapted. By extension it speaks for Collins too, who remains a faithful follower of that approach – almost to a fault.
At some point in the 1980s, Joe and his wife Kate (Anna Bederke) – who is from some unspecified European country – have quit London to...
- 4/22/2024
- by Phil Hoad
- The Guardian - Film News
Cillian Murphy took home the award for lead actor in a film for his performance in Oppenheimer while That They May Face The Rising Sun clinched the best film prize at the Irish Film and Television Awards (IFTAs), that took place on Saturday (April 20).
As well as taking the best actor prize, Cork-born Murphy also collected the best international film prize on behalf of Christopher Nolan’s Oppenheimer.
Pat Collins’ best film award winner That They May Face The Rising Sun was adapted from John McGahern’s novel about life in rural Ireland, and premiered at BFI London Film Festival.
As well as taking the best actor prize, Cork-born Murphy also collected the best international film prize on behalf of Christopher Nolan’s Oppenheimer.
Pat Collins’ best film award winner That They May Face The Rising Sun was adapted from John McGahern’s novel about life in rural Ireland, and premiered at BFI London Film Festival.
- 4/22/2024
- ScreenDaily
Cillian Murphy, Kin season two and Paul Mescal were among the winners of the Irish Film & Television Awards 2024, which were handed out during a ceremony in Dublin on Saturday.
Lies We Tell, about an orphaned teenage heiress in 19th-century Ireland who is forced to embrace the dark legacy of her family, led the nominations for the movie portion of the awards with 13 and went home with three. It was followed by That They May Face the Rising Sun, which took home the best film prize, and Double Blind, with 11 each. Rising Sun is an adaptation of John McGahern’s novel about passion, war and migration, while Double Blind is a horror film about an experimental drug trial that goes wrong.
Among the lead acting nominees were such big names as Murphy, Barry Keoghan, Andrew Scott, Pierce Brosnan, Saoirse Ronan, Eve Hewson and Jessie Buckley. Murphy took home the best actor...
Lies We Tell, about an orphaned teenage heiress in 19th-century Ireland who is forced to embrace the dark legacy of her family, led the nominations for the movie portion of the awards with 13 and went home with three. It was followed by That They May Face the Rising Sun, which took home the best film prize, and Double Blind, with 11 each. Rising Sun is an adaptation of John McGahern’s novel about passion, war and migration, while Double Blind is a horror film about an experimental drug trial that goes wrong.
Among the lead acting nominees were such big names as Murphy, Barry Keoghan, Andrew Scott, Pierce Brosnan, Saoirse Ronan, Eve Hewson and Jessie Buckley. Murphy took home the best actor...
- 4/20/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
Cillian Murphy capped off his domination of awards season by claiming the top acting prize for film on home soil.
The Oscar, BAFTA, Golden Globe and SAG award winner on Saturday night added perhaps a final statue to his flawless haul of honors for Christopher Nolan’s “Oppenheimer,” when he was named best lead actor at the 21st Irish Film and TV Academy Awards.
“God, I’m still so brutal at this,” the famously shy actor said on collecting the award, presented to him by “Killers of the Flower Moon” star and fellow recent awards circuit regular Lily Gladstone. “But being in this room is so special — being at home, with people that I love and admire amongst my fellow nominees and some of my favorite people.” Speaking backstage afterwards at the Dublin Royal Convention Centre, he added: “It feels lovely being home with so many friends and colleagues.”
Gladstone,...
The Oscar, BAFTA, Golden Globe and SAG award winner on Saturday night added perhaps a final statue to his flawless haul of honors for Christopher Nolan’s “Oppenheimer,” when he was named best lead actor at the 21st Irish Film and TV Academy Awards.
“God, I’m still so brutal at this,” the famously shy actor said on collecting the award, presented to him by “Killers of the Flower Moon” star and fellow recent awards circuit regular Lily Gladstone. “But being in this room is so special — being at home, with people that I love and admire amongst my fellow nominees and some of my favorite people.” Speaking backstage afterwards at the Dublin Royal Convention Centre, he added: “It feels lovely being home with so many friends and colleagues.”
Gladstone,...
- 4/20/2024
- by Alex Ritman
- Variety Film + TV
Lies We Tell, with 13, That They May Face the Rising Sun and Double Blind, with 11 each, are leading the nominations for the movie portion of the Irish Film & Television Awards 2024.
Lies We Tell is about an orphaned teenage heiress in 19th-century Ireland who is forced to embrace the dark legacy of her family when she becomes the ward of an uncle determined to marry her off. Rising Sun is an adaptation of John McGahern’s novel of passion, war, and migration. Double Blind is a horror film about an experimental drug trial that goes horribly wrong. Andrew Legge’s Lola, a science fiction drama set in 1940, received seven noms on Thursday.
Among the lead acting nominees are such big names as Cillian Murphy, Barry Keoghan, Andrew Scott, Pierce Brosnan, Saoirse Ronan, Eve Hewson, and Jessie Buckley. The best supporting film actor category, meanwhile, includes Kenneth Branagh and Paul Mescal.
And...
Lies We Tell is about an orphaned teenage heiress in 19th-century Ireland who is forced to embrace the dark legacy of her family when she becomes the ward of an uncle determined to marry her off. Rising Sun is an adaptation of John McGahern’s novel of passion, war, and migration. Double Blind is a horror film about an experimental drug trial that goes horribly wrong. Andrew Legge’s Lola, a science fiction drama set in 1940, received seven noms on Thursday.
Among the lead acting nominees are such big names as Cillian Murphy, Barry Keoghan, Andrew Scott, Pierce Brosnan, Saoirse Ronan, Eve Hewson, and Jessie Buckley. The best supporting film actor category, meanwhile, includes Kenneth Branagh and Paul Mescal.
And...
- 3/14/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
The world premere of Irish director Ross Killeen’s Don’t Forget To Remember scooped the audience award as the 22nd Dublin International Film Festival (Diff) drew to a close on Saturday (March 2).
The Irish documentary is a collaboration with artist Asbestos, and explores the lived experience of Alzheimer’s, and the fragility and fortitude of memory.
Scroll down for the full list of Diff winners
“Although it’s a very personal film, Don’t Forget To Remember holds universal themes of love and loss, but most importantly, it’s about how we remember and shows how fragile those memories can be,...
The Irish documentary is a collaboration with artist Asbestos, and explores the lived experience of Alzheimer’s, and the fragility and fortitude of memory.
Scroll down for the full list of Diff winners
“Although it’s a very personal film, Don’t Forget To Remember holds universal themes of love and loss, but most importantly, it’s about how we remember and shows how fragile those memories can be,...
- 3/4/2024
- ScreenDaily
Dublin International Film Festival has unveiled its full programme for the upcoming edition, opening with the world premiere of Irish filmmaker Marian Quinn’s anti-war epic Twig.
This re-telling of Greek tragedy Antigone stars Sade Malone in the titular role and Brían F. O’Byrne, and is set in Dublin’s inner city, where an ancient city wall cordons off a neighbourhood which is rife with drugs. It is produced by Ireland’s Ruth Carter of Blue Ink Films and Tommy Weir for Janey Pictures.
Further Irish filmmaking talent showcased includes the previously announced closing night film, Pat Collins’ adaptation of...
This re-telling of Greek tragedy Antigone stars Sade Malone in the titular role and Brían F. O’Byrne, and is set in Dublin’s inner city, where an ancient city wall cordons off a neighbourhood which is rife with drugs. It is produced by Ireland’s Ruth Carter of Blue Ink Films and Tommy Weir for Janey Pictures.
Further Irish filmmaking talent showcased includes the previously announced closing night film, Pat Collins’ adaptation of...
- 1/22/2024
- ScreenDaily
Break Out Pictures and Conic are partnering on UK-Ireland distribution of Pat Collins’ Irish feature That They May Face The Rising Sun.
Break Out Pictures will distribute the film in the Republic of Ireland and Northern Ireland; with Conic releasing the film in England, Scotland and Wales. It will land in cinemas on April 26, 2024 in all territories.
That They May Face The Rising Sun debuted at the BFI London Film Festival in October 2023. It is an adaptation of John McGahern’s acclaimed final novel of the same name. The story follows a couple who return from London to the small...
Break Out Pictures will distribute the film in the Republic of Ireland and Northern Ireland; with Conic releasing the film in England, Scotland and Wales. It will land in cinemas on April 26, 2024 in all territories.
That They May Face The Rising Sun debuted at the BFI London Film Festival in October 2023. It is an adaptation of John McGahern’s acclaimed final novel of the same name. The story follows a couple who return from London to the small...
- 1/19/2024
- ScreenDaily
The Irish festival runs from February 22 to March 2.
Dublin International Film Festival has unveiled its first programme highlights, with French star Isabelle Huppert to receive Diff’s career achievement accolade, the Volta Award, and That They May Face The Rising Sun set to close the festival.
Huppert’s career has spanned six decades, from early roles such as Claude Goretta’s The Lacemaker, for which she received the Bafta most promising newcomer award, to recent cinema roles including Mia Hansen-Love’s Things To Come, Michael Haneke’s Happy End, Neil Jordan’s Greta, Anthony Fabian Mrs Harris Goes To...
Dublin International Film Festival has unveiled its first programme highlights, with French star Isabelle Huppert to receive Diff’s career achievement accolade, the Volta Award, and That They May Face The Rising Sun set to close the festival.
Huppert’s career has spanned six decades, from early roles such as Claude Goretta’s The Lacemaker, for which she received the Bafta most promising newcomer award, to recent cinema roles including Mia Hansen-Love’s Things To Come, Michael Haneke’s Happy End, Neil Jordan’s Greta, Anthony Fabian Mrs Harris Goes To...
- 12/11/2023
- by Mona Tabbara
- ScreenDaily
Figure is below record high of €500 million achieved after lockdowns eased in 2021.
Production spend in Ireland across feature films, TV and animation reached €361m in 2022, down on 2021’s record year, but an increase on a pre-pandemic 2019.
Although a fall from the record high of €500m in 2021, this has been deemed exceptional due to the increased level of activity taking place following the Covid-related production shutdowns.
Production investment in Ireland has grown at a steady level over recent years and 2022’s €361m is an increase of €4m on 2019.
Universal Pictures’ Cocaine Bear, Netflix’s Vikings: Valhalla and Bron Studios’ and Headline Pictures’ crime series Kin,...
Production spend in Ireland across feature films, TV and animation reached €361m in 2022, down on 2021’s record year, but an increase on a pre-pandemic 2019.
Although a fall from the record high of €500m in 2021, this has been deemed exceptional due to the increased level of activity taking place following the Covid-related production shutdowns.
Production investment in Ireland has grown at a steady level over recent years and 2022’s €361m is an increase of €4m on 2019.
Universal Pictures’ Cocaine Bear, Netflix’s Vikings: Valhalla and Bron Studios’ and Headline Pictures’ crime series Kin,...
- 2/1/2023
- by Esther McCarthy
- ScreenDaily
A Rocky Road to Independence Ireland in the 1960s was a nation frozen in time. While Beatlemania, Vietnam, hippies and free love gripped the west, we had Father Michael Cleary (the singing priest) and the Irish Censorship Board. Our church-controlled educational system produced young students who fretted about original sin years before they were capable of conceiving one. Our government acted as if church and state were indistinguishable. We were shut-in’s, defiantly turning our backs against the 20th century and the modern tide. In Rocky Road to Dublin, Peter Lennon’s recently restored and re-released 1968 documentary about the state of Ireland in that transformative decade, Lennon captures a nation teetering on the cusp of enormous social change. It makes for startling viewing, and the Irish Film Institute is to be commended for placing this groundbreaking film before the public again. It’s a true saying -- prophets are never recognized in their own land.
- 6/30/2010
- IrishCentral
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.