Exclusive: Alyssa Milano (Brazen), Virginia Madsen (Sideways), Gina Torres (9-1-1: Lone Star) and Milana Vayntrub (This Is Us) have signed on for roles in the feature-length anthology Give Me an A, which links together 15 short films, in response to the recent overturning of Roe v. Wade.
The film currently in post-production will have been completed within two months from the date of Roe’s overturning — which eliminated the longstanding constitutional right to abortion — in an effort to ensure this is a response and not a delayed reaction. The creators, cast and crew have made a significant effort to expedite the process in order to start a conversation with audiences about the importance of bodily autonomy and address the dysfunction of a democracy that is not protecting the needs of a majority of the population. Support from vendors like Keslow, Panavision and The Ebell of Los Angeles has allowed...
The film currently in post-production will have been completed within two months from the date of Roe’s overturning — which eliminated the longstanding constitutional right to abortion — in an effort to ensure this is a response and not a delayed reaction. The creators, cast and crew have made a significant effort to expedite the process in order to start a conversation with audiences about the importance of bodily autonomy and address the dysfunction of a democracy that is not protecting the needs of a majority of the population. Support from vendors like Keslow, Panavision and The Ebell of Los Angeles has allowed...
- 9/12/2022
- by Matt Grobar
- Deadline Film + TV
After the Verdict is an upcoming Australian drama TV series set to premiere on Nine Network this year. The show is created by Ellie Beaumont and Drew Proffitt, and written by Beaumont, Proffitt, and Romina Accurso. The show will be directed by Peter Salmon, Lisa Matthews, and Fadia Abboud. Here is a description of the plot of the series, according to an IMDb write-up: “Following a high profile murder trial, four everyday people try to piece together their lives again as they begin to question the case, the outcome and the day that changed their lives.” Some of Australia’s finest
Meet The Cast Of “After The Verdict”...
Meet The Cast Of “After The Verdict”...
- 5/27/2022
- by A.E. Oats
- TVovermind.com
Questions about the role newly elected Teamsters president Sean O’Brien played in a thuggish 2014 labor dispute on the Boston set of Top Chef are still dogging him, resurfacing recently in the run-up to his election last week.
O’Brien, president of Boston’s Teamsters Local 25, steadfastly has maintained that he was not responsible for arranging the picketing of the show that led to five of his members being arrested and indicted for attempted extortion in a picket-line incident in which racist, homophobic and misogynistic taunts and threats of violence were hurled at members of the show’s cast and crew.
As first reported by Deadline, about a dozen members of Local 25 had set up a picket line on June 10, 2014, outside the Steel & Rye restaurant in the Boston suburb of Milton, where the show was filming after having been chased out of Boston by the Teamsters, who wanted the producers to...
O’Brien, president of Boston’s Teamsters Local 25, steadfastly has maintained that he was not responsible for arranging the picketing of the show that led to five of his members being arrested and indicted for attempted extortion in a picket-line incident in which racist, homophobic and misogynistic taunts and threats of violence were hurled at members of the show’s cast and crew.
As first reported by Deadline, about a dozen members of Local 25 had set up a picket line on June 10, 2014, outside the Steel & Rye restaurant in the Boston suburb of Milton, where the show was filming after having been chased out of Boston by the Teamsters, who wanted the producers to...
- 11/22/2021
- by David Robb
- Deadline Film + TV
Nine has unveiled dramas Underbelly: Vanishing Act and After the Verdict as part of its 2022 slate, with the network emphasising its “strong investment” in the genre at its upfronts today.
The series join Eq Media Group’s real estate docu-drama Buying Byron, ITV Studios Australia’s prison ob-doc series Australia Behind Bars, Southern Pictures and Orange Entertainment Co’s Missing Persons Investigation, and The Full Box’s Million Dollar Murders as the new titles announced for next year.
The virtual event included the cast announcement of Screentime’s Underbelly: Vanishing Act, which tells the story of Melissa Caddick, the high-roller who allegedly embezzled over $40 million before disappearing.
The series stars Kate Atkinson as Melissa Caddick, alongside Colin Friels, Tai Hara, Maya Stange, Ursula Mills, and Sophie Bloom.
Underbelly: Vanishing Act is produced by Kerrie Mainwaring and Matt Ford, who is also writing alongside Michael Miller, with Geoff Bennett directing.
Subtext...
The series join Eq Media Group’s real estate docu-drama Buying Byron, ITV Studios Australia’s prison ob-doc series Australia Behind Bars, Southern Pictures and Orange Entertainment Co’s Missing Persons Investigation, and The Full Box’s Million Dollar Murders as the new titles announced for next year.
The virtual event included the cast announcement of Screentime’s Underbelly: Vanishing Act, which tells the story of Melissa Caddick, the high-roller who allegedly embezzled over $40 million before disappearing.
The series stars Kate Atkinson as Melissa Caddick, alongside Colin Friels, Tai Hara, Maya Stange, Ursula Mills, and Sophie Bloom.
Underbelly: Vanishing Act is produced by Kerrie Mainwaring and Matt Ford, who is also writing alongside Michael Miller, with Geoff Bennett directing.
Subtext...
- 9/15/2021
- by Sean Slatter
- IF.com.au
Baz Luhrmann.
A new feature film from Baz Luhrmann, set in a small Australian country town, is among the 18 projects to recently receive story development funding from Screen Australia.
The agency announced today it will share $620,000 between 11 films, five TV series and two online projects.
These projects come from both the existing Premium and Generate development funds. Generate Fund is for lower budget projects with an emphasis on new and emerging talent, or experienced talent wanting to take creative risks. The Premium Fund is for higher budget projects of ambition and scale from successful screen content makers.
Projects pitched for Premium Plus funds – the additional development funding the agency announced in response to Covid-19 – are still being assessed.
Screen Australia head of development Nerida Moore said: “With many productions temporarily halted it is more important than ever for us to support the development of Australian stories for all platforms. I...
A new feature film from Baz Luhrmann, set in a small Australian country town, is among the 18 projects to recently receive story development funding from Screen Australia.
The agency announced today it will share $620,000 between 11 films, five TV series and two online projects.
These projects come from both the existing Premium and Generate development funds. Generate Fund is for lower budget projects with an emphasis on new and emerging talent, or experienced talent wanting to take creative risks. The Premium Fund is for higher budget projects of ambition and scale from successful screen content makers.
Projects pitched for Premium Plus funds – the additional development funding the agency announced in response to Covid-19 – are still being assessed.
Screen Australia head of development Nerida Moore said: “With many productions temporarily halted it is more important than ever for us to support the development of Australian stories for all platforms. I...
- 5/12/2020
- by jkeast
- IF.com.au
‘Australia Come Fly With Me’ (Photo credit: WildBear Entertainment).
Australia’s documentary makers are less affected by production shutdowns than most other sectors of the screen industry – apart from the large cohort of animators who are still working remotely.
While some productions have been delayed or suspended, filming continues on a sizable number of projects and many are in post.
WildBear Entertainment, which has has 85 people working remotely, is delivering five shows including Australia Come Fly With Me for Sbs, Demolition Downunder for Network Ten and France’s Mediawan, and Bushfire Animal Rescue for PBS and Arte/Zdf.
“We had five projects that were about to commence shooting and these have been delayed, around 25 hours in total,” WildBear CEO Michael Tear tells If. We have another 19 projects in post or very close to delivery. On seven we are experiencing interruption or requiring some form of change to production methodology.
“We...
Australia’s documentary makers are less affected by production shutdowns than most other sectors of the screen industry – apart from the large cohort of animators who are still working remotely.
While some productions have been delayed or suspended, filming continues on a sizable number of projects and many are in post.
WildBear Entertainment, which has has 85 people working remotely, is delivering five shows including Australia Come Fly With Me for Sbs, Demolition Downunder for Network Ten and France’s Mediawan, and Bushfire Animal Rescue for PBS and Arte/Zdf.
“We had five projects that were about to commence shooting and these have been delayed, around 25 hours in total,” WildBear CEO Michael Tear tells If. We have another 19 projects in post or very close to delivery. On seven we are experiencing interruption or requiring some form of change to production methodology.
“We...
- 4/2/2020
- by The IF Team
- IF.com.au
‘Ride Like A Girl’, which received development funding via Gender Matters: Brilliant Stories.
Back in December 2015, Screen Australia set itself a three-year target: by the end of the 2018-19 financial year, at least 50 per cent of projects to receive production funding should be from female-led creative teams.
At the same time, the agency rolled out a $5 million suite of initiatives under the umbrella ‘Gender Matters’. Each was designed to redress gender inequity more broadly: a female-led story development fund, Brilliant Stories; female-focused business support, Brilliant Careers; Better Deals, a matched distribution guarantee for the marketing of female-led films; and an attachment scheme for women.
Screen Australia also adjusted its assessment criteria, expressly noting that the gender of a project’s team may influence its funding decisions.
Three years on, and Screen Australia has exceeded its target. Fifty-six (56) per cent of projects funded over the last three years were considered ‘female-led’; that is the writer,...
Back in December 2015, Screen Australia set itself a three-year target: by the end of the 2018-19 financial year, at least 50 per cent of projects to receive production funding should be from female-led creative teams.
At the same time, the agency rolled out a $5 million suite of initiatives under the umbrella ‘Gender Matters’. Each was designed to redress gender inequity more broadly: a female-led story development fund, Brilliant Stories; female-focused business support, Brilliant Careers; Better Deals, a matched distribution guarantee for the marketing of female-led films; and an attachment scheme for women.
Screen Australia also adjusted its assessment criteria, expressly noting that the gender of a project’s team may influence its funding decisions.
Three years on, and Screen Australia has exceeded its target. Fifty-six (56) per cent of projects funded over the last three years were considered ‘female-led’; that is the writer,...
- 8/20/2019
- by jkeast
- IF.com.au
Tina Bursill and Rodger Corser.
Dustin Clare, Kate Jenkinson and Robyn Nevin are the new additions to the cast of season 4 of the Nine Network’s Doctor Doctor, which started production in Sydney today.
Clare plays Jarred, the manager of a mining company who is the new beau of Dr Penny (Hayley McElhinney).
Jenkinson is Tara, a new medical intern at the Whyhope clinic who is on probation for reasons yet to be revealed. A wild spirit, she could lead Dr Hugh Knight (Rodger Corser) back to his bad boy past.
Nevin is Diana, the American mother of Hugh’s deceased former partner Harriet. Diana comes to Oz as a mother-in-law from hell because she believes Knight is unfit to look after his infant daughter Eliza.
Among the returning cast are Nicole da Silva (Charlie), Ryan Johnson (Matt), Tina Bursill (Meryl), Matt Castley (Ajax), Chloe Bayliss (Hayley), Belinda Bromilow (Betty...
Dustin Clare, Kate Jenkinson and Robyn Nevin are the new additions to the cast of season 4 of the Nine Network’s Doctor Doctor, which started production in Sydney today.
Clare plays Jarred, the manager of a mining company who is the new beau of Dr Penny (Hayley McElhinney).
Jenkinson is Tara, a new medical intern at the Whyhope clinic who is on probation for reasons yet to be revealed. A wild spirit, she could lead Dr Hugh Knight (Rodger Corser) back to his bad boy past.
Nevin is Diana, the American mother of Hugh’s deceased former partner Harriet. Diana comes to Oz as a mother-in-law from hell because she believes Knight is unfit to look after his infant daughter Eliza.
Among the returning cast are Nicole da Silva (Charlie), Ryan Johnson (Matt), Tina Bursill (Meryl), Matt Castley (Ajax), Chloe Bayliss (Hayley), Belinda Bromilow (Betty...
- 4/29/2019
- by The IF Team
- IF.com.au
(L-r) Tanya Phegan, Ian Collie, Rachael Turk and Rob Gibson.
Bolstered by the arrival of Rob Gibson as CEO and producer, Ian Collie’s Easy Tiger Productions is ramping up the development of Australian and internationally-targeted projects, drawing on emerging talent as well as seasoned creatives.
“The difficulty we all recognise is that people like Tony McNamara, Andrew Knight and Kris Mrksa are getting pulled into Us or UK projects,” says Collie, who launched the company in 2017 with the backing of Fremantle.
“Our big focus is working with tomorrow’s talent, the wonderful emerging writers and creators who hopefully will be the next generation.”
Gibson adds: “It’s very much a two-pronged strategy of finding prestige projects and international opportunities with our increasingly sought after partners like Andrew Knight and Tony McNamara, and also working with rising stars and the next generation.
Collie and Gibson are working with development executives...
Bolstered by the arrival of Rob Gibson as CEO and producer, Ian Collie’s Easy Tiger Productions is ramping up the development of Australian and internationally-targeted projects, drawing on emerging talent as well as seasoned creatives.
“The difficulty we all recognise is that people like Tony McNamara, Andrew Knight and Kris Mrksa are getting pulled into Us or UK projects,” says Collie, who launched the company in 2017 with the backing of Fremantle.
“Our big focus is working with tomorrow’s talent, the wonderful emerging writers and creators who hopefully will be the next generation.”
Gibson adds: “It’s very much a two-pronged strategy of finding prestige projects and international opportunities with our increasingly sought after partners like Andrew Knight and Tony McNamara, and also working with rising stars and the next generation.
Collie and Gibson are working with development executives...
- 2/13/2019
- by The IF Team
- IF.com.au
Mairi Cameron.
Mairi Cameron will shadow direct an episode of Hoodlum Entertainment’s Harrow with Geoff Bennett as part of the Australian Directors’ Guild’s (Adg) ongoing shadow directing program for female directors.
The initiative was created by the Adg with funding from Screen Australia’s Gender Matters: Brilliant Careers initiative. Other directors to have completed the program are Lucy Gaffy, Lisa Matthews, Darlene Johnson, Jane Eakin and Rebecca O’Brien.
Cameron’s feature debut The Second was released last year in theatres and on streaming service Stan, was nominated for the Aacta Award for Best Indie Film and Best Feature Film at the Screen Producers Australia Awards. Her 1999 short Milk was also selected for Cannes, and was pre-selected for an Academy Award.
The second season of ABC’s Harrow, which is co-produced with Disney’s ABC Studio’s International and stars Ioan Gruffudd, is shooting at the moment around Brisbane.
Mairi Cameron will shadow direct an episode of Hoodlum Entertainment’s Harrow with Geoff Bennett as part of the Australian Directors’ Guild’s (Adg) ongoing shadow directing program for female directors.
The initiative was created by the Adg with funding from Screen Australia’s Gender Matters: Brilliant Careers initiative. Other directors to have completed the program are Lucy Gaffy, Lisa Matthews, Darlene Johnson, Jane Eakin and Rebecca O’Brien.
Cameron’s feature debut The Second was released last year in theatres and on streaming service Stan, was nominated for the Aacta Award for Best Indie Film and Best Feature Film at the Screen Producers Australia Awards. Her 1999 short Milk was also selected for Cannes, and was pre-selected for an Academy Award.
The second season of ABC’s Harrow, which is co-produced with Disney’s ABC Studio’s International and stars Ioan Gruffudd, is shooting at the moment around Brisbane.
- 2/1/2019
- by jkeast
- IF.com.au
Jub Clerc.
All the talk about the need for structural and cultural change in the screen industry must be converted into in widespread action, according to Women in Film & Television (Wift) Australia.
“This year Wift Australia’s focus will be on changing systems,” says board member Megan Riakos on behalf of the board.
“For too long our industry has perpetuated structures that reflect wider gender inequity and disparity. Intersectionality means this hits some harder than others. Although there has been public sentiment that supports change, we believe that talk must be converted into widespread and decisive action.
“We must recognise that we as an Industry have the knowledge, intelligence and creativity to forge transformation. We need to stop asking the most vulnerable to bear the burden of this fight. We must understand that we created this system. It’s not natural. It’s not preordained. It can be changed.
All the talk about the need for structural and cultural change in the screen industry must be converted into in widespread action, according to Women in Film & Television (Wift) Australia.
“This year Wift Australia’s focus will be on changing systems,” says board member Megan Riakos on behalf of the board.
“For too long our industry has perpetuated structures that reflect wider gender inequity and disparity. Intersectionality means this hits some harder than others. Although there has been public sentiment that supports change, we believe that talk must be converted into widespread and decisive action.
“We must recognise that we as an Industry have the knowledge, intelligence and creativity to forge transformation. We need to stop asking the most vulnerable to bear the burden of this fight. We must understand that we created this system. It’s not natural. It’s not preordained. It can be changed.
- 1/9/2019
- by The IF Team
- IF.com.au
<p><a href="http://www.encoremagazine.com.au/wp-content/uploads/2010/06/The-Sapphires.jpg"><img class="size-thumbnail wp-image-3055 alignright" title="Farmer and Anu in the current stage version of The Sapphires" src="http://www.encoremagazine.com.au/wp-content/uploads/2010/06/The-Sapphires-150x150.jpg" alt="Farmer and Anu in the current stage version of The Sapphires" width="150" height="150" /></a>Screen Australia announced its last investment round for 2010, with almost $18m for five features, three drama series, two low budget TV dramas, a children’s TV series, and 17 docos.</p> <p>The films include the musical <em>The Sapphires </em>(dir. Wayne Blair),<em> The King is Dead!</em> (dir. Rolf de Heer), <em>Dead Europe</em> (dir. Tony Krawitz), <em>Venice </em>(dir. Miro Bilbrough) and <em>Summer Coda</em> (dir. Richard Gray).<span id="more-6142"></span></p> <p><em>Summer Coda </em>was released in October, and today’s announcement by Screen Australia refers to a September decision that provided the film with post-production funding.</p> <p>The projects are:<br /> Feature Drama<br /> <strong>Dead Europe</strong><br /> See Saw Films Pty Ltd<br /> Producers Emile Sherman, Iain Canning<br /> Writer Louise Fox<br /> Director Tony Krawitz<br /> Sales and Distribution Cross City Sales, Wild Bunch International Sales, Transmission Films<br /> Synopsis Isaac, a late 20s Greek Australian, spirals out of control when he’s forced to confront<br /> his own family’s cursed legacy on his first trip to...
- 12/2/2010
- by Miguel Gonzalez
- Encore Magazine
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