ITV Studios Global Entertainment has acquired the international distribution and format rights to Fox Reality Channel's original series Househusbands of Hollywood. Househusbands of Hollywood is the 10x1 hour series produced by the multi-award winning talents at Marilyn Wilson Productions Inc., and co-created by executive producers Marilyn Wilson, Lisa Bernstein, Scooter Pietsch and Charlie Mattera. ITV Studios Global Entertainment head of factual acquisitions and co-productions Richard Life said, "We're delighted to be announcing the acquisition of Fox Reality ...
- 9/25/2009
- BusinessofCinema
Years before he became a Househusband of Hollywood, Charlie Mattera made some mistakes. He robbed banks, got in gun fights, spent a long stretch behind bars. Now he's wised up. He's persuing an acting career and raising his newborn son while his psychologist wife brings home the bacon. He's also taking child-rearing advice from his Bff, Ryan O'Neal. You know, the awesome daddy who was charged with assault with a deadly weapon after a playful scuffle with son Griffin (charges were dismissed, Ok?) and who then bonded with son Redmond when they were arrested together for felony possession of methamphetamine, and then hit on daughter, Tatum, at girlfriend Farah Fawcett's funeral. Good luck,...
- 8/18/2009
- E! Online
Trying to lure one in with the prospect of watching a criminal-turned-actor playing a bank robber, "The Gentleman Bandit" (aka "Gentleman B".) is a hapless low-budget indie. It will have a rough time conning even a handful of moviegoers into paying to see what amounts to minimal entertainment with nothing to recommend it.
In the millionth cinematic tale of a thief wanting to go straight, "Bandit" opens with an endless MTV-aping credit sequence that sets up the story of Nick (Charlie Mattera), who is betrayed and sent to prison for a significant stretch. When he gets out, he heads for Los Angeles seeking his old girlfriend (Justine Miceli), but she long ago drifted into the arms of Nick's former partner in crime, Manny (Peter Greene).
A moderate sociopath who has married and then split with Nick's former sweetheart, Manny has become a cop and takes a lot of interest in what his old pal is up to. For audience-sympathizing reasons that are hardly ironclad, Nick learns the art of bank-robbing from semi-retired con man Harry (Ed Lauter).
What follows is a muddled, unsatisfying homage to well-behaved rogues who charm the pants off their victims while picking their pockets. One of the chief victims of Nick's polite approach to larceny is Ryan O'Neal as a bank manager. The most abused victims are the viewers, who are given no real romance, danger or excitement to fall back on when Mattera ("Love and Happiness") fails to beguile or even play a coherent character. While the film claims to be based on his real underworld experiences, it has no special insights into the minds of crooks.
Director Jordan Alan ("Kiss and Tell") tries to jolt the film to life with music-fueled montages, but the dialogue and performances are sub-par and one waits in vain for the film to justify its existence.
THE GENTLEMAN BANDIT
Pathfinder Pictures
Director: Jordan Alan
Screenwriters: Charlie Mattera, Mark Petracca
Producers: Douglas Hunter, Fred Joyal, Meta A. Puttkammer
Cinematographer: Jordan Alan
Production designer: Naython Vane
Music: Larry Groupe
Casting: Ferne Cassel, David Glazner
Color/stereo
Cast:
Nick: Charlie Mattera
Maria: Justine Miceli
Harry: Ed Lauter
Manny: Peter Greene
Bank manager: Ryan O'Neal
Running time -- 92 minutes
No MPAA rating...
In the millionth cinematic tale of a thief wanting to go straight, "Bandit" opens with an endless MTV-aping credit sequence that sets up the story of Nick (Charlie Mattera), who is betrayed and sent to prison for a significant stretch. When he gets out, he heads for Los Angeles seeking his old girlfriend (Justine Miceli), but she long ago drifted into the arms of Nick's former partner in crime, Manny (Peter Greene).
A moderate sociopath who has married and then split with Nick's former sweetheart, Manny has become a cop and takes a lot of interest in what his old pal is up to. For audience-sympathizing reasons that are hardly ironclad, Nick learns the art of bank-robbing from semi-retired con man Harry (Ed Lauter).
What follows is a muddled, unsatisfying homage to well-behaved rogues who charm the pants off their victims while picking their pockets. One of the chief victims of Nick's polite approach to larceny is Ryan O'Neal as a bank manager. The most abused victims are the viewers, who are given no real romance, danger or excitement to fall back on when Mattera ("Love and Happiness") fails to beguile or even play a coherent character. While the film claims to be based on his real underworld experiences, it has no special insights into the minds of crooks.
Director Jordan Alan ("Kiss and Tell") tries to jolt the film to life with music-fueled montages, but the dialogue and performances are sub-par and one waits in vain for the film to justify its existence.
THE GENTLEMAN BANDIT
Pathfinder Pictures
Director: Jordan Alan
Screenwriters: Charlie Mattera, Mark Petracca
Producers: Douglas Hunter, Fred Joyal, Meta A. Puttkammer
Cinematographer: Jordan Alan
Production designer: Naython Vane
Music: Larry Groupe
Casting: Ferne Cassel, David Glazner
Color/stereo
Cast:
Nick: Charlie Mattera
Maria: Justine Miceli
Harry: Ed Lauter
Manny: Peter Greene
Bank manager: Ryan O'Neal
Running time -- 92 minutes
No MPAA rating...
- 3/21/2002
- The Hollywood Reporter - Movie News
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