Netflix and the European Producers Club (Epc) have revealed the winners of a pitch contest for fictional series at the ongoing Venice Film Festival.
The pitch contest is a joint initiative by Epc and Netflix to help create new opportunities for European women producers. It was launched at Series Mania in March, and open to Epc producers working for women-owned companies. Following a selection process by an independent jury, composed of Cia Edstrom, Francine Raveney and Olivier Kohn, the competition finalists pitched their projects to the Netflix content team.
Anna Mannion of Tri Moon Films, Ireland, won the first prize of €50,000, while Ada Solomon of Microfilm, Romania, won the second prize of €20,000.
Mariela Besuievsky, Tornasol Media (Spain), Martichka Bozhilova, Agitprop (Bulgaria), Gabriele M. Walther, Caligari (Germany) and Olena Yershova, Tato Film (Ukraine/Turkey), each won the third prize of €5,000.
The initiative is funded by the Netflix Fund for Creative Equity,...
The pitch contest is a joint initiative by Epc and Netflix to help create new opportunities for European women producers. It was launched at Series Mania in March, and open to Epc producers working for women-owned companies. Following a selection process by an independent jury, composed of Cia Edstrom, Francine Raveney and Olivier Kohn, the competition finalists pitched their projects to the Netflix content team.
Anna Mannion of Tri Moon Films, Ireland, won the first prize of €50,000, while Ada Solomon of Microfilm, Romania, won the second prize of €20,000.
Mariela Besuievsky, Tornasol Media (Spain), Martichka Bozhilova, Agitprop (Bulgaria), Gabriele M. Walther, Caligari (Germany) and Olena Yershova, Tato Film (Ukraine/Turkey), each won the third prize of €5,000.
The initiative is funded by the Netflix Fund for Creative Equity,...
- 9/3/2022
- by Naman Ramachandran
- Variety Film + TV
The award was presented this evening in Venice.
Irish producer Anna Mannion of Tri Moon Films has won the inaugural pitch contest for women producers run by the European Producers Club (Epc) and Netflix, for her project The Girl and the Ghost.
Launched at Series Mania in March this year, the contest aims to create new opportunities for European women producers, who entered fictional series pitches.
Scroll down for the full list of winners
Mannion receives a €50,000 award for first place, to further develop her project. All six finalists received prizes, with €20,000 for Romanian producer Ada Solomon of Microfilm in...
Irish producer Anna Mannion of Tri Moon Films has won the inaugural pitch contest for women producers run by the European Producers Club (Epc) and Netflix, for her project The Girl and the Ghost.
Launched at Series Mania in March this year, the contest aims to create new opportunities for European women producers, who entered fictional series pitches.
Scroll down for the full list of winners
Mannion receives a €50,000 award for first place, to further develop her project. All six finalists received prizes, with €20,000 for Romanian producer Ada Solomon of Microfilm in...
- 9/2/2022
- by Ben Dalton
- ScreenDaily
Click here to read the full article.
Female producers from Ireland, Romania, Spain, Bulgaria, Germany and Ukraine are the winners of the first-ever series pitch contest, the results of which were announced at the Venice Film Festival by Netflix and the European Producers Club (Epc) on Friday.
The pitch contest, set up by the Epc and Netflix with backing from Netflix’s Fund for Creative Equity, aims to build new opportunities for underrepresented communities within the entertainment industry.
The first prize, which comes with 50,000 (€50,000) in development funding, went to producer Anna Mannion of Ireland’s Tri Moon Films. Second prize, and 20,000 in funding, was awarded to Ada Solomon of Romania’s Microfilm. Netflix and the Epc also picked four third place winners: Mariela Besuievsky of Spain’s Tornasol Media, Martichka Bozhilova from Agitprop in Bulgaria, Gabriele M. Walther of German production company Caligari and Olena Yershova from the Ukraine/Turkish company Tato Film.
Female producers from Ireland, Romania, Spain, Bulgaria, Germany and Ukraine are the winners of the first-ever series pitch contest, the results of which were announced at the Venice Film Festival by Netflix and the European Producers Club (Epc) on Friday.
The pitch contest, set up by the Epc and Netflix with backing from Netflix’s Fund for Creative Equity, aims to build new opportunities for underrepresented communities within the entertainment industry.
The first prize, which comes with 50,000 (€50,000) in development funding, went to producer Anna Mannion of Ireland’s Tri Moon Films. Second prize, and 20,000 in funding, was awarded to Ada Solomon of Romania’s Microfilm. Netflix and the Epc also picked four third place winners: Mariela Besuievsky of Spain’s Tornasol Media, Martichka Bozhilova from Agitprop in Bulgaria, Gabriele M. Walther of German production company Caligari and Olena Yershova from the Ukraine/Turkish company Tato Film.
- 9/2/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
After two years in stealth mode, the curtains have finally parted at Stage 13, Warner Bros.’ home-grown digital production company offering an array of shows and creators decidedly different from its blockbuster franchises such as The Dark Knight, Harry Potter, The Matrix, and The Hangover.
The company gave me an exclusive behind-the-scenes look as it prepared to publicly launch its first slate of programming. It marks a notable experiment by a big media company, coming at a time when content is flooding consumers. The question will be whether its multicultural programming can resonate with the diverse audiences its shows are tryig to reach.
“It was exciting to have a big media company say, ‘Yeah, we’re going to double down in this area,’” said Diana Mogollon, the site’s general manager and senior vice president. “It’s about Warner Bros. walking the walk.”
Stage 13 is named for a mythical structure that...
The company gave me an exclusive behind-the-scenes look as it prepared to publicly launch its first slate of programming. It marks a notable experiment by a big media company, coming at a time when content is flooding consumers. The question will be whether its multicultural programming can resonate with the diverse audiences its shows are tryig to reach.
“It was exciting to have a big media company say, ‘Yeah, we’re going to double down in this area,’” said Diana Mogollon, the site’s general manager and senior vice president. “It’s about Warner Bros. walking the walk.”
Stage 13 is named for a mythical structure that...
- 8/4/2017
- by David Bloom
- Tubefilter.com
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