Wow … pre-Code pictures frequently offended conservative values, but this saucy ‘n’ sinful big business exposé is guaranteed to bring #MeToo advocates to their feet, demanding that the negative be burned. Loretta Young stars as a rather inconsistent modern maid, trapped between three less-than-scrupulous men. No, make that three total pigs.
She Had to Say Yes
DVD
The Warner Archive Collection
1933 / B&W / 1:37 flat Academy / 66 min. / Street Date October 17, 2017 / available through the WBshop / 21.99
Starring: Loretta Young, Winnie Lightner, Lyle Talbot, Regis Toomey, Hugh Herbert, Ferdinand Gottschalk, Suzanne Kilborn, Helen Ware, Harold Waldridge, George Chandler, Barbara Rogers, Renee Whitney, Pat Wing, Toby Wing.
Cinematography: Arthur Todd
Film Editor: George Amy
Costumes: Orry-Kelly
Written by Rian James, Don Mullaly, from a story by John Francis Larkin
Supervised by Henry Blanke
Directed by Busby Berkeley, George Amy
Loretta Young rules the pre-Code roost! There are plenty of good reasons to amble over to the website Greenbriar Picture Shows,...
She Had to Say Yes
DVD
The Warner Archive Collection
1933 / B&W / 1:37 flat Academy / 66 min. / Street Date October 17, 2017 / available through the WBshop / 21.99
Starring: Loretta Young, Winnie Lightner, Lyle Talbot, Regis Toomey, Hugh Herbert, Ferdinand Gottschalk, Suzanne Kilborn, Helen Ware, Harold Waldridge, George Chandler, Barbara Rogers, Renee Whitney, Pat Wing, Toby Wing.
Cinematography: Arthur Todd
Film Editor: George Amy
Costumes: Orry-Kelly
Written by Rian James, Don Mullaly, from a story by John Francis Larkin
Supervised by Henry Blanke
Directed by Busby Berkeley, George Amy
Loretta Young rules the pre-Code roost! There are plenty of good reasons to amble over to the website Greenbriar Picture Shows,...
- 6/23/2018
- by Glenn Erickson
- Trailers from Hell
Cinema Retro has received the following press release from the University Press of Mississippi:
Winnie Lightner (1899–1971) was the first great female comedian of the talkies. Blessed with a superb singing voice and a gift for making wisecracks and rubber faces, she rose to stardom in vaudeville and on Broadway. Then, at the dawn of the sound era, she became the first person in motion picture history to have her spoken words censored.
In "Winnie Lightner: Tomboy of the Talkies" (University Press of Mississippi, Hollywood Legends Series), David L. Lightner documents how Winnie’s hilarious performance in the 1929 musical comedy Gold Diggers of Broadway made her an overnight sensation. She went on to star in seven other Warner Bros. features. In the best of them, she was the comic epitome of a strident feminist, dominating men and gleefully spurning conventional gender norms and moral values, which earned her the nickname of tomboy of the talkies.
Winnie Lightner (1899–1971) was the first great female comedian of the talkies. Blessed with a superb singing voice and a gift for making wisecracks and rubber faces, she rose to stardom in vaudeville and on Broadway. Then, at the dawn of the sound era, she became the first person in motion picture history to have her spoken words censored.
In "Winnie Lightner: Tomboy of the Talkies" (University Press of Mississippi, Hollywood Legends Series), David L. Lightner documents how Winnie’s hilarious performance in the 1929 musical comedy Gold Diggers of Broadway made her an overnight sensation. She went on to star in seven other Warner Bros. features. In the best of them, she was the comic epitome of a strident feminist, dominating men and gleefully spurning conventional gender norms and moral values, which earned her the nickname of tomboy of the talkies.
- 1/6/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
First Best Actor Oscar winner Emil Jannings and first Best Actress Oscar winner Janet Gaynor on TCM (photo: Emil Jannings in 'The Last Command') First Best Actor Academy Award winner Emil Jannings in The Last Command, first Best Actress Academy Award winner Janet Gaynor in Sunrise, and sisters Norma Talmadge and Constance Talmadge are a few of the silent era performers featured this evening on Turner Classic Movies, as TCM continues with its Silent Monday presentations. Starting at 5 p.m. Pt / 8 p.m. Et on November 17, 2014, get ready to check out several of the biggest movie stars of the 1920s. Following the Jean Negulesco-directed 1943 musical short Hit Parade of the Gay Nineties -- believe me, even the most rabid anti-gay bigot will be able to enjoy this one -- TCM will be showing Josef von Sternberg's The Last Command (1928) one of the two movies that earned...
- 11/18/2014
- by Andre Soares
- Alt Film Guide
Visage...
Voice...
Vitaphone...
In Dimitri Kirsanoff's Menilmontant a destitute waif, betrayed and abandoned by the man who seduced her, sits on a park bench with her newborn infant. Beside her is an old man eating a sandwich. This wordless exchange is one of the greatest moments ever committed to film. Nadia Sibirskaia’s face reveals all of life’s cruel mysteries as she gazes upon a crust of bread.
The persistence of hope is the dark angel that underlies despair, and here it taunts her mercilessly. A whole series of fluctuations of expression and movement in reaction to anguish, physical pain involving hesitation, dignity, ravenous hunger, survival, self-contempt, modesty, boundless gratitude. All articulated with absolute clarity without hitting notes (without touching the keys). Chaplin could have played either the old man on the bench (his mustache is a sensory device!) or Nadia. And it would have been masterful and deeply affecting,...
Voice...
Vitaphone...
In Dimitri Kirsanoff's Menilmontant a destitute waif, betrayed and abandoned by the man who seduced her, sits on a park bench with her newborn infant. Beside her is an old man eating a sandwich. This wordless exchange is one of the greatest moments ever committed to film. Nadia Sibirskaia’s face reveals all of life’s cruel mysteries as she gazes upon a crust of bread.
The persistence of hope is the dark angel that underlies despair, and here it taunts her mercilessly. A whole series of fluctuations of expression and movement in reaction to anguish, physical pain involving hesitation, dignity, ravenous hunger, survival, self-contempt, modesty, boundless gratitude. All articulated with absolute clarity without hitting notes (without touching the keys). Chaplin could have played either the old man on the bench (his mustache is a sensory device!) or Nadia. And it would have been masterful and deeply affecting,...
- 6/30/2014
- by Daniel Riccuito
- MUBI
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.