In the "Star Trek: The Next Generation" episode "Identity Crisis", Lieutenant Commander Geordi La Forge (LeVar Burton) meets an old friend, Lieutenant Commander Susanna Leijten (Maryann Plunkett), the only surviving member of a mission they both went on years before. It seems that their compatriots have gone missing or stolen shuttlecrafts to return to the planet Tarchannen III, where they were last united. Soon after her arrival, Leijten also begins exhibiting weird behavior, twitching nervously and demanding a visit to Tarchannen III. Her body begins to mutate. Her fingers fuse together and eerie blue veins appear on her skin. Her eyes turn yellow. It's all Dr. Crusher (Gates McFadden) can do to slow the mutations.
Geordi, while unattended, also suddenly begins to mutate. He eventually returns to Tarchannen III, having turned into a near-invisible creature that can only be seen under a special blacklight. Leijten has to overcome her own...
Geordi, while unattended, also suddenly begins to mutate. He eventually returns to Tarchannen III, having turned into a near-invisible creature that can only be seen under a special blacklight. Leijten has to overcome her own...
- 4/14/2024
- by Witney Seibold
- Slash Film
A fun piece of trivia: the theme music to "Star Trek: The Next Generation" is actually a wholly unoriginal piece of music. It is a combination of the opening strains of the original "Star Trek" theme song composed by Alexander Courage, and the main theme for "Star Trek: The Motion Picture" composed by Jerry Goldsmith. The "Next Generation" theme merely re-orchestrated the "Tos" and "Tmp" scores a little bit. This wasn't always the plan, however. Dennis McCarthy, frequent composer for "Next Generation" (he worked on 88 episodes), wrote an alternate theme that was replaced at the last minute.
McCarthy also composed the score for "Encounter at Farpoint," the show's pilot episode. McCarthy's sound would come to define "Star Trek: The Next Generation" and dictate how other composers would move forward with the Paramount orchestra. Every Trekkie likely has, in their very DNA, the tense moment of suspense music that McCarthy so...
McCarthy also composed the score for "Encounter at Farpoint," the show's pilot episode. McCarthy's sound would come to define "Star Trek: The Next Generation" and dictate how other composers would move forward with the Paramount orchestra. Every Trekkie likely has, in their very DNA, the tense moment of suspense music that McCarthy so...
- 9/10/2023
- by Witney Seibold
- Slash Film
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