Like the cinematography sector overall this year, the profession’s prime annual festival, Poland’s Camerimage, has come through major challenges in 2023, says the event’s founder, Marek Zydowicz.
Launching in the historic town of Torun on Nov. 11, the 31st edition of the fest was organized in a time of nearby crises in Europe plus record levels of inflation hitting the region, and fallout from the Hollywood actors strike.
“It’s hard to say these things were really helping us,” notes Kazik Suwala, one of the festival’s key organizers and director of its most ambitious project, the construction of the European Film Center, which broke ground in October. “It was a tough year to work,” as he puts it. “The preparations were much harder than usual. Getting movies programmed involved much more time.”
Thus, Zydowicz and Suwala confess to feeling a bit of extra pride in pulling off a...
Launching in the historic town of Torun on Nov. 11, the 31st edition of the fest was organized in a time of nearby crises in Europe plus record levels of inflation hitting the region, and fallout from the Hollywood actors strike.
“It’s hard to say these things were really helping us,” notes Kazik Suwala, one of the festival’s key organizers and director of its most ambitious project, the construction of the European Film Center, which broke ground in October. “It was a tough year to work,” as he puts it. “The preparations were much harder than usual. Getting movies programmed involved much more time.”
Thus, Zydowicz and Suwala confess to feeling a bit of extra pride in pulling off a...
- 11/6/2023
- by Will Tizard
- Variety Film + TV
Hunger Games DoP Tom Stern and 12 Years a Slave cinematographer Sean Bobbitt among those chosen for jury duty.
The 21st Camerimage, the International Film Festival of the Art of Cinematography (Nov 16-23), has revealed the competition jurors who will judge entries at this year’s event in Bydgoszcz, Poland.
Jury members of the main competition jury are:
Tom Stern, cinematographer (Million Dollar Baby, Gran Torino, The Hunger Games);Ed Lachman, cinematographer (Erin Brockovich, The Virgin Suicides, I’m Not There);Todd McCarthy, journalist and film critic;Denis Lenoir, cinematographer (Paris, je t’aime, Righteous Kill, 88 Minutes);Adam Holender, cinematographer (Midnight Cowboy, Smoke, Fresh);Timo Salminen, cinematographer (The Man Without a Past, La Havre, The Match Factory Girl);Franz Lustig, cinematographer (Don’t Come Knocking, Land of Plenty, Palermo Shooting);Jeffrey Kimball, cinematographer (Top Gun, Mission: Impossible II, The Expendables).Polish Films Competition
Jost Vacano, the cinematographer behind several Paul Verhoeven films including Total Recall, RoboCop and [link...
The 21st Camerimage, the International Film Festival of the Art of Cinematography (Nov 16-23), has revealed the competition jurors who will judge entries at this year’s event in Bydgoszcz, Poland.
Jury members of the main competition jury are:
Tom Stern, cinematographer (Million Dollar Baby, Gran Torino, The Hunger Games);Ed Lachman, cinematographer (Erin Brockovich, The Virgin Suicides, I’m Not There);Todd McCarthy, journalist and film critic;Denis Lenoir, cinematographer (Paris, je t’aime, Righteous Kill, 88 Minutes);Adam Holender, cinematographer (Midnight Cowboy, Smoke, Fresh);Timo Salminen, cinematographer (The Man Without a Past, La Havre, The Match Factory Girl);Franz Lustig, cinematographer (Don’t Come Knocking, Land of Plenty, Palermo Shooting);Jeffrey Kimball, cinematographer (Top Gun, Mission: Impossible II, The Expendables).Polish Films Competition
Jost Vacano, the cinematographer behind several Paul Verhoeven films including Total Recall, RoboCop and [link...
- 11/8/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Chicago – A glance at the premise of Ben Sombogaart’s “Bride Flight” would lead one to believe that the entire film chronicled the 1953 long distance air race from London to Christchurch, New Zealand. Yet that backdrop merely serves as the launching pad for a plethora of melodramatic fireworks. Despite occasional moments of hokum, the film benefits greatly from its three splendid leads.
Instead of focusing on the race itself, Marieke van der Pol’s script centers on a trio of female immigrants from Holland who board the plane known as The Flying Dutchman (dubbed “Bride Flight”) to meet their fiancés as they make a new home in New Zealand. Yet a chance encounter with a handsome young ladykiller, Frank (Waldemar Torenstra), proves to have a lasting impact on their lives. What follows is a relatively standard romantic tearjerker much like “Bridges of Madison County” with a dash of post-wwii intrigue.
Instead of focusing on the race itself, Marieke van der Pol’s script centers on a trio of female immigrants from Holland who board the plane known as The Flying Dutchman (dubbed “Bride Flight”) to meet their fiancés as they make a new home in New Zealand. Yet a chance encounter with a handsome young ladykiller, Frank (Waldemar Torenstra), proves to have a lasting impact on their lives. What follows is a relatively standard romantic tearjerker much like “Bridges of Madison County” with a dash of post-wwii intrigue.
- 10/4/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
A newspaper article about zoo animals in Kuwait City after the Iraqi invasion inspired Matthew Bishop to write "The Zookeeper".
Director Ralph Ziman took his inspiration from a zoo in Angola during its civil war. Producer Juliusz Kossakowski saw the story as taking place in Eastern Europe. Consequently, "Zookeeper", starring Sam Neill, has an allegorical feeling in which characters act out a tale of brutality and humanity that pathetically repeats itself.
This is a slow, thoughtful, overcalculated effort that is best-suited for art houses and possible cable exposure. Superb and intimate acting by Neill, British actress Gina McKee and a Bosnian-born, Danish-reared boy, Javor Loznica, make the film feel more like a play despite its war scenes and large zoo setting.
The unnamed locale is probably Bosnia. Neill, the enigmatic title character, is a cynical ex-Communist bureaucrat with a troubled past. When his fellow zoo workers flee a city coming under bombardment and sniper fire, he stays on with a veterinarian (Om Puri) and an aging guard. But the guard disappears, and racist partisans kill the vet.
Barely able to keep the animals alive without the vet, Neill nevertheless perseveres, flinging what remains of meat supplies into the cages and injecting medicine into sick ones.
Then a wounded boy (Loznica) turns up. After Neill reluctantly nurses him back to health, the boy returns with a woman (McKee) who is his mother. The zookeeper doesn't want the two around, fearful that the nationalists' murderous captain (Ulrich Thomsen) will discover them. But the unlikely "family" continues the struggle to keep themselves and the animals alive until U.N. troops arrive.
Clearly, Neill is living in self-imposed penance for past deeds during the Communist era. The boy, hardened by war into a tiny soldier who will kill if necessary, shies away from human contact, which he no longer trusts. And his mother, toughened as well by her ordeal at the hands of militia who treated her as a sexual toy, struggles to make sense out of this quiet man who secretly writes poetry.
The story by Bishop and Ziman does not lack for dramatic incidents. Yet the characters never emerge as fully rounded. They move in a haze of symbolism and allegory. They lack specificity and details that would individualize their plight.
At times, Ziman seems more sympathetic to the caged, frightened animals. He explores their horrifying predicament with concern and tenderness. But this does slow down the drama.
Cinematographer Piotr Kukla bathes the screen in blue-gray tones, as if the war had banished the cheer of rich colors. The sequences where explosions and gunfire rock the zoo, causing the animals to shake with terror, contain the film's strongest, most troubling images.
THE ZOOKEEPER
A Svendsen Films presentation
in association with Apollo Films Ltd.,
Pavel Novy Produckce and Maborosi
Producers: Juliusz Kossakowski, Michael Alden
Director: Ralph Ziman
Screenwriters: Ralph Ziman, Matthew Bishop
Executive producers: Michael Lunderskov, Michael Laursen, Gavin Poolman, Rob Langestraat
Director of photography: Piotr Kukla
Production designer: Martin Maly
Music: Nikolaj Egelund
Editor: Christopher Holmes
Color/stereo
Cast:
Ludovic: Sam Neill
Ankica: Gina McKee
Zioig: Javorf Loznica
Dragov: Ulrich Thomsen
The vet: Om Puri
Running time -- 104 minutes
No MPAA rating...
Director Ralph Ziman took his inspiration from a zoo in Angola during its civil war. Producer Juliusz Kossakowski saw the story as taking place in Eastern Europe. Consequently, "Zookeeper", starring Sam Neill, has an allegorical feeling in which characters act out a tale of brutality and humanity that pathetically repeats itself.
This is a slow, thoughtful, overcalculated effort that is best-suited for art houses and possible cable exposure. Superb and intimate acting by Neill, British actress Gina McKee and a Bosnian-born, Danish-reared boy, Javor Loznica, make the film feel more like a play despite its war scenes and large zoo setting.
The unnamed locale is probably Bosnia. Neill, the enigmatic title character, is a cynical ex-Communist bureaucrat with a troubled past. When his fellow zoo workers flee a city coming under bombardment and sniper fire, he stays on with a veterinarian (Om Puri) and an aging guard. But the guard disappears, and racist partisans kill the vet.
Barely able to keep the animals alive without the vet, Neill nevertheless perseveres, flinging what remains of meat supplies into the cages and injecting medicine into sick ones.
Then a wounded boy (Loznica) turns up. After Neill reluctantly nurses him back to health, the boy returns with a woman (McKee) who is his mother. The zookeeper doesn't want the two around, fearful that the nationalists' murderous captain (Ulrich Thomsen) will discover them. But the unlikely "family" continues the struggle to keep themselves and the animals alive until U.N. troops arrive.
Clearly, Neill is living in self-imposed penance for past deeds during the Communist era. The boy, hardened by war into a tiny soldier who will kill if necessary, shies away from human contact, which he no longer trusts. And his mother, toughened as well by her ordeal at the hands of militia who treated her as a sexual toy, struggles to make sense out of this quiet man who secretly writes poetry.
The story by Bishop and Ziman does not lack for dramatic incidents. Yet the characters never emerge as fully rounded. They move in a haze of symbolism and allegory. They lack specificity and details that would individualize their plight.
At times, Ziman seems more sympathetic to the caged, frightened animals. He explores their horrifying predicament with concern and tenderness. But this does slow down the drama.
Cinematographer Piotr Kukla bathes the screen in blue-gray tones, as if the war had banished the cheer of rich colors. The sequences where explosions and gunfire rock the zoo, causing the animals to shake with terror, contain the film's strongest, most troubling images.
THE ZOOKEEPER
A Svendsen Films presentation
in association with Apollo Films Ltd.,
Pavel Novy Produckce and Maborosi
Producers: Juliusz Kossakowski, Michael Alden
Director: Ralph Ziman
Screenwriters: Ralph Ziman, Matthew Bishop
Executive producers: Michael Lunderskov, Michael Laursen, Gavin Poolman, Rob Langestraat
Director of photography: Piotr Kukla
Production designer: Martin Maly
Music: Nikolaj Egelund
Editor: Christopher Holmes
Color/stereo
Cast:
Ludovic: Sam Neill
Ankica: Gina McKee
Zioig: Javorf Loznica
Dragov: Ulrich Thomsen
The vet: Om Puri
Running time -- 104 minutes
No MPAA rating...
A newspaper article about zoo animals in Kuwait City after the Iraqi invasion inspired Matthew Bishop to write "The Zookeeper".
Director Ralph Ziman took his inspiration from a zoo in Angola during its civil war. Producer Juliusz Kossakowski saw the story as taking place in Eastern Europe. Consequently, "Zookeeper", starring Sam Neill, has an allegorical feeling in which characters act out a tale of brutality and humanity that pathetically repeats itself.
This is a slow, thoughtful, overcalculated effort that is best-suited for art houses and possible cable exposure. Superb and intimate acting by Neill, British actress Gina McKee and a Bosnian-born, Danish-reared boy, Javor Loznica, make the film feel more like a play despite its war scenes and large zoo setting.
The unnamed locale is probably Bosnia. Neill, the enigmatic title character, is a cynical ex-Communist bureaucrat with a troubled past. When his fellow zoo workers flee a city coming under bombardment and sniper fire, he stays on with a veterinarian (Om Puri) and an aging guard. But the guard disappears, and racist partisans kill the vet.
Barely able to keep the animals alive without the vet, Neill nevertheless perseveres, flinging what remains of meat supplies into the cages and injecting medicine into sick ones.
Then a wounded boy (Loznica) turns up. After Neill reluctantly nurses him back to health, the boy returns with a woman (McKee) who is his mother. The zookeeper doesn't want the two around, fearful that the nationalists' murderous captain (Ulrich Thomsen) will discover them. But the unlikely "family" continues the struggle to keep themselves and the animals alive until U.N. troops arrive.
Clearly, Neill is living in self-imposed penance for past deeds during the Communist era. The boy, hardened by war into a tiny soldier who will kill if necessary, shies away from human contact, which he no longer trusts. And his mother, toughened as well by her ordeal at the hands of militia who treated her as a sexual toy, struggles to make sense out of this quiet man who secretly writes poetry.
The story by Bishop and Ziman does not lack for dramatic incidents. Yet the characters never emerge as fully rounded. They move in a haze of symbolism and allegory. They lack specificity and details that would individualize their plight.
At times, Ziman seems more sympathetic to the caged, frightened animals. He explores their horrifying predicament with concern and tenderness. But this does slow down the drama.
Cinematographer Piotr Kukla bathes the screen in blue-gray tones, as if the war had banished the cheer of rich colors. The sequences where explosions and gunfire rock the zoo, causing the animals to shake with terror, contain the film's strongest, most troubling images.
THE ZOOKEEPER
A Svendsen Films presentation
in association with Apollo Films Ltd.,
Pavel Novy Produckce and Maborosi
Producers: Juliusz Kossakowski, Michael Alden
Director: Ralph Ziman
Screenwriters: Ralph Ziman, Matthew Bishop
Executive producers: Michael Lunderskov, Michael Laursen, Gavin Poolman, Rob Langestraat
Director of photography: Piotr Kukla
Production designer: Martin Maly
Music: Nikolaj Egelund
Editor: Christopher Holmes
Color/stereo
Cast:
Ludovic: Sam Neill
Ankica: Gina McKee
Zioig: Javorf Loznica
Dragov: Ulrich Thomsen
The vet: Om Puri
Running time -- 104 minutes
No MPAA rating...
Director Ralph Ziman took his inspiration from a zoo in Angola during its civil war. Producer Juliusz Kossakowski saw the story as taking place in Eastern Europe. Consequently, "Zookeeper", starring Sam Neill, has an allegorical feeling in which characters act out a tale of brutality and humanity that pathetically repeats itself.
This is a slow, thoughtful, overcalculated effort that is best-suited for art houses and possible cable exposure. Superb and intimate acting by Neill, British actress Gina McKee and a Bosnian-born, Danish-reared boy, Javor Loznica, make the film feel more like a play despite its war scenes and large zoo setting.
The unnamed locale is probably Bosnia. Neill, the enigmatic title character, is a cynical ex-Communist bureaucrat with a troubled past. When his fellow zoo workers flee a city coming under bombardment and sniper fire, he stays on with a veterinarian (Om Puri) and an aging guard. But the guard disappears, and racist partisans kill the vet.
Barely able to keep the animals alive without the vet, Neill nevertheless perseveres, flinging what remains of meat supplies into the cages and injecting medicine into sick ones.
Then a wounded boy (Loznica) turns up. After Neill reluctantly nurses him back to health, the boy returns with a woman (McKee) who is his mother. The zookeeper doesn't want the two around, fearful that the nationalists' murderous captain (Ulrich Thomsen) will discover them. But the unlikely "family" continues the struggle to keep themselves and the animals alive until U.N. troops arrive.
Clearly, Neill is living in self-imposed penance for past deeds during the Communist era. The boy, hardened by war into a tiny soldier who will kill if necessary, shies away from human contact, which he no longer trusts. And his mother, toughened as well by her ordeal at the hands of militia who treated her as a sexual toy, struggles to make sense out of this quiet man who secretly writes poetry.
The story by Bishop and Ziman does not lack for dramatic incidents. Yet the characters never emerge as fully rounded. They move in a haze of symbolism and allegory. They lack specificity and details that would individualize their plight.
At times, Ziman seems more sympathetic to the caged, frightened animals. He explores their horrifying predicament with concern and tenderness. But this does slow down the drama.
Cinematographer Piotr Kukla bathes the screen in blue-gray tones, as if the war had banished the cheer of rich colors. The sequences where explosions and gunfire rock the zoo, causing the animals to shake with terror, contain the film's strongest, most troubling images.
THE ZOOKEEPER
A Svendsen Films presentation
in association with Apollo Films Ltd.,
Pavel Novy Produckce and Maborosi
Producers: Juliusz Kossakowski, Michael Alden
Director: Ralph Ziman
Screenwriters: Ralph Ziman, Matthew Bishop
Executive producers: Michael Lunderskov, Michael Laursen, Gavin Poolman, Rob Langestraat
Director of photography: Piotr Kukla
Production designer: Martin Maly
Music: Nikolaj Egelund
Editor: Christopher Holmes
Color/stereo
Cast:
Ludovic: Sam Neill
Ankica: Gina McKee
Zioig: Javorf Loznica
Dragov: Ulrich Thomsen
The vet: Om Puri
Running time -- 104 minutes
No MPAA rating...
- 10/5/2001
- The Hollywood Reporter - Movie News
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