The actor is best known for his Oscar-nominated role in ’Fiddler On The Roof’
Israel actor Chaim Topol, best known for his Oscar-nominated role in Fiddler On The Roof, has died at the age of 87.
The news was confirmed by Israeli president Isaac Herzog on Twitter, who called Topol “one of the most outstanding Israeli stage artists”. The actor, who went by his last name, was diagnosed with Alzheimer’s several years ago.
Topol first rose to prominence in 1964 with his performance in Ephraim Kishon’s Sallah Shabati (1964) which earned him a Golden Globe for best male newcomer.
The actor...
Israel actor Chaim Topol, best known for his Oscar-nominated role in Fiddler On The Roof, has died at the age of 87.
The news was confirmed by Israeli president Isaac Herzog on Twitter, who called Topol “one of the most outstanding Israeli stage artists”. The actor, who went by his last name, was diagnosed with Alzheimer’s several years ago.
Topol first rose to prominence in 1964 with his performance in Ephraim Kishon’s Sallah Shabati (1964) which earned him a Golden Globe for best male newcomer.
The actor...
- 3/9/2023
- by Ellie Calnan
- ScreenDaily
Chaim Topol, who became professionally known solely by his last name in a career that included starring in “Fiddler on the Roof” on stage and screen and co-starring in the James Bond movie “For Your Eyes Only” and the sci-fi film “Flash Gordon,” died Thursday in Tel Aviv after a battle with Alzheimer’s disease. He was 87 years old.
Topol’s death was confirmed by Israel’s president Isaac Herzog, who described him as a “gifted actor who conquered many stages in Israel and overseas, filled the cinema screens with his presence and especially entered deep into our hearts.”
Topol began his long association with the starring role of Tevye the milkman in the musical “Fiddler on the Roof” in 1967, appearing in the West End production, which ran for 2,030 performances. He starred in Norman Jewison’s 1971 film version, which carried a budget estimated at $9 million and garnered a domestic gross of $80 million.
Topol’s death was confirmed by Israel’s president Isaac Herzog, who described him as a “gifted actor who conquered many stages in Israel and overseas, filled the cinema screens with his presence and especially entered deep into our hearts.”
Topol began his long association with the starring role of Tevye the milkman in the musical “Fiddler on the Roof” in 1967, appearing in the West End production, which ran for 2,030 performances. He starred in Norman Jewison’s 1971 film version, which carried a budget estimated at $9 million and garnered a domestic gross of $80 million.
- 3/9/2023
- by Carmel Dagan
- Variety Film + TV
Exclusive: In something of an international coup, Mr Robot and True Detective outfit Anonymous Content has inked a first look deal with Israeli talent and artist agency, The Kneller Agency, which reps a host of the country’s leading film and TV creatives.
Under the deal, management and production firm Anonymous Content will have exclusive first-look rights to original film and TV ideas generated from the group.
Based in the center of Tel Aviv and founded in 1996 by Arik Kneller, the agency reps more than 250 clients in TV, film, theater, literature, music and advertising.
Among the company’s most internationally recognized talent are: Two-time Oscar nominee and co-creator and director of HBO series, Our Boys, Joseph Cedar; Keren Margalit — creator, writer, and director of Yellow Peppers which was the basis for UK remake The A Word (BBC); Tomer Kappon — star of The Boys (Amazon), Fauda (Netflix), and When Heroes Fly (Netfix); Israeli author,...
Under the deal, management and production firm Anonymous Content will have exclusive first-look rights to original film and TV ideas generated from the group.
Based in the center of Tel Aviv and founded in 1996 by Arik Kneller, the agency reps more than 250 clients in TV, film, theater, literature, music and advertising.
Among the company’s most internationally recognized talent are: Two-time Oscar nominee and co-creator and director of HBO series, Our Boys, Joseph Cedar; Keren Margalit — creator, writer, and director of Yellow Peppers which was the basis for UK remake The A Word (BBC); Tomer Kappon — star of The Boys (Amazon), Fauda (Netflix), and When Heroes Fly (Netfix); Israeli author,...
- 5/11/2021
- by Andreas Wiseman
- Deadline Film + TV
Filmmaker Sam Firstenberg is mostly recognized as one of the important in-house directors during the outrageously successful heyday of the legendary Cannon Group. The journey of this interview collection starts even before he made his way to direct box office hits just like Revenge Of The Ninja, Ninja III: The Domination, Breakin‘ II: Electric Boogaloo, American Ninja, and several others. The conversations Siedelmann recorded with Sam are very thorough, and they shed light on his origins and influences, including childhood memories, private biographical chapters, his years as a film student in Los Angeles, the atmosphere he grew up around in Israel, and his early work as an assistant director and technician for people like Menahem Golan, Charles Band, Ephraim Kishon, Boaz Davidson, and many...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 4/11/2017
- Screen Anarchy
‘The Salesman’ (Courtesy: Habib Majidi)
By: Carson Blackwelder
Managing Editor
It might not be everyone’s cup of tea, but we’re well on our way to seeing how the best foreign language film race will shape up at the Oscars in 2017. Leading the pack of the shortlist is The Salesman from Iran, which could land filmmaker Asghar Farhadi a rare second win in the category. How often do we see someone with more than one win in this worldwide competition?
The shortlist of nine films — more about those here — will, on January 24, be trimmed down to the official five nominees that will eventually face off at the Oscars on February 26. This site’s namesake, The Hollywood Reporter’s Scott Feinberg, lists the current frontrunners as: Germany’s Toni Erdmann (written and directed by Maren Ade), Denmark’s Land of Mine (written and directed by Martin Zandvliet), Sweden’s A...
By: Carson Blackwelder
Managing Editor
It might not be everyone’s cup of tea, but we’re well on our way to seeing how the best foreign language film race will shape up at the Oscars in 2017. Leading the pack of the shortlist is The Salesman from Iran, which could land filmmaker Asghar Farhadi a rare second win in the category. How often do we see someone with more than one win in this worldwide competition?
The shortlist of nine films — more about those here — will, on January 24, be trimmed down to the official five nominees that will eventually face off at the Oscars on February 26. This site’s namesake, The Hollywood Reporter’s Scott Feinberg, lists the current frontrunners as: Germany’s Toni Erdmann (written and directed by Maren Ade), Denmark’s Land of Mine (written and directed by Martin Zandvliet), Sweden’s A...
- 12/26/2016
- by Carson Blackwelder
- Scott Feinberg
A total 120 projects from Morocco to Syria are set to be supported over the next three years by the new $2.2m (€2m) Icam programme co-funded the European Union.
Speaking to ScreenDaily, Catherine Buresi, one of Icam’s initiators, explained that “the idea was to create a programme to support the development of projects, training measures and networking events as a forum for producers from the nine Arab countries”.
Icam (Investing in Culture & Arts in the South Mediterranean) started operations from headquarters in Cairo at the Noon Foundation earlier this year and will run for three years until April 2018.
The eligible countries are Morocco, Algeria, Tunisia, Libya, Egypt, Palestine, Jordan, Lebanon and Syria.
According to Buresi, the project is working with local partners throughout the region such as Jordan’s Luminus Media, Egypt/Cyprus-based Semat for production & distribution, Morocco’s Rabii Films Productions, Algeria’s M.D. Ciné as well as the non-profit association Cap Network in Belgium...
Speaking to ScreenDaily, Catherine Buresi, one of Icam’s initiators, explained that “the idea was to create a programme to support the development of projects, training measures and networking events as a forum for producers from the nine Arab countries”.
Icam (Investing in Culture & Arts in the South Mediterranean) started operations from headquarters in Cairo at the Noon Foundation earlier this year and will run for three years until April 2018.
The eligible countries are Morocco, Algeria, Tunisia, Libya, Egypt, Palestine, Jordan, Lebanon and Syria.
According to Buresi, the project is working with local partners throughout the region such as Jordan’s Luminus Media, Egypt/Cyprus-based Semat for production & distribution, Morocco’s Rabii Films Productions, Algeria’s M.D. Ciné as well as the non-profit association Cap Network in Belgium...
- 8/18/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
I'm writing this the day after first posting this entry. I now regret it. The point I make about artists is perfectly valid but I realize I wasn't prepared with enough facts about the events leading up to the Festival's decision to showcase Tel Aviv in the City-to-City section. I thought of it as an innocent goodwill gesture, but now realize it was part of a deliberate plan to "re-brand" Israel in Toronto, as a pilot for a larger such program. The Festival should never have agreed to be used like this. It was naive for the plan's supporters to believe it would have the effect they hoped for. The original entry remains below. The first 50 or so comments were posted before these regrets.
¶ The tumult continues here about the decision to spotlight Tel Aviv in the City-to-City sidebar program of the Toronto Film Festival. The protesters say the festival...
¶ The tumult continues here about the decision to spotlight Tel Aviv in the City-to-City sidebar program of the Toronto Film Festival. The protesters say the festival...
- 9/17/2009
- by Roger Ebert
- blogs.suntimes.com/ebert
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