On today’s Crew Call we talk with The English composer Federico Jusid, who came into Hollywood’s spotlight after the industry caught his score on the Oscar winning 2009 foreign film, The Secret in Their Eyes.
In the Prime Video series, Emily Blunt plays Cornelia Locke, a woman who arrives to America in 1890 to avenge her son’s death. While an Ennio Morricone sound is natural with any western’s score, Jusid went further to distinguish The English from the rest, incorporating 19th century piano and strings to represent Locke’s homeland.
But if you’re relishing The English on a big screen TV, Jusid’s score sings through, giving it a theatrical quality. Talking about achieving that style, the composer tells Crew Call, “You allow yourself to use a wider orchestra, and of course, sometimes to take a slower tempo.” Jusid expounds on how he boarded the Hugo Blick created series,...
In the Prime Video series, Emily Blunt plays Cornelia Locke, a woman who arrives to America in 1890 to avenge her son’s death. While an Ennio Morricone sound is natural with any western’s score, Jusid went further to distinguish The English from the rest, incorporating 19th century piano and strings to represent Locke’s homeland.
But if you’re relishing The English on a big screen TV, Jusid’s score sings through, giving it a theatrical quality. Talking about achieving that style, the composer tells Crew Call, “You allow yourself to use a wider orchestra, and of course, sometimes to take a slower tempo.” Jusid expounds on how he boarded the Hugo Blick created series,...
- 6/21/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Uruguayan filmmaker Federico Veiroj was born in Montevideo in 1976. In 2000 he obtained a Degree in Social Communication at the Catholic University in Montevideo, coursing one semester at Vcu (Virginia Commonwealth University, USA). He has been directing and producing short-films since 1996. He has also worked as an actor in many Uruguayan short-films and as script supervisor in Juan Pablo Rebella and Pablo Stoll's features 25 Watts and Whisky. He has followed up his first feature film Acné with the cinephilic valentine A Useful Life (La vida útil, 2010).
A Useful Life was the first film at the 2010 Toronto International Film Festival I heard applauded at its press screening, confirming as Diana Sanchez had written in her program capsule that "for anyone who loves cinema in its purest form, this film will be a revelation." As Sanchez synopsized: "Federico Veiroj's thoughtful and delicate second feature contemplates the value of outmoded occupations with this evocative (and alarming!
A Useful Life was the first film at the 2010 Toronto International Film Festival I heard applauded at its press screening, confirming as Diana Sanchez had written in her program capsule that "for anyone who loves cinema in its purest form, this film will be a revelation." As Sanchez synopsized: "Federico Veiroj's thoughtful and delicate second feature contemplates the value of outmoded occupations with this evocative (and alarming!
- 10/1/2010
- MUBI
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