Two new cash prizes introduced this year in Swiss film festival Visions du Reel’s industry section, VdR-Industry, were among a flurry of awards handed out as the program wrapped in Nyon, Switzerland, on Wednesday.
The Eurimages Co-production Development Award, created to promote the fund’s role in encouraging international co-production from the initial stages of a project, and which comes with a cash prize of €20,000, went to “The Last Days of the Hospital” by Mehran Tamadon.
Set in a psychiatric hospital on the outskirts of Paris, it tells the story of a group of patients invited to take over the wards as the health personnel gradually leave amid a crisis in the health sector.
A visibly moved Tamadon picked up the award, thanking the entire VdR-Industry team for organizing “such amazing pitching sessions.” The Franco-Iranian director was thrilled with the prize which he told Variety was a great stepping...
The Eurimages Co-production Development Award, created to promote the fund’s role in encouraging international co-production from the initial stages of a project, and which comes with a cash prize of €20,000, went to “The Last Days of the Hospital” by Mehran Tamadon.
Set in a psychiatric hospital on the outskirts of Paris, it tells the story of a group of patients invited to take over the wards as the health personnel gradually leave amid a crisis in the health sector.
A visibly moved Tamadon picked up the award, thanking the entire VdR-Industry team for organizing “such amazing pitching sessions.” The Franco-Iranian director was thrilled with the prize which he told Variety was a great stepping...
- 4/17/2024
- by Lise Pedersen
- Variety Film + TV
Swiss documentary festival Visions du Réel (VdR) has revealed the line-up for its 55th edition (April 12-21) which opens with the IDFA- and Göteborg selection As The Tide Comes In by Juan Palacios (and co-directed by Sofie Husum Johannesen).
The full selection includes 128 films, 88 of which are world premieres.
Among the 14 world premieres in international competition is Apple Cider Vinegar from Belgium’s Sofie Benoot whose 2020 documentary Victoria won the Caligari award at Berlinale Forum. Her latest feature is part nature documentary, part philosophical tale beginning with the journey of a kidney stone.
Other world premieres include Swiss titles The...
The full selection includes 128 films, 88 of which are world premieres.
Among the 14 world premieres in international competition is Apple Cider Vinegar from Belgium’s Sofie Benoot whose 2020 documentary Victoria won the Caligari award at Berlinale Forum. Her latest feature is part nature documentary, part philosophical tale beginning with the journey of a kidney stone.
Other world premieres include Swiss titles The...
- 3/19/2024
- ScreenDaily
Swiss documentary festival Visions du Réel has unveiled the projects to be presented at its 2024 industry programme VdR-Industry, taking place April 14-17, including features from Iran-born French filmmaker Mehran Tamadon and Chilean director Tana Gilbert.
A total of 29 projects have been selected. 15 projects in development will be part of VdR–Pitching, and six projects in finishing stages will be presented at the VdR–Work In Progress pitch. Four projects have been selected for both the VdR–Rough Cut Lab and the VdR–Development Lab respectively.
Scroll down for full list of projects
The line-up includes a number of returning Visions du Réel directors.
A total of 29 projects have been selected. 15 projects in development will be part of VdR–Pitching, and six projects in finishing stages will be presented at the VdR–Work In Progress pitch. Four projects have been selected for both the VdR–Rough Cut Lab and the VdR–Development Lab respectively.
Scroll down for full list of projects
The line-up includes a number of returning Visions du Réel directors.
- 3/14/2024
- ScreenDaily
Paris-based outfit Luxbox – one of Europe’s biggest sales agents and sometimes producers – of higher-profile Spanish-language art house fare, has swooped on international rights to “Reas,” a prison musical in which ex female cons process their experiences, which was confirmed last week as one of the first eight films selected for Berlin’s Forum section.
The second film by Argentine playwright and writer Lola Arias (“Theater of War”), and winner of the Head Pitchings du Réel Award at Visions du Réel in 2020, “Reas” was also selected by San Sebastian Film Festival for its 2023 Wip Latam.
It will world premiere at the Forum, a section focusing on boundary-breaking titles that challenge aesthetic and narrative norms.
“We feel extremely honored to represent the second feature by artist and filmmaker Lola Arias, whom we discovered at San Sebastian Work In Progress,” Luxbox CEO Fiorella Moretti told Variety.
An international co-production between Gema Juárez and Clarisa Oliveri,...
The second film by Argentine playwright and writer Lola Arias (“Theater of War”), and winner of the Head Pitchings du Réel Award at Visions du Réel in 2020, “Reas” was also selected by San Sebastian Film Festival for its 2023 Wip Latam.
It will world premiere at the Forum, a section focusing on boundary-breaking titles that challenge aesthetic and narrative norms.
“We feel extremely honored to represent the second feature by artist and filmmaker Lola Arias, whom we discovered at San Sebastian Work In Progress,” Luxbox CEO Fiorella Moretti told Variety.
An international co-production between Gema Juárez and Clarisa Oliveri,...
- 12/19/2023
- by Holly Jones
- Variety Film + TV
The Sundance Institute has announced this year’s grantees for the Sundance Institute Documentary Fund, with a total of 1,396,500 in unrestricted grant support bestowed upon 35 projects.
“As we celebrate the Dfp’s 20th anniversary, it’s an exceptional achievement that Sundance has been able to provide documentary filmmakers robust and sustained financial support, from development through post-production, for two decades,” said Carrie Lozano, director of the Sundance Institute’s Documentary Film Program. “Thanks to our incredible funders, supporters, staff, and external reviewers, the Documentary Fund has been able to realize its top priorities during a tumultuous time: supporting underrepresented stories, directors and producers; providing much needed resources to urgent international projects; and elevating human rights and social, civic and environmental justice, all while foregrounding bold and artistic approaches. I am constantly amazed by the breadth and depth of our grantees.”
This year’s grant recipients have roots in 31 countries, with...
“As we celebrate the Dfp’s 20th anniversary, it’s an exceptional achievement that Sundance has been able to provide documentary filmmakers robust and sustained financial support, from development through post-production, for two decades,” said Carrie Lozano, director of the Sundance Institute’s Documentary Film Program. “Thanks to our incredible funders, supporters, staff, and external reviewers, the Documentary Fund has been able to realize its top priorities during a tumultuous time: supporting underrepresented stories, directors and producers; providing much needed resources to urgent international projects; and elevating human rights and social, civic and environmental justice, all while foregrounding bold and artistic approaches. I am constantly amazed by the breadth and depth of our grantees.”
This year’s grant recipients have roots in 31 countries, with...
- 10/6/2022
- by Michaela Zee
- Variety Film + TV
Previously supported projects have included American Factory, Collective, Fire Of Love, The Mole Agent.
Projects from Armenia, Chile, Uganda and Palestine are among grantees of the Sundance Institute Documentary Fund, which in the 20th anniversary year of the Documentary Film Program (Dfp) has made 1.4m available in unrestricted grant support to 35 projects.
Of the recipients, five are in development, 15 in production, 10 in post, and the filmmakers behind five are actively pursuing support for audience engagement and social impact campaigns.
Some 57 of the current cycle’s submissions hail from outside the US. Among the 14 US films receiving support, all are directed...
Projects from Armenia, Chile, Uganda and Palestine are among grantees of the Sundance Institute Documentary Fund, which in the 20th anniversary year of the Documentary Film Program (Dfp) has made 1.4m available in unrestricted grant support to 35 projects.
Of the recipients, five are in development, 15 in production, 10 in post, and the filmmakers behind five are actively pursuing support for audience engagement and social impact campaigns.
Some 57 of the current cycle’s submissions hail from outside the US. Among the 14 US films receiving support, all are directed...
- 10/4/2022
- by Jeremy Kay
- ScreenDaily
Mubi has unveiled their lineup for next month, featuring the exclusive streaming premiere of Frederick Wiseman’s masterful documentary City Hall, the late Monte Hellman’s final film Road to Nowhere, a trio of works by Stephen Cone, two films by Alain Resnais, the multi-month series Sex, Truth, and Videotape: French Feminist Activism, and Abel Ferrara’s Bad Lieutenant.
As a special addition in addition to the regular programming listed below, the new restoration of Meeting the Man: James Baldwin in Paris will be available as a free presentation celebrating Juneteenth, from June 18-19. Timed with the release of his latest gem Undine, a Christian Petzold retrospective continues with his earlier, essential films Yella, Barbara, Ostwärts, and The Warm Money.
Check out the lineup below, with links to reviews where available, and get 30 days of Mubi for free here. One can also check back for our new streaming picks every Friday here.
As a special addition in addition to the regular programming listed below, the new restoration of Meeting the Man: James Baldwin in Paris will be available as a free presentation celebrating Juneteenth, from June 18-19. Timed with the release of his latest gem Undine, a Christian Petzold retrospective continues with his earlier, essential films Yella, Barbara, Ostwärts, and The Warm Money.
Check out the lineup below, with links to reviews where available, and get 30 days of Mubi for free here. One can also check back for our new streaming picks every Friday here.
- 5/19/2021
- by Jordan Raup
- The Film Stage
The 30th annual Vancouver International Film Festival (Viff) is starting to finally announce their roster of films with an outstanding line-up of documentaries that celebrate the power of cinema and the arts across the Dance, Music, Theatre and the Visual Arts mediums. Legendary filmmakers Wim Wenders , Frederick Wiseman, and Mike Figgis are among the talent presenting films at the festival this year which runs from September 29-October 14th. Here is a taste of what to expect so far:
Pina
Germany/France/UK | Director: Wim Wenders
One German master more than does justice to another as Wim Wenders fashions a kinetic and gorgeous tribute to the singular German choreographer and dancer Pina Bausch. “Entertainment that will send culture vultures swooning… the film lets the artist’s work speak for itself via big, juicy slabs of performance.” — Variety
Flamenco, Flamenco
Spain | Director: Carlos Saura
Carlos Saura continues to mine a rich vein...
Pina
Germany/France/UK | Director: Wim Wenders
One German master more than does justice to another as Wim Wenders fashions a kinetic and gorgeous tribute to the singular German choreographer and dancer Pina Bausch. “Entertainment that will send culture vultures swooning… the film lets the artist’s work speak for itself via big, juicy slabs of performance.” — Variety
Flamenco, Flamenco
Spain | Director: Carlos Saura
Carlos Saura continues to mine a rich vein...
- 8/18/2011
- by Gregory Ashman
- SoundOnSight
Anyone who reads literature in translation probably has some inkling of the effort it takes a specialist to mold foreign masterworks into readable prose that feels alive and inviting. Some translators have earned renown for their impeccable renditions of the classics — Lydia Davis comes to mind — but such formidably intelligent people are accustomed to working, for the most part, in complete obscurity, unknown except to the book publishers who commission their interpretive labors and those who bother to notice bylines. Until her death last year at age 87, Svetlana Geier was the most distinguished translator of Dostoyevsky in Germany, having shouldered the monumental task (beginning in 1992) of rendering the Russian novelist’s “five elephants” (Crime and Punishment, The Idiot, The Brothers Karamazov, The Devils, and The Raw Youth) into her adopted language. Born in Kiev, Ukraine, Geier began her work in the late fifties, but developed a special passion for the...
- 7/20/2011
- by Damon Smith
- Filmmaker Magazine - Blog
Cologne, Germany -- Monika Willi, the editor of Michael Haneke's Oscar-nominated "The White Ribbon," Stefan Essl, editor of action comedy "Jerry Cotton;" and Hansjorg Weissbrich, who cut Hans-Christian Schmid's war-crimes drama "Storm" are among the nominees for this year's Schnitt Prize, Germany's premiere film editing award.
Also nominated in the feature film category are Mona Brauer and Heike Gnida for their work on Matthias Glasner's disturbing pedophilia drama "This is Love" and Wolfgang Weigl, nominated for "The Two Lives of Daniel Shore," the feature debut of director Michael Dreher.
In the documentary category, nominated editors include Thomas Riedelsheimer, who directed and cut his latest, "Soul Birds;" Gisela Castronari-Jaensch and Vadim Jendreyko for "The Woman with the 5 Elephants;" Marc Haenecke for "Jagdzeit;" Thomas Grube and Barbara Toennieshen for "To Fight For" and Stephan Krumbiegel for "Wiegenlieder."
The 12th Schnitt Film Prize will be awarded Nov. 29 in Cologne.
Also nominated in the feature film category are Mona Brauer and Heike Gnida for their work on Matthias Glasner's disturbing pedophilia drama "This is Love" and Wolfgang Weigl, nominated for "The Two Lives of Daniel Shore," the feature debut of director Michael Dreher.
In the documentary category, nominated editors include Thomas Riedelsheimer, who directed and cut his latest, "Soul Birds;" Gisela Castronari-Jaensch and Vadim Jendreyko for "The Woman with the 5 Elephants;" Marc Haenecke for "Jagdzeit;" Thomas Grube and Barbara Toennieshen for "To Fight For" and Stephan Krumbiegel for "Wiegenlieder."
The 12th Schnitt Film Prize will be awarded Nov. 29 in Cologne.
- 9/22/2010
- by By Scott Roxborough
- The Hollywood Reporter - Movie News
When you have a distributor who brings to market a select few documentary items, then one would have to think that their might be something special about Vadim Jendreyko’s The Woman with the Five Elephants. That something "special", might have to do with Svetlana Geier, a Dostoevsky-translating expert who has a rich backstory of her own. The Cinema Guild have picked up the well travelled doc which was featured in the Hot Docs, Viennale, Locarno, Rotterdam and at the AFI/Discovery Channel Silverdocs Film Festival where it picked up the Sterling Award for a World Feature. Expect an early 2011 release. Svetlana Geier is considered one of the world’s greatest translators of Russian literature. Her new German translations of Dostoevsky’s five great novels, known as the five elephants, are literary milestones and the culmination of a life’s work. But her success has come with its share of loss.
- 8/25/2010
- IONCINEMA.com
U.S. rights to Vadim Jendreyko's "The Woman with the Five Elephants" has been picked up by Cinema Guild. Ryan Krivoshey of The Cinema Guild negotiated the pact for the film with Susanna Guggenberger of Mira Film and Patrick Sibourd of Nour Films. "Elephants," which won the Sterling Award for a World Feature at the 2010 AFI/Discovery Channel Silverdocs Film Festival, will open in theaters in the first half of 2011. "The ...
- 8/25/2010
- Indiewire
The Melbourne International Film Festival has announced this year’s favourite films, as voted by the audience.
Nz’s Boy (directed by Taika Waititi and opening in Australia on August 26) was the top film, while Bill Cunningham: New York was the favourite documentary. Australian features The Wedding Party and Summer Coda were also in the top 10, at numbers six and 10 respectively
Top 10 Features
1. Boy Dir. Taika Waititi (Nz)
2. Desert Flower Dir. Sherry Hoffman (Germany/Austria/France)
3. Certified Copy Dir. Abbas Kiarostami (France/Italy)
4. Four Lions Dir. Chris Morris (UK)
5. Summer Wars Dir. Mamoru Hosoda (Japan)
6. The Wedding Party Dir. Amanda Jane (Australia)
7. I Love You Phillip Morris Dir. Glenn Ficarra, John Requa (USA/Canada)
8. Women Without Men Dir. Shirin Neshat (Germany/Austria/France)
9. The Ballad of Des and Mo Dir. James Fair (Ireland)
10. Summer Coda Dir Richard Gray (Australia)
Top 10 Documentaries
1. Bill Cunningham New York Dir. Richard Press (USA)
2. The Invention of Dr.
Nz’s Boy (directed by Taika Waititi and opening in Australia on August 26) was the top film, while Bill Cunningham: New York was the favourite documentary. Australian features The Wedding Party and Summer Coda were also in the top 10, at numbers six and 10 respectively
Top 10 Features
1. Boy Dir. Taika Waititi (Nz)
2. Desert Flower Dir. Sherry Hoffman (Germany/Austria/France)
3. Certified Copy Dir. Abbas Kiarostami (France/Italy)
4. Four Lions Dir. Chris Morris (UK)
5. Summer Wars Dir. Mamoru Hosoda (Japan)
6. The Wedding Party Dir. Amanda Jane (Australia)
7. I Love You Phillip Morris Dir. Glenn Ficarra, John Requa (USA/Canada)
8. Women Without Men Dir. Shirin Neshat (Germany/Austria/France)
9. The Ballad of Des and Mo Dir. James Fair (Ireland)
10. Summer Coda Dir Richard Gray (Australia)
Top 10 Documentaries
1. Bill Cunningham New York Dir. Richard Press (USA)
2. The Invention of Dr.
- 8/24/2010
- by Miguel Gonzalez
- Encore Magazine
The 2010 German Academy Award winners will be announced on April 23 in Berlin. Best film Everyone Else, dir. Maren Ade When We Leave, dir. Feo Aladag Soul Kitchen dir. Fatih Akin Storm dir. Hans-Christian Schmid The White Ribbon dir. Michael Haneke Desert Flower dir. Sherry Hormann Best documentary The Woman with the 5 Elephants dir. Vadim Jendreyko The Heart of Jenin dir. Marcus Vetter, Leon Geller Best children’s film Lippel’s Dream dir. Lars Buchel The Suburban Crocodiles dir. Christian Ditter Best director Maren Ade for Everyone Else Feo Aladag for When We Leave Michael Haneke for The White Ribbon Hans-Christian Schmid for Storm Best actress Corinna Harfouch for This Is Love Sibel Kekilli for When We Leave Susanne Lothar for The White Ribbon Birgit Minichmayr for Everyone Else Best actor Fabian Hinrichs for Schwerkraft Henry Hubchen for Whiskey [...]...
- 3/21/2010
- by Steve Montgomery
- Alt Film Guide
Berlin -- Michael Haneke's "The White Ribbon" may have missed out on the best foreign film Oscar but the Austrian filmmaker is all but certain to sweep the German Film Awards after "The White Ribbon" received 13 nominations for the country's top prize, the Lolas.
"The White Ribbon" picked up Lola noms in all possible categories, including best film, best director and best acting noms for stars Burghart Klaussner and Susanne Lothar.
Cinematographer Christian Berger, whose stark black-and-white images earned him an Oscar nomination, is the favurite to win the Lola for best cinematography at the German Film Awards on April 23 in Berlin.
"When We Leave," a drama from first-time director Feo Aladag, was the big surprise, earning six Lola nominations including ones for best film and best actress for Sibel Kekilli ("Head-On") in her comeback role as a young woman banished from her devout Muslim family.
Hans-Christian Schmid's...
"The White Ribbon" picked up Lola noms in all possible categories, including best film, best director and best acting noms for stars Burghart Klaussner and Susanne Lothar.
Cinematographer Christian Berger, whose stark black-and-white images earned him an Oscar nomination, is the favurite to win the Lola for best cinematography at the German Film Awards on April 23 in Berlin.
"When We Leave," a drama from first-time director Feo Aladag, was the big surprise, earning six Lola nominations including ones for best film and best actress for Sibel Kekilli ("Head-On") in her comeback role as a young woman banished from her devout Muslim family.
Hans-Christian Schmid's...
- 3/19/2010
- by By Scott Roxborough
- The Hollywood Reporter - Movie News
The 16th annual Bradford International Film Festival, which will run March 18-28, is a total celebration of all forms of cinema, from classic films to modern world cinema to a tribute to Cinerama and more. But, most excitingly, is a bombastic collection of some of the best, most exciting underground films being made today.
From Bad Lit’s perspective, the most thrilling screening of the entire 10-day affair is the new film by British filmmaker Peter Whitehead, Terrorism Considered as One of the Fine Arts. In the U.S., Whitehead is a “lost” filmmaker from the underground’s heyday in the ’60s, being left out of most histories of the underground movement. Whitehead directed several influential films, including Wholly Communion and The Fall, before dropping out of filmmaking in the mid-’70s.
Film historian Jack Sargeant wrote extensively about and interviewed Whitehead for his wonderful book on Beat cinema, Naked Lens.
From Bad Lit’s perspective, the most thrilling screening of the entire 10-day affair is the new film by British filmmaker Peter Whitehead, Terrorism Considered as One of the Fine Arts. In the U.S., Whitehead is a “lost” filmmaker from the underground’s heyday in the ’60s, being left out of most histories of the underground movement. Whitehead directed several influential films, including Wholly Communion and The Fall, before dropping out of filmmaking in the mid-’70s.
Film historian Jack Sargeant wrote extensively about and interviewed Whitehead for his wonderful book on Beat cinema, Naked Lens.
- 3/5/2010
- by Mike Everleth
- Underground Film Journal
The European Film Academy have announced the documentary film titles nominations and out of the ten mostly unknown titles we find a pair of exceptions in Burma VJ (which received some solid buzz at Sundance) and The Beaches of Agnes... - The European Film Academy have announced the documentary film titles nominations and out of the ten mostly unknown titles we find a pair of exceptions in Burma VJ (which received some solid buzz at Sundance) and The Beaches of Agnes (which received a film festival red carpet treatment and was shown at the Film Forum this summer). Previous winners of Prix Arte award include: last year's Helena Trestikova's Rene (read here) and 2007 the prize went to Rithy Panh's Paper cannot Wrap up Embers. The winner will be announced on the 12th of December. The Beaches Of Agnes - Agnès Varda, France Below Sea Level - Gianfranco Rosi,...
- 12/13/2009
- by Ioncinema.com Staff
- IONCINEMA.com
Above: Svetlana Geier in Vadim Jendreyko's The Woman with the 5 Elephants.
Mittwoch in Vienna, and mittfestival (if there is such a word) also for the city's—indeed the country's—biggest and most important cinema-related event. The Viennale kicked off on Thursday 22nd with a screening of La Pivellina at the 1960s Gartenbaukino, the film (a fairly well-received Italian/Austrian drama about an abandoned two-year-old, directed by Rainer Frimmel and Tizza Covi) being somewhat overshadowed by the presence at the opening of the festival's headline guest, Tilda Swinton. One over-enthusiastic paparazzo (from Austria's most scandal-hungry tabloid) was reportedly ejected for overstepping the mark, amid scenes that would hardly be regarded as chaotic or frenetic at Cannes or Berlin, but which here at the rather more austere, genteel and rarefied Viennale caused quite a stir.
Personally speaking I'm "over the hump" in terms of my attendance, having completed five full days...
Mittwoch in Vienna, and mittfestival (if there is such a word) also for the city's—indeed the country's—biggest and most important cinema-related event. The Viennale kicked off on Thursday 22nd with a screening of La Pivellina at the 1960s Gartenbaukino, the film (a fairly well-received Italian/Austrian drama about an abandoned two-year-old, directed by Rainer Frimmel and Tizza Covi) being somewhat overshadowed by the presence at the opening of the festival's headline guest, Tilda Swinton. One over-enthusiastic paparazzo (from Austria's most scandal-hungry tabloid) was reportedly ejected for overstepping the mark, amid scenes that would hardly be regarded as chaotic or frenetic at Cannes or Berlin, but which here at the rather more austere, genteel and rarefied Viennale caused quite a stir.
Personally speaking I'm "over the hump" in terms of my attendance, having completed five full days...
- 10/29/2009
- MUBI
Cologne, Germany -- Political issues have pride of place among this year's nominees for the Prix Arte, the European Film Academy's documentary award.
Andres Ostergaard's "Burma VJ," on the 2007 protest by thousands of Burmese monks; German directors Leon Geller and Marcus Vetter's "The Heart of Jenin," an investigation into the Israeli army's shooting of Palestinian boy Ahmed Khatib; and Jawad Rhalib's "The Damned of the Sea," which looks at the plight of Moroccan fisherman, all made this year's short list.
Political undercurrents are also clearly visible in other nominees, including Gianfranco Rosi's portrait of anarchists living in a makeshift "slab city" in the California desert and "Defamation," a critical look at anti-Semitism from Israeli director Yoav Shamir.
But the scope of the 2009 Prix Arte nominees ranges from Agnes Varda's autobiographical essay "The Beaches of Agnes" to portraits of extraordinary people in Lilian Franck & Robert Cibis'...
Andres Ostergaard's "Burma VJ," on the 2007 protest by thousands of Burmese monks; German directors Leon Geller and Marcus Vetter's "The Heart of Jenin," an investigation into the Israeli army's shooting of Palestinian boy Ahmed Khatib; and Jawad Rhalib's "The Damned of the Sea," which looks at the plight of Moroccan fisherman, all made this year's short list.
Political undercurrents are also clearly visible in other nominees, including Gianfranco Rosi's portrait of anarchists living in a makeshift "slab city" in the California desert and "Defamation," a critical look at anti-Semitism from Israeli director Yoav Shamir.
But the scope of the 2009 Prix Arte nominees ranges from Agnes Varda's autobiographical essay "The Beaches of Agnes" to portraits of extraordinary people in Lilian Franck & Robert Cibis'...
- 10/8/2009
- by By Scott Roxborough
- The Hollywood Reporter - Movie News
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