The art of the glass shot or matte painting is one which originated very much in the early ‘teens’ of the silent era. Pioneer film maker, director, cameraman and visual effects inventor Norman Dawn is generally acknowledged as the father of the painted matte composite, with other visionary film makers such as Ferdinand Pinney Earle, Walter Hall and Walter Percy Day being heralded as making vast contributions to the trick process in the early 1920’s.
Boiled down, the matte process is one whereby a limited film set may be extended to whatever, or wherever the director’s imagination dictates with the employment of a matte artist. In it’s most pure form, the artist would set up a large plate of clear glass in front of the motion picture camera upon which he would carefully paint in new scenery an ornate period ceiling, snow capped mountains, a Gothic castle or even an alien world.
Boiled down, the matte process is one whereby a limited film set may be extended to whatever, or wherever the director’s imagination dictates with the employment of a matte artist. In it’s most pure form, the artist would set up a large plate of clear glass in front of the motion picture camera upon which he would carefully paint in new scenery an ornate period ceiling, snow capped mountains, a Gothic castle or even an alien world.
- 5/27/2012
- Shadowlocked
Ex-cnn anchor Leon Harris, who's working these days as an anchor at Wjla-tv in Washington, D.C., says a reporter fired from his station and just-hired by Fox News may have intended to lose his local gig so he could land at Fox. Harris tells Media Matters reporter Doug McKelway seemed to shed his professionalism in favor of seeking out a "YouTube moment" that might hasten a high-profile firing. "I know what it looks like when a guy wants to get fired," said Harris.
- 12/6/2010
- by Mark Joyella
- Mediaite - TV
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