Asleep In The Sun Review [Sfiff]
When I told a movie buff friend of mine I would be attending Sfiff, I asked him if there were any movies he thought I should pay attention to. Among the films he listed, he mentioned Alejandro Chomski's Asleep in the Sun saying ,"the Argentines often start with artiness and inexplicably end up with real art." I'm surprised as how well that description fits the film. The setting is the serene and idyllic 1950s, where Lucio (Luis Machín) works as a watchmaker in his childhood home he inherited at his parent's passing. He lives there with his wife Diana (Esther Goris) whom he adores to no end. She's troubled, however with unnamed mental illness. She is overly preoccupied with dogs and overly attached to a professor named Standle (Enrique Piñeyro), whom she visits frequently. Noticing her condition, Standle approached Lucio suggesting that she visits...
When I told a movie buff friend of mine I would be attending Sfiff, I asked him if there were any movies he thought I should pay attention to. Among the films he listed, he mentioned Alejandro Chomski's Asleep in the Sun saying ,"the Argentines often start with artiness and inexplicably end up with real art." I'm surprised as how well that description fits the film. The setting is the serene and idyllic 1950s, where Lucio (Luis Machín) works as a watchmaker in his childhood home he inherited at his parent's passing. He lives there with his wife Diana (Esther Goris) whom he adores to no end. She's troubled, however with unnamed mental illness. She is overly preoccupied with dogs and overly attached to a professor named Standle (Enrique Piñeyro), whom she visits frequently. Noticing her condition, Standle approached Lucio suggesting that she visits...
- 5/8/2011
- by Blake Griffin
- We Got This Covered
Quickcard Review – 46th Chicago International Film Festival
Click Here for complete coverage of the Chicago International Film Festival (Ciff 2010)
Asleep in the Sun
Directed by: Alejandro Chomski
Cast: Luis Machin, Esther Goris, Carlos Belloco
Running Time: 1 hr 20 mins
Rating: Nr
Release Date: Tbd
Plot: Lucio is forced to commit his depressed wife when she becomes too much. Much to his surprise, she returns soon after, seemingly completely healed. But something seems different to Lucio and he’ll go to any lengths to find out what happened to his wife.
Who’S It For? Fans of surrealist stuff may get a kick out of Asleep in the Sun. Otherwise, I’d say it’s probably just for hardcore fans of director Chomski’s other work.
Overall
At its heart, Asleep in the Sun tries too hard to be a surrealist’s nightmare. It’s a noble premise which has been done before and,...
Click Here for complete coverage of the Chicago International Film Festival (Ciff 2010)
Asleep in the Sun
Directed by: Alejandro Chomski
Cast: Luis Machin, Esther Goris, Carlos Belloco
Running Time: 1 hr 20 mins
Rating: Nr
Release Date: Tbd
Plot: Lucio is forced to commit his depressed wife when she becomes too much. Much to his surprise, she returns soon after, seemingly completely healed. But something seems different to Lucio and he’ll go to any lengths to find out what happened to his wife.
Who’S It For? Fans of surrealist stuff may get a kick out of Asleep in the Sun. Otherwise, I’d say it’s probably just for hardcore fans of director Chomski’s other work.
Overall
At its heart, Asleep in the Sun tries too hard to be a surrealist’s nightmare. It’s a noble premise which has been done before and,...
- 10/7/2010
- by Calhoun Kersten
- The Scorecard Review
SAN LUIS, Argentina -- The inaugural Festival Internacional San Luis Cine kicked off over the weekend with a red carpet ceremony and promises of a thriving local industry high in the foothills of the Andes Mountains.
Catherine Deneuve, on hand to receive a career achievement award, was the star of the evening. San Luis Governor Alberto Rodriguez Saa -- accompanied by his girlfriend Esther Goris, best known for her portrayal of Argentina's famous first lady in 1996's Eva Peron -- handed the Golden Puntano to the French legend during a ceremony that featured music, champagne and fireworks for hundreds of invited guests.
An array of local and international actors were on hand for the opening gala, including Geraldine Chaplin, head of the festival jury, which will award the $50,000 top prize to one of the 22 features in competition Sunday. Chaplin said that she admires San Luis's Cinema Law, which provides $10 million in subsidies to local and foreign filmmakers annually.
Catherine Deneuve, on hand to receive a career achievement award, was the star of the evening. San Luis Governor Alberto Rodriguez Saa -- accompanied by his girlfriend Esther Goris, best known for her portrayal of Argentina's famous first lady in 1996's Eva Peron -- handed the Golden Puntano to the French legend during a ceremony that featured music, champagne and fireworks for hundreds of invited guests.
An array of local and international actors were on hand for the opening gala, including Geraldine Chaplin, head of the festival jury, which will award the $50,000 top prize to one of the 22 features in competition Sunday. Chaplin said that she admires San Luis's Cinema Law, which provides $10 million in subsidies to local and foreign filmmakers annually.
- 11/20/2007
- The Hollywood Reporter - Movie News
A boxoffice hit in Argentina and that country's official bid for an Oscar nomination as best foreign language film, "Eva Peron" is a straightforward, somewhat melodramatic but highly watchable and in many ways triumphant screen biography of the charismatic social outcast who championed the rights of women and the poor in the mid-1940s to early 1950s before dying of cancer at age 33.
Directed by Juan Carlos Desanzo and written by Jose Pablo Feinmann, "Eva Peron" soars thanks to the terrific performances by Esther Goris as the driven, uncompromising lead and co-star Victor Laplace as Juan Peron, the great love of her life and Argentina's most powerful political figure of the era. The film is playing in a limited engagement at the Mann Plaza in Westwood.
While the big-budget musical "Evita" strains to incorporate history into an operatic vehicle for Madonna, "Eva Peron" is all about the political realities that conspire against the Perons on the eve of national elections in 1952. And this Evita is one tough lady. Bedridden near the end of her life, she defiantly proclaims: "I won't stop breaking balls until I'm dead and buried."
In flashbacks, a few key moments from Eva's life are related -- her father's funeral, her first meeting with Peron -- but there's less emphasis on the glamorous aspects of her life and much more than one expects about her stern attitude toward enemies and disagreeable allies. A bitter foe of the "establishment machos" and well-spoken friend to labor, Eva is portrayed as a pragmatic usurper with no patience for fools and, consequently, few real friends.
When Goris flashes her wide smile, it's easy to see how a serious fellow like Peron and millions of others would skip a few heartbeats, but the actress is equally persuasive as an unyielding negotiator and inspirational public speaker. A stunning high point of the film is also the couple's low point, when Juan tells Eva she has cancer. Laplace's genuine emotions are contrasted by Goris' initially furious response in a scene that will leave few dry eyes in the audience.
Exceptionally well-paced -- the film never gets bogged down and feels like it's a reel short of its two-hour running time -- "Eva Peron" uses its modest budget well, although the matching of historical crowd scenes with new footage is a tad distracting. Cinematically, the film is not as polished as it could be. But the story could not be more compelling and full of life's great contradictions, embodied by courageous individuals fighting totalitarianism in a "merciless country."
Aleph Producciones
S.A. Argentine Institute for Cinema
A film by Juan Carlos Desanzo
Director Juan Carlos Desanzo
Executive producer Maria De La Paz Marino
Writer Jose Pablo Feinmann
Director of photography Juan Carlos Lenardi
Editor Sergio Zottola
Music Jose Luis Castineira De Dios
Art director Miguel Angel Lumaldo
Costume design Lenor Puga Sabate
Color/stereo
Cast:
Eva Peron Esther Goris
Juan Peron Victor Laplace
Running time -- 119 minutes
No MPAA rating...
Directed by Juan Carlos Desanzo and written by Jose Pablo Feinmann, "Eva Peron" soars thanks to the terrific performances by Esther Goris as the driven, uncompromising lead and co-star Victor Laplace as Juan Peron, the great love of her life and Argentina's most powerful political figure of the era. The film is playing in a limited engagement at the Mann Plaza in Westwood.
While the big-budget musical "Evita" strains to incorporate history into an operatic vehicle for Madonna, "Eva Peron" is all about the political realities that conspire against the Perons on the eve of national elections in 1952. And this Evita is one tough lady. Bedridden near the end of her life, she defiantly proclaims: "I won't stop breaking balls until I'm dead and buried."
In flashbacks, a few key moments from Eva's life are related -- her father's funeral, her first meeting with Peron -- but there's less emphasis on the glamorous aspects of her life and much more than one expects about her stern attitude toward enemies and disagreeable allies. A bitter foe of the "establishment machos" and well-spoken friend to labor, Eva is portrayed as a pragmatic usurper with no patience for fools and, consequently, few real friends.
When Goris flashes her wide smile, it's easy to see how a serious fellow like Peron and millions of others would skip a few heartbeats, but the actress is equally persuasive as an unyielding negotiator and inspirational public speaker. A stunning high point of the film is also the couple's low point, when Juan tells Eva she has cancer. Laplace's genuine emotions are contrasted by Goris' initially furious response in a scene that will leave few dry eyes in the audience.
Exceptionally well-paced -- the film never gets bogged down and feels like it's a reel short of its two-hour running time -- "Eva Peron" uses its modest budget well, although the matching of historical crowd scenes with new footage is a tad distracting. Cinematically, the film is not as polished as it could be. But the story could not be more compelling and full of life's great contradictions, embodied by courageous individuals fighting totalitarianism in a "merciless country."
Aleph Producciones
S.A. Argentine Institute for Cinema
A film by Juan Carlos Desanzo
Director Juan Carlos Desanzo
Executive producer Maria De La Paz Marino
Writer Jose Pablo Feinmann
Director of photography Juan Carlos Lenardi
Editor Sergio Zottola
Music Jose Luis Castineira De Dios
Art director Miguel Angel Lumaldo
Costume design Lenor Puga Sabate
Color/stereo
Cast:
Eva Peron Esther Goris
Juan Peron Victor Laplace
Running time -- 119 minutes
No MPAA rating...
- 12/23/1996
- The Hollywood Reporter - Movie News
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