Vuelta Group is a joint venture from Scanbox, SquareOne and Playtime.
Recently launched European studio Vuelta has added Italy’s Indiana Production and France’s Pan to its ever-expanding footprint on the continent.
The groups join the all-new private equity-funded joint venture’s current team encompassing Nordic film company Scanbox, German distributor SquareOne and French powerhouse sales force Playtime.
Film and TV production house Indiana, founded by Fabrizio Donvito and Marco Cohen, is behind Giorgio Diritti’s Venice competitor Lubo and Netflix series The Leopard and Unwanted. They also produced Paolo Virzi’s Human Capital and The First Beautiful Thing,...
Recently launched European studio Vuelta has added Italy’s Indiana Production and France’s Pan to its ever-expanding footprint on the continent.
The groups join the all-new private equity-funded joint venture’s current team encompassing Nordic film company Scanbox, German distributor SquareOne and French powerhouse sales force Playtime.
Film and TV production house Indiana, founded by Fabrizio Donvito and Marco Cohen, is behind Giorgio Diritti’s Venice competitor Lubo and Netflix series The Leopard and Unwanted. They also produced Paolo Virzi’s Human Capital and The First Beautiful Thing,...
- 9/20/2023
- by Rebecca Leffler
- ScreenDaily
Vuelta Group, the rising European film studio which recently launched with the high profile acquisitions of France’s Playtime, Germany’s SquareOne and Scandinavia’s Scanbox, is expanding its footprint in Italy and France.
Spearheaded by media finance veterans (and childhood friends) Jerome Levy and David Atlan-Jackson, Vuelta has bought Indiana Production, a leading Italian company founded by Fabrizio Donvito and Marco Cohen, which had Giorgio Diritti’s “Lubo” playing in competition at Venice and just teased its big-budget Netflix series project “The Leopard” and Sky’s “Unwanted.”
Vuelta has also taken a stake in France’s Pan (formerly called Pan-Europeenne), the well-established production and distribution banner headed by Nathalie Gastaldo, Philippe Godeau and Camille Gentet, whose credits include the hit franchises “Largo Winch” and “Legendaries.”
Vuelta bowed last year with more $100 million provided by a U.S. private equity firm and has now diversified its backing through its European partners.
Spearheaded by media finance veterans (and childhood friends) Jerome Levy and David Atlan-Jackson, Vuelta has bought Indiana Production, a leading Italian company founded by Fabrizio Donvito and Marco Cohen, which had Giorgio Diritti’s “Lubo” playing in competition at Venice and just teased its big-budget Netflix series project “The Leopard” and Sky’s “Unwanted.”
Vuelta has also taken a stake in France’s Pan (formerly called Pan-Europeenne), the well-established production and distribution banner headed by Nathalie Gastaldo, Philippe Godeau and Camille Gentet, whose credits include the hit franchises “Largo Winch” and “Legendaries.”
Vuelta bowed last year with more $100 million provided by a U.S. private equity firm and has now diversified its backing through its European partners.
- 9/20/2023
- by Elsa Keslassy
- Variety Film + TV
Pan Distribution has acquired French rights to Joanna Arnow’s dark comedy “The Feeling That the Time for Doing Something Has Passed” following its Cannes Film Festival debut. Loco Films is handling international sales on the title. The film is a major breakthrough for Arnow, who not only makes her narrative feature directing debut, but also wrote, edited and stars in the picture.
Critics liked her vision, with Variety‘s Catherine Bray praising “The Feeling That the Time for Doing Something Has Passed” as “brilliantly sardonic” and adding that “you would hope that this is the kind of film that would lead to fame and fortune for Arnow.” The film follows the life of a thirtysomething woman named Ann, as she engages in a casual Bdsm relationship, grapples with her low-level corporate job, and deals with her bickering family.
Arnow previously directed shorts including “Bad at Dancing,” “Laying Out,” and...
Critics liked her vision, with Variety‘s Catherine Bray praising “The Feeling That the Time for Doing Something Has Passed” as “brilliantly sardonic” and adding that “you would hope that this is the kind of film that would lead to fame and fortune for Arnow.” The film follows the life of a thirtysomething woman named Ann, as she engages in a casual Bdsm relationship, grapples with her low-level corporate job, and deals with her bickering family.
Arnow previously directed shorts including “Bad at Dancing,” “Laying Out,” and...
- 5/27/2023
- by Brent Lang
- Variety Film + TV
After the success of "Big Little Lies" and "The Undoing," everyone's favorite film ambassador, Nicole Kidman, is returning to HBO alongside "Pen15" star Maya Erskine in "The Perfect Nanny." The upcoming limited series has all of the makings for another stand-out hit for HBO, and the combination of Kidman and Erskine is what dreams are made of. Both women possess an abundance of talent and a knack for portraying nuance in even the most difficult situations ... which is absolutely needed when tackling a project as intense and complicated as "The Perfect Nanny." Here's everything we know so far about the upcoming series but be warned, this ain't a "Pen15" comedy nor is it a campy AMC ad. "The Perfect Nanny" is going to be one hell of an emotional gut punch.
When And Where To Watch The Perfect Nanny
"The Perfect Nanny" will air on HBO, but the anticipated release...
When And Where To Watch The Perfect Nanny
"The Perfect Nanny" will air on HBO, but the anticipated release...
- 1/27/2023
- by BJ Colangelo
- Slash Film
HBO is hitting the ground running in 2023. After announcing a second season of the hit series The Last of Us, the network is bringing Nicole Kidman back for an adaptation of Leïla Slimani’s The Perfect Nanny. The project hails from Pen15 co-creator and co-lead Maya Erskine, who HBO courted in a competitive situation. Erskine is the creator and writer of The Perfect Nanny, based on the novel of the same name by Slimani. Legendary Television is also getting in on the action alongside HBO.
Here’s the official synopsis for Slimani’s novel via Amazon:
When Myriam decides to return to work as a lawyer after having children, she and her husband look for the perfect Nanny for their son and daughter. They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family’s chic Paris apartment, stays late without complaint,...
Here’s the official synopsis for Slimani’s novel via Amazon:
When Myriam decides to return to work as a lawyer after having children, she and her husband look for the perfect Nanny for their son and daughter. They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family’s chic Paris apartment, stays late without complaint,...
- 1/27/2023
- by Steve Seigh
- JoBlo.com
Nicole Kidman is headed back to HBO.
The Oscar and Emmy winner is set to star in and executive produce a thriller based on Leïla Slimani’s novel The Perfect Nanny. PEN15 co-creator Maya Erskine will also star and will write and executive produce. HBO outbid several other outlets to land the project with Legendary Entertainment and will develop The Perfect Nanny as a limited series.
Slimani’s novel, originally published in France as Chanson Douce (Lullaby), is a thriller that follows the increasingly co-dependent relationship between a couple and the nanny they hire. It won France’s prestigious Prix Goncourt in 2016, and its translation became an international bestseller.
The logline for the HBO project reads, “A seemingly perfect nanny goes to work for a couple with two young children, but her helpful personality eventually deteriorates into something sinister.”
The Perfect Nanny would be the third HBO series for Kidman,...
The Oscar and Emmy winner is set to star in and executive produce a thriller based on Leïla Slimani’s novel The Perfect Nanny. PEN15 co-creator Maya Erskine will also star and will write and executive produce. HBO outbid several other outlets to land the project with Legendary Entertainment and will develop The Perfect Nanny as a limited series.
Slimani’s novel, originally published in France as Chanson Douce (Lullaby), is a thriller that follows the increasingly co-dependent relationship between a couple and the nanny they hire. It won France’s prestigious Prix Goncourt in 2016, and its translation became an international bestseller.
The logline for the HBO project reads, “A seemingly perfect nanny goes to work for a couple with two young children, but her helpful personality eventually deteriorates into something sinister.”
The Perfect Nanny would be the third HBO series for Kidman,...
- 1/27/2023
- by Rick Porter
- The Hollywood Reporter - Movie News
Nicole Kidman is headed back to HBO with another limited series, teaming with “Pen15” co-creator and star Maya Erskine to adapt the Leïla Slimani novel “The Perfect Nanny.” The duo will executive produce and headline the project, of which Erskine is creator and writer.
Legendary Entertainment and HBO serve as co-studios after what was described as a highly competitive bidding situation.
Also Read:
Nicole Kidman to Receive AFI Lifetime Achievement Award in 2023
The book’s logline is as follows: “When Myriam decides to return to work as a lawyer after having children, she and her husband look for the perfect nanny for their son and daughter. They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family’s chic Paris apartment, stays late without complaint, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another,...
Legendary Entertainment and HBO serve as co-studios after what was described as a highly competitive bidding situation.
Also Read:
Nicole Kidman to Receive AFI Lifetime Achievement Award in 2023
The book’s logline is as follows: “When Myriam decides to return to work as a lawyer after having children, she and her husband look for the perfect nanny for their son and daughter. They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family’s chic Paris apartment, stays late without complaint, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another,...
- 1/27/2023
- by Natalie Oganesyan
- The Wrap
HBO is developing the Leïla Slimani novel “The Perfect Nanny” into a limited series. Maya Erskine creates and writes the series, and will star opposite Nicole Kidman. Both also serve as executive producers for the project, which comes from Legendary Entertainment along with HBO.
Published in 2016, “The Perfect Nanny” was inspired by the real-life murder of Lucia and Leo Krim by their nanny in 2012. In the series, a seemingly perfect nanny goes to work for a couple with two young children, but her helpful personality eventually deteriorates into something sinister.
Erskine is best known for co-creating and starring in the Hulu comedy series “Pen-15” with Anna Konkle. She is currently in production on “Mr. and Mrs. Smith” at Amazon Prime Video, which she stars in opposite Donald Glover. Erskine’s other prominent credits include playing Maggie in “Man Seeking Woman” on Fxx, Mikki in “Betas” on Amazon Prime Video, Diane...
Published in 2016, “The Perfect Nanny” was inspired by the real-life murder of Lucia and Leo Krim by their nanny in 2012. In the series, a seemingly perfect nanny goes to work for a couple with two young children, but her helpful personality eventually deteriorates into something sinister.
Erskine is best known for co-creating and starring in the Hulu comedy series “Pen-15” with Anna Konkle. She is currently in production on “Mr. and Mrs. Smith” at Amazon Prime Video, which she stars in opposite Donald Glover. Erskine’s other prominent credits include playing Maggie in “Man Seeking Woman” on Fxx, Mikki in “Betas” on Amazon Prime Video, Diane...
- 1/27/2023
- by Selome Hailu
- Variety Film + TV
Exclusive: Nicole Kidman is back at HBO with another high-profile limited series based on a novel, The Perfect Nanny. Kidman and Pen15 co-creator and co-lead Maya Erskine are set to star in the project, which HBO landed in a very competitive situation. Erskine is the creator and writer of the limited series, based on the book of the same name by Leïla Slimani. Legendary Entertainment is the co-studio with HBO.
In The Perfect Nanny, a seemingly perfect nanny goes to work for a couple with two young children, but her helpful personality eventually deteriorates into something sinister.
Kidman and Per Saari executive produce for Kidman’s Blossom Films; Erskine also executive produces alongside Pascal Caucheteux for Why Not Productions, and Philippe Godeau for Pan-Européenne.
Kidman previously starred and executive produced HBO’s Big Little Lies, which originated as a limited series and earned her an acting and producing Emmy award,...
In The Perfect Nanny, a seemingly perfect nanny goes to work for a couple with two young children, but her helpful personality eventually deteriorates into something sinister.
Kidman and Per Saari executive produce for Kidman’s Blossom Films; Erskine also executive produces alongside Pascal Caucheteux for Why Not Productions, and Philippe Godeau for Pan-Européenne.
Kidman previously starred and executive produced HBO’s Big Little Lies, which originated as a limited series and earned her an acting and producing Emmy award,...
- 1/27/2023
- by Nellie Andreeva
- Deadline Film + TV
Film is inspired by the experiences of co-director Alexandre Jollien who was born with cerebral palsy.
Paris-based sales company Elle Driver has sealed a slew of deals on Bernard Campan and Alexandre Jollien’s pioneering French comedy-drama Beautiful Minds, following its launch as the European Film Market at the beginning of March.
Campan and Jollien co-star as a workaholic funeral director and a solitary vegetable delivery man and philosopher born with cerebral palsy, who embark on a road trip in a hearse.
European deals include to Benelux (Cineart), Spain, Cis (Paradise Film Distribution), Poland (Monolith), Germany (X-Verleih), Israel, Italy (Notorious Pictures...
Paris-based sales company Elle Driver has sealed a slew of deals on Bernard Campan and Alexandre Jollien’s pioneering French comedy-drama Beautiful Minds, following its launch as the European Film Market at the beginning of March.
Campan and Jollien co-star as a workaholic funeral director and a solitary vegetable delivery man and philosopher born with cerebral palsy, who embark on a road trip in a hearse.
European deals include to Benelux (Cineart), Spain, Cis (Paradise Film Distribution), Poland (Monolith), Germany (X-Verleih), Israel, Italy (Notorious Pictures...
- 3/16/2021
- by Melanie Goodfellow
- ScreenDaily
’Beautiful Minds’ is inspired by the real-life experiences of co-director Alexandre Jollien who was born with cerebral palsy but overcame his disabilities to study philosophy
Elle Driver has launched sales on Bernard Campan and Alexandre Jollien’s pioneering French comedy-drama Beautiful Minds, about a workaholic funeral director and a solitary vegetable delivery man and philosopher born with cerebral palsy, who embark on a road trip in a hearse.
It is inspired by the real-life experiences of Jollien who was born with cerebral palsy but overcame his disabilities to study philosophy and become became a major thinker and spiritual teacher, who has written several best-selling books.
Elle Driver has launched sales on Bernard Campan and Alexandre Jollien’s pioneering French comedy-drama Beautiful Minds, about a workaholic funeral director and a solitary vegetable delivery man and philosopher born with cerebral palsy, who embark on a road trip in a hearse.
It is inspired by the real-life experiences of Jollien who was born with cerebral palsy but overcame his disabilities to study philosophy and become became a major thinker and spiritual teacher, who has written several best-selling books.
- 3/3/2021
- by Melanie Goodfellow
- ScreenDaily
Distrib Films has acquired U.S. rights to Lucie Borleteau’s “The Perfect Nanny” and Cédric Klapisch’s “Someone Somewhere,” both of which will screen at the Rendez-Vous with French Cinema in New York, a festival organised by the Film Society of the Lincoln Center and UniFrance.
A psychological thriller, “The Perfect Nanny” is adapted from Leila Slimani’s bestselling novel “Chanson Douce” which was awarded France’s highest literary prize, the Prix Goncourt, in 2016.
Represented in international markets by Studiocanal, “The Perfect Nanny” follows Myriam (Leïla Bekhti), a lawyer who decides to return to work after having children. She and her husband (Antoine Reinartz) think they’ve found the perfect nanny for their son and daughter. The film’s U.S. remake rights have been acquired by Legendary and Paul Downs Colaizzo is on board to adapt and direct the English-language adaptation. “The Perfect Nanny” was produced by Pascal Caucheteux...
A psychological thriller, “The Perfect Nanny” is adapted from Leila Slimani’s bestselling novel “Chanson Douce” which was awarded France’s highest literary prize, the Prix Goncourt, in 2016.
Represented in international markets by Studiocanal, “The Perfect Nanny” follows Myriam (Leïla Bekhti), a lawyer who decides to return to work after having children. She and her husband (Antoine Reinartz) think they’ve found the perfect nanny for their son and daughter. The film’s U.S. remake rights have been acquired by Legendary and Paul Downs Colaizzo is on board to adapt and direct the English-language adaptation. “The Perfect Nanny” was produced by Pascal Caucheteux...
- 1/28/2020
- by Elsa Keslassy
- Variety Film + TV
Leila Slimani’s critically acclaimed, international bestseller “The Perfect Nanny” — aka “Chanson Douce” — is coming to the big screen.
Legendary has closed a deal for Paul Downs Colaizzo to adapt and direct the English-language adaptation.
Legendary will produce the pic alongside Pascal Caucheteux of Why Not Productions and Philippe Godeau of Pan-Européenne.
The story follows Myriam, a lawyer who decides to return to work after having children. She and her husband think they’ve found the perfect nanny for their son and daughter. But as the couple and the nanny become more dependent on one another, jealousy, resentment and suspicions mount, shattering the idyllic tableau.
The novel was awarded France’s highest literary prize, the Prix Goncourt, in 2016, and translation rights sold in a bidding war in 40 territories. Its American edition is a national bestseller and made the New York Times Book Review’s 10 best books of the year list in 2018. In the U.
Legendary has closed a deal for Paul Downs Colaizzo to adapt and direct the English-language adaptation.
Legendary will produce the pic alongside Pascal Caucheteux of Why Not Productions and Philippe Godeau of Pan-Européenne.
The story follows Myriam, a lawyer who decides to return to work after having children. She and her husband think they’ve found the perfect nanny for their son and daughter. But as the couple and the nanny become more dependent on one another, jealousy, resentment and suspicions mount, shattering the idyllic tableau.
The novel was awarded France’s highest literary prize, the Prix Goncourt, in 2016, and translation rights sold in a bidding war in 40 territories. Its American edition is a national bestseller and made the New York Times Book Review’s 10 best books of the year list in 2018. In the U.
- 11/20/2019
- by Justin Kroll
- Variety Film + TV
Senegal-set drama Yao to market premiere during Unifrance Rendez-vous with French Cinema in Paris this week (Jan 17-21).
Wild Bunch has unveiled a slew of sales for Philippe Godeau’s Senegal-set, feel-good dramaYao, starring Omar Sy as a French-Senegalese writer who returns to his native country for a book tour, ahead of its market premiere during the Unifrance Rendez-vous with French Cinema in Paris this week.
In Europe, it has sold to Benelux (Cineart), Switzerland (Filmcoopi), Spain (Diamond Films), Greece (Spentzos Films), Italy (Cinema Srl), Scandinavia (Njuta), Iceland (Sena Film), ex-Yugoslavia (Fivia), Hungary (Mozinet), Czech Republic (Film Europe), Cis (Total Films...
Wild Bunch has unveiled a slew of sales for Philippe Godeau’s Senegal-set, feel-good dramaYao, starring Omar Sy as a French-Senegalese writer who returns to his native country for a book tour, ahead of its market premiere during the Unifrance Rendez-vous with French Cinema in Paris this week.
In Europe, it has sold to Benelux (Cineart), Switzerland (Filmcoopi), Spain (Diamond Films), Greece (Spentzos Films), Italy (Cinema Srl), Scandinavia (Njuta), Iceland (Sena Film), ex-Yugoslavia (Fivia), Hungary (Mozinet), Czech Republic (Film Europe), Cis (Total Films...
- 1/15/2019
- by Melanie Goodfellow
- ScreenDaily
Wild Bunch unveils sales on Omar Sy-starrer 'Yao', 'Raoul Taburin' and 'A Faithful Man' (exclusive)
Senegal-set, feel-good drama Yao to market premiere during Unifrance Rendez-vous with French Cinema in Paris this week (Jan 17-21).
Wild Bunch has unveiled a slew of sales for Philippe Godeau’s Senegal-set, feel-good dramaYao, starring Omar Sy as a French-Senegalese writer who returns to his native country for a book tour, ahead of its market premiere during the Unifrance Rendez-vous with French Cinema in Paris this week.
In Europe, it has sold to Benelux (Cineart), Switzerland (Filmcoopi), Spain (Diamond Films), Greece (Spentzos Films), Italy (Cinema Srl), Scandinavia (Njuta), Iceland (Sena Film), ex-Yugoslavia (Fivia), Hungary (Mozinet), Czech Republic (Film Europe), Cis...
Wild Bunch has unveiled a slew of sales for Philippe Godeau’s Senegal-set, feel-good dramaYao, starring Omar Sy as a French-Senegalese writer who returns to his native country for a book tour, ahead of its market premiere during the Unifrance Rendez-vous with French Cinema in Paris this week.
In Europe, it has sold to Benelux (Cineart), Switzerland (Filmcoopi), Spain (Diamond Films), Greece (Spentzos Films), Italy (Cinema Srl), Scandinavia (Njuta), Iceland (Sena Film), ex-Yugoslavia (Fivia), Hungary (Mozinet), Czech Republic (Film Europe), Cis...
- 1/15/2019
- by Melanie Goodfellow
- ScreenDaily
Company to unveil new films by Rebecca Zlotowski, Guillaume Nicloux and Roschdy Zem during Paris Rendez-vous in January.
Wild Bunch will kick-off sales on a quartet of new French films during the Rendez-vous with French Cinema in Paris in January including a coming-of-age tale by Rebecca Zlotowski, starring glamour girl and lingerie designer Zahia Dehar, and Guillaume Nicloux’s new collaboration with cult writer Michel Houellebecq and Gérard Depardieu.
Zlotowski’s An Easy Girl co-stars debutant actress Mina Farid as the naïve 16-year-old Naïma, whose eyes are opened to the world of love, sex and human relationships over a summer...
Wild Bunch will kick-off sales on a quartet of new French films during the Rendez-vous with French Cinema in Paris in January including a coming-of-age tale by Rebecca Zlotowski, starring glamour girl and lingerie designer Zahia Dehar, and Guillaume Nicloux’s new collaboration with cult writer Michel Houellebecq and Gérard Depardieu.
Zlotowski’s An Easy Girl co-stars debutant actress Mina Farid as the naïve 16-year-old Naïma, whose eyes are opened to the world of love, sex and human relationships over a summer...
- 12/20/2018
- by Melanie Goodfellow
- ScreenDaily
Exclusive: Wild Bunch is launching sales on Pan-Européenne-led production at Unifrance Rdv in Paris.
The UK’s Altitude Film Entertainment has boarded French director Pierre Godeau’s upcoming adaptation of Jean-Jacques Sempé’s heart-warming tale Raoul Taburin.
Set against the backdrop of a small French town, the film will star Benoît Poelvoorde as the endearingly comic figure of Raoul Taburin, a reputed bicycle shop owner desperate to hide the fact he cannot ride a bike himself.
Altitude has pre-bought UK rights with company chief Will Clarke taking an executive producer credit.
The deal builds on a growing relationship between Altitude and Nathalie Gastaldo-Godeau and Philippe Godeau’s Paris and London-based Pan-Européene which has developed since the couple moved to the UK in 2015.
Last year, the two companies entered a partnership for the UK release of Jérôme Salles’s Jacques Cousteau bio-pic The Odyssey, under which the film will hit UK screens this June.
Discussions on Raoul...
The UK’s Altitude Film Entertainment has boarded French director Pierre Godeau’s upcoming adaptation of Jean-Jacques Sempé’s heart-warming tale Raoul Taburin.
Set against the backdrop of a small French town, the film will star Benoît Poelvoorde as the endearingly comic figure of Raoul Taburin, a reputed bicycle shop owner desperate to hide the fact he cannot ride a bike himself.
Altitude has pre-bought UK rights with company chief Will Clarke taking an executive producer credit.
The deal builds on a growing relationship between Altitude and Nathalie Gastaldo-Godeau and Philippe Godeau’s Paris and London-based Pan-Européene which has developed since the couple moved to the UK in 2015.
Last year, the two companies entered a partnership for the UK release of Jérôme Salles’s Jacques Cousteau bio-pic The Odyssey, under which the film will hit UK screens this June.
Discussions on Raoul...
- 1/13/2017
- ScreenDaily
Exclusive: Paris-based company reshuffles sales team as Carole Baraton steps down as head of sales.
Wild Bunch will launch sales on new films by Jean-Luc Godard, Christian Carion, Michel Ocelot, Raymond Depardon as well as a feel-good, Senegal-set drama starring Omar Sy at Unifrance’s upcoming Rendez-vous with French Cinema in Paris (Jan 12-16).
The event will also mark the first outing for the company’s reconfigured sales team following Carole Baraton’s decision to step down as head of sales to set-up her own company.
Baraton’s long-time territories the Us, France and the UK will be carved up between the sales team, now consisting of Silvia Simonutti, Emilie Serres, Olivier Barbier, recent hire Fanny Beauville and Esther Devos for festivals.
Notably, Beauville will co-handle Canada and the Us in partnership with La’s Creative Artist Agency (CAA), working closely with the agency’s film finance and sales group co-chief Roeg Sutherland and his team.
Bilingual...
Wild Bunch will launch sales on new films by Jean-Luc Godard, Christian Carion, Michel Ocelot, Raymond Depardon as well as a feel-good, Senegal-set drama starring Omar Sy at Unifrance’s upcoming Rendez-vous with French Cinema in Paris (Jan 12-16).
The event will also mark the first outing for the company’s reconfigured sales team following Carole Baraton’s decision to step down as head of sales to set-up her own company.
Baraton’s long-time territories the Us, France and the UK will be carved up between the sales team, now consisting of Silvia Simonutti, Emilie Serres, Olivier Barbier, recent hire Fanny Beauville and Esther Devos for festivals.
Notably, Beauville will co-handle Canada and the Us in partnership with La’s Creative Artist Agency (CAA), working closely with the agency’s film finance and sales group co-chief Roeg Sutherland and his team.
Bilingual...
- 12/27/2016
- ScreenDaily
Film starring Lambert Wilson - as legendary oceanographer Jacques-Yves Cousteau - and Audrey Tautou to hit UK screens at the end of 2016.
Altitude Film Entertainment and Pan-Européenne UK have entered a joint venture for the UK release of Jérôme Salle’s The Odyssey, capturing the life of legendary ocean explorer Jacques-Yves Cousteau aboard his ship the Calypso.
It will be the first UK release for London-based Pan-Européenne UK, since its creation last year by French producer and distributor team Philippe Godeau and Nathalie Gastaldo Godeau.
The pair are producers on The Odyssey through their Paris-based production and distribution house Pan-Européenne alongside Olivier Delbosc and Marc Missonnier at Fidélité Films
Shot over five months in South Africa, the Antarctic and across the Mediterranean, the picture stars Lambert Wilson as Cousteau alongside Audrey Tautou as the explorer’s first wife Simone and Pierre Niney as their youngest son Philippe. It is currently in post-production.
Altitude and Pan-Européenne...
Altitude Film Entertainment and Pan-Européenne UK have entered a joint venture for the UK release of Jérôme Salle’s The Odyssey, capturing the life of legendary ocean explorer Jacques-Yves Cousteau aboard his ship the Calypso.
It will be the first UK release for London-based Pan-Européenne UK, since its creation last year by French producer and distributor team Philippe Godeau and Nathalie Gastaldo Godeau.
The pair are producers on The Odyssey through their Paris-based production and distribution house Pan-Européenne alongside Olivier Delbosc and Marc Missonnier at Fidélité Films
Shot over five months in South Africa, the Antarctic and across the Mediterranean, the picture stars Lambert Wilson as Cousteau alongside Audrey Tautou as the explorer’s first wife Simone and Pierre Niney as their youngest son Philippe. It is currently in post-production.
Altitude and Pan-Européenne...
- 4/11/2016
- ScreenDaily
Over on the other side of the English Channel, the incredible true story of Toni Musulin was a huge, national news event that was as inspiring as it was discomforting when taking place back in 2009. While over here we plead ignorance on the matter, Philippe Godeau’s compelling thriller 11.6 is all the better for it, as we are taken on a variety of quite unbelievable twists and turns.
Toni Musulin is played by François Cluzet, a hard-working, introverted security van driver who dedicates his life to his profession. However as he struggles to get on with his boss – and leads a somewhat unhappy life at home with his partner Marion (Corinne Masiero), he decides to attempt something outrageous; to single-handedly stage the greatest robbery in France’s history, without the use of guns or violence – with the grand total of €11.6 million at stake.
This hard-boiled slice of French cinema is complete with a dark,...
Toni Musulin is played by François Cluzet, a hard-working, introverted security van driver who dedicates his life to his profession. However as he struggles to get on with his boss – and leads a somewhat unhappy life at home with his partner Marion (Corinne Masiero), he decides to attempt something outrageous; to single-handedly stage the greatest robbery in France’s history, without the use of guns or violence – with the grand total of €11.6 million at stake.
This hard-boiled slice of French cinema is complete with a dark,...
- 10/18/2013
- by Stefan Pape
- HeyUGuys.co.uk
Browse all the sections of the 57th London Film Festival (Oct 9-20) including the galas, competition titles and individual sections.
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
- 9/4/2013
- ScreenDaily
Michel Gondry’s Mood Indigo (L’écume des jours) was a surprise no-show in Cannes this year (his film debuted theatrically in France the previous month) but the stage is set for an opening gala opening ceremony for the 48th Karlovy Vary International Film Festival. Among the slew of titles that were announced today, at the top of must see list we find Ben Wheatley’s A Field in England making its world premiere in the Main Competition category, a pic we thought would end up showing on the Croisette. Another item we had short-listed for a Cannes showing but will be shown in the Spa village backdrop, we have János Szasz’s The Notebook, and making it’s international debut after a stellar Tribeca debut, Lance Edmands’ Bluebird will compete against a pack that also includes hometown favorite Jan Hřebejk and his his psychological thriller Honeymoon. In the Docu...
- 6/4/2013
- by Eric Lavallee
- IONCINEMA.com
Ben Wheatley’s A Field In England is to receive its first screening at the 48th Karlovy Vary International Film Festival as one of the 14 titles in Competition.
The psychedelic horror film, set during the English Civil War in the mid-17th century, will screen at the festival in the Czech Republic on July 4.
As previously reported, it will be the first UK film to be released simultaneously in cinemas, on DVD, free TV and VoD. This will take place on July 5.
Scroll down for full line-up
The main section of Karlovy Vary will include a further six world and seven international premieres, with new films from six returning directors – two of whom have already won Crystal Globes for Best Film at the festival in recent years.
Krzysztof Krauze and Joanna Kos-Krauze, who won at Kviff in 2005 with My Nikifor, will compete for the third time with the story of Papusza, the first Roma...
The psychedelic horror film, set during the English Civil War in the mid-17th century, will screen at the festival in the Czech Republic on July 4.
As previously reported, it will be the first UK film to be released simultaneously in cinemas, on DVD, free TV and VoD. This will take place on July 5.
Scroll down for full line-up
The main section of Karlovy Vary will include a further six world and seven international premieres, with new films from six returning directors – two of whom have already won Crystal Globes for Best Film at the festival in recent years.
Krzysztof Krauze and Joanna Kos-Krauze, who won at Kviff in 2005 with My Nikifor, will compete for the third time with the story of Papusza, the first Roma...
- 6/4/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Col*Coa is winding down, but you can still catch a few stellar films and see the award winners for free Monday, April 22, 2013.
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
- 4/20/2013
- by Sydney Levine
- Sydney's Buzz
Hollywood's annual French film festival, Col•Coa (City of Lights, City of Angels), has released the complete features lineup today as a follow-up to last week's reveal of the short films. The festival runs from April 15-22 and will include 38 features and 19 new shorts. The festival will open with "It Happened in Saint-Tropez", the new comedy directed by Danièle Thompson which was co-written by Thompson and Christopher Thompson. The film is centered on a family who have to host a funeral and marriage on the same day, brewing up domestic conflicts while opening the door for forgiveness and love. The film stars Kad Merad, Monica Bellucci, Lou de Laâge and Eric Elmosnino. Read below for the full feature lineup in alphabetical order: 11.6 / 11.6 Directed by: Philippe Godeau Written by: Philippe Godeau, Agnès De Sacy A Few Hours Of Spring / Quelques heures de printemps Directed by: Stéphane Brizé Written by: Stéphane Brizé,...
- 3/27/2013
- by Cristina A. Gonzalez
- Indiewire
On November 5th of 2009 a lone man successfully pulled off the largest cash heist in French history, netting himself 11.6 million Euro in cash without resorting to violence. And now that true story is arriving on screen in a new film by Philippe Godeau. November 5th, 2009, 10:00: Toni Musulin gently presses the accelerator in his armored van. In the back are 11.6 million Euros.In just a few days, the anonymous security guard becomes a public figure. He is "the brains behind the heist of the century", thrust into a huge media frenzy centered on a robbery without violence that yielded unprecedented spoils.A man seeking revenge for humiliation at the hands of his boss and the system, Toni is deeply unpredictable - one day,...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 2/27/2013
- Screen Anarchy
The 2010 European Film Award winners were announced this weekend, and the results are quite surprising. Roman Polanski’s Ghost Writer swept the awards winning six in total, including best film, director, actor (Ewan McGregor), screenwriter (Polanski and Robert Harris), production designer (Albrecht Konrad), and composer (Alexandre Desplat).
Hit the jump for the full list.
European Film 2010
The Ghost Writer, France/Germany/UK
directed by Roman Polanski
written by Robert Harris & Roman Polanski
produced by Robert Benmussa, Alain Sarde & Roman Polanski
European Director 2010
Roman Polanski for The Ghost Writer
European Actress 2010
Sylvie Testud in Lourdes
European Actor 2010
Ewan McGregor in The Ghost Writer
European Screenwriter 2010
Robert Harris & Roman Polanski for The Ghost Writer
Carlo Di Palma European Cinematographer Award 2010
Giora Bejach for Lebanon
European Editor 2010
Luc Barnier & Marion Monnier for Carlos
European Production Designer 2010
Albrecht Konrad for The Ghost Writer
European Composer 2010
Alexandre Desplat for The Ghost Writer
European Discovery 2010- Prix Fipresci
Lebanon,...
Hit the jump for the full list.
European Film 2010
The Ghost Writer, France/Germany/UK
directed by Roman Polanski
written by Robert Harris & Roman Polanski
produced by Robert Benmussa, Alain Sarde & Roman Polanski
European Director 2010
Roman Polanski for The Ghost Writer
European Actress 2010
Sylvie Testud in Lourdes
European Actor 2010
Ewan McGregor in The Ghost Writer
European Screenwriter 2010
Robert Harris & Roman Polanski for The Ghost Writer
Carlo Di Palma European Cinematographer Award 2010
Giora Bejach for Lebanon
European Editor 2010
Luc Barnier & Marion Monnier for Carlos
European Production Designer 2010
Albrecht Konrad for The Ghost Writer
European Composer 2010
Alexandre Desplat for The Ghost Writer
European Discovery 2010- Prix Fipresci
Lebanon,...
- 12/6/2010
- by Ricky
- SoundOnSight
The Ghost Writer, directed by Roman Polanski, won six awards at the 2010 European Film Awards, held tonight in Tallinn, Estonia.
The film won awards for best film, best director, best screenplay, best actor, best production design, and best composer. I really enjoyed the film. Pierce Brosnan and Ewan McGregor were great in this film. I was surprised to find out that all of the shots that took place in the house were actually filmed on a sound stage.
See below for a complete listing of this year's winners.
European Film 2010
The Ghost Writer, France/Germany/Uk
Directed By Roman Polanski
Written By Robert Harris & Roman Polanski
Produced By Robert Benmussa, Alain Sarde & Roman Polanski
European Director 2010
Roman Polanski For The Ghost Writer
European Actress 2010
Sylvie Testud In Lourdes
European Actor 2010
Ewan McGregor In The Ghost Writer
European Screenwriter 2010
Robert Harris & Roman Polanski For The Ghost Writer
Carlo Di Palma...
The film won awards for best film, best director, best screenplay, best actor, best production design, and best composer. I really enjoyed the film. Pierce Brosnan and Ewan McGregor were great in this film. I was surprised to find out that all of the shots that took place in the house were actually filmed on a sound stage.
See below for a complete listing of this year's winners.
European Film 2010
The Ghost Writer, France/Germany/Uk
Directed By Roman Polanski
Written By Robert Harris & Roman Polanski
Produced By Robert Benmussa, Alain Sarde & Roman Polanski
European Director 2010
Roman Polanski For The Ghost Writer
European Actress 2010
Sylvie Testud In Lourdes
European Actor 2010
Ewan McGregor In The Ghost Writer
European Screenwriter 2010
Robert Harris & Roman Polanski For The Ghost Writer
Carlo Di Palma...
- 12/4/2010
- by Tiberius
- GeekTyrant
Award season is among us on both sides of the Atlantic. Today the European Film Academy handed out their annual awards in Tallinn, Estonia and the big winner of the evening was Roman Polanski's Ghost Writer, claiming six awards, including Best Picture. Lebanon Israeli's Golden Lion winner of 2009, collected a pair: the award for European discovery, handed out to first time directors ("it's an honor being discovered when you're close to 50", said 48 year old director Samuel Maoz upon receiving the award), and the award for Best Cinematography, handed to Giora Bejach, for his extraordinary work, shooting an (almost) entire film from the Pov of a tank. Lebanon has an enormous artistic appeal, as it demonstrates the claustrophobic feeling leading audiences to believe the film was shot within the confines a tank, when in reality, Maoz didn't have a tank at his disposal. Israeli audiences didn't seem to connect to the film,...
- 12/4/2010
- IONCINEMA.com
"A Prophet" from director Jacques Audiard won nine awards at the 35th annual Cesar Awards. The Oscar nominated film for best foreign language took home best French film of the year, director, screenplay, editing, cinematography, production design, best actor, and most promising actor (best male newcomer) for Tahar Rahim. Niels Arestrup won best supporting actor also for "A Prophet."
Clint Eastwood's "Gran Torino" was named best foreign film of the year, beating out last year's Oscar winner "Slumdog Millionaire" and this year's blue contender, "Avatar."
Meanwhile, "Avatar's" Sigourney Weaver presented Harrison Ford with a Cesar of Honor award. Aw...
Here's the list of nominees and winners of the 35th annual Cesar Awards (winners are highlighted):
Best Film
A l.Origine, Xavier Giannoli
Le Concert, Radu Mihaileanu
Les Herbes Folles, Alain Resnais
La Journee de la Jupe, Jean-Paul Lilienfeld
Rapt, Lucas Belvaux
Un Prophete, Jacques Audiard
Welcome, Philippe Lioret...
Clint Eastwood's "Gran Torino" was named best foreign film of the year, beating out last year's Oscar winner "Slumdog Millionaire" and this year's blue contender, "Avatar."
Meanwhile, "Avatar's" Sigourney Weaver presented Harrison Ford with a Cesar of Honor award. Aw...
Here's the list of nominees and winners of the 35th annual Cesar Awards (winners are highlighted):
Best Film
A l.Origine, Xavier Giannoli
Le Concert, Radu Mihaileanu
Les Herbes Folles, Alain Resnais
La Journee de la Jupe, Jean-Paul Lilienfeld
Rapt, Lucas Belvaux
Un Prophete, Jacques Audiard
Welcome, Philippe Lioret...
- 2/28/2010
- by Manny
- Manny the Movie Guy
No surprises at the 35th Cesars, as A Prophet cleaned up in all major categories it was nominated in: Best Film, Best Director (Audiard), Best Original Screenplay, Best Cinematography (Stephane Fontaine), Best Editing (Juliette Welfling), Best Art Direction (Michel Barthelemy) and last but not least, one of my top 5 performance of the year, Niels Arestrup won for Best Supporting... - No surprises at the 35th Césars, as A Prophet cleaned up in all major categories it was nominated in: Best Film, Best Director (Audiard), Best Original Screenplay, Best Cinematography (Stephane Fontaine), Best Editing (Juliette Welfling), Best Art Direction (Michel Barthelemy) and last but not least, one of my top 5 performance of the year, Niels Arestrup won for Best Supporting -- he of course won best supporting in The Beat that My Heart Skipped. The revelation of the year Tahar Rahim won a pair of awards...
- 2/28/2010
- IONCINEMA.com
Paris – French Academy members got serious on Friday with two politically charged dramas heading the major categories for the 35th annual Cesar Awards that will see Jacques Audiard's "A Prophet" go head to head with Philippe Lioret's "Welcome." The nominees were announced Friday at a press conference in Paris.
While no one can foresee the winners, "A Prophet" looks bound to triumph with Jacques Audiard's prison drama nominated for 13 awards including best film, best director and a best actor and most promising male newcomer nod for the film's breakout star Tahar Rahim.
Academy voters also gave a hearty reception to Phillipe Lioret's "Welcome" with 10 nods and Xavier Giannoli's "In the Beginning" with 11 nominations.
Radu Mihaileanu's "The Concert" was also music to voters' ears with the tragicomedy about a washed-up former conductor of the Bolshoi orchestra who travels to Paris to make his career comeback scoring six nominations.
While no one can foresee the winners, "A Prophet" looks bound to triumph with Jacques Audiard's prison drama nominated for 13 awards including best film, best director and a best actor and most promising male newcomer nod for the film's breakout star Tahar Rahim.
Academy voters also gave a hearty reception to Phillipe Lioret's "Welcome" with 10 nods and Xavier Giannoli's "In the Beginning" with 11 nominations.
Radu Mihaileanu's "The Concert" was also music to voters' ears with the tragicomedy about a washed-up former conductor of the Bolshoi orchestra who travels to Paris to make his career comeback scoring six nominations.
- 1/22/2010
- by By Rebecca Leffler
- The Hollywood Reporter - Movie News
Opening the fest is the North American premiere of Emmanuel Mouret's French sex comedy Please Please Me! (which I think should logically be picked up for the U.S. market - see trailer here) and the ten day fest will be closing with the North American premiere of Radu Mihaileanu's The Concert - a Weinstein Co. title starring Melanie Laurent that will most likely open sometime early in 2010. - Now in its 15th year, Montreal's Cinemania Film Festival, one of North America's better French language fests has unveiled its 30-title roster with its usual mix of films from the big four (Cannes, Berlin, Venice and Toronto) and select tiles from the Rotterdams, Locarnos, Karlovy Varys and Sundances. Opening the fest is the North American premiere of Emmanuel Mouret's French sex comedy Please Please Me! (which I think should logically be picked up for the U.
- 12/13/2009
- by Ioncinema.com Staff
- IONCINEMA.com
With four titles generating nearly $34 million, Disney dominated the foreign circuit on the weekend with "Up" leading a largely slow-moving pack by bringing in $12.3 million from 3,700 screens in 25 territories, pushing its total offshore boxoffice gross to $215 million and its worldwide tally to $507.3 million.
Playing overseas since May 29, "Up" has run a marathon race that suddenly turned into a sprint. The weekend was the second consecutive stanza that the Pixar animated title has finished No. 1 on the foreign circuit. It opened in first place in Norway, and remained No. 1 in holdovers in Germany and Australia.
Opening No. 2 -- as it did in its domestic debut -- was Disney's sci-fi thriller "Surrogates," starring Bruce Willis, which drew $12.2 million from 1,590 screens in 10 markets sparked by a strong first-place ranking in Russia ($5 million from 550 locations). No. 2 openings were registered in the U.K. ($1.6 million from 356 sites) and in Spain ($2.2 million from 275 locations).
In the U.
Playing overseas since May 29, "Up" has run a marathon race that suddenly turned into a sprint. The weekend was the second consecutive stanza that the Pixar animated title has finished No. 1 on the foreign circuit. It opened in first place in Norway, and remained No. 1 in holdovers in Germany and Australia.
Opening No. 2 -- as it did in its domestic debut -- was Disney's sci-fi thriller "Surrogates," starring Bruce Willis, which drew $12.2 million from 1,590 screens in 10 markets sparked by a strong first-place ranking in Russia ($5 million from 550 locations). No. 2 openings were registered in the U.K. ($1.6 million from 356 sites) and in Spain ($2.2 million from 275 locations).
In the U.
- 9/27/2009
- by By Frank Segers
- The Hollywood Reporter - Movie News
Paris -- French producers' guild the Apc has launched an "American and International Desk" designed to team local production houses with stateside and foreign producers for Gaul-based projects, the Apc announced Friday.
The organization is based on the creation of a new tax break for big-budget foreign productions, passed by the French government in December and approved by the European Commission in Brussels in July, known as the Trip (tax rebate for international productions).
The "A&I Desk" will be fully operational by Aug. 24 according to the Apc's Frederic Goldsmith. "Our goal is to develop a more businesslike, more pragmatic approach to working with American producers. The desk will be a place where we can work together and create partnerships," Goldsmith said in an interview.
He added: "The Apc's members are experienced producers who understand the international mechanisms of production and, more specifically, the Trip so will be key partners to help U.
The organization is based on the creation of a new tax break for big-budget foreign productions, passed by the French government in December and approved by the European Commission in Brussels in July, known as the Trip (tax rebate for international productions).
The "A&I Desk" will be fully operational by Aug. 24 according to the Apc's Frederic Goldsmith. "Our goal is to develop a more businesslike, more pragmatic approach to working with American producers. The desk will be a place where we can work together and create partnerships," Goldsmith said in an interview.
He added: "The Apc's members are experienced producers who understand the international mechanisms of production and, more specifically, the Trip so will be key partners to help U.
- 7/31/2009
- by By Rebecca Leffler
- The Hollywood Reporter - Movie News
- European and French-language heavyweight Studiocanal (a production co. and theatrical release company) comes to Cannes with plenty of auteur-driven ammo. They have Robert Guediguian's The Army of Crime (L'Armee du crime) in a non-competitive slot and Nassim Amaouche's debut film Farewell Gary (Adieu Gary) is competing in the Critic's Week section. They'll be starting up sales for Atom Egoyan's latest film Chloe (see poster premiere here) which should receive a logical festival release at Venice and/or Toronto. Here is their slate of titles available.: And Soon The Darkness by Marcos Efron – Post-Production Around The World In 50 Years by Ben Stassen - Production Chloe by Atom Egoyan - Post-Production Cotton by Daniel Stamm - Pre-Production The Army Of Crime (L'armee Du Crime) by Robert Guediguian - Completed Baby(Ies) by Thomas Balmes - Post-Production Blame It On Mum (Quelque Chose A Te Dire) by Cécile Telerman -
- 5/13/2009
- IONCINEMA.com
- #64. Mr. Nobody Director/writer: Jaco Van DormaelProducers: Philippe Godeau (Baise-moi) Distributor: Currently Seeking Distribution The Gist: "Mr Nobody" is inspired by the "butterfly effect" — the chaos theory notion that the beat of a butterfly's wings can cause a storm thousands of miles away. Set in a world where only clones have survived, there is one human left. The story is told in a non-linear, conceptual. Sarah Polley and Jared Leto star. Fact: It has been more than a decade since Van Dormael has lensed a film (Le Huitième jour). See It: Van Dormael doesn't make enough films - meaning it takes his time in between projects. sounds delicious. Stylistically this may be interesting as well. Christopher Doyle is the Dop. Release Date/Status?: Currently in post - this should be a Cannes film festival selection. ...
- 1/29/2008
- IONCINEMA.com
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