Stuart A. Staples has been making music as part of Tindersticks for 25 years. The band, in a couple different incarnations, has created not only its own records, but six scores for films by Claire Denis, with a seventh to be written for the director later this year for her upcoming “High Life.” The latest proper Tindersticks LP, "The Waiting Room", acts in a way as a bridge between the band’s music and the world of cinema. The record is accompanied by a set of 11 short films, one for each song, from filmmakers including Denis, Christoph Girardet, Pierre Vinour, Rosie Pedlow and Joe King, Gregorio Graziosi, Richard Dumas and Gabriel Sanna. Read More: New Plot Details Emerge For Claire Denis' Sci-Fi 'High Life' With Robert Pattinson As Staples explained by phone as he works with the band to prepare a spring European tour, the short films accompanying...
- 2/16/2016
- by Russ Fischer
- The Playlist
If you’ve listened to a lot of Tindersticks — or seen almost any Claire Denis movie — you might agree that few contemporary bands so deserve a visual album. Marked by enigmatic lyrics, opulent production, and weighty arrangements, their songs create vivid images of longing, pain, and atmosphere — like a series of unrequited romances playing out inside the most densely populated and well-lit French café. Needless to say, their new album, The Waiting Room, caught my attention for taking just that approach.
Ahead of an official release on January 22, Tindersticks have debuted their album and full, 51-minute video project on NPR. Several international artists (including Denis and frontman Stuart A. Staples) have directing credits, each operating under the rule that their works “should attempt not to describe the music, but to create a visual counter-point, a space for the music to inhabit.” What emerges — contrary to the way I often envision...
Ahead of an official release on January 22, Tindersticks have debuted their album and full, 51-minute video project on NPR. Several international artists (including Denis and frontman Stuart A. Staples) have directing credits, each operating under the rule that their works “should attempt not to describe the music, but to create a visual counter-point, a space for the music to inhabit.” What emerges — contrary to the way I often envision...
- 1/15/2016
- by Nick Newman
- The Film Stage
The 2016 Berlinale Shorts program will include new films by Pham Ngoc Lan, Wu Linfeng, Leonor Teles, Esteban Arrangoiz, Diego Zon, Ronny Trocker, Gabriel Abrantes, Ben Russell, Axel Danielson and Maximilien Van Aertryck, Christine Rebet, Chiang Wei Liang, Volker Schlecht and Alexander Lahl, Réka Bucsi, Mahdi Fleifel, Joanna Rytel, Rubén Gámez, Jonathan Vinel in collaboration with Caroline Poggi, Bentley Brown, Christoph Girardet and Matthias Müller, Pimpaka Towira, Akosua Adoma Owusu, Ricky D’Ambrose, Rotem Murat, Gerrit Frohne-Brinkmann and Paul Spengemann, Siegfried A. Fruhauf, and Akihito Izuhara. » - David Hudson...
- 1/12/2016
- Keyframe
The 2016 Berlinale Shorts program will include new films by Pham Ngoc Lan, Wu Linfeng, Leonor Teles, Esteban Arrangoiz, Diego Zon, Ronny Trocker, Gabriel Abrantes, Ben Russell, Axel Danielson and Maximilien Van Aertryck, Christine Rebet, Chiang Wei Liang, Volker Schlecht and Alexander Lahl, Réka Bucsi, Mahdi Fleifel, Joanna Rytel, Rubén Gámez, Jonathan Vinel in collaboration with Caroline Poggi, Bentley Brown, Christoph Girardet and Matthias Müller, Pimpaka Towira, Akosua Adoma Owusu, Ricky D’Ambrose, Rotem Murat, Gerrit Frohne-Brinkmann and Paul Spengemann, Siegfried A. Fruhauf, and Akihito Izuhara. » - David Hudson...
- 1/12/2016
- Fandor: Keyframe
A total of 25 films selected for competitive programme.
The Berlinale (Feb 11-21) has unveiled the 25 short films from 21 countries that will compete for the Golden and Silver Bear, a nomination for the European Film Awards and, for the second consecutive year, the Audi Short Film Award worth € 20,000.
The short film jury is comprised of the curator and director of the Sharjah Biennial in the UAE, Sheikha Hoor Al-Qasimi; Greek curator and writer Katerina Gregos; and Israeli filmmaker Avi Mograbi.
Among others, the competition will include films from Gabriel Abrantes, Pimpaka Towira, Réka Bucsi, Christoph Girardet and Matthias Müller, and Siegfried A. Fruhauf.
Ben Russell, who won plaudits at festivals around the world with A Spell To Ward Off The Darkness, will present He Who Eats Children, described as “a speculative portrait of a Dutchman living in the Surinamese jungle fixing canoe motors, accused of eating the locals’ children”.
Also among the line-up is a new documentary by [link...
The Berlinale (Feb 11-21) has unveiled the 25 short films from 21 countries that will compete for the Golden and Silver Bear, a nomination for the European Film Awards and, for the second consecutive year, the Audi Short Film Award worth € 20,000.
The short film jury is comprised of the curator and director of the Sharjah Biennial in the UAE, Sheikha Hoor Al-Qasimi; Greek curator and writer Katerina Gregos; and Israeli filmmaker Avi Mograbi.
Among others, the competition will include films from Gabriel Abrantes, Pimpaka Towira, Réka Bucsi, Christoph Girardet and Matthias Müller, and Siegfried A. Fruhauf.
Ben Russell, who won plaudits at festivals around the world with A Spell To Ward Off The Darkness, will present He Who Eats Children, described as “a speculative portrait of a Dutchman living in the Surinamese jungle fixing canoe motors, accused of eating the locals’ children”.
Also among the line-up is a new documentary by [link...
- 1/12/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
For cinephiles, English band Tindersticks are perhaps best known for the soundtracks they've composed for the films of Claire Denis, while music fans have been taken by the group's distinctive arrangements and intimate emotion. Next year, Tindersticks will release their tenth album, The Waiting Room, and it finds them taking another ambitious step. The upcoming long player will not only feature guest appearances by Jehnny Beth of Savages and the late, beloved singer Lhasa De Sela, it will also find the band collaborating with filmmakers. Each track on The Waiting Room will be accompanied by a music video helmed by such figures as Christoph Girardet, Pierre Vinour, Claire Denis, Gregorio Graziosi,and Gabriel Sanna. And today, we're excited to unveil "Hey Lucinda," featuring the vocals of Lhasa De Sela, and directed Rosie Pedlow and Joe King. The beautiful video finds the camera lingering down a row of shops and storefronts,...
- 11/10/2015
- by Edward Davis
- The Playlist
Film about female empowement in a conservative Bedouin community wins showcase.
Elite Zexer’s first feature Sand Storm and Eitan Anner’s A Quiet Heart have won the First Look Award in Locarno’s showcase, which was dedicated this year to selected Israeli films in post-production.
Jury member Karel Och, director of the Karlovy Vary International Film Festival, presented the first prize of $66,000 (€60,000) worth of picture post-production services sponsored by Rotor Film to Sand Storm’s producers Haim Mecklberg and Estee Yacov-Mecklberg for its “mature, deeply observant storytelling and courageous depiction of the layered struggles of several generations of women”.
Sand Storm centres on a Bedouin mother and daughter testing the limits of their conservative community.
Fellow jury member, Sundance programming director John Nein handed over the second prize - $6,000 (€5,500) worth of advertising donated by the French trade magazine Le Film Francais - to A Quiet Heart’s producer Gal Greenspan of Green Productions for its “urgency...
Elite Zexer’s first feature Sand Storm and Eitan Anner’s A Quiet Heart have won the First Look Award in Locarno’s showcase, which was dedicated this year to selected Israeli films in post-production.
Jury member Karel Och, director of the Karlovy Vary International Film Festival, presented the first prize of $66,000 (€60,000) worth of picture post-production services sponsored by Rotor Film to Sand Storm’s producers Haim Mecklberg and Estee Yacov-Mecklberg for its “mature, deeply observant storytelling and courageous depiction of the layered struggles of several generations of women”.
Sand Storm centres on a Bedouin mother and daughter testing the limits of their conservative community.
Fellow jury member, Sundance programming director John Nein handed over the second prize - $6,000 (€5,500) worth of advertising donated by the French trade magazine Le Film Francais - to A Quiet Heart’s producer Gal Greenspan of Green Productions for its “urgency...
- 8/11/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
The 22nd annual Chicago Underground Film Festival presents five days of devastating celluloid provocations on May 13-17 at the Logan Theatre.
The fest kicks off on May 13 with the incredibly haunting short film Echoes by Jaimz Asmundson and the Filipino romantic crime drama Ruined Heart: Another Lovestory Between a Criminal and a Whore by the single-named director Khavn.
Highlights of the fest include the new slacker-ific comedy by Lev Kalman and Whitney Horn, L for Leisure; the Spanish socio-political documentary Speculation Nation by Bill Brown and Sabine Gruffat; the pastoral friendship drama For the Plasma by Bingham Bryant & Kyle Molzan; and the joyful pop doc Living Stars by Gastón Duprat and Mariano Cohn.
There are also loads of un-missable short films, such as the gritty modern film noir Bite Radius by Spencer Parsons; and amazing new films by Jennifer Reeder (Blood Below the Skin), Zachary Epcar (Under the Heat Lamp...
The fest kicks off on May 13 with the incredibly haunting short film Echoes by Jaimz Asmundson and the Filipino romantic crime drama Ruined Heart: Another Lovestory Between a Criminal and a Whore by the single-named director Khavn.
Highlights of the fest include the new slacker-ific comedy by Lev Kalman and Whitney Horn, L for Leisure; the Spanish socio-political documentary Speculation Nation by Bill Brown and Sabine Gruffat; the pastoral friendship drama For the Plasma by Bingham Bryant & Kyle Molzan; and the joyful pop doc Living Stars by Gastón Duprat and Mariano Cohn.
There are also loads of un-missable short films, such as the gritty modern film noir Bite Radius by Spencer Parsons; and amazing new films by Jennifer Reeder (Blood Below the Skin), Zachary Epcar (Under the Heat Lamp...
- 5/11/2015
- by Mike Everleth
- Underground Film Journal
A re-energised Pula Film Festival, the biggest film festival in Croatia, will welcome top guests including Roger Michell, Fridrik Thor Fridriksson, Gyorgi Palfi, Tudor Giurgiu and Mike Cahill.
Fridriksson [pictured] will serve on a jury and be the subject of a retrospective including his films Rock in Reykjavik, Children of Nature, Devil’s Island, Angels Of The Universe, and Falcons.
The Pula Pro Industry section will include masterclasses from PR expert Charles MacDonald, marketing veteran John Durie, sound expert Ray Gillon of G-Minor and Nik Powell of the UK’s National Film and Television School (Nfts).
The festival boasts a new artistic team of Mike Downey, Hrvoje Puksec and Tanja Milicic, who took over in April.
The Pula Cinematheque section, under special advistor Rajko Grlic, will focus on the year 1965.
One new strand at the festival will be Dizalica, aimed at cinephiles aged 16-21; selections include We Are The Best! and Bitch Hug. This is added...
Fridriksson [pictured] will serve on a jury and be the subject of a retrospective including his films Rock in Reykjavik, Children of Nature, Devil’s Island, Angels Of The Universe, and Falcons.
The Pula Pro Industry section will include masterclasses from PR expert Charles MacDonald, marketing veteran John Durie, sound expert Ray Gillon of G-Minor and Nik Powell of the UK’s National Film and Television School (Nfts).
The festival boasts a new artistic team of Mike Downey, Hrvoje Puksec and Tanja Milicic, who took over in April.
The Pula Cinematheque section, under special advistor Rajko Grlic, will focus on the year 1965.
One new strand at the festival will be Dizalica, aimed at cinephiles aged 16-21; selections include We Are The Best! and Bitch Hug. This is added...
- 7/2/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
The 52nd annual Ann Arbor Film Festival will be a jam-packed experimental feature and short film screening event running for six days and nights, this time on March 25-30.
Opening Night will feature a reception and an after-party, and stuffed between those will be a block of nine short films, including new ones by Bryan Boyce, Michael Robinson, Jennifer Reeder and Martha Colburn, as well as a never-before-released work by the legendary Bruce Baillie called Little Girl in which Baillie captured scenes of natural beauty.
Special Events scattered throughout the festival include a retrospective of indie filmmaker Penelope Spheeris that will feature her rock ‘n’ roll-based work, including the original The Decline of Western Civilization, plus The Decline of Western Civilization Part III, her influential punk film Suburbia (screening twice) and a collection of short films.
There will also be several films and presentations by filmmaking scholar Thom Andersen, such...
Opening Night will feature a reception and an after-party, and stuffed between those will be a block of nine short films, including new ones by Bryan Boyce, Michael Robinson, Jennifer Reeder and Martha Colburn, as well as a never-before-released work by the legendary Bruce Baillie called Little Girl in which Baillie captured scenes of natural beauty.
Special Events scattered throughout the festival include a retrospective of indie filmmaker Penelope Spheeris that will feature her rock ‘n’ roll-based work, including the original The Decline of Western Civilization, plus The Decline of Western Civilization Part III, her influential punk film Suburbia (screening twice) and a collection of short films.
There will also be several films and presentations by filmmaking scholar Thom Andersen, such...
- 3/18/2014
- by Mike Everleth
- Underground Film Journal
Sandra Kaudelka and Sebastian Metz have been named joint winners of the Berlinale’s third “Made in Germany” prize.
The €15,000 cash prize towards the development of a new feature will be shared equally between the two filmmakers who had presented projects at last year’s Perspektive Deutsches Kino.
At that time, both films were documentaries: Metz’s Metamorphosen was set in Russia, while Kaudelka’s Einzelkaempfer focused on cases of doping among East German athletes.
But Metz and Kudelka had each submitted fiction film treatments for consideration for the Made in Germany grant.
Metz’s project, entitled 274, which follows a man on his journey to Manila to end his life, had impressed the jury of film directors Andres Veiel and Frieder Schlaich and writer-producer Katja Eichinger by its “intensity” and “visual power”.
Meanwhile, Kaudelka’s Intershop centres on a love story in the setting of one of former East Germany’s hard currency Intershops.
According to Perspektive...
The €15,000 cash prize towards the development of a new feature will be shared equally between the two filmmakers who had presented projects at last year’s Perspektive Deutsches Kino.
At that time, both films were documentaries: Metz’s Metamorphosen was set in Russia, while Kaudelka’s Einzelkaempfer focused on cases of doping among East German athletes.
But Metz and Kudelka had each submitted fiction film treatments for consideration for the Made in Germany grant.
Metz’s project, entitled 274, which follows a man on his journey to Manila to end his life, had impressed the jury of film directors Andres Veiel and Frieder Schlaich and writer-producer Katja Eichinger by its “intensity” and “visual power”.
Meanwhile, Kaudelka’s Intershop centres on a love story in the setting of one of former East Germany’s hard currency Intershops.
According to Perspektive...
- 1/14/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Infinite Anticipation
Here at the Vienna International Film Festival there are no multiplexes devoted to the festival. Every cinema is a single screen—all quite beautiful and some, like the Urania, Metro, Künstlerhaus, and Austrian Film Museum, very special indeed—and, scattered at a bit of a distance from one another, they trace a lopsided kind of ellipsis, a loop of cinema if you plan your itinerary right.
Above: Out 1, noli me tangere.
I came anticipating this particular suggestion of cinematic infinity, not just because of my memories of the last two years of repeatedly treading this touring path around the constrained city center of Vienna, but because of the promise of a much desired (by Jonathan Rosenbaum since 1996, and thereafter by an untold multitude of tantalized cinephiles) festival pairing of Jacques Rivette and Suzanne Schiffman's improvised serial intended for television, Out 1, noli me tangere (1971), and Louis Feuillade's...
Here at the Vienna International Film Festival there are no multiplexes devoted to the festival. Every cinema is a single screen—all quite beautiful and some, like the Urania, Metro, Künstlerhaus, and Austrian Film Museum, very special indeed—and, scattered at a bit of a distance from one another, they trace a lopsided kind of ellipsis, a loop of cinema if you plan your itinerary right.
Above: Out 1, noli me tangere.
I came anticipating this particular suggestion of cinematic infinity, not just because of my memories of the last two years of repeatedly treading this touring path around the constrained city center of Vienna, but because of the promise of a much desired (by Jonathan Rosenbaum since 1996, and thereafter by an untold multitude of tantalized cinephiles) festival pairing of Jacques Rivette and Suzanne Schiffman's improvised serial intended for television, Out 1, noli me tangere (1971), and Louis Feuillade's...
- 11/3/2013
- by Daniel Kasman
- MUBI
The European Film Academy has announced this year's nominations for Best European Short Film. At 15 participating film festivals, an independent jury presented one European short film in competition with a nomination in the short film category of the European Film Awards. The winner will be announced December 7th in Berlin. The nominated short films are: Vila do Conde Short Film Nominee Cut directed by Christoph Girardet & Matthias Mueller Germany 2013, experimental, 12 min Valladolid Short Film Nominee Dood Van Een Schaduw (Death of a Shadow) directed by Tom Van Avermaet Belgium/France 2012, 20 min, fiction Venice Short Film Nominee Houses With Small Windows directed by Bülent Öztürk Belgium 2013, fiction, 15 min Drama Short Film Nominee La Lampe Au Beurre De Yak (Butter Lamp) directed by Hu Wei France/China 2013, fiction, 15 min Krakow Short Film Nominee Letter directed by Sergei Loznitsa Russia 2012, documentary, 20 min Berlin Short Film Nominee Misterio...
- 10/7/2013
- by Peter Knegt
- Indiewire
The Ann Arbor Film Festival, having survived their half-a-century blowout in 2012, is back with another rip-roarin’ 51st edition in 2013, which will run from March 19-24, screening a mind-boggling amount of experimental short films and a few features.
Highlights of the fest include:
Special presentations by this year’s jurors, including Marcin Gizycki round-up of Polish animation from the 1950s to the present; Laida Lertxundi’s selection of some of her films as well as her biggest influences; and Kevin Jerome Everson’s mini-retrospective of his own films.
There’s also special tributes to Pat O’Neill, including a retrospective of his short films from the ’70s to the present as well as a screening of his 1989 35mm experimental epic Water and Power; Suzan Pitt, with selections of short films from her career; and a screening of Ken Burns’ latest doc The Central Park Five, co-directed with his daughter Sarah Burns and son-in-law David McMahon,...
Highlights of the fest include:
Special presentations by this year’s jurors, including Marcin Gizycki round-up of Polish animation from the 1950s to the present; Laida Lertxundi’s selection of some of her films as well as her biggest influences; and Kevin Jerome Everson’s mini-retrospective of his own films.
There’s also special tributes to Pat O’Neill, including a retrospective of his short films from the ’70s to the present as well as a screening of his 1989 35mm experimental epic Water and Power; Suzan Pitt, with selections of short films from her career; and a screening of Ken Burns’ latest doc The Central Park Five, co-directed with his daughter Sarah Burns and son-in-law David McMahon,...
- 3/19/2013
- by Mike Everleth
- Underground Film Journal
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