Following Chile’s most successful theatrical release of 2020 and high-profile streaming premieres in Latin America and the U.S. as an Amazon Prime Video Exclusive, Argentina’s Meikincine, sales agents on this year’s Argentine Oscar submission “The Sleepwalkers,” has sold Chilean political thriller “Jailbreak Pact” to Swift Productions in France and Sbs in Australia.
Recent deals struck following Meikincine’s summer sales push, including June’s virtual Marché du Film, which achieved sales to Movement Pictures in South Korea and Av-Jet International Media in Taiwan.
In September, the company shared with Variety that negotiations are in the final stages for deals in the U.K. and Ireland and offers are being considered from theatrical distributors in China, Canada and India, among others.
“Jailbreak Pact” was released theatrically in Chile in January by Fox, and quickly pulled the highest box office for a domestic film in more than two years...
Recent deals struck following Meikincine’s summer sales push, including June’s virtual Marché du Film, which achieved sales to Movement Pictures in South Korea and Av-Jet International Media in Taiwan.
In September, the company shared with Variety that negotiations are in the final stages for deals in the U.K. and Ireland and offers are being considered from theatrical distributors in China, Canada and India, among others.
“Jailbreak Pact” was released theatrically in Chile in January by Fox, and quickly pulled the highest box office for a domestic film in more than two years...
- 12/1/2020
- by Jamie Lang
- Variety Film + TV
After successful streaming premieres in Latin America and the U.S. as an Amazon Prime Video Exclusive, Argentina’s Meikincine, one of Latin America’s leading sales agents for independent, festival fare, has sold Chilean political thriller “Jailbreak Pact” in South Korea and Taiwan, and is in advanced negotiations in several other key territories.
Shopping the film at this summer’s major film markets, Meikincine has closed deals with Movement Pictures in South Korea and Av-Jet International Media in Taiwan. Additionally, the company shared with Variety that negotiations are in the final stages for deals in the U.K. and Ireland and offers are being considered from theatrical distributors in China, Canada, France and India, among others.
“Jailbreak Pact” was released theatrically in Chile in January by Fox, and quickly pulled the highest box office for a domestic film in more than two years before its international premier at the...
Shopping the film at this summer’s major film markets, Meikincine has closed deals with Movement Pictures in South Korea and Av-Jet International Media in Taiwan. Additionally, the company shared with Variety that negotiations are in the final stages for deals in the U.K. and Ireland and offers are being considered from theatrical distributors in China, Canada, France and India, among others.
“Jailbreak Pact” was released theatrically in Chile in January by Fox, and quickly pulled the highest box office for a domestic film in more than two years before its international premier at the...
- 9/18/2020
- by Jamie Lang
- Variety Film + TV
Amazon Prime Video has clinched U.S. and Latin American rights to Pacto de Fuga” (“Jailbreak Pact”), the biggest Chilean smash-hit at domestic cinemas in Chile over the last few years.
Negotiated by “Jailbreak Pact’s” sales agent, Buenos Aires-based Meikincine, the rights deal was struck during the Marché du Film Online, said sales agent Lucía Meik.
The fiction feature debut of David Albala, produced by Calibre 71, Storyboard Media, Enlazo Capital Films and Tora Investments, the thriller is based on real-life events which led to Chile’s most celebrated prison escape on Jan. 29, 1990, at the tail-end of Augusto Pinochet’s brutal dictatorship. During it, 49 prisoners, some members of the anti-Pinochet armed resistance group Frente Patriótico Manuel Rodríguez, managed to escape from a penitentiary on Santiago de Chile through a series of tunnels dug over 18 months using spoons, screwdrivers and other rudimentary tools.
A symbolic victory over Pinochet, the film...
Negotiated by “Jailbreak Pact’s” sales agent, Buenos Aires-based Meikincine, the rights deal was struck during the Marché du Film Online, said sales agent Lucía Meik.
The fiction feature debut of David Albala, produced by Calibre 71, Storyboard Media, Enlazo Capital Films and Tora Investments, the thriller is based on real-life events which led to Chile’s most celebrated prison escape on Jan. 29, 1990, at the tail-end of Augusto Pinochet’s brutal dictatorship. During it, 49 prisoners, some members of the anti-Pinochet armed resistance group Frente Patriótico Manuel Rodríguez, managed to escape from a penitentiary on Santiago de Chile through a series of tunnels dug over 18 months using spoons, screwdrivers and other rudimentary tools.
A symbolic victory over Pinochet, the film...
- 6/29/2020
- by John Hopewell
- Variety Film + TV
Leading Argentine sales agent Meikincine has signed on to sell David Albala’s highly anticipated fiction debut “Jailbreak Pact,” (“Pacto de fuga”) on the international market.
Chile’s Storyboard Media produces the feature, with co-founders Carlos Núnez and Gabriela Sandoval executive producing and Calibre 71 and Enlazo Capital Films co-producing out of Chile and Colombia respectively.
Fox will distribute theatrically in Chile starting in 2020.
The political thriller is a 130-minute nail-biter based on the real-life events which proceeded one of Chile and the world’s greatest prison escapes on Jan. 29, 1990. At the tail-end of Pinochet’s brutal dictatorship, 49 prisoners managed to escape their incarceration in Santiago de Chile through a series of tunnels dug using spoons, screwdrivers and other rudimentary tools.
Albala says that the practical aspects of the story impressed him most, and he felt compelled to show how a group of political prisoners were engineered to dig a tunnel more than 60 meters long,...
Chile’s Storyboard Media produces the feature, with co-founders Carlos Núnez and Gabriela Sandoval executive producing and Calibre 71 and Enlazo Capital Films co-producing out of Chile and Colombia respectively.
Fox will distribute theatrically in Chile starting in 2020.
The political thriller is a 130-minute nail-biter based on the real-life events which proceeded one of Chile and the world’s greatest prison escapes on Jan. 29, 1990. At the tail-end of Pinochet’s brutal dictatorship, 49 prisoners managed to escape their incarceration in Santiago de Chile through a series of tunnels dug using spoons, screwdrivers and other rudimentary tools.
Albala says that the practical aspects of the story impressed him most, and he felt compelled to show how a group of political prisoners were engineered to dig a tunnel more than 60 meters long,...
- 12/5/2019
- by Jamie Lang
- Variety Film + TV
Madrid — Isolation: Chile’s distance, the walls of the Andes, make it one of the topoi of its culture. It also threads multiple Sanfic shorts this year, as lead characters – the housekeeper- wife in “The Lighthouse Builder,” the lonely janitor of “Swimmer,” the father in “Descansar,” the Colombian immigrant in “Gala,” the ex anti-Pinochet guerrillero of “” – live out varying forms of withering solitude. Another more strident theme: Sexual abuse by men in power, whether a movie maker (“Danger & Alone”), a cult leader (“The Summer of the Electric Lion”), a priest (“Deliver Us From Evil”) or a father (“Más allá de la duda”). The shorts boast performances by some of the greatest actors working in Chile today: Francisca Gavilán (“Violeta”), Alejandro Goic (“The Club”) to cite just two. Sometimes made by established talent – animator Tomás Welss, with “Magic Dream” – they also flag potential major new talent to come. Here’s a...
- 8/17/2018
- by John Hopewell and Jamie Lang
- Variety Film + TV
The thirteenth edition of Santiago International Film Festival, Sanfic (August 20–27, 2017), the largest film festival in Chile, will present more than 100 international and Chilean films, including productions shown and awarded in festivals such as Cannes, Berlin and Venice. Among the feature films will be 7 world and 14 Latin American premieres.
Sanfic (Santiago International Film Festival) is opening the festival to international press this year with Variety Dailies and important international guests for their Sanfic Industry section. Guest attending include Kim Yutani (Sundance programmer), Javier Martin (Berlinale delegate), Molly O ́Keefe (Tribeca Film Institute — fiction features) and Estrella Araiza (Industry director of Guadalajara Iff), to name a few. Matt Dillon is its special guest along with the renowned director of photography Rainer Klausmann.
The Summit starring Ricardo Darín, Dolores Fonzi and Erica Rivas, with an appearance of Christian Slater and renowned Chilean actors Paulina Garcia and Alfredo Castro
The opening film of the...
Sanfic (Santiago International Film Festival) is opening the festival to international press this year with Variety Dailies and important international guests for their Sanfic Industry section. Guest attending include Kim Yutani (Sundance programmer), Javier Martin (Berlinale delegate), Molly O ́Keefe (Tribeca Film Institute — fiction features) and Estrella Araiza (Industry director of Guadalajara Iff), to name a few. Matt Dillon is its special guest along with the renowned director of photography Rainer Klausmann.
The Summit starring Ricardo Darín, Dolores Fonzi and Erica Rivas, with an appearance of Christian Slater and renowned Chilean actors Paulina Garcia and Alfredo Castro
The opening film of the...
- 7/30/2017
- by Sydney Levine
- Sydney's Buzz
There's a lot to be said about the new wave of Chilean filmmakers these days that are drawing much deserved attention to that region of South America. Arguably one of the most noted has been Andres Wood whose latest film, 'Violeta fue a los cielos' (Violeta went to heaven) a bio-pic of Violeta Parra, a folk singer who helped pioneer the Nueva Cancion movement in Chile that would soon play pivotal roles in the social unrest in other Latin America countries. Francisca Gavilán poignantly and lyrically unfolds before us as Violeta in this beautiful rendering of an artist who believed she had a song to sing and she sang it to the end.
LatinoBuzz: I think you have a way of capturing the identity and soul of Chile at particular periods in its history. Was making films about Chile something you felt you always wanted or needed to do?
Andres Wood: When I start thinking of a film to make, I don't have any "big" concept or idea like to represent the soul of the country. I would be paralyzed. First I get in love with the characters, then with small anecdotes and at the end something like the context. I do believe that film has to be very personal. And my imagination is Chilean. The way we see things, the way we talk, the landscape, our contradictions. So, it is not something that I look at intentionally but it is something that I like a lot that is in the films.
LatinoBuzz: Why film?
Andres Wood: I have been always a film lover. I got in love with the process of making a film. I believe in the power of a film to help, at least, create a conversation.
LatinoBuzz: With this incredible wave of Chilean filmmakers winning awards and the Oscar nod for 'No' - given the filmmakers are not too far apart in age - how much did living under the dictatorship do you think influenced the filmmaking and voices of you all as artists?
Andres Wood: The dictatorship affected all the society in different ways. Some people were politically affected, others were affected because they were not aware of what was happening, others were in favor, others against, some were victims, some were murderers. Everyone was affected due to economic changes (for good and bad). It is impossible to do a film that doesn't have some footprint of the dictatorship.
LatinoBuzz: With Violeta now immortalized in a beautiful film of her complex life, do you think it's time that Victor Jara's story should now be told also?
Andres Wood: I would love to see a film about Victor Jara. It is still to make one complex because the trail against his murderers is still open. He is one of the inheritors (with Angel Parra and others) of Violeta Parra's legacy. And as Violeta he is a true and complex artist with many talents and incredible bravery.
LatinoBuzz: Violeta was obviously a public figure - what was the casting process like? And what was the collaboration with Francisca as a director like?
Andres Wood: The film is based on the performance of the actress. We were so lucky to find Francisca. She worked almost a year preparing for the role. We didn't expect her to sing but after her work with Angel Parra, she sang all the songs in the film. Her understanding of the character helped us to rewrite and improvise a lot. It was a joy to work with her.
LatinoBuzz: Was there anything about Violeta that you related to most.
Andres Wood: I wish I have something of her. I can tell you only my big admiration.
LatinoBuzz: With a lot of Latin American film's being co-productions with companies overseas and in some cases, between several countries, does that ever affect the creative process?
Andres Wood: Co-production between production companies between different countries is an act of faith. You have to choose your partner believing that they want to do the most original film that we can. Of course there are legal restrictions but I have been lucky enough that our partners always have helped us to keep the soul of the film.
LatinoBuzz: Who is the person that you admire the most?
Andres Wood: My wife. Admiration and love go together.
LatinoBuzz: Your favorite journey?
Andres Wood: The South of Chile.
LatinoBuzz: What's your next film?
Andres Wood: I am in pre-production of a miniseries for Chilean TV related with the 40 years of the military coup.
For information about Violeta Went to Heaven and screening times, check out: http://bit.ly/10eHD8X
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook...
LatinoBuzz: I think you have a way of capturing the identity and soul of Chile at particular periods in its history. Was making films about Chile something you felt you always wanted or needed to do?
Andres Wood: When I start thinking of a film to make, I don't have any "big" concept or idea like to represent the soul of the country. I would be paralyzed. First I get in love with the characters, then with small anecdotes and at the end something like the context. I do believe that film has to be very personal. And my imagination is Chilean. The way we see things, the way we talk, the landscape, our contradictions. So, it is not something that I look at intentionally but it is something that I like a lot that is in the films.
LatinoBuzz: Why film?
Andres Wood: I have been always a film lover. I got in love with the process of making a film. I believe in the power of a film to help, at least, create a conversation.
LatinoBuzz: With this incredible wave of Chilean filmmakers winning awards and the Oscar nod for 'No' - given the filmmakers are not too far apart in age - how much did living under the dictatorship do you think influenced the filmmaking and voices of you all as artists?
Andres Wood: The dictatorship affected all the society in different ways. Some people were politically affected, others were affected because they were not aware of what was happening, others were in favor, others against, some were victims, some were murderers. Everyone was affected due to economic changes (for good and bad). It is impossible to do a film that doesn't have some footprint of the dictatorship.
LatinoBuzz: With Violeta now immortalized in a beautiful film of her complex life, do you think it's time that Victor Jara's story should now be told also?
Andres Wood: I would love to see a film about Victor Jara. It is still to make one complex because the trail against his murderers is still open. He is one of the inheritors (with Angel Parra and others) of Violeta Parra's legacy. And as Violeta he is a true and complex artist with many talents and incredible bravery.
LatinoBuzz: Violeta was obviously a public figure - what was the casting process like? And what was the collaboration with Francisca as a director like?
Andres Wood: The film is based on the performance of the actress. We were so lucky to find Francisca. She worked almost a year preparing for the role. We didn't expect her to sing but after her work with Angel Parra, she sang all the songs in the film. Her understanding of the character helped us to rewrite and improvise a lot. It was a joy to work with her.
LatinoBuzz: Was there anything about Violeta that you related to most.
Andres Wood: I wish I have something of her. I can tell you only my big admiration.
LatinoBuzz: With a lot of Latin American film's being co-productions with companies overseas and in some cases, between several countries, does that ever affect the creative process?
Andres Wood: Co-production between production companies between different countries is an act of faith. You have to choose your partner believing that they want to do the most original film that we can. Of course there are legal restrictions but I have been lucky enough that our partners always have helped us to keep the soul of the film.
LatinoBuzz: Who is the person that you admire the most?
Andres Wood: My wife. Admiration and love go together.
LatinoBuzz: Your favorite journey?
Andres Wood: The South of Chile.
LatinoBuzz: What's your next film?
Andres Wood: I am in pre-production of a miniseries for Chilean TV related with the 40 years of the military coup.
For information about Violeta Went to Heaven and screening times, check out: http://bit.ly/10eHD8X
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook...
- 4/3/2013
- by Juan Caceres
- Sydney's Buzz
Actress Francisca Gavilán grew up listening to the music of folksinger Violeta Parra in her home, quietly. Parra’s music wasn’t exactly forbidden during Augusto Pinochet’s military dictatorship, but the authorities frowned upon it.
“We sang it silently,” Gavilán says.
Now, as the star of the biopic “Violeta Went to Heaven,” Gavilán sings Parra’s music professionally. The film opened Friday in New York, bringing the story of one of Latin America’s most famous musicians and iconic figures to the big screen in the United States. The movie will also play in Chicago, Los Angeles, and other U.S. cities.
One of the early exponents of Latin America’s “nueva canción,” or “new song” movement, a style of folk music that flourished in the 1950s and 1960s and continues today, Parra dedicated her life to both songwriting and documenting Chile’s traditional music. Parra penned some of the genre’s classics,...
“We sang it silently,” Gavilán says.
Now, as the star of the biopic “Violeta Went to Heaven,” Gavilán sings Parra’s music professionally. The film opened Friday in New York, bringing the story of one of Latin America’s most famous musicians and iconic figures to the big screen in the United States. The movie will also play in Chicago, Los Angeles, and other U.S. cities.
One of the early exponents of Latin America’s “nueva canción,” or “new song” movement, a style of folk music that flourished in the 1950s and 1960s and continues today, Parra dedicated her life to both songwriting and documenting Chile’s traditional music. Parra penned some of the genre’s classics,...
- 3/30/2013
- by The Huffington Post
- Huffington Post
Violeta Went to Heaven's creators do a disservice to Chilean singer and multi-hyphenate artist Violeta Parra's legacy by making her suicide the logical climax to her working life. Because Parra (Francisca Gavilán) killed herself at age 49, and her work was a reflection of her struggles as an impoverished bohemian, director Andrés Wood (Machuca) and screenwriter Eliseo Altunaga's miserablist adaptation of Parra's memoirs is death-obsessed, and it characterizes Parra as a mercurial talent with no sense of propriety. Speaking of her lover and artistic collaborator Gilbert Favre (Thomas Durand), Parra matter-of-factly tells her daughter, "I just want to get him into bed, and suck all of his juices." Parra's also characterized as a stubborn autodidact who demanded...
- 3/29/2013
- Village Voice
While we all know the big titles that emerge out of the Sundance Film Festival every year, it's easy to forget there are smaller gems as well, which are not only worth tracking down but that also have earned their fair share of acclaim. In 2012, "Violeta Went To Heaven" won the World Cinema Dramatic Jury Prize in Park City, went on to appear at festivals around the world including stops in Miami, Oslo and Hamburg, and earned a Goya nomination Best Iberoamerican Film. The picture is gearing to hit theaters this spring, and we have the exclusive poster below. Directed by Andrés Wood and starring Francisca Gavilán, the film tells the story of famed Chilean folk singer Violetta Parra, a centerpiece of the Latin American folk music movement, who made a significant cultural impact in her country's history. While the name might not be familiar to folks in North America,...
- 2/18/2013
- by Kevin Jagernauth
- The Playlist
Rating: 3 out of 5 stars
While you might not have heard of Chilean folk musician and all-round cultural icon Violeta Parra, that’s not to say Andrés Wood doesn’t do a bang-up job of introducing us to her in this stately, jovial ode to her life’s work. By recreating one of her TV interviews and using it as a framing device to cherry-pick the most important moments of her life, we come to learn the fastidious, fiery and lyrical quality with which she chose to live her life, riffing on the joy of living, and the pain of heartbreak.
Even those not typically privy to Chilean ditties are likely to appreciate some of the renditions of Parra’s work here, which compliment what is certainly a fidgety account of her life and serve as the film’s most broadly successful achievement. Francisca Gavilán’s stellar performance encompasses the entirety of Parra’s soul,...
While you might not have heard of Chilean folk musician and all-round cultural icon Violeta Parra, that’s not to say Andrés Wood doesn’t do a bang-up job of introducing us to her in this stately, jovial ode to her life’s work. By recreating one of her TV interviews and using it as a framing device to cherry-pick the most important moments of her life, we come to learn the fastidious, fiery and lyrical quality with which she chose to live her life, riffing on the joy of living, and the pain of heartbreak.
Even those not typically privy to Chilean ditties are likely to appreciate some of the renditions of Parra’s work here, which compliment what is certainly a fidgety account of her life and serve as the film’s most broadly successful achievement. Francisca Gavilán’s stellar performance encompasses the entirety of Parra’s soul,...
- 10/21/2012
- by Shaun Munro
- Obsessed with Film
Guadalajara Wraps and a New Fest Begins
Ficg (pronounced FeeSeeg and standing for the Festival International de Cine in Guadalajara), displayed a new vibrancy. Besides some great films, great attendance and great organization, several Latin American countries are entering the international film business for the first time (Peru and Ecuador) with subsidies from their government pointing to an optimism for film production as an economic factor in their country's growth. I blogged about the Dominican Republic but not about the new Law 226 in Mexico which encourages businesses to invest up to 20 million pesos (U.S.$2 million) or 10% of the taxes they owed the previous year (whichever is higher) into Mexican film production, or Brazilian access to subsidies.
In addition, Guadalajara is becoming known as the Silicon Valley of Mexico as its economy is based especially on information technology with a large number of international firms having facilities there. It is also considered to be the home of Mariachi music. The city is named after the Spanish city of Guadalajara with the name originating from the Arabic word meaning "Valley of Stones". It is the highest ranking major Mexican city and has the second strongest economic potential of any major North American city. Only Chicago scores more highly for sheer economic potential (Per a 2007 report in fDi magazine, an English-language news and foreign direct investment publication owned by The Financial Times Ltd and edited in London). The same research calls Guadalajara the "city of the future" due to its youthful population, low unemployment and large number of recent foreign investment deals. It was also ranked the third most business friendly city in North America.
A new digital film studio is going up. The University is an important center of culture and learning.
And sadly, violence over drugs is not far away. This past Friday, Narco gangs appropriated 25 vehicles in 16 separate incidents – 11 of them in the Guadalajara metropolitan zone where they set fire to them in retaliation for action taken against them in a military action to capture two Mexican drug cartel members. At the Centro Magno festival venue, festival transport staff stopped filmgoers leaving a screening of Andres Wood's Violeta Went to Heaven as they sought to return to the festival's central Expo Center venue, acknowledging concerns for safety. A truck was set on fire not far (but not too close either: at Calzada Lázaro Cárdenas and Mezquite, at la Colonia de El Fresno) from the Expo where the festival was still being held, but there was no disruption of the festival.
Our friend, Hebe Tabachnik, Iberoamerican programmer for the Palm Springs Film Festival is on the jury and writes from there:
Dear friends, in spite of the disruptive and unfortunately deadly incidents in Guadalajara today, all the attendees to the Ficg Guadalajara are Ok. We are sorry this beautiful city and specially its amazing people have to experience this kind of criminal acts. The festival is going ahead with its schedule events, as it should be. Celebrating the arts and show no fear is the best way to manifest against the non sense violence. Viva Guadalajara. Viva Mexico!!!!
The activities of the industry, with meetings about Iberoamerican coproductions with its well presented professional projects, the film market itself with films available to watch up to 2 weeks after the closing, the Cannes Marche Producers Network, Works in Progress, Berlinale's Talent Campus and Doculab, and of course, the festival itself with galas every night, a Focus on U.K. and Mike Leigh, Homages, Mexican and Iberoamerican Competition, Sounds of Cinema, Children's Cinema, Lgbt prizes, Open Air Screenings - all defy easy decision making on how best to spend one's time there.
The prize winners:
PalmarÉS FICG27
Premio Maguey
Mención Especial
“Todo el mundo tiene alguien menos yo” (México) Dir. Raúl Fuentes
Premio Maguey
“Mía“ (Argentina) Dir. Javier van de Couter
Premio del Público Milenio
“Espacio Interior“ (México) Dir. Kai Parlange
Premio Mezcal
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Premio Cinecolor
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Mejor Cortometraje de Animación - Premio Rigo Mora
“Un ojo” (México) Dir. Lorenza Manrique
Mejor Cortometraje Iberoamericano
“Minuto 200” (Colombia) Dir. Frank Benítez
Mejor Cortometraje Mexicano
“Lucy vs. los límites de la voz” (México) Dir. Mónica Herrera
Largometraje Iberoamericano Documental
Mención Especial
“El salvavidas“ (Chile) Dir. Maite Alberdi
Mejor Documental Iberoamericano
“ ¡Vivan las antípodas! “(Argentina - Chile - Alemania - Holanda) Dir. Víctor Kossakovsky
Largometraje Mexicano Documental
Mención Especial
“Carrière, 250 metros” Dir. Juan Carlos Rulfo y Natalia Gil
Mención Especial
“El paciente interno” Dir. Alejandro Solar
Mejor Documental Mexicano
“Cuates de Australia” Everardo González
Largometraje de Ficción Iberoamericana
Mejor Guion
Jaime Osorio por “El páramo” (Colombia)
Mejor Fotografía
Mauro Pinheiro Jr. por “Sudoeste” (Brasil)
Mejor Actriz
Francisca Gavilán por “Violeta se fue a los cielos” (Chile)
Mejor Actor
Andrés Crespo por “Pescador” (Ecuador)
Premio Especial del Jurado
“Los pasos dobles” (España - Suiza) Dir. Isaki Lacuesta
Mejor Opera Prima
“Transeunte” (Brasil) Dir. Eryk Rocha
Mejor Director
Sebastián Cordero por “Pescador” (Ecuador)
Mejor Película Iberoamericana
"Abrir puertas y ventanas" (Argentina) "Dir. Milagros Mumenthaler
Largometraje de Ficción Mexicana
Mención Especial
Música Original de "Días de gracia"
Mejor Guion
Miguel Bonilla por “Diente por diente”
Mejor Fotografía
Jerónimo Rodríguez por “Todo el mundo tiene a alguien menos yo”
Mejor Actriz
Martha Higareda por “Mariachi Gringo”
Mejor Actor
Kuno Becker por “Espacio Interior”
Mejor Opera Prima
"El fantástico mundo de Juan Orol" Dir. Sebastián del Amo
Mejor Director
Everardo Gout por “Días de gracia”.
Mejor Película
“Mariachi Gringo” Dir. Tom Gustafson
alt=premios-paralelos>
Premio de los Niños
“El secreto del medallón de jade” (México) Dir. Rodolfo Guzmán y Leopoldo Aguilar
Premio Feisal
Mención Especial
“No hay lugar lejano” (México) Dir. Michelle Ibaven
Mención Especial
“Oro Colombiano: 400 años de música del alma” (Colombia) Dir. Sanjay Agarwal e Iván Higa
Premio Feisal
“75 habitantes, 20 casas, 300 vacas” (Argentina) Dir. Fernando Domínguez
Premio Fipresci
“Violeta se fue a los cielos” (Chile) Dir. Andrés Wood
Guerrero de la Prensa
Mejor largometraje de ficción “Días de gracia” (México) Dir. Everardo Gout Mejor largometraje documental “El paciente interno” (México) Dir. Alejandro Solar
Academia Jalisciense de Cinematografía
Mejor cortometraje jalisciense “La noria” Dir. Karla Castañeda Mejor largometraje jalisciense “Fecha de caducidad” Dir. Kenya Márquez
No sooner does this festival and market wrap when a new Mexican festival, the Riviera Maya Film Festival, begins March 20 - 25 which will play in Cancun, Playa del Carmen, Tulum, Cozumel and Holbox. The industry component Rivieralab, a coproduction event will take place in Quintana Roo March 22-25 and will host 158 projects from Latin America and Europe. 10 projects will be showcased to financiers, fund representatives, producers and sales agents, 3 will receive 200,000 pesos or approximately Us$15,500. 8 international works in progress at post-production stage from a pool of 40 will be selected to receive support.
Ficg (pronounced FeeSeeg and standing for the Festival International de Cine in Guadalajara), displayed a new vibrancy. Besides some great films, great attendance and great organization, several Latin American countries are entering the international film business for the first time (Peru and Ecuador) with subsidies from their government pointing to an optimism for film production as an economic factor in their country's growth. I blogged about the Dominican Republic but not about the new Law 226 in Mexico which encourages businesses to invest up to 20 million pesos (U.S.$2 million) or 10% of the taxes they owed the previous year (whichever is higher) into Mexican film production, or Brazilian access to subsidies.
In addition, Guadalajara is becoming known as the Silicon Valley of Mexico as its economy is based especially on information technology with a large number of international firms having facilities there. It is also considered to be the home of Mariachi music. The city is named after the Spanish city of Guadalajara with the name originating from the Arabic word meaning "Valley of Stones". It is the highest ranking major Mexican city and has the second strongest economic potential of any major North American city. Only Chicago scores more highly for sheer economic potential (Per a 2007 report in fDi magazine, an English-language news and foreign direct investment publication owned by The Financial Times Ltd and edited in London). The same research calls Guadalajara the "city of the future" due to its youthful population, low unemployment and large number of recent foreign investment deals. It was also ranked the third most business friendly city in North America.
A new digital film studio is going up. The University is an important center of culture and learning.
And sadly, violence over drugs is not far away. This past Friday, Narco gangs appropriated 25 vehicles in 16 separate incidents – 11 of them in the Guadalajara metropolitan zone where they set fire to them in retaliation for action taken against them in a military action to capture two Mexican drug cartel members. At the Centro Magno festival venue, festival transport staff stopped filmgoers leaving a screening of Andres Wood's Violeta Went to Heaven as they sought to return to the festival's central Expo Center venue, acknowledging concerns for safety. A truck was set on fire not far (but not too close either: at Calzada Lázaro Cárdenas and Mezquite, at la Colonia de El Fresno) from the Expo where the festival was still being held, but there was no disruption of the festival.
Our friend, Hebe Tabachnik, Iberoamerican programmer for the Palm Springs Film Festival is on the jury and writes from there:
Dear friends, in spite of the disruptive and unfortunately deadly incidents in Guadalajara today, all the attendees to the Ficg Guadalajara are Ok. We are sorry this beautiful city and specially its amazing people have to experience this kind of criminal acts. The festival is going ahead with its schedule events, as it should be. Celebrating the arts and show no fear is the best way to manifest against the non sense violence. Viva Guadalajara. Viva Mexico!!!!
The activities of the industry, with meetings about Iberoamerican coproductions with its well presented professional projects, the film market itself with films available to watch up to 2 weeks after the closing, the Cannes Marche Producers Network, Works in Progress, Berlinale's Talent Campus and Doculab, and of course, the festival itself with galas every night, a Focus on U.K. and Mike Leigh, Homages, Mexican and Iberoamerican Competition, Sounds of Cinema, Children's Cinema, Lgbt prizes, Open Air Screenings - all defy easy decision making on how best to spend one's time there.
The prize winners:
PalmarÉS FICG27
Premio Maguey
Mención Especial
“Todo el mundo tiene alguien menos yo” (México) Dir. Raúl Fuentes
Premio Maguey
“Mía“ (Argentina) Dir. Javier van de Couter
Premio del Público Milenio
“Espacio Interior“ (México) Dir. Kai Parlange
Premio Mezcal
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Premio Cinecolor
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Mejor Cortometraje de Animación - Premio Rigo Mora
“Un ojo” (México) Dir. Lorenza Manrique
Mejor Cortometraje Iberoamericano
“Minuto 200” (Colombia) Dir. Frank Benítez
Mejor Cortometraje Mexicano
“Lucy vs. los límites de la voz” (México) Dir. Mónica Herrera
Largometraje Iberoamericano Documental
Mención Especial
“El salvavidas“ (Chile) Dir. Maite Alberdi
Mejor Documental Iberoamericano
“ ¡Vivan las antípodas! “(Argentina - Chile - Alemania - Holanda) Dir. Víctor Kossakovsky
Largometraje Mexicano Documental
Mención Especial
“Carrière, 250 metros” Dir. Juan Carlos Rulfo y Natalia Gil
Mención Especial
“El paciente interno” Dir. Alejandro Solar
Mejor Documental Mexicano
“Cuates de Australia” Everardo González
Largometraje de Ficción Iberoamericana
Mejor Guion
Jaime Osorio por “El páramo” (Colombia)
Mejor Fotografía
Mauro Pinheiro Jr. por “Sudoeste” (Brasil)
Mejor Actriz
Francisca Gavilán por “Violeta se fue a los cielos” (Chile)
Mejor Actor
Andrés Crespo por “Pescador” (Ecuador)
Premio Especial del Jurado
“Los pasos dobles” (España - Suiza) Dir. Isaki Lacuesta
Mejor Opera Prima
“Transeunte” (Brasil) Dir. Eryk Rocha
Mejor Director
Sebastián Cordero por “Pescador” (Ecuador)
Mejor Película Iberoamericana
"Abrir puertas y ventanas" (Argentina) "Dir. Milagros Mumenthaler
Largometraje de Ficción Mexicana
Mención Especial
Música Original de "Días de gracia"
Mejor Guion
Miguel Bonilla por “Diente por diente”
Mejor Fotografía
Jerónimo Rodríguez por “Todo el mundo tiene a alguien menos yo”
Mejor Actriz
Martha Higareda por “Mariachi Gringo”
Mejor Actor
Kuno Becker por “Espacio Interior”
Mejor Opera Prima
"El fantástico mundo de Juan Orol" Dir. Sebastián del Amo
Mejor Director
Everardo Gout por “Días de gracia”.
Mejor Película
“Mariachi Gringo” Dir. Tom Gustafson
alt=premios-paralelos>
Premio de los Niños
“El secreto del medallón de jade” (México) Dir. Rodolfo Guzmán y Leopoldo Aguilar
Premio Feisal
Mención Especial
“No hay lugar lejano” (México) Dir. Michelle Ibaven
Mención Especial
“Oro Colombiano: 400 años de música del alma” (Colombia) Dir. Sanjay Agarwal e Iván Higa
Premio Feisal
“75 habitantes, 20 casas, 300 vacas” (Argentina) Dir. Fernando Domínguez
Premio Fipresci
“Violeta se fue a los cielos” (Chile) Dir. Andrés Wood
Guerrero de la Prensa
Mejor largometraje de ficción “Días de gracia” (México) Dir. Everardo Gout Mejor largometraje documental “El paciente interno” (México) Dir. Alejandro Solar
Academia Jalisciense de Cinematografía
Mejor cortometraje jalisciense “La noria” Dir. Karla Castañeda Mejor largometraje jalisciense “Fecha de caducidad” Dir. Kenya Márquez
No sooner does this festival and market wrap when a new Mexican festival, the Riviera Maya Film Festival, begins March 20 - 25 which will play in Cancun, Playa del Carmen, Tulum, Cozumel and Holbox. The industry component Rivieralab, a coproduction event will take place in Quintana Roo March 22-25 and will host 158 projects from Latin America and Europe. 10 projects will be showcased to financiers, fund representatives, producers and sales agents, 3 will receive 200,000 pesos or approximately Us$15,500. 8 international works in progress at post-production stage from a pool of 40 will be selected to receive support.
- 3/12/2012
- by Sydney Levine
- Sydney's Buzz
The 2012 Sundance Film Festival has come to an end, and the winners of the Jury, Audience, and Next <=> awards have been announced. There was a great selection of films this year at the festival, and I've seen more good than bad. I'm ultimately happy with the outcome. Beasts of the Southern Wild was this year's most buzzed about film and took home the top Grand Jury Prize. I didn't like it as much as everyone else, but it was still good, and it won. I think it was just way too over hyped for what I ended up seeing. Maybe I would have liked it more had I gone in with no expectations.
Here's the full breakdown of winners:
Sundance Institute this evening announced the Jury, Audience, Next <=> and other special awards of the 2012 Sundance Film Festival at the Festival’s Awards Ceremony in Park City, Utah. An archived video...
Here's the full breakdown of winners:
Sundance Institute this evening announced the Jury, Audience, Next <=> and other special awards of the 2012 Sundance Film Festival at the Festival’s Awards Ceremony in Park City, Utah. An archived video...
- 1/29/2012
- by Venkman
- GeekTyrant
The Sundance Film Festival prepared to come to a close for 2012 tonight as the festival held its some of its last screenings and mounted an awards ceremony to celebrate the best films of this year's festival. The biggest jury prizes went to Beasts of the Southern Wild (reviewed here [1]) and Eugene Jarecki's war on drugs documentary The House I Live In. The Surrogate (reviewed here [2]) took an Audience Award, as did the doc Searching for Sugar Man (reviewed here [3]) and the film Valley of Saints. The full list of awards is below. The 2012 Sundance Film Festival Awards presented this evening were: The Grand Jury Prize: Documentary was presented by Charles Ferguson to: The House I Live In / U.S.A. (Director: Eugene Jarecki) — For over 40 years, the War on Drugs has accounted for 45 million arrests, made America the world's largest jailer and damaged poor communities at home and abroad.
- 1/29/2012
- by Russ Fischer
- Slash Film
Beasts of the Southern Wild
The House I Live In, Beasts of the Southern Wild, The Law in These Parts and Violeta Went to Heaven Earn Grand Jury Prizes
Audience Favorites Include The Invisible War, The Surrogate, Searching For Sugar Man and Valley of Saints
Sleepwalk With Me Receives Best of Audience Award
Park City, Ut . Sundance Institute this evening announced the Jury, Audience, and other special awards of the 2012 Sundance Film Festival at the Festival.s Awards Ceremony, hosted by Parker Posey in Park City, Utah. An archived video of the ceremony in its entirety is available at www.sundance.org/live.
.Every year the Sundance Film Festival brings to light exciting new directions and fresh voices in independent film, and this year is no different,. said John Cooper, Director of the Sundance Film Festival. .While these awards further distinguish those that have had the most impact on audiences and our jury,...
The House I Live In, Beasts of the Southern Wild, The Law in These Parts and Violeta Went to Heaven Earn Grand Jury Prizes
Audience Favorites Include The Invisible War, The Surrogate, Searching For Sugar Man and Valley of Saints
Sleepwalk With Me Receives Best of Audience Award
Park City, Ut . Sundance Institute this evening announced the Jury, Audience, and other special awards of the 2012 Sundance Film Festival at the Festival.s Awards Ceremony, hosted by Parker Posey in Park City, Utah. An archived video of the ceremony in its entirety is available at www.sundance.org/live.
.Every year the Sundance Film Festival brings to light exciting new directions and fresh voices in independent film, and this year is no different,. said John Cooper, Director of the Sundance Film Festival. .While these awards further distinguish those that have had the most impact on audiences and our jury,...
- 1/29/2012
- by Michelle McCue
- WeAreMovieGeeks.com
Fox Searchlight was the big winner at the Sundance Film Festival 2012, as two of their acquired titles won top awards. It is no surprise that Benh Zeitlin‘s Beast of the Southern Wild (our review here) picked up the grand jury dramatic prize, as it was the most-buzzed of the fest. The Surrogate, starring John Hawkes, won the dramatic audience award and one can read our review of that drama here. It was great to see other fest favorites like Mike Birbiglia‘s Sleepwalk With Me and The Queen of Versailles among other winners. Check them all out below and see our full coverage here.
Park City, Ut — Sundance Institute this evening announced the Jury, Audience, Next <=> and other special awards of the 2012 Sundance Film Festival at the Festival’s Awards Ceremony, hosted by Parker Posey in Park City, Utah. An archived video of the ceremony in its entirety is available at www.
Park City, Ut — Sundance Institute this evening announced the Jury, Audience, Next <=> and other special awards of the 2012 Sundance Film Festival at the Festival’s Awards Ceremony, hosted by Parker Posey in Park City, Utah. An archived video of the ceremony in its entirety is available at www.
- 1/29/2012
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
Ra'anan Alexandrovicz's The Law in These Parts Benh Zeitlin's Beasts of the Southern Wild, the story of a young girl growing up in Louisiana (to be released by Fox Searchlight) was the top U.S. narrative feature at the 2012 Sundance Film Festival. Eugene Jarecki's The House I Live In, a documentary about the United States' inane, costly, deadly, and corruptive war on drugs (good for cops and prison profiteers; bad for everybody else, especially the poor and the disenfranchised), was the winner in the U.S. documentary category. [Full list of Sundance 2012 Winners.] Considering the recent changes made to the voting rules of the Academy of Motion Picture Arts and Sciences Documentary Branch, expect The House I Live In to be shortlisted for Oscar 2013. By the way, Jarecki's 2005 documentary Why We Fight, about the reasons for the United States getting into one war after another, also received top honors at Sundance. The 2012 World...
- 1/29/2012
- by Andre Soares
- Alt Film Guide
Joel Edgerton, Wish You Were Here World Cinema Dramatic Competition 4 Suns / Czech Republic (Director/screenwriter: Bohdan Sláma) — Immature Fogi attempts to straighten up and accept his responsibilities as a new husband and father, as well as role model to his troubled son from a previous relationship, but finds himself unable to change his nature, leaving him to watch haplessly as his family begins to crumble. Cast: Jaroslav Plesl, Ana Geislerová, Karel Roden, Klára Melíšková. World Premiere About the Pink Sky / Japan (Director/screenwriter: Keiichi Kobayashi) — A high school girl finds a wallet full of money and tracks down its owner, leading to unexpected consequences for the girl and her friends. Cast: Ai Ikeda, Ena Koshino, Reiko Fujiwara, Tsubasa Takayama. International Premiere Can / Turkey (Director/screenwriter: Rasit Celikezer) — A young married couple live happily in Istanbul, but their decision to illegally procure a child threatens their future together. Cast: Selen Ucer,...
- 12/2/2011
- by Steve Montgomery
- Alt Film Guide
“Valley of Saints”, a love story set in Kashmir is all set to compete for the top award in the World Dramatics category of Sundance Film Festival 2012. The film, directed by an American filmmaker Musa Sayeed, had earlier won Film Independent and Sloan Foundation Producer’s Grant for the same films.
“Valley of Saints” is about a Kashmiri boatman Gulzar, who plans to run away from the war and poverty surrounding his village in Kashmir with his best friend, but a beautiful young woman researching the dying lake leads him to contemplate a different future. Sundance Film Festival announced its competition line up on November 30, 2011. Here is the complete lineup:- U.S. Dramatic Competition The world premieres of 16 American narrative feature films.
Beasts of the Southern Wild / U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Lucy Alibar) — Waters gonna rise up, wild animals gonna rerun from the grave, and...
“Valley of Saints” is about a Kashmiri boatman Gulzar, who plans to run away from the war and poverty surrounding his village in Kashmir with his best friend, but a beautiful young woman researching the dying lake leads him to contemplate a different future. Sundance Film Festival announced its competition line up on November 30, 2011. Here is the complete lineup:- U.S. Dramatic Competition The world premieres of 16 American narrative feature films.
Beasts of the Southern Wild / U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Lucy Alibar) — Waters gonna rise up, wild animals gonna rerun from the grave, and...
- 12/1/2011
- by NewsDesk
- DearCinema.com
For Ellen, Luv, and the other competition films have been announced for the 2012 Sundance Film Festival. The Sundance Film Festival is “a film festival that takes place annually in the state of Utah, in the United States. It is the largest independent cinema festival in the United States…the festival is the premier showcase for new work from American and international independent filmmakers.” For the 2012 Sundance Film Festival, “110 feature-length films were selected, representing 31 countries and 44 first-time filmmakers, including 26 in competition. These films were selected from 4,042 feature-length film submissions composed of 2,059 U.S. and 1,983 international feature-length films. 88 films at the Festival will be world premieres.”
The 2012 Sundance Film Festival will run from January 19, 2011 to January 29, 2011 in Park City, Salt Lake City, Ogden and Sundance, Utah.
The full listing of the competition films in the 2011 Sundance Film Festival are below.
U.S. Dramatic Competition
The world premieres of 16 American narrative feature films.
The 2012 Sundance Film Festival will run from January 19, 2011 to January 29, 2011 in Park City, Salt Lake City, Ogden and Sundance, Utah.
The full listing of the competition films in the 2011 Sundance Film Festival are below.
U.S. Dramatic Competition
The world premieres of 16 American narrative feature films.
- 12/1/2011
- by filmbook
- Film-Book
I love the Sundance Film Festival. The winners of the fest normally have long legs enough to last all the way until the Oscars. This year, for example, "Pariah" was one of the breakout hits from Sundance, and the Dee Rees coming-of-age flick is being distributed by Focus this month. Its star, Adepero Oduye, recently received the Best Female Lead nomination from the Independent Spirit Awards.
So now, Sundance has unveiled its in-competition slate for 2012 and the films, as always, are quite intriguing. The fest runs from Jan. 19th to the 29th in Park City, Utah. Check out the full list below:
U.S. Dramatic Competition
The world premieres of 16 American narrative feature films.
Beasts of the Southern Wild / U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Lucy Alibar) . Waters gonna rise up, wild animals gonna rerun from the grave, and everything south of the levee is goin. under,...
So now, Sundance has unveiled its in-competition slate for 2012 and the films, as always, are quite intriguing. The fest runs from Jan. 19th to the 29th in Park City, Utah. Check out the full list below:
U.S. Dramatic Competition
The world premieres of 16 American narrative feature films.
Beasts of the Southern Wild / U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Lucy Alibar) . Waters gonna rise up, wild animals gonna rerun from the grave, and everything south of the levee is goin. under,...
- 11/30/2011
- by Manny
- Manny the Movie Guy
Park City, Ut – Sundance Institute announced today the films selected for the U.S. and World Cinema Dramatic and Documentary Competitions of the 2012 Sundance Film Festival. The Sundance Film Festival will take place January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival.
Robert Redford, Founder and President of Sundance Institute remarked, “We are, and always have been, a festival about the filmmakers. So what are they doing? What are they saying? They are making statements about the changing world we are living in. Some are straight-forward, some novel and some offbeat but always interesting. One can never predict. We know only at the end, and I love that.”
John Cooper, Director of the Sundance Film Festival, said, “In these challenging economic times, filmmakers have had to be more resourceful and truly independent in their approaches to filmmaking.
Robert Redford, Founder and President of Sundance Institute remarked, “We are, and always have been, a festival about the filmmakers. So what are they doing? What are they saying? They are making statements about the changing world we are living in. Some are straight-forward, some novel and some offbeat but always interesting. One can never predict. We know only at the end, and I love that.”
John Cooper, Director of the Sundance Film Festival, said, “In these challenging economic times, filmmakers have had to be more resourceful and truly independent in their approaches to filmmaking.
- 11/30/2011
- by Michelle McCue
- WeAreMovieGeeks.com
The Sundance Film Festival is the largest independent cinema festival in the United States. Held in January in Park City, Salt Lake City, the festival is a showcase for new work from American and international independent filmmakers. The Festival has changed over the decades from a low-profile venue for small-budget, independent creators from outside the Hollywood system to a media extravaganza for Hollywood celebrity actors, paparazzi, and luxury lounges set up by companies that are not affiliated with Sundance.
Now the festival is getting ready for the 2012 edition and today they announced the films competing in all categories.
Here is the Sundance press release.
U.S. Dramatic Competition
The world premieres of 16 American narrative feature films.
Beasts of the Southern Wild / U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Lucy Alibar) — Waters gonna rise up, wild animals gonna rerun from the grave, and everything south of the levee is goin’ under,...
Now the festival is getting ready for the 2012 edition and today they announced the films competing in all categories.
Here is the Sundance press release.
U.S. Dramatic Competition
The world premieres of 16 American narrative feature films.
Beasts of the Southern Wild / U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Lucy Alibar) — Waters gonna rise up, wild animals gonna rerun from the grave, and everything south of the levee is goin’ under,...
- 11/30/2011
- by Kyle Reese
- SoundOnSight
By Sean O’Connell
Hollywoodnews.com: The 2012 Sundance Film Festival unveiled the first wave of programming for its upcoming event, scheduled for Jan. 19-29, 2012. Multiple titles have been handpicked for the U.S. and World Cinema Dramatic and Documentary Competitions. Additional programming announcements will come over the following week.
“We are, and always have been, a festival about the filmmakers. So what are they doing? What are they saying? They are making statements about the changing world we are living in. Some are straight-forward, some novel and some offbeat but always interesting. One can never predict. We know only at the end, and I love that,” said Robert Redford, Founder and President of Sundance Institute.
Information on the full slate of announced titles follows, directly from the Sundance press release. For more details, visit www.sundance.org/festival.
U.S. Dramatic Competition
The world premieres of 16 American narrative feature films.
Hollywoodnews.com: The 2012 Sundance Film Festival unveiled the first wave of programming for its upcoming event, scheduled for Jan. 19-29, 2012. Multiple titles have been handpicked for the U.S. and World Cinema Dramatic and Documentary Competitions. Additional programming announcements will come over the following week.
“We are, and always have been, a festival about the filmmakers. So what are they doing? What are they saying? They are making statements about the changing world we are living in. Some are straight-forward, some novel and some offbeat but always interesting. One can never predict. We know only at the end, and I love that,” said Robert Redford, Founder and President of Sundance Institute.
Information on the full slate of announced titles follows, directly from the Sundance press release. For more details, visit www.sundance.org/festival.
U.S. Dramatic Competition
The world premieres of 16 American narrative feature films.
- 11/30/2011
- by Sean O'Connell
- Hollywoodnews.com
Every January, a little film festival called the Sundance Film Festival is held in Park City, Utah, and Sundance has officially announced the first half of this year’s Sundance 2012 competition line-up. This year 58 individual films are gunning for the top award in four different competition categories. The second half of the Sundance lineup will be introduced tomorrow. Some of the biggest names on this Sundance list includes Antonio Campos, Mark Webber, Ry Russo-Young and So Yong Kim. Check out the list below.
U.S. Dramatic Competition
The world premieres of 16 American narrative feature films.
Beasts of the Southern Wild / U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Lucy Alibar) — Waters gonna rise up, wild animals gonna rerun from the grave, and everything south of the levee is goin’ under, in this tale of a six year old named Hushpuppy, who lives with her daddy at the edge of the world.
U.S. Dramatic Competition
The world premieres of 16 American narrative feature films.
Beasts of the Southern Wild / U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Lucy Alibar) — Waters gonna rise up, wild animals gonna rerun from the grave, and everything south of the levee is goin’ under, in this tale of a six year old named Hushpuppy, who lives with her daddy at the edge of the world.
- 11/30/2011
- by Mike Lee
- FusedFilm
Grab your ski jackets and swag bags and start warming up your eyeballs: the Sundance Film Festival is almost upon us. 2012's Sundance runs from January 19 to 29 in Park City, Utah, and today the fest announced their first wave of programming, 58 titles in the Us and World Dramatic and Documentary Competitions.
The slate so far includes plenty of familiar faces. Sundancers in 2012 will get the first crack at new movies from Antonio Campos ("Afterschool"), Kirby Dick ("This Film is Not Yet Rated"), Ira Sachs ("Forty Shades of Blue"), and Mark Webber ("Explicit Ills"). I'm also intrigued by "Nobody Walks" from "You Won't Miss Me" director Ry Russo-Young and "Tiny Furniture" director Lena Dunham (Russo-Young directed, the two co-wrote the screenplay) and a cast that includes John Krasinski, Olivia Thirlby, and Rosemarie DeWitt. Aubrey Plaza and Mark Duplass star in "Safety Not Guaranteed" about "a trio of magazine employees investigating a...
The slate so far includes plenty of familiar faces. Sundancers in 2012 will get the first crack at new movies from Antonio Campos ("Afterschool"), Kirby Dick ("This Film is Not Yet Rated"), Ira Sachs ("Forty Shades of Blue"), and Mark Webber ("Explicit Ills"). I'm also intrigued by "Nobody Walks" from "You Won't Miss Me" director Ry Russo-Young and "Tiny Furniture" director Lena Dunham (Russo-Young directed, the two co-wrote the screenplay) and a cast that includes John Krasinski, Olivia Thirlby, and Rosemarie DeWitt. Aubrey Plaza and Mark Duplass star in "Safety Not Guaranteed" about "a trio of magazine employees investigating a...
- 11/30/2011
- by Matt Singer
- ifc.com
Going to the Sundance Film Festival is one of my favorite movie events of the year, and I'm excited for what they have going on for 2012. I just love hanging around in cold snowy weather and watching movies all day. Today the 2012 Sundance Film Festival has announced its line-up for competition films. These are all the films eligible for awards, and you most likely haven't heard of any of them. Each film has a little description next to it. The festival will take place January 19th to the 29th.
Check out the press release and full list of movies below and tell us what you think! Will you be attending the festival?
Park City, Ut — Sundance Institute announced today the films selected for the U.S. and World Cinema Dramatic and Documentary Competitions of the 2012 Sundance Film Festival. The Sundance Film Festival will take place January 19 through 29 in Park City,...
Check out the press release and full list of movies below and tell us what you think! Will you be attending the festival?
Park City, Ut — Sundance Institute announced today the films selected for the U.S. and World Cinema Dramatic and Documentary Competitions of the 2012 Sundance Film Festival. The Sundance Film Festival will take place January 19 through 29 in Park City,...
- 11/30/2011
- by Venkman
- GeekTyrant
Snow is falling, the temperature is dropping, movies are getting better. Some might say it's beginning to look a lot like Christmas but I say it's beginning to look a lot like Sundance. The 2012 Sundance Film Festival announced its first batch of films Wednesday, all of which are in competition. Meaning these are the films eligible for awards. It also means that, as of right now, these are the films you probably haven't heard of. But, at this time last year [1], the competition films included a ton that you've surely now heard of such as Another Earth, Circumstance, Like Crazy, Martha Marcy May Marlene, Pariah, The Guard, Tyrannosaur and Take Shelter. Those were just the narratives. In last year's documentary competition, films like Beats, Rhymes and Life, Being Elmo, How to Die in Oregon, Page One, Knuckle, Project Nim and Senna all played. Basically, while you probably haven't heard of these movies yet,...
- 11/30/2011
- by Germain Lussier
- Slash Film
Getty Images The marquee of the Egyptian Theater announces the Sundance Film Festival.
Aging hipsters, Argentinian Elvis impersonators and the dissident Chinese artist Ai Wei Wei are just some of the subjects that will be featured during the Sundance Film Festival this coming January.
The Sundance Institute announced its in-competition film selections for the 2012 fest Wednesday afternoon, debuting a typically eclectic mix of narrative and documentary projects from both veteran filmmakers and festival newcomers. (The full list is below.) In total,...
Aging hipsters, Argentinian Elvis impersonators and the dissident Chinese artist Ai Wei Wei are just some of the subjects that will be featured during the Sundance Film Festival this coming January.
The Sundance Institute announced its in-competition film selections for the 2012 fest Wednesday afternoon, debuting a typically eclectic mix of narrative and documentary projects from both veteran filmmakers and festival newcomers. (The full list is below.) In total,...
- 11/30/2011
- by Michelle Kung
- Speakeasy/Wall Street Journal
It seems like we are only just diving into the awards season, but the 2012 film year is right around the corner. There is no better place to get a tast of what is to come than Park City Utah in late January. We’ll be attending the fest again (read last year’s round-up) and today we have the first competition titles. This is the same group from last year which titles include Martha Marcy May Marlene, Like Crazy, Another Earth, Pariah, Being Elmo, Take Shelter and many more. Are there more great films to be found this year? I have no doubt the line-up below will include break-out titles, so lets get to it.
At first glance, the most notable film is Antonio Campos’ Simon Killer, who last directed Afterschool and is in the Martha Marcy trio. It is easily my most-anticipated from this group, along with Quentin Dupieux‘s Rubber follow-up Wrong.
At first glance, the most notable film is Antonio Campos’ Simon Killer, who last directed Afterschool and is in the Martha Marcy trio. It is easily my most-anticipated from this group, along with Quentin Dupieux‘s Rubber follow-up Wrong.
- 11/30/2011
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
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