Make way for the parade! Featuring Brian Trenchard-Smith, Eli Roth, Katt Shea, Thomas Jane, our very own Don Barrett and Blaire Bercy from the Hollywood Food Coalition.
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
Screams of a Winter Night (1979)
Goodbye Bruce Lee: His Last Game Of Death (1975)
I Think We’re Alone Now (2018)
The Rhythm Section (2020)
Atomic Blonde (2017)
The Spy Who Came In From The Cold (1965)
The Ipcress File (1965)
Funeral In Berlin (1966)
Extraction (2020)
Kung Fu Hustle (2004)
The Mermaid (2016)
Oklahoma! (1955)
Singin’ In The Rain (1953)
Nightcrawler (2014)
I Think We’re Alone Now (2008)
Ghetto Freaks a.k.a. Sign of Aquarius (1970)
Hostel (2005)
Cabin Fever (2002)
Final Cut: Ladies And Gentlemen (2012)
The Movie Orgy (1968)
Gremlins (1984)
The Goonies (1985)
Hell of the Living Dead a.k.a. Night of the Zombies (1980)
Troll 2 (1990)
In The Land Of The Cannibals a.k.a. Land of...
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
Screams of a Winter Night (1979)
Goodbye Bruce Lee: His Last Game Of Death (1975)
I Think We’re Alone Now (2018)
The Rhythm Section (2020)
Atomic Blonde (2017)
The Spy Who Came In From The Cold (1965)
The Ipcress File (1965)
Funeral In Berlin (1966)
Extraction (2020)
Kung Fu Hustle (2004)
The Mermaid (2016)
Oklahoma! (1955)
Singin’ In The Rain (1953)
Nightcrawler (2014)
I Think We’re Alone Now (2008)
Ghetto Freaks a.k.a. Sign of Aquarius (1970)
Hostel (2005)
Cabin Fever (2002)
Final Cut: Ladies And Gentlemen (2012)
The Movie Orgy (1968)
Gremlins (1984)
The Goonies (1985)
Hell of the Living Dead a.k.a. Night of the Zombies (1980)
Troll 2 (1990)
In The Land Of The Cannibals a.k.a. Land of...
- 5/8/2020
- by Kris Millsap
- Trailers from Hell
A new cut of Francis Ford Coppola’s 1984 crime drama “The Cotton Club” is set to hit theaters this fall following a bow at the 2019 New York Film Festival. “The Cotton Club” stars Richard Gere, Diane Lane, Gregory Hines, Bob Hoskins, Laurence Fishburne and Nicolas Cage and is set in 1930s Harlem at the legendary jazz venue from which it takes its name. For the initial release, Coppola bent to outside concerns that he edit the film to focus solely on Gere’s character Dixie Dwyer. The Director’s Cut will presumably hew closer to the filmmaker’s original intent, which was to focus just as much on the character played by Gregory Hines, a dancer named Delbert “Sandman” Williams.
The official synopsis for the re-release reads: “In this lavish, 1930s-era drama, Harlem’s legendary Cotton Club becomes a hotbed of passion and violence as the lives and loves of entertainers and gangsters collide.
The official synopsis for the re-release reads: “In this lavish, 1930s-era drama, Harlem’s legendary Cotton Club becomes a hotbed of passion and violence as the lives and loves of entertainers and gangsters collide.
- 9/12/2019
- by Jude Dry
- Indiewire
Heaven only knows whether Jared Goff will lead the Los Angeles Rams to a historic victory in Super Bowl Liii this Sunday, but kickoff can’t get here quick enough for Hollywood legend Warren Beatty. “The phone keeps ringing,” Beatty said. “What’s been going on, well, it’s kind of ridiculous.”
The reason the phone keeps ringing? Heaven Can Wait, the 1978 celestial comedy hit that Beatty memorably produced, co-directed, co-wrote and starred in. Beatty portrays Rams quarterback Joe Pendleton, who dies before his destined time but, with some angelic assistance, returns to win the Super Bowl inhabiting the body of the team’s unflappable back-up, Tom Jarrett, who wears No. 16.
Goff is also known for playing without panic, he wears No. 16 and his first name sounds a lot like Jarrett — which may sound like skimpy stuff when it comes to cosmic coincidences, but it’s good enough to merit...
The reason the phone keeps ringing? Heaven Can Wait, the 1978 celestial comedy hit that Beatty memorably produced, co-directed, co-wrote and starred in. Beatty portrays Rams quarterback Joe Pendleton, who dies before his destined time but, with some angelic assistance, returns to win the Super Bowl inhabiting the body of the team’s unflappable back-up, Tom Jarrett, who wears No. 16.
Goff is also known for playing without panic, he wears No. 16 and his first name sounds a lot like Jarrett — which may sound like skimpy stuff when it comes to cosmic coincidences, but it’s good enough to merit...
- 2/2/2019
- by Geoff Boucher
- Deadline Film + TV
Following a lengthy wait, Seventh Son has finally made its way to theaters. The epic fantasy centers on a professional spook (Jeff Bridges), who takes a dashing young apprentice (Ben Barnes) under his wing as the two prepare to face the end of the world. Together they square off against Mother Malkin (Julianne Moore) and her army of deadly minions.
Directed by Sergei Bodrov, Seventh Son is based on the novel The Spook’s Apprentice by Joseph Delaney.
At a recent New York press conference for the film - Bridges, Moore and Barnes discussed their personal connections to their roles and how themes of fate and destiny have played out off-screen.
This film talks a lot about destiny and fate. How much has fate played a role in your lives?
Jeff Bridges: Destiny and fate? You guys wanna go first on that one?
Ben Barnes: Nobody wants to go first on that!
Directed by Sergei Bodrov, Seventh Son is based on the novel The Spook’s Apprentice by Joseph Delaney.
At a recent New York press conference for the film - Bridges, Moore and Barnes discussed their personal connections to their roles and how themes of fate and destiny have played out off-screen.
This film talks a lot about destiny and fate. How much has fate played a role in your lives?
Jeff Bridges: Destiny and fate? You guys wanna go first on that one?
Ben Barnes: Nobody wants to go first on that!
- 2/6/2015
- by Justine Browning
- LRMonline.com
Watergate Remembered in Discovery Channel Documentary 'Celebrating' the 40th Anniversary of the Watergate Scandal The Washington Post and American journalistic ethics in general may be only a shadow of what they once were -- and most of the U.S. press was never really all that great or even borderline trustworthy to begin with -- but Robert Redford remains the same, glimpsed here with Watergate investigators Carl Bernstein and Bob Woodward, and former Washington Post editor Ben Bradlee, shot (not literally) by Annie Leibovitz. Pictured above: Redford with Bernstein, Bradlee, and Woodward in the iconic Washington Post newsroom. The four veterans got together to promote the Discovery Channel doc All the President’s Men Revisited, about the 40th anniversary of the Watergate scandal that destroyed the Nixon presidency. With Redford as one of its executive producers, the documentary airs this month. Redford played Woodward opposite Dustin Hoffman's Bernstein in...
- 4/19/2013
- by Andre Soares
- Alt Film Guide
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