Still believe in the goodness of people? Still hold out hope for the future? If so this is one picture you’ll want to catch up with sooner than later. ‘The Good Totò’ is literally found in a cabbage patch; the simple magic of kindness enables him to turn a shanty town into a little Utopia . . . for a few days. Vittorio De Sica and Cesare Zavattini fashion a story that insists that magic is as real as sunlight, music, and the words ‘Good Morning’ — and that man is imperfect and his institutions unjust. Francesco Golisano, Brunella Bovo and the heavenly Emma Gramatica are unforgettable. The warmth and understanding here bests that of Charlie Chaplin.
Miracle in Milan
Blu-ray
The Criterion Collection 1119
1951 / B&w / 1:37 Academy / 96 min. / Miracolo a Milano / available through The Criterion Collection / Street Date April 19, 2022 / 39.95
Starring: Emma Gramatica, Francesco Golisano, Paolo Stoppa, Guglielmo Barnabò, Brunella Bovo, Anna Carena,...
Miracle in Milan
Blu-ray
The Criterion Collection 1119
1951 / B&w / 1:37 Academy / 96 min. / Miracolo a Milano / available through The Criterion Collection / Street Date April 19, 2022 / 39.95
Starring: Emma Gramatica, Francesco Golisano, Paolo Stoppa, Guglielmo Barnabò, Brunella Bovo, Anna Carena,...
- 4/12/2022
- by Glenn Erickson
- Trailers from Hell
Warning: Do not read this story until you have seen the final episode of “Hollywood.”
For its first six episodes, Ryan Murphy’s “Hollywood” mixed reality and fiction in its portrait of the movie business in the years after World War II. But there’s a good reason why the final episode is titled “A Hollywood Ending” – because it uses the Oscars of March 1948 to paint a picture of Hollywood growing more tolerant, more open to minorities and gays and more embracing of the kind of films that in reality were nearly impossible to make at the time or for decades later.
Like the ending of Quentin Tarantino’s “Once Upon a Time … in Hollywood,” the episode veers into a kind of wish-fulfillment fiction that is the whole point of its existence.
So we’re not really fact-checking when we look at the show’s depiction of the 20th Academy Awards ceremony.
For its first six episodes, Ryan Murphy’s “Hollywood” mixed reality and fiction in its portrait of the movie business in the years after World War II. But there’s a good reason why the final episode is titled “A Hollywood Ending” – because it uses the Oscars of March 1948 to paint a picture of Hollywood growing more tolerant, more open to minorities and gays and more embracing of the kind of films that in reality were nearly impossible to make at the time or for decades later.
Like the ending of Quentin Tarantino’s “Once Upon a Time … in Hollywood,” the episode veers into a kind of wish-fulfillment fiction that is the whole point of its existence.
So we’re not really fact-checking when we look at the show’s depiction of the 20th Academy Awards ceremony.
- 5/13/2020
- by Steve Pond
- The Wrap
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