Co-director Jérôme Paillard says market ”exceeded our expectations, especially regarding the quality of the projects proposed in the different sections”.
Horror When Evil Lurks, drama León – both from Argentina – and fantasy drama Almamula, a co-production between Argentina, Italy and France, were among the winners as Ventana Sur came to a close on Friday in Buenos Aires.
The prizes come with development and/or completion funds, or attendance at partner events, underscoring Ventana Sur’s reputation as a critical support platform for Latin American content.
Demian Rugna’s Blood Window Screenings Award winner When Evil Lurks, the first Spanish-language production for...
Horror When Evil Lurks, drama León – both from Argentina – and fantasy drama Almamula, a co-production between Argentina, Italy and France, were among the winners as Ventana Sur came to a close on Friday in Buenos Aires.
The prizes come with development and/or completion funds, or attendance at partner events, underscoring Ventana Sur’s reputation as a critical support platform for Latin American content.
Demian Rugna’s Blood Window Screenings Award winner When Evil Lurks, the first Spanish-language production for...
- 12/3/2022
- by Emilio Mayorga
- ScreenDaily
Buenos Aires — Tinta Oscura winner Juan Bernardo Sánchez Mejía, Netflix awardee “Convince Me,” Argentine art film “León,” animated series “Choco” and the Shudder-coproduced “When Evil Lurks” walked off with some of the biggest prizes on Dec. 2 at a multitudinous Ventana Sur prize ceremony whose whooped applause at each and every winner attested also to the youth of Latin America’s film and TV industries.
The 47 allotted prizes also underscore just how broadly Ventana Sur has diversified from its art pic base into a building gamut of carefully targeted growth sectors for Latin America. Following, a breakdown of prize highlights in a fast-paced ceremony – winners basically made it to the stage for a just a photo – which still lasted the best of two hours.
Tinta Oscura: ‘Warrior’ Supercharged by Ventana Sur Jackpot
The big one. A 25,000 cash prize – a record for Ventana Sur – for the winning screenwriter, backed by Guadalajara’s Agavia Studios,...
The 47 allotted prizes also underscore just how broadly Ventana Sur has diversified from its art pic base into a building gamut of carefully targeted growth sectors for Latin America. Following, a breakdown of prize highlights in a fast-paced ceremony – winners basically made it to the stage for a just a photo – which still lasted the best of two hours.
Tinta Oscura: ‘Warrior’ Supercharged by Ventana Sur Jackpot
The big one. A 25,000 cash prize – a record for Ventana Sur – for the winning screenwriter, backed by Guadalajara’s Agavia Studios,...
- 12/3/2022
- by John Hopewell
- Variety Film + TV
Buenos Aires — Galvanised by backing from Netflix, BBC Studios and Flixxo, the presence of top regional producers – Fabula, Kapow, Pampa Films – power panels, a spread of project from Buenos Aires City, SoloSerieS, Ventana Sur’s TV strand looks in 2022 to have come of age.
That’s hardly surprising. Latin America is a key market for platforms, including Netflix, which looks set to try to reach out to broader cross-section of Argentine producers at two presentations on Thursday, headed by Belén Piñeiro, manager & content, legal, Latin America, and Francisco Ramos, VP of content, Netflix.
The diaspora of on-the-rise filmmakers into TV continues, Chile’s multi-prized cineastes Dominga Sotomayor and Francisca Alegría and Dominican Yanillys Pérez presenting their first TV projects at SoloSeries.
Women make much of the running, packing all five berths in Netflix’s strand and half of the projects competing for two BBC Studios mentorships. Short format series, in contrast,...
That’s hardly surprising. Latin America is a key market for platforms, including Netflix, which looks set to try to reach out to broader cross-section of Argentine producers at two presentations on Thursday, headed by Belén Piñeiro, manager & content, legal, Latin America, and Francisco Ramos, VP of content, Netflix.
The diaspora of on-the-rise filmmakers into TV continues, Chile’s multi-prized cineastes Dominga Sotomayor and Francisca Alegría and Dominican Yanillys Pérez presenting their first TV projects at SoloSeries.
Women make much of the running, packing all five berths in Netflix’s strand and half of the projects competing for two BBC Studios mentorships. Short format series, in contrast,...
- 11/30/2022
- by John Hopewell, Pablo Sandoval and Callum McLennan
- Variety Film + TV
New section has 16 features, of which 10 are world premieres.
The world premiere of Carol Morley’s Typist Artist Pirate King is among the 16 features programmed in Critics’ Picks, the new competitive section of Tallinn Black Nights Film Festival.
The section will host 10 world and three international premieres, with three further films screening out of competition including a gala screening of Estonian co-production Call Of God.
Scroll down for the full list of titles
Speaking about how Poff is trying to innovate with the section, festival director Tiina Lokk said: “The Critics’ Picks competition programme solves a challenge our programme team...
The world premiere of Carol Morley’s Typist Artist Pirate King is among the 16 features programmed in Critics’ Picks, the new competitive section of Tallinn Black Nights Film Festival.
The section will host 10 world and three international premieres, with three further films screening out of competition including a gala screening of Estonian co-production Call Of God.
Scroll down for the full list of titles
Speaking about how Poff is trying to innovate with the section, festival director Tiina Lokk said: “The Critics’ Picks competition programme solves a challenge our programme team...
- 10/27/2022
- by Ben Dalton
- ScreenDaily
The Global Film Initiative and Virgin America, the California-based airline, are partnering to release the Initiative’s critically acclaimed traveling film series—Global Lens—on Virgin America’s interactive, in-flight entertainment system, Red™. Films from the series are now available on demand on all Virgin America flights.
“Global Lens is a one-of-a-kind film series. Virgin America is a one-of-a-kind airline. Put the two together and you have an in-flight experience that has no comparison,” says Santhosh Daniel, Director of Programs at the Global Film Initiative. The Global Lens series is a collection of dynamic feature-length film from Africa, Asia, Latin America and the Middle East that can be seen in more than 35 cities across the United States and in Canada. On Virgin America, the Global Film Initiative brings this diverse and pioneering collection to new audiences via Red™—Virgin America’s touch-screen personal in-flight entertainment system. “Virgin America is committed...
“Global Lens is a one-of-a-kind film series. Virgin America is a one-of-a-kind airline. Put the two together and you have an in-flight experience that has no comparison,” says Santhosh Daniel, Director of Programs at the Global Film Initiative. The Global Lens series is a collection of dynamic feature-length film from Africa, Asia, Latin America and the Middle East that can be seen in more than 35 cities across the United States and in Canada. On Virgin America, the Global Film Initiative brings this diverse and pioneering collection to new audiences via Red™—Virgin America’s touch-screen personal in-flight entertainment system. “Virgin America is committed...
- 1/8/2009
- by Michael Guillen
- Screen Anarchy
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