Peter Brook, the innovative film and theater director known for groundbreaking adaptations of classic literary works and bringing prominent non-Western influences into the theater world, has died at the age of 97. The news was confirmed by BBC.
For the majority of the 20th century, Brook was consistently viewed as one of the most important directors working in the theater world. Born in London in 1925, he began directing Shakespeare productions at Britain’s Royal Shakespeare Company in the 1940s. He quickly became known for his willingness to infuse classic texts, including operas and Christopher Marlowe plays, with experimental aesthetic choices. After several of his productions transferred to Broadway in the 1960s, Brook moved to Paris in the early 1970s. He founded an experimental theater company known as the International Centre for Theatre Research, which traveled throughout Africa and the Middle East to work with local artists on collaborative theater pieces.
As time went on,...
For the majority of the 20th century, Brook was consistently viewed as one of the most important directors working in the theater world. Born in London in 1925, he began directing Shakespeare productions at Britain’s Royal Shakespeare Company in the 1940s. He quickly became known for his willingness to infuse classic texts, including operas and Christopher Marlowe plays, with experimental aesthetic choices. After several of his productions transferred to Broadway in the 1960s, Brook moved to Paris in the early 1970s. He founded an experimental theater company known as the International Centre for Theatre Research, which traveled throughout Africa and the Middle East to work with local artists on collaborative theater pieces.
As time went on,...
- 7/3/2022
- by Christian Zilko
- Indiewire
How’s your week been? Maybe it could have been better with just a little bit of preparation. This week we’re on hand to help you get to grips with making the most of your well-earned downtime in the weeks ahead. So book early, be ballsy and live your best London life one showtune at a time. Be seen on screen.Set an alert on your phone for this Thursday when public booking opens for next month’s BFI London Film Festival. Highlights include new films from directors Luca Guadagnino, the Coen Brothers and Steve McQueen, as well as red carpet appearances from actors Viola Davis, Keira Knightley and Jamie Dornan. Awards season contenders If Beale Street Could Talk, Destroyer, The Favourite and Suspiria are also set to play. More cinematic delights to be announced in coming weeks. (Tickets from £5) Mendes and Brook talk shop.Coming up this week...
- 9/12/2018
- backstage.com
From Johnny Cash to Angela Lansbury, expect to see some familiar faces in the coming year
Pop
The lost Johnny Cash gets released
According to Cash's son John, the country legend was a prolific hoarder, hanging on to everything from original audio tapes for The Johnny Cash Show to "a camel saddle gift from the prince of Saudi Arabia". That explains why it's taken several years since his death in 2003 for anyone to find Out Among the Stars, an album he recorded in the early 1980s. Columbia dismissed the album as not worth releasing, but John Cash describes the 12 tracks – which include a duet with Johnny's wife, June Carter – as "beautiful". 24 March.
Theatre
Hairspray
Barely has the set for a blistering revival of Chicago been cleared away than director Paul Kerryson sets about reinventing this joyous musical, inspired by John Waters's cult movie. It's a show that mixes the heart-rending and the hair-curling,...
Pop
The lost Johnny Cash gets released
According to Cash's son John, the country legend was a prolific hoarder, hanging on to everything from original audio tapes for The Johnny Cash Show to "a camel saddle gift from the prince of Saudi Arabia". That explains why it's taken several years since his death in 2003 for anyone to find Out Among the Stars, an album he recorded in the early 1980s. Columbia dismissed the album as not worth releasing, but John Cash describes the 12 tracks – which include a duet with Johnny's wife, June Carter – as "beautiful". 24 March.
Theatre
Hairspray
Barely has the set for a blistering revival of Chicago been cleared away than director Paul Kerryson sets about reinventing this joyous musical, inspired by John Waters's cult movie. It's a show that mixes the heart-rending and the hair-curling,...
- 1/1/2014
- by Mark Lawson, Lyn Gardner, Peter Bradshaw, Stuart Heritage, Andrew Dickson, Brian Logan, Jonathan Jones, Judith Mackrell
- The Guardian - Film News
Malian actor renowned for his long association with the director Peter Brook and his work in film
The Malian actor Sotigui Kouyaté, who has died aged 73, was an important bridge between African and western culture for 40 years. He was best known for his collaborations with the director Peter Brook, in whose work he demonstrated an extraordinary range.
Kouyaté was one of the very few performers around whom Brook shaped particular projects at the Bouffes du Nord Theatre in Paris. Kouyaté played a resonant Prospero in a French-language Tempest (1990), bringing to the role the sensibility of a culture for whom the supernatural is a practical, everyday matter rather than distant folklore. In the Oliver Sacks-inspired play The Man Who (1993), he effectively effaced his origins, playing various patients (and the Jewish Sacks) with transparency and universality. In Qui Est Là? (1996), an improvisation based on Hamlet, he played Polonius, a gravedigger and a terrifying,...
The Malian actor Sotigui Kouyaté, who has died aged 73, was an important bridge between African and western culture for 40 years. He was best known for his collaborations with the director Peter Brook, in whose work he demonstrated an extraordinary range.
Kouyaté was one of the very few performers around whom Brook shaped particular projects at the Bouffes du Nord Theatre in Paris. Kouyaté played a resonant Prospero in a French-language Tempest (1990), bringing to the role the sensibility of a culture for whom the supernatural is a practical, everyday matter rather than distant folklore. In the Oliver Sacks-inspired play The Man Who (1993), he effectively effaced his origins, playing various patients (and the Jewish Sacks) with transparency and universality. In Qui Est Là? (1996), an improvisation based on Hamlet, he played Polonius, a gravedigger and a terrifying,...
- 5/2/2010
- by Andrew Todd
- The Guardian - Film News
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