The Academy of Motion Picture Arts and Sciences is expanding its membership.
According to a press release, the organization that hands out Oscars each year at the Academy Awards has extended invitations to join the Academy to 398 artists and executives who have made notable contributions to the motion picture industry.
“The Academy is proud to welcome these artists and professionals into our membership. They represent extraordinary global talent across cinematic disciplines and have made a vital impact on the arts and sciences of motion pictures and on movie fans worldwide,” said Academy CEO Bill Kramer and Academy President Janet Yang in a joint statement.
Read More: The Academy Announces 2024 Oscars Date As Well As Submission Deadline
There are some big names and familiar faces among the invitees, including musicians Taylor Swift and David Byrne, and numerous actors, ranging from Selma Blair to Keke Palmer to “Elvis” Oscar nominee Austin Butler.
According to a press release, the organization that hands out Oscars each year at the Academy Awards has extended invitations to join the Academy to 398 artists and executives who have made notable contributions to the motion picture industry.
“The Academy is proud to welcome these artists and professionals into our membership. They represent extraordinary global talent across cinematic disciplines and have made a vital impact on the arts and sciences of motion pictures and on movie fans worldwide,” said Academy CEO Bill Kramer and Academy President Janet Yang in a joint statement.
Read More: The Academy Announces 2024 Oscars Date As Well As Submission Deadline
There are some big names and familiar faces among the invitees, including musicians Taylor Swift and David Byrne, and numerous actors, ranging from Selma Blair to Keke Palmer to “Elvis” Oscar nominee Austin Butler.
- 6/28/2023
- by Brent Furdyk
- ET Canada
Those who accept will be only additions to Academy’s membership in 2023.
Vicky Krieps, Paul Mescal, Warner Bros Discovery head David Zaslav, Aftersun writer-director Charlotte Wells, She Said director Maria Schrader, and Kerry Condon are among 398 who have been invited to join the Academy.
Some 40% of the 2023 class identify as women, 34% belong to underrepresented ethnic/racial communities, and 52% are from 50 countries and territories outside the United States. There are 76 Oscar nominees including 22 winners among the invitees.
Those who accept the invitations will be the only additions to the Academy’s membership. Should they all accept, the total number of members...
Vicky Krieps, Paul Mescal, Warner Bros Discovery head David Zaslav, Aftersun writer-director Charlotte Wells, She Said director Maria Schrader, and Kerry Condon are among 398 who have been invited to join the Academy.
Some 40% of the 2023 class identify as women, 34% belong to underrepresented ethnic/racial communities, and 52% are from 50 countries and territories outside the United States. There are 76 Oscar nominees including 22 winners among the invitees.
Those who accept the invitations will be the only additions to the Academy’s membership. Should they all accept, the total number of members...
- 6/28/2023
- by Jeremy Kay
- ScreenDaily
“Everything Everywhere All At Once” Oscar winners Ke Huy Quan, Daniel Kwan, and Daniel Scheinert, recent acting nominees Austin Butler, Paul Mescal, and Stephanie Hsu, and bold-face names for the extremely online like Taylor Swift, Abel Tesfaye (a.k.a. The Weeknd), and Warner Bros. Discovery boss David Zaslav were among the 398 people announced as new members of the Academy of Motion Picture Arts and Sciences on Wednesday.
“The academy is proud to welcome these artists and professionals into our membership. They represent extraordinary global talent across cinematic disciplines and have made a vital impact on the arts and sciences of motion pictures and on movie fans worldwide,” said academy CEO Bill Kramer and academy president Janet Yang in a joint statement.
This year’s class of new members is heavy on 2022 breakouts, like the aforementioned Kwan and Scheinert – invitees in both the directors’ brand and the producers’ branch. In keeping with academy practice,...
“The academy is proud to welcome these artists and professionals into our membership. They represent extraordinary global talent across cinematic disciplines and have made a vital impact on the arts and sciences of motion pictures and on movie fans worldwide,” said academy CEO Bill Kramer and academy president Janet Yang in a joint statement.
This year’s class of new members is heavy on 2022 breakouts, like the aforementioned Kwan and Scheinert – invitees in both the directors’ brand and the producers’ branch. In keeping with academy practice,...
- 6/28/2023
- by Christopher Rosen
- Gold Derby
Singer-songwriters Taylor Swift and David Byrne, Warner Bros. Discovery CEO David Zaslav, Netflix chief content officer Bela Bajaria, Everything Everywhere All at Once filmmakers Daniels (Kwan and Scheinert), Nobel Prize-winning writer Kazuo Ishiguro, former SXSW chief Janet Pierson, WME co-chairs Christian Muirhead and Richard Weitz, and actors including Selma Blair, Austin Butler, Bill Hader, Paul Mescal, Nicholas Hoult, Keke Palmer, Ke Huy Quan and Rrr stars Ram Charan and N.T. Rama Rao Jr. are among the 398 artists and executives from around the world who have been invited to join the Academy of Motion Picture Arts and Sciences this year, the Oscar-dispensing organization announced Wednesday.
“The Academy is proud to welcome these artists and professionals into our membership,” Academy CEO Bill Kramer and president Janet Yang said in a statement. “They represent extraordinary global talent across cinematic disciplines and have made a vital impact on the arts and sciences of motion...
“The Academy is proud to welcome these artists and professionals into our membership,” Academy CEO Bill Kramer and president Janet Yang said in a statement. “They represent extraordinary global talent across cinematic disciplines and have made a vital impact on the arts and sciences of motion...
- 6/28/2023
- by Scott Feinberg
- The Hollywood Reporter - Movie News
It’s that time of year again — the break between Cannes and the fall festivals, when the Academy of Motion Picture Arts and Sciences makes its membership invitations. The Oscars group said today that it has extended offers to 398 artists and execs — one more than last year — who have distinguished themselves by their contributions to motion pictures.
The list includes actors, directors, writers, producers, musicians, executives, artist reps, publicists and below-the-liners such as casting directors, cinematographers, costume designers, film editors, makeup artists and hairstylists, production designers and sound pros.
“The Academy is proud to welcome these artists and professionals into our membership,” Academy CEO Bill Kramer and Academy President Janet Yang said in a statement. “They represent extraordinary global talent across cinematic disciplines and have made a vital impact on the arts and sciences of motion pictures and on movie fans worldwide.”
As usual, the invitees include newly minted Oscar winners,...
The list includes actors, directors, writers, producers, musicians, executives, artist reps, publicists and below-the-liners such as casting directors, cinematographers, costume designers, film editors, makeup artists and hairstylists, production designers and sound pros.
“The Academy is proud to welcome these artists and professionals into our membership,” Academy CEO Bill Kramer and Academy President Janet Yang said in a statement. “They represent extraordinary global talent across cinematic disciplines and have made a vital impact on the arts and sciences of motion pictures and on movie fans worldwide.”
As usual, the invitees include newly minted Oscar winners,...
- 6/28/2023
- by Erik Pedersen
- Deadline Film + TV
Further prizes awarded to Quentin Tarantino, Edward Norton, Peter Greenaway and Richard Gere.
Joker cinematographer Lawrence Sher won the Golden Frog at Poland’s EnergaCamerimage International Film Festival on Saturday (November 16).
The box-office hit, starring Joaquin Phoenix and directed by Todd Phillips, also won the audience award at the festival, which returned to Torun, Poland.
Scroll down for full list of winners
The Silver Frog went to cinematographer César Charlone for his work on Fernando Meirelles’ The Two Popes, while Vladimír Smutný won the Bronze Frog for Vaclav Marhoul’s The Painted Bird.
Second World War drama The Painted Bird,...
Joker cinematographer Lawrence Sher won the Golden Frog at Poland’s EnergaCamerimage International Film Festival on Saturday (November 16).
The box-office hit, starring Joaquin Phoenix and directed by Todd Phillips, also won the audience award at the festival, which returned to Torun, Poland.
Scroll down for full list of winners
The Silver Frog went to cinematographer César Charlone for his work on Fernando Meirelles’ The Two Popes, while Vladimír Smutný won the Bronze Frog for Vaclav Marhoul’s The Painted Bird.
Second World War drama The Painted Bird,...
- 11/18/2019
- by 1100613¦Tiffany Pritchard¦0¦
- ScreenDaily
“Joker” cinematographer Lawrence Sher’s bid, along with director Todd Phillips, to try something “perhaps even a bit artful” won big Saturday in Torun, Poland as he took the top prize at the EnergaCamerimage Intl. Film Festival.
The Golden Frog for cinematography, along with the audience prize, went to his work filming Joaquin Phoenix in the dark origin story of Batman’s nemesis for its “dystopian storytelling” that “challenges us and unsettles us,” the jury said.
Sher quipped that such a gritty film from “the guys who made ‘The Hangover’ is not always expected.”
The fest wrapped in its new home, the historic city where it was first launched 27 years ago, after screenings of 188 films, most judged by some of 48 jurors in 10 competition categories.
The filming of cinematographer Cesar Charlone in Fernando Meirelles’ portrait of rivalry within the Vatican, “The Two Popes,” won the Silver Frog, while Vladimir Smutny’s...
The Golden Frog for cinematography, along with the audience prize, went to his work filming Joaquin Phoenix in the dark origin story of Batman’s nemesis for its “dystopian storytelling” that “challenges us and unsettles us,” the jury said.
Sher quipped that such a gritty film from “the guys who made ‘The Hangover’ is not always expected.”
The fest wrapped in its new home, the historic city where it was first launched 27 years ago, after screenings of 188 films, most judged by some of 48 jurors in 10 competition categories.
The filming of cinematographer Cesar Charlone in Fernando Meirelles’ portrait of rivalry within the Vatican, “The Two Popes,” won the Silver Frog, while Vladimir Smutny’s...
- 11/16/2019
- by Will Tizard
- Variety Film + TV
Camerimage, the festival in Toruń, Poland dedicated to the art of cinematography, handed out its prestigious Frog prizes this evening. The big winner was “Joker” cinematographer Lawrence Sher, who won the top prize, the Golden Frog, in addition to the Audience Prize. The Bronze Frog was awarded to “The Painted Bird” Dp Vladimír Smutný, while “The Two Popes” Dp César Charlone won the Silver Frog. A full list of winners at the end of this article.
Now in its 27th year, Camerimage has become homecoming week for cinematographers from around the globe, with a vast number of the best DPs, past and present, in attendance. From an awards perspective — considering cinematographers nominate their colleagues — it’s hard to overestimate the value of DPs presenting their work and discussing their craft with their tight-knit community during the week-long celebration.
Sher — whose “Joker” screened early in the fest, and has been in...
Now in its 27th year, Camerimage has become homecoming week for cinematographers from around the globe, with a vast number of the best DPs, past and present, in attendance. From an awards perspective — considering cinematographers nominate their colleagues — it’s hard to overestimate the value of DPs presenting their work and discussing their craft with their tight-knit community during the week-long celebration.
Sher — whose “Joker” screened early in the fest, and has been in...
- 11/16/2019
- by Chris O'Falt
- Indiewire
Other winners at the 40th edition of the second-oldest festival dedicated to cinematographers included The Wild Goose Lake, Piranhas and Ayka. The 40th edition of the Manaki Brothers International Cinematographers' Film Festival (14-21 September) in Bitola, North Macedonia, saw French DoP Hélène Louvart scoop the main award of the event, the Golden Camera 300, for her work on Karim Aïnouz's Cannes Un Certain Regard winner The Invisible Life of Eurídice Gusmāo. The Silver Camera 300 went to Jinsong Dong, the DoP on Diao Yinan's Cannes competition entry The Wild Goose Lake, while Daniele Cipri received the Bronze Camera 300 for his work on Claudio Giovannesi's Berlinale competition title Piranhas. In addition, Poland's Jolanta Dylewska received a Special Mention for Sergey Dvortsevoy's Ayka. The short-film competition was also dominated by Cannes pictures, with Argentina's Constanza Sandoval picking up the Small Camera 300 for her work on Augustina San Martin's Monster God...
Close-Up is a feature that spotlights films now playing on Mubi. Agnieszka Holland's Spoor, which is receiving an exclusive global online premiere on Mubi, is showing from September 11 – October 10, 2019 in Mubi's Luminaries series.Near the end of Spoor, Agnieszka Holland’s 2017 Silver Bear-winning feature, a jittery woman recalls a local legend that used to frighten her as a child. The story of the Night Hunter, a spirit in pursuit of evil people, becomes a parable for the entire film as a whole folkloric act of justice, when members of the small Polish town’s hunting party disappear under mysterious circumstances. Melding its whodunit narrative with uncanny suspects, the film takes a critical stance on the human-animal relationship. Through an unsettling portrayal of hunting rituals intertwined with murder mystery, Spoor questions pre-supposed hierarchical structures, be it that of man over woman, or of human over animal. Despite being drawn up...
- 9/11/2019
- MUBI
More than half of the films playing at Hot Docs, North America’s largest documentary festival, are directed by women, the Canadian event said Tuesday. The festival’s 26th edition, which runs April 25-May 5, will screen 234 films, with 54% of the directors being women.
In the competitive International Spectrum program, notable films receiving their world premieres include Nicole Schafer’s “Buddha in Africa,” about a Malawian boy raised in a Chinese Buddhist orphanage, who’s torn between his heritage and upbringing; Pailin Wedel’s “Hope Frozen,” which profiles a grief-stricken Bangkok family and their unorthodox decision to cryopreserve their deceased daughter; Marcela Arteaga’s “The Guardian of Memory,” a film that reveals the desperate stories of Mexicans fleeing the violence of their country toward an unfriendly U.S. border; and Jolanta Dylewska and Andrzej Wajda’s “Marek Edelman… and There Was Love in the Ghetto,” an artful recreation of the Holocaust...
In the competitive International Spectrum program, notable films receiving their world premieres include Nicole Schafer’s “Buddha in Africa,” about a Malawian boy raised in a Chinese Buddhist orphanage, who’s torn between his heritage and upbringing; Pailin Wedel’s “Hope Frozen,” which profiles a grief-stricken Bangkok family and their unorthodox decision to cryopreserve their deceased daughter; Marcela Arteaga’s “The Guardian of Memory,” a film that reveals the desperate stories of Mexicans fleeing the violence of their country toward an unfriendly U.S. border; and Jolanta Dylewska and Andrzej Wajda’s “Marek Edelman… and There Was Love in the Ghetto,” an artful recreation of the Holocaust...
- 3/19/2019
- by Leo Barraclough
- Variety Film + TV
IndieWire reached out to the filmmakers with films premiering at the 2018 Cannes Film Festival to ask which cameras and lenses they used and, more importantly, why they were the right ones for their movies.
A few trends emerged. Once again, Arri’s digital cameras reign supreme as the choice of international auteurs and their cinematographers. Meanwhile, 13 cinematograhers shot on celluloid, including eight of the 21 competition films gunning for the Palme d’Or: “Ash is the Purest White,” “Shoplifters,” “BlacKkKlansman,” “Lazzaro Felice,” “Sorry Angel,” “Leto,” “Knife + Heart” and “Ayka.”
A handful of films relied on smaller, less expensive cameras that fit their budgets and circumstances, including two documentaries that used outdated Dvcam and Hdv formats when they began as one-person shoots many years ago. Iranian director Jafar Panahi, who is still banned from making films in his home country, used Canon 5d mark and Sony a7s, while Terry Gilliam...
A few trends emerged. Once again, Arri’s digital cameras reign supreme as the choice of international auteurs and their cinematographers. Meanwhile, 13 cinematograhers shot on celluloid, including eight of the 21 competition films gunning for the Palme d’Or: “Ash is the Purest White,” “Shoplifters,” “BlacKkKlansman,” “Lazzaro Felice,” “Sorry Angel,” “Leto,” “Knife + Heart” and “Ayka.”
A handful of films relied on smaller, less expensive cameras that fit their budgets and circumstances, including two documentaries that used outdated Dvcam and Hdv formats when they began as one-person shoots many years ago. Iranian director Jafar Panahi, who is still banned from making films in his home country, used Canon 5d mark and Sony a7s, while Terry Gilliam...
- 5/11/2018
- by Chris O'Falt
- Indiewire
Eagle-eyed viewers better versed in the Polish language will have to scour the end credits of Agnieszka Holland’s “Spoor” to find out if any animals were actually harmed in the making of this feisty, genre-bending film. Though far from perfect, this one part revenge thriller, one part eco-reverie, tied together with sumptuous visual brio, is the “John Wick”/ “Spring, Summer, Fall, Winter… and Spring” mash-up you never knew you always wanted.
See MoreThe 2017 IndieWire Berlinale Bible: Every Review, Interview and News Item Posted During the Festival
A note about the filmmaker first: Holland has one of the more interesting careers in international cinema, directing period dramas in French, Czech and Polish for the Euro-art-house circuit, while at the same time working steadily as a hired gun on prestige American series. Having spent the past several years working with NBC, HBO and Netflix, Holland clearly relishes her return to the feature filmmaking,...
See MoreThe 2017 IndieWire Berlinale Bible: Every Review, Interview and News Item Posted During the Festival
A note about the filmmaker first: Holland has one of the more interesting careers in international cinema, directing period dramas in French, Czech and Polish for the Euro-art-house circuit, while at the same time working steadily as a hired gun on prestige American series. Having spent the past several years working with NBC, HBO and Netflix, Holland clearly relishes her return to the feature filmmaking,...
- 2/12/2017
- by Ben Croll
- Indiewire
Exclusive: Titles on Beta’s slate include films from Agnieszka Holland and Stefan Ruzowitzky.
German sales powerhouse Beta Cinema has revealed details of its new Cannes titles, among them the latest features from Oscar winner Stefan Ruzowitzky, Oscer nominee Agnieszka Holland, Un Certain Regard-winner Andreas Dresen and Golden Bear-winner Calin Peter Netzer.
Beta’s auteur-driven slate is headed by hard-boiled genre film Hell (working title, pictured), from Ruzowitzky, who won his Oscar for The Counterfeiters. Hell is a taut thriller about a young woman witnessing a brutal murder by a fanatic Islamist serial killer.
Shot by DoP Benedict Neuenfels (The Counterfeiters, Anonyma – A Woman In Berlin) and starring Violetta Schurawkow and Tobias Moretti, Hell is produced by genre experts Allegro Film and Amazing Film Company and is currently in post-production. First footage will be revealed at the Beta Cinema Cannes office.
Beta is also introducing buyers to Agnieszka Holland’s Game Count, a thriller...
German sales powerhouse Beta Cinema has revealed details of its new Cannes titles, among them the latest features from Oscar winner Stefan Ruzowitzky, Oscer nominee Agnieszka Holland, Un Certain Regard-winner Andreas Dresen and Golden Bear-winner Calin Peter Netzer.
Beta’s auteur-driven slate is headed by hard-boiled genre film Hell (working title, pictured), from Ruzowitzky, who won his Oscar for The Counterfeiters. Hell is a taut thriller about a young woman witnessing a brutal murder by a fanatic Islamist serial killer.
Shot by DoP Benedict Neuenfels (The Counterfeiters, Anonyma – A Woman In Berlin) and starring Violetta Schurawkow and Tobias Moretti, Hell is produced by genre experts Allegro Film and Amazing Film Company and is currently in post-production. First footage will be revealed at the Beta Cinema Cannes office.
Beta is also introducing buyers to Agnieszka Holland’s Game Count, a thriller...
- 5/11/2016
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
The European Film Academy’s (Efa) chairwoman Agnieszka Holland has spoken of a ¨crisis of content¨ in European cinema and called on the continent’s broadcasters to invest more in ambitious TV series.
Speaking exclusively to ScreenDaily, the Polish director and Efa chair said: ¨The real crisis of European cinema is one of content.
¨We always have some good movies, but not enough. We have to make better ones, ones that are not just artistic and self-involved, but are searching for an audience.
¨Something which doesn’t help is the weakness of European television in terms of the production of ambitious TV series. We don’t have European stars, but nowadays they can be made by European television and that can be later reflected in the cinema.
“If you have this element [from television], it is then much easier to promote the films in the cinemas.¨
Holland also touched on the issue of EU audiovisual policy ahead of the...
Speaking exclusively to ScreenDaily, the Polish director and Efa chair said: ¨The real crisis of European cinema is one of content.
¨We always have some good movies, but not enough. We have to make better ones, ones that are not just artistic and self-involved, but are searching for an audience.
¨Something which doesn’t help is the weakness of European television in terms of the production of ambitious TV series. We don’t have European stars, but nowadays they can be made by European television and that can be later reflected in the cinema.
“If you have this element [from television], it is then much easier to promote the films in the cinemas.¨
Holland also touched on the issue of EU audiovisual policy ahead of the...
- 4/27/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Drive Your Plough Over the Bones of the Dead
Director: Agnieszka Holland // Writers: Agnieszka Holland, Olga Tokarczuk
After working heavily in television since her last celebrated film, 2011’s In Darkness (which received an Oscar nod for Best Foreign Language Film), Polish auteur Agnieszka Holland finally looks to be readying a new feature after a year that saw her revamp ‘Rosemary’s Baby’ as a tv mini-series, as well as her more notable project, Burning Bush. Based on the novel by Olga Tokarczuk, one of the most famous figures in contemporary Polish literature, adapting the novel for the screen has been a labor of love for Holland who has been wanting to make the project for some time. Last summer it as announced that filming would begin at the end of the year and casting was underway, while Holland’s DoP from In Darkness, Jolanta Dylewska, was on board. We’re hoping it’s still underway,...
Director: Agnieszka Holland // Writers: Agnieszka Holland, Olga Tokarczuk
After working heavily in television since her last celebrated film, 2011’s In Darkness (which received an Oscar nod for Best Foreign Language Film), Polish auteur Agnieszka Holland finally looks to be readying a new feature after a year that saw her revamp ‘Rosemary’s Baby’ as a tv mini-series, as well as her more notable project, Burning Bush. Based on the novel by Olga Tokarczuk, one of the most famous figures in contemporary Polish literature, adapting the novel for the screen has been a labor of love for Holland who has been wanting to make the project for some time. Last summer it as announced that filming would begin at the end of the year and casting was underway, while Holland’s DoP from In Darkness, Jolanta Dylewska, was on board. We’re hoping it’s still underway,...
- 1/6/2015
- by Nicholas Bell
- IONCINEMA.com
The Sundance Film Festival has entered into a partnership with Poznan’s Transatlantyk Film Festival to present a selection of its titles at the forthcoming fourth edition running from August 8-14.
The new sidebar, Sundance at Transatlantyk, will screen such films as Fishing Without Nets, The Green Prince, Watchers Of The Sky, 52 Tuesdays, Difret and A Most Wanted Man, and invite the films’ creators to meet with the audience for Q&As after the screenings.
Transatlantyk was founded in 2011 by the Oscar-wining musician and composer Jan A.P. Kaczmarek as ¨a new artistic platform aimed at building a stronger relationship between society, art and the environment through music and movies¨ as well as inspiring discussion on social issues.
Another innovation is the introduction of the new section Cinema of the Third Age targetted at maturer audiences with screenings in early afternoon slots during the weekdays. Films selected for this first edition include Philomena, Gloria and [link...
The new sidebar, Sundance at Transatlantyk, will screen such films as Fishing Without Nets, The Green Prince, Watchers Of The Sky, 52 Tuesdays, Difret and A Most Wanted Man, and invite the films’ creators to meet with the audience for Q&As after the screenings.
Transatlantyk was founded in 2011 by the Oscar-wining musician and composer Jan A.P. Kaczmarek as ¨a new artistic platform aimed at building a stronger relationship between society, art and the environment through music and movies¨ as well as inspiring discussion on social issues.
Another innovation is the introduction of the new section Cinema of the Third Age targetted at maturer audiences with screenings in early afternoon slots during the weekdays. Films selected for this first edition include Philomena, Gloria and [link...
- 7/31/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
New Films by Przemyslaw Wojcieszek, Marcin Krzysztalowicz, Jolanta Dylewska and Andrzej Wajda, will be presented to the foreign professionals during the key industry event of the 14th T-Mobile New Horizons International Film Festival. The organizers expect around 150 guests to attend.
Polish Days is the most important industry event at the 14.T-Mobile New Horizons International Film Festival (24 July – 3 August 2014), where industry representatives including programmers, sales agents, producers, film funds and distributors from all over the world watch the latest Polish films at closed screenings.
This year’s edition of Polish Days will take place on July 30 – August 1. Six completed Polish films and ten works-in-progress will be shown at closed screenings, while eleven projects will be pitched to the international audience.
Among the finished films, the representatives of the international film industry will have the chance to see "15 Corners of the World" by Zuzanna Solakiewicz, which will have its world premiere in the Films on Art International Competition at the T-Mobile New Horizons Iff and then international premiere in the Settimana della Critica section of the Locarno Ff in August. Other films shown in full at the closed screenings during Polish Days include "Gods" by Lukasz Palkowski, "Call me Marianna" by Karolina Bielawska, "Performer" by Lukasz Ronduda and Maciej Sobieszczański and two films that will compete in the Main Competition of the T-Mobile International Film Festival - "How to Disappear Completely" by Przemyslaw Wojcieszek and "Calling" by Marcin Dudziak. The organisers hope to secure one extra title in the last moment before the event starts.
Projects in development presented in the pitching session include, among others, "Hungry" by Katarzyna Klimkiewicz, "I’m the Killer" by Maciej Pieprzyca, "Volhynia" by Wojciech Smarzowski, "Window" by Anna Jadowska, "Rosa" by Denijal Hasanovic and "Toxaemia" by Julia Kolberger.
This year, for the first time, two projects presented in the section will be awarded with post-production awards given by Polish Days’ new partners - post-production companies Toya Studios and Chimney Poland.
The works in progress section will show clips from the following films, which are currently in production: "And There Was Love in the Ghetto " by Jolanta Dylewska and Andrzej Wajda, "Carte Blanche" by Jacek Lusiński, "Journey to Rome" by Tomasz Mielnik, "I, Olga Hepnarova" by Tomás Weinreb and Petr Kazda , "The Here After" by Magnus von Horn, "Walser" by Zbigniew Libera and "Close Ups" by Magdalena Piekorz, among others.
The organizers are expecting around 150 guests at the event. Confirmed attendees include programmers from Berlin, Cannes, Rotterdam, Istanbul, Edinburgh, and Hong-Kong, as well as a number of buyers such as Level K, Ndm, Premium Films, Film Republic, Alpha Violet, Indie Sales, New Europe Film Sales, Just Film Distribution, Imagine Film, Soda Pictures and Epicentre. This year’s special guests will be a group of Turkish film professionals invited to Wrocław in cooperation with the international film festival in Istanbul, the Adam Mickiewicz Institute and the Turkish Ministry for Culture and Tourism to celebrate the 600 years of diplomatic relations between the two countries.
Polish Days are co-organized with the Polish Film Institute, Odra Film and the Wrocław Film Commission with the support of the Lower Silesia municipality and the city of Wrocław. Event partners include Film Commission Poland, Łódź Film Commission, Mazovia Warsaw Film Commission, Poznań Film Commission, Kraków Film Commission, Silesia Film Commission, National Audiovisual Institute, as well as post-production studios Toya Studios and Chimney Poland.
Full list of presented films:
Finished Films
"15 Corners of the World" (15 stron świata) , dir. Zuzanna Solakiewicz
"Gods" (Bogowie) , dir. Lukasz Palkowski
"How to Disappear Completely" (Jak całkowicie zniknąć) , dir. Przemysław Wojcieszek
"Call me Marianna" (Mów mi Marianna) , dir. Karolina Bielawska
"Performer" dirs. Lukasz Ronduda and Maciej Sobieszczański
"Calling" (Wołanie) , dir. Marcin Dudziak
Pitching
"Hungry" (Głodna) , dir. Katarzyna Klimkiewicz
"I’m the Killer" (Jestem mordercą) , dir. Maciej Pieprzyca
"All Gone Mad" (Krokodyl) , dir. Aleksandra Niemczyk
"Maya + Theo and Others" (Maja + Theo i inni) , dir. Filip K. Kasperaszek
"Window" (Okno) , dir. Anna Jadowska
"The Wounded Beast" (Ranne Zwierzę) , dir. Piotr Trzaskalski
"Nano" (Rdzeń) , dir. Piotr Ryczko
"Rosa" , dir. Denijal Hasanovic
"Owl, the Baker’s Daughter" (Sowa, córka piekarza) , dir. Grzegorz Jarzyna
"Toxaemia" (Toksymia) , dir. Julia Kolberger
"Volhynia" ( Wołyń) , dir. Wojciech Smarzowski
Works in Progress
"Carte Blanche" dir. Jacek Lusiński
"Journey to Rome" (Droga do Rzymu) , dir. Tomasz Mielnik
"And There Was Love in the Ghetto" (I była miłość w getcie) , dir. Jolanta Dylewska, Andrzej Wajda
"I, Olga Hepnarova" (Ja, Olga Hepnarova) , dir. Tomás Weinreb & Petr Kazda
"Summer Solstice" (Letnie przesilenie) , dir. Michal Rogalski
"The Wall" (Mur) , dir. Dariusz Glazer
"All About My Parents" (Pani z przedszkola) , dir. Marcin Krzysztalowicz
"The Here After" (Po śmierci) , dir. Magnus von Horn
"Walser" dir. Zbigniew Libera
"Close Ups" (Zbliżenia), dir. Magdalena Piekorz...
Polish Days is the most important industry event at the 14.T-Mobile New Horizons International Film Festival (24 July – 3 August 2014), where industry representatives including programmers, sales agents, producers, film funds and distributors from all over the world watch the latest Polish films at closed screenings.
This year’s edition of Polish Days will take place on July 30 – August 1. Six completed Polish films and ten works-in-progress will be shown at closed screenings, while eleven projects will be pitched to the international audience.
Among the finished films, the representatives of the international film industry will have the chance to see "15 Corners of the World" by Zuzanna Solakiewicz, which will have its world premiere in the Films on Art International Competition at the T-Mobile New Horizons Iff and then international premiere in the Settimana della Critica section of the Locarno Ff in August. Other films shown in full at the closed screenings during Polish Days include "Gods" by Lukasz Palkowski, "Call me Marianna" by Karolina Bielawska, "Performer" by Lukasz Ronduda and Maciej Sobieszczański and two films that will compete in the Main Competition of the T-Mobile International Film Festival - "How to Disappear Completely" by Przemyslaw Wojcieszek and "Calling" by Marcin Dudziak. The organisers hope to secure one extra title in the last moment before the event starts.
Projects in development presented in the pitching session include, among others, "Hungry" by Katarzyna Klimkiewicz, "I’m the Killer" by Maciej Pieprzyca, "Volhynia" by Wojciech Smarzowski, "Window" by Anna Jadowska, "Rosa" by Denijal Hasanovic and "Toxaemia" by Julia Kolberger.
This year, for the first time, two projects presented in the section will be awarded with post-production awards given by Polish Days’ new partners - post-production companies Toya Studios and Chimney Poland.
The works in progress section will show clips from the following films, which are currently in production: "And There Was Love in the Ghetto " by Jolanta Dylewska and Andrzej Wajda, "Carte Blanche" by Jacek Lusiński, "Journey to Rome" by Tomasz Mielnik, "I, Olga Hepnarova" by Tomás Weinreb and Petr Kazda , "The Here After" by Magnus von Horn, "Walser" by Zbigniew Libera and "Close Ups" by Magdalena Piekorz, among others.
The organizers are expecting around 150 guests at the event. Confirmed attendees include programmers from Berlin, Cannes, Rotterdam, Istanbul, Edinburgh, and Hong-Kong, as well as a number of buyers such as Level K, Ndm, Premium Films, Film Republic, Alpha Violet, Indie Sales, New Europe Film Sales, Just Film Distribution, Imagine Film, Soda Pictures and Epicentre. This year’s special guests will be a group of Turkish film professionals invited to Wrocław in cooperation with the international film festival in Istanbul, the Adam Mickiewicz Institute and the Turkish Ministry for Culture and Tourism to celebrate the 600 years of diplomatic relations between the two countries.
Polish Days are co-organized with the Polish Film Institute, Odra Film and the Wrocław Film Commission with the support of the Lower Silesia municipality and the city of Wrocław. Event partners include Film Commission Poland, Łódź Film Commission, Mazovia Warsaw Film Commission, Poznań Film Commission, Kraków Film Commission, Silesia Film Commission, National Audiovisual Institute, as well as post-production studios Toya Studios and Chimney Poland.
Full list of presented films:
Finished Films
"15 Corners of the World" (15 stron świata) , dir. Zuzanna Solakiewicz
"Gods" (Bogowie) , dir. Lukasz Palkowski
"How to Disappear Completely" (Jak całkowicie zniknąć) , dir. Przemysław Wojcieszek
"Call me Marianna" (Mów mi Marianna) , dir. Karolina Bielawska
"Performer" dirs. Lukasz Ronduda and Maciej Sobieszczański
"Calling" (Wołanie) , dir. Marcin Dudziak
Pitching
"Hungry" (Głodna) , dir. Katarzyna Klimkiewicz
"I’m the Killer" (Jestem mordercą) , dir. Maciej Pieprzyca
"All Gone Mad" (Krokodyl) , dir. Aleksandra Niemczyk
"Maya + Theo and Others" (Maja + Theo i inni) , dir. Filip K. Kasperaszek
"Window" (Okno) , dir. Anna Jadowska
"The Wounded Beast" (Ranne Zwierzę) , dir. Piotr Trzaskalski
"Nano" (Rdzeń) , dir. Piotr Ryczko
"Rosa" , dir. Denijal Hasanovic
"Owl, the Baker’s Daughter" (Sowa, córka piekarza) , dir. Grzegorz Jarzyna
"Toxaemia" (Toksymia) , dir. Julia Kolberger
"Volhynia" ( Wołyń) , dir. Wojciech Smarzowski
Works in Progress
"Carte Blanche" dir. Jacek Lusiński
"Journey to Rome" (Droga do Rzymu) , dir. Tomasz Mielnik
"And There Was Love in the Ghetto" (I była miłość w getcie) , dir. Jolanta Dylewska, Andrzej Wajda
"I, Olga Hepnarova" (Ja, Olga Hepnarova) , dir. Tomás Weinreb & Petr Kazda
"Summer Solstice" (Letnie przesilenie) , dir. Michal Rogalski
"The Wall" (Mur) , dir. Dariusz Glazer
"All About My Parents" (Pani z przedszkola) , dir. Marcin Krzysztalowicz
"The Here After" (Po śmierci) , dir. Magnus von Horn
"Walser" dir. Zbigniew Libera
"Close Ups" (Zbliżenia), dir. Magdalena Piekorz...
- 7/21/2014
- by Sydney Levine
- Sydney's Buzz
New Films by Andrzej Wajda and Jolanta Dylewska will be amongst those presented during industry event Polish Days which will take place during the 14th T-Mobile New Horizons International Film Festival.
Amongst the titles due to be screened at Polish Days are new films by Przemysław Wojcieszek, Marcin Krzyształowicz, Jolanta Dylewska and Andrzej Wajda.
The films will be presented at the industry event - which showcases Polish films to international sellers, buyers and programmers - as part of the 14th T-Mobile New Horizons International Film Festival. Over 150 foreign professionals are expected to attend.
Six completed Polish films and ten works-in-progress will be shown at the closed screenings, while eleven projects will be pitched to the international audience.
Among the finished films will be Zuzanna Solakiewicz’s 15 Corners of the world which will have its world premiere in the Films on Art International Competition at the T-Mobile New Horizons Iff.
Other films shown in full at the closed...
Amongst the titles due to be screened at Polish Days are new films by Przemysław Wojcieszek, Marcin Krzyształowicz, Jolanta Dylewska and Andrzej Wajda.
The films will be presented at the industry event - which showcases Polish films to international sellers, buyers and programmers - as part of the 14th T-Mobile New Horizons International Film Festival. Over 150 foreign professionals are expected to attend.
Six completed Polish films and ten works-in-progress will be shown at the closed screenings, while eleven projects will be pitched to the international audience.
Among the finished films will be Zuzanna Solakiewicz’s 15 Corners of the world which will have its world premiere in the Films on Art International Competition at the T-Mobile New Horizons Iff.
Other films shown in full at the closed...
- 7/17/2014
- by sarah.cooper@screendaily.com (Sarah Cooper)
- ScreenDaily
Russian distributor Luxor has picked up the upcoming film from actor/producer Alexander Nevsky, Black Rose, shooting in Moscow until July 7.
The production by Nevsky’s own La-based company Hollywood Storm has a cast including Kristanna Loken, Adrian Paul, Robert Davi, Matthias Hues, and world champion ballroom dancer and fitness model Oksana Sidorenko.
The screenplay by Brent Huff and George Saunders centres on a Moscow police major (played by Nevsky) who travels to Los Angeles to help the local police there investigate a series of murders in the Russian immigrant community.
After the Moscow shoot, the film will move to Los Angeles, and theatrical release is planned for December 2013.
Depardieu to play Caucasian hermit
Russian citizen Gérard Depardieu is to follow his title role in Irakli Kvirikadze’s Rasputin, which will close the Moscow International Film Festival on Saturday (June 29), with a part as a Caucasian hermit in Polish film-maker Jan Jakub Kolski’s next feature, My Mother...
The production by Nevsky’s own La-based company Hollywood Storm has a cast including Kristanna Loken, Adrian Paul, Robert Davi, Matthias Hues, and world champion ballroom dancer and fitness model Oksana Sidorenko.
The screenplay by Brent Huff and George Saunders centres on a Moscow police major (played by Nevsky) who travels to Los Angeles to help the local police there investigate a series of murders in the Russian immigrant community.
After the Moscow shoot, the film will move to Los Angeles, and theatrical release is planned for December 2013.
Depardieu to play Caucasian hermit
Russian citizen Gérard Depardieu is to follow his title role in Irakli Kvirikadze’s Rasputin, which will close the Moscow International Film Festival on Saturday (June 29), with a part as a Caucasian hermit in Polish film-maker Jan Jakub Kolski’s next feature, My Mother...
- 6/25/2013
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
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