By the time Jonathan Frakes directed the recent surprise release crossover episode of "Star Trek: Strange New Worlds," the actor was no stranger to stepping behind the camera for the sci-fi franchise. In fact, the actor best known for playing William T. Riker on "Star Trek: The Next Generation" has been directing episodes of "Star Trek" ever since 1990, when he helmed a season three episode of Tng in which Data (Brent Spiner) creates an android "child" called Lal.
In a wide-ranging retrospective with Variety, Frakes looked back on those early directorial efforts, sharing some memories about key episodes of the franchise. When it comes to his directorial debut, though, he mostly remembers realizing just how rowdy he and his costars could be on set. "Our cast, as you probably know, is notoriously rambunctious," Frakes told Variety. "I was, for better or for worse, one of the leaders of that kind of behavior on the set.
In a wide-ranging retrospective with Variety, Frakes looked back on those early directorial efforts, sharing some memories about key episodes of the franchise. When it comes to his directorial debut, though, he mostly remembers realizing just how rowdy he and his costars could be on set. "Our cast, as you probably know, is notoriously rambunctious," Frakes told Variety. "I was, for better or for worse, one of the leaders of that kind of behavior on the set.
- 8/6/2023
- by Valerie Ettenhofer
- Slash Film
The list of candidates for the 2020 Academy of Motion Pictures Arts and Sciences’ Board of Governors election is now out, with the winner in each branch being chosen directly from these entries rather than whittling it down to four finalists in each, as has been done previously. The list of candidates is made up of qualified AMPAS members who actually submit themselves.
Also new this year in the streamlined timetable, as Deadline exclusively reported May 16. The winners for the 17 open slots on the 54-member board will be chosen by preferential balloting, just like Best Picture race at the Oscars. Voting begins Monday and ballots are due back June 5.
The actors branch is the largest in the Academy and it also has drawn the biggest field of contenders for the one spot that is up. Incumbent governor Whoopi Goldberg is running for re-election against past governor Ed Begley Jr. vying to return to the board.
Also new this year in the streamlined timetable, as Deadline exclusively reported May 16. The winners for the 17 open slots on the 54-member board will be chosen by preferential balloting, just like Best Picture race at the Oscars. Voting begins Monday and ballots are due back June 5.
The actors branch is the largest in the Academy and it also has drawn the biggest field of contenders for the one spot that is up. Incumbent governor Whoopi Goldberg is running for re-election against past governor Ed Begley Jr. vying to return to the board.
- 5/29/2020
- by Pete Hammond
- Deadline Film + TV
The list of candidates for the Academy of Motion Picture Arts and Sciences’ 2020-2021 Board of Governors has been unveiled to members.
Voting begins on June 1 and ends on June 5.
Candidates run for three-year terms with a maximum of three terms. Each branch has three seats on the board. Only one of those seats is open each year because terms are staggered.
The candidates were posted on the Academy members’ portal on Friday afternoon. Below is the complete list (divided by branch) of those running for spots on the board.
Actors
Michael Lee Aday
Ed Begley, Jr.
Robert Carradine
Nicolas Coster
Colman Domingo
Richard Dreyfuss
Spencer Garrett
Bruce Glover
Whoopi Goldberg (incumbent)
James Keach
Stacy Keach
Peter Wong
Jodi Long
Tim Matheson
Joe Pantoliano
Lou Diamond Phillips
Andrea Riseborough
Andrew Stevens
Rita Wilson
Casting Directors
Kerry Barden
Richard Hicks
Margery Simkin
Debra Zane
Cinematographers
Andrzej Bartkowiak
Richard P. Crudo
Svetlana Cvetko...
Voting begins on June 1 and ends on June 5.
Candidates run for three-year terms with a maximum of three terms. Each branch has three seats on the board. Only one of those seats is open each year because terms are staggered.
The candidates were posted on the Academy members’ portal on Friday afternoon. Below is the complete list (divided by branch) of those running for spots on the board.
Actors
Michael Lee Aday
Ed Begley, Jr.
Robert Carradine
Nicolas Coster
Colman Domingo
Richard Dreyfuss
Spencer Garrett
Bruce Glover
Whoopi Goldberg (incumbent)
James Keach
Stacy Keach
Peter Wong
Jodi Long
Tim Matheson
Joe Pantoliano
Lou Diamond Phillips
Andrea Riseborough
Andrew Stevens
Rita Wilson
Casting Directors
Kerry Barden
Richard Hicks
Margery Simkin
Debra Zane
Cinematographers
Andrzej Bartkowiak
Richard P. Crudo
Svetlana Cvetko...
- 5/29/2020
- by Marc Malkin
- Variety Film + TV
Coming off one of its most contentious years in history, the Academy of Motion Pictures Arts & Sciences has sent out its list of candidates for its Board of Governors elections late this month.
The Board of Governors directs the Academy’s strategic vision, preserves the organization’s financial health, and assures the fulfillment of its mission.
Governors attend 6-8 board meetings annually (in person or by video conference when out of town). Each Governor also serves on one board oversight committee and their branch’s executive committee, and they are expected to represent their branch at numerous Academy events through the year.
Governors have fiduciary responsibilities imposed by state law to serve the Academy’s best interests, by acting with responsibility and care when approving annual goals presented by management, as well as major policies concerning governance.
CEO Dawn Hudson oversees a staff of more than 300 who conduct the Academy’s day-to-day business.
The Board of Governors directs the Academy’s strategic vision, preserves the organization’s financial health, and assures the fulfillment of its mission.
Governors attend 6-8 board meetings annually (in person or by video conference when out of town). Each Governor also serves on one board oversight committee and their branch’s executive committee, and they are expected to represent their branch at numerous Academy events through the year.
Governors have fiduciary responsibilities imposed by state law to serve the Academy’s best interests, by acting with responsibility and care when approving annual goals presented by management, as well as major policies concerning governance.
CEO Dawn Hudson oversees a staff of more than 300 who conduct the Academy’s day-to-day business.
- 5/10/2019
- by Michael Cieply and Bruce Haring
- Deadline Film + TV
At this point, the Academy of Motion Picture Arts and Sciences’ governors election looks more like a round-up than a race; more than 180 members have declared their interest in filling 17 contested spots on the 54-member Board of Governors.
Voting in the run-off round starts on Monday and ends May 18. That will narrow the present field to a maximum of four nominees per branch in the final round, which follows.
For now, there are on average about 11 candidates in the running for each slot. In the casting directors and costume design branches, only three members have declared for each slot. But not so in the actors branch, where 17 members — including Brie Larson, Jacki Weaver and Meg Ryan — are vying for the spot being vacated by termed-out Tom Hanks; or the producers, executives, and public relations branches, all of which have a bumper crop of candidates. Marvin Levy, currently a governor in the public relations branch,...
Voting in the run-off round starts on Monday and ends May 18. That will narrow the present field to a maximum of four nominees per branch in the final round, which follows.
For now, there are on average about 11 candidates in the running for each slot. In the casting directors and costume design branches, only three members have declared for each slot. But not so in the actors branch, where 17 members — including Brie Larson, Jacki Weaver and Meg Ryan — are vying for the spot being vacated by termed-out Tom Hanks; or the producers, executives, and public relations branches, all of which have a bumper crop of candidates. Marvin Levy, currently a governor in the public relations branch,...
- 5/11/2018
- by Michael Cieply
- Deadline Film + TV
The Art House Convergence is taking theatrical exhibition and distribution to the next level. The Ahc members’ e-letter recently had a most interesting view of programming for shorts. I believe “The Animation Show of Shows” offers the very first look at the likely Oscar-nominated animated shorts - before anyone else gets to see them.
Carlos Aguilar, SydneysBuzz correspondent reviewed them here .
The letters about this reveal their point of origination:
Dear Ahc,
I am pleased to present a new animation compilation called “The Animation Show Of Shows”.
This compilation is a blessed return to the varied and sophisticated animator's art that was new and popular 30 years ago.
The compilation is curated by Ron Diamond who is a recognized expert in international animation. Ron has presented “The Animation Show of Shows” annually for 16 years to animation students and professionals from the top studios. The 162 shorts that Ron has curated include 14 Academy Award® winners, as well as 37 nominees, and other films that have won major prizes at Cannes, Annecy, Zagreb, Ottawa, and Berlin. Ron shows his compilation annually in the 6,500 seat theater at Comi-Con. This work has been a labor of love for Ron. He wants the world to love and understand the artistry and power of the animated short film.
For the first time ever, The 17th Annual Animation Show of Shows will play publicly in cinemas across the U.S.
This film was a huge Kickstarter success - far exceeding the original ask. Animation fans are rabid fans and will come out to see these shorts in force.
We premiered in L.A. on Sept. 24 at The Arclight, Hollywood.
Ron has asked me to go to all of the indie theaters first for this compilation, so that they'll have their chance at the huge grosses that these shorts can bring in.
Please let me know if we you would like more information.
Thanks,
Susanne
Take a look at a sampling of some of the shorts that await in the full program: Here
Gary Meyer wrote:
Finally a chance for a really high quality animation show again. Ron was part of the team that created the Tournee of Animation and Animation Celebrations shows we packaged during the 70-s-90s [with Terry Thoren]. He works with the world's best animators and has been taking a package around for private screenings for animators for several years. He has finally decided to bring a new show to rest of us. Between the shorts are brief interviews with some of the animators...sort of like DVD extras on the big screen.
If you do well with the Oscar animated shorts this should be at least as good at the polar opposite tie of the year.
And you know it won’t be playing at the multiplex down the road.
Susanne added:
I'm delighted to share with you that we have had a very positive response to the “The 17th Annual Animation Show of Shows”. Those programmers and the press who have seen it have been enchanted by this feature presentation of 11 curated international animated short films.
Since I mentioned the Oscars, it might also be reassuring to some to know that all of the press and promotional materials for this program have been submitted to The Academy and that they have been approved as acceptable.
Carlos Aguilar, SydneysBuzz correspondent reviewed them here .
The letters about this reveal their point of origination:
Dear Ahc,
I am pleased to present a new animation compilation called “The Animation Show Of Shows”.
This compilation is a blessed return to the varied and sophisticated animator's art that was new and popular 30 years ago.
The compilation is curated by Ron Diamond who is a recognized expert in international animation. Ron has presented “The Animation Show of Shows” annually for 16 years to animation students and professionals from the top studios. The 162 shorts that Ron has curated include 14 Academy Award® winners, as well as 37 nominees, and other films that have won major prizes at Cannes, Annecy, Zagreb, Ottawa, and Berlin. Ron shows his compilation annually in the 6,500 seat theater at Comi-Con. This work has been a labor of love for Ron. He wants the world to love and understand the artistry and power of the animated short film.
For the first time ever, The 17th Annual Animation Show of Shows will play publicly in cinemas across the U.S.
This film was a huge Kickstarter success - far exceeding the original ask. Animation fans are rabid fans and will come out to see these shorts in force.
We premiered in L.A. on Sept. 24 at The Arclight, Hollywood.
Ron has asked me to go to all of the indie theaters first for this compilation, so that they'll have their chance at the huge grosses that these shorts can bring in.
Please let me know if we you would like more information.
Thanks,
Susanne
Take a look at a sampling of some of the shorts that await in the full program: Here
Gary Meyer wrote:
Finally a chance for a really high quality animation show again. Ron was part of the team that created the Tournee of Animation and Animation Celebrations shows we packaged during the 70-s-90s [with Terry Thoren]. He works with the world's best animators and has been taking a package around for private screenings for animators for several years. He has finally decided to bring a new show to rest of us. Between the shorts are brief interviews with some of the animators...sort of like DVD extras on the big screen.
If you do well with the Oscar animated shorts this should be at least as good at the polar opposite tie of the year.
And you know it won’t be playing at the multiplex down the road.
Susanne added:
I'm delighted to share with you that we have had a very positive response to the “The 17th Annual Animation Show of Shows”. Those programmers and the press who have seen it have been enchanted by this feature presentation of 11 curated international animated short films.
Since I mentioned the Oscars, it might also be reassuring to some to know that all of the press and promotional materials for this program have been submitted to The Academy and that they have been approved as acceptable.
- 9/30/2015
- by Sydney Levine
- Sydney's Buzz
Potent creativity often comes in small concentrated doses and when you collect a couple dozen of these morsels, powerfully laced with astute ingenuity, you get an overwhelmingly delightful sample platter with some of the most diverse flavors out there unified by their topnotch quality. That’s the best way to describe what you get when watching the visual and tonal tapestry of the Animation Show of Shows. Now in its 17th edition, this program created originally to be screened at Hollywood studios with the purpose of highlighting the best artists working in the independent animation landscape and curated by Ron Diamond, Executive Producer of Acme Filmworks, Inc. and co-founder and President of Animation World Network, will come to theaters across the U.S. for the first time to allow audience to partake in the fun and discovery.
Constructed of 11 fantastic animated shorts showcasing a wide range of techniques within the medium’s spectrum, plus four documentary portraits on selected filmmakers, this feature-length festival of wonder overflows with sublime craftsmanship, but it’s also one of the most profound cinematic experiences of the year. The level of introspection and insight on the human condition contained in these colorful gems surpasses that of most films, animated or live-action, released in recent memory. What they might lack in running time individually, they make up in poignant observations and moments that will stir up a genuine smile.
The program kicks off with “The Story of Percival Pilts,” a stop-motion tale narrated in rhyme about a boy who became fascinated with stilts and declared his feet will never touch the ground ever again. Living his life on stilts, which get increasingly taller as he gets older, Percival cherishes the views and tranquility that such great heights offer. Marvelously achieved and organically suited for the physicality of the chosen technique, this film from Aussie John Lewis and Kiwi Janette Goodey, touches on familiar perils of those who live outside the norm with a classically inspired story told from the protagonist’s brother’s perspective. Tiny sheets of paper stand in as leaves on tress, detailed period costumes adorn the petite bodies of the numerous figures, and cheeky phrases move the plot along while a sky painted in pink and purple hues drench it all with a perpetual “magic hour” feel.
Percival” is followed by a tiny 3D animated work titled “Tant de Forets” (So Many Forests) from French/Turkish team Geoffrey Godet and Burcu Sankur, which uses basic shapes and aesthetics borrowed from the world of graphic design to bring to life a poem by Jacques Prévert on the horrific deforestation of the planet to satisfy our voracious needs for paper.
Evocative and delicately paced, Conor Whelan’s “Snowfall” is the first Lgbt animated short to be part of the Animation Show of Shows, and though it’s clear about its lead character’s sexual orientation, the film is much more focused on depicting how we experience anxiety and deal with rejection in a truly cinematic manner. On a snowy night in Amsterdam a young man arrives at a party where he casually meets a friendly guy. They seem to hit it off, but it soon becomes clear that their interest in one another comes from very different angles. Centered on this romantic misconnection, “Snowfall” is a tender and seemingly melancholic 2D animated meditation where emotions take on a beautiful ethereal form.
Claypainting takes center stage with Lynn Tomlinson’s exquisite “The Ballad of Holland Island House.” Driven by a folksy tune this house reflects on its lifespan from the time it was just wood without purpose, to becoming a family’s home, and eventually being abandoned and consumed by the rising Atlantic Ocean. Tomlinson’s mastery of the stunning technique that blends the tangible material to create rustic moving frames resembles the work of veteran artist Joan C. Gratz – the Academy Award-winning claypainting pioneer.
In Amanda Palmer and Avi Ofer’s “Behind the Trees” scratchy hand-drawn dream sequences turn a voice memo into a brief but deliciously cheeky trip into the subconscious of a man who mumbles abstract statements while asleep. Each incoherent, revealing, honest, or perhaps utterly irrelevant line is transformed into an unconventional artistic interpretation via the imperfectly sleek doodles.
Playfully realized with the charm of a Saturday morning cartoon, yet layered with bittersweet notions about friendship, grief, and solitude, Academy Award-nominated Russian animator Konstantin Bronzit’s latest film “We Can't Live Without Cosmos" is a bite-size animated masterpiece that is as profoundly moving as it’s enchantingly entertaining. On a mission to become the top cosmonauts in their class and earn the privilege to go into space as a team, two lifelong friends work tirelessly everyday using their common dream as fuel to endure the challenging tasks. Their bond, an idealized iteration of fraternal companionship that we could all aspire to, clearly emerges as a more significant and precious motivation than the outer space voyage itself. With clever visual gags, endearing character design reminiscent of bygone artistry, and inventive sharp editing, Bronzit’s virtuous storytelling abilities amuse and tug at our heartstrings till the very last shot. “We Can't Live Without Cosmos" is one of the best films of the year of any length and in any medium.
A hungry cat and a helpless goldfish set an unlikely love story in motion in Isabel Favez curious short “Messages Dans L’Air.” Uniquely designed with an elegantly simple style, Favez world is entirely made out of paper and she uses this particular trait as a perfect narrative device for the film’s scope. Written on a folded paper bird, a lovely message makes its way to a young woman while her mischievous feline constantly attempts to devour a tiny fish that belongs to a bulky boxer who lives near by. Such problematic relationship between their pets will be the catalyst for the mismatch lovebirds to connect.
Passionate admirers of Walt Disney’s classic films, Iranian brothers Babak & Behnoud Nekooei crafted a remarkable 2D animated piece in which their influences are unmistakable but not without reinvention. “Stripy” centers on an enthusiastic factory worker in a city where homogeneity is paramount. His job is simply to paint dark stripes on every box that comes through the assembly line; however, the spirited young man decides that a more vibrant pattern would make the repetitive labor more interesting. Individuality and the power that comes from refusing to conform are crucial themes weaved into the Nekooei brothers’ melodically structured short. Without explicitly touching on their country’s politics, the filmmakers created a subtly rebellious work of art that transcends divisive discourses and ideologies.
Landscapes so realistically rendered that could nearly fool you into thinking they were indeed extracted from our world are one of the extraordinary elements in 3D animated adventure “Ascension,” by a French team of artist form by Colin Laubry, Thomas Bourdis, Martin de Coutenhove, Caroline Domergue, and Florian Vecchione. Two bold mountain climbers are on their way to the top carrying a statue of the Virgin Mary when one of them suffers an accident that leaves her without functional limbs. Devotion and their relentless desire to succeed a will keep them focused on their almost impossible mission. The astonishing backgrounds alone are spectacular enough to merit significant recognition.
Darkly comedic and brutally honest, “Love in Times of March Madness” is a black-and-white animated personal essay by Melissa Johnson and Robertino Zambrano, which dissects Johnson’s mishaps and realizations as she navigates life as a 6’4” tall woman. Among the many quotidian complications she must face, dating is by far one of the thorniest facets of Johnson’s above average existence. Insecure shorter men and the judging stares from a world that equates physical differences with unforgivable inadequacies are part of the tricky deck she’s been given. By sharing hilarious anecdotes and analyzing why other people reflect their fears on her appearance, Johnson gives us a lesson in acceptance with the help of vividly surreal vignettes that illustrate her unique perspective.
Capping off this outstanding selection of small-scale treasures is Don Hertzfeldt's thought-provoking and visionary Sundance-winning short "World of Tomorrow." Easily the best animated film of the year, this 17-minute science fiction journey is a mind-bending study on the essence of humanity and how technology’s ferocious advances to know and control it all endanger our ability to notice what’s truly meaningful. Employing his signature stick figures, the filmmaker introduces us to Emily Prime (Winona Mae), a young girl who has just met an older, cloned version of herself living far into the future. Emily (Julia Pott), as the film simply refers to the adult replica, has come from her time to meet Emily Prime and inform her about the terrifying dangers of what lies ahead. Loneliness reigns and falling in love is a futile enterprise in a future where wealthy individuals get to live forever by virtually saving their consciousness into data cubes. Life as we know it is no more and people, always longing for fulfillment, have adapted to the hopelessness of their condition. Miraculously, Hertzfeldt packs all of these components within his intricate and engrossing vision into a plot that includes lighter moments of intelligent comedy. Besides the thematic brilliance of the concepts and ideas discussed in “World of Tomorrow,” the film is also testament to Hertzfeld’s admiration and loyalty to the film medium in its most authentic state, while at the same time being unafraid to experiment. Handcrafted on one of the last remaining functioning 35mm rostrum animation stands, the film exists as a bridge between what some consider to be obsolete and the boundless freedom of independent animation in the 21st century. Furthermore, all the amazing special effects were created directly on film, using traditional double exposures, in-camera mattes, and new experimental techniques to transport the avid viewer into a land of intoxicating color, frightening warnings, and inconspicuous wisdom.
In every fragment used to the build “The 17th Annual Animation Show of Shows” audiences will find a heartfelt antidote to formulaic tent poles and will most likely see some of the films that will make headlines as Oscar contenders and nominees in the upcoming months. Undoubtedly, the individual quality of each work is stellar, but the emotional gravitas of the program as a whole is absolutely disarming.
“The 17th Annual Animation Show of Shows” is now playing in Los Angeles at the ArcLight Hollywood and will travel to 20 more cities across the U.S. in the following weeks.
Constructed of 11 fantastic animated shorts showcasing a wide range of techniques within the medium’s spectrum, plus four documentary portraits on selected filmmakers, this feature-length festival of wonder overflows with sublime craftsmanship, but it’s also one of the most profound cinematic experiences of the year. The level of introspection and insight on the human condition contained in these colorful gems surpasses that of most films, animated or live-action, released in recent memory. What they might lack in running time individually, they make up in poignant observations and moments that will stir up a genuine smile.
The program kicks off with “The Story of Percival Pilts,” a stop-motion tale narrated in rhyme about a boy who became fascinated with stilts and declared his feet will never touch the ground ever again. Living his life on stilts, which get increasingly taller as he gets older, Percival cherishes the views and tranquility that such great heights offer. Marvelously achieved and organically suited for the physicality of the chosen technique, this film from Aussie John Lewis and Kiwi Janette Goodey, touches on familiar perils of those who live outside the norm with a classically inspired story told from the protagonist’s brother’s perspective. Tiny sheets of paper stand in as leaves on tress, detailed period costumes adorn the petite bodies of the numerous figures, and cheeky phrases move the plot along while a sky painted in pink and purple hues drench it all with a perpetual “magic hour” feel.
Percival” is followed by a tiny 3D animated work titled “Tant de Forets” (So Many Forests) from French/Turkish team Geoffrey Godet and Burcu Sankur, which uses basic shapes and aesthetics borrowed from the world of graphic design to bring to life a poem by Jacques Prévert on the horrific deforestation of the planet to satisfy our voracious needs for paper.
Evocative and delicately paced, Conor Whelan’s “Snowfall” is the first Lgbt animated short to be part of the Animation Show of Shows, and though it’s clear about its lead character’s sexual orientation, the film is much more focused on depicting how we experience anxiety and deal with rejection in a truly cinematic manner. On a snowy night in Amsterdam a young man arrives at a party where he casually meets a friendly guy. They seem to hit it off, but it soon becomes clear that their interest in one another comes from very different angles. Centered on this romantic misconnection, “Snowfall” is a tender and seemingly melancholic 2D animated meditation where emotions take on a beautiful ethereal form.
Claypainting takes center stage with Lynn Tomlinson’s exquisite “The Ballad of Holland Island House.” Driven by a folksy tune this house reflects on its lifespan from the time it was just wood without purpose, to becoming a family’s home, and eventually being abandoned and consumed by the rising Atlantic Ocean. Tomlinson’s mastery of the stunning technique that blends the tangible material to create rustic moving frames resembles the work of veteran artist Joan C. Gratz – the Academy Award-winning claypainting pioneer.
In Amanda Palmer and Avi Ofer’s “Behind the Trees” scratchy hand-drawn dream sequences turn a voice memo into a brief but deliciously cheeky trip into the subconscious of a man who mumbles abstract statements while asleep. Each incoherent, revealing, honest, or perhaps utterly irrelevant line is transformed into an unconventional artistic interpretation via the imperfectly sleek doodles.
Playfully realized with the charm of a Saturday morning cartoon, yet layered with bittersweet notions about friendship, grief, and solitude, Academy Award-nominated Russian animator Konstantin Bronzit’s latest film “We Can't Live Without Cosmos" is a bite-size animated masterpiece that is as profoundly moving as it’s enchantingly entertaining. On a mission to become the top cosmonauts in their class and earn the privilege to go into space as a team, two lifelong friends work tirelessly everyday using their common dream as fuel to endure the challenging tasks. Their bond, an idealized iteration of fraternal companionship that we could all aspire to, clearly emerges as a more significant and precious motivation than the outer space voyage itself. With clever visual gags, endearing character design reminiscent of bygone artistry, and inventive sharp editing, Bronzit’s virtuous storytelling abilities amuse and tug at our heartstrings till the very last shot. “We Can't Live Without Cosmos" is one of the best films of the year of any length and in any medium.
A hungry cat and a helpless goldfish set an unlikely love story in motion in Isabel Favez curious short “Messages Dans L’Air.” Uniquely designed with an elegantly simple style, Favez world is entirely made out of paper and she uses this particular trait as a perfect narrative device for the film’s scope. Written on a folded paper bird, a lovely message makes its way to a young woman while her mischievous feline constantly attempts to devour a tiny fish that belongs to a bulky boxer who lives near by. Such problematic relationship between their pets will be the catalyst for the mismatch lovebirds to connect.
Passionate admirers of Walt Disney’s classic films, Iranian brothers Babak & Behnoud Nekooei crafted a remarkable 2D animated piece in which their influences are unmistakable but not without reinvention. “Stripy” centers on an enthusiastic factory worker in a city where homogeneity is paramount. His job is simply to paint dark stripes on every box that comes through the assembly line; however, the spirited young man decides that a more vibrant pattern would make the repetitive labor more interesting. Individuality and the power that comes from refusing to conform are crucial themes weaved into the Nekooei brothers’ melodically structured short. Without explicitly touching on their country’s politics, the filmmakers created a subtly rebellious work of art that transcends divisive discourses and ideologies.
Landscapes so realistically rendered that could nearly fool you into thinking they were indeed extracted from our world are one of the extraordinary elements in 3D animated adventure “Ascension,” by a French team of artist form by Colin Laubry, Thomas Bourdis, Martin de Coutenhove, Caroline Domergue, and Florian Vecchione. Two bold mountain climbers are on their way to the top carrying a statue of the Virgin Mary when one of them suffers an accident that leaves her without functional limbs. Devotion and their relentless desire to succeed a will keep them focused on their almost impossible mission. The astonishing backgrounds alone are spectacular enough to merit significant recognition.
Darkly comedic and brutally honest, “Love in Times of March Madness” is a black-and-white animated personal essay by Melissa Johnson and Robertino Zambrano, which dissects Johnson’s mishaps and realizations as she navigates life as a 6’4” tall woman. Among the many quotidian complications she must face, dating is by far one of the thorniest facets of Johnson’s above average existence. Insecure shorter men and the judging stares from a world that equates physical differences with unforgivable inadequacies are part of the tricky deck she’s been given. By sharing hilarious anecdotes and analyzing why other people reflect their fears on her appearance, Johnson gives us a lesson in acceptance with the help of vividly surreal vignettes that illustrate her unique perspective.
Capping off this outstanding selection of small-scale treasures is Don Hertzfeldt's thought-provoking and visionary Sundance-winning short "World of Tomorrow." Easily the best animated film of the year, this 17-minute science fiction journey is a mind-bending study on the essence of humanity and how technology’s ferocious advances to know and control it all endanger our ability to notice what’s truly meaningful. Employing his signature stick figures, the filmmaker introduces us to Emily Prime (Winona Mae), a young girl who has just met an older, cloned version of herself living far into the future. Emily (Julia Pott), as the film simply refers to the adult replica, has come from her time to meet Emily Prime and inform her about the terrifying dangers of what lies ahead. Loneliness reigns and falling in love is a futile enterprise in a future where wealthy individuals get to live forever by virtually saving their consciousness into data cubes. Life as we know it is no more and people, always longing for fulfillment, have adapted to the hopelessness of their condition. Miraculously, Hertzfeldt packs all of these components within his intricate and engrossing vision into a plot that includes lighter moments of intelligent comedy. Besides the thematic brilliance of the concepts and ideas discussed in “World of Tomorrow,” the film is also testament to Hertzfeld’s admiration and loyalty to the film medium in its most authentic state, while at the same time being unafraid to experiment. Handcrafted on one of the last remaining functioning 35mm rostrum animation stands, the film exists as a bridge between what some consider to be obsolete and the boundless freedom of independent animation in the 21st century. Furthermore, all the amazing special effects were created directly on film, using traditional double exposures, in-camera mattes, and new experimental techniques to transport the avid viewer into a land of intoxicating color, frightening warnings, and inconspicuous wisdom.
In every fragment used to the build “The 17th Annual Animation Show of Shows” audiences will find a heartfelt antidote to formulaic tent poles and will most likely see some of the films that will make headlines as Oscar contenders and nominees in the upcoming months. Undoubtedly, the individual quality of each work is stellar, but the emotional gravitas of the program as a whole is absolutely disarming.
“The 17th Annual Animation Show of Shows” is now playing in Los Angeles at the ArcLight Hollywood and will travel to 20 more cities across the U.S. in the following weeks.
- 9/27/2015
- by Carlos Aguilar
- Sydney's Buzz
Comic-Con 2015 has kicked off in San Diego, and below you'll find Digital Spy's mega-guide, listing all of the major movies and TV panels for each day.
Note: All timings are in California's Pacific Standard Time (Pst), for GMT (UK time) add 8 hours. So 12 noon in San Diego will be 8pm in London.
13 things we're most excited about at Comic-Con 2015
Browse our ultimate guide day-by-day:
Thursday, July 9
Friday, July 10
Saturday, July 11
Sunday, July 12
Thursday, July 9
Open Road (10.45am local time/6.45pm UK time, Hall H)
Movies Tbc
The Autobiography of James T Kirk (10.45am local time, 6.45pm UK time, Ballroom 20)
William Shatner will read excerpts from this new Star Trek in-world memoir, at a panel moderated by author and former Family Guy exec David Goodman.
The Hunger Games: Mockingjay - Part 2 / The Last Witch Hunter (12pm local time, 8pm UK time, Hall H)
New footage presentation, plus cast and filmmaker...
Note: All timings are in California's Pacific Standard Time (Pst), for GMT (UK time) add 8 hours. So 12 noon in San Diego will be 8pm in London.
13 things we're most excited about at Comic-Con 2015
Browse our ultimate guide day-by-day:
Thursday, July 9
Friday, July 10
Saturday, July 11
Sunday, July 12
Thursday, July 9
Open Road (10.45am local time/6.45pm UK time, Hall H)
Movies Tbc
The Autobiography of James T Kirk (10.45am local time, 6.45pm UK time, Ballroom 20)
William Shatner will read excerpts from this new Star Trek in-world memoir, at a panel moderated by author and former Family Guy exec David Goodman.
The Hunger Games: Mockingjay - Part 2 / The Last Witch Hunter (12pm local time, 8pm UK time, Hall H)
New footage presentation, plus cast and filmmaker...
- 7/9/2015
- Digital Spy
Chicago – Ken Follett’s “The Pillars of the Earth” is in the great tradition of old-fashioned adventure serials. The line between good and evil is clearly drawn and there is little doubt which side of the line each character belongs. This story is a battle between heart and hierarchy, nobility and debauchery, light and darkness. It’s fraught with clichés, melodramatic in the extreme, and entertaining as hell.
Follett’s best-selling 1989 novel must’ve been daunting material for this German/Canadian co-production to tackle. Taking the form of an eight-part miniseries, the film runs over seven hours without commercials, yet still manages to feel somewhat rushed, particularly in its initial episodes, as dozens of characters and story threads are breathlessly set up. Yet once the series settles on its primary subject: the construction of a cathedral in Kingsbridge, England, during the 12th century, “Pillars” becomes an engrossing portrait of how...
Follett’s best-selling 1989 novel must’ve been daunting material for this German/Canadian co-production to tackle. Taking the form of an eight-part miniseries, the film runs over seven hours without commercials, yet still manages to feel somewhat rushed, particularly in its initial episodes, as dozens of characters and story threads are breathlessly set up. Yet once the series settles on its primary subject: the construction of a cathedral in Kingsbridge, England, during the 12th century, “Pillars” becomes an engrossing portrait of how...
- 12/7/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.