The Sound branch of the Academy often favors music-driven movies when it comes to the Mixing Oscar nominations, so Edgar Wright’s propulsive “Baby Driver” has a shot here, along with the elaborately layered sound mixes on “War for the Planet of the Apes,” “Wonder Woman,” “Dunkirk” and “Blade Runner 2049.”
Frontrunners:
Ron Bartlett, Doug Hemphill, Mac Ruth (“Blade Runner 2049”)
Chris Burdon, Gilbert Lake, Chris Munro (“Wonder Woman”)
Tim Cavagin, Julian Slater, Mary H. Ellis, James Peterson (“Baby Driver”)
Will Files, Douglas Murray, Andy Nelson, Chris Duesterdiek (“War for the Planet of the Apes”)
Gregg Landaker, Gary Rizzo, Mark Weingarten (“Dunkirk”)
Contenders:
Craig Berkey, John Casali (“Darkest Hour”)
David Giammarco, Paul Massey, Paul Ledford (“Logan”)
Christian P. Minkler, Michael Minkler, John Casali (“Beauty and the Beast”)
Kevin O’Connell, Tony Lamberti, Felipe Borrero (“Spider-Man: Homecoming”)
David Parker, Michael Semanick, Tim White (“Star Wars: The Last Jedi”)
Gary Rydstrom (“The Post”)
Long Shots:
Ron Bartlett,...
Frontrunners:
Ron Bartlett, Doug Hemphill, Mac Ruth (“Blade Runner 2049”)
Chris Burdon, Gilbert Lake, Chris Munro (“Wonder Woman”)
Tim Cavagin, Julian Slater, Mary H. Ellis, James Peterson (“Baby Driver”)
Will Files, Douglas Murray, Andy Nelson, Chris Duesterdiek (“War for the Planet of the Apes”)
Gregg Landaker, Gary Rizzo, Mark Weingarten (“Dunkirk”)
Contenders:
Craig Berkey, John Casali (“Darkest Hour”)
David Giammarco, Paul Massey, Paul Ledford (“Logan”)
Christian P. Minkler, Michael Minkler, John Casali (“Beauty and the Beast”)
Kevin O’Connell, Tony Lamberti, Felipe Borrero (“Spider-Man: Homecoming”)
David Parker, Michael Semanick, Tim White (“Star Wars: The Last Jedi”)
Gary Rydstrom (“The Post”)
Long Shots:
Ron Bartlett,...
- 11/19/2017
- by Anne Thompson
- Indiewire
Today was a busy day for some of the smaller guilds with the Visual Effects Society, the Cinema Audio Society, and the Makeup and Hairstylists Guilds all announcing their nominations for 2013.
First, we have the Ves, whose main category to look at is “Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture,” where we find Gravity and four other nominees that are just going to have to be happy with the fact that they got nominated. This is perhaps the easiest category to call in the entirety of awards season, and I don’t mean just here, but for the Oscar as well (Last year’s winner, Life of Pi, easily took this category before going on to claim the Oscar). It’s true that films like The Hobbit: The Desolation of Smaug and Star Trek Into Darkness had outstanding effects as well, but nothing even came close to the amazing,...
First, we have the Ves, whose main category to look at is “Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture,” where we find Gravity and four other nominees that are just going to have to be happy with the fact that they got nominated. This is perhaps the easiest category to call in the entirety of awards season, and I don’t mean just here, but for the Oscar as well (Last year’s winner, Life of Pi, easily took this category before going on to claim the Oscar). It’s true that films like The Hobbit: The Desolation of Smaug and Star Trek Into Darkness had outstanding effects as well, but nothing even came close to the amazing,...
- 1/15/2014
- by Jeff Beck
- We Got This Covered
Motion Picture – Live Action Captain Phillips Gravity Inside Llewyn Davis Iron Man 3 Lone Survivor The full credits and the rest of the nominees after the jump. Nominations For The...
- 1/14/2014
- by Sasha Stone
- AwardsDaily.com
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