Universal has dated a pair of Legendary Pictures titles and will release Krampus on November 25, 2015, and Spectral in 3D on August 12, 2016.
Krampus is a horror-comedy based on the legend of a pagan demon who punishes the wicked. Michael Dougherty co-wrote with Todd Casey and Zach Shields and will direct.
Legendary’s Thomas Tull (pictured), Jon Jashni and Alex Garcia produce.
Spectral is an action-thriller about an elite team tasked with eliminating an aggressive phantom threat and will star James Badge Dale, Emily Mortimer, Max Martini and Bruce Greenwood.
Nic Mathieu will direct from a script by Ian Fried, George Nolfi and John Gatins. Tull and Jashni on board as producers and the executive producer is Jillian Share.
Cinedigm has acquired Us rights to City Of Peace’s faith drama Identical, starring Ashley Judd, Amanda Crew, Seth Green, Joe Pantoliano, Ray Liotta and Erin Cottrell. The film will open on September 5 on 1,200 screens while ancillary is set for...
Krampus is a horror-comedy based on the legend of a pagan demon who punishes the wicked. Michael Dougherty co-wrote with Todd Casey and Zach Shields and will direct.
Legendary’s Thomas Tull (pictured), Jon Jashni and Alex Garcia produce.
Spectral is an action-thriller about an elite team tasked with eliminating an aggressive phantom threat and will star James Badge Dale, Emily Mortimer, Max Martini and Bruce Greenwood.
Nic Mathieu will direct from a script by Ian Fried, George Nolfi and John Gatins. Tull and Jashni on board as producers and the executive producer is Jillian Share.
Cinedigm has acquired Us rights to City Of Peace’s faith drama Identical, starring Ashley Judd, Amanda Crew, Seth Green, Joe Pantoliano, Ray Liotta and Erin Cottrell. The film will open on September 5 on 1,200 screens while ancillary is set for...
- 8/19/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Vision Films, a worldwide distributor of independent feature films, documentaries and music programming, has announced today that they have picked up international sales rights to The Identical, the musical drama directed by Dustin Marcellino and starring Blake Rayne, Erin Cotrell (“Love’s Long Journey”), Amanda Crew (“Crazy Kind of Love”), Brian Geraghty(“Boardwalk Empire”), Seth Green (“Dads”), Ashley Judd (“Olympus Has Fallen”), Joe Pantoliano (“The Matrix”) and Ray Liotta(“GoodFellas”).
The Identical was written by Howard Klausner, who also produced alongside Matt Russell, Joe McDougall, Coke Sams and Clio Tegel. Mark G. Mathis, Yochanan Marcellino and Matthew Dean Russell are executive producing. Vision Films represents the film internationally and will have a special screening Friday, November 8th at the Ocean Screening Room in Santa Monica at 3:00pm.
Identical twin brothers (both played by Blake Rayne) are separated at birth during the Great Depression. Their parents (Brian Geraghty, Amanda Crew...
The Identical was written by Howard Klausner, who also produced alongside Matt Russell, Joe McDougall, Coke Sams and Clio Tegel. Mark G. Mathis, Yochanan Marcellino and Matthew Dean Russell are executive producing. Vision Films represents the film internationally and will have a special screening Friday, November 8th at the Ocean Screening Room in Santa Monica at 3:00pm.
Identical twin brothers (both played by Blake Rayne) are separated at birth during the Great Depression. Their parents (Brian Geraghty, Amanda Crew...
- 11/6/2013
- by Michelle McCue
- WeAreMovieGeeks.com
Vision Films has picked up international sales rights to The Identical starring Blake Rayne, Erin Cottrell, Amanda Crew, Brian Geraghty, Seth Green, Ashley Judd, Joe Pantoliano and Ray Liotta.
Dustin Marcellino directed the musical drama written by Howard Klausner, who also produced the film alongside Matt Russell, Joe McDougall, Coke Sams and Clio Tegel.
The Identical follows twin brothers separated at birth during the Great Depression whose passion for music reunites them.
Vision Films’ Afm roster includes Hans Fjellestad’s documentary Sunset Strip, which launched across digital platforms this week.n...
Dustin Marcellino directed the musical drama written by Howard Klausner, who also produced the film alongside Matt Russell, Joe McDougall, Coke Sams and Clio Tegel.
The Identical follows twin brothers separated at birth during the Great Depression whose passion for music reunites them.
Vision Films’ Afm roster includes Hans Fjellestad’s documentary Sunset Strip, which launched across digital platforms this week.n...
- 11/6/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Anyone who longs for the days of The Little House on the Prairie and a recreation of the wholesome, family-friendly homesteading the TV series based on Laura Ingalls Wilder’s books offered to audiences, will find some comfort in the Love Comes Softly made-for-tv movie series. The 10 movies frame simple stories of love and faith filled out by impressive casts (including a Katherine Heigl before Grey’s Anatomy, January Jones before Mad Men, Erin Cottrell ) and writing that manages to cater to the Lifetime audience while featuring writing easily heads and tails above the very low standards set by that network’s abysmal TV-movie collection. Compared to Lifetime, the Love Comes Softly films have genuine merit and just enough substance to keep interested viewers coming back for the tales of love unfolding across generations.
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- 11/23/2012
- by Lex Walker
- JustPressPlay.net
Our NCIS review broke down this week's episode of TV's #1 show in great detail.
Now, TV Fanatic staff members Steve Marsi, Matt Richenthal and Eric Hochberger have assembled for a weekly Round Table Q&A discussion of events from the Christmas-themed "Newborn King."
Join in below, as we analyze various aspects of Tony Jr., Tony Sr., and more ...
----------------------------------
Describe this episode in one word.
Steve: Moving.
Matt: Predictable.
Eric: Cheesy. Wonderful. Yes, I cheated, but it was equal parts both!
What was your favorite quote or scene?
Steve: Gibbs and Dinozzo in the basement at the end. "Newborn King" would have been completely fine without it, but at the same time, it really made the whole episode for me. Seeing that Gibbs remains so close to Mike's daughter and granddaughter, but also looks out for Tony as a father-like figure in a different way - even if it means...
Now, TV Fanatic staff members Steve Marsi, Matt Richenthal and Eric Hochberger have assembled for a weekly Round Table Q&A discussion of events from the Christmas-themed "Newborn King."
Join in below, as we analyze various aspects of Tony Jr., Tony Sr., and more ...
----------------------------------
Describe this episode in one word.
Steve: Moving.
Matt: Predictable.
Eric: Cheesy. Wonderful. Yes, I cheated, but it was equal parts both!
What was your favorite quote or scene?
Steve: Gibbs and Dinozzo in the basement at the end. "Newborn King" would have been completely fine without it, but at the same time, it really made the whole episode for me. Seeing that Gibbs remains so close to Mike's daughter and granddaughter, but also looks out for Tony as a father-like figure in a different way - even if it means...
- 12/15/2011
- by steve@iscribelimited.com (Steve Marsi)
- TVfanatic
In the spirit of Christmas, we'll forgive NCIS this one.
It's not that "Newborn King" was a bad episode, but it felt like an entirely different show. The holiday theme was almost overblown at times, and there was a high level of (often predictable) cheesiness throughout, a far cry from some of the uber-serious, superbly well-written episodes this and every season.
But, what can I say, it's the holiday season, and it still worked for me. Why?
Marine Lt. Emma Reynolds (guest star Erin Cottrell) for one. Aside from initially locating her, there wasn't much mystery to her case - she was being stalked (hunted, really) because, after becoming pregnant by an Afghan soldier, she carried the potential heir to a key tract of land in Afghanistan that the Dod needed for a highway.
This was pretty much spelled out for us right away, and needless to say, a little far-fetched.
It's not that "Newborn King" was a bad episode, but it felt like an entirely different show. The holiday theme was almost overblown at times, and there was a high level of (often predictable) cheesiness throughout, a far cry from some of the uber-serious, superbly well-written episodes this and every season.
But, what can I say, it's the holiday season, and it still worked for me. Why?
Marine Lt. Emma Reynolds (guest star Erin Cottrell) for one. Aside from initially locating her, there wasn't much mystery to her case - she was being stalked (hunted, really) because, after becoming pregnant by an Afghan soldier, she carried the potential heir to a key tract of land in Afghanistan that the Dod needed for a highway.
This was pretty much spelled out for us right away, and needless to say, a little far-fetched.
- 12/14/2011
- by steve@iscribelimited.com (Steve Marsi)
- TVfanatic
DVD Playhouse—December 2009
By
Allen Gardner
Public Enemies (Universal) Johnny Depp portrays legendary Depression-era bank robber John Dillinger in co- writer/director Michael Mann’s take on America’s first “Public Enemy Number One.” Like many big studio releases today, Public Enemies has it all: A-list talent before and behind the camera, but lacks a heart or soul that allows its audience to connect with it. Film plays out like a “true crime” TV show with re-enactments of famous events cast with top actors and shot by the best technicians in the business, with little, if any, character or story development to hold it together in between. A real disappointment from one of our finest filmmakers and finest actors. The lone standout: the great character actor Stephen Lang as a hard-eyed lawman who’s seen a lot, but manages to retain a tiny piece of his heart. For a better take on the same subject,...
By
Allen Gardner
Public Enemies (Universal) Johnny Depp portrays legendary Depression-era bank robber John Dillinger in co- writer/director Michael Mann’s take on America’s first “Public Enemy Number One.” Like many big studio releases today, Public Enemies has it all: A-list talent before and behind the camera, but lacks a heart or soul that allows its audience to connect with it. Film plays out like a “true crime” TV show with re-enactments of famous events cast with top actors and shot by the best technicians in the business, with little, if any, character or story development to hold it together in between. A real disappointment from one of our finest filmmakers and finest actors. The lone standout: the great character actor Stephen Lang as a hard-eyed lawman who’s seen a lot, but manages to retain a tiny piece of his heart. For a better take on the same subject,...
- 12/19/2009
- by The Hollywood Interview.com
- The Hollywood Interview
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