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The inaugural Prix Luciole Awards ceremony, celebrating artistic achievements in the field of film poster design, took place Friday at Le Gray d’Albion hotel in Cannes.
Co-sponsored by China’s leading movie ticketing platform, Taopiaopiao, and the Paris-based Alliance Cinéaste Chine-Europe, the Prix Luciole aims to raise awareness of the importance of graphic design in the promotion of movies, and to honor work that demonstrates exceptional design concepts, strong emotional resonance and visual impact in film posters.
The Prix Luciole award for best poster, which carries an award of 1,000 euros, went to Belgian filmmaker Leonardo Van Dijl’s Julie Keeps Quiet. The jury praised the modern approach of the poster, photographed by Max Pinckers and designed by Sophie Keij, as well as its perfect balance of typography and photography, clever use of empty spaces and a powerful photo choice that delves into the character’s psychology.
The jury for...
Co-sponsored by China’s leading movie ticketing platform, Taopiaopiao, and the Paris-based Alliance Cinéaste Chine-Europe, the Prix Luciole aims to raise awareness of the importance of graphic design in the promotion of movies, and to honor work that demonstrates exceptional design concepts, strong emotional resonance and visual impact in film posters.
The Prix Luciole award for best poster, which carries an award of 1,000 euros, went to Belgian filmmaker Leonardo Van Dijl’s Julie Keeps Quiet. The jury praised the modern approach of the poster, photographed by Max Pinckers and designed by Sophie Keij, as well as its perfect balance of typography and photography, clever use of empty spaces and a powerful photo choice that delves into the character’s psychology.
The jury for...
- 5/26/2024
- by THR Staff
- The Hollywood Reporter - Movie News
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The 2024 Cannes Film Festival lineup was finally revealed at the sliver of dawn on Thursday, April 11. Festival director Thierry Frémaux and president Iris Knobloch unveiled this year’s crop of films across the many sections, from the Competition to Un Certain Regard, during a press conference beginning at 5 a.m. Et. See the full lineup below.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
- 4/22/2024
- by Ryan Lattanzio
- Indiewire
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Among the high-profile filmmakers selected for this year’s Cannes Film Festival is a wave of upcoming talent from Asia and the Middle East, including the first Indian feature chosen for Competition in 30 years and the first film from Saudi Arabia to ever make the Official Selection.
While Cannes has a reputation for bringing back familiar names year after year, the line-up for the 77th edition does feature several rising filmmakers and not just in the “discovery” strands of the selection.
Making her first appearance in Competition is Indian filmmaker Payal Kapadia with All We Imagine As Light. It marks...
While Cannes has a reputation for bringing back familiar names year after year, the line-up for the 77th edition does feature several rising filmmakers and not just in the “discovery” strands of the selection.
Making her first appearance in Competition is Indian filmmaker Payal Kapadia with All We Imagine As Light. It marks...
- 4/12/2024
- ScreenDaily
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Cannes announced the official selection for this year, and the Asian representation is quite strong. India finds its way back to the main competition after 30 years, with “All We Imagine as Light” while Jia Zhangke returns with “Caught By The Tides” . Also of note is the presence of the first Saudi Arabian film in the official selection with “Norah”, which premiered last year in Red Sea. Here are all the entries we know of so far. More info will be added as we get closer to the festival.
All We Imagine as Light by Payal Kapadia (India) Caught by the Tides by Jia Zhang-Ke (China) Norah by Tawfik Alzaidi (Saudi Arabia) Black Dog by Guan Hu (China) My Sunshine by Hiroshi Okuyama (Japan) Santosh by Sandhya Suri (India) Viet and Nam by Truong Minh Quý (Vietnam) She's Got No Name by Peter Chan Ho-Sun Twilight of the Warrior Walled In...
All We Imagine as Light by Payal Kapadia (India) Caught by the Tides by Jia Zhang-Ke (China) Norah by Tawfik Alzaidi (Saudi Arabia) Black Dog by Guan Hu (China) My Sunshine by Hiroshi Okuyama (Japan) Santosh by Sandhya Suri (India) Viet and Nam by Truong Minh Quý (Vietnam) She's Got No Name by Peter Chan Ho-Sun Twilight of the Warrior Walled In...
- 4/11/2024
- by Panos Kotzathanasis
- AsianMoviePulse
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Descubre las películas que estarán en Cannes 2024: una lista completa de todas las secciones.
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
- 4/11/2024
- by Marta Medina
- mundoCine
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Cinephiles will have plenty to celebrate this April with the next slate of additions to the Criterion Channel. The boutique distributor, which recently announced its June 2024 Blu-ray releases, has unveiled its new streaming lineup highlighted by an eclectic mix of classic films and modern arthouse hits.
Students of Hollywood history will be treated to the “Peak Noir: 1950” collection, which features 17 noir films from the landmark film year from directors including Billy Wilder, Alfred Hitchcock, and John Huston.
New Hollywood maverick William Friedkin will also be celebrated when five of his most beloved movies, including “Sorcerer” and “The Exorcist,” come to the channel in April.
Criterion will offer the streaming premiere of Wim Wenders’ 3D art documentary “Anselm,” which will be accompanied by the “Wim Wenders’ Adventures in Moviegoing” collection, which sees the director curating a selection of films from around the world that have influenced his careers.
Contemporary cinema is also well represented,...
Students of Hollywood history will be treated to the “Peak Noir: 1950” collection, which features 17 noir films from the landmark film year from directors including Billy Wilder, Alfred Hitchcock, and John Huston.
New Hollywood maverick William Friedkin will also be celebrated when five of his most beloved movies, including “Sorcerer” and “The Exorcist,” come to the channel in April.
Criterion will offer the streaming premiere of Wim Wenders’ 3D art documentary “Anselm,” which will be accompanied by the “Wim Wenders’ Adventures in Moviegoing” collection, which sees the director curating a selection of films from around the world that have influenced his careers.
Contemporary cinema is also well represented,...
- 3/18/2024
- by Christian Zilko
- Indiewire
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April’s an uncommonly strong auteurist month for the Criterion Channel, who will highlight a number of directors––many of whom aren’t often grouped together. Just after we screened House of Tolerance at the Roxy Cinema, Criterion are showing it and Nocturama for a two-film Bertrand Bonello retrospective, starting just four days before The Beast opens. Larger and rarer (but just as French) is the complete Jean Eustache series Janus toured last year. Meanwhile, five William Friedkin films and work from Makoto Shinkai, Lizzie Borden, and Rosine Mbakam are given a highlight.
One of my very favorite films, Comrades: Almost a Love Story plays in a series I’ve been trying to program for years: “Hong Kong in New York,” boasting the magnificent Full Moon in New York, Farewell China, and An Autumn’s Tale. Wim Wenders gets his “Adventures in Moviegoing”; After Hours, Personal Shopper, and Werckmeister Harmonies fill...
One of my very favorite films, Comrades: Almost a Love Story plays in a series I’ve been trying to program for years: “Hong Kong in New York,” boasting the magnificent Full Moon in New York, Farewell China, and An Autumn’s Tale. Wim Wenders gets his “Adventures in Moviegoing”; After Hours, Personal Shopper, and Werckmeister Harmonies fill...
- 3/18/2024
- by Nick Newman
- The Film Stage
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Hong Kong Film Development Council (Hkfdc) has announced the first ten projects to receive grants under its Content Development Scheme for Streaming Platforms.
The ten projects, which will now enter phase two of the scheme, include series to be directed and/or produced by leading Hong Kong filmmakers such as Lawrence Ah Mon, Derek Yee, Peter Ho-sun Chan and Kenneth Bi (see full list of grantees below).
Shortlisted teams will each receive Hk$0.6M to Hk$1.2M as a script development fee for developing a production proposal and full scripts of an entire mini-series.
Winning teams selected to enter phase three will each receive Hk$4.5M to produce the first one or first two episodes of a series. Together with the script development fee, each final winning team will be awarded a total of up to Hk$5.7M.
Hkfdc chairman Wilfred Wong, said: “This new Scheme launched under the Film...
The ten projects, which will now enter phase two of the scheme, include series to be directed and/or produced by leading Hong Kong filmmakers such as Lawrence Ah Mon, Derek Yee, Peter Ho-sun Chan and Kenneth Bi (see full list of grantees below).
Shortlisted teams will each receive Hk$0.6M to Hk$1.2M as a script development fee for developing a production proposal and full scripts of an entire mini-series.
Winning teams selected to enter phase three will each receive Hk$4.5M to produce the first one or first two episodes of a series. Together with the script development fee, each final winning team will be awarded a total of up to Hk$5.7M.
Hkfdc chairman Wilfred Wong, said: “This new Scheme launched under the Film...
- 3/13/2024
- by Liz Shackleton
- Deadline Film + TV
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Korean actress Lee Young-ae, known for her roles in Park Chan-wook’s Joint Security Area and Lady Vengeance, will be presented with the Excellence in Asian Cinema Award at this year’s Asian Film Awards (March 10) in Hong Kong.
With a career spanning three decades, Lee’s credits also include 2003 drama series Jewel In The Palace, which was broadcast in over 90 countries and introduced Korean history to a global audience.
One of two recipients of the Excellence in Asian Cinema Award, Lee is confirmed to attend the ceremony at Hong Kong’s Xiqu Centre in person. “I’m delighted to come to Hong Kong and take part in this prestigious event for the Asian film industry,” said Lee. “I look forward to more collaborations and engagements with Asian filmmakers across the region to raise international awareness of Korean cinema and culture.”
Park Kwang Su, chairperson of Busan film festival which...
With a career spanning three decades, Lee’s credits also include 2003 drama series Jewel In The Palace, which was broadcast in over 90 countries and introduced Korean history to a global audience.
One of two recipients of the Excellence in Asian Cinema Award, Lee is confirmed to attend the ceremony at Hong Kong’s Xiqu Centre in person. “I’m delighted to come to Hong Kong and take part in this prestigious event for the Asian film industry,” said Lee. “I look forward to more collaborations and engagements with Asian filmmakers across the region to raise international awareness of Korean cinema and culture.”
Park Kwang Su, chairperson of Busan film festival which...
- 3/1/2024
- by Liz Shackleton
- Deadline Film + TV
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The Hong Kong box office was dominated by a trio of local titles over Chinese New Year, earning almost $8m (Hk$62m) in 10 days.
Taking the top spot was Table For Six 2, with a cumulative box office of $4.07m (Hk$31.86m) as of February 18, while The Moon Thieves ($2.5m/Hk$19.58m) and Rob N Roll ($1.35/Hk$10.54m) ranked second and third respectively.
All three opened on Chinese New Year’s Eve (February 9) when multiple tentpole titles traditionally open to take full advantage of the lucrative festive period.
Ensemble family comedy Table For Six 2 rode on the success of its predecessor,...
Taking the top spot was Table For Six 2, with a cumulative box office of $4.07m (Hk$31.86m) as of February 18, while The Moon Thieves ($2.5m/Hk$19.58m) and Rob N Roll ($1.35/Hk$10.54m) ranked second and third respectively.
All three opened on Chinese New Year’s Eve (February 9) when multiple tentpole titles traditionally open to take full advantage of the lucrative festive period.
Ensemble family comedy Table For Six 2 rode on the success of its predecessor,...
- 2/20/2024
- ScreenDaily
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Hong Kong cinema is associated with action films which most often bring to mind male protagonists. Most undeservedly so since, thanks to the characteristics of Hong Kong martial arts films, women have been successfully surmounting their male counterparts with training, agility, and wits in them for many decades. The masters, such as King Hu and Tsui Hark, were well-aware of it. They were among the ones who discovered outstanding artists whose roles were ahead of their times and set out new directions for the development of popular cinema.
Hong Kong is not just about action cinema, but also brilliant comedies and dramas, and sharp tales with social overtones, in which fascinating, complex female characters are also present. The Hong Kong Heroines section brings back strong heroines and the great roles of stars, including Cheng Pei-pei, Sylvia Chang, Cherry Ngan, and Maggie Cheung. The section presents Hong Kong cinema from the...
Hong Kong is not just about action cinema, but also brilliant comedies and dramas, and sharp tales with social overtones, in which fascinating, complex female characters are also present. The Hong Kong Heroines section brings back strong heroines and the great roles of stars, including Cheng Pei-pei, Sylvia Chang, Cherry Ngan, and Maggie Cheung. The section presents Hong Kong cinema from the...
- 9/22/2023
- by Panos Kotzathanasis
- AsianMoviePulse
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Veteran Chinese director Peter Chan Ho-sun is busy as ever these days. Behind the scenes, Chan is laying the foundations of the new production company, Changin’ Pictures, which he formally announced towards the end of last year. In public, the director is one of the most prominent cheerleaders of Chinese cinema, a role he played at the Shanghai International Film Festival this week.
The focus of a MasterClass at the festival, Chan talked expansively about Chinese film and its place in the world. “China has a lot of great stories, and many of them can resonate with people worldwide,” he said. “So why not make these stories that everyone can empathize with? I believe we should aim to make the whole world want to watch Chinese stories. We shouldn’t make films that are intended to please them or enhance a stereotypical image of China. That won’t lead to progress.
The focus of a MasterClass at the festival, Chan talked expansively about Chinese film and its place in the world. “China has a lot of great stories, and many of them can resonate with people worldwide,” he said. “So why not make these stories that everyone can empathize with? I believe we should aim to make the whole world want to watch Chinese stories. We shouldn’t make films that are intended to please them or enhance a stereotypical image of China. That won’t lead to progress.
- 6/13/2023
- by Mathew Scott
- The Hollywood Reporter - Movie News
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Hong Kong multi-hyphenate Peter Chan Ho-sun is far too intellectual to call himself an “arms dealer,” as Sony Pictures has in casting itself as an unattached supplier to streaming platforms.
But politeness and Bob Dylan references aside, Chan’s new company, Changin’ Pictures, aims to become a major independent purveyor of premium Asian TV content for the streamers. The company is using this week’s Busan International Film Festival as its launchpad and will unveil the first five series of its 20-title pan-Asian slate.
Chan’s thesis is that global audiences are hungry for Asian content but have not been able to access it easily under legacy film and TV distribution systems. With streaming making everything accessible everywhere, and audiences no longer balking at subtitles, quality Asian drama can and will travel.
His benchmark examples include not only “Squid Game,” which was conceived locally in South Korea and became a world- wide phenomenon via Netflix,...
But politeness and Bob Dylan references aside, Chan’s new company, Changin’ Pictures, aims to become a major independent purveyor of premium Asian TV content for the streamers. The company is using this week’s Busan International Film Festival as its launchpad and will unveil the first five series of its 20-title pan-Asian slate.
Chan’s thesis is that global audiences are hungry for Asian content but have not been able to access it easily under legacy film and TV distribution systems. With streaming making everything accessible everywhere, and audiences no longer balking at subtitles, quality Asian drama can and will travel.
His benchmark examples include not only “Squid Game,” which was conceived locally in South Korea and became a world- wide phenomenon via Netflix,...
- 10/5/2022
- by Patrick Frater
- Variety Film + TV
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Initial slate of five series set to be unveiled in Busan.
Hong Kong filmmaker Peter Ho-Sun Chan has launched production company Changin’ Pictures with an initial slate of five titles that includes stars Donnie Yen and Zhang Ziyi.
The company will focus on content for streaming services and plans to roll out 20 limited series across various genres in its first four years across the Asia Pacific region.
It aims to sign up leading filmmakers and fresh talent from throughout the region to create drama projects for a pan-Asian audience and aims to work with platforms and co-production partners looking to...
Hong Kong filmmaker Peter Ho-Sun Chan has launched production company Changin’ Pictures with an initial slate of five titles that includes stars Donnie Yen and Zhang Ziyi.
The company will focus on content for streaming services and plans to roll out 20 limited series across various genres in its first four years across the Asia Pacific region.
It aims to sign up leading filmmakers and fresh talent from throughout the region to create drama projects for a pan-Asian audience and aims to work with platforms and co-production partners looking to...
- 10/4/2022
- by Michael Rosser
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BZDFmM2U0ZTQtYzg2OS00NDY4LTliYTAtNmZhZjE4M2ViMDQxXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Hong Kong filmmaker Peter Ho-sun Chan has launched a production company to focus on streaming content, Changin’ Pictures, with a debut slate of five projects and talent including action star Donnie Yen and Chinese actress Zhang Ziyi.
The new outfit aims to “revolutionize the streaming multiverse in Asia” by signing up leading filmmakers and fresh talent from across the region to create drama series for a pan-Asian audience and beyond. Chan also intends to collaborate with platforms and potential co-production partners who want to jump into Asia’s expanding streaming market.
Changin’ Pictures plans to roll out 20 limited series across various genres from across the Asia Pacific region in its first four years.
The first two projects on the slate are Korean series, both adapted from popular webtoons: One: High School Heroes, produced by Covenant Pictures (Desperate Mr. X), about a bullied high school kid who transforms himself into a...
The new outfit aims to “revolutionize the streaming multiverse in Asia” by signing up leading filmmakers and fresh talent from across the region to create drama series for a pan-Asian audience and beyond. Chan also intends to collaborate with platforms and potential co-production partners who want to jump into Asia’s expanding streaming market.
Changin’ Pictures plans to roll out 20 limited series across various genres from across the Asia Pacific region in its first four years.
The first two projects on the slate are Korean series, both adapted from popular webtoons: One: High School Heroes, produced by Covenant Pictures (Desperate Mr. X), about a bullied high school kid who transforms himself into a...
- 10/4/2022
- by Liz Shackleton
- Deadline Film + TV
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Projects starring Donnie Yen and Zhang Ziyi are among the independently produced TV series to be launched on the sidelines of this week’s Busan International Film Festival. The company responsible is Changin’ Pictures, a would-be studio being hatched by Hong Kong-based film director and producer Peter Chan Ho-sun.
Propelled by the growing recognition of Asian talent and the worldwide distribution potential of multinational SVOD platforms, Changin’ Pictures aims to be a powerhouse production hub suppling premium drama content to streaming players.
The company has raised very substantial finance from Asian sources and aims to develop and produce series which it will pitch and license to the platforms, without recourse to the Ott companies’ production funding, greenlighting and editorial constraints.
The company expects to sign up a mix of Asia’s top-billing established filmmakers and fresh talents “to create innovative drama series for Pan-Asian netizens, with an eye to cross-cultural global assimilation.
Propelled by the growing recognition of Asian talent and the worldwide distribution potential of multinational SVOD platforms, Changin’ Pictures aims to be a powerhouse production hub suppling premium drama content to streaming players.
The company has raised very substantial finance from Asian sources and aims to develop and produce series which it will pitch and license to the platforms, without recourse to the Ott companies’ production funding, greenlighting and editorial constraints.
The company expects to sign up a mix of Asia’s top-billing established filmmakers and fresh talents “to create innovative drama series for Pan-Asian netizens, with an eye to cross-cultural global assimilation.
- 10/4/2022
- by Patrick Frater
- Variety Film + TV
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The delayed 46th edition of the Hong Kong International Film Festival wrapped Wednesday with the award of 13 prizes for its young filmmaker, documentary and shorts competitions.
Hailed by the jury as “one of this year’s most distinguished films both creatively and artistically,” Qiu Jiongjiong’s “A New Old Play” was named best film for the Young Cinema Competition (Chinese Language). “A New Old Play” is a tale of a family of Sichuan Opera artists living through a tumultuous era. It also collected the Fipresci Prize, with the jury commending the film for “its masterful approach and inventive visual style.”
In the global category, Palestinian director Maha Haj’s “Mediterranean Fever” was chosen as the Firebird Award winner for being “an all-rounded gem that is at once a thriller, social comedy, and odd couple bromance.”
In the Chinese-language category, Hong Kong’s Mak Pui-tung won the best actor award for “The Sparring Partner.
Hailed by the jury as “one of this year’s most distinguished films both creatively and artistically,” Qiu Jiongjiong’s “A New Old Play” was named best film for the Young Cinema Competition (Chinese Language). “A New Old Play” is a tale of a family of Sichuan Opera artists living through a tumultuous era. It also collected the Fipresci Prize, with the jury commending the film for “its masterful approach and inventive visual style.”
In the global category, Palestinian director Maha Haj’s “Mediterranean Fever” was chosen as the Firebird Award winner for being “an all-rounded gem that is at once a thriller, social comedy, and odd couple bromance.”
In the Chinese-language category, Hong Kong’s Mak Pui-tung won the best actor award for “The Sparring Partner.
- 8/31/2022
- by Patrick Frater
- Variety Film + TV
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Developing Situation
New president of the Philippines Ferdinand “Bongbong” Marcos Jr. on Tuesday swore in a swath of new officials at government agencies. Among them, veteran actor Tirso Cruz III, was appointed as chair and chief executive of the Film Development Council of the Philippines (Fdcp). He replaces Liza Dino Seguerra who has held the post for the past four years. In a Facebook posting, Seguerra said that she had not been officially informed of her replacement, but that nevertheless she would ensure a smooth transition.
Commissions
The BBC has commissioned independent production company Zig Zag to make “Football Academy,” a soccer documentary series following the young players and staff of the academy at Southampton Football Club, which will air this fall in the countdown to the 2022 soccer World Cup in Qatar. The 15×30’ series, for Cbbc, was filmed during the 2021/22 season and will track the highs and lows of key characters at the academy,...
New president of the Philippines Ferdinand “Bongbong” Marcos Jr. on Tuesday swore in a swath of new officials at government agencies. Among them, veteran actor Tirso Cruz III, was appointed as chair and chief executive of the Film Development Council of the Philippines (Fdcp). He replaces Liza Dino Seguerra who has held the post for the past four years. In a Facebook posting, Seguerra said that she had not been officially informed of her replacement, but that nevertheless she would ensure a smooth transition.
Commissions
The BBC has commissioned independent production company Zig Zag to make “Football Academy,” a soccer documentary series following the young players and staff of the academy at Southampton Football Club, which will air this fall in the countdown to the 2022 soccer World Cup in Qatar. The 15×30’ series, for Cbbc, was filmed during the 2021/22 season and will track the highs and lows of key characters at the academy,...
- 7/6/2022
- by Patrick Frater
- Variety Film + TV
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Trinity Cine Asia has acquired upcoming Hong Kong comedy “Chilli Laugh Story” for distribution in the U.K. and North America.
The work-from-home story of the director Coba Cheng’s relatives sees a locked-down family starting an online business during the pandemic. It stars Sandra Ng, who also produces, Ronald Cheng, Gigi Leung and Edan Lui, a member of the wildly popular Hong Kong boy band Mirror.
The film earned nearly 150,000 in previews at the Hong Kong box office last weekend and goes on full release from July 14, 2022. It will open theatrically in the U.K., where there is a growing expatriate Hong Kong population, the following day. A release in U.S. and Canadian theaters will follow on July 22.
The film was produced by Treasure Island Production with rights sales handled by Peter Chan’s We Distribution. It was originally set to release at Chinese New Year in February,...
The work-from-home story of the director Coba Cheng’s relatives sees a locked-down family starting an online business during the pandemic. It stars Sandra Ng, who also produces, Ronald Cheng, Gigi Leung and Edan Lui, a member of the wildly popular Hong Kong boy band Mirror.
The film earned nearly 150,000 in previews at the Hong Kong box office last weekend and goes on full release from July 14, 2022. It will open theatrically in the U.K., where there is a growing expatriate Hong Kong population, the following day. A release in U.S. and Canadian theaters will follow on July 22.
The film was produced by Treasure Island Production with rights sales handled by Peter Chan’s We Distribution. It was originally set to release at Chinese New Year in February,...
- 7/6/2022
- by Patrick Frater
- Variety Film + TV
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Universal’s Jurassic World Dominion crossed the 100 million mark in China on Thursday, becoming the first Hollywood film to hit that milestone since Legendary’s Godzilla vs. Kong did so in early 2021. The dinosaur sequel was pushed into second place over the weekend, however, as the heartwarming Chinese drama Lighting Up the Stars opened Friday and surged into first place.
Dominion took 12.5 million in its third frame, while Lighting Up the Stars won the weekend with 31.8 million, according to estimates from Artisan Gateway. Altogether, Dominion has earned 114.6 million of its 746.7 million global total in China. Franchise predecessor Jurassic World: Fallen Kingdom earned more than double that number — 261 million — back in 2018, when Hollywood hits were still doing booming business in the country.
Lighting Up the Stars is produced by Lian Ray Pictures, the Beijing-based company behind Derek Tsang’s Oscar nominee Better Days and...
Universal’s Jurassic World Dominion crossed the 100 million mark in China on Thursday, becoming the first Hollywood film to hit that milestone since Legendary’s Godzilla vs. Kong did so in early 2021. The dinosaur sequel was pushed into second place over the weekend, however, as the heartwarming Chinese drama Lighting Up the Stars opened Friday and surged into first place.
Dominion took 12.5 million in its third frame, while Lighting Up the Stars won the weekend with 31.8 million, according to estimates from Artisan Gateway. Altogether, Dominion has earned 114.6 million of its 746.7 million global total in China. Franchise predecessor Jurassic World: Fallen Kingdom earned more than double that number — 261 million — back in 2018, when Hollywood hits were still doing booming business in the country.
Lighting Up the Stars is produced by Lian Ray Pictures, the Beijing-based company behind Derek Tsang’s Oscar nominee Better Days and...
- 6/27/2022
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
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12 – 17 July 2022, Louis Koo Cinema
New Waves, New Shores: Busan International Film Festival is back with three screenings and a masterclass! The moving image programme is presented by the Hong Kong Arts Centre (Hkac), financially supported by the Film Development Fund, Create Hong Kong, and in festival partnership with the Busan International Film Festival (Biff). Through an integrated series of screenings, talks, workshops and a masterclass, the programme aims to introduce the cross currents in Hong Kong and Korean cinema, as well as the importance of Biff as one of the leading film festivals in Asia. The screenings comprise a Hong Kong showcase curated by Maggie Lee, and a Korean showcase co-curated by Lee and Nam Dong-chul.
Previously brought to a halt by the pandemic, the programme now brings back screenings of Too Many Ways to Be No. 1, Dumplings and Thirst, and Masterclass on Screen Adaptation: A Conversation Between Chung Seo-kyung and Fruit Chan,...
New Waves, New Shores: Busan International Film Festival is back with three screenings and a masterclass! The moving image programme is presented by the Hong Kong Arts Centre (Hkac), financially supported by the Film Development Fund, Create Hong Kong, and in festival partnership with the Busan International Film Festival (Biff). Through an integrated series of screenings, talks, workshops and a masterclass, the programme aims to introduce the cross currents in Hong Kong and Korean cinema, as well as the importance of Biff as one of the leading film festivals in Asia. The screenings comprise a Hong Kong showcase curated by Maggie Lee, and a Korean showcase co-curated by Lee and Nam Dong-chul.
Previously brought to a halt by the pandemic, the programme now brings back screenings of Too Many Ways to Be No. 1, Dumplings and Thirst, and Masterclass on Screen Adaptation: A Conversation Between Chung Seo-kyung and Fruit Chan,...
- 6/21/2022
- by Suzie Cho
- AsianMoviePulse
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Making Waves – Navigators of Hong Kong Cinema, a touring programme to mark the 25th anniversary of the establishment of the Hong Kong Special Administrative Region (Hksar), comes to London 8-10 July, bringing an exciting selection of new films and restored classics to the big screen. Also featuring a live holo-presence and an online virtual exhibition, the event is an evocative multimedia experience that takes audiences on a journey through contemporary Hong Kong cinema through a diverse range of genres and forms.
This celebration of Hong Kong cinema is presented by Create Hong Kong in partnership with Focus Hong Kong, and supported by the Hong Kong Economic and Trade Office, London, with a programme of 7 films at Soho Hotel and The Garden Cinema, including a very special live holo-presence event featuring legendary Hong Kong filmmaker Peter Chan in conversation and a gala screening of his beloved classic Comrades, Almost A Love Story in a restored version.
This celebration of Hong Kong cinema is presented by Create Hong Kong in partnership with Focus Hong Kong, and supported by the Hong Kong Economic and Trade Office, London, with a programme of 7 films at Soho Hotel and The Garden Cinema, including a very special live holo-presence event featuring legendary Hong Kong filmmaker Peter Chan in conversation and a gala screening of his beloved classic Comrades, Almost A Love Story in a restored version.
- 6/17/2022
- by Adriana Rosati
- AsianMoviePulse
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“Limbo” is the favourite contender for the 40th edition of The Hong Kong Film Awards with a total of 14 nominations including Best Film, Best Director (Soi Cheang), Best Screenplay, Best Actor (Lam Ka-tung) and Best Actress (Cya Liu). “Limbo” is followed closely by “Anita”, a biopic of the late Anita Mui, that received 12 nominations, including Best Film and Best Director. The Award ceremony will be held in-person at the Hong Kong Cultural Centre on April 17, unless the public health situation deteriorates further.
Best Film
Raging Fire
Anita
Limbo
Zero to Hero
Drifting
Best Director
Man Lim Chung for Keep Rolling
Benny Chan for Raging Fire
Longman Leung for Anita
Soi Cheang for Limbo
Peter Ho-Sun Chan for Leap
Best Screenplay
Ashley Cheung Yin Kei, Ho Siu Hong, Li Ho Ting and Ling Wai Chun for One Second Champion
Ho Ching Yi and Lam Ka Tung for Time
Au Kin Yee...
Best Film
Raging Fire
Anita
Limbo
Zero to Hero
Drifting
Best Director
Man Lim Chung for Keep Rolling
Benny Chan for Raging Fire
Longman Leung for Anita
Soi Cheang for Limbo
Peter Ho-Sun Chan for Leap
Best Screenplay
Ashley Cheung Yin Kei, Ho Siu Hong, Li Ho Ting and Ling Wai Chun for One Second Champion
Ho Ching Yi and Lam Ka Tung for Time
Au Kin Yee...
- 2/16/2022
- by Adriana Rosati
- AsianMoviePulse
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Other contenders include biopic ‘Anita’, ‘Drifting’ and ‘Raging Fire’, the final thriller by the late Benny Chan.
Soi Cheang’s crime thriller Limbo leads the pack for the 40th Hong Kong Film Awards (Hkfa) with 14 nominations, as the event prepares to return as an in-person ceremony following last year’s cancellation as a result of the pandemic.
The black and white crime noir, which premiered in Berlinale Special in 2021, secured nods including best film, best director and for actors Lam Ka Tung[/link], Cya Liu and Fish Liew. The thriller centres on a veteran detective and rookie copy who team up to catch a serial killer.
Soi Cheang’s crime thriller Limbo leads the pack for the 40th Hong Kong Film Awards (Hkfa) with 14 nominations, as the event prepares to return as an in-person ceremony following last year’s cancellation as a result of the pandemic.
The black and white crime noir, which premiered in Berlinale Special in 2021, secured nods including best film, best director and for actors Lam Ka Tung[/link], Cya Liu and Fish Liew. The thriller centres on a veteran detective and rookie copy who team up to catch a serial killer.
- 2/16/2022
- by Silvia Wong
- ScreenDaily
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Yeung will continue to grow We Pictures’ slate, while broadening its business in the areas of content creation, IP development and distribution.
Former Edko Films executive Esther Yeung has been appointed chief operating officer of Hong Kong filmmaker Peter Ho-sun Chan’s We Pictures.
In her new role, she will continue to grow We Pictures’ slate, while broadening its business in the areas of content creation, IP development and distribution. She will report directly to Chan.
Yeung most recently served as general manager, head of sales and distribution, at Bill Kong’s Hong Kong-based producer-distributor Edko Films. During her tenure,...
Former Edko Films executive Esther Yeung has been appointed chief operating officer of Hong Kong filmmaker Peter Ho-sun Chan’s We Pictures.
In her new role, she will continue to grow We Pictures’ slate, while broadening its business in the areas of content creation, IP development and distribution. She will report directly to Chan.
Yeung most recently served as general manager, head of sales and distribution, at Bill Kong’s Hong Kong-based producer-distributor Edko Films. During her tenure,...
- 12/2/2021
- by Liz Shackleton
- ScreenDaily
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The two companies will co-produce Chinese-language films directed by Kelvin Tong, Melvin Mak, Ong Kuo Sin and Tay Ping Hui.
Singapore-based Clover Films is joining forces with Chinese streaming platform iQiyi to co-produce four Mandarin-language films, from Singapore directors Kelvin Tong, Melvin Mak, Ong Kuo Sin and Tay Ping Hui.
The collaboration has been set up by Clover Films’ managing director Lim Teck and iQiyi’s Beijing-based vice president Song Jia. Both spent nine months developing the parameters of the slate during the pandemic.
The projects, budgeted at $6m in total, will be produced over the next two years. The...
Singapore-based Clover Films is joining forces with Chinese streaming platform iQiyi to co-produce four Mandarin-language films, from Singapore directors Kelvin Tong, Melvin Mak, Ong Kuo Sin and Tay Ping Hui.
The collaboration has been set up by Clover Films’ managing director Lim Teck and iQiyi’s Beijing-based vice president Song Jia. Both spent nine months developing the parameters of the slate during the pandemic.
The projects, budgeted at $6m in total, will be produced over the next two years. The...
- 3/15/2021
- by Silvia Wong
- ScreenDaily
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A sport as quickfire as indoor volleyball deserves a nimbler workout than it gets in “Leap,” Peter Ho-Sun Chan’s lavish but curiously low-boil based-in-truth sports movie. Telling the decades-spanning tale of the Chinese Women’s Volleyball team and its star-player-turned-head-coach, Lang Ping, it’s essentially a rise-and-fall-and-rise-again story. But in presenting a sanitized vision of Chinese patriotism as pretty much the sole motivating force for any of its characters, despite a hefty runtime and some unimpeachably glossy craft, the film is a mis-hit spike, delivering far less penetration than its toned, muscular surface promises.
Ignoring or eliding whole decades of interim drama (Lang’s first stint as China’s coach is a particularly strange omission), the film is organized instead around three centerpiece matches: China versus Japan at the World Cup in 1981; China versus USA at the Beijing Olympics in 2008; and China versus Brazil at the 2016 Rio Olympics. Each...
Ignoring or eliding whole decades of interim drama (Lang’s first stint as China’s coach is a particularly strange omission), the film is organized instead around three centerpiece matches: China versus Japan at the World Cup in 1981; China versus USA at the Beijing Olympics in 2008; and China versus Brazil at the 2016 Rio Olympics. Each...
- 1/22/2021
- by Jessica Kiang
- Variety Film + TV
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While the Academy has not yet released the full official list, these are the films Variety has learned have been submitted by various countries in the international film race. The shortlist will be announced Feb. 9 and the nominations on March 15. The Academy Awards ceremony takes place on April 25.
Albania Open Door
Director: Florenc Papas
Key Cast: Luli Bitri, Jonida Vokshi, Gulielm Radoja
Logline: Pregnant woman and her sister try to find a man to pretend to be the mom-to-be’s husband before visiting their traditional father.
Prodco: Bunker Film Plus
Algeria Héliopolis
Director: Djaâfar Gacem
Key cast: Souhila Mallem, Mehdi
Ramdani, Cesar Duminil
Logline: Algerians fight for independence punctuated by the 1945 massacre in the ancient city of Héliopolis.
Prodco: Centre Algérien de Développement du Cinéma
Argentina The Sleepwalkers
Director: Paula Hernández
Key Cast: Érica Rivas, Ornella D’elía, Marilu Marini, Daniel Hendler
Logline: A family drama encompasses the sexual awakening...
Albania Open Door
Director: Florenc Papas
Key Cast: Luli Bitri, Jonida Vokshi, Gulielm Radoja
Logline: Pregnant woman and her sister try to find a man to pretend to be the mom-to-be’s husband before visiting their traditional father.
Prodco: Bunker Film Plus
Algeria Héliopolis
Director: Djaâfar Gacem
Key cast: Souhila Mallem, Mehdi
Ramdani, Cesar Duminil
Logline: Algerians fight for independence punctuated by the 1945 massacre in the ancient city of Héliopolis.
Prodco: Centre Algérien de Développement du Cinéma
Argentina The Sleepwalkers
Director: Paula Hernández
Key Cast: Érica Rivas, Ornella D’elía, Marilu Marini, Daniel Hendler
Logline: A family drama encompasses the sexual awakening...
- 12/23/2020
- by Shalini Dore
- Variety Film + TV
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Patriotic omnibus is now the third biggest worldwide grosser this year.
Patriotic omnibus My People, My Homeland added a further $19.1m at the China box office last weekend (October 16-18) to reach a cumulative total of $360.3m, according to figures from Artisan Gateway.
Compared to figures published by Box Office Mojo, that result would make the film the third biggest worldwide grosser this year, behind Chinese war epic The Eight Hundred ($441.7m) and Sony’s Bad Boys For Life ($426.5m).
Wang Danyang’s romantic drama The Story Of Xo Bao came in second over its opening weekend, grossing $5.6m over three days.
Patriotic omnibus My People, My Homeland added a further $19.1m at the China box office last weekend (October 16-18) to reach a cumulative total of $360.3m, according to figures from Artisan Gateway.
Compared to figures published by Box Office Mojo, that result would make the film the third biggest worldwide grosser this year, behind Chinese war epic The Eight Hundred ($441.7m) and Sony’s Bad Boys For Life ($426.5m).
Wang Danyang’s romantic drama The Story Of Xo Bao came in second over its opening weekend, grossing $5.6m over three days.
- 10/19/2020
- by Liz Shackleton
- ScreenDaily
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China’s total box office over the three-day weekend (October 2-4) reached $215.6m.
Patriotic omnibus My People, My Homeland topped the China box office over the National Day weekend (October 2-4), according to figures from Artisan Gateway, grossing $97.5m. The film opened one day earlier on Thursday, October 1, the first day of the eight-day holiday, and in its first four days has grossed a cumulative total of $137.8m.
Produced by Beijing Culture, the film is executive produced by Zhang Yimou and has segments directed by Ning Hao, Xu Zheng and Chen Sicheng, among other directors. Last year’s similarly-themed My People, My Country...
Patriotic omnibus My People, My Homeland topped the China box office over the National Day weekend (October 2-4), according to figures from Artisan Gateway, grossing $97.5m. The film opened one day earlier on Thursday, October 1, the first day of the eight-day holiday, and in its first four days has grossed a cumulative total of $137.8m.
Produced by Beijing Culture, the film is executive produced by Zhang Yimou and has segments directed by Ning Hao, Xu Zheng and Chen Sicheng, among other directors. Last year’s similarly-themed My People, My Country...
- 10/5/2020
- by Liz Shackleton
- ScreenDaily
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Hong Kong director Wong Kar-wai is among the leading filmmakers to boost the region’s movie industry with a five-tier plan that totals $33.5 million U.S. dollars in funds. He’s joined by Derek Yee (“Drink-Drank-Drunk”) and Peter Chan Ho-sun (“The Warlords”) and more who support a government-funded revival initiative in response to political unrest, as well as the Hong Kong film industry’s erosion due to coronavirus and the shuttering of theaters.
Via the Directors’ Succession Scheme with funds from the Hong Kong Film Development Fund, the directors will pair up with one or two promising filmmakers to make a movie using $1.2 million. The filmmakers will also be joined by directors Gordon Chan, Mabel Cheung, and Alex Law, with the goal of turning out between 10 and 12 projects altogether.
The plan arrives just as the region was forced to close its theaters once again in the wake of a new...
Via the Directors’ Succession Scheme with funds from the Hong Kong Film Development Fund, the directors will pair up with one or two promising filmmakers to make a movie using $1.2 million. The filmmakers will also be joined by directors Gordon Chan, Mabel Cheung, and Alex Law, with the goal of turning out between 10 and 12 projects altogether.
The plan arrives just as the region was forced to close its theaters once again in the wake of a new...
- 7/13/2020
- by Ryan Lattanzio
- Indiewire
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Renowned filmmakers Wong Kar-wai, Peter Chan Ho-sun and Derek Yee are among the top directors who have pledged to pass on their skills and experience to the young generation. They are part of a $12.9 million (Hk$100 million) government-funded initiative to boost Hong Kong’s film industry, following damage from the coronavirus pandemic and ongoing political turmoil.
Under the new Directors’ Succession Scheme funded by the Hong Kong Film Development Fund, each of the directors, together with Gordan Chan and duo Mabel Cheung and Alex Law, will team up with one or two young filmmakers to produce a film that uses a $1.2 million (Hk$9 million) government subsidy. Around 10 to 12 projects are expected to be realized this way.
The program is among the five measures totalling $33.5 million (Hk$260 million) rolled out on Monday. Commerce secretary, Edward Yau said local film production and investment have shrunk over the past year, hit by the...
Under the new Directors’ Succession Scheme funded by the Hong Kong Film Development Fund, each of the directors, together with Gordan Chan and duo Mabel Cheung and Alex Law, will team up with one or two young filmmakers to produce a film that uses a $1.2 million (Hk$9 million) government subsidy. Around 10 to 12 projects are expected to be realized this way.
The program is among the five measures totalling $33.5 million (Hk$260 million) rolled out on Monday. Commerce secretary, Edward Yau said local film production and investment have shrunk over the past year, hit by the...
- 7/13/2020
- by Vivienne Chow
- Variety Film + TV
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Takita is known for directing the Oscar-winning ‘Departures’.
Japanese filmmaker Yojiro Takita, best known as director of Oscar-winning drama Departures, is making his Chinese-language debut in Media Asia’s Silence Of Smoke.
Han Geng (So Young), Zhang Guoli (Back To 1942) and Summer Xu (Looper) head the cast of the film about a young cakemaker who takes over the family business but finds he can’t replicate his father’s success. When his daughter is diagnosed with leukemia, and his father dies after coming out of retirement to help him, the cakemaker starts to understand his father and appreciate everything he has done for him.
Japanese filmmaker Yojiro Takita, best known as director of Oscar-winning drama Departures, is making his Chinese-language debut in Media Asia’s Silence Of Smoke.
Han Geng (So Young), Zhang Guoli (Back To 1942) and Summer Xu (Looper) head the cast of the film about a young cakemaker who takes over the family business but finds he can’t replicate his father’s success. When his daughter is diagnosed with leukemia, and his father dies after coming out of retirement to help him, the cakemaker starts to understand his father and appreciate everything he has done for him.
- 10/31/2018
- by Liz Shackleton
- ScreenDaily
![Peter Ho-Sun Chan in The Love Letter (1999)](https://m.media-amazon.com/images/M/MV5BMTkwMTQ2NTA1OV5BMl5BanBnXkFtZTcwMjQ1NjgwMw@@._V1_QL75_UX500_CR0,17,500,281_.jpg)
Project marks the first time Chan has been in the directing chair since Dearest in 2014.
Hong Kong filmmaker Peter Ho-sun Chan has started production on his highly-anticipated biopic of mainland Chinese tennis champion Li Na.
Produced by Chan’s We Pictures, the long-gestating project marks the first time Chan has been in the directing chair since Dearest wrapped in 2014.
The Hong Kong-China co-production is scripted by Zhang Ji, who also wrote Chan’s Dearest and American Dreams In China, and produced by Jojo Hui Yuet-chun. It is shooting in Wuhan for a tentative late 2019 or early 2020 release.
In a recent online chat show,...
Hong Kong filmmaker Peter Ho-sun Chan has started production on his highly-anticipated biopic of mainland Chinese tennis champion Li Na.
Produced by Chan’s We Pictures, the long-gestating project marks the first time Chan has been in the directing chair since Dearest wrapped in 2014.
The Hong Kong-China co-production is scripted by Zhang Ji, who also wrote Chan’s Dearest and American Dreams In China, and produced by Jojo Hui Yuet-chun. It is shooting in Wuhan for a tentative late 2019 or early 2020 release.
In a recent online chat show,...
- 10/12/2018
- by Liz Shackleton
- ScreenDaily
After exploring love and its variations in “Lover’s Discourse” (2010) and “Lacuna” (2012), director Derek Tsang chooses a friendship tale where love stays in the background, for his third feature work “Soul Mate”. Produced by his mentor Peter Ho-Sun Chan, the film has been gaining consensus and several nominations, ending up winning 2 Best Leading Actress at The Golden Horse Awards and Best Director in Osaka. “Soul Mate” is a flourished adaptation of a short web novel.
Buy This Title
The story is narrated in form of flashbacks, a flood of happy and painful memories that starts when Shanghai worker and family woman Li Ansheng (Zhou Dongyu) is asked by a publisher to track down her friend Lin Qiyue (Ma Sichun) who has penned an unfinished online novel titled “Qiyue and Ansheng”, the story of their friendship starting back when they were 13. The publisher wants to buy the rights for a film...
Buy This Title
The story is narrated in form of flashbacks, a flood of happy and painful memories that starts when Shanghai worker and family woman Li Ansheng (Zhou Dongyu) is asked by a publisher to track down her friend Lin Qiyue (Ma Sichun) who has penned an unfinished online novel titled “Qiyue and Ansheng”, the story of their friendship starting back when they were 13. The publisher wants to buy the rights for a film...
- 2/9/2018
- by Adriana Rosatti
- AsianMoviePulse
Contemporary Chinese Cinema is a column devoted to exploring contemporary Chinese-language cinema primarily as it is revealed to us at North American multiplexes.Over the last few years it has become increasingly easy to see mainstream Asian films in North America at the same time they are released in their home countries. Thanks to partnerships with small, international distributors, the major multiplex chains (AMC, Cinemark, Regal) have devoted a handful of screens in major markets to showing new releases from India, Korea, China, Hong Kong and Taiwan. Most of these titles fall under the radar of both critics and audiences outside the diasporic communities to which they are targeted. They play for a week or two and then disappear, outside of a handful of breakout titles. Last year Stephen Chow’s The Mermaid made headlines for its high per-screen averages in North America as it shattered domestic box office records in China.
- 12/4/2017
- MUBI
![Peter Ho-Sun Chan in The Love Letter (1999)](https://m.media-amazon.com/images/M/MV5BMTkwMTQ2NTA1OV5BMl5BanBnXkFtZTcwMjQ1NjgwMw@@._V1_QL75_UX500_CR0,17,500,281_.jpg)
Hong Kong’s rampant police corruption and gangster domination of the 1970s and early-’80s provides the colorful backdrop for Dealer Healer, a bad-boy-makes-good drama based on the true story of junkie and dealer Peter Chan Shun-chi (who is executive producer), who served five years in prison, found God and opened a rehab facility for guys just like him. Meticulously designed and costumed — sometimes too much so — to recapture the grimy, gaudy ’70s, director Lawrence Lau has done a fine job of recreating the period, but he’s let down by an overstuffed script by Chan Man-keung (Kung Fu Hustle) that...
- 5/21/2017
- by Elizabeth Kerr
- The Hollywood Reporter - Movie News
![Jing Wong](https://m.media-amazon.com/images/M/MV5BM2YxY2NlMjctMWM1NC00NjIwLWI5MjctM2Y4OTA4NTM0ZDZhXkEyXkFqcGdeQXVyMjUyNDk2ODc@._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Jing Wong](https://m.media-amazon.com/images/M/MV5BM2YxY2NlMjctMWM1NC00NjIwLWI5MjctM2Y4OTA4NTM0ZDZhXkEyXkFqcGdeQXVyMjUyNDk2ODc@._V1_QL75_UX140_CR0,0,140,140_.jpg)
There is a thrilling selection of Chinese-language titles at Filmart this year. Liz Shackleton picks out some of the most promising.
With very few Hong Kong or mainland Chinese sellers making the journey to this year’s European Film Market in Berlin, Filmart offers a chance for buyers to catch up with the Chinese-language titles that will be rolled out in the region for the rest of the year.
After serving up the biggest film of the Chinese New Year holiday — Kung Fu Yoga, starring Jackie Chan and directed by Stanley Tong — China’s Sparkle Roll Media has launched a Hong Kong-based sales arm that is selling Ding Sheng’s reboot of the A Better Tomorrow series.
Other high-profile action titles new to market include Distribution Workshop’s Extraordinary Mission, from the creative teams behind the Infernal Affairs and Overheard series, and Huayi Brothers’ crime drama Explosion, starring Duan Yihong.
Previously announced...
With very few Hong Kong or mainland Chinese sellers making the journey to this year’s European Film Market in Berlin, Filmart offers a chance for buyers to catch up with the Chinese-language titles that will be rolled out in the region for the rest of the year.
After serving up the biggest film of the Chinese New Year holiday — Kung Fu Yoga, starring Jackie Chan and directed by Stanley Tong — China’s Sparkle Roll Media has launched a Hong Kong-based sales arm that is selling Ding Sheng’s reboot of the A Better Tomorrow series.
Other high-profile action titles new to market include Distribution Workshop’s Extraordinary Mission, from the creative teams behind the Infernal Affairs and Overheard series, and Huayi Brothers’ crime drama Explosion, starring Duan Yihong.
Previously announced...
- 3/13/2017
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Hong Kong-based company launches with Feng Xiaogang’s Bloom Of Youth.
Jackie Chan’s Sparkle Roll Media has launched a Hong Kong-based international sales arm, which is selling Feng Xiaogang’s drama Bloom Of Youth (Fang Hua) and Ding Sheng’s reboot of the A Better Tomorrow series.
Produced by Feng’s Zhejiang Dongyang Mayla Media, Bloom Of Youth revolves around a Military Cultural Troupe in China in the 1970s. The cast includes Huang Xuan (The Great Wall), Miao Miao, Zhong Chuxi and Yang Caiyu.
Ding’s A Better Tomorrow 4 resurrects the classic ‘heroic bloodshed’ series, directed by John Woo in the 1980s. Starring Wang Kai, Ray Ma and Talu Wang, the film follows the conflict between two brothers on opposite sides of the law. The film is produced by Beijing Jingxi Culture & Tourism Co.
Sparkle Roll is also selling Sun Lin’s feature-length documentary, Jackie Chan: Down To Earth, which it produced...
Jackie Chan’s Sparkle Roll Media has launched a Hong Kong-based international sales arm, which is selling Feng Xiaogang’s drama Bloom Of Youth (Fang Hua) and Ding Sheng’s reboot of the A Better Tomorrow series.
Produced by Feng’s Zhejiang Dongyang Mayla Media, Bloom Of Youth revolves around a Military Cultural Troupe in China in the 1970s. The cast includes Huang Xuan (The Great Wall), Miao Miao, Zhong Chuxi and Yang Caiyu.
Ding’s A Better Tomorrow 4 resurrects the classic ‘heroic bloodshed’ series, directed by John Woo in the 1980s. Starring Wang Kai, Ray Ma and Talu Wang, the film follows the conflict between two brothers on opposite sides of the law. The film is produced by Beijing Jingxi Culture & Tourism Co.
Sparkle Roll is also selling Sun Lin’s feature-length documentary, Jackie Chan: Down To Earth, which it produced...
- 3/12/2017
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Exclusive: Hong Kong-based company launches with Feng Xiaogang’s Bloom Of Youth.
Jackie Chan’s Sparkle Roll Media has launched a Hong Kong-based international sales arm, which is selling Feng Xiaogang’s drama Bloom Of Youth (Fang Hua) and Ding Sheng’s reboot of the A Better Tomorrow series.
Produced by Feng’s Zhejiang Dongyang Mayla Media, Bloom Of Youth revolves around a Military Cultural Troupe in China in the 1970s. The cast includes Huang Xuan (The Great Wall), Miao Miao, Zhong Chuxi and Yang Caiyu.
Ding’s A Better Tomorrow 4 resurrects the classic ‘heroic bloodshed’ series, directed by John Woo in the 1980s. Starring Wang Kai, Ray Ma and Talu Wang, the film follows the conflict between two brothers on opposite sides of the law. The film is produced by Beijing Jingxi Culture & Tourism Co.
Sparkle Roll is also selling Sun Lin’s feature-length documentary, Jackie Chan: Down To Earth, which it produced...
Jackie Chan’s Sparkle Roll Media has launched a Hong Kong-based international sales arm, which is selling Feng Xiaogang’s drama Bloom Of Youth (Fang Hua) and Ding Sheng’s reboot of the A Better Tomorrow series.
Produced by Feng’s Zhejiang Dongyang Mayla Media, Bloom Of Youth revolves around a Military Cultural Troupe in China in the 1970s. The cast includes Huang Xuan (The Great Wall), Miao Miao, Zhong Chuxi and Yang Caiyu.
Ding’s A Better Tomorrow 4 resurrects the classic ‘heroic bloodshed’ series, directed by John Woo in the 1980s. Starring Wang Kai, Ray Ma and Talu Wang, the film follows the conflict between two brothers on opposite sides of the law. The film is produced by Beijing Jingxi Culture & Tourism Co.
Sparkle Roll is also selling Sun Lin’s feature-length documentary, Jackie Chan: Down To Earth, which it produced...
- 3/12/2017
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
![Peter Ho-Sun Chan in The Love Letter (1999)](https://m.media-amazon.com/images/M/MV5BMTkwMTQ2NTA1OV5BMl5BanBnXkFtZTcwMjQ1NjgwMw@@._V1_QL75_UX500_CR0,17,500,281_.jpg)
Soul Mate leads the Hong Kong Film Awards nominations with 12 nods, including best film, best director, and best actress nominations for both of the female leads, Zhou Dongyu and Ma Sichun.
The romantic drama about a pair of best friends in love with the same young man was produced by Peter Chan and helmed by Derek Tsang, son of multi-hyphenate Eric Tsang, who was also nominated in the best supporting actor category for his performance in Mad World.
Megastar Stephen Chow's Mermaid, the top grossing film in China of all time, followed with eight nominations, including best film and...
The romantic drama about a pair of best friends in love with the same young man was produced by Peter Chan and helmed by Derek Tsang, son of multi-hyphenate Eric Tsang, who was also nominated in the best supporting actor category for his performance in Mad World.
Megastar Stephen Chow's Mermaid, the top grossing film in China of all time, followed with eight nominations, including best film and...
- 2/8/2017
- by Karen Chu
- The Hollywood Reporter - Movie News
Above: Japanese poster for In the Mood for Love (Wong Kar-wai, Hong Kong, 2000). It’s no secret that Mubi—the site you are on right now—owes its existence partly to Maggie Cheung. In an oft-told story, its founder Efe Çakarel was killing time in a cafe in Tokyo in 2007 when he sensed that he was in the mood for Wong Kar-wai’s In the Mood for Love. Finding that there was no way to stream that movie right there and then, he resolved to start his own global arthouse movie streaming service, and thus Mubi, or The Auteurs as it was initially known, was born. Now I’m not saying that Maggie Cheung herself was the main reason Efe wanted to watch In the Mood for Love, but she is such a major part of the allure of that film that I am giving her the credit, especially on...
- 12/8/2016
- MUBI
After “The Grandmaster,” which was released three years ago, Wong Kar Wai returns with a project in a much smaller screen. This time, he is partnering with Huanxi Media Group to produce and co-direct an original series to be digitally distributed in China and abroad.
Not much informaton has been revealed yet for the series, what is known though, is that it will feature two seasons of 12 and 6 episodes respectively and that Huanxi has agreed to a budget of $3m per episode, a vast amount for online television. The show will be ready to premiere some time in 2017.
Huanxi was founded just last year, but has already signed some of the most well-known Chinese filmmakers such as Peter Chan, Zu Zheng and Ning Hao.
Sources: The Guardian, Collider, Indiewire...
Not much informaton has been revealed yet for the series, what is known though, is that it will feature two seasons of 12 and 6 episodes respectively and that Huanxi has agreed to a budget of $3m per episode, a vast amount for online television. The show will be ready to premiere some time in 2017.
Huanxi was founded just last year, but has already signed some of the most well-known Chinese filmmakers such as Peter Chan, Zu Zheng and Ning Hao.
Sources: The Guardian, Collider, Indiewire...
- 6/6/2016
- by Panos Kotzathanasis
- AsianMoviePulse
Huanxi Media Group, led by Chairman and powerhouse producer Dong Ping (Crouching Tiger Hidden Dragon, Journey To The West, Lost In Hong Kong) is teaming with Wong Kar Wai and Peter Chan, signing them to six-year cooperation deals. Both Wong and Chan become Director Shareholders and members of the Artistic Advisory of the group which says it is looking to build “a television and film empire.” Dong previously sold his ChinaVision to Alibaba for $804M which has since been…...
- 6/2/2016
- Deadline TV
![Takeshi Kaneshiro and Donnie Yen in Dragon (2011)](https://m.media-amazon.com/images/M/MV5BMTc4OTUxMDQ1NF5BMl5BanBnXkFtZTcwOTczMDI2OA@@._V1_QL75_UX140_CR0,0,140,207_.jpg)
![Takeshi Kaneshiro and Donnie Yen in Dragon (2011)](https://m.media-amazon.com/images/M/MV5BMTc4OTUxMDQ1NF5BMl5BanBnXkFtZTcwOTczMDI2OA@@._V1_QL75_UX140_CR0,0,140,207_.jpg)
Huanxi Media Group, led by Chairman and powerhouse producer Dong Ping (Crouching Tiger Hidden Dragon, Journey To The West, Lost In Hong Kong) is teaming with Wong Kar Wai and Peter Chan, signing them to six-year cooperation deals. Both Wong and Chan become Director Shareholders and members of the Artistic Advisory of the group which says it is looking to build “a television and film empire.” Dong previously sold his ChinaVision to Alibaba for $804M which has since been…...
- 6/2/2016
- Deadline
![Kar-Wai Wong in My Blueberry Nights (2007)](https://m.media-amazon.com/images/M/MV5BMTY4MTQyMjI4NV5BMl5BanBnXkFtZTcwNDk2MzQ2MQ@@._V1_QL75_UY207_CR1,0,140,207_.jpg)
![Kar-Wai Wong in My Blueberry Nights (2007)](https://m.media-amazon.com/images/M/MV5BMTY4MTQyMjI4NV5BMl5BanBnXkFtZTcwNDk2MzQ2MQ@@._V1_QL75_UY207_CR1,0,140,207_.jpg)
Wong Kar Wai to direct two web series as part of the production deals.
Hong Kong filmmakers Wong Kar Wai and Peter Ho-sun Chan have both signed six-year production deals with Dong Ping’s Huanxi Media Group, which include two web series to be directed and produced by Wong Kar Wai.
The two filmmakers will become shareholders in Huanxi Media, which will be given preferential investment rights in their upcoming film and TV productions. They will also serve as members of the company’s artistic advisory committee.
Huanxi has exclusive 10-year online rights to the two web series, which mark the first time that Wong Kar Wai has produced and directed an internet project.
The first season will comprise 12 episodes, part or all of which are expected to complete production in 2017. The second series will be completed during the six-year cooperation period.
The company also has rights to invest up to 60% in two to four films directed...
Hong Kong filmmakers Wong Kar Wai and Peter Ho-sun Chan have both signed six-year production deals with Dong Ping’s Huanxi Media Group, which include two web series to be directed and produced by Wong Kar Wai.
The two filmmakers will become shareholders in Huanxi Media, which will be given preferential investment rights in their upcoming film and TV productions. They will also serve as members of the company’s artistic advisory committee.
Huanxi has exclusive 10-year online rights to the two web series, which mark the first time that Wong Kar Wai has produced and directed an internet project.
The first season will comprise 12 episodes, part or all of which are expected to complete production in 2017. The second series will be completed during the six-year cooperation period.
The company also has rights to invest up to 60% in two to four films directed...
- 6/2/2016
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
While adventure games are more popular than ever thanks to the success of Telltale Games’ The Walking Dead and Game of Thrones adaptations, many long-time fans feel like the genre peaked in the 90s. That was when two beloved companies, Sierra and LucasArts, put out many of their best titles. It really was the golden age for point-and-click adventure games on PC.
Thankfully for gamers, many of LucasArts’ classic titles have seen re-releases such as Grim Fandango and The Secret of Monkey Island. Yet, the game that many consider the epitome of the genre, Day of the Tentacle, hasn’t seen a release since 1997. Now, thanks to the archiving efforts of Double Fine Productions, it’s back in the spotlight as Day of the Tentacle Remastered.
While there have been many debates among video game enthusiasts on how archiving games should be handled, Double Fine has given us the best of both worlds.
Thankfully for gamers, many of LucasArts’ classic titles have seen re-releases such as Grim Fandango and The Secret of Monkey Island. Yet, the game that many consider the epitome of the genre, Day of the Tentacle, hasn’t seen a release since 1997. Now, thanks to the archiving efforts of Double Fine Productions, it’s back in the spotlight as Day of the Tentacle Remastered.
While there have been many debates among video game enthusiasts on how archiving games should be handled, Double Fine has given us the best of both worlds.
- 3/23/2016
- by Tyler Treese
- We Got This Covered
![The Meg (2018)](https://m.media-amazon.com/images/M/MV5BMTAxMGRmODYtM2NkYS00ZGRlLWE1MWItYjI1MzIwNjQwN2RiXkEyXkFqcGdeQXVyMTMxODk2OTU@._V1_QL75_UX140_CR0,0,140,207_.jpg)
![The Meg (2018)](https://m.media-amazon.com/images/M/MV5BMTAxMGRmODYtM2NkYS00ZGRlLWE1MWItYjI1MzIwNjQwN2RiXkEyXkFqcGdeQXVyMTMxODk2OTU@._V1_QL75_UX140_CR0,0,140,207_.jpg)
Flagship Entertainment, a joint venture between Warner Bros, China Media Capital (Cmc) and Tvb, has unveiled its debut slate, including projects from Hong Kong filmmakers Peter Chan, Wong Jing and Stephen Fung.
Launched last year, the Hong Kong-based joint venture aims to produce a slate of Chinese-language films, including global tentpoles, for Chinese and international distribution. The first titles will be released in 2016.
Peter Chan is set to direct drama Murder Of The Husband – about a woman whose suffering gave rise to the revolution of women’s social rights in China – and will also partner with Brett Ratner to produce romance Beautiful Coma, chronicling a love that transcends every challenge.
Wong Jing will direct action comedy In Love With The Thieves, starring Andy Lau, Huang Xiaoming and Shen Teng, while Stephen Fung is attached to action romance The Adventurers, starring Feng Shaofeng in a story about an overseas treasure hunt.
In addition...
Launched last year, the Hong Kong-based joint venture aims to produce a slate of Chinese-language films, including global tentpoles, for Chinese and international distribution. The first titles will be released in 2016.
Peter Chan is set to direct drama Murder Of The Husband – about a woman whose suffering gave rise to the revolution of women’s social rights in China – and will also partner with Brett Ratner to produce romance Beautiful Coma, chronicling a love that transcends every challenge.
Wong Jing will direct action comedy In Love With The Thieves, starring Andy Lau, Huang Xiaoming and Shen Teng, while Stephen Fung is attached to action romance The Adventurers, starring Feng Shaofeng in a story about an overseas treasure hunt.
In addition...
- 3/16/2016
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Sammo Hung is regarded as one of the greatest Kung Fu performers of his generation. His high tempo, hard htting fight sequences have captured audiences all over the world. Future generations will look back and watch in amazement, witnessing one of the very best in world cinema.
Peking Opera Days
The Peking Opera school was run from a small theatre by Master Yu Jim Yuen, this was where Sammo Hung would begin his journey. In them days, the stundents would normally enroll for around 10 years, each day performing gruelling tasks for up to 18 hours a day which included training in the Martial Arts, weapons training, acrobatics, acting and singing. The Peking opera of course brought together Sammo Hung, Jackie Chan, Yuen Biao, Yuen Wah, Corey Yuen, Yuen Tak and Yuen Mo, who would eventually be known as the 7 Little Fortunes. They took the first name “Yuen” in a sign of...
Peking Opera Days
The Peking Opera school was run from a small theatre by Master Yu Jim Yuen, this was where Sammo Hung would begin his journey. In them days, the stundents would normally enroll for around 10 years, each day performing gruelling tasks for up to 18 hours a day which included training in the Martial Arts, weapons training, acrobatics, acting and singing. The Peking opera of course brought together Sammo Hung, Jackie Chan, Yuen Biao, Yuen Wah, Corey Yuen, Yuen Tak and Yuen Mo, who would eventually be known as the 7 Little Fortunes. They took the first name “Yuen” in a sign of...
- 2/2/2016
- by kingofkungfu
- AsianMoviePulse
Each weekend we highlight the best repertory programming that New York City has to offer, and it’s about to get even better. Opening on February 19th at 7 Ludlow Street on the Lower East Side is Metrograph, the city’s newest indie movie theater. Sporting two screens, they’ve announced their first slate, which includes retrospectives for Fassbinder, Wiseman, Eustache, and more, special programs such as an ode to the moviegoing experience, and new independent features that we’ve admired on the festival circuit (including Afternoon, Office 3D, and Measure of a Man).
Artistic and Programming Director Jacob Perlin says in a press release, “Jean Eustache in a Rocky t-shirt. This is the image we had in mind while making this first calendar. Great cinema is there, wherever you can find it. The dismissed film now recognized as a classic, the forgotten box-office hit newly resurrected, the high and the low,...
Artistic and Programming Director Jacob Perlin says in a press release, “Jean Eustache in a Rocky t-shirt. This is the image we had in mind while making this first calendar. Great cinema is there, wherever you can find it. The dismissed film now recognized as a classic, the forgotten box-office hit newly resurrected, the high and the low,...
- 1/20/2016
- by Jordan Raup
- The Film Stage
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