Yes yes yes..I know..we entertained this subject last month. However, in the tradition of Post, I am following up last in the process!
This subject has been of particular interest to me, and has sparked a lot of interest among my colleagues in Post Production. Discussing spotting is a subject unto itself as we have seen with all the fascinating articles and comments these past weeks. The focus this time will be on the advantages, disadvantages, pluses and minuses of spotting a project with the Composer And the Sound Designer present with the Director. Sitting down in a room, all together, with the same goal in mind... helping the Director tell the story. On the surface, it seems like a no-brainer---why Not do this? Save time and energy; reduce the classic 'conflicts' during the final mix; The left hand knows what the right hand is going to do...
This subject has been of particular interest to me, and has sparked a lot of interest among my colleagues in Post Production. Discussing spotting is a subject unto itself as we have seen with all the fascinating articles and comments these past weeks. The focus this time will be on the advantages, disadvantages, pluses and minuses of spotting a project with the Composer And the Sound Designer present with the Director. Sitting down in a room, all together, with the same goal in mind... helping the Director tell the story. On the surface, it seems like a no-brainer---why Not do this? Save time and energy; reduce the classic 'conflicts' during the final mix; The left hand knows what the right hand is going to do...
- 4/12/2010
- by noreply@blogger.com (SCOREcast Admin)
- SCOREcastOnline.com
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