Film Independent has unveiled a year-round partnership with Netflix to support documentary filmmakers.
The move makes the streaming giant the official supporter of all Film Independent’s documentary initiatives including the annual Documentary Lab, the Documentary Competition at the Los Angeles Film Festival and all the documentary elements in Film Independent’s educational programmes.
The body also announced the six projects and related film-makers selected for the five-week 2015 Documentary Lab.
“We are so appreciative of Netflix’s deep and generous support of our programmes that are geared to documentary filmmakers,” said Film Independent president Josh Welsh. “Documentary film is incredibly exciting today and I can’t think of a better company to partner with in this space.”
The 2015 Documentary Lab projects and Fellows are:
Becoming April March (dir, Craig Jackson); My Country, No More (dirs, Rita Baghdadi, Jeremiah Hammerling); Real Boy (dir, Shaleece Haas); Soledad (dir, Cassidy Friedman); The Peacemaker (dir, James Demo); What...
The move makes the streaming giant the official supporter of all Film Independent’s documentary initiatives including the annual Documentary Lab, the Documentary Competition at the Los Angeles Film Festival and all the documentary elements in Film Independent’s educational programmes.
The body also announced the six projects and related film-makers selected for the five-week 2015 Documentary Lab.
“We are so appreciative of Netflix’s deep and generous support of our programmes that are geared to documentary filmmakers,” said Film Independent president Josh Welsh. “Documentary film is incredibly exciting today and I can’t think of a better company to partner with in this space.”
The 2015 Documentary Lab projects and Fellows are:
Becoming April March (dir, Craig Jackson); My Country, No More (dirs, Rita Baghdadi, Jeremiah Hammerling); Real Boy (dir, Shaleece Haas); Soledad (dir, Cassidy Friedman); The Peacemaker (dir, James Demo); What...
- 3/31/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
London, August 20: Lily Allen has revealed that she might be making a comeback to the music business in 2014.
During a chat with blog Popjustice, the 28-year-old singer, when asked to put a single on iTunes, said "April March", hinting at a probable comeback, the Mirror reported.
Allen, who had once claimed to quit music, has revealed that she's been working with music producers Greg Kurstin and Naughty Boy for the new album.
The pop star earlier confirmed that she would be releasing music under her married name and said that she likes to work at her own pace with no other commitments than music.
Allen is said to be very excited about returning back to her studio. (Ani)...
During a chat with blog Popjustice, the 28-year-old singer, when asked to put a single on iTunes, said "April March", hinting at a probable comeback, the Mirror reported.
Allen, who had once claimed to quit music, has revealed that she's been working with music producers Greg Kurstin and Naughty Boy for the new album.
The pop star earlier confirmed that she would be releasing music under her married name and said that she likes to work at her own pace with no other commitments than music.
Allen is said to be very excited about returning back to her studio. (Ani)...
- 8/20/2013
- by Smith Cox
- RealBollywood.com
Death Proof
Written by Quentin Tarantino
Directed by Quentin Tarantino
2007, USA
**Contains Spoilers***
Tarantino’s many skills set him apart from other auteurs working in the film industry today, but none of them dominate in his work as much as his ability to seamlessly weave his narratives through genre/sub-genre mash-ups. The Nouvelle Vague coolness and lurid noir of Pulp Fiction, the samurai western Kill Bill, and the World War II spaghetti western Inglourious Basterds illustrate just how well he can work combining two genres, but his most successful blending of genres comes from his second-billed Grindhouse flick: Death Proof.
Death Proof encompasses more genres in its one hundred minutes than any other film can possibly contain. As a homage to the double-billed b-movies of the ’60s and ’70s, Death Proof is structured like many films produced by American International Pictures and New World Pictures – a big hook early on and a strong climax.
Written by Quentin Tarantino
Directed by Quentin Tarantino
2007, USA
**Contains Spoilers***
Tarantino’s many skills set him apart from other auteurs working in the film industry today, but none of them dominate in his work as much as his ability to seamlessly weave his narratives through genre/sub-genre mash-ups. The Nouvelle Vague coolness and lurid noir of Pulp Fiction, the samurai western Kill Bill, and the World War II spaghetti western Inglourious Basterds illustrate just how well he can work combining two genres, but his most successful blending of genres comes from his second-billed Grindhouse flick: Death Proof.
Death Proof encompasses more genres in its one hundred minutes than any other film can possibly contain. As a homage to the double-billed b-movies of the ’60s and ’70s, Death Proof is structured like many films produced by American International Pictures and New World Pictures – a big hook early on and a strong climax.
- 1/2/2013
- by Gregory Day
- SoundOnSight
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