Peter Strickland's Blank Narcissus (Passion of the Swamp) is now showing exclusively on Mubi in most countries starting December 7, 2022, in the series Brief Encounters.The DVD commentary is already becoming an antiquated supplement to home entertainment with the dominance of streaming, but during its brief few decades, the revelations and confessions from directors along with assorted colleagues unlocked a hitherto closed world for the majority of viewers. The director’s commentary not only functioned as a nuts-and-bolts technical and thematic dissection of what was on the screen, but more revealingly, it veered into the confessional. A lot of commentaries, especially when it comes to reissues/restorations, are recorded many years after filming, and directors no longer have to be in promotion mode, which usually involves pretending everyone got along and everything went perfectly. With the safety buffer of a few decades, mistakes that were made in any given film...
- 12/6/2022
- MUBI
James Bidgood, the initially anonymous director of underground classic Pink Narcissus, died January 31 at the age of 88, and his estate’s executor, Kelly McKaig, is organizing a fundraiser to go towards both a memorial service as well as the collection and preservation of his various work. From the GoFundMe page: As an artist, Jim’s dreamy, candy-colored world of beautiful boys—so far from the hard-muscled, butch fantasies of Tom of Finland—was a revelation. While much of his work, like his landmark film Pink Narcissus, was created over 50 years ago, Jim remains an inspiration. Jim’s influence can be seen in […]
The post Fundraiser: Restoring the Work of Pink Narcissus Director James Bidgood first appeared on Filmmaker Magazine.
The post Fundraiser: Restoring the Work of Pink Narcissus Director James Bidgood first appeared on Filmmaker Magazine.
- 2/9/2022
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
James Bidgood, the initially anonymous director of underground classic Pink Narcissus, died January 31 at the age of 88, and his estate’s executor, Kelly McKaig, is organizing a fundraiser to go towards both a memorial service as well as the collection and preservation of his various work. From the GoFundMe page: As an artist, Jim’s dreamy, candy-colored world of beautiful boys—so far from the hard-muscled, butch fantasies of Tom of Finland—was a revelation. While much of his work, like his landmark film Pink Narcissus, was created over 50 years ago, Jim remains an inspiration. Jim’s influence can be seen in […]
The post Fundraiser: Restoring the Work of Pink Narcissus Director James Bidgood first appeared on Filmmaker Magazine.
The post Fundraiser: Restoring the Work of Pink Narcissus Director James Bidgood first appeared on Filmmaker Magazine.
- 2/9/2022
- by Scott Macaulay
- Filmmaker Magazine - Blog
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Monica Vitti in Red Desert (1964). (Courtesy of Janus Films)One of the most captivating presences in Italian cinema, actress Monica Vitti has died at age 90. She started as a stage and television actor before becoming known for her roles in Michelangelo Antonioni's L'avventura (1960), La notte (1960), L'eclisse (1962) and Red Desert (1964). After the end of her professional and romantic relationship with Antonioni (the two would return for The Mystery of Oberwald in 1980), Vitti turned to lighter fare by international directors, including a small part in Luis Buñuel's surrealist comedy The Phantom of Liberty (1974). In the official announcement of Vitti's death, Italy’s culture minister Dario Franceschini wrote, “Goodbye to the queen of Italian cinema.”The groundbreaking artist James Bidgood, whose artistic output spanned from photography and music to films like Pink Narcissus (1971), has also died.
- 2/2/2022
- MUBI
The 14th Annual QFest St. Louis — presented by Cinema St. Louis (Csl) — will take place from April 16-25. Because of the Covid-19 pandemic, Csl will offer all programs virtually, protecting the health of patrons. Programs can be streamed at any time during the festival’s dates. Recorded introductions and Q&As will be available for most film programs. For the full schedule of screenings, including trailers and descriptions of the films, visit the festival website at www.cinemastlouis.org/qfest.
One of the eclectic array of 24 films that are part of this year’s QFest St. Louis is the 1971 film Pink Narcissus, an experimental and artistic ‘erotic poem’ set in the fantasies of a young male prostitute.
This year’s Q Classic, Pink Narcissus — which is celebrating its 50th anniversary — is a breathtaking and outrageous erotic poem focusing on the daydreams of a beautiful boy prostitute who, from the seclusion of his ultra-kitsch apartment,...
One of the eclectic array of 24 films that are part of this year’s QFest St. Louis is the 1971 film Pink Narcissus, an experimental and artistic ‘erotic poem’ set in the fantasies of a young male prostitute.
This year’s Q Classic, Pink Narcissus — which is celebrating its 50th anniversary — is a breathtaking and outrageous erotic poem focusing on the daydreams of a beautiful boy prostitute who, from the seclusion of his ultra-kitsch apartment,...
- 4/13/2021
- by Tom Stockman
- WeAreMovieGeeks.com
Despite the proliferation of streaming services, it’s becoming increasingly clear that any cinephile only needs subscriptions to a few to survive. Among the top of our list are The Criterion Channel and Mubi and now they’ve each unveiled their stellar April line-ups.
Over at The Criterion Channel, highlights include spotlights on Ennio Morricone, the Marx Brothers, Isabel Sandoval, and Ramin Bahrani, plus Luchino Visconti’s The Leopard, Frank Borzage’s Moonrise, the brand-new restoration of Joyce Chopra’s Smooth Talk, and one of last year’s best films, David Osit’s Mayor.
At Mubi (where we’re offering a 30-day trial), they’ll have the exclusive streaming premiere of two of the finest festival films from last year’s circuit, Cristi Puiu’s Malmkrog and Nobuhiko Obayashi’s Labyrinth of Cinema, plus Philippe Garrel’s latest The Salt of Tears, along with films from Terry Gilliam, George A. Romero,...
Over at The Criterion Channel, highlights include spotlights on Ennio Morricone, the Marx Brothers, Isabel Sandoval, and Ramin Bahrani, plus Luchino Visconti’s The Leopard, Frank Borzage’s Moonrise, the brand-new restoration of Joyce Chopra’s Smooth Talk, and one of last year’s best films, David Osit’s Mayor.
At Mubi (where we’re offering a 30-day trial), they’ll have the exclusive streaming premiere of two of the finest festival films from last year’s circuit, Cristi Puiu’s Malmkrog and Nobuhiko Obayashi’s Labyrinth of Cinema, plus Philippe Garrel’s latest The Salt of Tears, along with films from Terry Gilliam, George A. Romero,...
- 3/26/2021
- by Jordan Raup
- The Film Stage
“Todd Haynes‘ filmography is often overwhelming in its intellectual acumen and emotional devastation,” we noted upon the release of his latest film this past fall. “This is true of Carol, which is at once a return to the deconstruction of femininity, social mores, and mild anarchy of privilege, as well as an honest and heartbreaking story about falling in love and the trepidation therein.” Over 100 film experts, ranging from critics to writers to programmers, agree on the emotional power of the drama, as they’ve voted it the best Lgbt film of all-time.
Conducted by BFI ahead of the 30th BFI Flare: London Lgbt Film Festival, they note this is the “first major critical survey of Lgbt films.” Speaking about leading the poll, Haynes said, “I’m so proud to have Carol voted as the top Lgbt film of all time in this poll launched for the Fest’s 30th edition.
Conducted by BFI ahead of the 30th BFI Flare: London Lgbt Film Festival, they note this is the “first major critical survey of Lgbt films.” Speaking about leading the poll, Haynes said, “I’m so proud to have Carol voted as the top Lgbt film of all time in this poll launched for the Fest’s 30th edition.
- 3/15/2016
- by Jordan Raup
- The Film Stage
I'm debating whether Hit Me With Your Best Shot will get a season 4 but it depends on how the rest of the summer goes. If you've always wanted to join in, please do. The more the merrier... the more the essential actually as it's meant to be a film club conversation with all eyes on one movie, making a case for the movie's single best shot.
Wednesday July 11th
Road To Perdition (2002)
*10th Anniversary*
Sam Mendes' stately and self-conciously "best shoty" gangster drama, adapted from a graphic novel, won Paul Newman his last Oscar nomination, introduced many moviegoers to both Daniel Craig (now very James Bond) and Tyler Hoechlin (now very grown up on Teen Wolf) and won the Oscar for Best Cinematography. How has it aged? 117 minutes.
Netflix | Blockbuster | LoveFilm
Wednesday July 18th
Pink Narcissus (1971)
Black Narcissus was one of my top three favorite episodes of this series,...
Wednesday July 11th
Road To Perdition (2002)
*10th Anniversary*
Sam Mendes' stately and self-conciously "best shoty" gangster drama, adapted from a graphic novel, won Paul Newman his last Oscar nomination, introduced many moviegoers to both Daniel Craig (now very James Bond) and Tyler Hoechlin (now very grown up on Teen Wolf) and won the Oscar for Best Cinematography. How has it aged? 117 minutes.
Netflix | Blockbuster | LoveFilm
Wednesday July 18th
Pink Narcissus (1971)
Black Narcissus was one of my top three favorite episodes of this series,...
- 7/9/2012
- by NATHANIEL R
- FilmExperience
"Hit Me With Your Best Shot" returns from its month-long hiatus in two weeks. Will you join us? I'll try to catch up soon with Possessed (1947) which had terrible timing given my father's passing. Other than a short upcoming moment with Joan Crawford, what's next?
Wednesday June 27th - The Story Of Adele H. (1975)
For Isabelle Adjani's birthday (and considering that Victor Hugo madness will be heading our way at Christmas time) we'll look back at François Truffaut's Oscar nominated tale of obsessive love. Trivia: Adjani held the "youngest Best Actress nominee" record for three decades until a certain Whale Rider teared up.
*Thursday* July 5th -Picnic (1955)
Technically this is a Labor Day movie as opposed to 4th of July but the point is who wants to sit at home blogging on Independence Day? I've never seen this - hence the choice - but I hear it's...
- 6/12/2012
- by NATHANIEL R
- FilmExperience
In recent years France has been among the front-runners in pushing the boundaries of modern horror. With such offerings as Frontier(s), Inside and High Tension, French filmmakers have been making us seriously squirm. It is with this reminder of the quality of their filmmaking that we at Dread Central bring you an announcement of the film list from the 17th Annual L'Etrange Festival, France's biggest horror film festival.
With over 70 films being screened and more than 17,000 attendees expected to descend on Paris, Le'Etrange Festival
Below we have the Complete listing of the festival's events:
From the Press Release
L’Étrange Festival – a unique event bringing filmgoers a fascinating roster of provocative and eye-opening films – is thrilled to announce the line-up for its 17th edition, September 2 – 11, 2011 in Paris, France.
The 2011 line-up continues the tradition of highlighting emerging talent, paying homage to independent-minded filmmakers and featuring a truly diverse program that includes cutting-edge works,...
With over 70 films being screened and more than 17,000 attendees expected to descend on Paris, Le'Etrange Festival
Below we have the Complete listing of the festival's events:
From the Press Release
L’Étrange Festival – a unique event bringing filmgoers a fascinating roster of provocative and eye-opening films – is thrilled to announce the line-up for its 17th edition, September 2 – 11, 2011 in Paris, France.
The 2011 line-up continues the tradition of highlighting emerging talent, paying homage to independent-minded filmmakers and featuring a truly diverse program that includes cutting-edge works,...
- 8/25/2011
- by Doctor Gash
- DreadCentral.com
John Lithgow is playing Barney’s dad on How I Met Your Mother, and even though he knew nothing about the show, the role appealed to him because of Neil Patrick Harris, and some family ties. “"I didn't know what the deal was at all. You're talking to someone who's clueless about most things in life and one of those things was How I Met Your Mother. But they sent me all these episodes and I loved it. Then I found out from my son and his wife that it was their favorite show, period. It was their appointment TV. And I do know Neil. I'm a huge fan of his. He's such a talented guy."
The 2011 Capitol Queer Prom was held over the weekend, and couples of all ages celebrated the ritual that so many take for granted.
Take a moment and read this guest post from Carl Siciliano...
The 2011 Capitol Queer Prom was held over the weekend, and couples of all ages celebrated the ritual that so many take for granted.
Take a moment and read this guest post from Carl Siciliano...
- 3/21/2011
- by Ed Kennedy
- The Backlot
Subtitled ‘Birds of Paradise’, the third Fashion in Film Festival will take place in three London venues on 1st – 12th December. There is plenty to see and digest too, including a wealth of rare UK screenings for films such as Red Heels (Dir. Michael Curtiz, 1925) and Ziegfeld Girl (Robert Z. Leonard, 1941).
The festival investigates costume in European and American film as cinematic spectacle. Specifically an analysis of theme, form, texture and colour – those movies that foreground costume as an enrichment of the viewing experience.
Unashamedly analytical, there are obscure screenings, some experimental, some features; from the silent era (Orientalist) to the 1970s (conspicuous display) and incorporating the influence of Hollywood throughout the 1940’s (exotica).
Films such as Pink Narcissus (James Bidgood, 1971), Moulin Rouge (1928, E.A. Dupont), Cobra Woman (Robert Siodmak, 1944), Lupe (José Rodríguez-Soltero, 1964) and the aforementioned Ziegfeld Girl starring Judy Garland, Lana Turner and Hedy Lamarr form the bedrock of the festival’s attraction,...
The festival investigates costume in European and American film as cinematic spectacle. Specifically an analysis of theme, form, texture and colour – those movies that foreground costume as an enrichment of the viewing experience.
Unashamedly analytical, there are obscure screenings, some experimental, some features; from the silent era (Orientalist) to the 1970s (conspicuous display) and incorporating the influence of Hollywood throughout the 1940’s (exotica).
Films such as Pink Narcissus (James Bidgood, 1971), Moulin Rouge (1928, E.A. Dupont), Cobra Woman (Robert Siodmak, 1944), Lupe (José Rodríguez-Soltero, 1964) and the aforementioned Ziegfeld Girl starring Judy Garland, Lana Turner and Hedy Lamarr form the bedrock of the festival’s attraction,...
- 11/10/2010
- by Chris Laverty
- Clothes on Film
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