Ventana Sur’s Proyecta Ramps Up Projects from ‘Memoria,’ ‘90 Minutes,’ ‘The Cow Who Sang…’ Producers
Aeden O’Connor’s “Sun Falls,” Manuela Martelli’s “The Meltdown” and Tomás Corredor’s “November” feature among 15 projects to be presented at Ventana Sur’s 5th Proyecta co-production forum, a wide-ranging showcase of emerging and already consolidated filmmakers plus new talents to track from Latin America and Europe.
Producer Ana Isabel Martins at Honduras’ Pulsar Cine is re-teaming with director Aeden O’Connor, whose feature debut “90 Minutes” won the Audience Award at the 37th Miami Film Festival. Their new project, “Sun Falls,” follows a passionate young man dreams of making films to denounce the corruption, poverty and violence in Honduras that succumbs to the support of the leader of a local gang.
Chile’s Manuela Martelli, director of 2022 Cannes Director’s Fortnight premiere “1976,” returns with “The Meltdown,” produced by Wood Producciones’ Alejandra García, of Sundance player “The Cow Who Sang a Song into the Future.”
Burning’s Diana Bustamante, the...
Producer Ana Isabel Martins at Honduras’ Pulsar Cine is re-teaming with director Aeden O’Connor, whose feature debut “90 Minutes” won the Audience Award at the 37th Miami Film Festival. Their new project, “Sun Falls,” follows a passionate young man dreams of making films to denounce the corruption, poverty and violence in Honduras that succumbs to the support of the leader of a local gang.
Chile’s Manuela Martelli, director of 2022 Cannes Director’s Fortnight premiere “1976,” returns with “The Meltdown,” produced by Wood Producciones’ Alejandra García, of Sundance player “The Cow Who Sang a Song into the Future.”
Burning’s Diana Bustamante, the...
- 11/29/2022
- by Emiliano De Pablos
- Variety Film + TV
Showrun by Lucía Puenzo and produced by Fremantle and Fabula, “Señorita México” (“Miss Mexico”) has added two writers, María Renée Prudencio and Tatiana Merenuk, as it advances towards production, which is scheduled for the first half of 2021.
The new series will be produced for Starzplay and Pantaya in Latin America and Spain, in a deal brokered by Fremantle’s international distribution arm, Fremantle and Fabula confirmed Tuesday, as they also unveiled more details of one of Latin America’s banner productions for 2021, which will be the first at Fabula’s new Mexican production beach-head.
Star of Fernando Eimbke’s “Club Sandwich,” actress-writer Mexico-based Prudencio scooped a Mexican Academy Ariel for co-adapting ensemble comedy “Last Call,” which also won its female cast a collective prize at the Guadalajara Festival. Her second major movie screenplay, for Natalia Beristain’s “The Eternal Feminine,” exhibited a distinctive female sensibility in its portrait of Mexican writer Rosario Castellanos.
The new series will be produced for Starzplay and Pantaya in Latin America and Spain, in a deal brokered by Fremantle’s international distribution arm, Fremantle and Fabula confirmed Tuesday, as they also unveiled more details of one of Latin America’s banner productions for 2021, which will be the first at Fabula’s new Mexican production beach-head.
Star of Fernando Eimbke’s “Club Sandwich,” actress-writer Mexico-based Prudencio scooped a Mexican Academy Ariel for co-adapting ensemble comedy “Last Call,” which also won its female cast a collective prize at the Guadalajara Festival. Her second major movie screenplay, for Natalia Beristain’s “The Eternal Feminine,” exhibited a distinctive female sensibility in its portrait of Mexican writer Rosario Castellanos.
- 9/1/2020
- by John Hopewell
- Variety Film + TV
Previewing the annual Latin American sales jamboree
Glance at the current profile of foreign-language Oscar contenders and the winners’ roster at major international festivals this year and the march of Latin American cinema in 2015 is clear for all to see.
César Augusto Acevedo’s Land And Shade and Ciro Guerra’s The Embrace Of The Serpent, the newly minted Indie Spirit nominee, earned four awards in Cannes, while Jayro Bustamante’s Guatemala-France drama Ixcanul took honours in Berlin.
Add to that list El Clan, the Argentinian thriller that earned Pablo Trapero a Silver Lion in Venice, and producers, sale agents and festival programmers heading to Buenos Aires for Ventana Sur (November 30-December 4) have reason to be cheerful.
“What we have seen is more and more attention for Latin American films,” says Jerome Paillard, executive co-director of Ventana Sur, a collaboration between Argentina’s Incaa film promotion body and Cannes (Paillard also serves as executive director of the...
Glance at the current profile of foreign-language Oscar contenders and the winners’ roster at major international festivals this year and the march of Latin American cinema in 2015 is clear for all to see.
César Augusto Acevedo’s Land And Shade and Ciro Guerra’s The Embrace Of The Serpent, the newly minted Indie Spirit nominee, earned four awards in Cannes, while Jayro Bustamante’s Guatemala-France drama Ixcanul took honours in Berlin.
Add to that list El Clan, the Argentinian thriller that earned Pablo Trapero a Silver Lion in Venice, and producers, sale agents and festival programmers heading to Buenos Aires for Ventana Sur (November 30-December 4) have reason to be cheerful.
“What we have seen is more and more attention for Latin American films,” says Jerome Paillard, executive co-director of Ventana Sur, a collaboration between Argentina’s Incaa film promotion body and Cannes (Paillard also serves as executive director of the...
- 11/26/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.