In 1974, when Canadian director Bob Clark’s seminal holiday slasher movie “Black Christmas” was first released in the United States, the studio changed the title to “Silent Night, Evil Night.” According to producer Gerry Arbeid, “Warner Bros. executives wanted the title changed because they felt white audiences would stay away, thinking ‘Black Christmas’ was for blacks.” What a difference four decades makes: 2013’s holiday season boasts three Christmas movies with mostly African-American casts, and while all these films are ostensibly being marketed to viewers of all ethnicities, distributors are clearly courting a black audience and relying upon those ticket-buyers to.
- 11/27/2013
- by Alonso Duralde
- The Wrap
Lesleh Donaldson with Cinema Retro columnist Todd Garbarini.
By Todd Garbarini
Richard Ciupka’s unfairly maligned 1983 horror film Curtains was screened recently as part of the Film Society of Lincoln Center’s Scary Movies 7 exhibition that also included screenings of Lucky McKee’s new film All Cheerleaders Die, Michele Soavi’s highly regarded Cemetery Man (1994), Eli Roth’s new film The Green Inferno, John D. Hancock’s ultra creepy Let’s Scare Jessica to Death (1971), the New York premiere of Clive Barker’s 1990 film Nightbreed - the Cabal Cut, and Peter Carter’s brilliant Rituals (1977), better known as The Creeper, which stars Hal Holbrook and Lawrence Dane in a film that is clearly influenced by John Boorman’s Deliverance (1971) but easily stands on its own as a strong piece of independent filmmaking.
Appearing in person at the Curtains screening was actress Lesleh Donaldson who played Christie Burns, the ice skater in the film.
By Todd Garbarini
Richard Ciupka’s unfairly maligned 1983 horror film Curtains was screened recently as part of the Film Society of Lincoln Center’s Scary Movies 7 exhibition that also included screenings of Lucky McKee’s new film All Cheerleaders Die, Michele Soavi’s highly regarded Cemetery Man (1994), Eli Roth’s new film The Green Inferno, John D. Hancock’s ultra creepy Let’s Scare Jessica to Death (1971), the New York premiere of Clive Barker’s 1990 film Nightbreed - the Cabal Cut, and Peter Carter’s brilliant Rituals (1977), better known as The Creeper, which stars Hal Holbrook and Lawrence Dane in a film that is clearly influenced by John Boorman’s Deliverance (1971) but easily stands on its own as a strong piece of independent filmmaking.
Appearing in person at the Curtains screening was actress Lesleh Donaldson who played Christie Burns, the ice skater in the film.
- 11/11/2013
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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