This diverse mix of composer Michel Legrand’s work for film is by no means comprehensive, Legrand’s phenomenal career spanned over sixty years. He scored over 200 films as well as theatre and musicals, won Oscars, Golden Globes, and Grammys (to name a few), and worked with a myriad of famed popular musicians. He made jazz records with Miles Davis and collaborated with the directors of the French New Wave. Later in life (and by no means slowing down), Legrand focused his time on classical music, creating concertos, sonatas, and ballet. He died this February at the age of 86 just a few months after the release of Orson Welles’s The Other Side of the Wind, whose score he composed. When reminiscing on Legrand’s work I was taken back to two performances that have always resonated with me; I mused on how in both performances it is the score...
- 4/9/2019
- MUBI
Mubi is showing The Tall Blond Man with One Black Shoe (1972) from November 17 - December 16, 2016 in the United States.There is deception throughout The Tall Blond Man with One Black Shoe. Sometimes, it’s deliberate; sometimes, it’s not. From the sleight of hand card trickery that plays out under its opening credits to its hilariously enacted case of intentionally-mistaken identity, the film is an increasing volley of duplicity and modified perception. But it’s more than just what happens in the film. This 1972 spy movie send-up is itself a cleverly crafted ruse, a straight-faced farce that incorporates most everything one associates the cinematic sub-genre and slyly points out the subtle silliness inherent in its recurrent conventions. Characters and the viewer will often see something and assume it to mean something—one is accustomed to always looking for clues and revealing “tells” in a movie like this—only to have...
- 11/29/2016
- MUBI
Film-makers Stephen Frears, Béla Tarr, Costa-Gavras, and veteran theatre director Peter Brook are among 50 leading figures of the European creative community to sign a declaration “For a New Deal for Culture in Europe.”
Less than two months before the elections for the new European Parliament on May 25 and the appointment of a new European Commission, the declaration’s authors said they were “convinced that the digital revolution is an opportunity for culture. Just as culture is an opportunity for the digital economy, ‘fueled’ as it is by the ‘works of the mind’.”
“If we want our cultural policies to be modernized, one of the main issues is that all cultural works providers, in particular the Internet multinationals, be integrated into the economy of creation. It is an important goal to achieve in order to ensure equity between all cultural works providers. And it is a challenge for our future,”
The declaration, whose first signatories...
Less than two months before the elections for the new European Parliament on May 25 and the appointment of a new European Commission, the declaration’s authors said they were “convinced that the digital revolution is an opportunity for culture. Just as culture is an opportunity for the digital economy, ‘fueled’ as it is by the ‘works of the mind’.”
“If we want our cultural policies to be modernized, one of the main issues is that all cultural works providers, in particular the Internet multinationals, be integrated into the economy of creation. It is an important goal to achieve in order to ensure equity between all cultural works providers. And it is a challenge for our future,”
The declaration, whose first signatories...
- 4/7/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Welcome to the first Notebook Soundtrack Mix—Hyper Sleep! A word about the mix: There's no thematic thread through this collection, it's a variety of intriguing music. In making soundtrack mixes, I'm drawn to the subjective qualities of association and meaning that arise from experiencing the musical narratives that result from transitions and combinations of tracks in succession. Though there are several favorite films, Seijun Suzuki's Branded to Kill, for one, individual pieces are chosen simply for the music. I haven't seen some of the films. Robert Drasnin, Vladimir Cosma and Antoine Duhamel are represented with curious French T.V. work, rather than with some of their more well known output (The Kremlin Letter, Diva and Pierrot le fou, respectively.) Maybe this is the first of a series…I have several ideas for themed mixes, but wanted to start this way, including work that reflects jazz, classical, experimental and pop influences.
- 8/29/2011
- MUBI
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