Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Production Design Barbie
Weekly Commentary: If you’re keeping track of the contenders vying for Academy Awards this season, you might have noted Variety’s prediction that Yorgos Lanthimos’ “Poor Things” could clinch a single award for production design, sparking a flurry of discussions within the punditry community.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Production Design Barbie
Weekly Commentary: If you’re keeping track of the contenders vying for Academy Awards this season, you might have noted Variety’s prediction that Yorgos Lanthimos’ “Poor Things” could clinch a single award for production design, sparking a flurry of discussions within the punditry community.
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
“Oppenheimer,” “Poor Things,” “Saltburn,” and “Spider-Man: Across the Spider-Verse” have won the top feature-film awards at the 28th annual Art Directors Guild Excellence in Production Design Awards, which were held on Saturday in Hollywood.
“Oppenheimer” won for period film, “Poor Things” for fantasy, “Saltburn” for contemporary and “Spider-Man” for animated film.
“Poor Things” was considered a bit of a surprise winner given that “Barbie” was also nominated the category, and winners Shona Heath and James Price said in their acceptance speech that they were not expecting the win. The victory might put them closer to a victory at next month’s Oscars, where “Poor Things” has 11 nominations.
In the television categories, awards went to “Succession,” “The Great,” “Reservation Dogs,” “The Last of Us,” “Beef,” “Frasier,” “Squid Game: The Challenge,” and the 80th Golden Globe Awards ceremony. The first three titles were honored for their final seasons on TV.
Taylor Swift...
“Oppenheimer” won for period film, “Poor Things” for fantasy, “Saltburn” for contemporary and “Spider-Man” for animated film.
“Poor Things” was considered a bit of a surprise winner given that “Barbie” was also nominated the category, and winners Shona Heath and James Price said in their acceptance speech that they were not expecting the win. The victory might put them closer to a victory at next month’s Oscars, where “Poor Things” has 11 nominations.
In the television categories, awards went to “Succession,” “The Great,” “Reservation Dogs,” “The Last of Us,” “Beef,” “Frasier,” “Squid Game: The Challenge,” and the 80th Golden Globe Awards ceremony. The first three titles were honored for their final seasons on TV.
Taylor Swift...
- 2/11/2024
- by Steve Pond, Jason Clark
- The Wrap
Poor Things, Oppenheimer and Saltburn took top film honors at the 28th annual Art Directors Guild Awards tonight. The Neighborhood and New Girl actor Max Greenfield hosted the show from Ovation Hollywood’s Ray Dolby Ballroom. Check out the full winners list below.
Oppenheimer‘s Ruth De Jong and Poor Things’ James Price and Shona Heath will face off for Best Production Design at the Academy Awards next month. They’ll go up against the production designers and set decorators behind Barbie, Killers of the Flower Moon and Napoleon.
The Art Directors Guild divides its top film prizes into Fantasy, Period and Contemporary Feature categories, which went to Poor Things, Oppenheimer and Saltburn, respectively. Since the trophy show launched in 1996, the winner of one of those has gone on to win the Art Direction/Production Design Oscar in 18 of the 27 years. It had a run of nine in a row snapped last year,...
Oppenheimer‘s Ruth De Jong and Poor Things’ James Price and Shona Heath will face off for Best Production Design at the Academy Awards next month. They’ll go up against the production designers and set decorators behind Barbie, Killers of the Flower Moon and Napoleon.
The Art Directors Guild divides its top film prizes into Fantasy, Period and Contemporary Feature categories, which went to Poor Things, Oppenheimer and Saltburn, respectively. Since the trophy show launched in 1996, the winner of one of those has gone on to win the Art Direction/Production Design Oscar in 18 of the 27 years. It had a run of nine in a row snapped last year,...
- 2/11/2024
- by Erik Pedersen
- Deadline Film + TV
When the Art Directors Guild holds its annual awards ceremony on Feb. 10, prizes will go to talented designers who created looks ranging from the nuclear-threatened whimsy of Wes Anderson’s “Asteroid City,” to the apocalyptic wasteland of “The Last of Us,” to the pink-hued fantasy of a doll choosing between plastic eternity and real-world life and death (she picked the latter).
See a common thread here? In addition to the gloom lurking behind these creations, other contenders provided backdrops for the implied genocide of “Killers of the Flower Moon,” the grief of a lauded composer stricken by the death of his wife in “Maestro,” the battlefield carnage of “Napoleon” and the development of an ultimate weapon that can extinguish humankind in “Oppenheimer.”
Want more? There’s AI armageddon in “The Creator” and “A Murder at the End of the World,” Frankenstein biology in “Poor Things” and a cool-headed professional assassin in “The Killer.
See a common thread here? In addition to the gloom lurking behind these creations, other contenders provided backdrops for the implied genocide of “Killers of the Flower Moon,” the grief of a lauded composer stricken by the death of his wife in “Maestro,” the battlefield carnage of “Napoleon” and the development of an ultimate weapon that can extinguish humankind in “Oppenheimer.”
Want more? There’s AI armageddon in “The Creator” and “A Murder at the End of the World,” Frankenstein biology in “Poor Things” and a cool-headed professional assassin in “The Killer.
- 2/10/2024
- by Peter Caranicas
- Variety Film + TV
You know a script is good when you give up your vacation to join the movie. Sound mixer Willie D. Burton was working on “Oppenheimer” with Matt Damon when the actor asked what he was doing next. Burton said he was taking a vacation. Damon countered with an offer he eventually couldn’t refuse: Alex Convery‘s script for “Air.”
“I read the script and it’s pretty incredible. So I said to Matt, ‘I’m not taking a vacation. I’m gonna do your film.’ And he says, ‘It’s gonna be like camp, like summer camp. Just treat it like summer camp. We’ll have a good time and everything will be good and we’ll have some fun,'” Burton tells Gold Derby at our Making of “Air” panel with the Oscar-contending editor William Goldenberg, costume designer Charlese Antoinette Jones and production designer François Audouy. “And sure enough,...
“I read the script and it’s pretty incredible. So I said to Matt, ‘I’m not taking a vacation. I’m gonna do your film.’ And he says, ‘It’s gonna be like camp, like summer camp. Just treat it like summer camp. We’ll have a good time and everything will be good and we’ll have some fun,'” Burton tells Gold Derby at our Making of “Air” panel with the Oscar-contending editor William Goldenberg, costume designer Charlese Antoinette Jones and production designer François Audouy. “And sure enough,...
- 10/24/2023
- by Joyce Eng
- Gold Derby
When director Ben Affleck first approached William Goldenberg, his Oscar-winning go-to editor (“Argo”), to cut “Air,” the sports biopic about Nike’s revolutionary Air Jordan basketball shoe line, it was only a couple of months before shooting began. Yet Goldenberg had to wait a month before reading the script while Alex Convery finished his rewrite.
It was a tight turnaround, but it led to a fast and loose production that perfectly fit the film’s recreation of the scrappy, underdog culture at Oregon-based Nike in 1984, which was then on the verge of bankruptcy.
“It’s about taking risks and greatness,” Goldenberg told IndieWire. “It’s about a lot of things that people can relate to…breaking out of the mold. And what’s great about working on a film like this is I have to watch the movie a lot, and I never got tired of it.”
“Air,” which had...
It was a tight turnaround, but it led to a fast and loose production that perfectly fit the film’s recreation of the scrappy, underdog culture at Oregon-based Nike in 1984, which was then on the verge of bankruptcy.
“It’s about taking risks and greatness,” Goldenberg told IndieWire. “It’s about a lot of things that people can relate to…breaking out of the mold. And what’s great about working on a film like this is I have to watch the movie a lot, and I never got tired of it.”
“Air,” which had...
- 4/12/2023
- by Bill Desowitz
- Indiewire
Michael Jordan and his signature sneakers have been a fixture of pop culture since 1984, when Sonny Vaccaro convinced the then-rookie to sign an industry-changing endorsement deal with sportswear brand Nike. “Air” dramatizes many of the finer points of these real-life events, with Matt Damon playing Vaccaro, Viola Davis as Deloris Jordan and Ben Affleck pulling double duty as director and co-star. But the new film operates less as a tribute to consumerism than as an origin story of one exceptional athlete — and the leather-and-rubber vessel that has become synonymous with his legacy.
“I wasn’t all that interested in the business minutiae in the story,” Affleck tells Variety. “It’s really a fable, inspired by these characters and who they represent.”
“Air” screenwriter Alex Convery grew up in the suburbs of Illinois in the 1990s during Jordan’s historic double NBA three-peat. He says he was inspired to write the...
“I wasn’t all that interested in the business minutiae in the story,” Affleck tells Variety. “It’s really a fable, inspired by these characters and who they represent.”
“Air” screenwriter Alex Convery grew up in the suburbs of Illinois in the 1990s during Jordan’s historic double NBA three-peat. He says he was inspired to write the...
- 4/6/2023
- by Todd Gilchrist
- Variety Film + TV
Today, there are 37 different variations of Air Jordan models available. From the basketball court to the streets and even the catwalk, Air Jordans have become a staple in our culture. Director Ben Affleck’s “Air” invites audiences into Nike headquarters to experience the story behind the popular shoe that was built solely for the most legendary athlete of all time, Michael Jordan.
Set in 1984, Affleck stars as Nike founder Phil Knight. An ambitious, rebellious, and passionate leader who likes to live by and reiterate Douglas McArthur’s famous quote “you are remembered for the rules you break,” Knight thrived on taking risks. During this time, Nike was not as successful as its competitors Adidas and Converse. Their NBA division was struggling to sign an athlete to sponsor their gear. Nike’s basketball guru in charge of changing that slump was Sonny Vaccaro (played by Matt Damon). As the Nike board...
Set in 1984, Affleck stars as Nike founder Phil Knight. An ambitious, rebellious, and passionate leader who likes to live by and reiterate Douglas McArthur’s famous quote “you are remembered for the rules you break,” Knight thrived on taking risks. During this time, Nike was not as successful as its competitors Adidas and Converse. Their NBA division was struggling to sign an athlete to sponsor their gear. Nike’s basketball guru in charge of changing that slump was Sonny Vaccaro (played by Matt Damon). As the Nike board...
- 3/19/2023
- by Marisa Mirabal
- Indiewire
A sign of a great historical film is one that makes the audience forget they know how it will end. The ship isn’t going to stay afloat in “Titanic.” Woodward and Bernstein will figure out how to bust open the story of Watergate in “All the President’s Men.” King George will address the nation in “The King’s Speech.” But all those movies leave their viewers enthralled by the stories’ twists and dynamic characters, making the certainty of the outcome secondary to what they’re watching unfold. Director Ben Affleck’s “Air” never quite does that — mostly due to choices in the script and direction — but it controls enough of the audience’s attention and provokes enough wonderment to deliver a solidly entertaining two hours.
In 1984, Sonny Vaccaro (Matt Damon) oversees scouting basketball talent for Nike sponsorship. At the time, the sneaker company was primarily known as shoes for runners with its basketball division dwindling.
In 1984, Sonny Vaccaro (Matt Damon) oversees scouting basketball talent for Nike sponsorship. At the time, the sneaker company was primarily known as shoes for runners with its basketball division dwindling.
- 3/19/2023
- by Rob Dean
- The Wrap
Americans spend tens of billions of dollars on basketball sneakers every year. Sure, everybody needs shoes, but it shouldn’t matter if your choice bears the Nike swoosh, Adidas’ three stripes or the Converse star. So why does it? In most cases, consumers aren’t simply buying footwear; they’re investing in the fantasy of walking in someone else’s shoes, be it a sports star or personal idol, and the promise that switching one’s kicks has a direct impact on your potential for greatness.
As the Nike marketing gurus in Ben Affleck’s “Air” put it, “A shoe is just a shoe until someone steps into it.” If you’ve been alive on earth in the last 40 years, then you already know what happened when a rookie named Michael Jordan let Nike put his name and likeness on their shoes. But “Air” isn’t about convincing the greatest...
As the Nike marketing gurus in Ben Affleck’s “Air” put it, “A shoe is just a shoe until someone steps into it.” If you’ve been alive on earth in the last 40 years, then you already know what happened when a rookie named Michael Jordan let Nike put his name and likeness on their shoes. But “Air” isn’t about convincing the greatest...
- 3/19/2023
- by Peter Debruge
- Variety Film + TV
Ben Affleck’s Air operates in a respectful and deeply reverential register when it comes to its subject, his family and the sport in which he made his legacy. The film, which premiered at SXSW, chronicles the tense Nike campaign to sign Michael Jordan, then an NBA rookie, to his first sneaker deal in 1984. That contract, closed a year before the first Air Jordans were sold to the public, changed Nike’s reputation and altered the way players negotiated brand deals.
Movies about corporate legalities and closed-door meetings are rarely anyone’s idea of a good time, but there are ways to inject them with energy. Tetris, for example, which also premiered at SXSW this year, took the genre route, turning the history of a video game licensing battle into a Cold War thriller. In Air, Affleck attaches himself to the sentimental, reaching for a narrative that recasts the deal...
Movies about corporate legalities and closed-door meetings are rarely anyone’s idea of a good time, but there are ways to inject them with energy. Tetris, for example, which also premiered at SXSW this year, took the genre route, turning the history of a video game licensing battle into a Cold War thriller. In Air, Affleck attaches himself to the sentimental, reaching for a narrative that recasts the deal...
- 3/19/2023
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
“Dune” got a big boost in its Oscar bid for Best Production Design with a win on March 6 at the Art Directors Guild Awards. Over the first 25 years of these prizes, the eventual Oscar winner has always numbered among the Adg nominees in the various genre categories. “Dune” prevailed in the fantasy film race over “Cruella,” “Ghostbusters: Afterlife,” “The Green Knight” and “Shang-Chi and the Legend of the Ten Rings.”
Its closest Oscar competition, “Nightmare Alley,” won the period picture prize over two other Oscar contenders — “The Tragedy of Macbeth” and “West Side Story.” The fifth Oscar nominee, “The Power of the Dog,” was snubbed in that race in favor of “The French Dispatch” and “Licorice Pizza.”
“No Time to Die” won the contemporary category over “Candyman,” “Don’t Look Up,” “In the Heights” and “The Lost Daughter.”
Period Film
“The French Dispatch” – Production Designer: Adam Stockhausen
“Licorice Pizza” – Production Designer:...
Its closest Oscar competition, “Nightmare Alley,” won the period picture prize over two other Oscar contenders — “The Tragedy of Macbeth” and “West Side Story.” The fifth Oscar nominee, “The Power of the Dog,” was snubbed in that race in favor of “The French Dispatch” and “Licorice Pizza.”
“No Time to Die” won the contemporary category over “Candyman,” “Don’t Look Up,” “In the Heights” and “The Lost Daughter.”
Period Film
“The French Dispatch” – Production Designer: Adam Stockhausen
“Licorice Pizza” – Production Designer:...
- 3/6/2022
- by Paul Sheehan
- Gold Derby
2022 Art Directors Guild Awards: ‘Dune,’ ‘Nightmare Alley,’ and ‘No Time to Die’ Win Top Film Prizes
“Dune” (Warner Bros.), “Nightmare Alley” (Searchlight), and “No Time to Die” (MGM/UA) were the big film winners Saturday at the 26th Art Directors Guild Awards (held at the Intercontinental Los Angeles Downtown).
Denis Villeneuve’s epic “Dune” took sci-fi honors, Guillermo del Toro’s noirish “Nightmare Alley” won for period, and Cary Fukanaga’s “No Time to Die” (which closed out Daniel Craig’s James Bond saga), earned the contemporary prize. Additionally, “Encanto,” the Oscar favorite from Disney, grabbed the animated feature award.
Meanwhile, “Squid Game” (Netflix), “What We Do in the Shadows” (FX), and Marvel’s “Loki” and “WandaVision” from Disney+ won the major TV prizes.
In terms of an Oscar predictor, the production design race now comes down to “Dune” and “Nightmare Alley.” “No Time to Die” is not in contention, but the other nominees are “West Side Story” (20th Century), “The Power of the Dog” (Netflix...
Denis Villeneuve’s epic “Dune” took sci-fi honors, Guillermo del Toro’s noirish “Nightmare Alley” won for period, and Cary Fukanaga’s “No Time to Die” (which closed out Daniel Craig’s James Bond saga), earned the contemporary prize. Additionally, “Encanto,” the Oscar favorite from Disney, grabbed the animated feature award.
Meanwhile, “Squid Game” (Netflix), “What We Do in the Shadows” (FX), and Marvel’s “Loki” and “WandaVision” from Disney+ won the major TV prizes.
In terms of an Oscar predictor, the production design race now comes down to “Dune” and “Nightmare Alley.” “No Time to Die” is not in contention, but the other nominees are “West Side Story” (20th Century), “The Power of the Dog” (Netflix...
- 3/6/2022
- by Christian Blauvelt and Bill Desowitz
- Indiewire
The 26th Annual Art Director’s Guild Awards took place tonight as an in-person show at the InterContinental Los Angeles Downtown, with “Nightmare Alley,” “No Time to Die” and “Encanto” taking home top film honors.
Hosted by Yvette Nicole Brown, the event celebrated outstanding production design in theatrical motion pictures, television, commercials, animated features and music videos.
As previously announced, director Denis Villeneuve (“Dune”) was honored with the William Cameron Menzies award.
Jane Campion “(The Power of the Dog”) was bestowed with the cinematic imagery award. The Oscar-nominated director was unable to accept her award in person due to having Covid. Campion took a moment to publicly speak out on the Academy’s recent decision to weave eight categories including Production Design into the live telecast, recording the wins ahead of time. She said, “I would definitely have included design in the main body of the awards because the designer...
Hosted by Yvette Nicole Brown, the event celebrated outstanding production design in theatrical motion pictures, television, commercials, animated features and music videos.
As previously announced, director Denis Villeneuve (“Dune”) was honored with the William Cameron Menzies award.
Jane Campion “(The Power of the Dog”) was bestowed with the cinematic imagery award. The Oscar-nominated director was unable to accept her award in person due to having Covid. Campion took a moment to publicly speak out on the Academy’s recent decision to weave eight categories including Production Design into the live telecast, recording the wins ahead of time. She said, “I would definitely have included design in the main body of the awards because the designer...
- 3/6/2022
- by Jazz Tangcay
- Variety Film + TV
“Nightmare Alley,” “Dune” and “No Time to Die” have won the top feature-film prizes at the 26th annual Excellence in Production Design Awards, which were held by the Art Directors Guild on Saturday evening in Los Angeles.
“Nightmare Alley” won in the Period Feature Film category, where the other finalists included “The Tragedy of Macbeth” and “West Side Story,” both of which were nominated for the Oscar for Best Production Design.
“Dune” won in the Fantasy Feature Film category, where it was the only Oscar nominee in the running. And “No Time to Die” won in the Contemporary Feature Film category, in which none of the nominees had been recognized by Oscar voters.
“Encanto” took the award in the Animated Feature category.
In the 15 years since the current Adg categories were established, one of the Adg winners has gone on to take the Oscar for Best Production Design 12 times. In that stretch,...
“Nightmare Alley” won in the Period Feature Film category, where the other finalists included “The Tragedy of Macbeth” and “West Side Story,” both of which were nominated for the Oscar for Best Production Design.
“Dune” won in the Fantasy Feature Film category, where it was the only Oscar nominee in the running. And “No Time to Die” won in the Contemporary Feature Film category, in which none of the nominees had been recognized by Oscar voters.
“Encanto” took the award in the Animated Feature category.
In the 15 years since the current Adg categories were established, one of the Adg winners has gone on to take the Oscar for Best Production Design 12 times. In that stretch,...
- 3/6/2022
- by Steve Pond
- The Wrap
Who’d have thought the 26th annual Art Directors Guild Awards would be such a good party?
Community alum and host Yvette Nicole Brown kicked things off with great energy and a few genuinely funny jokes. There followed two genuinely engaging acceptance speeches from Ethan Tobman and François Audouy and then a genuinely emotional — and funny — introduction from Kevin Costner for his longtime collaborator, production designer Ida Ransom, who received the Lifetime Achievement Award.
“I’m so impressed how many production designers are not freaked out by talking up here,” said a visibly nervous Costner. “It’s freaking me out.”
The guild also awarded Lifetime Achievement Awards to Donna Cline, Anne Harris and Denise & Michael Okuda.
Oscar-nominated Dune director Denis Villeneuve received the William Cameron Menzies Award, for which he credited all the production designers he has worked with, especially frequent collaborator Patrice Vermette. Vermette, it turns out, won the gong for Fantasy Feature Film.
Community alum and host Yvette Nicole Brown kicked things off with great energy and a few genuinely funny jokes. There followed two genuinely engaging acceptance speeches from Ethan Tobman and François Audouy and then a genuinely emotional — and funny — introduction from Kevin Costner for his longtime collaborator, production designer Ida Ransom, who received the Lifetime Achievement Award.
“I’m so impressed how many production designers are not freaked out by talking up here,” said a visibly nervous Costner. “It’s freaking me out.”
The guild also awarded Lifetime Achievement Awards to Donna Cline, Anne Harris and Denise & Michael Okuda.
Oscar-nominated Dune director Denis Villeneuve received the William Cameron Menzies Award, for which he credited all the production designers he has worked with, especially frequent collaborator Patrice Vermette. Vermette, it turns out, won the gong for Fantasy Feature Film.
- 3/6/2022
- by Tom Tapp
- Deadline Film + TV
The 26th annual Art Directors Guild Awards take place on Saturday (March 5). These kudos have a stellar record at previewing the outcome of the Best Production Design race at the Academy Awards. Over the first 25 years of these prizes, the eventual Oscar winner has always numbered among the Adg nominees in the various genre categories.
“Dune” is the clear frontrunner to win the Oscar for Best Production Design. It reaped a bid in the fantasy film genre with the Adg. The other fantasy film nominees are: “Cruella,” “Ghostbusters: Afterlife,” “The Green Knight” and “Shang-Chi and the Legend of the Ten Rings.”
Three of its Oscar rivals — “Nightmare Alley,” “The Tragedy of Macbeth” and “West Side Story”– contend in the period picture category. The fifth Oscar nominee, “The Power of the Dog,” was snubbed in that race in favor of “The French Dispatch” and “Licorice Pizza.”
The contemporary contenders are: “Candyman,...
“Dune” is the clear frontrunner to win the Oscar for Best Production Design. It reaped a bid in the fantasy film genre with the Adg. The other fantasy film nominees are: “Cruella,” “Ghostbusters: Afterlife,” “The Green Knight” and “Shang-Chi and the Legend of the Ten Rings.”
Three of its Oscar rivals — “Nightmare Alley,” “The Tragedy of Macbeth” and “West Side Story”– contend in the period picture category. The fifth Oscar nominee, “The Power of the Dog,” was snubbed in that race in favor of “The French Dispatch” and “Licorice Pizza.”
The contemporary contenders are: “Candyman,...
- 3/4/2022
- by Paul Sheehan
- Gold Derby
On January 24 the Art Directors Guild announced the nominees for its 26th annual awards, which will be handed out on March 5. These kudos have a stellar record at previewing the Academy Awards. Over the first 25 years of these prizes, the eventual Oscar winner for Best Production Design has always numbered among the Adg nominees in the various categories.
“Dune” is the clear frontrunner to win the Oscar for Best Production Design. It reaped a bid in the fantasy film genre with the Adg. All four of its likeliest Oscar rivals — “The French Dispatch,” “Nightmare Alley,” “The Tragedy of Macbeth” and “West Side Story”– contend in the period picture category. That race is rounded out by “Licorice Pizza.”
The other fantasy film nominees are: “Cruella,” “Ghostbusters: Afterlife,” “The Green Knight” and “Shang-Chi and the Legend of the Ten Rings.”
The contemporary contenders are: “Candyman,” “Don’t Look Up,” “In the Heights,” “The Lost Daughter...
“Dune” is the clear frontrunner to win the Oscar for Best Production Design. It reaped a bid in the fantasy film genre with the Adg. All four of its likeliest Oscar rivals — “The French Dispatch,” “Nightmare Alley,” “The Tragedy of Macbeth” and “West Side Story”– contend in the period picture category. That race is rounded out by “Licorice Pizza.”
The other fantasy film nominees are: “Cruella,” “Ghostbusters: Afterlife,” “The Green Knight” and “Shang-Chi and the Legend of the Ten Rings.”
The contemporary contenders are: “Candyman,” “Don’t Look Up,” “In the Heights,” “The Lost Daughter...
- 1/24/2022
- by Paul Sheehan
- Gold Derby
The Art Directors Guild has announced nominations for the 26th Annual Excellence in Production Design Awards in theatrical motion pictures, television, commercials, music videos and animation features, with nominees in the top categories including Licorice Pizza, Cruella, Dune, In The Heights, The White Lotus and Encanto.
Winners will be announced at the Adg Awards ceremony, which returns to a live-in person event at the InterContinental Hotel Los Angeles Downtown Hotel on Saturday, March 5. Today’s announcement was made by Adg President Nelson Coates, Adg, and Awards Producer Michael Allen Glover, Adg.
As previously announced, director Denis Villeneuve (Dune) will receive the William Cameron Menzies Award. Academy Award-winning filmmaker Jane Campion (The Power of the Dog) will receive the Cinematic Imagery Award. The Adg Awards honor excellence in Production Design in theatrical motion pictures, television, commercials, music videos and animated feature films.
The producer of the 2022 Adg Awards is Art Director Michael Allen Glover,...
Winners will be announced at the Adg Awards ceremony, which returns to a live-in person event at the InterContinental Hotel Los Angeles Downtown Hotel on Saturday, March 5. Today’s announcement was made by Adg President Nelson Coates, Adg, and Awards Producer Michael Allen Glover, Adg.
As previously announced, director Denis Villeneuve (Dune) will receive the William Cameron Menzies Award. Academy Award-winning filmmaker Jane Campion (The Power of the Dog) will receive the Cinematic Imagery Award. The Adg Awards honor excellence in Production Design in theatrical motion pictures, television, commercials, music videos and animated feature films.
The producer of the 2022 Adg Awards is Art Director Michael Allen Glover,...
- 1/24/2022
- by Greg Evans
- Deadline Film + TV
“Nightmare Alley,” “Cruella,” “No Time to Die” and “In The Heights” are among the top films recognized for excellence in production design in the 26th annual Art Directors Guild nominations.
On Monday, the Adg announced nominations for this year’s awards show, which will return to a live ceremony on March 5 at the Intercontinental Hotel in Downtown Los Angeles.
“The French Dispatch,” “Licorice Pizza,” “West Side Story” and “The Tragedy of Macbeth” landed nominations in the period feature film category alongside “Nightmare Alley.” “Dune,” “Cruella,” “Shang-Chi and the Legend of the Ten Rings” “Ghostbusters: Afterlife” and “The Green Knight” earned recognition in fantasy feature film.
Missing out were Oscar contenders “Spencer,” “The Power of the Dog,” “Belfast” and “Cyrano.”
As previously announced, director Denis Villeneuve (“Dune”) will receive the William Cameron Menzies award. Jane Campion “(The Power of the Dog”) will receive the cinematic imagery award.
The Adg Awards honor...
On Monday, the Adg announced nominations for this year’s awards show, which will return to a live ceremony on March 5 at the Intercontinental Hotel in Downtown Los Angeles.
“The French Dispatch,” “Licorice Pizza,” “West Side Story” and “The Tragedy of Macbeth” landed nominations in the period feature film category alongside “Nightmare Alley.” “Dune,” “Cruella,” “Shang-Chi and the Legend of the Ten Rings” “Ghostbusters: Afterlife” and “The Green Knight” earned recognition in fantasy feature film.
Missing out were Oscar contenders “Spencer,” “The Power of the Dog,” “Belfast” and “Cyrano.”
As previously announced, director Denis Villeneuve (“Dune”) will receive the William Cameron Menzies award. Jane Campion “(The Power of the Dog”) will receive the cinematic imagery award.
The Adg Awards honor...
- 1/24/2022
- by Jazz Tangcay
- Variety Film + TV
“The French Dispatch,” “Nightmare Alley,” “West Side Story,” “Dune,” “The Green Knight” and “Don’t Look Up” are among the feature-film nominees for the 26th Annual Excellence in Production Design Awards, which are given out by the Art Directors Guild (IATSE Local 800).
Kicking off a four-day period in which 10 different Hollywood guilds and societies will announce their nominations, the Adg honorees were announced by guild president Nelson Coates and Adg Awards producer Michael Allen Glover.
In the period-film category, the Adg category that most closely matches the Oscar for Best Production Design, the nominees were “The French Dispatch,” “Licorice Pizza,” “Nightmare Alley,” “The Tragedy of Macbeth” and “West Side Story.”
In the fantasy category, nominations went to “Cruella,” “Dune,” “Ghostbusters: Afterlife,” “The Green Knight” and “Shang-Chi and the Legend of the Ten Rings.”
And in the contemporary category, the nominees were “Candyman,” “Don’t Look Up,” “In the Heights,” “The Lost Daughter” and “No Time to Die.
Kicking off a four-day period in which 10 different Hollywood guilds and societies will announce their nominations, the Adg honorees were announced by guild president Nelson Coates and Adg Awards producer Michael Allen Glover.
In the period-film category, the Adg category that most closely matches the Oscar for Best Production Design, the nominees were “The French Dispatch,” “Licorice Pizza,” “Nightmare Alley,” “The Tragedy of Macbeth” and “West Side Story.”
In the fantasy category, nominations went to “Cruella,” “Dune,” “Ghostbusters: Afterlife,” “The Green Knight” and “Shang-Chi and the Legend of the Ten Rings.”
And in the contemporary category, the nominees were “Candyman,” “Don’t Look Up,” “In the Heights,” “The Lost Daughter” and “No Time to Die.
- 1/24/2022
- by Steve Pond
- The Wrap
The “Ghostbusters” franchise has gone through quite a few permutations in the decades since director Ivan Reitman’s original feature was released in 1984. And while the kooky spirit and basic concept of the first film remain unchanged in each iteration, from the two ’90s animated TV series to 2016’s gender-swapped reboot, the property itself is continually in a creative flux. It’s no wonder it’s going through yet another change — and showing marked growing pains in the process. Director/ co-writer Jason Reitman’s “Ghostbusters: Afterlife” hits the reboot button once more, this time carrying a familial cinematic legacy. Yet with all the nostalgia packed into the picture, its own refurbished identity is slightly compromised, functioning as .
Rebuilding from the past is the guiding sentiment of this feature, not only in terms of one family renovating their lives, but also in the way Reitman and co-writer Gil Kenan reconstruct elements foundational to the franchise.
Rebuilding from the past is the guiding sentiment of this feature, not only in terms of one family renovating their lives, but also in the way Reitman and co-writer Gil Kenan reconstruct elements foundational to the franchise.
- 10/9/2021
- by Courtney Howard
- Indiewire
David Fincher’s “Mank” and Christopher Nolan’s “Tenet” were among the winners at the Art Directors Guild Awards on Saturday night — both are also Oscar nominees for best production design.
In a hybrid ceremony, the Adg (IATSE Local 800) awarded 11 categories across television, film, music videos and commercials.
Other winners included, “Da 5 Bloods” (Wynn Thomas), and “Soul” (Steve Pilcher).
In the television category, “The Mandalorian: Chapter 13: The Jedi,” “The Queen’s Gambit,” and “What We Do in the Shadows: Resurrection” were all recognized.
Comedian Jb Smoove, co-star of HBO’s “Curb Your Enthusiasm,” served as the evening’s host, entertaining a global audience. Nelson Coates, Adg president, and Mark Worthington, art directors council chair, presided over the awards ceremony.
“I’m grateful we were able to share our open awards event with all of our members, their families, friends, and coworkers this year,” producer Scott Moses said. “The show...
In a hybrid ceremony, the Adg (IATSE Local 800) awarded 11 categories across television, film, music videos and commercials.
Other winners included, “Da 5 Bloods” (Wynn Thomas), and “Soul” (Steve Pilcher).
In the television category, “The Mandalorian: Chapter 13: The Jedi,” “The Queen’s Gambit,” and “What We Do in the Shadows: Resurrection” were all recognized.
Comedian Jb Smoove, co-star of HBO’s “Curb Your Enthusiasm,” served as the evening’s host, entertaining a global audience. Nelson Coates, Adg president, and Mark Worthington, art directors council chair, presided over the awards ceremony.
“I’m grateful we were able to share our open awards event with all of our members, their families, friends, and coworkers this year,” producer Scott Moses said. “The show...
- 4/11/2021
- by Jazz Tangcay
- Variety Film + TV
“Mank,” “Tenet,” “Da 5 Bloods” and “Soul” have won the feature-film awards at the 25th annual Art Directors Guild Awards, which were handed out in a virtual ceremony on Saturday.
“Mank” won in the period-film category, the Adg category that most closely corresponds to the Oscar for Best Production Design. “Tenet” won in the fantasy category, “Da 5 Bloods” in the contemporary category and “Soul” in the animated category.
In the 14 years since the current Adg categories were established, the winner in the period category has gone on to win the Oscar for Best Production Design six times, the fantasy winner has taken the Oscar four times, and the contemporary winner has won the Oscar once. In all but three of those years, the Oscar has gone to one of the Adg winners.
“Mank” and “Tenet” are both nominated for the Best Production Design Oscar; “Da 5 Bloods” and “Soul” are not.
“Mank” won in the period-film category, the Adg category that most closely corresponds to the Oscar for Best Production Design. “Tenet” won in the fantasy category, “Da 5 Bloods” in the contemporary category and “Soul” in the animated category.
In the 14 years since the current Adg categories were established, the winner in the period category has gone on to win the Oscar for Best Production Design six times, the fantasy winner has taken the Oscar four times, and the contemporary winner has won the Oscar once. In all but three of those years, the Oscar has gone to one of the Adg winners.
“Mank” and “Tenet” are both nominated for the Best Production Design Oscar; “Da 5 Bloods” and “Soul” are not.
- 4/11/2021
- by Steve Pond
- The Wrap
Mark Hamill and James Mangold are two of Hollywood’s biggest names rallying for a Hollywood boycott on filming in Georgia due to a controversial voting bill that many believe encourages voter suppression in the state (via The Hollywood Reporter). Republican Gov. Brian Kemp signed a bill on March 25 that “ushers in more rigid voters restrictions,” which include banning the distribution of food and water on voting lines and limiting the number of ballot drop boxes.
The voting bill was condemned by the likes of Joe Biden (he called it “Jim Crow in the 21st Century”) and Stacey Abrams (“a reminder of Georgia’s dark past”), and now it’s attracting the scorn of Hollywood. Mangold, the director behind “Logan” and Oscar winner “Ford v Ferrari,” took to social media to declare, “I will not direct a film in Georgia.” Mangold’s close collaborator François Audouy, a production designer on “Logan,...
The voting bill was condemned by the likes of Joe Biden (he called it “Jim Crow in the 21st Century”) and Stacey Abrams (“a reminder of Georgia’s dark past”), and now it’s attracting the scorn of Hollywood. Mangold, the director behind “Logan” and Oscar winner “Ford v Ferrari,” took to social media to declare, “I will not direct a film in Georgia.” Mangold’s close collaborator François Audouy, a production designer on “Logan,...
- 3/30/2021
- by Zack Sharf
- Indiewire
The Art Directors Guild has unveiled nominations for its 25th annual Excellence in Production Design Awards, which celebrate the year’s best achievements in theatrical motion pictures, TV, commercials, music videos and animated features. Winners will be announced April 10 during a virtual ceremony.
Last year, Once Upon a Time in Hollywood, Avengers: Endgame and Parasite were the big film winners in the Period, Fantasy and Contemporary categories, respectively, with Hollywood going on to take the Production Design Oscar. TV winners included The Marvelous Mrs. Maisel, Cherrnobyl, The Big Bang Theory, Russian Doll, The Umbrella Academy and Drunk History.
As previously announced, Ryan Murphy will receive the group’s Cinematic Imagery Award. The Adg Lifetime Achievement Awards, annually presented to outstanding individuals in each of the guild’s four crafts, and will be announced shortly.
With today’s nominations out, online balloting will now be held March 11-April 7.
Here’ the list...
Last year, Once Upon a Time in Hollywood, Avengers: Endgame and Parasite were the big film winners in the Period, Fantasy and Contemporary categories, respectively, with Hollywood going on to take the Production Design Oscar. TV winners included The Marvelous Mrs. Maisel, Cherrnobyl, The Big Bang Theory, Russian Doll, The Umbrella Academy and Drunk History.
As previously announced, Ryan Murphy will receive the group’s Cinematic Imagery Award. The Adg Lifetime Achievement Awards, annually presented to outstanding individuals in each of the guild’s four crafts, and will be announced shortly.
With today’s nominations out, online balloting will now be held March 11-April 7.
Here’ the list...
- 2/25/2021
- by Patrick Hipes
- Deadline Film + TV
“Mank, “Ma Rainey’s Black Bottom” and “Tenet” are among the top films recognized for excellence in production design in the 25th annual Art Directors Guild nominations.
On Thursday, the Adg announced nominations for this year’s awards show, which will be held April 10 in a virtual ceremony, breaking with tradition in response to the Covid-19 pandemic.
“Mank,” “Ma Rainey’s Black Bottom” and “Mulan” landed nominations in the Period Feature Film category, and “Birds of Prey,” “Pinocchio” and “Wonder Woman 1984” earned recognition in Fantasy Feature Film.
Missing out were Oscar contenders “Emma,” “The Personal History of David Copperfield” and “One Night in Miami.”
As previously announced, multiple award-winning writer-director-producer Ryan Murphy, whose film and television shows have consistently reflected the highest quality of production design, will receive the esteemed Cinematic Imagery Award.
See the full list of nominations for film and TV below.
Period Feature Film
“Mank” ( Donald Graham Burt...
On Thursday, the Adg announced nominations for this year’s awards show, which will be held April 10 in a virtual ceremony, breaking with tradition in response to the Covid-19 pandemic.
“Mank,” “Ma Rainey’s Black Bottom” and “Mulan” landed nominations in the Period Feature Film category, and “Birds of Prey,” “Pinocchio” and “Wonder Woman 1984” earned recognition in Fantasy Feature Film.
Missing out were Oscar contenders “Emma,” “The Personal History of David Copperfield” and “One Night in Miami.”
As previously announced, multiple award-winning writer-director-producer Ryan Murphy, whose film and television shows have consistently reflected the highest quality of production design, will receive the esteemed Cinematic Imagery Award.
See the full list of nominations for film and TV below.
Period Feature Film
“Mank” ( Donald Graham Burt...
- 2/25/2021
- by Jazz Tangcay
- Variety Film + TV
On December 9, the Art Directors Guild announced the nominees for its 24th annual awards, which will be handed out on Feb. 1. These kudos have a stellar record at previewing the Academy Awards. Over the first 23 years of these prizes, the eventual Oscar winner for Best Production Design has always numbered among the Adg nominees in the various categories.
According to our expert predictions, period film contender “Once Upon A Time in Hollywood” is the clear frontrunner to win the Oscar for Best Production Design. We expect that three of its rival in that race at the Adg — “The Irishman,” “Jojo Rabbit” and “1917” — will also contend at the Oscars. The fifth Academy Awards nominee is expected to be “Little Women,” but its odds might lengthen after being snubbed by the guild.
Period Film
“Ford v Ferrari” – François Audouy
“The Irishman” – Bob Shaw
“Jojo Rabbit” – Ra Vincent
“Joker” – Mark Friedberg
“1917...
According to our expert predictions, period film contender “Once Upon A Time in Hollywood” is the clear frontrunner to win the Oscar for Best Production Design. We expect that three of its rival in that race at the Adg — “The Irishman,” “Jojo Rabbit” and “1917” — will also contend at the Oscars. The fifth Academy Awards nominee is expected to be “Little Women,” but its odds might lengthen after being snubbed by the guild.
Period Film
“Ford v Ferrari” – François Audouy
“The Irishman” – Bob Shaw
“Jojo Rabbit” – Ra Vincent
“Joker” – Mark Friedberg
“1917...
- 12/10/2019
- by Paul Sheehan
- Gold Derby
Disney led the pack with eight production design nominations for the 24th annual Art Directors Guild Awards. These included Marvel’s “Avengers: Endgame” and “Star Wars: The Rise of Skywalker” for fantasy, and animation entries “Frozen II,” “Toy Story 4,” and “The Lion King”.
All of the Oscar contenders were well represented, including Bong Joon Ho’s Lafca Best Picture winner, “Parasite,” and period standouts “1917,” Sam Mendes’ innovative, single-shot, World War I thriller, “Joker,” Todd Phillips’ blockbuster origin story, which channeled gritty ’70s New York as Gotham City; Quentin Tarantino’s “Once Upon a Time in Hollywood,” which gave a 50-year facelift to Hollywood Blvd.; and Martin Scorsese’s sprawling mob epic, “The Irishman,” which crammed 117 locations for 309 scenes.
Contemporary nominees included Marielle Heller’s “A Beautiful Day in the Neighborhood,” Chad Stahelski’s “John Wick: Chapter 3 — Parabellum,” Rian Johnson’s “Knives Out” and Jordan Peele’s “Us.” The other...
All of the Oscar contenders were well represented, including Bong Joon Ho’s Lafca Best Picture winner, “Parasite,” and period standouts “1917,” Sam Mendes’ innovative, single-shot, World War I thriller, “Joker,” Todd Phillips’ blockbuster origin story, which channeled gritty ’70s New York as Gotham City; Quentin Tarantino’s “Once Upon a Time in Hollywood,” which gave a 50-year facelift to Hollywood Blvd.; and Martin Scorsese’s sprawling mob epic, “The Irishman,” which crammed 117 locations for 309 scenes.
Contemporary nominees included Marielle Heller’s “A Beautiful Day in the Neighborhood,” Chad Stahelski’s “John Wick: Chapter 3 — Parabellum,” Rian Johnson’s “Knives Out” and Jordan Peele’s “Us.” The other...
- 12/9/2019
- by Bill Desowitz
- Indiewire
The Art Directors Guild has announced nominations for the 24th Annual Excellence in Production Design Awards in theatrical motion pictures, television, commercials, music videos and animation features. The nominees include features The Irishman, Once Upon a Time in Hollywood and Ford v Ferrari, and Game of Thrones, The Mandalorian, The Crown and The Marvelous Mrs. Maisel on the TV side.
Winners will be honored at the 2020 Awards at the InterContinental Los Angeles Downtown on Saturday, February 1, 2020. The nominees were announced today by Art Directors Guild President Nelson Coates, Adg, and Awards Producer Scott Moses, Adg. Additional honorees for Cinematic Imagery will be announced at a later date.
As previously announced, Syd Mead will receive the William Cameron Menzies Award. The Adg Lifetime Achievement Awards be presented to Joe Alves, Denis Olsen, Stephen Myles Berger and Jack Johnson. Additional honorees...
Winners will be honored at the 2020 Awards at the InterContinental Los Angeles Downtown on Saturday, February 1, 2020. The nominees were announced today by Art Directors Guild President Nelson Coates, Adg, and Awards Producer Scott Moses, Adg. Additional honorees for Cinematic Imagery will be announced at a later date.
As previously announced, Syd Mead will receive the William Cameron Menzies Award. The Adg Lifetime Achievement Awards be presented to Joe Alves, Denis Olsen, Stephen Myles Berger and Jack Johnson. Additional honorees...
- 12/9/2019
- by Denise Petski
- Deadline Film + TV
The Art Directors Guild has announced its nominations for the 24th Annual Excellence in Production Design Awards in theatrical motion pictures, television, commercials, music videos and animation features.
Among the films recognized for outstanding production design are James Mangold’s “Ford V Ferrari,” Martin Scorsese’s “The Irishman,” and Quentin Tarantino’s “Once Upon a Time in Hollywood.”
“Aladdin,” “Avengers: Endgame,” “Dumbo” and “Maleficent: Mistress of Evil” all scored nods in the fantasy film category.
In television, streaming newcomer Disney Plus scored a production design nomination for its freshman season of “The Mandalorian.” HBO’s “Big Little Lies,” “Game of Thrones” and “Veep” also earned nominations in their respective categories.
Syd Mead, the “visual futurist” and concept artist known for his design contributions to science-fiction films such as “Star-Trek: The Motion Picture,” “Aliens,” and “Blade Runner,” has been named the recipient of the William Cameron Menzies Award. The Adg Lifetime...
Among the films recognized for outstanding production design are James Mangold’s “Ford V Ferrari,” Martin Scorsese’s “The Irishman,” and Quentin Tarantino’s “Once Upon a Time in Hollywood.”
“Aladdin,” “Avengers: Endgame,” “Dumbo” and “Maleficent: Mistress of Evil” all scored nods in the fantasy film category.
In television, streaming newcomer Disney Plus scored a production design nomination for its freshman season of “The Mandalorian.” HBO’s “Big Little Lies,” “Game of Thrones” and “Veep” also earned nominations in their respective categories.
Syd Mead, the “visual futurist” and concept artist known for his design contributions to science-fiction films such as “Star-Trek: The Motion Picture,” “Aliens,” and “Blade Runner,” has been named the recipient of the William Cameron Menzies Award. The Adg Lifetime...
- 12/9/2019
- by Jazz Tangcay
- Variety Film + TV
“The Irishman,” “Ford v Ferrari,” “Jojo Rabbit,” “Joker,” “1917” and “Once Upon a Time … in Hollywood” on Monday all nabbed nominations for the Art Directors Guild Awards’ period-film category, the Adg category that most closely corresponds to the Academy Award for Best Production Design.
In the Adg fantasy-film category, which typically supplies one or two Oscar nominees, the guild singled out “Ad Astra,” “Aladdin,” “Avengers: Endgame,” “Dumbo,” “Maleficent: Mistress of Evil” and “Star Wars: The Rise of Skywalker.”
Both of those categories were expanded from five to six nominees because of ties.
Also Read: How 'Once Upon a Time... in Hollywood' Turned Back the Clock on L.A.'s Streets
Nominees in the contemporary-film category are “A Beautiful Day in the Neighborhood,” “John Wick: Chapter 3 – Parabellum,” “Knives Out,” “Parasite” and “Us.”
Animated-film nominees are “Abominable,” “Frozen II,” “How to Train Your Dragon: The Hidden World,” “The Lion King” and “Toy Story 4.
In the Adg fantasy-film category, which typically supplies one or two Oscar nominees, the guild singled out “Ad Astra,” “Aladdin,” “Avengers: Endgame,” “Dumbo,” “Maleficent: Mistress of Evil” and “Star Wars: The Rise of Skywalker.”
Both of those categories were expanded from five to six nominees because of ties.
Also Read: How 'Once Upon a Time... in Hollywood' Turned Back the Clock on L.A.'s Streets
Nominees in the contemporary-film category are “A Beautiful Day in the Neighborhood,” “John Wick: Chapter 3 – Parabellum,” “Knives Out,” “Parasite” and “Us.”
Animated-film nominees are “Abominable,” “Frozen II,” “How to Train Your Dragon: The Hidden World,” “The Lion King” and “Toy Story 4.
- 12/9/2019
- by Steve Pond
- The Wrap
Production designers literally set the scene for films, so where and how do they start to build fully realized and immersive worlds?
“Early on, I think the trick is to try to get the director to engage as much as possible,” “Ford v Ferrari’s’ François Audouy said at our Meet the Experts: Production Design panel, moderated by this writer (watch above). “You can try to stimulate conversation and start talking about things.”
After that, Audouy does research and tries to load up his walls with as many images as possible. “I like to do it in story order so you start to get an idea of some of the ideas or some of the images that are constant,” he explained. “And then that wall, you keep iterating and keep changing. You put up location photos or additional research. It’s a constant refining of things to get crisper.”
See Tracy Letts...
“Early on, I think the trick is to try to get the director to engage as much as possible,” “Ford v Ferrari’s’ François Audouy said at our Meet the Experts: Production Design panel, moderated by this writer (watch above). “You can try to stimulate conversation and start talking about things.”
After that, Audouy does research and tries to load up his walls with as many images as possible. “I like to do it in story order so you start to get an idea of some of the ideas or some of the images that are constant,” he explained. “And then that wall, you keep iterating and keep changing. You put up location photos or additional research. It’s a constant refining of things to get crisper.”
See Tracy Letts...
- 11/18/2019
- by Joyce Eng
- Gold Derby
“Ford v Ferrari” is François Audouy’s third film as James Mangold’s production designer, but in an alternate universe, they would not have made it (yet).
“We were prepping another movie that we thought was going to happen at Fox, ‘Ford v Ferrari’ and a Patty Hearst movie. And I thought for sure it would be ‘Ford v Ferrari’ next, but it was the Patty Hearst movie, so we were going into production and the whole thing just fell apart about 12 hours before,” Audouy revealed at Gold Derby’s Meet the Experts: Production Design panel, moderated by this writer (watch above). “And then the next Monday, we just slotted right into ‘Ford v Ferrari.’ … It was a project that had been around for a very long time with multiple directors. It was a very, very difficult film to put together because of the finances. The cars involved are worth...
“We were prepping another movie that we thought was going to happen at Fox, ‘Ford v Ferrari’ and a Patty Hearst movie. And I thought for sure it would be ‘Ford v Ferrari’ next, but it was the Patty Hearst movie, so we were going into production and the whole thing just fell apart about 12 hours before,” Audouy revealed at Gold Derby’s Meet the Experts: Production Design panel, moderated by this writer (watch above). “And then the next Monday, we just slotted right into ‘Ford v Ferrari.’ … It was a project that had been around for a very long time with multiple directors. It was a very, very difficult film to put together because of the finances. The cars involved are worth...
- 11/18/2019
- by Joyce Eng
- Gold Derby
Exploring the spectacular feats of two automotive mavericks in Ford v Ferrari, James Mangold felt a deep connection to the experiences of his protagonists.
“I think that the predicaments and the frustrations of these characters, I recognized in our own world, as the fight to get something new or different made, in a system built to make what was made last year,” Mangold said, on a panel for the film at The Contenders Los Angeles, moderated by Deadline’s Joe Utichi. “[There’s] a similarity, in the sense that the costs are high, and the risks are high—and although people like me don’t tend to die making movies, we can disappear, magically, if we fail.”
Centered on American car designer Carroll Shelby (Matt Damon) and driver par excellence Ken Miles (Christian Bale), Ford v Ferrari is the story of two brilliant out-of-the-box thinkers who wrestled with incessant corporate interference, while...
“I think that the predicaments and the frustrations of these characters, I recognized in our own world, as the fight to get something new or different made, in a system built to make what was made last year,” Mangold said, on a panel for the film at The Contenders Los Angeles, moderated by Deadline’s Joe Utichi. “[There’s] a similarity, in the sense that the costs are high, and the risks are high—and although people like me don’t tend to die making movies, we can disappear, magically, if we fail.”
Centered on American car designer Carroll Shelby (Matt Damon) and driver par excellence Ken Miles (Christian Bale), Ford v Ferrari is the story of two brilliant out-of-the-box thinkers who wrestled with incessant corporate interference, while...
- 11/2/2019
- by Matt Grobar
- Deadline Film + TV
The 21st annual Art Directors Guild Awards took place on Saturday (Jan. 27). These kudos have a stellar record at previewing the outcome of the Best Production Design race at the Academy Awards. Over the first two decades of these prizes, the eventual Oscar winner has always numbered among the Adg nominees in the various categories.
Period film contender “The Shape of Water” is locked in a tight race with fantasy film nominee “Blade Runner 2049” to win the Oscar for Best Production Design according to our predictions. Two other period film nominees that are set in WWII — “Darkest Hour” and “Dunkirk” — sit in third and fourth place respectively — while fantasy contender “Beauty and the Beast” rounds out our top five predicted Oscar nominees.
Already the frontrunner for Best Production Design at the Oscars, “The Shape of Water” won in period over fellow Oscar nominees “Darkest Hour” and “Dunkirk.” That race...
Period film contender “The Shape of Water” is locked in a tight race with fantasy film nominee “Blade Runner 2049” to win the Oscar for Best Production Design according to our predictions. Two other period film nominees that are set in WWII — “Darkest Hour” and “Dunkirk” — sit in third and fourth place respectively — while fantasy contender “Beauty and the Beast” rounds out our top five predicted Oscar nominees.
Already the frontrunner for Best Production Design at the Oscars, “The Shape of Water” won in period over fellow Oscar nominees “Darkest Hour” and “Dunkirk.” That race...
- 1/28/2018
- by Zach Laws
- Gold Derby
Animated feature films were included for the first time this year, Coco among them.
The Art Directors Guild has announced nominations for the 22nd Annual Excellence in Production Design Awards in multiple categories including features, television, and commercials.
Nominees in the feature film categories include Darkest Hour, The Shape Of Water, Downsizing, Get Out, and Lady Bird.
Among the television nominees are this year’s Emmy stand-outs The Handmaid’s Tale and Game Of Thrones.
Animated feature films were included in the nominations for the first time this year and include top-earning titles Cars 3, Coco, and Despicable Me 3.
The Awards Gala is set for January 27 at the Ray Dolby Ballroom at Hollywood and Highland.
Excellence In Production Design For A Feature Film Period Film
Darkest Hour, Sarah Greenwood
Dunkirk, Nathan Crowley
Murder On The Orient Express, Jim Clay
The Post, Rick Carter
The Shape Of Water, Paul Denham Austerberry
Fantasy Film
Beauty And The Beast, Sarah...
The Art Directors Guild has announced nominations for the 22nd Annual Excellence in Production Design Awards in multiple categories including features, television, and commercials.
Nominees in the feature film categories include Darkest Hour, The Shape Of Water, Downsizing, Get Out, and Lady Bird.
Among the television nominees are this year’s Emmy stand-outs The Handmaid’s Tale and Game Of Thrones.
Animated feature films were included in the nominations for the first time this year and include top-earning titles Cars 3, Coco, and Despicable Me 3.
The Awards Gala is set for January 27 at the Ray Dolby Ballroom at Hollywood and Highland.
Excellence In Production Design For A Feature Film Period Film
Darkest Hour, Sarah Greenwood
Dunkirk, Nathan Crowley
Murder On The Orient Express, Jim Clay
The Post, Rick Carter
The Shape Of Water, Paul Denham Austerberry
Fantasy Film
Beauty And The Beast, Sarah...
- 1/5/2018
- by Elbert Wyche
- ScreenDaily
Production design is an often-overlooked element of filmmaking in the eyes of the public, but it plays as big a role in audience enjoyment, as does cinematography or sound. Three of Hollywood’s top production designers—François Audouy (Logan, Jurassic World), Hannah Beachler (Black Panther, Moonlight), and John Muto (…
Read more...
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- 9/7/2017
- by Baraka Kaseko
- avclub.com
Logan surprised us earlier this year by being an uber-violent but measured character drama, a notable departure from most modern-day superhero flicks. The film paints a vivid picture of a somewhat post-apocalyptic United States where the majority of the country’s mutants have been wiped out. Helping bring this vision to life is production designer François Audouy. After a production designers’ autograph session at this year’s Comic-Con, we sat down with Audouy to see how he approached creating the world we see in Logan.
- 8/18/2017
- by Baraka Kaseko
- avclub.com
Now that you've all probably experienced James Mangold's Logan for yourselves, it's a good time to bask in the glory of some of the film's finer details. Artist Shae Shatz has taken to Twitter to reveal a handful of concept art pieces, and they do a tremendous job of evoking the dusty, futuristic world in which Wolverine finds himself in this movie. The Western imagery (Logan wears a cowboy hat and is accompanied by a dog in some shots), the grimy texture of the buildings and worn-down gas stations, the anti-Cerebro tank that serves as Xavier's prison...even though Logan's outfit was different and he didn't have a pet, it looks like these images had a big stylistic influence on Mangold's final film.
I think this was my first painting for #Logan. Exterior of Logan's Hideout. Big thanks to Francois Audouy and team! :) #ConceptArt pic.twitter.
I think this was my first painting for #Logan. Exterior of Logan's Hideout. Big thanks to Francois Audouy and team! :) #ConceptArt pic.twitter.
- 3/8/2017
- by Ben Pearson
- GeekTyrant
The only legitimately scary thing about the budding Universal Monsters franchise so far is that its launching platform, Dracula Untold, has about as much bite as the Twilight saga. If that sounds harsh, well, that’s because it’s meant to – as franchise starters go, this lazy actioner is as lifeless and absent-minded as they come, never supplying even the tiny amount of intelligence that would have been necessary to buy Dracula, that most reliable of movie monsters, as a sword-wielding action hero of the armor-clad variety.
Universal had an unenviable task in bringing its classic movie monsters, from the Prince of Darkness himself to the Bride of Frankenstein, to the big screen, but one imagines that they could have done better than Dracula Untold, which so cloaks its titular bloodsucker’s origin story in generic special effects and clunky dialogue to such an extent that one begins to forget...
Universal had an unenviable task in bringing its classic movie monsters, from the Prince of Darkness himself to the Bride of Frankenstein, to the big screen, but one imagines that they could have done better than Dracula Untold, which so cloaks its titular bloodsucker’s origin story in generic special effects and clunky dialogue to such an extent that one begins to forget...
- 2/9/2015
- by Isaac Feldberg
- We Got This Covered
Dracula Untold didn’t get much love from critics when it played theatrically this fall (Jim Batts here at Wamg only gave it 1 ½ stars – read his review Here), but horror fans like myself were more forgiving. Dracula Untold is not really a horror film. It is a fantasy-action film with historical references to the Turkish or Ottoman Empire as it was known. This film is titled ‘Untold’, so I was glad to find new mythology, things I did not know about Dracula (at least according to these screenwriters,) and about how he became a vampire. It’s also supposedly the start of a new wave of films from Universal utilizing their classic monsters so I wish it had done better at the B.O.
I found Dracula Untold an enjoyable, well-paced adventure with horror overtones. Even the historical background is handled pretty well, given that it is basically a fantasy superimposed on real historical events.
I found Dracula Untold an enjoyable, well-paced adventure with horror overtones. Even the historical background is handled pretty well, given that it is basically a fantasy superimposed on real historical events.
- 2/3/2015
- by Tom Stockman
- WeAreMovieGeeks.com
For the first week of February, horror fans should get those wallets ready as there’s a ton of great titles making their home entertainment debuts this Tuesday. We’ve got two stellar indie films to look forward to- The Demon’s Rook and Starry Eyes- and Universal is releasing two of their recent theatrical titles, Dracula Untold and Ouija, on Blu-ray and DVD as well.
As if that’s not enough, other notable titles you can add to your personal collection on the 3rd include Exists, The ABC’s of Death 2, Zombie Killers: Elephant’s Graveyard, John Wick and the cult classic Kull the Conqueror is making its way onto Blu for the first time ever too.
The Demon’s Rook (Cinedigm, DVD)
Chaos descends upon a quiet town when Roscoe, the pupil of a wizard monk from an ancient race of demons, unknowingly opens a portal that...
As if that’s not enough, other notable titles you can add to your personal collection on the 3rd include Exists, The ABC’s of Death 2, Zombie Killers: Elephant’s Graveyard, John Wick and the cult classic Kull the Conqueror is making its way onto Blu for the first time ever too.
The Demon’s Rook (Cinedigm, DVD)
Chaos descends upon a quiet town when Roscoe, the pupil of a wizard monk from an ancient race of demons, unknowingly opens a portal that...
- 2/3/2015
- by Heather Wixson
- DailyDead
One of the most enduring and captivating figures of all time unveils his beginnings in Dracula Untold, a gorgeously realized, never before seen, story of the legendary vampire’s origin story. Dracula Untold debuts on Digital HD on January 20, 2015 and on Blu-ray™ Combo Pack, including Blu-ray™, DVD and Digital HD with UltraViolet™, and On Demand February 3, 2015 from Universal Pictures Home Entertainment and Legendary Pictures.
For almost a century, the legend of Dracula has mesmerized audiences with the story of a charismatic royal who feasts on the blood of innocents after the sun goes down. Dracula Untold reveals the man behind the myth in the thrilling, action-packed tale of Vlad III, Prince of Wallachia (Luke Evans – The Hobbit: The Battle of the Five Armies, Fast & Furious 6), who makes a terrifying deal with a supernatural ally that will allow him to save his family and his country – at the cost of his soul.
For almost a century, the legend of Dracula has mesmerized audiences with the story of a charismatic royal who feasts on the blood of innocents after the sun goes down. Dracula Untold reveals the man behind the myth in the thrilling, action-packed tale of Vlad III, Prince of Wallachia (Luke Evans – The Hobbit: The Battle of the Five Armies, Fast & Furious 6), who makes a terrifying deal with a supernatural ally that will allow him to save his family and his country – at the cost of his soul.
- 1/26/2015
- by Movie Geeks
- WeAreMovieGeeks.com
Vlad III, the prince of Wallachia, has a tough choice to make in Gary Shore’s Dracula Untold. He can either remain human and see his son unwillingly recruited into the vast army of Sultan Mehmed II, or he can become a monster and save his family. The early, human days of Bram Stoker’s timeless character, Dracula, are explored in Dracula Untold, which is hitting home media soon with an abundance of bonus features.
Coming out on Blu-ray, DVD, and Digital HD on January 20th ahead of its On Demand release on February 3rd, Dracula Untold will feature the following bonus features courtesy of Universal Pictures Home Entertainment and Legendary Pictures (for more details, see the official press release and cover art below):
“Bonus Features Exclusive to Blu-ray
Alternate Opening Deleted Scenes The Land of Dracula – An exclusive interactive map that takes fans deep into Dracula’s mysterious world,...
Coming out on Blu-ray, DVD, and Digital HD on January 20th ahead of its On Demand release on February 3rd, Dracula Untold will feature the following bonus features courtesy of Universal Pictures Home Entertainment and Legendary Pictures (for more details, see the official press release and cover art below):
“Bonus Features Exclusive to Blu-ray
Alternate Opening Deleted Scenes The Land of Dracula – An exclusive interactive map that takes fans deep into Dracula’s mysterious world,...
- 12/5/2014
- by Derek Anderson
- DailyDead
Two of 2013’s biggest movies in the superhero- and action-flick sphere are going to be served up as Blu-ray stocking stuffers over the next few weeks, and Bam! went behind the scenes on The Wolverine and Fast & Furious 6 in anticipation of the big scores from Santa. Superhero World Builder Francois Audouy has left his creative fingerprints on a startling array of seminal sci-fi and comic book-derived properties (along with more conventional movies), beginning by working in the art departments on films like Men in Black I and II, Spider-Man 1 and 2, Minority Report, I Am Legend and Avatar, then as art director for Transformers, Watchmen and Green Lantern, and ultimately as production designer on Abraham Lincoln: Vampire Hunter and The Wolverine....
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- 12/13/2013
- by affiliates@fandango.com
- Fandango
by Brett White
"The Wolverine" director James Mangold has been using his Twitter feed to talk a walk down memory lane, posting pictures from the film's production as the film nears it's July 26 release date.
Two of the tweets below show the director himself on set, directing actors and action sequences. Another tweet was taken this week, and announces that the film's score recording and sound mixing has begun. And the last tweet shows off Hugh Jackman getting up close and personal with Hiro Sanada. There aren't any major revelations to be found in any of the tweets, but it's still nice to see "The Wolverine" get a Twitter treatment similar to "The Amazing Spider-Man 2."
You can check out all four Tweets below.
Some more pix. Directing a Kendo sequence at the Yashida Compound. twitter.com/mang0ld/status…
— James Mangold (@mang0ld) May 14, 2013
Working with the great Hal Yamanouchi who plays the ailing Yashida.
"The Wolverine" director James Mangold has been using his Twitter feed to talk a walk down memory lane, posting pictures from the film's production as the film nears it's July 26 release date.
Two of the tweets below show the director himself on set, directing actors and action sequences. Another tweet was taken this week, and announces that the film's score recording and sound mixing has begun. And the last tweet shows off Hugh Jackman getting up close and personal with Hiro Sanada. There aren't any major revelations to be found in any of the tweets, but it's still nice to see "The Wolverine" get a Twitter treatment similar to "The Amazing Spider-Man 2."
You can check out all four Tweets below.
Some more pix. Directing a Kendo sequence at the Yashida Compound. twitter.com/mang0ld/status…
— James Mangold (@mang0ld) May 14, 2013
Working with the great Hal Yamanouchi who plays the ailing Yashida.
- 5/15/2013
- by Splash Page Team
- MTV Splash Page
Director James Mangold is in the home stretch on The Wolverine, as this Marvel mutant standalone feature enters the scoring and mixing stages. He has tweeted three new photos, offering a look at the progress, along with an image of Hal Yamanouchi as Logan’s master Yashida, and the director moving through the paces of a Kendo sequence at the Yashida compound. Check them out, along with the Tweets from the director himself: Working with the great Hal Yamanouchi who plays the ailing Yashida. Note the “pin bed” Francois Audouy and I designed twitter.com/mang0ld/status… — James Mangold (@mang0ld) May 14, 2013 We are in the home...
- 5/15/2013
- by Vesna Sunrider
- Filmofilia
Some more pix. Directing a Kendo sequence at the Yashida Compound. twitter.com/mang0ld/status…— James Mangold (@mang0ld) May 14, 2013 The trailer reveals that a lot of action takes place at the Yashida Compound, which is a slight departure from the original story told by comic book writer Chris Claremont. The trailer revealed that the Compound is very large and also has a section comprised entirely of scientific laboratories. Working with the great Hal Yamanouchi who plays the ailing Yashida. Note the "pin bed" Francois Audouy and I designed twitter.com/mang0ld/status…— James Mangold (@mang0ld) May 14, 2013 An interesting tweet, as we have three characters listed as playing Yashida, Yamanouchi, Hiroyuki Sanada and Ken Yamamura. We know there's a flashback involved with Wolverine and Yashida but why three actors to play the same character? Examining the actors, there appears to be an elderly, middle-aged and young Yashida in the film.
- 5/14/2013
- ComicBookMovie.com
Here's a couple new photos from the set of James Mangold's The Wolverine. One features Hugh Jackman looking ripped. It came with the following note,
A production snap from shooting a wood chopping scene in Omishima. We found an eight inch caterpillar that morning.
I just started working out again, and by the end of the year I'm going to have the body that Jackman is sporting in The Wolverine. I guess I should add chopping wood to my workout routine! The other image that the director released features a big hole in a wall. Here's the note that came along with that one,
A shot from when we finished work on one of Francois Audouy's amazing sets. There's a world through that blast hole.
The first trailer for the movie is set to be released next month, and I'm incredibly excited to see what it gives us!
A production snap from shooting a wood chopping scene in Omishima. We found an eight inch caterpillar that morning.
I just started working out again, and by the end of the year I'm going to have the body that Jackman is sporting in The Wolverine. I guess I should add chopping wood to my workout routine! The other image that the director released features a big hole in a wall. Here's the note that came along with that one,
A shot from when we finished work on one of Francois Audouy's amazing sets. There's a world through that blast hole.
The first trailer for the movie is set to be released next month, and I'm incredibly excited to see what it gives us!
- 2/27/2013
- by Joey Paur
- GeekTyrant
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