This very traditional chamber murder mystery starring David Farrar and Geraldine Fitzgerald has been beautifully restored by Studiocanal and bears the original U.K. title The Late Edwina Black. When the sickly wife Edwina dies in bed the bitter housekeeper accuses the husband and another very attractive servant; all the Scotland Yard Inspector need do is stir the pot, and paranoid suspicions take over. Is Edwina’s spirit still present in the house? The housekeeper thinks she communicates through a wind chime by the window . . .
Obsessed
Blu-ray
ClassicFlix
1951 / B&w / 1:37 Academy / 78 min. / Street Date February 28, 2023 / The Late Edwina Black / Available from / 29.99
Starring: David Farrar, Geraldine Fitzgerald, Roland Culver, Jean Cadell, Mary Merrall, Harcourt Williams, Charles Heslop, Ronald Adam.
Cinematography: Stephen Dade
Art Direction: George Provis
Costume Designer: Elizabeth Haffenden
Film Editor: Douglas Myers
Original Music: Allan Gray
Screenplay by Charles Frank, David Evans from the play by William Dinner, William Morum...
Obsessed
Blu-ray
ClassicFlix
1951 / B&w / 1:37 Academy / 78 min. / Street Date February 28, 2023 / The Late Edwina Black / Available from / 29.99
Starring: David Farrar, Geraldine Fitzgerald, Roland Culver, Jean Cadell, Mary Merrall, Harcourt Williams, Charles Heslop, Ronald Adam.
Cinematography: Stephen Dade
Art Direction: George Provis
Costume Designer: Elizabeth Haffenden
Film Editor: Douglas Myers
Original Music: Allan Gray
Screenplay by Charles Frank, David Evans from the play by William Dinner, William Morum...
- 3/7/2023
- by Glenn Erickson
- Trailers from Hell
The closing gala of this year's Hippodrome Silent Film Festival, held in in Scotland's oldest purpose-built cinema in the sleepy town of Bo'ness, was a real highlight. Hindle Wakes (1927) is not only a smart adaptation of a celebrated 1910 stage play (from the "Manchester school" of socially committed Northern realism that also gave us the source for David Lean's Hobson's Choice), it's proof positive that there was more to British silent cinema than Hitchcock—though there are strong connections, since the movie features character actress Marie Ault, the landlady from The Lodger, John Stuart, the staunch detective from Number 17, and was photographed in part by Jack Cox, Hitchcock's regular cinematographer at this time. The story is set among the cotton mills of Lancashire in what was the U.K.'s industrial heartland. The young mill workers depart for their annual week's holiday in Blackpool, a sort of combination of...
- 3/27/2019
- MUBI
Australia is already the most parochial film environment in the developed world. No surprise there. Look at the horror stories that litter the national cinema time line.
Think burning Amalgamated's library and the holdings of the ethnic distributors, freighting the lending collection to Melbourne and back at they say a million a time, cancelling the Lillian Gish tour, flogging Cinema Papers to a team unable to get past three shonky issues, the aborted Sydney Quay Cinematheque. The dismantling of the National Film Theater must be most alarming. It's no accident that that organization's establishment coincided with the development of an Australian feature production industry acknowledged world wide and it's disappearance marked the end of consistently plausible product - and that is just a side issue. The money spent on ill informed production alone could have made this country a world leader in cinema savvy. We're only on the third paragraph...
Think burning Amalgamated's library and the holdings of the ethnic distributors, freighting the lending collection to Melbourne and back at they say a million a time, cancelling the Lillian Gish tour, flogging Cinema Papers to a team unable to get past three shonky issues, the aborted Sydney Quay Cinematheque. The dismantling of the National Film Theater must be most alarming. It's no accident that that organization's establishment coincided with the development of an Australian feature production industry acknowledged world wide and it's disappearance marked the end of consistently plausible product - and that is just a side issue. The money spent on ill informed production alone could have made this country a world leader in cinema savvy. We're only on the third paragraph...
- 5/19/2014
- by Barrie Pattison*
- IF.com.au
Hitchcock's silents are now on the Memory of the World register – I can think of five others that deserve the same recognition
If, when you consider our national heritage, you think of murder, guilt, sex and cheeky humour – well, somebody out there agrees with you. The decision to add Alfred Hitchcock's nine surviving silent movies to Unesco's UK Memory of the World register puts his early work on a cultural par with the Domesday Book and Field Marshal Douglas Haig's war diaries – also selected for the list this year.
The nine silents were all directed by Hitchcock in the 1920s and include better-known films in the director's classic thriller mode such as The Lodger and Blackmail as well as comedies (Champagne, The Farmer's Wife) a boxing movie (The Ring) and dramas (The Pleasure Garden, Downhill, Easy Virtue and the lush, rustic romance The Manxman). The collection was nominated by the BFI,...
If, when you consider our national heritage, you think of murder, guilt, sex and cheeky humour – well, somebody out there agrees with you. The decision to add Alfred Hitchcock's nine surviving silent movies to Unesco's UK Memory of the World register puts his early work on a cultural par with the Domesday Book and Field Marshal Douglas Haig's war diaries – also selected for the list this year.
The nine silents were all directed by Hitchcock in the 1920s and include better-known films in the director's classic thriller mode such as The Lodger and Blackmail as well as comedies (Champagne, The Farmer's Wife) a boxing movie (The Ring) and dramas (The Pleasure Garden, Downhill, Easy Virtue and the lush, rustic romance The Manxman). The collection was nominated by the BFI,...
- 7/12/2013
- by Pamela Hutchinson
- The Guardian - Film News
Funny faces to lost gems, war horses to strange censorship, silent film is a wondrous way to immerse oneself in history
A trip to the British silent film festival is a unique opportunity to wallow in some unfamiliar waters. Four days immersed in silent cinema is time spent in the company of many films that have been forgotten or misremembered, films that have only been seen before by archivists and researchers, and that may never get a public airing again. Some of these films are great, but even those that aren't are fascinating, as cinema history, and as a glimpse of what it was like to live in Britain 100 years ago.
1. "They didn't need dialogue, they had faces"
We're all familiar with Gloria Swanson's famous line in Sunset Boulevard, but she was talking about the blandly beautiful people of Hollywood. The faces of British silent cinema may not be attached to famous names,...
A trip to the British silent film festival is a unique opportunity to wallow in some unfamiliar waters. Four days immersed in silent cinema is time spent in the company of many films that have been forgotten or misremembered, films that have only been seen before by archivists and researchers, and that may never get a public airing again. Some of these films are great, but even those that aren't are fascinating, as cinema history, and as a glimpse of what it was like to live in Britain 100 years ago.
1. "They didn't need dialogue, they had faces"
We're all familiar with Gloria Swanson's famous line in Sunset Boulevard, but she was talking about the blandly beautiful people of Hollywood. The faces of British silent cinema may not be attached to famous names,...
- 4/24/2012
- by Pamela Hutchinson
- The Guardian - Film News
"Meretricious agents of the Kaiser were stationed at such places as Marble Arch and Hyde Park Corner. In this black book of sin details were given of the unnatural defloration of children...wives of men in supreme positions were entangled. In Lesbian ecstasy the most sacred secrets of the state were threatened."
The above quote, from Wikipedia by way of Philip Hoare's Oscar Wilde's Last Stand, refers to the bizarre obsessions of one Noel Pemberton Billing, aviator, inventor, member of parliament, and author-producer of High Treason, Britain's answer to Metropolis.
Npb was a queer duck: a passionate, pathological homophobe, as well as a champion of victory through airpower, as well as something of a feminist and peacemonger, going by this movie. A weird set of qualities to find in one personality.
"He founded a journal, Imperialist, in which he wrote an article based on information provided by Harold...
The above quote, from Wikipedia by way of Philip Hoare's Oscar Wilde's Last Stand, refers to the bizarre obsessions of one Noel Pemberton Billing, aviator, inventor, member of parliament, and author-producer of High Treason, Britain's answer to Metropolis.
Npb was a queer duck: a passionate, pathological homophobe, as well as a champion of victory through airpower, as well as something of a feminist and peacemonger, going by this movie. A weird set of qualities to find in one personality.
"He founded a journal, Imperialist, in which he wrote an article based on information provided by Harold...
- 4/18/2011
- MUBI
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