The Works of Director Nancy Meyers
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- DirectorNancy MeyersStarsLindsay LohanDennis QuaidNatasha RichardsonIdentical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.Screenwriter: Nancy Meyers
Second Unit Director (U.S.) / Producer / Screenwriter: Charles Shyer
Casting Director: Ilene Starger
Costume Designer: Penny Rose
Composer, Original Music Score/Orchestra Conductor: Alan Silvestri
Film Editor: Stephen A. Rotter
Production Designer: Dean Tavoularis
Cinematographer: Dean Cundey ASC
Second Unit Director (U.K) / Co-Producer / Storyboard Artist: Bruce A. Block
Screenwriter: David Swift
Associate Producer: Julie B. Crane
UPM's: Tony Brown, Robert Latham Brown
First Assistant Director: Albert Shapiro
Second Assist Director: Joan Cunningham
Lindsay Lohan Acting Double: Erin Mackey
Add'l Doubles for Lindsay Lohan: Lindsay Challoner, Stephanie Fischer
Prod. Crew Art Director: Alex Tavoularis
Production Crew Set Decorator: Gary Fettis
"A" Camera Operator: Billy O'Drobinak SOC
"A" First Assistant Camera: Gregory Irwin
"B" Camera Operator: R. Todd Schlopy
"B" Second Assistant Camera: Joy R. Stone
Panaflex Film Loader: Jerry Patton
Steadicam® Operator: Mark E. Moore SOC
Script Supervisor: Jeanne Byrd
Acting Coach for Ms. Lohan: Belita Moreno
2nd 2nd Assistant Director: Foongy Lee
Assistant to Ms. Meyers: Suzanne McNeill Farwell
First Assist Film Editor: Rolf Fleischmann
Avid First Assistant Editor: James Durante
Second Assistant Film Editor: Laura Bong
Music Consultant & Editor: Andrew Silver
Super. ADR Editor: Renee Tondelli MPSE
Assistant Art Director: Sean Haworth
Set Designers: Dianne Wager, Jim Bayliss, Kelly Hannafin
Prop Masters: Mychael Bates, Douglas T. Madison
Chief Lighting Technician: Michael Paul Orefice
Key Grip: C. Alan Rawlins
Unit Publicist: Toni Atterbury
Still Photographer: Lorey Sebastian
Video Assist Operator: Wayne R. Tidwell
Production Coordinator: Jason McGatlin
Assist Production Coordinator: Mika Saito
Production Accountant: Frank Ellison
Wedding Gowns Designer: Vera Wang
Overall Special Effects Coordinator: Cliff Wenger
Production Visual Effects Supervisor: Jim Rygiel
Production Visual Effects Producer: Gayle Busby
Visual Effects Crew Coordinator: Landen Ruddell
Visual Effects Sync Supervisor: Fred Johnston
CIS Executive Producer: C. Marie Davis
CIS Senior Visual Effects Supervisor: Ken Jones
CIS Digital Compositing Supervisor: Jeff Heusser
CIS Hollywood Digital Lead: Gregory Oehler
CIS Visual Effects Editor: Dawn Llewellyn
CIS Production Manager: Laurie McDonald
CIS Production Coordinator: Eileen Godoy
CIS Digital Systems Coord.: Bob Peishel
Music Supervisor: Allan Mason
Music Consultant: Bonnie Greenberg
LMs: John Panzarella, Rory Enke
Assist Location Manager: Leslie Thorson
Assistant Chief Lighting Technician: Steve Chandler
Rigging Gaffer: Peter Davidian
Second Company Grip: Michael Alexonis
Dolly Grip: Charles Ashley Sudge
Rigging Grip: James H. Pair III
Second Unit Key Grip: J. Wayne Parker
Second Unit Company Grip: John Campbell
Second Unit Director Of Photog: Raymond Stella SOC
Second Unit Chief LT: Rafael E. Sanchez
Second Unit Script Supervisor: Michelle Cundey
Third Assistant Director: Susan Hellman
Fencing Consultant: Bob Anderson
Fencing Assistant: Mark Ivie
Stunt Coordinator: Freddie Hice
Production Choreographer: Keith Young
Handshake Choreographer: Jeanefer Jean Charles
Prank & Poker Consultant: Michael Weber
End Credit Photographs: Firooz Zahedi
Casting Associate: Amy Jo Berman
Casting Assistant: Elizabeth Boykewich
Projectionist: Ronald P. Tavalaro
Projection Effects Supervisor: Bill Hansard
Art Dept. Coordinator: Heide Waldbaum
Company P.A.: Max Kisbye
Production Secretary: Stephen Salada
Napa Second Unit Director/DoP: John LeBlanc
Additional Video Assist: Robert Sharman
Additional Music Editors: Ken Karman, Jay Richardson
Additional Music Consultants: Lisa Brown, Nora Felder
Exec. in Charge of Music: Kathy Nelson
Score Recordist & Mixer: Dennis S. Sands
Score Orchestrator: William Ross
Music Programmer: Dave Bifano
Orchestra Contractor: Sandy DeCrescent
Head of Music Preparation: Jo Ann Kane
Unit PM, London Unit: Paul Frift
London Unit Prod. Coord: Lorraine Fennell
London Unit Art Director: John Fenner
London Unit Assistant AD: Dennis Bosher
London Unit Set Decorator: Pete James
London Unit Prop Master: Maurice Jones
London Unit "A" Operator: David Worley
London Unit "A" Camera FP: Adam Biddle
London Unit Sound Mixer: Ken Weston
London Unit Chief LT: Tom Finch
London Unit Best Boy: Fred Brown
London Unit VA Operator: Stephen Lee
London Unit Second AD: Toby Sherborne
London Unit LM: Angus More Gordon
London Unit Assistant LM: Simon Crook
London Unit Location Consult.: Paul Joyce
London Unit Third AD: Daniel Shepherd
London Unit Prod. Secretary: Marion Gray
London Unit SFX Supervisor: Stu Brisden
London Unit Still Photographer: Mark Tillie
London Unit Third Editorial Assistant: Dave Barrett
Unit Transport Manager, London Unit: Barry Newell
U.K. Casting Director: Sarah Beardsall
Production Dates: 15 July 1997 - 17 Dec 1997
Camera: Panaflex® Platinum (35mm Kodak Eastman EXR 50D 5245, 100T 5248 & Vision 500T 5219)
Lenses: Panavision® Primo SL Primes, SLZ Zoom, SLZ11 Zoom & SLZ3 Hubble Zoom
AR: 1.85:1 (Spherical 4-Perf 35mm)
Budget: 15 Million USD
Budget AFI (2022): 27.4 Million USD
Special Visual Effects & CGI Lizard by: CIS Hollywood + Rhythm & Hues
Digital Scanning & Laser Film Recording by: EFilm
Main & End Titles Designed by: Imaginary Forces
Titles & Opticals Provided by: Pacific Title
Originated on Motion Picture Film from: Kodak
Produced in Association with: The Meyers/Shyer Company
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision® - DirectorNancy MeyersStarsMel GibsonHelen HuntMarisa TomeiA cocky, chauvinistic advertising executive magically acquires the ability to hear what women are thinking.Screenplay Writer / Producer: Nancy Meyers
Casting Directors: Howard Feuer CSA, Deborah Aquila CSA
Composer/Conductor: Alan Silvestri
Music Supervisor: Bonnie Greenberg-Goodman
Costume Designer: Ellen Mirojnick
Film Editors: Stephen A. Rotter, Thomas J. Nordberg
Production Designer: Jon Hutman
Director of Photography: Dean Cundey ASC
Co-Producer / Storyboard Artist / Second Unit Director: Bruce A. Block
Executive Producers: Stephen McEveety, David McFadzean, Carmen Finestra
Producers: Matt Williams, Susan Cartsonis, Gina Matthews
Producer: Bruce Davey
Screenplay / Story Writers: Josh Goldsmith, Cathy Yuspa
Story Writer: Diane Drake
Unit Production Manager: Helen Pollak
First Assistant Director: K.C. Colwell
Second Assistant Director: Darin Rivetti
Production Executive for Wind Dancer Films: Melissa Goddard
Script Supervisor: Jeanne Byrd Hall
Second Second Assistant Director / Second Unit First Assistant Director: Paula Harris
Additional Second Assistant Director: Craig Comstock
Art Directors: Gae Buckley, Tony Fanning
Set Decorator: Rosemary Brandenburg
Location Manager: John Panzarella
A Camera Operator: Billy O'Drobinak SOC
B Camera/Steadicam Operator: Robert Ulland SOC
A First Assistant Photographer: Bill Coss
B Camera First Assistants: Gary Scott, Michael Riba, Ron Vargas
A Second Assistant Photographer: Scott Goodrich
B Second Assistant Photographer: Karl Linde
C Second Assistant Photographer: Lisa Guerriero
A Camera Film Loader: Michelle Morgan
B Camera Film Loader: Mike Gentile
Chief Lighting Technician: Michael Paul Orefice
First Company Grip: Frank A. Montesanto
Additional Editing: Carol Littleton Ace
First Assistant Avid Editor: Rolf Fleischmann
First Assistant Film Editor: Laura Bong
Second Assistant Editors: Randy Trager, Philip Beech, James Durante, Audrey J. Evans, A. Michelle Page
Choreographer: Keith Young
Music Consultant and Music Editor: Andrew Silver
Supervising Sound Editor: Dennis Drummond
Supervising ADR Editor: Renée Tondelli MPSE
Re-Recording Sound Mixers: Scott Millan, Bob Beemer
Additional Re-Recording Sound Mixers: Jeffrey J. Haboush, Bill W. Benton
Set Designers: John Goldsmith, Andrew Menzies, Easton Smith, Patrick Sullivan, Beck Taylor, John Warner
Graphic Designer: Jason Swears
Illustrators: Darryl Henley, Nathan Schroeder
Hairstylist Department Head: Beth Miller
Hairstylist for Ms. Hunt: Darrel Fielder
Key Hairstylist: Candy L. Walken
Hairstylist: Jeri Baker Sadler
Makeup Department Head: Brad Wilder
Makeup for Mr. Gibson: Karen Blynder
Makeup for Ms. Hunt: Ronnie Spector
Makeup Artists: Stephanie Massie, Hannah Gibson
Costume Supervisor: Michael P. Dennison
Costumers: Robin Borman-Wizan, Myron Baker
Prop Master: Mychael Bates
Assistant Prop Master: Chuck Askerneese
Production Sound Mixer: David MacMillan CAS
Boom Operator: Duke Marsh
Set Dresser: Kristin Jones
Leadperson: Brett Smith
Second Leadperson: Angi Neff
Unit Publicist: Rachel Aberly
Still Photographers: Melinda Sue Gordon SMSMP, Andrew Cooper SMSMP
Video Assist Operator: Joshua Levy
Production Coordinator: Julie M. Anderson
Assistant Production Coordinators: Robb Ernest, David McKimmie
Production Auditor: Shauna L. Kroen
Assistants to Ms. Meyers: David Henri, Susan Johnson, Kevin Sabbe, Jan Daly
Assistant to Mr. Davey: Bonnie F. Watkins
Assistant to Mr. McEveety: Rebecca Snavely
Assistant to Mr. Gibson: Doug Weaver
Assistants to Ms. Hunt: Moon Blauner, Stacey Berns
Assistant to Choreographer: Sharon Ferrol
Stunt Coordinator: Lance Gilbert
Art Department Coordinator: Ashley Burnham
Assistant Location Managers: Leslie Thorson, Matthew R. Cassel
Assistant Chief Lighting Technician: Peter Davidian
Chief Rigging Electrician: Frank Matthews
Assistant Chief Rigging Electrician: Michael Laws
Second Company Grip: Tom Johnson
Dimmer Operator: Vince Contarino
Dolly Grip Operator: Robert A. Preston
First Company Rigging Grip: Michael Strong
Second Company Rigging Grip: Don Selsor
Construction Coordinator: David Elliott
Construction Foreperson: Michael Crowley
Assistant Costume Designer: Suzanne McCabe
Set Costumer: Ann Culotta
Costumer for Ms. Hunt: Kimberly Sue Furlong
Transportation Coordinator: Tom Thomas
Transportation Captain: Wendy Hallin
Casting Associates: Mary Tricia Wood, Wendy Washbrook
Casting Assistants: Kelly O'Brien, Meredith Tucker
Extras Casting Director: Steve Spiker
Supervising Foley Editor: Jonathan Klein
Voice Casting Director: Barbara Harris
ADR Mixer: Greg Steele
Foley Mixer: Randy K. Singer
Dolby Consultant: Bryan Pennington
Music Programmer: David Bifano
Music Orchestrators: William Ross, Conrad Pope, Chris Boardman
Music Coordinator: Christy Gerhart
Orchestra Contractor: Sandy De Crescent
Choir Contractor: Sally Stevens
Music Copyist: Mark Graham
Music Recordist & Mixer: Robert Fernandez
Negative Cutter: Dana I. Marker
Color Timer: Jim Passon
Paramount Final Colorist: Donald Freeman
YU+Co Title Designer: Garson Yu
Second Unit Production Supervisor: Nancy Sandberg
Second Unit Director of Photography: Raymond Stella SOC
Second Unit Assistant Camera: Michael Stumpf
Second Unit Camera Loader: William H. Harlow IV
Second Unit Chief Lighting Technician: Mark Walthour
Second Unit Script Supervisor: P.R. Tooke
Second Unit Location Manager: Stephen Andrzejewski
Centropolis Effects Digital Effects Supervisor: Nelson Sepulveda
Centropolis Effects Visual Effects Executive Producer: Mark Franco
Centropolis Effects Visual Effects Producer: Jessica Trento
Centropolis Effects Paint Supervisor: Rob Cribbett
Centropolis Effects Compositors: Greg Groenekamp, Conny Fauser, Cristin Pescosolido
Centropolis Effects Digital Leads: Ka Yaw Tan, Dave Rand
Centropolis Effects Digital Effects Editor: Kosta Saric
Centropolis Effects Assistant Visual Effects Editor: Steve Miller
Centropolis Effects Visual Effects Coordinator: Tim Cunningham
CIS Executive Visual Effects Producer: C. Marie Davis
CIS Visual Effects Supervisor: Ken Jones
CIS Digital Compositing Supervisors: Suzanne Mitus-Uribe, Gregory Oehler
CIS Digital Painting and Rotoscoping Lead: Larry Gaynor
Chicago Casting Directors: Rachel Tenner, Mickie Paskal
Unit Production Manager, Chicago Unit: Karyn McCarthy
Chicago Unit Production Coordinator: Vail Romeyn
Chicago Unit Assistant Production Coordinator: Nancy Marshall
Chicago Unit B Camera First Assistant: Rick Sobin
Chicago Unit Set Designer: Craig Jackson
Chicago Unit Cable Person: Jeff Williams
Chicago Unit Film Loader: Elizabeth Smith
Chicago Unit Chief Lighting Technician: Robert S. Swander
Chicago Unit First Company Grip: Brad Matthys
Chicago Unit Second Company Grip: Mark Matthys
Chicago Unit Dolly Grip Operator: Mark Purkat
Chicago Unit First Company Rigging Electrician: Mel P. Mack
Chicago Unit Second Company Rigging Electrician: Morton E. Hyatt
Chicago Unit Location Manager: Patrick Brady Breen
Chicago Unit Assistant Location Manager: Demetra Diamantopoulos
Chicago Unit Leadperson: Joel Prihoda
Chicago Unit Costume Supervisor: Jennifer Jobst
Chicago Unit Set Costumer: Eileen McCahill
Chicago Unit Additional Second Second Assistant Director: Traci Lewis
Chicago Unit Construction Coordinator: Tyler Osman
Chicago Unit Transportation Captain: James A. Hogan
Chicago Unit Transportation Coordinator: Armand Paoletti
H&RC Chicago Extras Casting Director: Mark A. Ridge
Chicago Unit Hairstylist: Elainie M. Casino
Chicago Unit Makeup: Suzi Ostos, Marsha Shearrill
Chicago Unit Construction Foreperson: Troy Osman
Costume Consultant: Jessica McClintock
Filming Dates: Feb 23, 2000 - Jun 23, 2000
Camera: Panaflex Platinum (35mm Kodak Vision 500T 5279)
Lenses: Panavision® Primo Spherical Primes
AR: 1.85:1 (4-Perf 35mm)
Budget: 70 Million USD
Budget AFI (2024): 125.3 Million USD
Re-Recorded at: Sony Pictures Studio & William Holden Theater
Music Preparation by: Jo-Ann Kane Music Service
Catering Provided by: Tony's Food Service Inc.
Opticals by: Pacific Title
Main & End Titles Designed by: YU+Co
24 Frame Playback by: Playback Technologies
Special Visual Effects Compositing By: Centropolis Effects & CIS Hollywood
Chicago Extras Casting by: Holzer & Ridge Casting
Soundtrack Available on: Columbia/Sony Music Soundtrax
Filmed at: Culver Studios
Printed on: Eastman Kodak Film
Color by: Deluxe®
Camera Cranes & Dollies by: Chapman/Leonard Studio Equipment
Attribute: Filmed with Panavision® Cameras & Lenses - DirectorNancy MeyersStarsJack NicholsonDiane KeatonKeanu ReevesA swinger on the cusp of being a senior citizen with a taste for young women falls in love with an accomplished woman closer to his age.Composers: Alan Silvestri, Hans Zimmer
Score Orchestrator, Silvestri Crew: Tony Blondal
Scoring Mixer, Silvestri Crew: Dennis S. Sands - DirectorNancy MeyersStarsKate WinsletCameron DiazJude LawTwo women troubled with guy-problems swap homes in each other's countries, where they each meet a local guy and fall in love.Writer & Producer: Nancy Meyers
Casting Directors: Jane Jenkins CSA, Janet Hirshenson CSA
UK Casting Director: Michelle Guish
Composer, Original Score / Soloist - Piano: Hans Zimmer
Composers, Additional Music: Ryeland Allison, Lorne Balfe, Atli Örvarsson
Composer, Add'l Music / Soloist - Piano: Henry Jackman
Composer, Add'l Music / Soloist - Guitar: Heitor Pereira
Costume Designer: Marlene Stewart
Film Editor: Joe Hutshing ACE
Production Designer: Jon Hutman
Cinematographer: Dean Cundey ASC
Cinematographers, Second Unit - UK: Chris Seager, Sue Gibson
Executive Producer: Suzanne Farwell
Producer/2nd Unit Director: Bruce A. Block
Unit Production Manager: Helen Pollak
First Assistant Director: K.C. Colwell
Second Assistant Director: Paula Case
Additional Second Unit Director: Charles Shyer
Additional Film Editor: Richard Marks
Associate Producer: Jennifer Eatz
Supervising Art Director: Dan Webster
Set Decorators: David Smith, Cindy Carr
Supervising Prop Master: Mychael Bates
Script Supervisor: Jeanne Marie Byrd
"A" Camera Operator: Casey Hotchkiss SOC
First Assistant "A" Camera: William F. Coss
Second Asst "A" Camera: Jennifer Tanksley
"B" Cam Operator: Joseph Riggs Murdock
First Assistant "B" Camera: Tommy Klines
Second Asst "B" Camera: R. Scott Goodrich
"A"/Steadicam Operator: Jacques Jouffret
"B"/Steadicam Operator: Greg Lundsgaard SOC
Panaflex Camera Loader: Colette Gabriel
Costume Supervisor: Lisa Lovaas
Costumer for Ms. Diaz: Yulia Gershenzon
Costumer for Kate Winslet: Amy Arnold
Department Head, Makeup: Brad Wilder
Key Makeup Artist: Karen Blynder
Makeup Artist for Ms. Diaz: Robin Fredriksz
Makeup Artist for Kate Winslet: Linda V. Melazzo
Makeup Artist for Jack Black: Roz Music
Department Head, Hair: Frida Aradottir
Hair Stylist for Cameron Diaz: Lona Vigi
Chief Lighting Technician: Michael Paul Orefice
Assistant Chief Lighting Technician: Frank Matthews
Chief Rigging Electrician: Greg Langham
Assistant Chief Rigging Electrician: James J. Keys
Key Grip: Frank A. Montesanto
Best Boy Grip: Paul Schmidt
Dolly Grip: Brad Rea
Key Rigging Grip: Michael Strong
Best Boy Rigging Grip: Donald A. Spadoni
Production Sound Mixer: Petur Hliddal
Video Assist: Kevin P. Boyd
24 Frame Playback Assist: Rick Whitfield
Special Effects Coordinator: Eric Rylander
Special Effects Foreman: Donald Myers
Special Effects Technician: Dale Ettema
Production Supervisors: Nicolas Stern, Ralph Bertelle
LMs: Chris T. Baugh, Kevin Funston
Production Coordinator: Jennifer Blair
Assistant Production Coordinator: Jason Salzman
Production Secretary: Sara Bartkiewicz
Production Accountant: John C.R. Catron
Set Designers: Robert Fechtman, Al Hobbs, Julia Levine, Lauren Polizzi, John Warnke
Assistant Art Director: Ashley Burnham
Art Department Coord.: Charlotte Raybourn
Graphic Artist: Edward A. Ioffreda
2nd Second Asst Director: Craig Comstock
Unit Publicist: Peggy Mulloy
Still Photographer: Zade Rosenthal
DGA Trainee: Emily Greenberg
Assist for Waverly Films: Judson Grubbs
Additional Casting: Michelle Lewitt Ward CSA, Michelle Morris Gertz CSA
Casting Assistant: Randee Price
New York Casting: Susan Shopmaker
Unit PM, United Kingdom Unit: Paul Frift
UK Unit Second ADs: Vicki Allen, Richard Graysmark
UK Unit Art Director: Andy Nicholson
UK Unit Set Decorator: Anna Pinnock
UK Unit Prop Master: Jamie Wilkinson
UK Unit Casting Associate: Grace Browning
UK Unit "A" Camera Operator: David Worley
UK Unit "A" Focus Puller: Clive Mackey
UK Unit "B"/Steadicam Op.: Alf Tramontin
UK Unit "B" Focus Puller: Shaun Evans
UK Unit Costume Super.: Mark Ferguson
UK Unit Key Costumer: Charlotte Child
UK Unit Gaffer: Mark Evans
UK Unit Best Boy Electric: Dave Sinfield
UK Unit Rigging Gaffer: Reg Boddy
UK Unit Key Grip: John Flemming
UK Unit Best Boy Grip: Derek Russell
UK Unit Dolly Grip: Ronan Murphy
UK Unit Sound Mixer: Tim Fraser
UK Unit Boom Operator: Will Towers
UK Unit Special Effects Supervisor: Mark Holt
UK Unit Special Effects Supervisor - Snow: Darcey Crownshaw
UK Unit Video Assist: Adrian Spanna
UK Unit Location Manager: Ben Greenacre
UK Unit Prod. Supervisor: Adam Brown
UK Unit Prod. Coordinator: Deryn Stafford
UK Unit Assistant Prod. Coord: Eve Petcher
UK Unit Prod. Secretary: Denise Hanrahan
UK Unit Prod. Accountant: Nathan Woods
UK Unit Standby Art Director: James Foster
UK Unit 2nd Second AD: Emma Stokes
UK Unit Production Assistant: Danny Ward
Second Unit Director, Second Unit - UK: Vic Armstrong
First AD, Second Unit - UK: William Booker
"A" Camera Operator, Second Unit - UK: Martin Hume
Second Additional Film Editor: David Moritz
1st Assistant Editor: Keith Brachmann
Second Assistant Editor: David Bilow
Third Assistant Editor: Debra Tennant
Fourth Assistant Editor: Andrew Blustain
Fifth Assistant Editor: Frederick Wardell
Supervising ADR Editor: Michael Haight
Overall Foley Supervisor: Jonathan Klein
Overall ADR Mixer: Howard London CAS
Supervising Music Editor: Andrew Silver
Music Editor: Dan Pinder, Ramiro Belgardt
Music Score Soloist - Trumpet: Herb Alpert
Music Soloists - Vocals: Imogen Heap, Suzanne Zimmer
Score Conductor: Rupert Gregson-Williams
Score Recordist & Mixer: Alan Meyerson
Score Orchestrators: Suzette Moriarty, Walt Fowler
Music Consultants: Nick Angel, Dana DuFine
Music Contractor: Sandy DeCrescent
TDI Senior Digital Colorist: Scott Gregory
Deluxe® Color Timer: Jim Passon
Deluxe® Negative Cutter: Mo Henry
PTAS Visual FX Supervisor: David Sosalla
PTAS Executive Producer: Joe Gareri
Radium Visual Effects Supervisor: Scott Rader
Radium Visual FX Producer: Bryce Brecheisen
IE Visual Effects Supervisor: Dick Edwards
IE Visual Effects Producer: Wesley Sewell
PM Visual Effects Supervisor: Ray McIntyre Jr
Pixel Magic Visual Effects Producer: George Macri
Luma Pictures VFX Supervisor: Payam Shohadai
Luma Pictures VFX Producer: Steven Swanson
Filming Dates: 4 January 2006 - 15 June 2006
Cameras: Panaflex XL2 & Platinum (35mm Kodak Vision2 500T 5218)
Lenses: Panavision® Primo SL Primes, SLZ 17.5-75 Zoom, SLZ11 24-275 Zoom & SLZ3 Hubble 135-420 Zoom
AR: 1.85:1 (Spherical 4-Perf 35mm)
Budget: 85 Million USD
Budget AFI (2022): 125.6 Million USD
Printed on: Kodak Vision 2383
Digital Intermediate & Color by: Technicolor Digital Intermediates & Deluxe®
Visual Effects by: Pacific Title & Art Studio, Radium, Invisible Effects, Pixel Magic + Luma Pictures
Filmed in Part at: Sony Pictures Studios, Culver City, California
Filmed on Location in: Shere & Godalming, UK
Shot on: Kodak Motion Picture Film
Attribute: Filmed w/ Panavision® Cameras & Lenses - DirectorNancy MeyersStarsMeryl StreepSteve MartinAlec BaldwinWhen attending their son's college graduation, a couple reignite the spark in their relationship. But the complicated fact is they're divorced and he's remarried.
- DirectorNancy MeyersStarsRobert De NiroAnne HathawayRene RussoSeventy-year-old widower Ben Whittaker has discovered that retirement isn't all it's cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.
- DirectorNancy MeyersStarsDiane KeatonKieran CulkinKimberly Williams-PaisleyTwenty-five years after the second movie's release, the Banks family gathers for a Zoom call and a very special wedding-related announcement.Writer: Nancy Meyers
Casting Director: Nicole Daniels
Composer, Original Themes: Alan Silvestri
Film Editor: David Bilow
Production Designer: Jon Hutman
Cinematographer: Dean Cundey ASC
Co-Producer/First Assistant Director: Paula Case
Producer: Adam Nicely
Executive Producer: Charles Shyer
Host: Reese Witherspoon
Technical Supervisor: Michael DeProspo
Script Supervisor: Kristin Calabrese
Production Sound Mixer: William Kaplan
Graphic Artist: Clint Schultz
Makeup Artists: Dana Hamel, Louie Zakarian
Hairstylists: Frida Aradottir, Richard Marin, Kim Stinchcomb
DITs: Lindsay Hannon, Evan Jones
Production Accountants: Jenny Lovin, Alexis Steinbach
PAs: Nathan Lampl, Devon Rosenberg
Post Supervisor: Richard Mirisch
Supervising Music Editor: Andrew Silver
Assistant Music Editor: Daniel Schweiger
Re-Recording Mixer: Greg Orloff
Sound Editor: Kami Asgar
Breakaway Post Visual Effects Supervisor: Brian Nugent
NetFX Visual Effects Supervisor: Jiwoong Kim
NetFX VFX EPs: Rebecca West, Guy Botham
NetFX Visual Effects Producer: Joyce Au
CO3 Finishing Colorist: Stephen Nakamura
Company 3 Finishing Producer: Tatianna Kroha
Company 3 Finishing Editor: Paul Carlin
Special Thanks: Toby Emmerich, Paul Feig, Alan Horn, Hallie Meyers-Shyer, Hans Zimmer
Lighting Consultant: Michael Paul Orefice
AR: 1.78:1 (Spherical), 1.85:1 (Archive Footage)
Visual Effects by: Breakaway Post & NetFX
Color & Finish Provided by: Company 3 LA
Title Design Provided by: Picturemill