The Works of Director Adam Shankman
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- DirectorAdam ShankmanStarsJennifer LopezMatthew McConaugheyBridgette Wilson-SamprasMary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.Production Choreographer: Adam Shankman
Casting Directors: Mary Gail Artz, Barbara Cohen
Co-Producer/Unit PM: Carrie Morrow
Co-Producer: Mark Morgan
Composer: Mervyn Warren
Music Supers: Mary Ramos, Michelle Kuznetzky
Costume Designer: Pamela Withers
Film Editor: Lisa Zeno Churgin ACE
Production Designer: Bob Ziembicki
Cinematographer: Julio Macat ASC
EPs: Nina R. Sadowsky, Chris Sievernich
EPs: Moritz Norman, Guy East, Nigel Sinclair
Prods: Peter Abrams, Robert L. Levy, Jennifer Gibgot
Producers: Gigi Pritzker, Deborah Del Prete
Writers: Pamela Falk, Michael Ellis
Piano Player / Score Consultant: Marc Shaiman
Stunt Coordinator: Corey Eubanks
Unit Production Manager: Tony Mark
First Assistant Director: Gary Marcus
Second Assistant Director: Philippe R. Dupont
Exec in Charge of Production: Marion Douglas
Choreographer/Assoc. Producer: Anne Fletcher
Post Production Supervisor: Terra Mair Abroms
Art Director: Gregory Bolton
Set Decorator: Barbara Munch
On-Set Dresser: Tom Power
Lead Set Dresser: Mark W. Brown
Art Department Associate: Randall A. Bobbitt
"A"/Steadicam Ops: Greg Bubb, Dave Chameides
"A" First Assistant Camera: W. Steve Peterson
"A" Second Assistant Camera: Ron Peterson
"B" Camera Operator: Joe Valentine
"B" Camera 1st AC: Thomas R. Cherry
Costume Supervisor: Virginia Burton
Key Costumer: Ann Foley
Key Set Costumer: Jill Korengold
Camera Loader: Matthew A. Del Ruth
Video Assist: Michael J. Hogan
Location Managers: Eric Hedayat, Stephen Price
Gaffer: Bobby Krattiger
Supervising Prop Master: Kevin Hughes
Production Supervisor: Eric Abrahamson
Production Coordinator: Melissa Stanley Cohen
Production Secretary: Ann S. Christman
Production Accountant: Christi Tidman
Assistant Accountant: Lisa C. Thomas
Unit Publicist: Shelley Kirkwood
Still Photographer: Ronald Batzdorff
2nd Second Assistant Director: Donald Murphy
Key Production Assistant: Peter Hollocker
Additional Film Editor: Bruce Green ACE
1st Assistant Editor: Phillip J. Bartell
2nd Assistant Editor: Stephanie M. Casey
Third Assistant Editor: Tim Wilson
Fourth Assistant Editor: Angela A. Barton
First Apprentice Editor: George Cunningham
Supervising Sound Editor: Frank Gaeta
ADR Supervisor: Thomas Jones III
Supervising Music Editor: Daniel Carlin
Music Editors: Lise Richardson, Terry Wilson
Score Orchestrators: Don Nemitz, Frank Bennett
Titles Designer: Nina Saxon
Production Color Timer: David Orr
Overall Visual Effects Supervisor: Mark Kolpack
Exec in Charge of Production, IMF: Volker Schauz
Filming Dates: December 1999 - 30 March 2000
Cameras: Panaflex XL & Millennium (35mm Fuji Super F-Series 500T 8572)
Lenses: Panavision® Primo AL Primes, ALZ11 48-550mm Zoom, ALZ3 Hubble 270-840mm Zoom & C-Series AL Primes
AR: 2.39:1 (Anamorphic)
Budget: 35 Million USD
Budget AFI (2022): 58.6 Million USD
Opticals, Digital & Special Effects Produced by: Custom Film Effects, Look! Effects & Ultimate Effects
Color Provided by: TECHNICOLOR®
Attribute: Filmed in Panavision® - DirectorAdam ShankmanStarsMandy MooreShane WestPeter CoyoteTwo North Carolina teens, Landon Carter and Jamie Sullivan, are thrown together after Landon gets into trouble and is sentenced to perform community service."Paramedic"/Executive Soundtrack Producer: Adam Shankman
Casting: Mary Gail Arts, Barbara Cohen
Music Supervisor: Jon Leshay
Composer: Mervyn Warren
Film Editor: Emma E. Hickox ACE
Production & Costume Design: Doug Hall
Cinematographer: Julio Macat ASC
Cinematographer - Second Unit / "B" Operator / Gaffer: Tommy Ray Sullivan
Executive Producer: E.K. Gaylord II
Executive Producer / Production Manager: Bill Johnson
Exec. Producers: Casey La Scala, Edward L. McDonnell
Screenwriter: Karen Janszen
Producers: Denise Do Novi, Hunt Lowry
First AD / Second Unit Director: Timothy M. Bourne
Second Assistant Director: David Brightbill
Dedicated to: Danielle Sparks Lewis, Jim Everett
Executive Music Producer: Debra A. Baum
Stunt Coordinator: John Copeman
Executive in Charge of Production for DNP: Alison Greenspan
Associate Producer: Matthew Mizel
Post Production Supervisor: Terra Abroms
Second Second Assistant Dir: Rudy Persico
Art Director: Linwood Taylor
Set Decorator: Burton Rencher
"A" Camera/Steadicam® Operator: Neal Norton
"A" Camera First Assistant: Alan Aldridge
"A" Camera Second Assistant: Mark Gilmer
"B" Camera First Assistant: Bo Webb
"B" Camera Second Assistant: Lee Korbutt
Associate Film Editor: Bob Berman
First Assistant Editor: Charise E. Angone
Costume Supervisor/Co-Designer: Beverley Woods
Set Costumer: Katrina Migliore
Costumes Seamstress: Heather Hord
Costume Assistant: Cindy Retchin
Key Make-Up Artist: Jeff Goodwin
Make-Up Assistant: Rick Pour
Make-Up Artist, Reshoots: Jennifer Gonzalez
Key Hairstylist: Jo Jo Guthrie
Key Grip: C. Alan Rawlins
Best Boy Grip: Riko Schatke
Dolly Grip: Ashley Sudge
Crane Grip: James Pair III
Titan Crane Operator: Donald J. Toth
Best Boy Electric: Michael Jones
Rigging Key Grip: Eddie Evans
Rigging Best Boy Grip: Gerald Hatchell
Rigging Gaffer: Billy Bob Hendricks
Rigging Best Boy Electric: Adam Hinson
Rigging Electrics: Josh Hendricks, Daniel Waller
Prod. Accountant: Anamarie Gonzaga
First Assistant Accountant: Joan Zulfer
Second Assistant Accountant: Donald R. Poush Jr
Payroll Accountant: Birdie Talanca
Accounting Assistant: Kristy Gomez
Production Coordinator: Lisa Greenspan
Assistant Production OC: Jason Tamez
Production Secretary: Rachel A. Nida
Post Production Coordinator: James Wade
Script Supervisor: Melinda Taksen
Teacher/Welfare Worker: Stephanie Adams
Supervising Prop Master: Andrea Levine
Assistant Prop Master: Randall R. Milazzo
Production Prop Assistant: Doug Kelejian
Overall Location Manager: J. Bradley Smith
Assistant Location Manager: Craig Rogers
Locations Assistant: Alexander Starke
Casting Associate — LA: Leanna Sheldon
Stand In for Mandy Moore: Courtney Harris
Stand In for Shane West: Martin Eckhardt
Acting Coach for Ms. Moore: Aaron Speiser
Sound Mixer: Carl Rudisill
Boom Operator: C. Douglas Cameron
Utility Cable Assistant: Scott Solan
Music Playback Operators: Jay L. Crumpler, Forrest Maready
Video Playback Operator: Tony Jenzano III
Stills Photographer: Kent Eanes
Publicists: Ray Simm, Pat Story
Aerial Unit DoP: Michael Kelem
Aerial Unit Helicopter Pilot: Bill Richards
Aerial Unit Technician: Richard B. Burton
Supervising Sound Editor: David Whittaker MPSE
Supervising Dialogue/ADR Editor: Cliff Latimer MPSE
Sound Editors: Ed Callahan, Avram D. Gold MPSE, Jussi Tegelman
Sound First Assistant Editor: Shawn Ian Kerhoff MPSE
Sound Editorial PA: William Files
Production Foley Editor: Reuben Simon
Production Foley Mixer: Shawn Kennelly
Foley Artists: Laura Macias, Sean Rowe
ADR Mixers: Doc Kane, Paul Aronoff, Eric Tomosunas
Re-Recording Mixers: Chris David, Terry Rodman, Ezra Dweck
Sound Recordist: Andy Peach
Re-Recording Engineer: Mike Morongell
Music Editor: Jeremy Raub
Music Clearance: Lisa Bauman-Wasiak
Score Supervisor: Audrey DeRoche
Score Recordist & Mixer: Frank Wolf
Additional Score Recordists: Peter Karam, Tony Shepherd
CFE Visual Effects Supervisor / Title Designer: Mark Dornfeld
CFE Head of Digital: Laurie Powers
CFE Digital Leads: Steve Caldwell, Edward Helmers, Shaina Holmes
Stock Footage Researcher: Deb Ricketts
Video Symphony Supervisor: Derek Herr
Negative Cutter: Theresa Mohammed
Color Timer: David Orr
Set Designer: Kevin Hardison
Storyboard Artist: Rick Mobbs
Graphics Designer: Bill King
Art Department Coordinator: Beejay Grob
Art Department Assistant: Courtney Bont
Set Dec Leadman: Jim Shaughnessy
Set Dec Buyer: Abbie Stuart-Sinclair
Onset Dresser: Henry H. Gardner Jr
Production Special Effects Designer: Joey Jarman
Special Effects Supervisor: Robert C. Vasquez
Special Effects Coordinator: Kathleen Tonkin
Special Effects Foreman: Chris Bennett
Special Effects Technician: Tim Tonkin
Special Effects Moldmaker: Patrick Tantalo
Scenic Supervisor: Paul Oliver
Scenic Foreman: James Onate
Scenic Standby Lead: Charles Ashworth
Arriflex Cameras Provider: Otto Nemenz ASC
Filming Dates: 6 April 2001 - 27 May 2001
Cameras: Arriflex 35-III, 435 & 535 (35mm Kodak Vision 250D 5246 & 500T 5279)
Lenses: JDC Cooke S4 Spherical Primes
AR: 2.39:1 (4-Perf Common-Top S35mm)
Budget: 11.8-12 Million USD
Budget AFI (2023): 19.4-19.7 Million USD
Printed on: Fuji F-CP 3519D
Local Casting — NC by: Fincannon & Associates
Visual Effects & Animation by: Custom Film Effects & East Coast Films
Video Symphony by: The Post Group
Telecine Provided by: Ashfields
Filmed on Location in and at: Wilmington & Southport + EUE/Screen Gems Studios, North Carolina
Processing & Prints by: TECHNICOLOR®
Shot & Printed on: Kodak Motion Picture Film & Fujifilm - DirectorAdam ShankmanStarsSteve MartinQueen LatifahEugene LevyWhen a lonely guy meets a woman on the internet who happens to be in prison, she breaks out to get him to prove her innocence, and proceeds to wreak havoc on his middle-class life.Producers: David Hoberman, Ashok Amritaj
Casting Director: Victoria Thomas
Music Supervisor: Michael McQuarn
Composer: Lalo Schifrin
Co-Producer: Todd Lieberman
Costume Designer: Pamela Withers-Chilton
Film Editor: Gerald B. "Jerry" Greenberg
Production Designer: Linda DeScenna
Cinematographer: Julio Macat ASC
Cinematographer, Helicopter & Second Units: Johnny E. Jensen ASC
Exec Producers: Jane Bartelme, Queen Latifah
Writer: Jason Filardi
Unit Production Manager: Daryl Kass
Key First Assistant Director: Daniel Silverberg
Key Second AD/Second Unit First AD: Lisa Bloch-Tobey
Associate Producer: Cookie Carosella
Stunt Coord / Second Unit Director: John Medlen
Art Director: Jim Nedza
Art Department Administrator: Mitch Sutton
Set Decorator: Ric McElvin
Costume Supervisor: Virginia Burton
Costumer Production Assistant: Julie Shack
Production Accountant: Ellen Adolph
First Assistant Accountant: Gary Levy
Payroll Accountant: Marlene Marks
Second Assistant Accountant: Angie Ryan
Post Production Accountant: Scott Sellers
"A" Camera Operator: David Diano
First Assistant "A" Camera Operator: Rob Morey
Second Assistant "A" Operator: Craig Kohlhoff
Steadicam/"B" Ops: Andy Shuttleworth, David Chameides
First Assistant "B" Operator: David Richert
Second Assistant "B" Operator: Reneé Treywall
Still Photographer: S. Young Emerson
First Assistant, Avid: Glenn Cocco
First Assistant Editor: Dan Miller
Second Assistant Editor: Don Thompson
First Apprentice Editor: Patrick J. Barry
Supervising Sound Editor: David Whittaker MPSE
ADR/DIA Supervisor: Cliff Latimer MPSE
Assistant Sound Editor: Shawn Kerkhoff MPSE
Gaffer: Robert Krattiger
Supervising Rigging Gaffer: Tim Marshall
Supervising Prop Master: Ellen Freund
Assistant Prop Master: David Saltzman
Second Assistant Props: Adam Austin
Lead Special Effects Coordinator: Alan E. Lormier
Prod Coordinators: Marc A. Hammer, Lois Walker
Assistant Production Coordinator: Erin Engman
Second Second Assistant Director: John Pontrelli
Theatrical Consultant, Ms. Latifah: Richard Lyons
DIA Consultants: Shakim Compere, Latee French
Prod Secretaries: Jenny Fumarolo, Naomi Yospe
Set Designers: Nancy Deren, Rich Romig
Key Set Designer: Alan Easley
On Set Dresser: John McElroy
Supervising Location Manager: Molly Allen
Unit Publicist: Shelly Kirkwood
Video Assist: Paul Murphey
Production Choreographer: Anne Fletcher
Add'l Choreographers: Chris Judd, Eddie Garcia
Production Music Editor: Darrell Hall
Music Coordinators: Seth Rappaport, John Rhone
On-Camera Music Contractor: Connie Boylan
Score Orchestrator: Ira Haeshen
Score Recordist & Mixer: Gustavo Borner
Supervising Music Mixer: Timothy Boot
Head of Music Preparation: Booker White
Animal Wrangler: Stacy M. Basil
Production Color Timer: David Orr
Second Unit Second AD: Hillary Schwartz
Second Unit Second Second AD: Bradley Morris
Second Unit "A" First AC: Andrew Parke
Second Unit "A" Second AC: Jason Jensen
Second Unit First Assistant "B" Camera: Trey Clinesmith
Second Unit Rigging Key: Mike Strong
Second Unit Gaffer: Walter Nichols
Second Unit Special Effects Sup: Jim Fredberg
Second Unit SFX Techs: James Lormier, F. Van Way
Helicopter Unit Second AD: Conte Matal
Helicopter Unit Wescam Op: Douglas Holgate
Helicopter Unit Wescam Tech: Mike Hildebranch
Arriflex 535 Cameras Provider: Otto Nemenz ASC
Filming Dates: 19 April 2002 - October 2002
Cameras: Arriflex 535 (35mm Kodak Vision 500T 5279)
Lenses: Panavision® Cooke S4 Spherical Primes
AR: 2.39:1 (4-Perf Common-Top Super 35mm)
Budget: 33 Million USD
Budget AFI (2022): 53.2 Million USD
Printed on: Kodak Vision 2383
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision® - DirectorAdam ShankmanStarsVin DieselBrittany SnowMax ThieriotHaving recovered from wounds received in a failed rescue operation, Navy SEAL Shane Wolfe is handed a new assignment: Protect the five Plummer kids from enemies of their recently deceased father -- a government scientist whose top-secret experiment remains in the kids' house.EP/"Driving Instructor" Actor: Adam Shankman
Co-Executive Producer: Vin Diesel
Producers: Roger Birnbaum, Gary Barber
Casting Director: Vickie Thomas
Composer: John Debney
Costume Designer: Kriston Mann
Film Editor: Christopher Greenbury ACE
Production Designer: Linda DeScenna
Cinematographer: Peter James ASC ACS
Cinematographer, Key West & Second Units: Josh Bleibtreu ASC
Cinematographer, VFX - ILM: Martin Rosenberg
Executive Producer: Jennifer Gibgot
EPs: Derek Evans, George Zakk
Executive Producer / Unit PM: Garrett Grant
Producer: Jonathan Glickman
Writers: Tom Lennon, Robert Ben Garant
Key Unit Production Manager: Brian L. Parker
Key First Assistant Director: Daniel Silverberg
Key Second Assistant Director: Karl Irvine
Key Second Second Assist Director: Ellie Smith
"Liesel" Actress / Choreographer: Anne Fletcher
"Serbian Gunner" Actor: Hank Amos
Vin Diesel Stand-In: Robert Bastens
Supervising Stunt Coord / Second Unit Director: Robert Brown
Stunt Coordinator, Canadian Crew: Branko Racki
Second Unit Stunt Coordinator: Matt Berman
Stunt Ninja / Fight Choreo: Bradley James Allan
Stunt Double, Vin Diesel: Troy Robinson
Stunt Ninja #3: Peng Zhang
Stunt Truck Driver: Ron Bell
Stunt Rigger: Dan Belley
Stunt Driver #13: John Stoneham Jr
Stunt Unit Aerial Coordinator: Geoff Palmer
Aerial Unit Ground Coordinator: Barry Weigell
Utility Stunts Second Lead: Alan D'Antoni
Supervising Art Director: Arv Grewal
First Assistant Art Director: Grant Van Der Slagt
Set Decorators: Paul McElvin, Steve Shewchuk
Costume Design-Canadian Crew: Chris Hargadon
Costume Supervisor: Kim Child
Set Costume Supervisor: Lou DeCampo
Assistant Set Costume Supervisor: Gerri Gillan
A Camera Operator: Robert Stecko
B / Steadicam® Operator: François Daignault
A First Assistant Camera: Mark Cyre
B First Assistant Camera: Joe Micomonaco
A Second Assistant Camera: Neil Trafford
B Second Assistant Camera: Mark Beauchamp
Video Assist: Ronald Schlueter
Production Accountant: John C. Kruize
Supervising Location Manager: Anne Richardson
Assistant Location Manager: David McIlroy
Post Production Supervisor: Abigail Callahan
Associate Film Editor: Matthew Cassel
First Assistant Editor: Richard Alderete
Second Assistant Editor: Lisa Shaw Phillips
First Assistant Editor - Toronto: Dawn M. Stolier
Second AE - Toronto: Clare Bambrough
PA, Post Production: Andrew Greenbury
Super. Sound Editor: David A. Whittaker MPSE
Dialogue/ADR Supervisor: Cliff Latimer MPSE
Chief Lighting Technician: Franco Tata
Rigging Gaffer: Paul Spaven
Supervising Prop Master: Christopher Geggie
Assistant Prop Master: Brian Patrick
Lead Special Effects Coordinator: Colin Chilvers
Overall Special Effects Supervisor: Tony Kenny
Production Special Effects Technician: Paul Brown
Lead Special Effects Administrator: Dean Stewart
Special Effects First Assistant: Daniel Gibson
Third Assistant Director: George Assimakopoulos
Production Coordinator: Karen Doble
Assist Production Coord.: Sandra Lynne Hyhkô
Production Secretary: Douglas Thompson
Asst to Mr. Shankman (Toronto): Trisha De Luca
Asst to Adam Shankman (LA): Lucas Meyers
Asst to Mr. Shankman (Post): James Badstibner
Set Designer: Rudy Braun
Graphic Designer: Timothy Peel
Art Department Coordinator: H. Nancy Pak
Art Department Associate: Tania McGowan
Storyboard Artist: Rob McCallum
Technical Advisor: Cade Courtley
Unit Publicist: Joe Everett
Still Photographer: Matt Hayes SMPSP
Senior Casting Associate: Kim Taylor-Coleman
Canadian Casting Director: Robin D. Cook CDC
Casting Associate - Toronto: Sara Kay
Casting Assistant - Toronto: Dane Clark
Key West Unit First AD: David A. Ticotin
Key West Unit Second AD: David Hallinan
Key West Unit Second Second AD: Cheeba White
Key West Unit Prod Supervisor: Andrea Isaacs
Key West Unit Stunt Coordinator: Jon Epstein
Key West Unit Key Stunt Rigger: Shawn Kautz
Key West Unit Stunt Rigger: Mike Weis
Key West Unit Under Water DoP: Pete Romano ASC
Key West Unit A Camera Operator: Neal Norton
Key West Unit B Operator: Daniel C. Gold SOC
Key West Unit C Operator: Fred Buzz Feitshans
Key West Unit D Operator: Leo Napolitano
Key West Unit B First AC: Richard Avalon
Key West Unit C First AC: J. Steven Latham
Key West Unit D First AC: Bob Beverlin
Key West Unit E First AC: Henry Vali Valus
Key West Unit A Second AC: Louis Smith
Key West Unit B Second AC: Marvin Lee
Key West Unit C Second AC: Larry Gianneschi IV
Key West Unit D Second AC: John Oliveri
Key West Unit Technocrane Op: Kenny Rivenbank
Key West Unit Technocrane Tech: Craig Striano
Key West Unit Libra Technician: Nick Phillips
Key West Unit Aerial DoP: Hans Bjerno
Key West Unit SpaceCam Tech: Andrew Sych
Key West Unit Art Director: Richard Fojo
Key West Unit Art Dept Coord: Michele Waldfogel
Key West Unit Prod Coord: Sondra Dee Boyachek
Key West Unit Gaffer: Rusty Pouch
Key West Unit Assistant Chief LT: Kai Morbey
Second Unit Key Grip, Key West Unit: Jamie Klein
Second Unit Best Boy Grip, KW Unit: Dean Hunt
Key West Unit Costume Supervisor: Peter White
2nd Unit Script Sup, KW Unit: Stephanie Lowell
Key West Unit Locations Manager: Sam Tedesco
KW Unit Asst Loc Manager: Jennifer Radzkowski
Key West Unit Set Decorator: Scott Jacobson
Key West Unit Prop Master: Nicholas J. Romanac
Key West Unit Asst Prop Master: William McLane
Key West Unit Special Effects Coord: Kevin Harris
Production Projectionist: Dan Carter
ILM Sr Visual FX Supervisor: Scott Farrar ASC
ILM Sr Visual Effects Producer: Gretchen Libby
ILM Compositing Supervisor: Greg Maloney
ILM Digital Compositors: Sam Edwards, Siobhan Lo
ILM Sabre Artists: Mark Casey, Chad Taylor
ILM Technical Supervisor: Mohen Leo
ILM Visual Effects Coordinator: Paula Nederman
ILM Rotoscoper: Mike Van Eps
ILM Key Stage Technician: Richard Demolski
ILM Key Pyro Technician: Matt Heron
ILM Stage Prod Manager: Jenny Head-Appleton
ILM Prod & Technical Support: Anthony Randolph
ILM Visual FX Plate Coordinator: Sarah Peacock
CFE Visual Effects Supervisor: Mark Dornfeld
CFE Visual Effects Producer: Michele Ferrone
CFE Digital Editorial Lead: Adam Gass
CFE Digital Lead: Laurie Powers
CFE Digital Compositor / Coord: Shaina Holmes
CFE Data Wrangler: David Smithson
CFE Digital Compositor: Lori C. Miller
CFE I/O Supervisor: Ryan Beadle
Supervising Music Editor: Darrell Hall
Production Music Editor: Kenneth Hall
Assistant Music Editor: Robert Bayless
Production Music Mixer: Joseph Magee
On Camera Music Arrangement: Alan Steinberger
On Camera Music Preparation: Booker White
Score Orchestrations: Brad Dechter, Don Nemitz, Jeff Atmajian, Frank Bennett, Mike Watts, Chris Claytman
Score Orchestra Conductor: Pete Anthony
Score Recordist & Mixer: Shawn Murphy
Orchestra Contractor: Sandy DeCrescent
Score Auricle Operator: Richard Grant
Electronic Programmer: Wolfgang Amadeus
Additional Programmer: Kenny Burgomeister
Production Color Timer: Dale Grahn
ECP for Spyglass Entertainment: Jeffrey Chernov
Cameras: Arriflex 435, Panaflex XL & Platinum (35mm Kodak Vision2 500T 5218)
Lenses: Panavision® Primo AL Primes, ALZ11 48-550mm Zoom, C- & E-Series AL Primes
AR: 1.78:1 (TV Version: Cropped), 2.39:1 (Anamorphic)
Budget: 56 Million USD
Budget AFI (2022): 85.1 Million USD
Printed on: Kodak Vision 2383
Special Visual Effects & Digital Opticals by: Industrial Light & Magic + Custom Film Effects
Title Design by: Right Lobe Design Group
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision® - DirectorAdam ShankmanStarsSteve MartinBonnie HuntHilary DuffThe Bakers find themselves competing with a rival family of eight children while on vacation.Executive Producer: Adam Shankman
Casting Director: Monica Swann CSA
Costume Designer: Joseph G. Aulisi
Composer: John Debney
Music Supervisor: Buck Damon
Film Editors: Christopher Greenbury ACE, Matthew Cassel
Production Designer: Cary White
Cinematographer: Peter James ASC ACS
Executive Producer: Jennifer Gibgot
Executive Producer/Unit PM: Garrett Grant
Producer/"Paramedic" Actor: Shawn Levy
Producer: Ben Myron
Writer: Sam Harper
Key Unit Production Manager: Whitney K. Brown
First Assistant Director: Daniel Silverberg
Key Second Assistant Director: Karl Irvine
Stunt Coord / Second Unit Director: Bob Brown
Art Director: Peter Grundy
Set Designers: Eric Daros, Lara Macinnis
Illustrator, Art Department: John Moran
Art Department Coordinator: Michaela Cheyne
Researcher, Art Department: Meg Davies
Art Trainee: Pierre Bonhomme
Set Decorator: Patricia Cuccia
Assistant Decorator, Sets: Elena Kenney
Second Assistant Director: Kristie Sills
Third ADs: Katrina Lee, Neesha Patki
A / Steadicam Operator: Peter McCaffrey
First Assistant A Camera: Joseph Micomonaco
Second Assistant A Camera: Mark Beauchamp
B Camera Operator: Perry Hoffman
First Assistant B Camera: John Harper
Second Assistant B Camera: Ari Madger
C Operators: Michael W. Hall, Michael Carella
C First ACs: Andy Jekabsons, Brent Robinson
Panaflex Loader: Heather Donald
Video Assistant: Ronald Schluter
Supervising Prop Master: Stephen Levitt
Assistant Prop Master: Dexter Bonaparte
Prop Assistant: Troy Bellingham
Prop Assistant / Second Unit Prop Master: Kevin Pierson
Additional Film Editor: Emma Hickox ACE
1st Assistant Editor: Lisa Shaw Phillips
2nd Assistant Editor (Toronto): Dawn Stolier
1st Apprentice Editor (Toronto): Ursula Mazurkiewicz
Post Production PA: Andrew H.L. Greenberry
Gaffer: David Breeze
Rigging Gaffer: Jake Gash
Sr. Special Effects Coordinator: Martin Malivoire
Supervising Location Manager: Fred Kamping
Production Coordinator: James B. Fraser
Canadian Casting Director: Robin D. Cook CSA
Unit Publicist: Lisa Shamata
Picture Vehicle Captain: William Boyd
ILM VFX/Compositing Supervisor: Dorne Huebler
ILM Visual Effects Producer: Wayne Billheimer
ILM VFX Coordinator: Erin Dusseault O'Connor
ILM Digital Lead: Dorothy Snook
ILM Visual Effects Editor: Tony Pitone
ILM Digital Compositors: Misty Barbour, Ronnie E. Williams
ILM Sabre Lead: Adam Howard
ILM Digital Layout & Matchmove Lead: David Manos Morris
ILM Inferno Lead: Alex Tropiec Jr
ILM Digital Effects Assistant: Michael Rich
CFE Visual Effects Supervisor: Mark Dornfeld
CFE Digital Editorial Lead: Adam Gass
CFE Digital Art Director: Laurie Powers
CFE Art Director: Lori C. Miller
Supervising Sound Editor: John A. Larsen
Score Conductor: Gordon Goodwin
Score Orchestrators: Brad Dechter, Mike Watts, Frank Bennett, Don Nemitz
Score Contractors: Sandy DeCrescent, Peter Rotter
Score Recordist & Mixer: Dennis S. Sands
Digital Recordist, Score: Erik Swanson
Electronic Engineer, Score: Wolfgang Amadeus
Score PCs: Lola Debney, Melanie Mullens Hoyston
Production Color Timer: Chris Regan
Co-Color Timer: George Chavez
Production Preview Engineer: Lee Tucker
Second Unit DoPs: Glen Keenan CSC, Peter C. Luxford CSC
Second Unit First ADs: Felix Gray, Penny Charter
Second Unit A Camera Operator: Andy Chmura
Second Unit A First Assistant Camera: Mark Cyre
Second Unit Gaffers: Sean Osadzuk, Kevin Alanthwaite
Second Unit Costume Supervisor: Gayle Franklin
Second Unit Production Coordinator: Kimberley Bradley
Editorial Consultant: Jon Poll
Special Thanks: Ernestine Gilbreth Carey
Filming Dates: 13 June 2005 - 3 September 2005
Cameras: Arriflex 435, Panaflex XL & Platinum (35mm Kodak Vision2 500T 5218)
Lenses: Panavision® Primo AL Primes, ALZ11 48-500mm Zoom, C-, E-Series AL Primes & AWZ2 40-80mm Zoom
AR: 2.39:1 (Anamorphic)
Budget: 60 Million USD
Budget AFI (2022): 91.1 Million USD
Printed on: Kodak Vision 2383
Special Visual Effects & Digital Opticals by: Industrial Light & Magic+ Custom Film Effects
Filmed at: Cinespace Studios, Toronto, Ontario, Canada
Color & Prints Provided by: DELUXE®
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision® - DirectorAdam ShankmanStarsJohn TravoltaQueen LatifahNikki BlonskyPleasantly plump teenager Tracy Turnblad teaches 1962 Baltimore a thing or two about integration after landing a spot on a local TV dance show.Choreographer, WMTA Agent #2 & EP: Adam Shankman
Screenwriter: Leslie Dixon
Producers: Craig Zadan, Neil Meron
Executive Producers: Bob Shaye, Michael Lynne
EPs: Toby Emmerich, Mark Kaufman
Composer (Songs & Music Score), EP, Lyricist & WMTA Agent #3: Marc Shaiman
EP, Song Lyricist & WMTA Agent: Scott Wittman
Executive Producer: Jennifer Gibgot
Executive Producer / Unit PM: Garrett Grant
Cinematographer: Bojan Bazelli ASC
Production Designer: David Gropman
Film Editor: Michael Tronick ACE
Costume Designer: Rita Ryack
Casting: David Rubin CSA, Richard Hicks CSA
Music Supervisor: Matt Sullivan
Co-Prods: Michael Disco, Daryl Freimark, Travis Knox
"Mr. Pinky" Actor: Jerry Stiller
Associate Producers: Anson Downes, Linda Favila
"Flasher" Actor/Overall Consultant: John Waters
Unit Production Manager: Armand Leo
First Assistant Director/A.P.: Daniel Silverberg
WMTA Agent #1: Ricki Lane
"Nurse" Actress/Associate Choreographer/Second Unit Director: Anne "Mama" Fletcher
Stunt Cop & Coordinator: Branco Racki
Key Stunt Rigger: Dan Belley
Stunt Riggers: Max White, Tommy Chang
Stunt Double, Brittany Snow: Jennifer Vey
Stunt Garbage Truck Driver: Geoff Williams
Stunt Driving Dad: Matt Birman
Executive in Charge of Production: Erik Holmberg
Production Executive: Dana Belcastro
Executive in Charge of Finance: Paul Prokop
Executive in Charge of Post Prod.: Jody Levin
Post Production Supervisor: Jay Vinitsky
Key Second Assistant Director: Karl Irvine
Second AD/Second Unit First AD: Joanne Moore
Production Consultant: Margo Lion
Assoc. Choreographers: Jamal Sims, Joey Pizzi, Zach Woodlee
Makeup Effects Designer: Tony Gardner
Hair & Wig Designer: Judi Cooper-Sealy
Makeup Designer: Jordan Samuel
Supervising Art Director: Dennis Davenport
Graphic Designer: Jon Hunter
Second Assistant Art Director: Gordon Peterson
Art Department Coordinator: Dusty Reeves
Art Department Apprentice: Carly Davenport
Set Decorator: Gordon Sim SDSA
"A" & Steadicam Operator: Candice Franklyn
"A" Camera First Assistant: Russel Bubba Bowie
"A" Camera Second Assistant: Jaclyn Young
"B" Camera Operator: Roger Finlay
"B" Camera First Assistant: Ciaran Copelin
"B" Camera Second Assistant: Marzena Bielewicz
ARRI Camera Loader: Ari Madger
"A" Camera Trainee: David Wilkins
"B" Camera Trainee: Nicole Torok
Scorpio Head Technician: Cary Cooper
Still Photographer: David James
Video Assist: Ronald Schleuter
Video Assist Tech: Anthony Nocera
Production Accountant: Lynell Bangs
Accounting Trainee: Nadine Majaess
Construction Auditor: Robert Steiner
Overall Production Coordinator: Karen Doble
Assistant Prod Coordinator: Sandra Lynne Huhko
Production Secretary: Aaron Horton
Production Office Assists: Jason Lorr, David Holtz
Third Asst Directors: Karen Young, Neesha Patki
Training Assistant Director: Siluck Saysanasy
Set Prod Assts: Matt Hunwicks, Kathryn Hughes
Chief Lighting Technician: Tony Nakonechnyj
Gaffer: Christopher Howard
Best Boy Electrician: Michael L. Hall
Genny Operator: Genny John
Lighting Console Operator: Desiree Lidon
Theatrical Lighting Designer: Jason Jennings
Rigging Gaffer: Steve Spurrell
Best Boy Rigging Electric: Doug Novis
Key Grip: Rico Emerson
Best Boy Grip: Sean Bourdeau
"A" Dolly Grip: Robert Cochrane
"B" Camera Dolly Grip: Jimmy K. Kevin
Crane Operator: Rick Leger
Key Rigging Grip: Roy Elliston
Best Boy Rigging Grip: Mongo Andrews
Rigging Grip: Tracy Shaw
Supervising Prop Master: Deryck Blake
Assistant Prop Master: Toni Wong
Production Prop Buyer: Theresa Buckely
Associate Film Editor: Greg Parsons
First Assistant Editor, Toronto: Dawn M. Stoliar
Production Visual Effects Editor: Debra Tennant
Visual Effects First Assistant Editor: Sarah Lucky
Editorial Production Assistant: David Ruchman
Production Foley Supervisor: John M. Murray
Production Dialogue Editor: Michael Haight
Production ADR Editor: Laura Graham
First Assistant Sound Editor: David Wolowic
Second Assistant Sound Editor: Kevin Murray
Production Sound Consultant: John A. Larsen
Production Foley Mixer: David Betancourt
Alterian Project Supervisor: Tim Huizing
Alterian Project Controller: Stephanie Williams
Alterian Foam Skins Designer: Mark Vinello
Exec in Charge of Visual Effects: Lauren Ritchie
Production Visual Effects Executive: Mimi Medel
Intel CR VFX Production Executive: Lon Molnar
Intel CR Executive VFX Producer: Wendy Lanning
Intel CR VFX Consultants: Raymond Gieringer, Michael Hatton
Intel CR Visual Effects Line Producer: Darren Bell
Intel CR Visual Effects Supervisor: Lev Kobolov
Intel CR VFX Production Manager: Tara Avenia
Intel CR Production Supervisor: Chris Nokes
Intel CR Lead DMPs: Tim Warnock, Dan Wheaton
Intel CR 3D Artists: Min Y. Kim, Mitchell Stuart
Intel CR 2D Lead: Greg Astles
Riot Visual Effects Supervisor: David M.V. Jones
Riot Digital Effects Supervisor: Jamie Hallett
Riot CG Supervisor: Andrew Wilcoff
Riot Visual Effects Producer: Ben Seymour
Riot Visual Effects Coordinator: Dustin Foster
Riot Lead Compositor: Ned Wilson
Riot Compositor: Michael Angelo
Riot CG Modeler: Shuichi Suzuki
Riot Matte Painters: Aaron Sims, Tim Matney, Kino Scialabba
Riot Production Executive: Michael Taylor
Pacific Title Visual Effects Producer: Rick Sparr
Pacific Title Visual FX Supervisor: Mark Freund
Pacific Title Visual FX Coordinator: Lisa Markou
Associate Costume Designer: Arthur Roswell
Background Costumer: Ian Drummond
Costume Supervisor: Kathleen Meade
Set Supervisor, Costumes: Andre Schulz
Truck Supervisor, Costumes: Robyn Rosenberg
Supervising Location Manager: Fred Kamping
Production Controller: Jon Davidson
Financial Advisor: Andrew Matthews
Supervising Production Coord.: Emily Glatter
Production Attorney: Carol Smithson
Exec Asst to Mr. Travolta, TOR: Chris Sylvester
Exec Asst to Mr. Travolta, LA: Dawn Darling
Canadian Casting Director: Tina Gerussi
Dancer Casting: Stephanie Gorin CSA CDG
Dancer Casting Director, New York: Jay Binder
Dancer Casting Director, Los Angeles: Rita Bland
Casting Associate, Los Angeles: Edward Dunlop
Casting Assistant, Los Angeles: Stephanie Stenta
Casting Associate, New York: Megan Larche
Casting Assistant, New York: Nikole Vallins
Casting Associates, CAN: Kathy Howell, Karen Williams
Casting Assistant, Canada: Misha Rasaiah
Lead Special Effects Supervisor: Martin Malivoire
Special Effects Key Technician: Rocco Larizza
Technical Advisor, Special Effects: Michael Hatton
Animal Wranglers: Jim Lovisek, Jane Conway
Unit Publicist: Joe Everett
Storyboard Artist: Rob McCallum
Theatrical Consultant, Ms. Latifah: Richard Lyons
Picture Vehicle Coordinator: Mark Van Alstyne
Picture Vehicle Captain: William Boyd
Picture Vehicle Co-Captain: John Ozolins
Second Unit First Assistant Director: Felix Gray
Second Unit Second ADs: David Tebby, Kevin Hourigan
Second Unit Cinematographer: Glen Keenan CSC
Second Unit A Cam Operator: Peter Luxford CSC
Production Music Executive: Kim Reese
Music Contractors: Sandy DeCrescent, Peter Rotter
Score Conductor: Pete Anthony
Score/Songs Recordist & Mixer: Frank Wolf
Music Consultant: Lon Hoyt
Asylum
Main & End Title Sequences Designers: Robert Dawson, Justin Blampied, Simon Cassels
Supervising Digital Colorist: Steven J. Scott ASC
Digital Intermediate Supervisor: Elizabeth Dewey
EFilm Digital Intermediate Editor: Devon Miller
Digital Colorist Assistants: Chris Jensen, Mitch Paulson ASC
EFilm/Deluxe® Color Timer: Jim Passon
Filming Dates: 5 September 2006 – 8 Dec. 2006
Cameras: Arricam LT & ST (35mm Kodak Vision2 50D 5201, 200T 5217 & 500T 5218)
Lenses: Arri Master Primes, Cooke S4 Primes, Panchro Primes & Angenieux Optimo 24-290mm Zoom
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 75 Million USD
Budget AFI (2022): 107.3 Million USD
Printed on: Fuji Eterna-CP 3513DI
Makeup Effects Designed by: Alterian Inc.
Visual Effects by: Intelligent Creatures, Riot & Pacific Title
Main & End Titles Designed by: Asylum
Digital Intermediate Color by: EFilm & Deluxe® - DirectorAdam ShankmanStarsAdam SandlerKeri RussellCourteney CoxA hotel handyman's life changes when the lavish bedtime stories he tells his niece and nephew start to magically come true.Executive Producer: Adam Shankman
Co-Writer: Matt Lopez
Screenwriter: Tim Herlihy
Producer: Andrew Gunn
Producer & Co-Writer: Adam Sandler
Producer: Jack Giarraputo
EPs: Jennifer Gibgot, Ann Marie Sandelin
EP / Unit Production Manager: Garrett Grant
Cinematographer: Michael Barrett ASC
Production Designer: Linda DeScenna
Film Editors: Tom Costain, Michael Tronick ACE
Costume Designer: Rita Ryack
Visual Effects Supervisor: John Andrew Berton Jr
Composer: Rupert Gregson-Williams
Composers, Add'l Music: Chris Willis, Tony Clarke
Music Supers: Michael Dilbeck, Brooks Arthur
Co-Producer: Kevin Grady
Casting Director: Roger Mussenden CSA
First Assistant Director / AP: Daniel Silverberg
Second Assistant Director: Conte Matal
Creatures Designer: Mark Crash McCreery
Production Supervisor: Robert West
"Nottingham Pool Waiter" Actor/Asst to Adam Sandler: J.D. Donurama
Supervising Stunt Coordinator: Paul Eliopoulos
Senior Stunt Coordinator: Wade L. Eastwood
Additional Stunt Coordinator: Robert Brown
Fight Choreo: Bradley James Allan, Garrett Warren
Stunt Rigging Coordinator: Jake Lombard
Stunt Choreographer: Zachary Woodlee
Associate Producer: James Badstibner
Post Production Supervisor: Patsy Bouge
Supervising Art Director: Christopher Mohr
Assistant Art Director: Harry Otto
Set Decorator: Nancy Gilmore
Assistant Costume Designer: Mary Iannelli
Add'l Assist Costume Designer: Shanna Knetch
A Camera Operator: David Luckenbach SOC
B Camera Operator: David Diano
C Camera Operator: Horace Jordan
A First Assistant Camera: Michael Weldon
B First Assistant Camera: Brad Edmiston
C First Assistant Camera: Johnny Young
A Second Assistant Camera: Kirk Bloom
B Second Assistant Camera: Tulio Duenas
C Second Assistant Camera: Ryan Degrazzio
Panavision® Camera Loader: Ami Howard
Set Videographer: Jason M. Cox
Aerial Unit Director of Photography: Hans Bjerno
Music Playback Operator: Chet Leonard
Supervising Location Manager: Robert S. Frank
Additional Film Editor: Greg Parsons
First Assistant Editor: Stephen Shapiro
Visual Effects Editors: Karen White, Chris Capp
Second Assistant Editor: Sarah Lucky
Editorial PA: John Bartnicki
Production Visual Effects Producer: Scott Shapiro
Visual Effects Coordinators: Jen Underdahl, Jean Huang
Visual Effects Plate Coordinator: Chris Antonini
Visual Effects In-House Compositors: William Johnson, John Brennick
ADR Supervisor: Milton Iatrou Morton
Supervising Foley Editor: Clayton Weber
Assistant Sound Editor: Matthew Hanson
Chief LTs: Michael Bauman, Cory Geryak
Supervising Prop Master: Tim Wiles
Assistant Prop Master: Chuck Askerneese
Overall Special Effects Coordinator: Scott Fisher
Production Special Effects Foreman: Jim Rollins
Production Coordinator: Gretel Twombly
Asst Production Coordinator: Michael P. Twombly
Second Second ADs: Leah King, John Nasraway
Assistant to Adam Sandler: Jennifer Perkins
Assistant to Production: Jeffrey Ketcham
Set Designers: Julia Levine, Lauren Polizzi
Graphic Designers: Jane Fitts, Adam Tenkell
Storyboard Artist: Darryl Henley
Art Department Coordinator: Diana Goodwin
Post Production Accountant: Jeanie Daniels
Unit Publicist: Tammy Sandler
Still Photographer: Tracy Bennett
Clearances Lead: Vanessa Bendetti
Casting Associate: Jeremy Rich
Casting Assistant: Melissa Kostenbauder
Animal Coordinator/Head Trainer: Steve Berens
Supervising Music Editor: J.J. George MPSE
Production Music Editor: Kevin Crehan
Temp Music Editor: Tom Kramer
Assoc Music Sups: Bryan Bonwell, Betsy Hammer
Score Recordist & Mixer: Nick Wollage
Recordists, Add'l Music: Katia Lewin, Rupert Coulson, Richard Cooper
Score Orchestrations Supervisor: Alastair King
Orchestra Conductor: Michael Novick
Assistant, Mr. Gregson-Williams: Christian Davis
Digital Workstation Operator: Kevin Globerman
Orchestra Contractors: Sandy DeCrescent, Peter Rotter
Vocal Contractor, Score: Isobel Griffiths
Choir Master: Jenny Grady
Head of Music Preparation: Booker White
AVE Main Title Designer: Simon Cassels
AVE Designers: Tony Meister, William Lawrence
EFilm Digital Film Colorist: Steve Bowen
EFilm Digital Inter. Producer: Eileen Godoy
EFilm Digital Intermediate Editor: Amy Pawlowski
EFilm Digital Color Assistant: Kat Rowe
Second Unit Director: Simon Crane
Second Unit First AD: Matt Rebenkoff
Second Unit Second AD: Mark Trapenberg
Second Unit Director of Photog.: Dean Semler ASC ACS
Second Unit Gaffer: Jon Gilson
Second Unit Propmaster: Max Brehme
Second Unit Production Coord: Donald Wygal
Second Unit Special Effects Foreman: Don Frazee
Second Unit A Operator: Richard Merryman ACS
Second Unit B Camera Operator: Jerry Calloway
Second Unit C Operator: Jason Ellson ACO
Second Unit A First AC: Tony Rivetti
Second Unit B First AC: Joe Ponticelli
Second Unit C First AC: Steve Wong
Second Unit A Second AC: Roger Wall
Cinesite VFX Supervisor: Matt Johnson
Cinesite VFX Producers: Catherine Duncan, Clare Norman
Cinesite VFX Line Producer: Carrie Rishel
Cinesite Senior VFX Coordinator: Jan Meade
Cinesite VFX Coords: Lee Chidwick, Clare Downie
Cinesite Executive Producer: Courtney Law
Cinesite CG Supervisor: Jon Niell
Cinesite Composite Supervisor: Christian Irles
Cinesite Lead Character Animator: Peter Clayton
Cinesite Look Development Lead: Ramin Kamal
Cinesite Lead Lighter: Axel Akesson
Cinesite Lead Crowd TD: Jane Lisa Wild
Cinesite Crowd TD: Jared Embley
Cinesite Lead Matchmover: John Sissen
Cinesite Digital Matte Painter: Sevendalino Khay
Cinesite R&D TD: Michele Sciolette
Cinesite Head of Business Dev: Gill Roberts
Cinesite Production Supervisor: Dan Pettipher
Cinesite 3D Supervisor: Claire McGrane
Hydraulx VFX Supervisors: Erik Liles, Chris Wells
Hydraulx VFX Designers: Colin Strause, Greg Strause
Hydraulx Executive Producer: Scott Michelson
Hydraulx VFX Producer: Tony Meagher
Hydraulx CG Supervisor: Morris May
Hydraulx Modeling Supervisor: Yoshiya Yamada
Hydraulx Technical Supervisor: Chris Haney
Hydraulx Character Supervisor: Joseph Harkins
Hydraulx 2D Supervisor: Erik Bruhwiler
Hydraulx VFX Coordinator: John Polyson
Hydraulx CG Coordinator: Kim LeBrane
Hydraulx Inferno / Flame Compositor: Loeng Wong-Savun
Hydraulx Rotoscope/Digital Clean-Up & Lola VFX Inferno Artist: Jeremiah Sweeney
Hydraulx Character Technician: Chase Cooper
Hydraulx CG Generalist: Chris Radcliffe
Hydraulx Shader Technician: Dan Kruse
Hydraulx Cloth Simulations: Marcus Erbar
Hydraulx VFX Editor: Jon Grinberg
Hydraulx VFX Stills Photog.: Patrick Flannery
Tippett VFX Supervisor: Thomas Schelesny
Tippett Studio VFX Producer: Paul Hill
Tippett Studio CG Supervisor: Charles Rose
Tippett Art Director: Nathan Stinus Fredenburg
Tippett Compositing Supervisor: Joe Bailey
Tippett Studio Character Set-Up: Eric Baker
Tippett Studio CG Painter: John Rader
Tippett Studio CG Modeler: Seung Jang Kim
Tippett Studio Roto-Paint Lead: Ross Nakamura
Tippett Studio Digital PM: Adrienne Anderson
Fuel VFX Visual Effects Super: Simon Maddison
Fuel VFX Visual Effects Producer: Jason Bath
Fuel VFX Compositing Supervisor: Sam Cole
Fuel VFX CG Supervisor: Roy Malhi
Fuel VFX Lead TD & Lighting Super: Pawel Olas
Fuel VFX Matte Painter: Luke Bubb
Fuel VFX Visual Effects Coord: Claudia Lecaros
Fuel VFX Matchmove Artist: Emily Tucker
Whiskytree Visual Effects Super: Jonathan Harb
Whiskytree Visual Effects Producer: Joshua Ong
Whiskytree Art Director: Joe Ceballos
Whiskytree TD: Sam Cuttriss
Rotofac Digital Effects Sup: Nicholas Cernigila
Rotofac Comp Supervisors: Shuici Yoshida, David Aughenbaugh
Rotofac Seq. Sups: Radley Teruel, Indah Maretha
Lola VFX Visual Effects Supervisor: Casey Allen
Lola VFX Inferno Artists: Clark Parkhurst, Trent Claus
Look Effects Visual Effects EP: Steve Dellerson
Look Effects Visual Effects Supervisor: Max Ivins
Look FX Visual Effects Coord: Andy Simonson
Look Effects Digital Compositor: Craig Mathieson
Alterian Makeup & CFX Designer: Tony Gardner
Alterian Project Supervisor: Tim Huizing
Alterian Concept Design: Lilo Tauvao
Alterian Mold Supervisor: Greg Johnson
Alterian Dental Effects Technician: Ken Banks
Alterian Alien Costuming: Lisa Harris
Alterian Foam Technician: Mark Vinello
Alterian Effects Technician: Aaron Romero
Filming Dates: February 2008 - April 2008
Cameras: Arriflex 435 & Panavision® Genesis® (35mm Kodak Vision3 500T 5219 & 1080p HD Video)
Lenses: Panavision® Primo SL Primes, SLZ 17.5-75mm Zoom, SLZ11 24-275mm Zoom & SLZ3 Hubble 135-420mm Zoom
AR: 2.39:1 (3- & 4-Perf Super 35mm)
Budget: 80-100 Million USD
Budget AFI (2022): 110.2-137.8 Million USD
Printed on: Kodak Vision 2383
Score Recorded & Mixed at: Newman Scoring Stage, Remote Control Productions, British Grove Studios & Air Lyndhurst Studios
Main & End Title Sequence Design + Animation by: Asylum Visual Effects
Digital Intermediate, Color & Opticals by: EFilm & Deluxe®
Visual Effects Provided by: Cinesite Europe, Hydraulx, Tippett Studio, Fuel VFX, Whiskytree, Rotofactory, Lola VFX & Look Effects
Makeup & Creature Effects by: Alterian
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision® (as Panavision® Genesis®) - DirectorAdam ShankmanStarsJulianne HoughDiego BonetaTom CruiseA small-town girl and a city boy meet on the Sunset Strip while pursuing their Hollywood dreams.
- DirectorAdam ShankmanStarsTaraji P. HensonKristen LedlowJosh BrenerA woman is boxed out by the male sports agents in her profession, but gains an unexpected edge over them when she develops the ability to hear men's thoughts.Executive Producer: Adam Shankman
Co-Writer: Tina Gordon
Screenwriters: Peter Hyuck, Alex Gregory
Story Writer: Jas Walters
Producers: Will Packer, James Lopez
Executive Producer: Taraji P. Henson
Cinematographer: Jim Denault ASC
Cinematographer, BTS: Kyle Leonard
Production Designer: Mark Hutman
Film Editor: Emma E. Hickox ACE
Costume Designer: Sekinah Brown
Composer/Conductor/Score Producer: Brian Tyler
Composer, Paramount Theme: Michael Giacchino
First Assistant Director: Spencer Jarvis
Second Assistant Director: Amir R. Khan
Stunt Coordinator: Jennifer Badger
Executive in Charge of Production: Ralph Bertelle
Post Production Supervisor: Lisa Rodgers
"A" / Steadicam Operator: Dave Thompson SOC
"A" Camera Operator: Spencer Hutchins
"A" Camera Focus Puller / First AP: Bob Mancuso
"B" Camera Operator: Jan Ruona
"B" First Assistant Photographer: Dan Turek
"B" Second Assist Photographer: Kyle Simmons
"C" Camera Operator: Tiko Pavoni
"C" First Assistant Photographer: Louis Smith
"C" Second Assistant Photog: Violet Jackson
Add'l First Assistant Photog: Michael Dzialowski
Overall Special Effects Supervisor: David Fletcher
Generator Operator: Joshua Robert Warren
Lighting Technician: Rob Russell
Rigging Gaffer: Guy Broussard
Rigging Electrician: Justin Kursinsky
DMX Technician: Ryan Riegner
Oculus Head Tech: Kenny Rivenbark
Russian Arm Operator: Michael Jordan
"B" Dolly Grip: Larry S. Young
"A" Camera Operator, EPK: Marc Menet
Second Unit Second Assist. Director: Dan Short
VFX Array Plate Unit 'A' Second AP: Kevin Wilson
Overall Visual Effects Supervisor: Nathan Stone
Overall Visual Effects Producer: Stuart Campbell
Visual Effects Prod Coordinator: Jacquelyn Racine
Technicolor VFX Roto Compositor: Juan Alvarez
Double Barrel VFX Lead Compositor: Jon Romeo
Iloura Compositor: Chris Henryon
Supervising Digital Colorist: Michael Hatzer ASC
Music Editor/Score Co-Producer: Joe Lisanti
Score Coordinator: Stephanie Bryant
Music Editor: Johnny Caruso
Filming Dates: March 2018 - June 2018
Cameras: Alexa Mini & SXT (3.4K ARRIRAW)
Lenses: Arri Master Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 20 Million USD
Visual Effects Provided by: Double Barrel VFX - DirectorAdam ShankmanStarsAmy AdamsPatrick DempseyMaya RudolphFifteen years after her happily ever after, Giselle questions her happiness, inadvertently turning the lives of those in the real world and Andalasia upside down in the process.Story Writer / Choreographer / E.P.: Adam Shankman
Screenwriter: Brigitte Hales
Story Writers: David N. Weiss, J. David Stem, Richard LaGravenese
Producers: Barry Josephson, Amy Adams, Barry Sonnenfeld
Executive Producer / Key Unit PM: Jo Burn
Executive Producer: Sunil Perkash
Cinematographer: Simon Duggan ASC ACS
Cinematographer, AP UK 2nd Unit: Oliver Loncraine
Cinematographer - Aerial Unit, AP US: Brian Heller
Production Designer: Dan Hennah
Film Editors: Emma Burford Hickox ACE, Chris Lebenzon ACE
Costume Designer: Joan Bergin
Costume Designer (NY): Elizabeth Shelton
Production VFX Supervisor: Charley Henley
Production VFX Producer: David Feinsilber
Composer (Songs & Score), Song Lyrics Writer & Producer: Alan Menken
Song Lyrics Writer/Prod: Stephen Schwartz
Music Producer / Supervisor: Matt Sullivan
Songs Arranger & Score Conductor: Michael Kosarin
Casting: Cindy Tolan, Louise Keily CDG
Unit Production Manager: Niamh Gale
First Assistant Director: Spencer Jarvis
Second Assistant Director: Orla King
Co-Producer: Lori Korngiebel
Head Stunt Coordinator: Giedrius Nagys
Head Stunt Rigger: Brendan Condren
Stunt Office Coordinator: Barbara Griffin
Stunt Coordinator - AP UK: Ben Cooke
Assistant Stunt Coordinator - AP UK: Marlow Warrington-Mattei
Head Stunt Rigger - AP UK: Jason Brown
Stunt Office Coordinator - AP UK: Jo Fox
Stunt Double to Mr. Dempsey - AP UK: Shane Roberts
Stunt Utility Assistant - AP UK: Tom Cotton
Stunt Coordinator - AP US: Douglas Crosby
Stunt Double to Ms. Adams - AP US: Randi Langdon
Stunt Double to Mr. Dempsey - AP US: George Colucci
Stunt Double to Ms. Baldacchino - AP US: Margo Graff
Co-Assistant Choreographers: KC Monnie, Hayley Roderick
2nd Unit Director: Hannah Quinn
Financial Controller: Síle Dorney
Prod Manager - Covid: Dara McClatchie
Supervising Art Dir's: Shane McEnroe, Gary McGinty
Supervising Set Decorator: Jenny Oman
HOD Greensman: Stephen Kelly
Construction Manager: Nicky MacManus
Supervising Loc. Manager: Maria O'Connor
Overall Location Manager: Lorcan Berney
Special Effects Supervisor: Kevin Byrne
HOD Prop Modeller: Greg Keeley
Costume Supervisor: Ciara McArdle
Hair Designer / Stylist to Ms. Rudolph: Orla Carroll
Makeup Designer / Stylist to Ms. Rudolph: Sharon Doyle
A Camera Operator: Ciarán Barry
B / Steadicam Operator: Matt Fisher
Script Supervisor: Louise Gaffney-Farrell
Sound Mixer: Dan Birch
Gaffer: Barry Conroy
Key Grip: Phillip Murphy
Key Prop Master: Keith Cullen
Art Dir's: Til Frohling, Robert Barrett, Abigail O'Callaghan
Standby Art Director: Aoife Murray
PBs: Marion Picard, Anna Kirwin, Emma Lowney
Production Buyer (UK): Alice Wigley
Lead Graphic Designer: Fiona Cooney
Assistant Set Decorator: Cathy Hegarty
Graphic Designer: Pilar Valencia
Art Dept. Coordinator: Aoife Thunder
Art Dept. Trainee: Shauna Callanan
Set Design Trainee: Jason O'Connor
Set Dec Coordinator: Anna Marie Casey
Assist Costume Designer: Suzanne Keogh
Costume Coordinator: Grace Lennon
Costume Design Assist: Debbie Millington
Costume Admin Coordinator: Anna Keely
Crowd Makeup Supervisor: Tina Phelan
Crowd Hair Supervisor: Marion O'Toole
'A' Camera First AC: Philip McKeon
'B' Camera First AC: Eoghan Fleming
'A' Camera Second AC: John McCarthy
'B' Camera Second AC: Patrick Moran
'A' Camera Trainee: Aimee Stones
'B' Camera Trainee: Caoimhe Hernon
DIT: Sean Leonard
DIT Trainee: James Culloty
Video Assist Operator: Darren Bermingham
Video Assist Assistant: Alan Flynn
Video Assist Trainee: Rizwan Rao
'A' Camera Grip: Oisín Kelly
'B' Camera Grip: David O'Connor
Trainee Grip: Mick Hogan
Key 3rd Assistant Director: Nicola Jackson
Crowd 3rd Assistant Director: Kieron Walsh
Base Third Assistant Director: Karen Byrne
Extras Coordinator: Siobhán Kavanagh
Asst. Extras Coordinator: Alice Flanigan
Dancers Third AD: Ciara Wiley
On Set Stand In (Pip): Charlie Kranz
On Set Stand In (Scroll): Damien Devaney
Location Dept Coord: Noreen Fitzgerald
Production Accountant: Emer Egan
Production Accountant (UK): Billi Webster
Accounts Coordinator: Emer Fitzpatrick
ATL Accountant: Lisa Hogan
Payroll Accountant: Miriam McLaughlin
Payroll Accountant (UK): Annie Gaudet
Payroll Assistant (US): Angela Kelway
AP Accountant: Johnny Mulligan
Post Accountant: Hallie Rivera
Assist Post Accountant: Roberto Burgos
Post Payroll Accountant: Sedef Degirmenci
Additional Film Editor: Joshua Kirchmer
First AEs: Joseph Kirkland, Alexandra Scratch
Second Assistant Editor: Michelle Inzunza
Overall VFX Editor: Claudia Huerta Jolly
VFX First Assistant Editor: Kenton Hulme
Animation First Assist Editor: Lucie Lyon
Third Editorial Assistant: Alex Joyce
Elastic Creative Lead: Hazel Baird
Elastic Editor: Rachel Fowler
Elastic Producer: Mitchell Fraser
Company 3 Colorist: Siggy Ferstl
Company 3 Finishing Producer: Ray Horta
Company 3 Assistant Producer: Jim Levine
Company 3 Finishing Editor: Joe Ken
Company 3 Image Scientist: John Quartel
Company 3 Technologist: Michael Chiado
Company 3 Color Assistant: Nick Nassif
Company 3 Finishing Executive: Jackie Lee
CO3 HOPs: Carl Moore, Laura Geucherian
Company 3 President: Stefan Sonnenfeld ASC
CO3/SS Dailies Producer: Alan Collins
CO3/SS Dailies Colorist: Gerard McCullagh
Rigging Gaffer: Ian Madden
Office Best Boy: Paul McNulty
Floor Best Boy: Mark McGowan
Genny Operator: Marc Cole
Practical Electrician: Morgan Conway
Chief DMX Technician: Terry Mulcahy
DMX Technician: Matthew McNulty
Sr Floor Technician, SFX: Michael Kearns
Senior SFX Technician: Martin Fitzpatrick
SFX Operations Coord: Cormac O'Sullivan
Special Effects Technicians: Eddie Kenny, Eamon Lynham, Stephen Fitzpatrick
Second SFX Technician: Bennett Warden
SFX Workshop Foreman: Oliver Byrne
Production Supervisor: Cara Loftus
Production Coordinator: Ciara Duffy
Assistant Production Coordinator: Melissa Lawlor
Second Unit DoP/'A' Operator: Tim Fleming
Second Unit Prod Manager: Yvonne Burke
Second Unit 1st A.D.: Anna Harrison
Second Unit 3rd Asst Director: David Ivory
Second Unit 'A' Cam First AC: Conor Kelly
Second Unit 'B' First AC: Tommy Griffin
Second Unit Camera Trainee: Leah O'Toole
Second Unit Trainee A.D.: Rachel Morgan
Second Unit DIT: Simon Keenan
Second Unit Video Assist: Dillon Reed
Second Unit Gaffer: Louis Conroy
Second Unit Location Manager: Karl Daly
Visual Effects Production Manager: Melvyn Nichols
Visual Effects Coordinator: Brooke Fricke
Set Survey Technician, VFX: Dan Rickard
Assist Data Wrangler, VFX: Barra O'Connor
Witness Camera Operator, VFX: Fionnuala McCormack
VFX Production Assistant: Abby Greene
Second Unit Director, AP UK: Tom Napper
B/Steadicam Op, AP UK: Barney Piercy
Gaffer, Add'l Photog UK: Stephen Mathie
SFX Supervisor, AP UK: Luke Murphy
Prop Master, AP UK: Colin Mutch
Art Directors, AP UK: Richard Selway, Luke Whitelock
Storyboard Artist, AP UK: Jane Clark
DIT, Additional Photography UK: Joe Coffey
First Asst Dir., AP UK 2nd Unit: Joe Geary
Chief LT, AP UK 2nd Unit: Nilo Kalimerakis
Key Grip, AP UK 2nd Unit: Alex Fraser
Unit PM, Add'l Photog US: Michael Kriaris
Key Second AD, AP US: Luke A. Crawford
Supervising Art Dir, AP US: Chris Shriver
Chief Lighting Technic, AP US: Bill Almeida
Key Grip, Add'l Photog US: David Lowry Jr
Prop Master, AP US: Ruby Moshlak
SFX Supervisor, AP US: Dustin Riedman
2nd Unit Director, AP US: G.A. Aguilar
Aerial Unit Key Second AD, AP US: Sandi Greenberg
Aerial Unit Pilot, AP US: Al Cerullo
Aerial Unit Co-Pilot, AP US: Steve DeMeo
Overall Animation Producer: Carolyn Bates
Animation Production Coordinator: Alex Cohen
Animation Prod Assist: Taís Ribeiro Silva
Tonic DNA EPs: Howard Huxham, Bernard Lajoie
Visual Effects Assistant Supervisor: Abigail Scollay
Visual Effects In-House Artist: Chris Dawson
MPC VFX Supervisor: Sébastien Raets
Barnstorm VFX Supervisor: Brad Minnich
Crafty Apes Sr Producer: Jason Sanford
LVE Visual Effects Supervisor: Edson Williams
==============================
Filming Dates: 17 May 2021 - 22 July 2021, 20 March 2022 - April 2022 (Reshoots)
Camera: Alexa Mini LF (4.5K ARRIRAW)
Lenses: Arri Signature Primes & Fujinon 28-100 Zoom
AR: 2.39:1 (3-Perf Super 35mm)
Main On End Titles by: Elastic Design
Color & Finish + Dailies by: CO3 & Screen Scene
2D Animation & Visual Effects by: Tonic DNA, MPC & Lola Visual Effects
Distributed by: Walt Disney Studios Motion Pictures