X-Men Directors & Their Works #5: James Mangold
Note: Mangold directed reshoots for Greatest Showman as a favor to Hugh Jackman. He was given an EP credit
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12 titles
- DirectorJames MangoldStarsPruitt Taylor VinceLiv TylerShelley WintersThe life of an overweight, unhappy cook is changed after a kind, beautiful college drop-out comes to work as a waitress at his and his mother's road-side restaurant.
- DirectorJames MangoldStarsSylvester StalloneHarvey KeitelRay LiottaThe Sheriff of a suburban New Jersey community, populated by New York City police officers, slowly discovers the town is a front for mob connections and corruption.
- DirectorJames MangoldStarsWinona RyderAngelina JolieClea DuVallA directionless teenager, Susanna, is rushed to Claymoore, a mental institution, after a supposed suicide attempt. There, she befriends a group of troubled women who deeply influence her life.
- DirectorJames MangoldStarsMeg RyanHugh JackmanLiev SchreiberAn English Duke from 1876 is inadvertently dragged to modern day New York where he falls for a plucky advertising executive.
- DirectorJames MangoldStarsJohn CusackRay LiottaAmanda PeetStranded at a desolate Nevada motel during a nasty rain storm, ten strangers become acquainted with each other when they realize that they're being killed off one by one.
- DirectorJames MangoldStarsJoaquin PhoenixReese WitherspoonGinnifer GoodwinA chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis, and Carl Perkins.
- DirectorJames MangoldStarsRussell CroweChristian BaleBen FosterA small-time rancher agrees to hold a captured outlaw who's awaiting a train to go to court in Yuma. A battle of wills ensues as the outlaw tries to psych out the rancher.
- DirectorJames MangoldStarsTom CruiseCameron DiazPeter SarsgaardA young woman gets mixed up with a disgraced spy who is trying to clear his name.
- DirectorJames MangoldStarsHugh JackmanWill Yun LeeTao OkamotoWolverine comes to Japan to meet an old friend whose life he saved years ago, and gets embroiled in a conspiracy involving yakuza and mutants.Screenwriters: Scott Frank, Mark Bomback
Producers: Lauren Shuler Donner, Hutch Parker
Executive Producer & Key UPM: Joe Caracciolo Jr
Cinematographer: Ross Emery ACS
Cinematographer (Add'l Photog): Eric Schmidt
Cinematography Consultant: Amir Mokri
Production Designer: François Audouy
Film Editor: Michael McCusker ACE
Production VFX Supervisor: Philip Brennan
Composer & Score Conductor: Marco Beltrami
Composers (Add'l Music): Buck Sanders, Marcus Trumpp, Brandon Roberts
Costume Designer: Isis Mussenden
Associate Producer: Tom Cohen
Co-Producer: Hugh Jackman
Casting: Priscilla John CDG, Lisa Beach CSA, Suzanne Smith
1st Assistant Director: KC Colwell
Unit Production Manager: Anne Bruning
2nd Assistant Director: Deborah Antoniou
Supervising Stunt Coordinator: Allan Poppleton
Stunt Coordinator (Sydney): Kyle Gardiner
Fight Choreographer: Jonathan Eusebio
Stunts: Jon Valera, Ranae Moneymaker
Aerial Unit Helicopter Pilot: Fred North
Supervising Art Director: Ian Gracie
1st Assistant Art Director: Andrew Chan
2nd Assistant Art Director: Jenny Hitchcock
3rd Assistant Art Director: Simon Elsley
Set Decorator: Rebecca Cohen
1st Assistant Set Decorator: Katie Sharrock
2nd Assistant Set Decorator: Tuesday Stone
Graphic Designer: Michael Wholley
Art Dept. Coordinator: Colette Birrell
Research Coordinator: Naomi Piper
Art Dept. Runner: Daniel Kay
Set Dec Runner: Nick Hernandez
A Camera Operator: Marc Spicer ACS
B Camera/Steadicam Operator: Greg Gilbert
Add'l A Cam Op (Main & 2nd Units): Toby Oliver ACS
1st Assistant Camera (A Camera): Matt Toll
1st Assistant Camera (B Camera): David Elmes
2nd Assistant Cam (A Camera): Inaki De Ubago
2nd Assistant Camera (B Camera): Jack Mayo
DIT-Digital Loader: Christopher Reig
DIT Assistant: Hamish Mason
Camera Truck Loader: Meg White
2nd Unit Director: David Leitch
Production VFX Producer: Jamie Stevenson
Add'l Film Editor: Andrew Buckland ACE
Assoc. Film Editor & Production VFX Editor: John Berri
Temp & Final Music Editor: Ted Caplan
Score & Final Music Editor: Jim Schultz
Re-Recording Mixers: Ron Bartlett, DM Hemphill
1st Assistant Editor: Sandy Grubb
2nd Assistant Editor: Christopher Rucinski
1st Assistant VFX Editor: Michael Nouryeh
3D 1st Assistant Editor: Daniel A. Nussbaum
3D 2nd Assistant Editor: Rebekah A. Parmer
Post Production Coordinator: Anthony Dixon
Foley Supervisor: John Murray
Production VFX Coordinator: Jennifer Mizener
VFX Ass't Coordinators: Wesley Barker, Brent Armfield
Senior Data Wrangler (VFX): Alistair Jamieson
Production Data Wrangler (VFX): Davi Soesilo
Data Coordinator (VFX): Jodie Weston
Production Assistant (VFX): Steve Barsevick
Production Stereographer: Scott Wilman
Stereo Production Assistant: Logan Ketchum
Supervising Prop Master: Richie Dehne
1st Assistant Prop Master: Karyn-Lee Myoshi
Standby Props Lead: Robert Moxham
Props Assistant: Bill Goodes
Props Manufacture Supervisor: Peter Wyborn
Props Manufacture Foreman: Adam Grace
Personal Trainer to Hugh Jackman, Electrical Rigger & Safety Consultant: Michael Ryan
Casting (AUS): Nikki Barrett
Gaffer: Paul Johnstone
Junior Lighting Technician: Byron Allan
Rigging Gaffer: Mark Jefferies
Japanese Costume Assistant: Ryoko Cook
Special Makeup FX Supervisors: Paul Katte, Nick Nicolaou
Location Supervisor: Phillip Roope
Sup. Loc Manager & Dept. Coord: Lauren Cooper
Production Coordinator: Nicholas Copping
Assistant Production Coordinator: Merilyn Cook
Equipment Coordinator: Jonny Kennerley
Production SFX Supervisor: Brian Cox
SFX Assistant Supervisor: Lloyd Finnemore
SFX Office Coordinator: Leanne Brooks
Production SFX Foreman: Steve Zac Szekeres
SFX On Set Foreman: John Van Der Pool
Production SFX Buyer: Billy Aziz
Production SFX Model Maker: Tom Davies
Production SFX Laborer: Mitchell Rothmann
Production SFX Runner: Lando Edwards
Action Vehicles Supervisor: Geoff Naylor
Action Vehicles Office Coordinator: Anna Faigen
Production Accountant (US): David M. Atkinson
Production Accountant (AUS): Dan Read
2nd 2nd Assistant Director: Nerida Groth
On Set 2nd 2nd Assistant Director: Chris Turner
Safety Supervisor: Leon Stripp
Unit Manager: Simon Lucas
Assistant Unit Manager: Nathaniel Purdon
Aerial Unit DoP: Hans Bjerno ASC
Weta Senior VFX Supervisor: Joe Letteri
Weta Lead VFX Supervisor: Martin Hill
Weta Senior VFX Producer: Anette Wullems
Weta Animation Supervisor: Michael Cozens
Weta Model Supervisor: Florian Fernandez
Weta Comp Supervisor: Florian Schroeder
Weta Texture Leads: Holly Acton, Francis Hsu
Weta FX Lead: Brian Goodwin
Weta Creature Lead: Matthew Muntean
Weta Layout Lead: Jonas Sperl
Weta On-Set VFX TD: Matt Mueller
Weta Environ. Leads: Samuel Doyle, Eric Hamel
Weta VFX Production Manager: Tom Buys
Weta VFX Editor: Ben Hatton
Weta CG Supervisors: Phil Leonhardt, Luke Millar, Mike Perry
Weta Comp Leads: Evelyne Leblond, Ben Warner, Alfred Murrle
Weta Heads of Department: Gino Acevedo, Lee Bramwell
RSP Sr VFX Supervisors: Jason Madigan, Dennis Jones, Tim Crosbie, Nick Pill, Paul Kirwin
Iloura VFX Executive Producer: Ineke Majoor
Iloura Sr VFX Supervisors: Paul Buckley, Glenn Melenhorst
Iloura Senior VFX Producer: Martin Wiseman
Iloura Prod Managers: Tom Wild, Georgia Smith
Shade VFX Team: Bryan Godwin, Gabe Vargas, David Van Dyke, Jason Donnelly
2nd Unit DoP: Brad Shield ASC ACS
2nd Unit Production Manager: Anna Steel
2nd Unit 1st Assistant Director: Drew Bailey
2nd Unit Production Coordinator: Michaal Monk
2nd Unit Production Runner: Bernadette Regan
2nd Unit 2nd Assistant Director: Betty Fotofili
2nd Unit 3rd Assistant Director: Greg Tynan
2nd Unit A Camera Operator: Calum MacFarlane
2nd Unit 1st Assistant A Camera: Scott Dolan
2nd Unit 2nd Assistant A Camera: Jodi Smith
2nd Unit Gaffer: Moses Fotofili
2nd Unit SFX On Set Foreman: Julian Summers
2nd Unit Safety Supervisor: Laurence Pettinari
Unit Manager (2nd Unit): Pat Elkington
2nd Unit Ass't Unit Manager: Drew Steadman
1st Assistant Editor (Sydney): Cheryl Potter
2nd Assistant Editor (Sydney): Kento Watanabe
Editorial Prod Ass't (Sydney): Daniel Richardson
CO3 DI Finishing Colorist: Stephen Nakamura
CO3 DI Finishing Producer: Christian Prejza
Digital Conform Finishing Artist: Matt Johnson
CO3 DI Finishing Technologist: Michael Chiado
CO3 Color Finishing Assistant: Travis Flynn
Exec Finishing Producer: Stefan Sonnenfeld ASC
Post-Prod Japanese Consultant: Joy Nakagawa
EFilm General Manager (Dailies): Andy Robinson
EFilm Sup. Dailies Colorist: Olivier Fontenay
EFilm Dailies Colorist: Jamie Hediger
EFilm Dailies Producer: Matthew North
EFilm I/O Supervisor (Dailies): Nathan Smith
EFilm Data Manager (Dailies): Simon Alberry
EFilm I/O Assistant (Dailies): Peter Luczak
EFilm Prod Assistant (Dailies): Brisha Gurang
EFilm MU Data Tech (Dailies): Thomaz Labanca
EFilm 2U Data Technician (Dailies): Rod Wallwork
Pic Mill Title Designers: Will Lebada, F. Ron Miller
Picture Mill Senior Producer: David Midgen
ADR Session Producer (Japan): Junya Terui
ADR Session Coordinator (Japan): Kenjiro Naka
US Prod Manager (Japanese Unit): Paul Deason
US Production Sup (Japanese Unit): Nadia Payne
US Prod Accountant (Japanese Unit): Jim Dunlap
Japanese Unit Electrics Ass't: Chris Kenji Green
Japanese Unit Rigging Gaffer: Mark Watson
Japanese Unit Rigging BB Electric Lead: Joe Stick
Japanese Unit BB Grip (AUS): Pat Nash
Japanese Unit Loc Assistant: Shingo Yamagishi
Japanese Unit Still Photographer: James Fisher
Score Conductor & Orchestrator: Pete Anthony
Score Orchestrator & Preparation Sup.: Mark Graham
Score Orchestrators: Patrick Russ, Jon Kull, Dana Niu
Score Contractor: Peter Rotter
Score Recorder & Mixer: John Kurlandi
Digital Recordist (Original Score): Vincent Cirilli
Stereo D Stereo Exec Producers: William Sherak, Aaron Parry, Mike Gunter, Mike Bodkin
Stereo D Head of Stereography: Graham Clark
Stereo D Stereo Producer: Scotty Farrar
Stereo D Stereographer: Nick Stevens
Stereo D Stereo Supervisor: Reggie Harber
Stereo D Finaling Supervisor: Russell McCoy
Stereo D Stereo Prod Supervisor: Tim Broderick
Stereo D Roto Supervisors: Bryan Higgins, Daniel Schrepf
Stereo D Chief Technical Officer: Kuniaki Izumi
Stereo D VP of Technology: David Krause
Stereo D Head of Software Dev: Andy King
Stereo D VP of Int'l Prod Services: Prafull Gade
Stereo D Stereoscopic Post Exec: Milton Amadou
Stereo D VFX Manager: Charles Giarratano
Stereo D Ingest Manager: Bryan Burger
Stereo D Roto Manager: Andrea Stephens
Stereo D Finaling Manager: Tim Johnson
Stereo D Stereo Editorial Sup.: Derek N. Prusak
Stereo D Creative Services Man.: Lindsey Kaiser
Stereo D Operations Manager: Deborah Belz
Stereo D Senior Stereo Editor: Greg Emerson
Stereo D Stereo Editor: Adrian Scherger
Stereo D Element QC Lead: Les Foor
Stereo D Tracking Lead: Eric Sanford
Filming Dates: 30 July 2012 - 21 November 2012
Cameras: Alexa M, Plus 4:3 & Phantom Flex (2.8K ARRIRAW)
Lenses: Panavision C-Series Anamorphic Primes & Close Focus 60mm Anamorphic Prime
AR: 2.39:1 (Anamorphic)
Budget: 120 Million USD
Printed on: Kodak Vision 2383
Visual Effects & Animation Created by: Weta Digital, Method Studios & Shade
Additional Visual Effects Provided by: Universal Production Partners
Digital Intermediate Finishing & Dailies Provided by: Company 3 & EFilm Sydney
Main Titles Designed by: Picture Mill
3D Conversion Provided by: Stereo D
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorJames MangoldStarsHugh JackmanPatrick StewartDafne KeenIn a future where mutants are nearly extinct, an elderly and weary Logan leads a quiet life. But when Laura, a mutant child pursued by scientists, comes to him for help, he must get her to safety.Exec Producer & Co-Writer: James Mangold
Co-Producer: Hugh Jackman
Costume Designer: Daniel Orlandi
Production VFX Supervisor: Chas Jarrett
Composer: Marco Beltrami
Score Producer: Buck Sanders
Composers (Add'l Music): Brandon Roberts, Marcus Trumpp
Score Orchestrator: Mark Graham
Co-Producer/Unit Prod Manager: Dana Robin
Co-Producer & Production VFX Producer: Kurt Williams
Film Editors: Michael McCusker ACE, Dirk Westervelt ACE
Production Designer: François Audouy
Cinematographer: John Mathieson BSC
Cinematographer (Additional Unit): Phedon Papamichael ASC GSC
Executive Producer/UPM: Joseph M. Caracciolo Jr
Executive Producer & Key 1st AD: Josh McLaglen
Producers: Simon Kinberg, Hutch Parker, Lauren Shuler Donner
Co-Screenwriter: Scott Frank
2nd Assistant Director: Michael J. Musteric
Stunt Coordinator & 2nd Unit Director: Garrett Warren
Smelting Plant Unit Stunt Coordinator: Gary Hymes
Ass't Stunt Coordinator: Steven John Brown
Supervising Art Director: Chris Farmer
Set Decorator: Peter Lando
Research Consultant: Ozzy Inguanzo
A Cam/Steadicam Operator: Dave Luckenbach
B Camera Operator: Michael Applebaum
Production VFX Editor & Add'l Film Editor: John Berri
VFX Production Supervisor: Patrick Hurd
Production VFX Consultant: Ron Pogue
DI Colorist: Skip Kimball
Production SFX Supervisor: Garry Elmendorf
Vehicle Consultant: John Hancock
2nd Unit DoP: Lukasz Jogalia
2nd Unit A Cam Ops: Kent Harvey SOC, Chris Duskin, Joseph V. Cicio, Chris Raymond
NM Unit Art Director: Jordan Ferrer
Add'l Unit Dolly Grip (Add'l Photography): T. Sano Kwong
Image Engine VFX Supervisor: Martyn Culpitt
Image Engine VFX Assoc Supervisor: Robin Hackl
Image Engine VFX Producer: Cara T. Davies
Image Engine VFX Exec Producer: Shawn Walsh
Soho VFX Senior VFX Supervisor: Keith Sellers
Soho VFX Supervisor: Berj Bannayan
Soho VFX Senior VFX Producer: Allan Magled
Soho VFX Producer: Kelly McCarthy
RSP VFX Supervisors: Dennis Jones, Anthony Smith
RSP VFX Executive Producer: Gillian Howe
Filming Dates: 9 May 2016 - 19 August 2016
Cameras: Alexa Mini & XT Plus (2.8K/3.4K ARRIRAW)
Lenses: Panavision E-Series Anamorphic Primes, T-Series Anamorphic Wide-Angle (37-85mm) Zoom, Anamorphic Frazier Lens System, Zeiss Primes, Cooke Varotal (AL & SL) Zooms & Optica Elite Zoom
AR: 2.39:1 (Anamorphic)(Super 35mm: Some Shots)
Budget: 97 Million USD
Visual Effects Provided by: Image Engine, Soho VFX & Rising Sun Pictures
Additional Visual Effects Provided by: Lola VFX
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorJames MangoldStarsMatt DamonChristian BaleJon BernthalAmerican car designer Carroll Shelby and driver Ken Miles battle corporate interference and the laws of physics to build a revolutionary race car for Ford in order to defeat Ferrari at the 24 Hours of Le Mans in 1966.
- DirectorJames MangoldStarsHarrison FordPhoebe Waller-BridgeAntonio BanderasArchaeologist Indiana Jones races against time to retrieve a legendary artifact that can change the course of history.Writer: James Mangold
Casting Director: Nina Gold CSA
Production Visual Effects Supervisor: Andrew Whitehurst
Music Supervisor: PJ Bloom
Composer: John Williams
Costume Designer: Joanna Johnston
Picture Editors: Michael McCusker ACE, Dirk Westervelt ACE, Laura Jennings
Production Designers: Adam Stockhausen, Frank McGowan
Cinematographer: Phedon Papamichael ASC GSC
Exec Producers: Steven Spielberg, George Lucas
Producer: Frank Marshall
Producer & Unit PM: Simon Emanuel
Writers: Jez Butterworth, John Butterworth
Unit PMs: Matt Jones, Martin Joy
First ADs: Matthew Penry-Davey, David Webb
Key Second Assistant Director: James Manning
Second Unit Director / Director of Photography: Patrick Loungway
Supervising Stunt Coordinator: Ben Cooke
Stunt Coordinator: Jamie Edgell
Stunt Coordinator / Lead Double: Mike Massa
Stunt Coord (Italy) / Performer: Giorgio Antonini
Stunt Department Coordinator: Joanne Fox
Assistant Stunt Coord: Marlow Warrington-Mattei
Supervising Art Director: Martin Foley
Senior Art Director: Oli Van Der Vijver
Sr Art Director, Development: Andrew Palmer
Assistant Art Director: Olivia Muggleton
Supervising Set Decorator: Anna Pinnock
Sr Asst Set Decorators: Sophie Newman, Prue Howard
Junior Assistant Set Decorator: Jessica Meredith
A Cam / Steadicam Operator: Julian Morson ACO
First Assistant "A" Camera: Olly Tellett
Second Assistant "A" Camera: Jack Sands
"B" / Steadicam Add'l Operator: Matthew Poynter
First Assistant "B" Camera: Leigh Gold
Second Assistant "B" Camera: Filippo Maso
"C" First AC (Main & Splinter Units): Dave Pearce
Digital Imaging Supervisor: Ben Appleton
Data Manager: Lily Archbutt
Gaffer: David Sinfield
Rigging Supervisor: Fred Brown
"A" Camera Grip: Nic Cupac
"D" Camera Grip: Daniel Moger
Remote Production Supervisor: Peter Welch
Second Assistant Director: Emily Thomas
Crowd Second ADs: Daisy Baldry, Mike Middleton
Third Assistant Director: David Sowerby
Base Third Assistant Director: Lucia Serpini
Crowd Third Assistant Director: David Connon
Supervising Location Manager: Duncan Broadfoot
Foreign Locations Manager: Matt Jones
Production SFX Supervisor: Alistair Williams
SFX Prep Supervisor: George Buckleton
SFX Asst W/Shop Supervisor: Julian Butterfield
Production SFX Coordinator: Hiram Bleetman
SFX Assistant Coordinator: Jannie Hoekman
Sr SFX Designer & Technician: Nick Martin
SFX Design Co-Lead: Simon Rafferty
SFX Lead Technician: Jake Dimmer
SFX Sr Techs: Dominic Allan, Darren Shearwood
SFX Assistant Technician: Jan Kurmanowski
SFX Electrical Engineer: Leon Van Der Walt
SFX Office Assistant: Megan Williams
Senior Animatronic Designer: Peter Hawkins
Supervising Prop Master: Ben Wilkinson
Assistant Prop Master: Matt Cooke
Action Prop Supervisor: Sonny Merchant
Props Workshop Supervisor: Christian Short
Props Coordinator: Jordan Primus
IT Props Coordinator: Laura Ninni
Lead Graphic Designer: Laura Dishington
Greens Supervisor: Steven Murphy
Supervising Scenic Painter: John Pinkerton
Senior Supervising 3D Prop Modeler: Steve Dring
Art Department Coordinator: Vicky Ralph
Art Department Assistant: Will Camm
Set Dec Assistant Art Director: Katy Schurr
Set Dec Runner: Amrit Sagu
Pic Vehicle Floor Coordinator: Adriano Monetti
Lead Vehicle Technician: Mike Shuttleworth
Pic Vehicles Sr Techs: Thomas Kerslake, Witold Wawrowski
Stunt Vehicle Supervisor: Graham Kelly
Lighting Vehicle Provider: Robert Arrand
Post Associate Supervisor: Cody Vandenberg
Lead VFX Data Wrangler: Steven Barham
VFX Data Wranglers: Lorenzo Antico, John Hackney, Paul McVeigh
ILM Sr Visual Effects Supervisor: Robert Weaver
ILM Animation Supervisor: Matt Shumway
ILM Additional Visual Effects Supervisor: John Knoll
ILM Associate Visual Effects Supervisor: Pablo Acri
ILM Visual Effects Supervisor: Will Reichelt
ILM Visual Effects Art Directors: Amy Christenson Smith, Alex Jaeger, Stephen Tappin
ILM Visual Effects Senior Producer: Marissa Gomes
ILM Visual Effects Producer: Josiane Fradette
ILM Associate Visual Effects Producer: Alice Kahn
ILM Senior Layout Artist: Michael DeBeer
Soho VFX Executive Producer: Kelly McCarthy
Soho VFX Matte Painter: Daniel St-Amant
Yard VFX Visual FX Supervisor: Laurens Ehrmann
Crafty Apes Rigging Artist: Nick DeMaioribus
CAS Lidar Capture Technician: Chris Spencer
CAS Lidar Scanning Technician: Jörg Geidel
CAS Capture Technician: George Daios
CAS Ass't Capture Techs: Jack Creaner, Oscar Dobson, Harry Shaper
CAS Senior 3D Manager: Mnandi Ridley
CAS 3D Manager: Hazel Weatherall
Company 3 Finishing Colorist: Skip Kimball
Company 3 Color Producer: Jared Arkulary
Company 3 Finishing Editor: Craig Price
Company 3 Technologist: Ben Jones
Company 3 Dailies Supervisor: Tom Mitchell
CO3 Supervising Dailies Colorist: James Slattery
Company 3 Dailies Colorist: Brett Rayner
Company 3 Lead Dailies Operator/Add'l Colorist: Lulu Ladd
Company 3 Dailies Producer: Gemma Saunders
Panavision SVP, Optical Engineering: Dan Sasaki ASC
Filming Dates: 4 June 2021 - 26 February 2022
Camera: Alexa LF (4.5K ARRIRAW)
Lenses: Panavision C- & T-Series Anamorphic LF 1.85x Primes
AR: 2.39:1 (Anamorphic)
Budget: 294.7-295 Million USD
Visual Effects & Animation by: Industrial Light & Magic, Important Looking Pirates, Midas VFX, Soho VFX, Crafty Apes + The Yard VFX
Visualization Services Provided by: Proof
Lidar & Cyberscanning by: Clear Angle Studios
3D Conversion Provided by: Stereo D
Color Finishing & Dailies Provided by: Company 3
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision