The Works of Director Gore Verbinski
Yes, his uncredited work on The Time Machine (2002) counts (Verbinski directed the last 3 weeks of principal photography as a favor to original director Simon Wells, who was suffering from exhaustion). Verbinski was given a "Thanks to" credit at the end of the film.
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- DirectorGore VerbinskiStarsNathan LaneLee EvansVicki LewisTwo stumblebum inheritors are determined to rid their antique house of a mouse who is equally determined to stay where he is.Casting: Denise Chamian CSA
Composer/Conductor: Alan Silvestri
Production VFX Supervisor: Charles Gibson
Costume Designer: Jill Ohanneson
Film Editor: Craig Wood ACE
Production Designer: Linda DeScenna
Cinematographer: Phedon Papamichael ASC GSC
Executive Producers: Steven Spielberg, Jeffrey Katzenberg, David Geffen
Co-Executive Producers: Walter F. Parkes, Laurie MacDonald
Co-Producers: Frank Marshall, Gerald R. Molen
Producer: Bruce Cohen
Writer: Adam Rifkin
Dedicated to: William Hickey
Unit Production Managers: Herbert W. Gains, Vicki Niemi
1st Assistant Director: Benita Allen-Honess
2nd Assistant Director: Fred Roth
Associate Producer: Bart Brown
Production VFX Producer: Jenny Fulle
Stunts: Steve Picerni, Mic Rodgers, Charles Picerni
Art Director: James Nezda
Set Decorator: Ric McElvin
A-Camera Operator/2nd Unit Add'l DoP: Wally Pfister ASC BSC
B-Camera Operator: Casey Hotchkiss SOC
1st Assistant A-Camera: Bob Hall
2nd Assistant B-Camera: DJ Harder
Camera Loader: Daniel McFadden
B-Camera Intern: David A. Seekins
Sound Mixers: Steve Maslow, Gregg Landaker
Gaffer: Rafael E. Sanchez
Rigging Gaffer: Gary Dahlquist
Key Grip: Michael J. Coo
Prop Master: Tommy Tomlinson
Production SFX Coordinator: Michael Lantieri
Production SFX Foreman: Donald R. Elliott
Rigging FX Foreman: Thomas Pahk
Stunt Coordinator: M. James Arnett
Stunts Rigger: Pat Romano
Production Associate: R. Miles Ross
Location Manager: Arlene Kehela
Production Coordinator: Lisa Swain
Pre-Production Coordinator: Lois Walker
1st Assistant Editor: Alan Z. McCurdy
Production VFX Editor: Sharon Smith Holley
2nd Assistant Editor: Tony Bacigalupi
3rd Assistant Editor: Simon Morgan
4th Assistant Editor: Chris Jackson
Production VFX Coordinator: Cheryl A. Jones
2nd 2nd Ass't Director: Alan Steinman
Set Designers: Lauren Cory, Al Hobbs, Mary Finn, Stan Tropp
2nd Unit DoP: Mark Vargo ASC
2nd Unit 1st Ass't B-Camera: Steven Matzinger
2nd Unit 2nd Ass't B-Camera: Philip Shanahan
2nd Unit 1st Ass't Director: Art Robinson
2nd Unit Key Grip: Jack Bauer
2nd Unit Prop Master: William McLaughlin
R&H Animation & Lighting Supervisor: Sylvia Wong
R&H VFX Producer: Shannon Casey
R&H VFX Coordinator: Chad Merriam
R&H CG Supervisor: Mary Lynn Machado
R&H CG Lead Animators: Brian Dorwick, Nancy Kato
R&H CG Animators: Doug Gallery, Glenn Ramos, Kent Yoshida
R&H CG Lead Lighters: Raymond Chen, John Dietz
R&H FX Animator: Peter Farson
R&H Lead Compositor: Betsy Paterson
R&H Digital Comp Supervisor: Tom Lesser
R&H VFX Editor: John Margolies
R&H VFX Ass't Editor: Dorre Street
R&H Post-Production Manager: Michael Taylor
R&H Scanning & Film Recording Engineer: Will McCown
R&H Plate Coordinator: Stephanie Taylor
SWS Animatronic FX Designer & Creator: Stan Winston
SWS FX Supervisors: Shane Patrick Mahan, Paul Meijas
SWS Concept Art Director: Mark Crash McCreery
SWS Art Dept. Coordinator: John Rosengrant
SWS Art Dept. Artist: Lindsay MacGowan
SWS Production Coordinator: Stiles White
RMP DFX Supervisors: Mark Franco, Peter Sternlicht
RDP Production Manager: Karen Kutchka
ALF VFX Art Director: Andy Brown
ALF Technical Supervisor: David Dualc
ALF VFX Producer: Fiona Chilton
ALF Executive VFX Producer: Chris Godfrey
525PP VFX Artist: Alex Frisch
525PP VFX Producer: Jenny Bright
Blue Sky/VIFX Project Creative Sup: Henry F. Anderson III
Blue Sky/VIFX DFX Supervisor: Derek Spears
PTD Executive VFX Producer: Joe Gareri
PTD Digital Effects Supervisor: David Sosalla
Post-Production Executive: Martin Cohen
Post-Production Supervisor: Bradley M. Goodman
Post-Production Coordinator: Lisa Marie Sella
Music Auricle Programmer: Dave Bifano
Score Mixer: Dennis S. Sands
Orchestrators: William Ross, Conrad Pope
Orchestra Contractor: Sandy DeCrescent
Panavision Lens Technician: Dan Sasaki ASC
Filming Dates: 3 March 1997 - 3 July 1997
Cameras: Kenworthy/Nettman Snorkel Cam System, Panaflex GII & Platinum (35mm Kodak Vision 500T 5279/Eastman EXR 200T 5293)
Lenses: Panavision Primo Spherical Primes
AR: 1.33:1 (Negative Ratio), 1.85:1 (4-Perf 35mm Spherical)
Budget: 38 Million USD
Budget AFI (2022): 66.5 Million USD
Special Visual Effects and Animation Provided by: Rhythm & Hues Studios
Animatronic Effects Designed & Created by: Stan Winston Studio
Additional Visual Effects Provided by: Rainmaker Digital Pictures, Animal Logic Film, 525 Post-Production, Blue Sky/VIFX & Pacific Title Digital
Produced & Distributed on: Eastman Film
Attribute: Filmed in Panavision - DirectorGore VerbinskiStarsBrad PittJulia RobertsJames GandolfiniA man tries to transport an ancient gun called The Mexican, believed to carry a curse, back across the border, while his girlfriend pressures him to give up his criminal ways.Writer/Executive Producer: JH Wyman
Cinematographer: Dariusz Wolski ASC
Production Designer: Cecilia Montiel
Film Editor: Craig Wood ACE
Costume Designer: Colleen Atwood
Composer/Conductor/Orchestrator: Alan Silvestri
Composer (Add'l Material Writer): Abraham Laboriel
Co-Producer/Unit Production Manager: William S. Beasley
Co-Producer: Paul Hellerman
Casting: Denise Chamian CSA
Unit Production Manager: Stephan S. Benseman
1st Assistant Director: Benita Allen-Honess
2nd Assistant Director: Frederic Roth
Stunt Coordinator/LV Unit 2nd Unit Director: M. James Arnett
Stunt Coordinator: Seth Arnett
Stunts: Tim Trella
Production Supervisor: Sharyn Shimada-Huggins
Art Director: Michael Atwell
Ass't Art Director: Jennifer Vogt
Set Decorator: Robert Greenfield
A-Camera Operator: Martin Schaer
Add'l A-Camera Operator: Christopher Duddy
1st Assistant A-Camera: John Skotchdopole
B-Camera/Steadicam Operator: P. Scott Sakamoto SOC
1st Assistant B-Camera: Daniel Moder
Steadicam Operator: Mark Emery Moore SOC
Film Loader: Christopher M. Mack
1st Assistant Editors: Simon Morgan, Peter Fandetti, Tony Bacigalupi
Video Assist Operator: Daniel P. Moore
Chief Lighting Technician: Rafael Sanchez
Ass't Chief Lighting Tech: Jarek Gorczycki
Rigging Gaffer: Gary Dahlquist
Key Grip: Michael J. Coo
Prop Master: Tom Tomlinson
Ass't Prop Master: Kris Peck
Production SFX Coordinator: Matt Kutcher
Production SFX Foreman: Scott Inoue
SFX Office Coordinator: Rosario Reyes
Location Manager: Douglas Dresser
Ass't Loc Managers: Albert Epps, Eric Persons
2nd 2nd Ass't Director: Dieter Busch
Storyboard Artist: James Byrkit
Post-Production Sound Services Provided by: Skywalker Sound
Re-Recording Mixers: Gary Rydstrom, Gary Summers
Re-Recording Mixer/Score Recording Mixer: Dennis S. Sands
Sound Designer: Tom Myers
Supervising Sound Editor: Tim Holland
Post-Production Executive: Martin Cohen
Post-Production Supervisor: Erica Frauman
Post-Production Coordinator: Sven EM Fahlgren
ADR Supervisor: Bruce Lacey
Sound FX Editor: JR Grubbs
Supervising Ass't Sound Editor: Addison Teague
Music Contractor: Sandy DeCrescent
Orchestrator: Conrad Pope
Score Audio Programmer: Dave Bifano
Mexico Unit Production Manager: David Frost
Unit Production Manager (Mexico Unit): Ricardo Del Rio
Unit Manager (Mexico Unit): Arturo Del Rio
Mexico Unit 1st Ass't Director: Rene Villarreal
Mexico Unit 2nd Ass't Director: Joaquin Silva
Mexico Unit Art Director: Diego Sandoval
Mexico Unit Ass't Art Director: Antonio Munohierro
Mexico Unit Set Decorator: Sandra Cabriada
Mexico Unit 1st Ass't B-Camera: Joaquin Cervera
Mexico Unit 2nd Ass't D-Camera: Noe Muñoz
Mexico Unit Gaffer: Fernando Moreno Saldivar
Mexico Unit Set Designer: Juan Pablo Garcia
Mexico Unit Prop Master: Carlos Torres Campos
Mexico Unit SFX Coordinator: Laurencio Cordero
Mexico Unit SFX Assistants: Jose Angel Cordero Perez, Manuel Cordero
Mexico Unit Location Managers: Benjamin Suarez, Isaac Pineda
Mexico Unit Special Projects Coord: Ramiro Gonzalez
LV Unit Ass't Prod Coordinator: Paula Plepho
LV Unit Location Manager: Nancy Haecker
PDI VFX Supervisor: Richard Chuang
PDI VFX Producer: Jason Heapy
PDI Color Timer & Digital Animator: Mel Kangleon
PDI Digital Compositor: Erik Winquist
PDI Technical Supervisor: Jessica Abroms
Method Studios VFX Supervisor: Alex Frisch
Method Technical Supervisor: Andreas Wacker
Method VFX Exec Producer: Neysa Hosrburgh
Method Studios VFX Producer: Kymber Lim
Method VFX Coordinator: Bernadette Castillo
Method Studios 3D Artist: Oliver Gondry
Method Studios VFX Artists: Chris Staves, Scott McNell
Method Apprentice Artists: Brandon Sanders, Nina Yoon
Filming Dates: 17 April 2000 - July 2000
Camera: Panaflex Gold (35mm Eastman EXR 50D 5245/Kodak Vision 320T 5277)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (Common-Top Super 35mm)
Budget: 38-57 Million USD
Budget AFI (2022): 60.3-90.4 Million USD
Printed on: Kodak Vision 2383
Visual Effects & Animation Provided by: Pacific Data Images & Method Studios
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision - DirectorSimon WellsStarsGuy PearceYancey AriasMark AddyHoping to alter the events of the past, a 19th century inventor instead travels 800,000 years into the future, where he finds humankind divided into two warring races.Special Thanks: Gore Verbinski
Co-Director: Simon Wells
Producer: Walter F. Parkes
Executive Producer: Laurie MacDonald
Co-Producer/Screenwriter: John Logan
Production VFX Supervisor: James E. Price
Production VFX Producer: Kimberly Nelson
Composer: Klaus Badelt
Composer (Add'l Music): Geoff Zanelli
Add'l Score Arrangers: Jim Dooley, Tim Jones, Ramin Djawadi
Costume Designers: Deena Appel, Bob Ringwood
Film Editor: Wayne Wahrman ACE
Production Designer: Oliver Scholl
Cinematographer: Donald McAlpine ASC ACS
Cinematographer (Digital Domain Miniatures): Tony Anderson
Associate Producer/Unit production Manager: David Lester
1st Assistant Director: Ellen Schwartz
Stunt Coordinator: Jeff Imada
Stunts: Robert Alonzo, Damon Caro, Steve Kelso
Puppeteer/KNB EFX Makeup Sup: Greg Nicotero
Senior Art Director: Chris Burian-Mohr
Art Directors: Bruce Robert Hill, Donald Woodruff
Ass't Art Directors: Lauren Polizzi, Martha Johnston, Robert Fechtman
Set Decorator: Victor J. Zolfo
A-Camera Operator: David E. Diano SOC
1st Assistant B-Camera: Patrick McArdle
2nd Assistant A-Camera: Jan Ruona
A-Camera Loader: April Kelley
Video Playback Operator: Bryce Shields
Chief Lighting Technician: Steven Mathis
Ass't Chief Lighting Tech: Brett Laumann
Rigging Gaffer: Robert E. Powell
Steadicam Operator/Dolly Grip: Charles Brown
Prop Master: Scott Maginnis
Production SFX Supervisor: Matt Sweeney
Production SFX Foreman: Bob Stoker Jr.
SFX General Foreman: Lucinda Strub
Production Coordinator: Bridgette Lester
Ass't Prod Coordinator: Delara C. Adams
Post-Production Accountant: Maria De Vane
Location Manager: Andrew Ullman
Ass't Loc Manager: Richard A. Clark II
2nd 2nd Ass't Director: Emily McGovern
Production VFX Coordinator: Allen Maris
Digital Illustrator: Timothy Wilcox
Set Designers: William Taliaferro, Bruce West, Darrell L. Wight, Gary Diamond
Art Dept. Prod Assistant: Chris Dent
Sound Designer & Supervisor: Mark Mangini
Re-Recording Mixers: Steve Maslow, Gregg Landaker
Post-Production Executive: Martin Cohen
Post-Production Supervisor: Lisa Dennis Kennedy
Post-Production Coordinator: Lisa Marie Serra
1st Assistant Editor: Randy Bricker
Production VFX Editor: Sharon Smith Holley
2nd Assistant Editor: Bronwyn Waddington
Editorial Production Assistant: Michal Pfeil
Dialog Supervisor & Voice Designer: Avram D. Gold MPSE
Supervising Music Editor: Christopher S. Brooks
Score Conductors: Gavin Greenaway, Rick Wentworth
Score Recordist: Nick Wollage
Score Mixer: Alan Meyerson
Music Coordinator: Maggie Rodford
Music Preparationist: Tony Stanton
2nd Unit Director: Greg Michael
2nd Unit DoP: Hiro Narita ASC
2nd Unit 1st Assistant Directors: William S. Beasley, Linda Montanti
2nd Unit 2nd Ass't Director: Sunday Stevens
2nd Unit Stunt Coordinator: Bob Brown
2nd Unit A-Camera Operator: Vern Nobles Jr
2nd Unit 1st Ass't A-Camera: Wayne Baker
2nd Unit 2nd Ass't A-Camera: Jennifer K. Bell
2nd Unit B-Camera/Steadicam Operator: Donald Thorin Jr
2nd Unit 1st Ass't B-Camera: Bruce De Aragon
2nd Unit Gaffer: Raman Rao
2nd Unit Prop Master: Glenn Forbes
NY Unit Gaffer: Joe Grimaldi
NY Unit Best Boy Gaffer: Jeremy Knaster
NY Unit Prop Master: Jeff Butcher
NY Unit Ass't Prop Master: Akeo Ihara
Digital Domain Senior VFX Supervisor: Erik Nash
Digital Domain VFX Producer: Julian Levi
Digital Domain DFX Supervisor: Jonathan Egstad
Digital Domain CG Supervisor: David Prescott
Digital Domain Comp Supervisor: Bryan Grill
Digital Domain Digital Prod Manager: Lisa K. Spence
Digital Domain CG Time Travel Sequence Lead: Sean Andrew Faden
Digital Domain CG FX Animation Leads: Robert Andrew Frick, Andrew Waisler
Digital Domain CG FX Animators: Charles Abou Aad, Ryo Sakaguchi
Digital Domain Character Animation Lead: Brad Parker
Digital Domain Character Animators: Dan Fowler, David Hodgins
Digital Domain CG Modeling & Lighting Leads: Howie Muzika, Vernon R. Wilbert Jr
Digital Domain Lead 3D Previz/Integrationist: Zach Tucker
Digital Domain 3D Integration Artists: Scott Edelstein, David Niednagel, Aaron Singer, Eric Warren
Digital Domain Lead Tech Directors: Johnny Gibson, Jason Iverson
Digital Domain Technical Directors: Paul George Palop, Darren Hendler
Digital Domain Digital Comp Time Travel Sequence Leads: David Lauer, Christine Lo
Digital Domain Lead Digital Compositor: Claas Henke
Digital Domain Digital Compositors: Joe Ken, Lou Pecora, Sean Devereaux
Digital Domain Lead Digital Painter: Ron Gress
Digital Domain Digital Roto/Paint Lead: Bryon Werner
Digital Domain Miniatures Supervisor: Alan Faucher
Digital Domain Miniature Crew Chief: George Stevens
Digital Domain Miniature Crew Lead: Nick Seldon
Digital Domain Lead Model Painter: Ted Van Hoorn
Digital Domain Miniature Model Makers: James Cook, JD Sansaver
Digital Domain Supervising Mechanical Engineer: Scott Salsa
Digital Domain Lead Miniature Pyro Tech: Eric Rylander
Digital Domain Miniature Unit Prod Manager: Luke Scully
Digital Domain FX Unit 1st Ass't A-Cam: AJ Raitano
Digital Domain Moco Operators: Chris Dawson, Mike Leben
Digital Domain FX Unit Gaffer: Miles Anderson
Digital Domain VFX Storyboard Artists: Darryl Anka, Stephan Martiniere
Digital Domain VFX Graphic Designer: Natasha Rand
Digital Domain Digital Imaging Sup: Jeff Kalmus
Digital Domain VFX Prod Coord: Erica McKee-Martin
Digital Domain DFX 3D Coord: Michelle Leigh
Digital Domain DFX 2D Coordinator: Tom Clary
Digital Domain Ass't VFX Coord: Bernardo Jauregui
Digital Domain Walk-Through Coord: Geoffrey Baumann
Digital Domain Technical Assistant: Grazia Como
Digital Domain VFX Editor: Debra Wolff
Digital Domain Ass't VFX Editor: Val Keller
Digital Domain VFX Accountant: Bekki Misiorowski
Digital Domain VFX Prod Assistant: Brady Doyle
Digital Domain VFX Exec Producer: Nancy Bernstein
ILM Senior VFX Supervisor: Scott Squires
ILM Senior Animation Supervisor: Tom Bertino
ILM Senior VFX & Animation Producer: Stephanie Hornish
ILM CG Supervisor: Carl Frederick
ILM Comp Supervisor: Greg Maloney
ILM Lead Animator: Scott Wirtz
ILM Lead Sequence Supervisor: Joel Aron
ILM Lead Digital Modeler: Howie Reed
ILM Lead View Painter: Tony Sommers
ILM Creature Developers: Aaron Holly, Aaron Ferguson
ILM Lead 3D Matchmove Artist: Lanny Cermak
ILM 3D Matchmove Artists: Duncan Blackman, Michael Orlando
ILM Digital Paint & Roto Lead: Susan Goldsmith
ILM VFX Editor: Tim Eaton
ILM VFX & Animation Coord: Margaret Lynch
ILM Digital Color Timing Sup: Kenneth Smith
ILM Film Group Techs: George Gambetta, Todd Mitchell
Illusion Arts Special Visual Effects Supervisors: Syd Dutton, Bill Taylor ASC
Illusion Arts VFX Producer: Catherine Sudolcan
Illusion Arts Lead Matte Artist: Michael J. Wassel
Illusion Arts Matte Artists: Kelvin McIlwain, Justin Brandstarter
Illusion Arts Comp Supervisor: David S. Williams Jr
Illusion Arts Lead Animator: Fumi Mashimo
Illusion Arts Digital VFX Supervisor: Richard Patterson
Illusion Arts 3D Artist: Michael Kory
Illusion Arts VFX Editor: Kelly G. Crawford
Illusion Arts Prod Coordinators: Pamela Choules, Mamie McCall
Illusion Arts FX Unit A-Cam Op: Adam Kowalski
Illusion Arts FX Unit 1st Ass't A-Cam: Chuck Beamis
Illusion Arts Digital VFX Techs: Aaron Snow, Mark Kenaston
Illusion Arts Prod Assistants: Carolyn Garcia, Michelle Rothburgh
Cinesite VFX Supervisor: Thomas J. Smith
Cinesite VFX Producer: Kevin Elam
Cinesite CG Supervisor: Serge Sretschinsky
Cinesite Art Director: Lubo Hristov
Cinesite Comp Supervisor: David Rey
Cinesite CG Modelers: Jonathan Gerber, Dan Wanket
Cinesite CG FX Animators: James Peterson, Oscar Castillo, Bill La Barge
Cinesite CG Animator: Mike Maraka
Cinesite CG Look Developer: John Hewitt
Cinesite Texture Painter: Suzanne Smith
Cinesite Motion Tracking Sup: Jeff Baksinski
Cinesite Motion Tracker: Arthur Sutherland
Cinesite Roto Supervisor: Matthew Adams
Cinesite Paint Supervisor: Corinne Pooler
Cinesite VFX Coordinator: Bridgitte Nance
Cinesite VFX Prod Assistant: Bill Murphy
Cinesite VFX Editor: Kevin Clark
Cinesite Digital VFX Editor: Sean Rourke
Cinesite Digital Asset Manager: Vince Lavares
Cinesite Data Operators: Stephanie Rogers, Andrew Silvestri
Cinesite Digital Imaging Operator: Kevin Schwab
SWS Morlock Makeup FX Designer & Creator: Stan Winston
SWS Character FX Supervisor: Greg Fiegel
SWS FX Coordinators: Ross Lukich, Jason Matthews
CORE Executive VFX Producer: Stephanie Allen
CORE Animation Supervisor: Doug Masters
CORE 3D Modeler/Animator: Mike Alken
CORE 3D Modeler: Mark Della Rosa
CORE Digital VFX Animators: Paul Anderson, Ken Ouellette, Laurel Smith
CORE Digital VFX Programmer: Mark Visser
CORE Production Manager: Lisa Bechard
CORE CGI Technical Artist: John Shaw
CORE Production Coordinator: Barbara Mah
Filming Dates: February 2001 - June 2001
Cameras: Panaflex XL, Millennium & Platinum (35mm Kodak Vision 250D 5246, Vision 500T 5279, SFX 200T)
Lenses: Panavision Primo Anamorphic Primes & C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 80 Million USD
Budget AFI (2022): 125 Million USD
Score Recorded at: Air Lyndhurst & Abbey Road Studios, London
Special Visual Effects & Digital Animation Provided by: Industrial Light & Magic, Digital Domain, Illusion Arts + Cinesite
Morlock Makeup Effects Designed & Created by: Stan Winston Studio
Special Uber Morlock Makeup Designed by: KNB EFX Group
Digital Visual Effects Provided by: CORE Digital Pictures
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision - DirectorGore VerbinskiStarsNaomi WattsMartin HendersonBrian CoxA journalist must investigate a mysterious videotape which seems to cause the death of anyone one week to the day after they view it.Screenwriters: Ehren Kruger, Scott Frank
Producers: Walter F. Parkes, Laurie MacDonald
Cinematographer: Bojan Bazelli ASC
Production Designer: Tom Duffield
Film Editor: Craig Wood ACE
Costume Designer: Julie Weiss
Casting: Denise Chamian CSA
Composer: Hans Zimmer
Production VFX Supervisor/2nd Unit Director: Charles Gibson
Special Makeup FX Designer: Rick Baker
Co-Executive Producers: Neal Edelstein, JC Spink
Unit Production Manager: Bill Johnson
Assoc. Producer/1st Ass't Director: Benita Allen-Honess
2nd Assistant Director: Frederic Roth
Supervising Stunt Coordinator: Keith Campbell
Horse Stunt Sequence Coordinator: Gary Combs
Aerial Unit Helicopter Pilot: Robert Zajonc
Co-Producer: Christine Iso
Production Supervisor: Kimberly Lauren Rach
Art Director: Patrick M. Sullivan Jr
Ass't Art Directors: Gerald Sullivan, Marco Rubeo
Set Decorator: Rosemary Brandenburg
A-Camera Operator: Daniel Gold
B-Camera/Steadicam Operator: Harry K. Garvin
1st Assistant A-Camera: John Holmes
2nd Assistant A-Camera: Michael Shocklee
1st Assistant B-Camera: Patrick McArdle, Craig Cockerill
Film Loader: Mark Connelly - DirectorGore VerbinskiStarsJohnny DeppGeoffrey RushOrlando BloomBlacksmith Will Turner teams up with eccentric pirate "Captain" Jack Sparrow to save Elizabeth Swann, the governor's daughter and his love, from Jack's former pirate allies, who are now undead.Co-Writers: Ted Elliott, Terry Rossio
Screen Story Writers: Stuart Beattie, Jay Wolpert
Producer: Jerry Bruckheimer
Executive Producers: Mike Stenson, Chad Oman
Exec Producer/Unit Prod Manager/2nd Unit Dir: Bruce Hendricks
Exec Producer/Unit Prod Manager: Paul Deason
Cinematographer: Dariusz Wolski ASC
VFX Cinematographers (Miniatures Unit; ILM): Carl Miller, Patrick Sweeney
Production Designer: Brian Morris
Film Editors: Craig Wood ACE, Stephen E. Rivkin ACE, Arthur Schmidt
Costume Designer: Penny Rose
Production VFX Supervisor/ILM Miniature Unit Director: John Knoll
Composer: Klaus Badelt
Composers (Add'l Music): Ramin Djawadi, James Dooley, James McKee Smith, Nick Glennie-Smith, Geoff Zanelli, Steve Jablonsky
Composer (Add'l Music)/Orchestra Conductor: Blake Neely
Composer (Unused Music): Alan Silvestri
Music Designer & Arranger: Mel Wesson
Music Supervisor: Bob Badami
1st Assistant Director: Peter Roth
Key 2nd Ass't Director: Frederic Roth
2nd Assistant Director: Susan J. Hellmann
Associate Producer: Pat Sandston
ILM Senior VFX Producer: Jill Brooks
ILM Senior Animation Supervisor: Hal Hickel
Stunt Coordinator: George Marshall Ruge
Aerial Unit Helicopter Pilot: David Paris
Unit Prod Manager (Caribbean Unit; St. Vincent & The Grenadines)/Prod Supervisor: Douglas C. Merrifield
Production Coordinator: Zoila Gomez
Ass't Production Coordinator: Robert Mazaraki
2nd 2nd Ass't Director: Andrew M. Ward
Supervising Art Director: Derek R. Hill
Art Directors: Donald B. Woodruff, James E. Tocci
Ass't Art Director: Robert Woodruff
Set Designers: Mark Hitchler, Domenic Silvestri
Junior Set Designer: Gene Darnell
Consultant: Jim Byrkit
Creature Concept Designer: Crash McCreery
Executive in Charge of Production: Kristie Anne Reid
Location Manager: Larry Ring
Key Ass't Loc Manager: Tom Hogan
Ass't Location Manager: Eric Sean Persons
Production SFX Accountant: Edward Pannozzo
Production Accountant (UK): Tony Miller
Add'l Cinematographer: Patrick Loungway
A-Camera Operator: Martin Schaer
B-Camera/Steadicam Operators: David Luckenbach, Chris Haarhoff
1st Assistant A-Camera: Trevor Loomis
1st Assistant B-Camera: Thomas Lappin
2nd Assistant A-Camera: Christopher Garcia
2nd Assistant B-Camera: Steven Wolfe
2nd Assistant Steadicam: Rodney Sandoval
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit 1st Ass't A-Camera: Richard Brooks Burton
Underwater Unit A-Camera Operator: Peter Zuccarini
Underwater Unit 1st Ass't A-Cam: Peter Manno
Underwater Unit 2nd Ass't A-Cam: Brad Peterman
Libra Head Techs: John Bonnin, Brian Musseter
Camera Technician: Daryl Hamberton
Associate Costume Designer: TJ Norster
Makeup FX Creator: Keith Vanderlain
Makeup FX Consultant: Greg Cannom
Makeup FX Supervisor: Brian Sipe
Makeup FX Prod Supervisor: Mary Kim
Makeup FX Prod Coordinators: Sharon Kelly-Russo, Kenneth Grassi
Chief Lighting Technician: Rafael Sanchez
Rigging Gaffer: Rodger Meilink
Post-Production Supervisor: Tami R. Goldman
Production VFX Editor: Wesley Sewell
1st Ass't AVID Editor: Simon Morgan
2nd Ass't AVID Editor: Christopher S. Capp
3rd Ass't AVID Editor: Dana E. Glauberman ACE
1st Ass't Film Editor: Kindra Marra
1st Apprentice Editor: Lara Grant
Production SFX Coordinator: Terry Frazee
Ass't FX Coordinator: Donald E. Frazee
Production SFX Foremen: Eugene Crum, Gary Monak
SFX Coordinator (Add'l Special Effects): Danny Cangemi
SFX Foremen (Add'l Special Effects): James Nagle
SFX Technicians (Add'l Special Effects): Ray Wilkerson, Robert M. Bell, Jim Jolley
Supervising Sound Editor & Designer/Re-Recording Mixer: Christopher Boyes
Supervising Sound Editor: George Watters II
Supervising Music Editor: Christopher Brooks
Music Editors: Ken Karman, Jeanette Surga
Ass't Music Editor: Daniel Pinder
Apprentice Music Editor: Melissa Muik
Supervising Foley Editor: Victoria Martin
Prop Master: Charles M. Stewart
Ass't Prop Masters: Selma Kora, Ernest H. Lauterio
Set Decorator: Larry Dias
Ass't Set Decorator: Teresa Visinare
Set Dec Coordinator: Monica Frommholz
Technical Advisor: Peter Twist
ILM CG Supervisor: Patrick T. Myers
ILM Digital Comp Supervisor: Tami Carter
ILM Art Director: Aaron McBride
ILM CG Model Supervisor: Geoff Campbell
ILM Cloth Simulation Supervisor: James Tooley
ILM CG Sequence Supervisors: Russell Earl, Neil Herzinger
ILM Physical Model Supervisor: Charlie Bailey
ILM Lead CG View Painter: Steve Walton
ILM Lead Technical Director: Tom Fejes
ILM CG Animators: Paul Kavanagh, Jakub Pistecky
ILM Lead Digital Compositor: Michael Conte
ILM Lead Sabre Artists: Grady Cofer, Chad Taylor
ILM Sabre Artists: Sebastien Moreau, Rita Zimmerman
ILM Creature Development Lead: Dugan Beach
ILM Lead Digital Cloth Simulation Artists: Michael Balog, Jean-Luis, Sanchez
ILM Digital Matte Supervisor: Jonathan Harb
ILM Digital Matte Artists: Giles Hancock, Yanick Dusseault, Brett Northcutt
ILM 3D Matchmove Lead: Jason Snell
IL 3D Matchmove Artist: Duncan Blackman
ILM Digital Roto & Paint Supervisor: Jack Mongovan
ILM VFX Coordinators: Leigh Ann Fan, Paula Nederman
ILM VFX Editor: Nic Anastassiou
ILM Digital Timing Supervisor: Kenneth Smith
ILM Concept Illustrators: Wayne Lo, Brian O'Connell
ILM Production Assistants: Robyn Hudson, Jill Hughes, Amber Kirsch
ILM Practical FX Supervisor (Miniatures Unit): Geoffrey Heron
ILM Stage Production Managers (Miniatures Unit): Mark Anderson, Monique Gougeon Di Como
ILM Miniatures Unit A-Cam Ass't: Michael Beinstock
ILM Miniatures Unit B-Cam Ass't: David Janssen
ILM Miniatures Unit Gaffers: Thomas Clouthier, Michael Olague
ILM Miniatures Unit Key Grips: William Barr, Rod Janusch
ILM Lead EFX Technician: Robert Clot
ILM Ass't VFX Editor: Anthony Lucero
ILM Production Accountant: Mark Ostroff
ILM Scanning Operators: George Gambetta, Darren Jones
ILM Mocap Lead: Doug Griffin
ILM Executive VFX Producer: Gail Currey
Production VFX Consultant: Charles Gibson
Boy Wonder VFX Supervisor: Tim Landry
Boy Wonder Comp Supervisor: Mario Pabon
Boy Wonder VFX Producer: Dennis Hoffman
Boy Wonder VFX Compositor: Chris Biggs
Boy Wonder VFX Editor: Kenton Hume
CIS VFX Supervisor: Bryan Hirota
CIS VFX Producer: Kim Boyle
CIS DFX Supervisor: Gregory D. Liegey
CIS VFX Compositors: Patrick Kavanagh, Marc Nanjo, Bob Lyss
CIS Lead CG Artist: Diana Miao
CIS CG Artists: Chris Ryan, John Casella
Digiscope Executive VFX Producer: Mary Stuart Welch
Digiscope VFX Producer: Laurel Schulman
Digiscope Comp Supervisor: Adam Stark
Digiscope Digital Timing Supervisor: Greg Creaser
GMFX VFX Supervisor: Gray Marshall ASC
GMFX VFX Producer: Gayle Reznik
GMFX Digital VFX Supervisor: Jammie Friday
GMFX VFX Compositor: David Fogg
GMFX Roto Artist: George Rowles
PTAS VFX Supervisor: David Sosalla
PTAS Executive VFX Producer: Joe Gareri
PTAS VFX Compositors: Patrick Phillips, Bob Wiatr
PTAS Digital VFX Coordinator: James D. Tittle
BUF VFX Producer: Valerie Delahaye
Score Producer/Music Programmer: Hans Zimmer
Supervising Orchestrator: Bruce Fowler
Orchestrator: Conrad Pope
Orchestra Recordist/Score Mixer: Alan Meyerson
Orchestra Recordists: Malcom Luker, Mike Farrow
Score Mixer & Add'l Music Recordist: Slamm Andrews
Add'l Music Recordists: Tom Vedvik, Mark Wherry
Choir Conductors: Nick Ingman, Rick Wentworth
Choir Contractor: Isobel Griffiths
Choir Recordists: Geoff Foster, Nick Wollage
Title Designers: Robert Dawson, Justin Blampied
CO3 Senior Finishing Colorist: Stefan Sonnenfeld ASC
CO3 DI Finishing Producer: Missy Papageorge
CO3 Post-Production Video TD: Mike Chiado
Technique Digital Film Colorist: Stephen Nakamura
Technique DI Finishing Producer: Chris Holt
Technique Imaging Supervisor: Chris Kutcka
Technique Add'l Digital Film Colorist: Tony Dustin
Technique Digital Preview Timer: Mike Sowa ASC
Technique Digital Color Assistant: Jada Budrick
Technique Digital Asset Supervisor: Brian Shows
Technique DI Exec Finishing Producer: Tim Belcher
Prod Supervisor (Caribbean Unit; St. Vincent & The Grenadines): Thomas C. Hayslip
Art Director (Caribbean Unit; St. Vincent & The Grenadines): William Skinner
2nd 2nd AD (Caribbean Unit; St. Vincent & The Grenadines): Steven F. Beaupre
Add'l 2nd AD (Caribbean Unit; St. Vincent & The Grenadines): Lisa Mantoux
Ass't Prod Coord (Caribbean Unit; St. Vincent & The Grenadines): Anne E. Cabral
Set Designer (Caribbean Unit; St. Vincent & The Grenadines): William Talliferro
Loc Manager (Caribbean Unit; St. Vincent & The Grenadines): Alex Gladstone
Ass't Loc Managers (Caribbean Unit; St. Vincent & The Grenadines): Brooke Brunson, Richard Roberts
Locations Ass't (Caribbean Unit; St. Vincent & The Grenadines): Franklyn Speed Quow
2nd Unit Director/Director of Photography: Alexander Witt ASC
2nd Unit DoP: Mitchell Amundsen
2nd Unit 1st Ass't Directors: Darin Rivetti, Gary Romolo Fiorelli
2nd Unit 2nd Ass't Director: Paul Schneider
2nd Unit A-Camera Operator: Ken Fisher
2nd Unit 1st Ass't A-Camera: Brett S. Peters
2nd Unit 1st Ass't B-Camera: Michael Klimchak
2nd Unit 2nd Ass't A-Camera: John Stradling
2nd Unit 2nd Ass't B-Camera: Eric Amundsen
2nd Unit 2nd Ass't C-Camera: Jeff Griffith
2nd Unit 2nd Ass't D-Camera: Robert Settlemire
Special Thanks: Harry Humphries, John Frazier
Filming Dates: 9 October 2002 - 7 March 2003
Cameras: Arriflex 435, Panaflex Lightweight, Millennium & Platinum (35mm Eastman 50D 5245/Kodak Vision 320T 5277)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (4-Perf Common-Top Super 35mm)
Budget: 140 Million USD
Budget AFI (2022): 213.9 Million USD
Printed on: Kodak Vision 2383 & Vision Premier 2393
Special Visual Effects & Animation Provided by: Industrial Light & Magic
Additional Visual Effects Provided by: Boy Wonder, CIS Hollywood, Digiscope, Gray Matter FX + Pacific Title & Arts Studio
Score Mixed at: Media Ventures, Santa Monica, CA
Choir Recorded at: Air Lyndhurst Studios, London
Main Titles Designed by: Asylum
Digital Intermediate Finishing & Opticals Provided by: Company 3 & Technique
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with Panavision Cameras and Lenses - DirectorGore VerbinskiStarsNicolas CageHope DavisNicholas HoultA Chicago weather man, separated from his wife and children, debates whether professional and personal success are mutually exclusive.Crew Visual Effects Supervisor: Charles Gibson
Method 2D Visual Effects Lead: Cedric Nicolas-Troyan
CO3 Executive Producer/Colorist: Stefan Sonnenfeld ASC
Company 3 Assistant/Dailies Colorist: Mark Osborne
Company 3 Digital On-Line Artist: Rob Doolittle
CO3 Supervising Digital Intermediate Producer: Erik Rogers
CO3 Digital Intermediate Producer: David Feldman
Company 3 Producer: Missy Papageorge
CO3 Digital Intermediate Technologist: Mike Chiado
Company 3 Digital Cinema Consultant: Steven B. Cohen
Deluxe® Color Timer: Jim Passon
Negative Cutter: Mary Nelson-Fraser
Dolby Sound Consultant: Jim Wright
Visual Effects & Titles by: Method, Pacific Title & Arts Studio + Howard Anderson Company
Digital Intermediate by: Company 3 Santa Monica, CA
Negative Cutting by: Mary Nelson-Fraser And Associates - DirectorGore VerbinskiStarsJohnny DeppOrlando BloomKeira KnightleyJack Sparrow races to recover the heart of Davy Jones to avoid enslaving his soul to Jones' service, as other friends and foes seek the heart for their own agenda as well.Writers: Ted Elliott, Terry Rossio
Producer: Jerry Bruckheimer
Executive Producers: Mike Stenson, Chad Oman
Executive Producer/Unit Production Manager: Eric McLeod
Cinematographer: Dariusz Wolski ASC
Production Designer: Rick Heinrichs
Film Editors: Craig Wood ACE, Stephen E. Rivkin ACE
Costume Designer: Penny Rose
Production VFX Supervisor: John Knoll
Composer: Hans Zimmer
Composers (Add'l Music): Lorne Balfe, Tom Gire, Nick Glennie-Smith, Henry Jackman, Trevor Morris, John Sponsler, Geoff Zanelli
Music Supervisor: Bob Badami
Casting: Denise Chamian CSA
Casting (UK): Priscilla John CDG
Unit Production Manager: Douglas C. Merrifield
Key 1st Ass't Director: Peter Kohn
1st & Key 2nd Ass't Director: David J. Venghaus Jr
2nd Assistant Director: Jeff Okabayashi
Associate Producer: Pat Sandston
ILM Associate VFX Supervisor: Russell Earl
ILM Senior Animation Supervisor: Hal Hickel
ILM Senior VFX Producers: Ned Gorman, Jill Brooks
Production VFX Editor & Parrot Voice Actor: Christopher S. Capp
Supervising Stunt Coordinator/Dominica 2nd Unit Director: George Marshall Ruge
Ass't Stunt Coordinator: Daniel W. Barringer
Lead Utility Stunt Double: Kirk Maxwell
Ass't to George Marshall Ruge: Charlotte Kyle
Creature Concept Designer: Mark Crash McCreery
Conceptual Consultant: James Ward Byrkit
Associate Costume Designer: John Norster
Production Supervisor: Thomas C. Hayslip
Production Coordinators: Zoila Gomez, Robert Mazaraki
Ass't Prod Coordinators: Annie Schultz, Carrie B. Jones
2nd 2nd Ass't Directors: Jeffrey Schwartz, Steven F. Beaupre
Supervising Art Director: John Dexter
Art Directors: William Ladd Skinner, Bruce Crone, William Hawkins
Ass't Art Directors: Nick Navarro, Domenic Silvestri, Robert Woodruff, Eric Sundahl, Darrell L. Wight, Gary Diamond
Set Decorator: Cheryl A. Carasik
Set Designers: Clint Wallace, Maya Shimoguchi, Lauren Polizzi, Luis G. Hoyos, A. Todd Holland, Robert Fechtman, Richard Reynolds
Props Set Designer: Billy Hunter
Graphic Designer: Dianne Chadwick
Production SFX Accountant: Leslie Coogan
Executive in Charge of Production: Kristie Anne Reid
Post-Production Supervisor: Tami R. Goldman
Post-Production Coordinators: Yvette Gonzalez, Heidi Psyk
1st Ass't AVID Editor: Simon Morgan
Add'l Film Editor: Lance Pereira
1st Assistant Editor: Kindra Marra
2nd Assistant Editor: Alan McCurdy
1st Apprentice Editor: Dylan M. Quirt
Location Manager (US): Laura Sode-Matteson
Location Manager: Val Kim
Ass't Location Manager: Linda Kai
A-Camera Operator: Martin Schaer
B-Cam Operator/Dominica 2nd Unit DoP: Josh Bleibtreu ASC
B-Cam/Steadicam Operator: Dave Luckenbach
Key 1st Ass't A-Cam: Trevor Loomis
1st Assistant A-Camera: John Ellingwood
1st Assistant B-Camera: Nino Neuboeck
1st Assistant Steadicam: Donny Steinberg
2nd Assistant A-Camera: Chris J. Garcia, Rodney Sandoval
2nd Assistant B-Camera: James Goldman
2nd Unit 2nd Ass't B-Camera: Steven Cueva
2nd Assistant Steadicam: Jay C. Hager
Film Loader: Greg Kurtz
Camera Dept. Assistants: Ryan Rakel, Joseph Sutera
Aerial Unit Coordinator: David Paris
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit 1st Ass't A-Camera: Andrew Sych
Underwater Unit DoP: Peter Zuccarini
Underwater Unit 1st Ass't A-Cam: Peter Manno
Underwater Unit 1st Ass't B-Cam: Andrew Fisher
Underwater Unit 1st Ass't C-Cam: Sean Gilbert
Underwater Unit 2nd Ass't A-Camera: Robert Settlemire
Libra Head Technician: John Bonnin
Camera Technician: Daryl Hambleton
Costume Supervisor (Location): Kenny Crouch
Costume Supervisor (LA): Jessica Pazdernik
Costume Coordinator (Location): Lucy Bowring
Costume Coordinator (LA): Renee Levy Hazelton
Chief Buyer (UK): Ros Ward
Ass't Buyer (UK): Georgina Woods
Buyer (UK): Rosalida Medina
Makeup FX Creator & Dept. Head: Ve Neill
Makeup FX Supervisor: Joel Harlow
Silicone Prosthetics Supervisor: Steve Buscano
Mold Shop Supervisor: Gil Liberto
Foam Latex Supervisor: Mark Viniello
Mechanical Supervisor: Russell Shinkle
Head Lab Technician: Frank Ippolito
Add'l Makeup Supervisor: Ken Diaz
Chief Lighting Technician: Rafael Sanchez
Rigging Chief Lighting Tech: Rodger Meilink
Key Grip: J. Michael Popovich
Supervising SFX Coordinators: Allen Hall, Michael Lantieri
SFX Senior On-Set Foreman: Andrew Weder
SFX Shop Supervisors: Thomas Pahk, James Reedy
SFX Shop Foreman: Jim Roberts
SFX Rigging Foreman: Donald R. Elliott
SFX Gimbal Foreman: Mark Hawker
SFX On-Set Foremen: Bob Williams, Scott Fisher, Cory Faucher
Production SFX Purchaser: Ryan Faust
SFX Office Coordinator: Jason Columbus
SFX Production Assistant: Julie Hooker Baker
Supervising Sound Editor & Designer/Sound Mixer: Christopher Boyes
Supervising Sound Editor: George Watters II
Sound Mixer: Paul Massey
Ass't Sound Designer: Dee Selby
Supervising Prop Masters: Kristopher E. Peck, Jerry Moss
Ass't Prop Masters: Michael Hansen, Rick Chavez
Black Pearl Captain: Michael Watkins
Black Pearl 1st Mate: Lance M. Brozozog
Black Pearl Technician: Glenn Kiwi Hall
Black Pearl Crew: Lisa L. Burnside, Jim Barry
Film Runners: Christy Busby, Matt Haggerty
Technical Advisor: Peter Twist
Supervising Music Editor: Melissa Muik
Music Editor: Julie Pearce
Ass't Music Editor: Katie Greathouse
Featured Musician (Cello): Martin Tillman
Supervising Orchestrator: Bruce Fowler
Orchestrator: Walt Fowler
Score Recorder & Mixer: Alan Meyerson
Add'l Score Recorders: Slamm Andrews, Jeff Biggers, AL Clay
On-Camera/Pre-Record Musicians: James S. Levine, Craig Eastman, Michael Levine, Frank Marocco
Orchestra Conductor: Pete Anthony
Orchestra Contractors: Sandy DeCrescent, Peter Rotter
Ambient Music Designer: Mel Wesson
Choir Conductor: Alistair King
Choir Contractor: Isobel Griffiths
Choir Recordist: Geoff Foster
Executive Finishing Producer/Senior Colorist: Stefan Sonnenfeld ASC
Online Finishing Editor: Dylan Carter
DI Finishing Producer: Erik Rogers, Des Carey
Senior Finishing Producer: Missy Papageorge
Dailies Colorist: Mark Todd Osborne
Dailies Ass't Colorist: Adrian Delude
DI Finishing Technologist: Mike Chiado
ILM Digital Production Supervisor: David Meny
ILM Senior Comp Supervisor: Eddie Pasquarello
ILM Supervising Tech Director: Patrick Myers
ILM Creature Dev Supervisors: James Tooley
ILM Digital Model Supervisors: Geoff Campbell, Bruce Holcomb, Steve Walton
ILM Add'l VFX Supervisors: Bill George, Roger Guyett
ILM VFX Art Director: Aaron McBride
ILM VFX Associate Producer: Lori Arnold
ILM Associate Animation Supervisor: Marc Chu
ILM Sequence Supervisors: Tom Fejes, Neil Herzinger, Jeff Sutherland, Chad Taylor, Susumu Yukuhiro, Jason Snell, Jack Mongovan, Mario Caparelli
ILM Creature Technical Director: Jeff White
ILM VFX Editor: Greg Hyman
ILM Lead Location Data Capture Tech: Marla Newall
ILM Senior VFX Coordinators: Amber Kirsch, Paula Nederman, David Gray
ILM VFX Coordinators: Julie Creighton, Amy Spanner, Brian Barlettani
ILM Model & Miniature Unit Supervisors: Carl Miller, Pat Sweeney, Charlie Bailey, Geoffrey Heron, Mark Anderson
ILM General Manager: Jim Morris
VFX Supervisor (Add'l Visual Effects)/2nd Unit Director: Charles Gibson
Asylum Sr VFX Supervisor: Nathan McGuinness
Asylum Comp Supervisors: John Fragomeni, Phil Brennan
Asylum VFX Producer: Kimberly Covate
Asylum VFX Coordinator: Frank Spiziri
Asylum Rotoscope/Paint Supervisor: Elissa Bello
Asylum Rotoscope/Paint Artists: James Lee, Eric Evans
Asylum CG Supervisor: Sean Andrew Faden
Asylum Lighting Artist: Aaron Vest
Asylum Matte Painting Artist: Timothy Clark
Orphanage VFX Supervisor: Ryan Tudhope
Orphanage VFX Producer: Paul Hettler
Orphanage Digital Production Manager: Leslie Valentino
Orphanage CG Supervisor: Kirk McInroy
Orphanage Digital Artist: Daniela Calafatello
Orphanage VFX Compositor: Alex Prichard
CIS VFX Supervisor: Bryan Hirota
CIS VFX Producer: Lisa Maher
CIS VFX Production Manager: Julia Gaudette
CIS Digital Comp Supervisor: Patrick Kavanagh
CIS Color & Lighting Supervisor: Diana Miao
CIS CG Animator: Gary Abrahamian
PTAS VFX Supervisor: David Sosalla
PTAS Executive VFX Producer: Joe Gareri
PTAS Digital VFX Coordinator: James D. Tittle
PTAS Inferno Compositors: Brian Hanable, Cesar Romero
Luma Exec VFX Supervisor: Payam Shohadai
Proof Previz Supervisor: Rich Lee
Caribbean Unit Add'l 2nd AD (Bahamas): Clark Credle
Caribbean Unit 2nd Ass't Dir (Dominica): Geoff Dibben
Caribbean Unit Location Managers: Robin Higgs, Steve Hart, Alan Toussaint
Caribbean Unit Ass't Loc Managers: Martina Louise Carroll, Paul Toulon, Richard Roberts
Caribbean Unit Location Runner: Ronald Bruno
Caribbean Unit Local Technician: James Hughes
Caribbean Unit Technicians: Charles Grant, Dennis Faceman Gurley
2nd Unit 1st Ass't Directors: Philip Hardage, Gary Romolo Fiorelli
2nd Unit 2nd 2nd Ass't Dir: Eric Glasser
2nd Unit DoP: Patrick Loungway
2nd Unit A-Camera Operator: Ian Fox
2nd Unit Gaffers: Jeff Hall, Brian Tilden
2nd Unit Aerial Platform Technician: Richard Jones
2nd Unit Prop Master: James Stitch Crisp
2nd Unit Stunt Assistant: Jessica Hart
Special Thanks: Harry Humphries
Filming Dates: 28 February 2005 - 1 March 2006 (Shot back-to-back with At World's End)
Cameras: Arriflex 235, 435, Panaflex Lightweight & Platinum (35mm Kodak Vision2 200T 5217/500T 5218/Eastman EXR 50D 5245)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (Common-Top Super 35mm)
Budget: 225 Million USD
Budget AFI (2022): 313.7 Million USD
Printed on: Kodak Vision 2383
Score Mixed at: Remote Control Productions
Choir Recorded at: Air Lyndhurst Studios & Abbey Road Studios
Main Titles & Additional Visual Effects Designed by: Method Studios
Digital Intermediate Finishing Provided by: Company 3
Special Visual Effects & Animation Provided by: Industrial Light & Magic
Additional Visual Effects Provided by: Asylum, The Orphanage, CIS Hollywood + Pacific Title & Arts Studio
Previsualization Provided by: Proof
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with Panavision Cameras and Lenses - DirectorGore VerbinskiStarsJohnny DeppOrlando BloomKeira KnightleyCaptain Barbossa, Will Turner and Elizabeth Swann must sail off the edge of the map, navigate treachery and betrayal, find Jack Sparrow, and make their final alliances for one last decisive battle.Featured Musicians: Gore Verbinski, Martin Tillman
Writers: Ted Elliott, Terry Rossio
Producer: Jerry Bruckheimer
Executive Producers: Mike Stenson, Chad Oman
Exec Producer/Unit Prod Manager: Eric McLeod
Cinematographer: Dariusz Wolski ASC
Cinematographer (Add'l Photography): Ben Seresin ASC BSC
Production Designer: Rick Heinrichs
Film Editors: Craig Wood ACE, Stephen E. Rivkin ACE
Costume Designer: Penny Rose
Production VFX Supervisor: John Knoll
Production VFX Supervisor/2nd Unit Director: Charles Gibson
Composer: Hans Zimmer
Composers (Add'l Music): Lorne Balfe, Tom Gire, Henry Jackman, Atli Örvarsson, John Sponsler, Geoff Zanelli
Composer (Add'l Music)/Orchestra Conductor: Nick Glennie-Smith
Orchestra Conductor: Blake Neely
Music Supervisor: Bob Badami
Casting: Denise Chamian CSA
Casting (UK): Priscilla John CDG
Unit Production Manager: Douglas C. Merrifield
1st Assistant Director: David J. Venghaus Jr
2nd Assistant Director: Amy Schmidt
Associate Producer: Pat Sandston
ILM Senior Animation Supervisor: Hal Hickel
ILM Senior VFX Producer: Jill Brooks
Add'l Film Editor: Dan Hanley
Score Co-Producer/Supervising Music Editor: Melissa Muik
Supervising Stunt Coordinator/2nd Unit Director: George Marshall Ruge
Ass't Stunt Coordinator: Daniel W. Barringer
Lead Utility Stunt Double: Kirk Maxwell
Head Stunt Rigger & Utility Stunts: Jim Stephan
Ass't to George Marshall Ruge: Charlotte Kyle
Creature Concept Designer: Mark Crash McCreery
Conceptual Consultant: James Ward Byrkit
Associate Costume Designer: John Norster
Production Supervisor: Thomas C. Hayslip
Production Coordinators: Zoila Gomez, Robert Mazaraki
Ass't Prod Coordinators: Annie Schultz, Carrie B. Jones, Kathleen Switzer
2nd 2nd Ass't Director: Jeffrey Schwartz
Add'l 2nd Ass't Director: Greg Pawlik
Supervising Art Director: John Dexter
Art Directors: William Ladd Skinner, Bruce Crone, William Hawkins
Ass't Art Directors: Nick Navarro, Clint Wallace, Eric Sundahl, Darrell L. Wight
Set Decorator: Cheryl A. Carasik
Set Designers: Mark Hitchler, Maya Shimoguchi, A. Todd Holland, Robert Fechtman, William Taliaferro
Props Set Designer & Illustrator: Billy Hunter
Graphic Designer: Dianne Chadwick
Production SFX Accountant: Leslie Coogan
Ass't SFX Estimator & Bahamas Unit SFX Purchaser: Ryan Faust
Ass't SFX Estimator: James D'Damery
Post-Production Supervisor: Tami R. Goldman
Post-Production Coordinator: Yvette Gonzalez
Production VFX Editor: Christopher S. Capp
Production VFX Coordinator: Bill Sturgeon
VFX Ass't Editor: Christine Kim
1st Ass't AVID Editor: Simon Morgan
1st Assistant Editor: Kindra Marra
2nd Assistant Editor: Alan McCurdy
3rd Assistant Editor: Dylan M. Quirt
1st Apprentice Editor: Knar Kitabjian
Supervising Location Manager: Laura Sode-Matteson
Location Manager: Val Kim
Location Manager (Utah): Ann Lukacs
Loc Manager (Guadalupe Dunes): Steve Mapel
Loc Manager (Buffalo, NY; 1st & 2nd Units): Michele Barone
A-Camera Operator: Martin Schaer
A-Camera Operator/2nd Unit DoP: Chris Moseley
B-Cam/Steadicam Operator: Dave Luckenbach
A-Cam/Steadicam Operator: P. Scott Sakamoto SOC
1st Assistant A-Camera: Trevor Loomis
1st Assistant B-Camera: Nino Neuboeck
1st Assistant Steadicam: Matthew Alper
2nd Assistant B-Camera: James Goldman
2nd Assistant A-Camera: Chris J. Garcia
2nd Assistant Steadicam: Mark Connelly
Camera Loader: Jeff Stewart
Camera Dept. Assistants: Ryan Rakel, Michael Sandow
Aerial Unit Coordinator: David Paris
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit 1st Ass't A-Camera: Andrew Sych
Underwater Unit DoP: Peter Zuccarini
Underwater Unit 1st Ass't A-Cam: Peter Manno
Underwater Unit 1st Ass't B-Cam: Sean Gilbert
Libra Head Technician: John Bonnin
Camera Technician: Daryl Hambleton
Costume Supervisor (Location): Kenny Crouch
Costume Coordinator (Location): Lucy Bowring
Costume Coordinator (LA): Renee Levy Hazelton
Chief Buyer (UK): Ros Ward
Ass't Buyer (UK): Georgina Woods
Buyer (LA): Tina Dowd
Makeup FX Creator & Dept. Head: Ve Neill
Makeup FX Supervisor: Joel Harlow
Silicone Prosthetics Supervisor: Steve Buscano
Mold Shop Supervisor: Gil Liberto
Foam Latex Supervisor: Mark Viniello
Mechanical Supervisor: Russell Shinkle
Add'l Makeup Supervisor: Ken Diaz
Add'l Hair Supervisor: Randa Squillicote
Chief Lighting Technician: Rafael Sanchez
Rigging Chief Lighting Tech: Rodger Meilink
Key Grip: J. Michael Popovich
Production SFX Supervisor: John Frazier
Prod SFX Coord & Bahamas Unit SFX Gimbal Foreman: Mark Hawker
SFX Shop Foreman: David Amborn
SFX On-Set Foreman: Joe Pancake
SFX Pyro Foreman: Eric Rylander, Dave Barker
SFX Gimbal Foreman: Jim Thomas
SFX Welding Foreman: Ray Wilkerson
SFX Gimbal Engineer: Ross Young
SFX Production Assistants: Mike Knuff, Camille Alvarez
Supervising Prop Master: Kristopher E. Peck
Ass't Prop Masters: Michael Hansen, Brad Good, Michael D. Gianneschi
Master Armorer: Harry Lu
Prop Dept. Coordinator: Zachary M. Heath
Chinese Calligrapher: JC Brown
Black Pearl Captain: Glenn Kiwi Hall
Black Pearl 1st Mate: Lance M. Brozozog
Black Pearl Crew: Steve Wroe, Gene Flipse
Master Ship Technician: Courtney Anderson
Ship Technician Foreman: Peter Marshall
Supervising Sound Editor & Designer/Sound Mixer: Christopher Boyes
Supervising Sound Editor: George Watters II
Sound Mixer: Paul Massey
Ass't Sound Designer: Dee Selby
Add'l Sound Designers: Tim Nielsen, Chris Scarabosio
Add'l 1st Ass't Director: Peter Kohn
Technical Advisor: Peter Twist
Music Editors: Barbara McDermott, Katie Greathouse
Supervising Technical Music Coordinator: Tom Broderick
Supervising Orchestrator: Bruce Fowler
Orchestrators: Walt Fowler, Steve Bartek
Score Recordist & Mixer: Alan Meyerson
Score Recordist: Slamm Andrews
Add'l Score Recordists & Mixers: Jeff Biggers, AL Clay, Greg Vines, Matt Ward
Orchestra Contractors: Sandy DeCrescent, Peter Rotter
Digital Instrument Designer: Mark Wherry
Choir Recordist: Geoff Foster
Choir Conductor: Alistair King
Choir Contractor: Isobel Griffiths
Method Senior VFX Supervisor: Alex Frisch
Method Senior VFX Producer: Aaron Kisner
Method CG Creative Supervisor: Laurent Ledru
Executive Finishing Producer/Senior Colorist: Stefan Sonnenfeld ASC
DI Finishing Producer: Erik Rogers, Des Carey
Online Finishing Editor: Dylan Carter
Senior Finishing Producer: Missy Papageorge
Dailies Colorist: Mark Todd Osborne
Dailies Ass't Colorist: Adrian Delude
DI Finishing Assistant: Dan Goslee
DI Finishing Technologist: Mike Chiado
ILM Senior VFX Supervisor: Roger Guyett
ILM Digital Production Supervisor: David Meny
ILM Senior Comp Supervisor: Eddie Pasquarello
ILM Maelstrom Water FX Supervisors: Joakim Arnesson, Frank Losasso-Petterson
ILM Supervising Technical Directors: Tom Fejes, Neil Herzinger
ILM Associate Animation Supervisor: Marc Chu
ILM Creature Development Supervisor: James Tooley
ILM Creature Model Supervisor: Geoff Campbell
ILM Digital Model Supervisors: Bruce Holcomb, Steve Walton
ILM VFX Art Director: Aaron McBride
ILM Production Manager: Jessica Teach
ILM Sequence Supervisors: Grady Cofer, Jay Cooper, Karin Cooper, Peter Daulton, Michael Di Como, Maia Kayser, Jakub Pistecky, Douglas Smythe
ILM Layout Supervisor: Jason Snell
ILM Roto Supervisor: Jack Mongovan
ILM Lead Digital Matchmove Artist: Selwyn Eddy III
ILM Associate Production Managers: Laura Denicke, Katie Lynch
ILM VFX Editor: Greg Hyman
ILM Stage Producer: Jeff Olson
ILM VFX Coordinators: Jamie Silverman, Courtney Ward
Kerner Opt. Model & Miniature Unit Supervisors: Carl Miller, Pat Sweeney, Charlie Bailey, Geoffrey Heron, Mark Anderson
Digital Domain VFX Supervisors: Eric Nash, Bryan Grill
Digital Domain VFX Producer: Kelly L'Estrange
Digital Domain Digital VFX Producer: Margaret B. Lynch
Digital Domain CG Supervisors: Swen Gillberg, Darren Hendler
Digital Domain Comp Supervisors: Lou Pecora, Sonja Burchard
Digital Domain VFX Concept Artist: Claas Henke
Digital Domain CG FX Animation Leads: Mårten Larsson, Jens Zalzala
Digital Domain CG FX Animator: Brian Gadzik
Digital Domain Previz Artist: Casey Schatz
Digital Domain Character Animation Lead: Matthias Wittmann
Digital Domain CG Modeling Lead: Melanie Okamura
Digital Domain CG Lighting Lead: Hanzhi Tang
Digital Domain CG Lighting Artist: Paul George Palop
Digital Domain Lead 3D Integrationist: Shelly Larocca Courte
Digital Domain FX On-Set Surveyor & Data Integrationist: Geoffrey Baumann
Digital Domain Digital Comp Leads: Joel Behrens, Dan Cobbett, Jessica Harris, Paul Lambert, Mike Maloney
Digital Domain DMP Lead: Wei Zhang
Digital Domain DTP Lead: Fin Teo
Digital Domain Digital Matte Painters: Darin Hilton, Mayumi Shimokawa
Digital Domain Digital R/P Lead: Viviana Kim
Digital Domain VFX Editor: Stephen Miller
Digital Domain Ass't VFX Editor: Steve Rhee
Digital Domain Miniatures Supervisor: Alan Faucher
Digital Domain VFX Coordinator: Jen Underdahl
Digital Domain DFX Coordinators: Cat Thelia, Virginia C. Wilson
Digital Domain Ass't VFX Coord: Winfield O'Brien
Digital Domain VFX Conceptual Consultant & Designer: Robert Stromberg
Asylum Senior VFX Supervisor: Nathan McGuinness
Asylum VFX Supervisor: Phil Brennan
Asylum Comp Supervisor: John Fragomeni
Asylum Exec VFX Producers: Emma McGuinness, Kathy Chasen-Hay
Asylum VFX Coordinators: Frank Spiziri, Cara Farnsworth
Asylum Roto/Paint Supervisor: Elissa Bello
Asylum Lead Paint Artist: James Do Young Lee
Asylum FX Color Timer: Tommy Hooper
Asylum Lead Matte Painter: Tim Clark
Asylum Matte Painter: Shannan Burkley
Asylum CG Supervisor: Zack Turner
Asylum CG Producer: Jeff Werner
Asylum Lead 3D Tracker: Michael Lori
Asylum AVID Editor: Kosta Saric
Asylum Film Editor: Zach Justman
Asylum Smoke Operators: Adam Frazier, Scott Johnson
Orphanage Senior VFX Supervisor: Kevin Baillie
Orphanage VFX Exec Producer: Marc Sadeghi
Orphanage VFX Senior Producer: Paul Hettler
Orphanage Digital VFX Producer: Leslie Valentino
Orphanage CG Supervisor: Brian Kulig
Orphanage Character Set-Up Supervisor: Corey Rosen
Orphanage VFX Animator: Sal Ruiz
Orphanage VFX Compositor: Jesse Russell
Orphanage VFX Editor: Jimmy Lillard
Orphanage Production Manager: Paul Kolsanoff
Orphanage Animation Sup: David Andrews
Orphanage Comp Supervisor: Mike Terpstra
Orphanage Technical Director: Kevin Kelm
Orphanage FX Modeler: Brook Kievet
CIS Senior VFX Supervisor: Bryan Hirota
CIS Senior VFX Producer: Julie Orosz
CIS VFX Comp Supervisor: Patrick Kavanagh
CIS VFX Production Manager: Julie Gaudette
CIS VFX Coordinator: Katie Jones
CIS Senior Inferno Artist: Greg Oehler
CIS Inferno Artist: Tom Daws
CIS Lead CG Artist: Diana Miao
PTAS VFX Supervisor: David Sosalla
PTAS Executive VFX Producer: Joe Gareri
PTAS Inferno Compositors: Brian Hanable, Cesar Romero, Bob Wiatr
PTAS Digital VFX Coordinator: Phillip Hoffman
Proof Previz Supervisor: Rich Lee
2nd Unit 1st Ass't Director: David Hallinan
2nd Unit 2nd Ass't Director: Greg Pawlik
2nd Unit DoP: Patrick Loungway
2nd Unit 1st Ass't A-Cam: Stephen Buckingham
2nd Unit 2nd Ass't A-Cam: Matthew C. Blea
2nd Unit 2nd Ass't B-Cam: Lorna Leslie
2nd Unit Gaffer: Pat Hoeschen
2nd Unit Libra Head Tech: Aaron York
2nd Unit Prop Masters: Don Miloyevich, JP Jones, Kenny Peterson
Rough Seas Unit Production Supervisor (2nd Unit): Adam Cramer
2nd Unit Production Assistant: Emily White
2nd Unit 1st Ass't Dir (Bahamas Unit): Philip Hardage
2nd Unit 2nd Ass't Dir (Bahamas Unit): Eric Glasser
2nd Unit Gaffer (Bahamas Unit): Brian Tilden
2nd Unit BB Electrician (Bahamas Unit): Steve Zigler
Bahamas Unit Technocrane Tech: Ken Rivenbark
Bahamas Unit Prop Master: James Stitch Crisp
Bahamas Unit Black Pearl Capt.: Mike Watkins
Bahamas Unit Black Pearl 1st Mate: James Barry
Bahamas Unit Black Pearl Rigging Crew: Leah Kefgan, Merelita Revel
Bahamas Unit Ass't Prod Coord: Kelly De Tample
Bahamas Unit Loc Manager: Robin Higgs
Bahamas Unit Director of SFX Coordination: Allen Hall
Bahamas Unit SFX On-Set Foreman: Andy Weder
Bahamas Unit SFX Shop Foreman: James Reedy
Filming Dates: August 2005, 3 August 2006 - 12 December 2006 (Shot back-to-back with Dead Man's Chest)
Cameras: Arriflex 235, 435, Photo-Sonics 4ER, Panaflex Lightweight & Platinum (35mm Eastman 50D 5245 + Kodak Vision2 50D 5201, 200T 5217 & 500T 5218)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (3-Perf Common-Top Super 35mm)
Budget: 300 Million USD
Budget AFI (2022): 406.7 Million USD
Printed on: Kodak Vision 2383
Score Mixed at: Remote Control Productions, Santa Monica, CA
Choir Recorded at: Air Lyndhurst Studios, London
Main Titles & Visual Effects Designed by: Method Studios, CIS Hollywood + Pacific Title & Arts Studio
Digital Intermediate Finishing Provided by: Company 3
Special Visual Effects & Digital Animation Provided by: Industrial Light & Magic, Digital Domain, Asylum + The Orphanage
Models & Miniatures Provided by: Kerner Optical Company
Previsualization Provided by: Proof
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with Panavision Cameras and Lenses - DirectorGore VerbinskiStarsJohnny DeppIsla FisherTimothy OlyphantRango is an ordinary chameleon who accidentally winds up in the town of Dirt, a lawless outpost in the Wild West in desperate need of a new sheriff.Story Writer/Producer: Gore Verbinski
Co-Writer: John Logan
Story Writer/Head of Story/Character Designer: James Ward Byrkit
Producer: Graham King
Executive Producer: Tim Headington
Production & Character Designer: Mark Crash McCreery
Film Editor: Craig Wood ACE
Composer: Hans Zimmer
Score Arrangers: Lorne Balfe, Tom Gire, Michael Levine, Dominic Lewis, Atli Örvarsson, Adam Peters, John Sponsler, Geoff Zanelli
Score Arranger/Guitar Player: Heitor Pereira
Casting: Denise Chamian CSA
Co-Producer/Production VFX Producer: Shari Hanson
Co-Producer: Adam Carver
Co-Producer/Character Designer: David Shannon
Cinematography Consultant: Roger Deakins ASC BSC
Cinematographer/A-Cam Op (Emotion Capture Unit): Rafael E. Sanchez
Production Animation Director: Hal Hickel
Production VFX Supervisors: Tim Alexander, John Knoll
ILM Senior Producer: Jacqui Lopez
ILM Producer: Katie Lynch
Digital Production Supervisor: Michael Bauer
Character & Simulations Supervisor: James Tooley
Associate Animation Supervisor: Kevin Martel
Character Modeling Supervisor: Geoff Campbell
Production CG Supervisors: Kevin Sprout, Raul Essig, Leandro Estebecorena, Patrick Cohen
supervising Art Director: John Bell
Look Development Supervisors: Kevin Reuter, Damian Steele
Texture Supervisor: Steve Walton
Layout Supervisors: Colin Benoit, Nick Walker
Environment Supervisor: Andrew Proctor
Digital Comp Supervisor: Nelson Sepulveda
Story Artist: Dave Lowery
Character Designer: Eugene Yelchin
Conceptual Artists: James Carson, Jim Martin
Development Model Sculptor: Adam Cramer
Consulting Producers: Nils Peyton, Mark Bakshi
Production Coordinator: Chrysta Marie Burton
Add'l Film Editors: Wyatt Jones, Tom Barrett
1st Assistant Editor: Simon Morgan
2nd Assistant Editor: Joel Griffen
3rd Assistant Editor: Scott Wesley Ross
1st Apprentice Editor: Matt Todaro
Post-Production Ass't: Derrek Brakovich-Horn
Production Sound Mixer: Lee Orloff
Development Sound Supervisor: Sean Massey
ILM Associate VFX Supervisor: Tony Platt
ILM Technical Production Supervisor: Jason Smith
ILM Associate Character Dev Supervisor: Brian Paik
ILM Character CG Supervisor: Michael Koperwas
ILM Technical Animation Supervisor: Virginie Michel D'Annoville
ILM Environment Development Lead: Carlos Munoz
ILM Hard Surface Model Supervisor: Russell Paul
ILM CG Supervisors: Tom Fejes, Patrick Myers, Gerald Gutschmidt, Polly Ing, David Meny, Nigel Sumner
ILM Executive Producer: Janet Lewin
ILM Production Managers: Carol Norton, Danielle Rubin, Jenna Grigg Thomas, Lisa Todd
ILM Animation Editor: Greg Hyman
ILM Model Lead: Jung-Seung Hong
ILM Texture Leads: Justin Holt, Martin Murphy
ILM Associate Character Development Production Manager: Hui Ling Chang
ILM Simulation Leads: Karin Cooper, Eric Wong
ILM Rough Layout Lead: Gerald McAleece III
ILM Lead Animators: Charles Allneck, Derrick Carlin, Maia Kayser, Shawn Kelly, Cedric Lo, Jakub Pistecky, Andy Wong, Peter Kelly
ILM Associate Animation Production Manager: Daniel Cavey
ILM Environment Lead TDs: Jason Rosson, Daniel Wheaton
ILM FX Leads: Dan Bornstein, Jeff Grebe, Willi Geiger, Michael Jamieson, Lee Uren
ILM Lighting Sequence Supervisors: Jay Cooper, Steve Braggs, Tom Martinek, Christian Foucher, Akira Orisaka, Amelia Chenoweth, John Walker, Jeff Hatchel, Mathieu Boucher
ILM Software Engineers: Simon Eves, Andre Mazzone, Brandon Warner
ILM Associate Lighting Production Manager: Stacy Bissell
ILM Associate Comp Supervisors: Michael Conte, Mark Hopkins
ILM Art Director: Aaron McBride
ILM Concept Artists: Christian Alzmann, Devon Cutler, John Giang, Romerick Jeanne
ILM Ass't Animation Editor: Erik Pampel
ILM Roto Artists: Katharine Baird, Trevor Hazel, Katie Morris, Alan Travis, Justin Kosnikowski
ILM Production Coordinators: Chris Bannister, Karen Kelly, Morgan Smith
Whiskytree Art Director & Matte Painter: Joe Ceballos
Whiskytree Digital Matte Painter: Juan Pablo Monroy
Hammerhead VFX Modeler: Richard Matsushita
Add'l Texture Painter: Jamie Bowers
Digital Domain Texture Artist: Sun Chung
Previz Lead Artist: William Alex Cannon
Previz Artist: Daniel Heder
Re-Recording Mixers: Paul Massey, Christopher Boyes
Sound Designer/Supervising Sound Editor: Peter Miller
Supervising Sound Editor: Addison Teague
Supervising Music Editor: Kenneth Karman
Music Editor: Peter Oso Snell
Ass't Music Editor: Jeannie Lee Marks
Music Consultant: Bob Badami
Supervising Orchestrator: Bruce Fowler
Orchestrator: Walter Fowler
Score Conductor: Nick Glennie-Smith
Orchestrator Contractors: Sandy DeCrescent, Peter Rotter
Score Recorder & Mixer: Alan Meyerson
Add'l Score Recorders: Slamm Andrews, Kevin Globerman
UPM/1st AD (Emotion Capture Unit): Adam Somner
2nd Ass't Dir (Emotion Capture Unit): Ian Calip
Prod Supervisors (Emotion Capture Unit): Gary Kout, Christine Altomari
Ass't Prod Coordinator (Emotion Capture Unit): Elizabeth Galloway
Set Decorator (Emotion Capture Unit): Rosemary Brandenburg
A-Camera Op (Emotion Capture Unit): Martin Schaer
1st Ass't A-Cam (Emotion Capture Unit): Trevor Loomis
2nd Ass't A-Cam (Emotion Capture Unit): James Goldman
1st Ass't B-Cam (Emotion Capture Unit): Peter Geraghty
2nd Ass't B-Cam (Emotion Capture Unit): Mark Connelly
Gaffer/CLT (Emotion Capture Unit): Patrick Hoesche
Ass't Gaffer/CLT (Emotion Capture Unit): Gary Dalquist
Prop Master (Emotion Capture Unit): Kristopher E. Peck
Ass't Prop Master (Emotion Capture Unit): Brad Good
Visual Consultant (Emotion Capture Unit): Christine Cantella
Stunt Coordinator (Emotion Capture Unit): Keith Campbell
Choreographer (Emotion Capture Unit): JoAnn Jensen
Executive Producer for CO3/Senior Finishing Colorist: Stefan Sonnenfeld ASC
DI Finishing Producer: Nick Monton
Online Finishing Editor: Matthew Johnson
DI Finishing Assist: Dan Goslee
CO3 Senior Finishing Producer: Missy Papageorge
DI Account Executive: Jackie Lee
Camera: Arri Alexa (2.8K ARRIRAW)
Lenses: Panavision Anamorphic Primes & Arri Master Primes
AR: 1.78:1 (HDTV Version), 2.35:1 (Super 35mm: Emotion Capture Unit)(Anamorphic: Animation Reference)
Budget: 135 Million USD
Budget AFI (2022): 168.7 Million USD
Printed on: Kodak Film
Visual Effects & Feature Animation Provided by: Industrial Light & Magic
Additional Visual Effects Provided by: Digital Domain, Whiskytree & Hammerhead Productions
Post-Production Sound Services Provided by: Skywalker Sound
Score Mixed at: Remote Control Productions
Digital Intermediate Finishing Provided by: Company 3
Attribute: Filmed in Panavision - DirectorGore VerbinskiStarsJohnny DeppArmie HammerWilliam FichtnerNative American warrior Tonto recounts the untold tales that transformed John Reid, a man of the law, into a legend of justice.Producers: Gore Verbinski, Jerry Bruckheimer
Writers/Executive Producers: Ted Elliott, Terry Rossio
Writer: Justin Haythe
Executive Producers: Mike Stenson, Chad Oman, Johnny Depp
Executive Producer/Unit Production Manager: Eric McLeod
Cinematographer: Bojan Bazelli ASC
Cinematographer (32Ten Special Effects & Miniatures): Pat Sweeney
Production Designers: Jess Gonchor, Crash McCreery
Film Editors: Craig Wood ACE, James Haygood ACE
Costume Designer: Penny Rose
Composer: Hans Zimmer
Composer (Add'l Music)/On-Camera Music Arranger: Geoff Zanelli
Composers (Add'l Music): Steve Mazzaro, Rupert Gregson-Williams, Andrew Kawczynski, Jasha Klabe
Supervising Score Orchestrator: Bruce Fowler
Production VFX Supervisors: Tim Alexander, Gary Brozenich
Associate Producer/Production VFX Producer: Shari Hanson
Casting: Denise Chamian CSA
Unit Production Manager: Mark Ingid
1st Assistant Director: Simon Warnock
2nd Assistant Director: Eric Richard Lasko
Associate Producer: Pat Sandston
ILM Senior Animation Supervisor: Kevin Martel
ILM VFX Executive Producer: Jill Brooks
ILM Senior VFX Producer: Amy Beresford
MPC Senior VFX Sup (Vancouver): Matt Middleton
MPC Senior Comp Supervisor: Marian Mavrovic
MPC Senior VFX Producer: Oliver Money
Stunt Coordinator: Thomas Robinson Harper
Stunt Co-Coordinators: Casey O'Neill, Tad Griffith
Stunt Office Coordinator: Karen Harris
Production Supervisor: Thomas Hayslip
Supervising Art Directors: Jon Billington, Brad Ricker
Art Directors (Trains): Naaman Marshall, Domenic Silvestri
Art Director (NM): James F. Oberlander
Art Director: Iain McFadyen
Set Decorator: Cheryl Carasik
Art Dept. Coordinator: Sara Pennington
Art Dept. Coordinator (CA): Cheree Miller
Lead Set Designer: Greg Papalia
Digital Set Designer: Scott Herbertson
Set Designers (NM): Marisa Frantz, Ricardo Guillermo, Siobhan Roome
Supervising Location Manager: Janice Polley
A-Camera Operator: Martin Schaer
1st Assistant A-Camera: Trevor Loomis
2nd Assistant A-Camera: Walrus Howard
B-Camera/Steadicam Operator: Dave Luckenbach
1st Assistant B-Camera: Kim Guthrie
2nd Assistant B-Camera: Dennis Geraghty
Add'l 1st Ass't B-Camera: James Goldman
Add'l A-Cam Operator: P. Scott Sakamoto SOC
Add'l 1st Ass't A-Camera: Mark Meyers
Spydercam Supervisors: Todd Semms, Tim Drnec
B-Camera Prod Ass't (UT): Rachel Ranger
Production Coordinator: Russell Allen
Ass't Prod Coordinator: Jason Simmonds
Advance Prod Coordinator (AZ/UT/CO): Aimee Clark
2nd 2nd Ass't Directors: Brett Robinson, Brandy Pollard
Add'l 2nd 2nd Ass't Dir (NM): Kevin Thomas Roy
Key Set Production Assistant: Kevin Collins
Location Manager (CO/CA): Julie Hannum
Key Ass't Location Manager: Paulina Salazar
Post-Production Supervisor: Amanda Weir
Post-Production Coordinator: Shannon O'Neill
1st Assistant Editor: Dylan Firshein
Production VFX Editors: Andrew Loschin, Nolan Reese
Chief Lighting Technician: Rafael Sanchez
Ass't Chief Lighting Tech: Scott Sprague
Rigging Gaffer: Scott Graves
Best Boy Grip (NM): Adam T. Flores
B-Camera Dolly Grip (NM): Sean R. Wright
B-Camera Dolly Grip (CA): Steven Serna
Supervising Prop Master: Kristopher Peck
Ass't Prop Masters: Brad Good, Curtis E. Akin
Production SFX Supervisor: John Frazier
Production SFX Coordinators: Jon G. Belyeu, Jim Schwalm
Production SFX Estimator: Leslie Coogan
SFX Labor Foreman: Michael Mosley
SFX Rigging Foreman: Chris Burton
Paint Foreman (NM): Sammy Pactol
Train Coordinators: Jason Lamb, James Clark
Ass't Train Coordinator: Luke R. Johnson
Rental Car Coordinator: Tiffanie N. Reyes
Edge Unit DoPs: Greg Baldi, Hans Bjerno, Brooks Guyer, Dean Mitchell
Edge Crane Operators: Jason Tubbs, Perry Karadis
Edge Head Techs: Lev Yevstratov, James Danicic
Edge Drivers: Dean Bailey, Donny Bailey
Underwater Unit DoP: Pete Zuccarini
Underwater Unit 1st Ass't A-Cam: Peter Manno
Underwater Unit 2nd Ass't A-Cam: Bob Settlemore
Aerial Unit DoPs: David B. Nowell ASC, Michael Kelem
Aerial Unit Helicopter Pilots: David Paris, Cliff Fleming
Aerial Unit Technician: Peter Graf
Sound Designer: Gary Rydstrom
Supervising Music Editor: Kenneth Karman
Music Wrangler: Bob Badami
Music Production Supervisor: Monica Zierhut
Orchestra Contractor: Peter Rotter
Orchestra Conductor: Nick Glennie-Smith
On-Camera Supervising Music Mixer: Joseph Macee
Main & End Titles Designer: Henry Hobson
Executive Finishing Producer/Supervising Colorist: Stefan Sonnenfeld ASC
Add'l Finishing Colorist: Sofie Friis Borup
DI Finishing Producer: Nick Monton
Digital Conform Editor: Joe Ken
Color Finishing Assistant: Giovanni DI Giorgio
DI Finishing Technologist: Mike Chiado
Dailies Colorist: Dave Lee
Dailies Producer: Freddy Hernandez
CO3 Head of Production: Devin Sterling
2nd Unit Director: Charles Gibson
2nd Unit DoP: Patrick Loungway
2nd Unit 1st Ass't Director: Steve Love
2nd Unit Key 2nd Ass't Dir: David Kelley
2nd Unit 2nd 2nd Ass't Dir: Jai James
2nd Unit Production Supervisor: Amy Schmidt
2nd Unit 1st Ass't A-Camera: Brad Peterman
2nd Unit 2nd Ass't A-Camera: Sarah Brandes
Element Unit 1st Ass't Dir: James LaRocca
Element Unit 2nd Ass't Dir: Ethan Ross
Element Unit DoP: Josh Bleibtreu ASC
Senior VFX Coordinators: Chrysta Marie Burton, Chris F. Moore
Production VFX Coordinators: Christopher Blasco, Clayton Lyons
VFX Prod Ass't: Derrek Brajkovich-Horn
Production VFX Accountant: Trevor Pawlik
ILM Digital Production Supervisor: Hayden Landis
ILM Senior Comp Supervisor: Nelson Sepulveda
ILM CG Supervisors: Willi Geiger, Gerald Gutschmidt
ILM Digital Matte Supervisor: Dan Wheaton
ILM Digital Model Supervisors: Lana Lan, Rene Garcia
ILM Viewpaint Supervisor: Steve Walton
ILM Creature Supervisor: Brian Paik
ILM Layout Supervisor: John Levin
ILM Roto & Paint Supervisor: Lance Baetkey
ILM Vancouver Supervisors: Andreas Frickinger, Eric Fernandes
ILM VFX Editor: Jim Milton
ILM Lead Comp Supervisor: Tami Carter
ILM Lead Digital Compositor: David Gottlieb
ILM Lead Plate Photographer: Giles Hancock
ILM Lead Animation Supervisor: Maia Kayser
ILM Lead VFX Environment Supervisor: Andrew Proctor
ILM Lead Look Dev Supervisor: Kevin Reuter
ILM Lead CG Sequence Supervisor: Damian Steel
ILM VFX Production Managers: Katherine Farrar Bluff, Marissa Gomes
ILM Vancouver VFX Associate Producer: Jenny Wolfe-Binder
ILM Production Coordinators: Rachel Galbraith, Brian Holligan, Ale Melendez, Kim Wasson
ILM SVP & General Manager: Lynwen Brennan
ILM Add'l VFX Supervisor: John Knoll
ILM VP of Operations: Janet Lewin
MPC VFX Producer (Vancouver): David Fox
MPC Comp Supervisor (Vancouver): Arek Komorowski
MPC Animation Supervisor: Ferran Domenech
MPC CG Supervisor (London): Sheldon Stopsack
MPC CG Supervisor (Vancouver): Pete Dionne
MPC VFX Prod Manager (London): Gracie Edscer
MPC VFX Prod Manager (Vancouver): Emily Williams
Lola VFX Supervisor: Edson Williams
Lola VFX 3D Supervisors: Colin Strause, Greg Strause
Lola VFX Executive Producers: Thomas Nittmann, Guy Botham
Lola VFX Producer: Max Leonard
Lola VFX Comp Supervisor: Trent Claus
Lola VFX Coordinators: Robbie Janda, Allison Paul, Miles Friedman
Lola VFX Senior Compositors: Cliff Welsh, Erik Liles
Lola VFX Matte Painters: Rob Olsson, Sun Lee
Lola VFX Editor: Dan Bartolucci
Smoke Donkey VFX Comp Supervisor: Mark Casey
32Ten SFX Supervisor: Geoffrey Heron
32Ten Miniatures Supervisor: Ben Nichols
32Ten Model Shop Supervisor: Sean House
32Ten SFX & Miniature Producer: Greg Maloney
32Ten Exec in Charge of Production: Tim Hartford
Unit 11 Previz Sup: Steven Yamamoto
Unit 11 Previz Producer: Jill Ambrosiano
Filming Dates: 13 February 2012 - November 2012
Cameras: Alexa Studio Arriflex 235, 435, Panaflex XL2, Platinum & Red Epic (2.8K ARRIRAW & 35mm Kodak Vision3 50D 5203)
Lenses: Panavision Primo 21mm SL Prime, C-, G-Series Anamorphic Primes, Primo Anamorphic Wide-Angle 2:1 (40-80mm) Zoom & Anamorphic Frazier Lens System
AR: 2.39:1 (Anamorphic)(5K Redcode RAW: Bank Robbery Scene)
Budget: 215-250 Million USD
Printed on: Kodak Vision 2383
Post-Production Sound Services Provided by: Skywalker Sound
Score Recorded & Mixed at: Remote Control Productions
Digital Intermediate Finishing & Dailies Provided by: Company 3
Visual Effects & Animation Provided by: Industrial Light & Magic, Moving Picture Company, Lola VFX + Smoke Donkey VFX
Additional Visual Effects Provided by: Base FX, Atomic Fiction & Virtuos
Miniatures & Special Effects Provided by: 32Ten Studios & New Deal Studios
Previsualization Provided by: Unit Eleven
3D Conversion Provided by: Stereo D, Legend3D & Prime Focus World
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorGore VerbinskiStarsDane DeHaanJason IsaacsMia GothAn ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious "wellness center" at a remote location in the Swiss Alps, but soon suspects that the spa's treatments are not what they seem.Story Writer/Producer: Gore Verbinski
Exec Producer/Co-Writer: Justin Haythe
Producer: Arnon Milchan
Cinematographer: Bojan Bazelli ASC
Production Designer: Eve Stewart
Film Editors: Peter Beaudreau, Lance Pereira
Composer, Score Orchestrator & Mixer: Benjamin Wallfisch
Costume Designer: Jenny Beaven
Casting: Denise Chamian CSA, Priscilla John CDG
Unit Production Manager: David Crockett
1st Assistant Director: Alexander Oakley
Line Producer: Arno Neubauer
Supervising Stunt Coord: Volkhart Buff
Ass't Stunt Coordinator: Melanie Benna
Dive Master: Daniel Reger
Fight Choreographer: Joshua Grothe
Supervising Art Director: Grant Armstrong
On-Set Art Director: Tarnia Nicol
Graphic Designer: Anita Dhillon
Volmer Face Concepts Consultant: Crash McCreery
Supervising Set Decorators: Michael John Standish, Mark Rosinski
Set Dec Buyer (UK): Rebecca Pilkington
A-Camera Operator: Florian Emmerich
B-Cam/Steadicam Op: Marcus Polhus
1st Assistant A-Camera: Nino Neuboeck
2nd Assistant A-Camera: Janosch Feucht
1st Assistant B-Camera: Won-Suk Park
2nd Assistant B-Cam: Shay Coten Beinwoll
A-Camera Production Ass't: Mirko Hans
B-Camera Production Ass't: Ugur Yildirim
Steadicam Production Ass't: Luka Bazeli
Digital Imaging Tech: Tobias Semmelmann
Data Wrangler: Max Enger
Video Operator: Christian Wehrle
1st Assistant Video Op: Angela Fellenberg
Supervising Prop Masters: Scott Kelly, Marcus Haendgen
Gaffer: Bjoern Susen
Rigging Gaffer: Dietmut Haupt
Camera Car Drivers: Leo Plank, Tobias Vorbrodt
Ass't Costume Designer: Sarah Young
Makeup & Hair Designer: Sharon Martin
2nd Assistant Director: Zoe Liang
Floor 2nd Ass't Director: Caroline Kaempfer
3rd Assistant Director: Lisa Wolf
Add'l 3rd Ass't Director: Josey McNamara
Crowd 2nd Ass't Director: Ronny Schroeder
Choreographer: Julia Fidel
Production Supervisor: Jacquelyn Carr
Unit Manager: Jan Enderlein
Production Coordinator: Elisabeth Kemps
Ass't Prod Coordinator: Milena Bomalick
Supervising Loc Manager: Henrik Greisner
Production SFX Supervisor: Gerd Nefzer
SFX Set Supervisor: Bernd Rautenberg
Prod Accountant (US): Donna Farmer
Underwater Unit DoP: Sascha Meike
2nd Assistant Underwater A-Camera: Gero Neumann
German Splinter Unit DoP: Fraser Taggart
German Splinter Unit 1st AD: Mark Hopkins
Line Producer (NY): Sabine Schenk
NY Unit 1st Ass't Director: Don Julien
NY Unit Location Manager: Adam Atenasio
Add'l Film Editor: Craig Wood ACE
1st Ass't Editors: Patrick Smith, Joe Galdo
Production VFX Editor: Dan Urrutia
2nd Assistant Editor: Dmitri Frolov
Re-Recording Mixers: Paul Massey, Dave Giammarco
Supervising Finishing Colorist: Stephen Nakamura
DI Finishing Producer: Erik Rogers
Digital Conform Editor & Finishing Artist: Matthew Johnson
DI Finishing Technologist: Michael Chiado
Color Finishing Assistants: James Cody Baker, John Tripp
Data I/O Supervisors: Robert DuBois, Tristan Rayos
Executive Finishing Producer: Stefan Sonnenfeld ASC
Production VFX Supervisor: Tom Proctor
Production VFX Producers: Allen Maris, Shari Hanson
On-Set VFX Supervisor: Richard Bain
DNEG FX Supervisor: Andrew Cadey
DNEG Animation Supervisor: Ben Wiggs
Lola VFX Supervisor: Edson Williams
Score Co-Producer: Chris Craker
Orchestra Conductor: Gavin Greenaway
Choir Conductors: David Temple, Ben Parry
Music Score Mixer: Alan Meyerson
Filming Dates: 29 June 2015 - 29 October 2015
Cameras: Alexa XT, XT Studio & XT M (3.4K ARRIRAW)
Lenses: Leitz Summilux-C Spherical Primes, Arri Master Primes & Zeiss Ultra Primes
Captured Format: Open-Gate Super 35mm
AR: 1.66:1 (Intended Ratio), 1.78:1 (Home Video Release)
Budget: 40 Million USD
Post-Production Sound Services Provided by: Skywalker Sound
Digital Intermediate Finishing Provided by: Company 3
Visual Effects Provided by: Double Negative & Lola VFX
Music Score Recorded at: Abbey Road Studios, London
Music Score Mixed at: Remote Control Productions, Santa Monica
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Camera Equipment Provided by Arri Media & Arri Rental