Production Details on Platinum Dunes Movies
Another list I'll work on slowly. There's so much for me to do, so little time.
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- DirectorMarcus NispelStarsJessica BielJonathan TuckerAndrew BryniarskiAfter picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a deformed chainsaw-wielding loon and his family of equally psychopathic killers.Director: Marcus Nispel
Screenwriter: Scott Kosar
Co-Producers: Kim Henkel, Tobe Hooper
Producer: Michael Bay
Exec Producers: Andrew Form, Brad Fuller
Cinematographer: Daniel Pearl ASC
Production Designer: Gregory Blair
Film Editor: Glen Scantlebury ACE
Costume Designer: Bobbie Mannix
Composer: Steve Jablonsky
Unit Prod Manager/Co-Producer: Joe Dishner
1st Assistant Director: Randy Fletcher
2nd Assistant Director: Philip Hardage
Assoc. Producers: Pat Sandston, Matt Cohan
Stunt Coordinator: Anthony P. Cecere
Post-Production Supervisor: Tami R. Goldman
Art Director: Scott Gallagher
Set Designer: Ronn Basquette
Art Dept. Coordinator: Debbie C. Haber
Set Decorator: Randy Smith Huke
A-Camera Operator: Jeffrey J. Tufano
1st Ass't A-Cam Operator: Pete Morgan Simonite
Add'l 1st Ass't A-Cam Op: Theda Cunningham
2nd Ass't A-Camera Operator: Don Howe Jr
Add'l 2nd Ass't A-Cam Operator: Tod Campbell
A-Camera Loader: Thomas Young
Video Assist Operator: Roger Basquette
A-Camera Utility Assistant: Thadd Day
Production Accountant: Morgan Miles
Art Dept. Auditor: Molly Murray
Post-Production Accountant: Julie Hansen
2nd 2nd Ass't Director: Katie Tull
Gaffer: Andy Ryan
Supervising Prop Master: Mark Wallace
Ass't Prop Master: Amy Bell
Prop Intern: Erick Garibay
Associate Film Editor: Nathan Fitzgerald
Editorial Production Assistant: Sara Mineo
Sound Supervisor/ADR Editor: Trevor Jolly
Sound Supervisor & Designer: Scott Martin Gershin
Supervising Location Manager: KJ Kernan
Ass't Location Manager: Joey Hudgins
Locations Scouts: Richard Klotz, Logan Cooper
Artistic Consultant to Marcus Nispel: Vas Leonidov
Production SFX Coordinator: Rocky Gehr
SFX On-Set Key Man: Brandon McLaughlin
SFX Production Assistant: Leah Bogan
Asylum VFX Sr VFX Supervisor: Nate McGuinness
Asylum VFX Supervisor: Jason Schugardt
Asylum VFX Exec Producers: Emma McGuinness, David Hofflich
Asylum VFX CG FX Producer: Jeff Werner
Asylum VFX Coordinator: Jimmy Batchelder
Asylum VFX CGI Artists: Dave Santiago, Greg Stuhl
Asylum VFX Compositors: Joel Behrens, James Lee, Jesper Nybroe
Asylum VFX Digital Color Correction Sup: Tommy Hooper
Asylum VFX Editors: Zach Justman, Kosta Saric, Ryan Meredith
Asylum VFX Engineers: Alex Hegedus, William Laverty
CO3 Finishing Colorists: Stefan Sonnenfeld ASC, John Zaik
CO3 Digital Color Producers: Thatcher Peterson, Steve Mora
CO3 Color Finishing Producer: Missy Papageorge
Picture Vehicle Prod Assistant: Russell E. Scott
Music Editor: Jennifer Nash
Ass't Music Editor: Bob Badami
Score Mixer: Malcolm Luker
Ass't Score Engineer: Gregg Silk
Score Recordist: Melissa Muik
Ambient Music Designer: Mel Wesson
Add'l Score Programming Supervisor: Jay Flood
Music Assistant: William Malpede
Production Executives: Dana Belcastro, Amy Kaufman, Jeff Roth
Dolby Sound Consultant: Andy Potvin
Filming Dates: 22 July 2002 - September 2002
Cameras: Arriflex 435, Panaflex XL & Platinum (35mm Eastman EXR 50D 5245/Kodak Vision 250D 5246/500T 5279)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 9.5 Million USD
Budget AFI (2022): 14.6 Million USD
Released on: Fuji Eterna-CP 3513DI
Visual Effects Provided by: Asylum VFX
Digital Color Correction Provided by: Company 3
Music Production Services Provided by: Media Ventures Santa Monica, California
Attribute: Filmed in Panavision - DirectorAndrew DouglasStarsRyan ReynoldsMelissa GeorgeJimmy BennettNewlyweds are terrorized by demonic forces after moving into a large house that was the site of a grisly mass murder a year before.Director: Andrew Douglas
Prods: Michael Bay, Andrew Form, Brad Fuller
Executive Producer: Ted Field
Executive Producer / Unit PM: David Crockett
Cinematographer: Peter Lyons Collister ASC
Production Designer: Jennifer Williams
Film Editors: Christian Wagner, Roger Barton ACE
Composer: Steve Jablonsky
Co-EPs: Randall Emmett, George Furla, Paul Mason, Steven Whitney
First Assistant Director: Craig Pinckes
Second Assistant Director: Thomas Coe
Second Unit Director: Mark Palansky
Stunt Coords: Kurt Bryant, Mark Harper, Rick LeFevour
Action Coordinator: Kenny Bates
Additional Cinematographer: Christopher Duskin
A Camera Operator: Peter Mercurio
B Camera Operator: Flor Collins
B First Assistants: Robert Carlson, Dean Simmon
Second Assistant B Camera: Gregg Gannett
Steadicam Operator: Faires Anderson Sekiya
Director of Aerial Photog.: Kurt Soderling SOC
Chief Lighting Technic: Shane Kelly, Rick Thomas
Overall Special Effects Coordinator: John Milinac
Overall Special Effects Foreman: Michael Ahasay
Special Effects Shop Foreman: William Kennedy
Lead Special Effects Technician: David Chamerski
Overall Special Effects Technician: Jay Appleberry
Second Second Assist Director: Jeremy Oswald
Day-Player Second Second AD: Vince Duque
Second Unit Gaffer: Mark Castelaz
ILM Sr. Visual Effects Supervisor: Roger Guyett
ILM Senior Visual Effects Producer: Janet Lewin
ILM Visual Effects Coordinator: Kathleen Lynch
ILM Compositing Supervisor: Patrick Tubach
Asylum Senior VFX Supervisor: Nate McGuinness
Asylum Visual Effects Supervisor: Sean Faden
Asylum VFX Exec Producer: Emma McGuinness
Asylum Visual FX Prod: Kim Jorgensen Adams
Asylum Visual Effects Coord.: Ryan Meredith
Asylum Computer Graphs Producer: Jeff Werner
Asylum Asst Visual Effects Editor: Zach Justman
Asylum Assistant Color Timer: Derek Milner
Company 3 Colorist: Stefan Sonnenfeld ASC
Filming Dates: 2 August 2004 - 12 October 2004
Cameras: Arriflex 435, Panaflex Gold & Platinum (35mm Kodak Vision2 500T 5218 & Vision 200T 5274)
Lenses: Panavision® Primo SL Primes, SLZ 17.5-75mm Zoom, SLZ11 24-275mm Zoom, SLZ3 Hubble 135-420mm Zoom & Spherical Frazier Lens System
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 19 Million USD
Budget AFI (2022): 28.8 Million USD
Special Makeup Effects by: KNB EFX Group
Special Visual Effects by: Industrial Light & Magic + Asylum VFX
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision® - DirectorJonathan LiebesmanStarsJordana BrewsterMatt BomerDiora BairdBefore being sent to serve in Vietnam, two brothers and their girlfriends take one last road trip, but when they get into an accident, a terrifying experience will take them to a secluded house of horrors, with a chainsaw-wielding killer.Director: Jonathan Liebesman
Producers: Michael Bay, Andrew Form, Bradley Fuller, Kim Henkel, Tobe Hooper
Co-Producer/Lead UPM: Alma Kuttruff
Co-Producer/Key 1st AD: KC Hodenfield
Composer: Steve Jablonsky
Costume Designer: Mari-An Ceo
Film Editor: Jonathan Chinbull
Production Designer: Marco Rubeo
Cinematographer: Lukas Ettlin
Executive Producer: Robert J. Kuhn
Co-Writer: Sheldon Turner
Story Writer: David J. Schow
Stunt Coordinator: Kurt Bryant
Stunt Consultant/2nd Unit Director: Kenny Bates
Stunt Doubles: Mark Ginther, Brian Avery
Utility Stunts: Brian Christensen
Puppeteer & KNB EFX Special Makeup FX Designer: Greg Nicotero
Puppeteer: Grady Holder
Puppeteer & KNB EFX SFX Makeup Tech: Kevin Wasner
2nd Assistant Director: Chris Castaldi
2nd 2nd Ass't Director: Douglas Carter
Post-Production Supervisor: Tim Pedegana
Art Director: John Frick
Set Decorator: Randy Smith Hike
Storyboard Artist: Mark Moore
Art Dept. Coordinator: Jordan Henderson
Set Dec Assistant: Heather Ingram
Art Dept. Assistant: Sara Giustini
"A" Camera Operator: Michael Scott SOC
"A" Cam 1st Ass't: Pete Morgan Simonite
"A" Camera 2nd Assistant: Zachery Nasits
"B" Camera Op & Splinter Unit DoP: Brown Cooper
"B" Cam 1st Assistant: Theda Street man
"B" Camera 2nd Assistant: Don Howe Jr
Film Loader: Patrick B. Coate
Steadicam Operator: George Neidson
Add'l A-Camera Operator: John Sheeren
Add'l "A" Camera 1st Ass't: Cal Roberts
Add'l "A" Cam 2nd Ass't: Trevor D. Nelson
Camera Dept. Assistant: Paul Pryor
Digital Video Assist Op: Rogers Basquette
Production Accountant: Morgan M. Miles
Post-Prod Accountants: Julie Hansen, Chris Kahn
Prod Coordinators: Shanti Delsarte, Leigh Ann Wilbourn
Ass't Prod Office Coordinator: Nell Kennedy
Gaffer: Russ Engels
Rigging Gaffer: Robert B. Reynolds
Key Grip: Kurt Grossi
"A" Dolly Grip: Greg Lomas
"B" Dolly Grip: Matt Cowan
Key Rigging Grip: Robert Hicks
Key Rigging Grip|Add'l Dolly: Dave McSwain
Supervising Prop Master: Dwayne Grady
Ass't Prop Master: Amy Bell
Add'l Film Editors: Joel Negron ACE James May ACE
1st Assistant Editor: Peter Gvozdas ACE
Post-Prod Coordinator: Frances P. Valliere
Editorial Prod Assistants: Katie Osborn, Ashley Seitz
KNB Key SFX Makeup Artist: Jake Garber
Lead Costume Supervisor: Kathleen Kiatta
Costume Supervisor (LA): Christine Wada
Supervising Location Manager: KJ Kernan
Ass't Location Manager: Shobie Partos
Key Set Prod Assistant: Max Sturgeon
Production SFX Coordinator: John Milinac
Production SFX Foreman: Bill Kennedy
Production SFX Medic: Vicki V. Johnson
Script Sup (2nd Unit): Brooke Satrazemis
Music Editor: Jennifer Nash
Score Recordist & Mixer: Alan Meyerson
Ambient Music Designer: Mel Wesson
Add'l Music Programmer: Jay Flood
Music Consultants: Anthony Cordova, Tracy McKnight
Digital Domain VFX Supervisor: Kelly Port
Digital Domain VFX Producer: David James
Digital Domain Digital VFX Prod: Bonnie Lemon
Digital Domain CG FX Animator: Lori Green
Digital Domain Character Animator: Dan Fowler
Digital Domain CG Lighting Artist: Anne Hall
Digital Domain 3D Integration Artists: Scott Edelstein, Shelley LaRocca Courte, Som Shankar
Digital Domain VFX Editor: Debra Wolf
Digital Domain Senior DFX Coordinator: Elizabeth Hitt
Digital Domain VFX Prod Coord: Michelle Jacobs
Digital Domain DFX Coord: Michael Early
Executive Finishing Producer & Supervising Colorist: Stefan Sonnenfeld ASC
DI Finishing Producer: Des Carey
On-Line Finishing Editor: Dylan Carter
Dailies Colorist: John Zaik
Production Executive: Dana Belcastro
Post-Production Executive: Rick Reynolds
Filming Dates: 10 October 2005 - February 2006
Cameras: Arriflex 235, 435 & Panaflex Platinum (35mm Kodak Vision 250D 5246 & Vision2 500T 5218)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 16 Million USD
Budget AFI (2022): 22.5 Million USD
Released on: Fuji Eterna-CP 3513DI
Special Makeup Effects Created by: KNB EFX Group
Score Mixed at: Remote Control Productions
Special Visual Effects & Digital Animation Provided by: Digital Domain
Digital Intermediate Finishing Provided by: Company 3
Main Title Sequence Designed by: 1741 Films
Attribute: Filmed with Panavision Cameras & Lenses - DirectorDave MeyersStarsSean BeanSophia BushZachary KnightonA couple from college get caught in a dangerous game of cat and mouse with a psychopathic hitchhiker and the police after witnessing a murder and being framed.Director: Dave Meyers
Associate Producer: Michael Bay
Music Supervisor: JoJo Villanueva
Composer: Steve Jablonsky
Film Editor: Jim May ACE
Production Designer: David Lazan
Cinematographer: James Hawkinson ASC
Co-Producer / Unit PM: Alma Kuttruff
Producers: Charles Meeker, Alfred Haber
Producers: Andrew Form, Brad Fuller
Co-Writer: Eric Red
Screenwriters: Eric Burnt, Jake Wade Wall
Key First Assistant Director: Philip Hardage
Key Second AD / Second Unit First AD: Katie Tull
A Camera Operator: Gary Jay
First Assistant A Camera: Glenn Brown
Second Assistant A Camera: Don Howe Jr.
B Operator / Second Unit DoP: Gary Hatfield
B First AC: Theda Streetman Cunningham
Second Assistant B Camera: Thomas Young III
C Camera Operator: Peter Morgan Simonite
First Assistant C Camera: Chip Byrd
First Assistant D Camera: Beau Chaput
First Assistant Editor: Peter Gvozdas
Gaffer: Patrick "Packy" Lennon
Aerial Unit DoP: Kurt Soderling SOC
Second Second Assistant Director: Doug Carter
Additional Second AD, NM: Chemen A. Ochoa
A Camera Operator, Add'l Photog: Dan Kneece
Digital Domain Visual FX Supervisor: Kelly Port
Digital Domain Animator: Angie Jones
CO3 EP/Senior Colorist: Stefan Sonnenfeld ASC
Filming Dates: 12 June 2006 - 10 August 2006
Cameras: Arriflex 235 & Panaflex GII (35mm Kodak Vision2 50D 5201 & 500T 5218)
Lenses: Panavision® Primo SL Primes, SLZ 17.5-75mm Zoom, SLZ11 24-275mm Zoom & SLZ3 Hubble 135-420mm Zoom
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 10 Million USD
Budget AFI (2022): 14.3 Million USD
Special Makeup Effects by: KNB EFX Group
Visual Effects Provided by: Digital Domain
Digital Intermediate Provided by: Company 3 LA - DirectorDavid S. GoyerStarsOdette AnnableGary OldmanCam GigandetA young woman fights the spirit that is slowly taking possession of her.Director/Writer: David S. Goyer
Producers: Michael Bay, Andrew Form, Bradley Fuller
Exec Producers: Jessika Goyer, William Beasley
Cinematographer: James Hawkinson ASC
Production Designer: Craig Jackson
Film Editor: Jeff Betancourt
Composer/Score Producer: Ramin Djawadi
Music Supervisor: Spring Aspers
Costume Designer: Christine Wada
Unit Prod Manager: Demetra Diamantopoulos
1st Assistant Director: Craig Pinckes
2nd Assistant Director: Traci Lewis
Stunt Coordinator: Rick LeFevour
Post-Production Supervisor: Tim Pedegana
Art Director: Gary Baugh
Set Decorator: Desi Wolff
Add'l Cinematographer: Greg Lundsgaard
A Camera Operator: Leo J. Napolitano
B Camera Operator: Gary Hatfield
C Cam Ops: Steven R. Wojcik, William Nielsen Jr
1st Assistant A-Camera: Dean S. Simmon
2nd Assistant A-Camera: Daniel Schroer
1st Assistant B-Camera: Paul De Marte
2nd Assistant B-Camera: Stephanie Dufford
1st Assistant C-Camera: Robert Faison
Add'l 1st Ass't C-Camera: Andrew Borham
2nd Assistant C-Camera: Zachary Gannaway
Film Camera Loader: Brian S. Wells
A-Camera Intern: Joshua Martin
B-Camera Intern: Mike Herrera
Ass't Costume Designer: Elizabeth Cook
Costume Coordinator (Prep): Jamie Rush
KNB Special Makeup FX Designers & Creators: Greg Nicotero, Howard Berger
KNB Project Supervisor: Shannon Shea
KNB On-Set Makeup Key Artist: Jake Garber
KNG Designer: John Wheaton
KNG Office Coordinator: Veronica Torres
KNB Ass't Coordinator: Jackie Kolompar
KNB Accounting Supervisor: Randy Ball
KNB Purchasing Supervisor: Lindsay Vivian
Add'l Film Editor: Joel Negron ACE
Post-Prod Coordinators: Zoe Bower, Todd Kolker
1st Assistant Editor: Nathan Gunn
2nd Assistant Editor: Liza Cardinale
Chief Lighting Technician: Anthony J. Lullo
Rigging Gaffer: Joseph E. Guerino
A Dolly Grip: Mark Purkart
B Dolly Grip: Scott Thiele
Key Rigging Grip: John S. Robertson
Best Boy Rigging Grip: Charles S. Jiminez
Prop Master: William Dambra
Production SFX Supervisor: John D. Milinac
SFX Foreman (Shop): Bill Kennedy
SFX Foremen (Set): Jay Appleberry, Mike Ahasay
Production SFX Tech/Welder: Zachariah Briggs
Production SFX Welder: Rex Carrs
Production SFX Technician: Michael Milinac
Production Coordinator: Rosemary A. Orlando
Ass't Production Coordinator: Margo J. Zuffante
Key Set Production Assistant: Senica Billingsley
Set Designer: Jami Primmer
Graphic Designer: Bret Tanzer
Art Dept. Coordinator: Marcie Friedman
Storyboard Artist: James Doh
Conceptual Artist: Aaron Simms
Supervising Location Manager: Martha LeFage
Key Ass't Location Manager: Nick Rafferty
Ass't Location Manager: Gretchen Brown
Add'l Location Scout: Al Nolan-Cohn
Location Coordinator: Kat Thomas
Location Intern: Hannah Vinson
Music Coordinator: Jessica Myhan
Production Accountant: George Lakes
Post-Production Accountant: Sharon Taksel
Key Video Assist & Computer Video Supervisor: Kevin P. Boyd
Aerial Unit DoPs: Kurt Soderling SOC, David B. Nowell ASC
Aerial Unit Helicopter Pilot: Michael Franck
Asylum VFX Supervisors: Nathan McGuinness, Mitchell S. Drain
Asylum Exec VFX Producers: Emma McGuinness, Kathy Chasen-Hay
Asylum VFX Producer: Kimberly Kovate
Asylum VFX Coordinator: Frank Spiziri
Asylum R/P Supervisor: Elissa Bello
Asylum Lead Paint Artist: Valy Lungoccia
Asylum FX Color Timer: Tommy Hooper
Asylum MP/T Supervisor: Tim Clark
Asylum Lead Texture Artist: John Hart
Asylum Texture Artist: James Do-Young Lee
Asylum CG Supervisor: Piotr Karwas
Asylum CG Producer: Jeff Werner
Asylum Lead FX Artist: Jens Zalzala
Asylum FX Artist: John Courte
Asylum Lead Lighter: Denis Gauthier
Asylum Lighter: Matthew Maude
Asylum Lead Modeler: Greg Stuhl
Asylum Character Rigging Lead: Kevin Culhane
Asylum Lead 3D Tracker: Michael Lori
Asylum AVID Editor: Kosta Saric
Add'l VFX Designer: Andrew Somers
CO3 Executive Producer & Supervising Finishing Colorist: Stefan Sonnenfeld ASC
DI Finishing Producer: Des Carey
On-Line Finishing Editor: Alex Romano
Dailies Producer: Chocez Peterson
CO3 Sr Finishing Producer: Missy Papageorge
DI Scanning Supervisor: Mike Boggs
DI Finishing Technologist: Michael Chiado
DI Finishing Assistants: Dan Goslee, James Cody Baker, Joe Pestana
Dolby Sound Consultant: Andy Potvin
Music Editor: Shannon Erbe
Ambient Music Designer: Mel Wesson
Filming Dates: 3 March 2008 - 20 April 2008
Cameras: Panaflex XL2 & Platinum (35mm Kodak Vision2 50D 5201/250D 5205/500T 5218)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.35:1 (Anamorphic)
Budget: 16 Million USD
Budget AFI (2022): 21.1 Million USD
Distributed on: Kodak Vision 2383
Special Makeup Effects Designed & Created by: KNG EFX Group
Visual Effects Provided by: Asylum
Digital Intermediate Finishing Provided by: Company 3
Score Mixed at: Remote Control Productions, Santa Monica
Produced on: Kodak Motion Picture Film
Attribute: Filmed in Panavision - DirectorMarcus NispelStarsJared PadaleckiAmanda RighettiDerek MearsA group of young adults visit a boarded up campsite named Crystal Lake where they soon encounter the mysterious Jason Voorhees and his deadly intentions.Director: Marcus Nispel
Director, Additional Photography: Mark Palansky
Associate Producer: Michael Bay
Casting: Lisa Fields
Special FX Make Up Supervisor: Scott Stoddard
Costume Design Supervisor: Mari-An Ceo
Composer: Steve Jablonsky
Composer, Ambient Music Design: Clay Duncan
Composer, "Jason Vocal EFX": Harry Manfredini
Film Editor: Ken Blackwell ACE
Production Designer: Jeremy Conway
Cinematographer: Daniel Pearl ASC
Co-Producer/Unit Prod Manager: Alma Kuttruff
Executive Producers: Bryan Witten, Guy Stodel
Producers: Sean S. Cunningham, Andrew Form, Brad Fuller
Co-Writers: Damian Shannon, Mark Swift
Story Writer: Mark Wheaton
First ADs: Michael Waxman, Craig Pinckes
Second Assistant Director: Cleta Ellington
Jason Voorhees Actor: Derek Mears
Voice Artist: Kathleen Garrett
Supervising Stunt Coordinator: Kurt Bryant
Stunt Double, Jason: Dustin Dennard
Additional Film Editor: Glen Scantlebury ACE
Post Production Supervisor: Tim Pedegana
Production Art Director: John Frick
Production Set Designer: Adele Plauche
Art Department Coordinator: Jorge Paris
Art Department Assistant: Jim Kolmar
Graphics Designer: Ellen Lampl
Production Set Decorator: Randy Smith Huke
"A" Cam/Steadicam Operator: Jacques Jouffret
"B" Cam Operator/Splinter Unit DP: Don Reddy
"A" Camera Focus Puller: P.K Munson
"B" Camera Focus Puller: Robert Rendon
"A" Camera Second Assistant: Don Howe
"B" Camera Second Assistant: Kelly Bogdan
Film Loader: Ryan Abrams
Camera Dept. Assts: Troy Anderson, Sam Pearcy
Underwater Unit DP: Vance Holmes
Underwater Unit "A" Focus Puller: Rob McGrath
Additional Camera Operator: Peter Simonite
Additional "B" Focus Puller: Theda Streetman
Post Production Accountant: Julie Hansen
Production Coordinator: Leigh Ann Wilbourn
Assist Production Office Coordinator: Kate Poss
Second Second Assist Director: Douglas Carter
Additional Second Second AD: Erika Henderson
Gaffer: Roger Sassen
Rigging Gaffer: Danny Navarette
Supervising Prop Master: Koen Wooten
Assistant Prop Master: Doug Field
Second Prop Assistant: Victoria Ramirez
Third Prop Assistant: Scott Reeder
Production Prop Armorer: Marvin Schroeder
Post Production Coordinator: Zoe Bower
First Assistant Editor: Fulvio Valsangiacomo
Second Assistant Editor: Peter Gvozdas ACE
Editorial Production Assistant: Ross Flader
Supervising Sound Editor: Kelly Oxford
First Assistant Sound Editor: David Stanke
Costumer, L.A.: Tasmin Costello
Loc Managers: Joey Hudgins, Robbie Friedmann
Assist Location Managers: Chris Cantu-Salazar
Overall Special Effects Coordinator: John Milinac
Production Special Effects Foreman: Mike Ahasay
Shop Foreman, Special Effects: Jamie Reedy
Set Foreman, Special Effects: James McCormick
Camera Driver: Hector Rodriguez
Production Special Effects Driver: Bob Nelson
Special Effects Shop Driver: Keith Albert
Asylum Visual Effects EP: Kathy Chasen-Hay
Asylum Sr VFX Supervisor: Nathan McGuinness
Asylum Set Visual FX Supervisor: Mitchell Drain
Asylum Visual Effects Producer: Elizabeth Hitt
Asylum Digital Effects Supervisor: Phil Brennan
Asylum Compositing Supervisor: John Stewart
Asylum Effects Compositing Lead: Rob Blue
Asylum Effects Head of CG: Jeff Werner
Asylum Effects Lead Modeler: Greg Stuhl
Asylum Effects Modeling Sr: Julian Sarmiento
Asylum Shading Supervisor: Matthew Maude
Asylum Effects Animator: Kevin Culhane
CO3 EP/Sup. Colorist: Stefan Sonnenfeld ASC
CO3 DI Finishing Producer: Des Carey
CO3 On-Line Finishing Editor: Alex Romano
CO3 Dailies Producer: Chocez Peterson
CO3 Sr Finishing Producer: Missy Papageorge
CO3 DI Scanning Supervisor: Mike Boggs
CO3 DI Finishing Technologist: Michael Chiado
CO3 DI Assists: Dan Goslee, James Cody Baker, Joe Pestana
First AD, Additional Photography: Daniel Shaw
Second AD, Additional Photography: Katie Tull
"B" Camera Second Assistant, AP: Patrick Coate
Remote Head Tech, Add'l Photog: James Marks
Production Coordinator, AP: Natalie Angel
Assistant Product Coord, AP: Karen Ramirez
Office PA, Additional Photog: Ana-Lucia Berry
Gaffer, Additional Photography: Edison Jackson
Storyboard Artist, Additional Photog: Doug Brode
Key Set Production Assistant, AP: Susan Jasso
Set Production Assistant, AP: Brian Murphy
Production Color Timer: Steve Sheridan
Production Music Editor: Jennifer Nash
Score Mixer: Jeff Biggers
Add'l Score Programming: Pieter Schlosser, Jon Flood
Technical Score Engineer: Doug Clow
Assistant Engineer, Score: Adam Schmidt
Filming Dates: 21 April 2008 - 13 June 2008, September 2008 (Additional Photography)
Cameras: Arriflex 235, 435 ES, Panaflex XL2, Lightweight & Platinum (35mm (Kodak Vision2 50D 5201, 250D 5205 & Vision3 500T 5219)
Lenses: Panavision® E-, G-Series AL Primes, AWZ2 40-80mm Zoom, AL Close Focus Primes & Angenieux HR Anamorphic Zoom
AR: 2.39:1 (Anamorphic)
Budget: 19 Million USD
Budget AFI (2022): 26.2 Million USD
Printed on: Fuji Eterna-CP 3521XD
Visual Effects Provided by: Asylum Effects
Digital Intermediate Color & Main Titles Designed by: Company 3 & Technicolor
Score Mixed at: Remote Control Productions
Attribute: Filmed in Panavision® - DirectorJonas ÅkerlundStarsDennis QuaidZiyi ZhangLou Taylor PucciA recently widowed detective still grieving over his wife's death discovers a shocking connection between a serial killing spree and the Four Horsemen of the Apocalypse.Director: Jonas Åkerlund
Writer: David Callaham
Prods: Michael Bay, Andrew Form, Brad Fuller
Cinematographer: Eric Broms
Film Editors: Jim May ACE, Todd E. Miller
Composer: Jan A.P. Kaczmarek
Additional Film Editor: Peter Gvozdas ACE
CO3 VFX+DI EP/Colorist: Stefan Sonnenfeld ASC
CO3 Visual Effects Supervisor: Des Carey
CO3 Visual FX & DI Producer: Missy Papageorge
CO3 Digital Inter. Dailies Producer: Moises Cruz
Filming Dates: 29 January 2007 - April 2007, 7 January 2008 - 11 January 2008 (Reshoots)
Camera: Panaflex Platinum (35mm Kodak Vision2 500T 5218)
Lenses: Panavision® Primo Spherical Primes
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 20 Million USD
Budget AFI (2022): 27.6 Million USD
Special Makeup Effects by: KNB EFX Group
Visual Effects & Digital Intermediate by: E3 Media & Company 3 - DirectorSamuel BayerStarsJackie Earle HaleyRooney MaraKyle GallnerThe spectre of a disfigured man haunts the children of the parents who murdered him, stalking and killing them in their dreams.Director: Samuel Bayer
Costume Designer: Mari-An Ceo
Co-Producer: John Rickard
Composer: Steve Jablonsky
Composer (Add'l Music): Jay Flood
Film Editor: Glen Scantlebury ACE
Production Designer: Patrick Lumb
Cinematographer: Jeff Cutter
Cinematographer (LA & Insert Units): Lukas Ettlin
Executive Producer: Mike Drake
Producers: Michael Bay, Andrew Form, Bradley Fuller
Co-Writer: Wesley Strick
Screenwriter: Eric Heisserer
Unit Prod Manager: Demetra Diamantopoulos
1st Assistant Director: Myron Hoffert
2nd Assistant Director: Traci Lewis
Film Editor (Title Sequence): Nathaniel Park
Stunt Coordinators: Kurt Bryant, Mark Ginther
Art Director: Craig Jackson
Ass't Art Director: Stephanie Gilliam
Set Designers: David W. Krummel, Jami Primmer
Concept Artists: Constantine Serkis, Josh Bayer
Storyboard Artist: Trevor Goring
Concept & Storyboard Artist: Brian Murray
Set Decorator: Karen Frick
Researcher: Nancy Lumb
A-Camera/Steadicam Operator: Jacques Jouffret
B-Camera Operator: Joe Williams
"A" 1st Assistant Camera: Peter Kuttner
"B" 1st Assistant Camera: David Morenz
Add'l 1st Ass't A-Camera: Scott Rolfe
"A" 2nd Assistant Camera: Daniel Schroer
"B" 2nd Assistant Camera: Chris Wittenborn
Technocrane Operator: Mark N. Woods
Libra Head Technician: Lance Mayer
Underwater Unit A-Camera Op: Cynthia Pusheck
Underwater Unit 1st Ass't A-Cam: Maryan Zurek
Film Loader: Shannon De Wolfe
Moco Operator: Chris Toth
Moco Technician: Jan Beran
Special Prosthetics FX Designer: Andrew Clement
Prosthetic Makeup Artist: Bart Mixon
Supervising Chief Lighting Technician (Main, LA & Insert Units): James Elton Davis
Ass't Chief Lighting Tech: Christopher R. Hudecek
Rigging Gaffer: Anthony J. Lullo
Key Grip: Mike Lewis
Production SFX Coordinator: John D. Milinac
Key Set SFX Supervisor: Jay Appleberry
Post-Production Supervisor: Steven Kaminsky
1st Assistant Editor: Bryon Wong
Production VFX Editor: Peter Gvozdas ACE
2nd Assistant Editor: Kat Thomas
Re-Recording Mixers: Kevin O'Connell, Beau Borders
Supervising Sound Editor: Andrew De Cristofaro MPSE
Supervising Sound FX Editor: Michael Payne
Sup Dialogue & ADR Editor: Glynna Grimara
Sound Designer: David Farmer MPSE
Sup Foley Editor: Kerry Carmean Williams
1st Ass't Sound Editor: Patrick Cusack
Supervising Foley Artist: Gary Hecker
Score Producer/Music Editor: Steve Durkee
Ass't Music Editor: Mario Vitale
Post-Prod Coordinators: Ellen Stafford, Danielle Daly
Post-Production Assistant: Andrew Woolley
2nd 2nd Ass't Director: Stefan Rand
Add'l 2nd Ass't Directors: Kwame Amoaku, Aiman Humaideh
Prod Office Coordinator: Jeremy Beiermann
Ass't Prod Office Coordinator: Sara Ellingen
Production Accountant: Wendy M. Price
Supervising Location Manager: Martha Lafage
Add'l Location Manager: Al Cohn
Key Ass't Location Manager: Nick Rafferty
Ass't Location Manager: Nicholas Jamison
Location Coordinator: Natasha Parker
Supervising Prop Master: William Dambra
Associate Producer (LA & Insert Units): Eric Holmberg
UPMs (LA & Insert Units): Karyn McCarhty, Elaine Dysinger
Prod Supervisor (LA & Insert Units): Kate Amer
Prod Coordinators (LA & Insert Units): Rhonda De Victor, Linda Warrilow
Ass't Prod Coord (LA & Insert Units): Jessica Stewart
2nd Unit Director (LA & Insert Units): Rob Legato ASC
1st ADs (LA & Insert Units): Mark Cotone, Dieter Bush, Michael Phillips, Milos Milicevic
2nd ADs (LA & Insert Units): Yumiko Takeya, Mark Carter, Andy Spellman, Ivan Kraljevic
2nd 2nd ADs (LA & Insert Units): Carlos De La Torre, Amaranda Lilac Sakamoto
2nd Unit DoP (LA & Insert Units): Eric Leach
"A" Cam/Steadicam Ops (LA & Insert Units): BJ McDonnell, Neal Norton
"A" Camera Op (LA & Insert Units): Gary Jay
"B" Cam Ops (LA & Insert Units): Dave Tolsky, Philippe Carr-Forster
Art Directors (LA & Insert Units): Greg Hooper, Kevin Kavanaugh
Set Designers (LA & Insert Units): Jane Wuu, Sally Thornton
Costume Supervisors (LA & Insert Units): Tiffany Busche, Grace Pyke
CLTs (LA & Insert Units): Jay Yowler, Todd Heater
Loc Managers (LA & Insert Units): Robin Citron, Darrin Lipscomb
Prop Master (LA & Insert Units): Ritchie Kramer
Set Decorator (LA & Insert Units): Kelly Berry
SFX Supervisor (LA & Insert Units): Allen Hall
SFX Foreman (LA & Insert Units): Matthew Hall
Fight Choreographer (LA & Insert Units): Bradley James Allan
Production VFX Supervisor: Marc Kolbe
Production VFX Producer: Annemarie Griggs
Digital Film Scanner & Shot Wrangler: Sean Phillip Rowe
2nd Unit Director & Method On-Set VFX Supervisor: Sean Andrew Faden
Method Senior VFX Producer: Stephanie Gilgar
Method Digital Prod Managers: Jaimie Lee Jota, Alexa Hale
Method CG Supervisors: Dan Seddon, Juan-Luis Sanchez, James LeBloch
Method VFX Supervisors: Matt Dessero, Janelle Croshaw Ralla, Olivier Dumont
Method Digital Compositors: Jason Greenblum, Viviana Kim
Method Studios 3D Supervisor: Jeff Allen
Method Lead CG Lighting Artists: Brian Burke, Dan Letarte
Method Studios FX Animator: James Kirk
Method Studios Lighting TD: Alexander Lee
Method Character Animator: Seong Joon Lee
Method Studios CG Modeler: Masa Narita
Method Studios Senior Compositor: Vinh Nguyen
Method Studios Lead Compositor: Wendy Seddon
Method Studios Data Technician: Chad E. Collier
Method Studios VFX Coordinator: Michael Zavala
Method Studios Plate Coordinator: Ian Doss
Pixomondo VFX Supervisor: Bjørn Mayer
Pixomondo VFX Producer: Leighton Green
Pixomondo Exec VFX Producer: Christian Vogt
Pixomondo Animator: Tom Narey
Digiscope VFX Producer: Mary Stuart-Welch
Digiscope VFX Supervisor: Dion Hatch
Digiscope DFX Supervisor: Brennan Prevatt
Digiscope DFX Producer: Terron Pratt
CO3 Executive Producer & Supervising Finishing Colorist: Stefan Sonnenfeld ASC
Finishing Colorist: Tricia Chiarenza
DI Finishing Producer: Erik Rogers
On-Line Finishing Editor: Matthew W. Johnson
CO3 Sr Finishing Producer: Missy Papageorge
DI Film Scanner: Thomas Kuo
CO3 Dailies Producer: Arthur Tremeau
Dailies Colorists: Adrian Delude, Jeremy Sawyer
Film Color Timer: Jim Passon
Pro Films VFX Producer: Patrick Esposito
Score Mixer: Jeff Biggers
Score Conductor: Nick Glennie-Smith
Score Orchestrators: Y. Suzette Moriarty, Geoff Stradling, Elizabeth Finch, Frank Macchia
Music Score Programmer: Clay Duncan
Filming Dates: 5 May 2009 - 10 July 2009
Camera: Panaflex Millennium XL2 (35mm Kodak Vision3 250D 5207/Vision2 500T 5260)
Lenses: Panavision E-, G-Series Anamorphic Primes, Anamorphic Telephoto Zoom & Anamorphic Wide-Angle 2:1 Zoom
AR: 2.39:1 (Anamorphic)
Budget: 35 Million USD
Budget AFI (2022): 45.5 Million USD
Printed on: Kodak Vision 2383
Visual Effects Provided by: Method Studios, Pixomondo & Digiscope
Digital Intermediate Finishing Provided by: Company 3 LA
Main Titles Designed & Produced by: Prologue Films
Attribute: Filmed in Panavision - DirectorJames DeMonacoStarsEthan HawkeLena HeadeyMax BurkholderA wealthy family is held hostage for harboring the target of a murderous syndicate during the Purge, a 12-hour period in which any and all crime is legal.Director/Writer: James DeMonaco
Costume Designer: Lisa Norcia
Composer: Nathan Whitehead
Film Editor: Peter Gvozdas ACE
Production Designer: Melanie Paizis-Jones
Cinematographer: Jacques Jouffret
Co-Producer: Jeanette Voltruno-Brill
Producers: Jason Blum, Michael Bay, Andrew Form, Brad Fuller
Unit Prod Managers: Kaylene Carlson, Jeff Kloss
Line Producer/1st Ass't Director: Gerard Di Nardi
2nd Assistant Director: Ram Paul Silbey
Supervising Stunt Coordinator: Kurt Bryant
Stunt Double (Arija Bareikis): Shanna Lynn Harper
Post Supervisor: Tim Pedegana
A-Camera Operator: Kenneth Wiatrak
A-Camera 1st Assistant: John T. Connor
A-Camera 2nd Assistant: Garret Curtis
DIT Operator: Jeremy Paul Cannon
A-Camera Production Assistant: Kyle Behling
Art Director: Nick Plotquin
Art Dept. Coordinator: Zak Faust
Art Consultant: Cate Devaney
Set Decorator: Karuna Karmarkar
Supervising Prop Masters: Hillel Smith, Joel Hamilton
Ass't Prop Master: Patrick Rourke
Prop Production Assistant: Sam Hamilton
Weapons Consultant/Master Armorer: Michael Tristano
On-Set Armorer: Jon Haaz
Production SFX Coordinator: Mark Gullesserian
Production SFX Technician: Micah Roehr
Chief Lighting Technician: Tony Anderson
Supervising Location Manager: Robert Craft
Key Ass't Location Manager: Karen E. Gilbert
Location Assistant: JP O'Connor
Production Coordinator: Libby Anderson
2nd 2nd Ass't Director: Gavin Kleintop
Production Assistant: Jordan Anderson
Key Set Production Assistant: Daniel La Frentz
1st Assistant Editors: Tommy Aagaard, Lorena Talpan, Debra L. Tennant
Editorial Production Assistant: Vinka Jurisic
Post-Prod Coordinators: Kelley Whitis, Niccole Osborn
Post-Prod Assistants: Nico Litonjua, Christian Sharaf
Add'l Film Editor: Jim May ACE
Sound Supervisors: Kelly Cabral, Kevin O'Connell
Supervising Sound Editor & Re-Recording Mixer: Brian J. Armstrong MPSE
Sound Designer: Sebastian Sheehan Visconti
Re-Recording Mix Technician: Eric Flickinger
Music Editor: Greg Vines
Music Mixer: Jeff Biggers
Music Mix Assistant: Danny Stimac
Music Assistant: Aaron Class
Method Studios VFX Producer: Whitney Gearin
Method VFX Supervisor: Sean Andrew Faden
Method VFX Coordinators: Anastasia Von Rahl, Chelsea Kammeyer, Lauren Guerard
CO3 Executive Producer & Supervising Finishing Colorist: Stefan Sonnenfeld ASC
CO3 DI Senior Finishing Colorist: Siggy Ferstl
CO3 Add'l Finishing Colorists: Sofie Friis Borup, James Cody Baker
CO3 Senior DI Finishing Producer: Andy Kaplan
CO3 DI Finishing Producer: Kamila Baghernejad
CO3 Digital Conform Editor & Finishing Artist: Paul Stephen Carlin
CO3 DI Finishing Technologist: Michael Chiado
CO3 Color Finishing Assistants: John Tripp, Giovanni Di Giorgio
CO3 Dailies Producer: Arthur Tremeau
CO3 Dailies Colorist: Shane Harris
CO3 DI Head of Production: Devin Sterling
CO3 Finishing Account Executive: Jackie Lee
Main Title Designer: Aaron Becker
Main Title Animation Sup: Andrew Hildebrand
1st Ass't Director (Add'l Photog): Thomas Coe
2nd Ass't Director (Add'l Photog) & 2nd Unit 1st Ass't Director: Luc Ouyang
2nd 2nd Ass't Dir (Add'l Photog): Deon Boyce
Stunt Coord (Add'l Photog): Thayr Harris
Stunt Double (Ethan Hawke; Add'l Photog): Efka Kvaraciejus
Stunt Double (Max Burkholder; Add'l Photog): Courtney Schwartz
Art Dept. Coord (Add'l Photog): Joel Tabbush
Prop Master (Add'l Photog): John E. Sadler
Ass't Prop Master (Add'l Photog): Kirk Graves
SFX Coord (Add'l Photog): Lawrence Decker
SFX Pyro Tech (Add'l Photog): Doug Passarelli
Chief Lighting Tech (Add'l Photog): Paul Postal
Prod Coord (Add'l Photog): Erin Lee Sahlstrom
Prod Ass't (Add'l Photog): Brad Henson
2nd Unit Stunt Coordinator: Jayson Dumenigo
2nd Unit DoP: Louis Normandin
2nd Unit Gaffer/CLT: John Van Valkenburgh
Camera: Alexa Plus (2.8K ARRIRAW)
AR: 2.39:1 (Super 35mm)
Budget: 3 Million USD
Printed on: Kodak Vision 2383
Visual Effects Provided by: Method Studios
Digital Intermediate Finishing & Dailies Provided by: Company 3
Attribute: Camera Equipment Provided by: XS Camera - DirectorJames DeMonacoStarsFrank GrilloCarmen EjogoZach GilfordThree groups of people intertwine and are left stranded in the streets on Purge Night, trying to survive the chaos and violence that occurs.Director/Writer: James DeMonaco
Producers: Jason Blum, Michael Bay, Brad Fuller, Andrew Form
Exec Producer/Unit Prod Manager: Luc Etienne
Cinematographer/A-Camera Op: Jacques Jouffret
Cinematographer (Add'l Photography): David Emmerichs SOC
Production Designer: Brad Ricker
Film Editors: Todd E. Miller, Vince Filippone
Composer: Nathan Whitehead
Supervising Stunt Coordinator: Hank Amos
Stunt Co-Coordinator: Thayr Harris
Associate Producer: Phillip Dawe
1st Assistant Director: Vincent Lascoumes
2nd Assistant Director: Christophe Le Chanu
Production Supervisor: Don J. Hug
Post-Production Supervisor: Steven Kaminsky
A-Camera 1st Assistant: John T. Connor
A-Camera 2nd Assistant: Garret Curtis
B-Camera Operators: James Goldman, Jesse Roth SOC
B-Camera 1st Assistant: John Woodward
B-Camera 2nd Assistant: Brandon M. Cox
DIT Operator: Fabricio Di Santo
Art Director: Matthew Jacobs
Graphic Designer: Matthew Swope
Set Decorator: Missy Parker
Supervising Prop Master: Ross Anderson
Ass't Prop Master: George Tuers III
Minigun Armorer: Larry Zanoff
Production SFX Coordinator: Jim Schwalm
Chief Lighting Technician: Tony Anderson
Rigging Chief Lighting Technician: Paul Postal
Associate Film Editor: Jim Schulte
Supervising Sound Editor/Sound Designer: Julian Slater
Sound Re-Recording Mixers: Marc Fishman, Adam Jenkins
Ghouls' Masks Designers: Trefor Proud, Brian Kinney
Supervising Location Manager: Ralph Meyer
Ass't Location Manager: Cecil Hardy
Traffic Coordinator: Ron Newell
2nd 2nd Ass't Director: Lynne Martin
Transportation Captain: Joey Freitas
Score Orchestrator: Peter Bateman
Post-Prod Coordinators: Vinka Jurisic, Niccole Osborn
Post-Production Assistant: Brett Sobel
CO3 Executive Producer/Supervising Finishing Colorist: Stefan Sonnenfeld ASC
Finishing Colorist: Siggy Ferstl
DI Finishing Producer: Annie Johnson
digital Conform Editor & Finishing Artist: Joe Ken
DI Finishing Technologist: Michael Chiado
DI Finishing Color Assistant: Jared Pecht
Dailies Producer: Arthur Tremeau
Dailies Colorist: Dave Lee
CO3 Head of Production: Andy Kaplan
DI Finishing Accountant: Ian Sullivan
Method Sup VFX Producer: Whitney Gearin
Method VFX Production Coord: Elena Bovetti
Method London VFX Supervisor: Simon Carr
Method London VFX Producer: Christina Gram
Method London VFX Production Coord: Jessica Newhouse-Smith
Method London VFX Prod Ass't: Anna Gispert
1st Ass't Dir (Add'l Photography): Thomas Coe
2nd Ass't Dir (Add'l Photography): Deon Boyce
B-Camera Op (Add'l Photography): David Rickert
B-Camera 1st Ass't (Add'l Photography): Naomi Villenueva Brunner
B-Cam 2nd Ass't (Add'l Photog): Josh Benevidas
Action Consultant (Add'l Photog): Micah Brenner
Stunt Coordinator (Add'l Photography)/2nd Unit Director: Mike Gunther
Stunt Coordinator (Add'l Photog): David Wald
SFX Coord (Add'l Photography): Richie Helmer
Loc Manager (Add'l Photog): Michael Burmeister
Ass't Loc Manager (Add'l Photography): Ronald Kartoon Antwine
2nd 2nd AD (Add'l Photography): Jason Inman
2nd Unit 1st Ass't Director: Tommy Burke
2nd Unit 2nd Ass't Director: Anthony Kountz
2nd Unit DoP: Chris Duskin
2nd Unit A-Camera 1st Ass't: Miguel Pask
2nd Unit A-Camera 2nd Ass't: Derek Hackett
2nd Unit B-Camera Operator: Jason Ellson ACO
2nd Unit B-Camera 1st Ass't: Kyle Jewell
2nd Unit B-Camera 2nd Ass't: Josh Larson
2nd Unit DIT Operator: Brandon Dolson
2nd Unit Gaffer: Jerry Mundy
Supervising Loc Manager (Splinter & 2nd Units): Matthew R. Cassel
Splinter Unit 1st Ass't Director: Dennis Burrell
Splinter Unit A-Camera Operator: Ken Wiatrak
Splinter Unit 1st Ass't A-Camera: Joseph Waish
Splinter Unit 1st Ass't B-Cam: Jeremiah Pitman
Splinter Unit 1st Ass't C-Cam: Jack Ellingwood
Splinter Unit Gaffer: Michael Berger
Splinter Unit Ass't Loc Manager: Jane Graves
Splinter Unit Stunt Coordinators: Kamel Krifa, Jeremy Fitzgerald, Mathew Lorenceau
Splinter Unit Utility Stunts: JJ Dashnaw
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit 1st Ass't A-Camera: Eric Dvorsky
Aerial Unit Pilot: Fred North
VFX Legion VFX Supervisor: James David Hattin
VFX Legion VFX Producer: Nate Smalley
VFX Legion Lead Compositor: Kyle Spiker
Filming Dates: 1 January 2014 - 10 February 2014
Camera: Alexa XT (2.8K ARRIRAW)
AR: 2.39:1 (Super 35mm)
Budget: 9-11 Million USD
Printed on: Kodak Vision 2383
Digital Intermediate Finishing & Dailies Provided by: Company 3
Visual Effects Provided by: Method Studios
Additional Visual Effects Provided by: The VFX Legion
Attribute: Camera Equipment Provided by: XS Camera - DirectorJonathan LiebesmanStarsMegan FoxWill ArnettWilliam FichtnerWhen a kingpin threatens New York City, a group of mutated turtle warriors must emerge from the shadows to protect their home.Director: Jonathan Liebesman
Writers: Josh Appelbaum, Andre Nemec, Evan Daugherty
Producers: Michael Bay, Andrew Form, Ian Bryce, Brad Fuller
Exec Producer/Unit Prod Manager: Denis Stewart
Executive Producer: Jason T. Reed
Cinematographer: Lula Carvalho ASC ABC
Cinematographer/A Operator, AP LA Unit: Duane Manwiller
Production Designer: Neil Spisak
Film Editors: Joel Negron ACE, Glen Scantlebury ACE
Costume Designer: Sarah Edwards
Composer/Conductor: Brian Tyler
Production VFX Supervisor/NY 2nd Unit Director: Pablo Helman
Casting: Debra Zane CSA, Kathleen Chopin CSA
Assoc. Producer/Unit Prod Manager: Basil Bryant Grillo
Unit Production Manager: Lyn Pinezich
1st Assistant Director: Darin Rivetti
2nd Assistant Director: Maggie Murphy
Snow Unit Director: Dan Bradley
Production VFX Producer: Susan MacLeod
ILM Senior Animation Supervisor: Tim Harrington
ILM Senior VFX Producer: Susan Greenhow
Supervising Sound Editors: Ethan Van Der Ryn, Erik Aadahl, Laurent Kossayan
Re-Recording Mixers: Terry Porter, Anne Behlmer
Supervising Stunt Coordinator & NY 2nd Unit Director: David Leitch
Fight Coordinators: Jonathan Jojo Eusebio, Garrett Warren
Stunt Co-Coordinator: Hank Amos
Assoc. Producers: Bret Rowe, Marc Pappalaroo
Assoc. Producer/Prod Controller: Lori Scowley
Production Animation Consultant: Christopher McKay
Art Director: Miguel Lopez-Castillo
Set Decorators: Debra Schutt, Lisa C. Scoppa
A-Camera/Steadicam Operator: Dave Emmerichs SOC
B-Camera Operator: Tim Norman
"A" 1st Ass't Photographer: Robert Mancuso
"B" 1st Ass't Photographer: Chris Silano
"A" 2nd Ass't Photographer: Scott Tinsley
Steadicam 2nd Ass't Photographer: Tony Coan
"B" 2nd Ass't Photographer: Meg Kettell
Camera Loader: Justin Mancuso
Digital Imaging Technician: Nicholas Kay
CG/Playback Supervisor: C. Alexander Sears
Chief Lighting Technician: Jay Fortune
Ass't Chief Lighting Technician: Brian McLean
Chief Rigging Electrician: Thomas W. Dolan
Ass't Chief Rigging Electrician: Bryan Dolan
Dimmer Operator: Glenn R. Davis
Supervising Prop Master: Diana Burton
Ass't Prop Master: Yolan Fisher
Prop Assistant: Anthony Baldasare
Production SFX Supervisor: Burt Dalton
SFX General Forepersons: Dale Ettema, Mark Bero
SFX Shop Foreperson: Don Myers
SFX Set Forepersons: David A. Poole, Ron Trost
SFX Mechanical Engineer: Doug Calli
SFX Electronics Engineer: Arnold E. Peterson
SFX Welding Foreperson: Arthur Clever
Production SFX Welder: Jeffrey L. Berrington
Digital Asset Manager: Guy Martin
2nd 2nd Ass't Director: Jeremy Marks
Add'l 2nd Ass't Director: Cathleen McFayden
SFX Ass't Accountant: Sarah R. Czajkowski
Supervising Location Manager: Maria T. Bierniak
Ass't Location Manager: Justin Rosini
Add'l Voice Casting: Ruth Lambert CSA, Robert McGee CSA
Casting Associate (NY): Rori Bergman
Casting Assistant (NY): Meghan Hart
Military Technical Advisor: Harry Humphries
NYPD Advisor: George Sichler
Post-Production Supervisor: Susan E. Novick
Add'l Editors: Peter Gvozdas ACE, Jim May ACE
1st Assistant Editor: Tommy Aagaard
2nd Assistant Editor: Kevin Stermer
3rd Assistant Director: Donna Madrigal
Post-Prod Assistants: Holly Isaacson, Natalie Setoute
Production VFX Editors: Jeremy Bradley, Rebecca Weigold Stocker
1st Ass't VFX Editor: Daniel Arkin
VFX Production Supervisor: Shelly Lloyd-Samson
Production VFX Coordinator: Kraig Tytus
VFX Production Assistant: Valerian Zamel
Technoprops Facial Cap Techs: Robbie Derry, Ray Massa
3D Editor: Meghan L. Noble
3D 1st Ass't Editor: Michael Rostker
Senor 3D Production Supervisor: Zahida Bacchus
3D Coordinator: Kayla Franklin
2nd Post-Prod Assistant: Grace Craig
E² Dialogue/ADR Supervisor: Polly McKinnon
E² Sound Designer: Jason W. Jennings
E² Supervising Foley Editor: Jonathan Klein
Temp Music Editor: Jeanette Surga
Music Editor: Joe Lisanti
Ass't Music Editor: Kyle Clausen
Music Contractor: Peter Rotter
Music Arrangers & Programmers: Stuart Thomas, Robert Lydecker
Music Recorder & Mixer: Greg Hayes
Snow Unit DoP: Mitchell Amundsen
Snow Unit 1st Ass't Director: Chris Castaldi
Snow Unit 2nd Ass't Director: David Fischer
Snow Unit "A" 1st Ass't Photog: Julian Delacruz
Snow Unit "A" 2nd Ass't Photog: Alex Worster
Snow Unit Digital Imaging Tech: Keith Putnam
Snow Unit SFX Supervisor: JD Schwalm
Snow Unit SFX Foreperson: Greg Curtis
Snow Unit Location Manager: Stuart Nicolai
Snow Unit Prop Master: Jill Alexander
Snow Unit Picture Car Coord: Dennis McCarthy
Snow Unit Stunt Coordinator: Scott Rogers
NY 2nd Unit 1st Ass't Director: Mark Trapenberg
NY 2nd Unit 2nd Ass't Director: Thomas K. Lee
NY 2nd Unit DoP: Patrick Capone
NY 2nd Unit Aerial DoP: David B. Nowell ASC
NY 2nd Unit A-Camera Operator: Jonathan Beck
NY 2nd Unit B-Camera Operator: David Dunlap
NY 2nd Unit B-Cam/Steadicam Op: Gerard Sava
NY 2nd Unit "A" 1st Ass't Photographer: Braden Belmonte
NY 2nd Unit "B" 1st Ass't Photog: Ben Dailey
NY 2nd Unit "A" 2nd Ass't Photog: John Olivieri
NY 2nd Unit "B" 2nd Ass't Photog: Caitlin Machak
NY 2nd Unit DIT: Robert A. Strait
NY 2nd Unit CLTs: William O'Leary, Russ Engels
NY 2nd Unit Ass't CLTs: Richard Ford, James Mah
NY 2nd Unit Ass't Art Director: G. Victoria Ruskin
NY 2nd Unit Scenic Artist: Wolf Stoeffelmeier
NY 2nd Unit Prop Masters: Elizabeth Schlitten, Rachel Weinzimer
NY 2nd Unit 2nd 2nd ADs: Raymond L. Negron, Tom Glick
NY 2nd Unit Add'l 2nd Ass't Dir: Adam Bernard
NY 2nd Unit Aerial Pilots: Alan Purwin, Al Cerullo
NY 2nd Unit Aerial Coordinator: Wayne Cerullo
NY 2nd Unit Camera Ship Eclipse Tech: Pete Graf
Unit Production Manager (LA Unit): Allegra Clegg
LA Unit Production Supervisor: Daren Hicks
LA Unit 1st Ass't Director: Mark Cotone
LA Unit 2nd Ass't Director: Eric Glasser
LA Unit 2nd 2nd Ass't Dir: Johnny Recher
LA Unit Art Director: Patricio Farrell
LA Unit Set Decorator: Amanda Moss-Serino
LA Unit B-Camera Operator: Richard Coy Aune
LA Unit "A" 1st Ass't Photog: Jimmy Jensen
LA Unit "B" 1st Ass't Photog: EJ Misisco
LA Unit "A" 2nd Ass't Photog: Brent Egan
LA Unit Digital Imaging Tech: Jeff Tomcho
LA Unit Supervising Location Manager: JJ Hook
LA Unit Ass't Location Manager: Michael Wesley
LA Unit Video Assist Operator: Dan Moore
LA Unit Chief Lighting Technician: Bob Krattiger
LA Unit Ass't Chief Lighting Tech: Tommy Dangcil
LA Unit SFX Coordinators: Eric Frazier, David Amborn, Chris Burton
LA Unit SFX Foreperson: James Thomas
LA Unit Prop Master: Todd Ellis
LA Unit Ass't Prop Master: Allison Grass
LA Unit Costume Supervisor: Lisa Lovaas
LA Unit Ass't Costume Designer: Chrissy Callan
LA Unit Production Coordinator: Christie Kwan
LA Unit Ass't Prod Coordinator: Brianna Hoskins
LA Unit Ass't Art Director: Alberto Gonzalez Reyna
LA Unit Set Designer: Masako Masuda
LA Unit Graphic Designer: Monica Fedrick
LA Unit Storyboard Artist: Robert Consing
LA Unit Stunt Coordinator: Garrett Warren
LA Unit Stunts: Chris Brewster, Gui X. DaSilva, Jackson Spidell
ILM Associate VFX Supervisor: Robert Weaver
ILM Associate Animation Supervisor: Kevin Martel
ILM Senior VFX Art Director: Aaron McBride
ILM Digital Comp Supervisor: Nelson Sepulveda
ILM Senior CG Supervisor: Leandro Estebecorena
ILM Facial CG Supervisors: Michael Koperwas, Kiran Bhat
ILM Creature Supervisors: James R. Tooley, Frank Gravatt, Bradford De Caussin, Cyrus Jam
ILM Comp Supervisor: Ivan Busquets
ILM CG Supervisor: Eric Fernandes, Pat Conran
ILM Digital P&R Supervisor: Trevor Hazel
ILM Supervising Tech Director: David Hisanaga
ILM Digital Model Supervisor: Kelvin Lau
ILM Layout Supervisor & Matchmover: Douglas Moore
ILM CG Sequence Supervisor: Mark Nettleton
ILM Digital Matte Supervisor: Dan Wheaton
ILM VFX Editors: Kevin LaNeave, Sam Willing
ILM VFX Prod Managers: Daniel Cavey, Stephanie Meyerink
ILM Lead Animators: Derrick Carlin, Traci Horie, Peter Daulton, Cedric Lo, Claus Pedersen, Jakub Pistecky, Matt Shumway, Jeff Vacanti
ILM VFX Associate Producer: Alessandra Cave
ILM VFX Assoc. Prod Managers: Chris Bannister, Barbara Reid, Morgan Smith
ILM VFX Prod Coordinators: Brendan Byrd, Jenna Kerr, Shawn Smolensky
ILM VFX Prod Assistants: Ariel Chao, Hazel Intal, Jeff Chiarelli, Bryn Owens, Alia Rezk
ILM VFX Concept Artists: Christian Alzmann, Ryan Drue, John Giang
ILM Exec VFX Producers: Wayne Billheimer, Gretchen Libby
ILM Add'l VFX Supervisor: John Knoll
ILM Head of Production: Randal Shore
ILM Dedicatee: Jack Mongovan
Shade VFX Supervisor: Bryan Godwin
Shade VFX DFX Executive: Molly Pabian
Shade VFX Comp Supervisor: Harimander Singh Khalsa
Shade VFX CG Supervisor: Gabriel Vargas
Shade VFX Executive: David Van Dyke
Lola VFX Supervisor: Edson Williams
Lola VFX Executive: Max Leonard
Lola VFX Compositors: Andrew Huntley, Daniel Bartolucci, William Barkus
Production Previz Supervisor: Steven Yamamoto
Production Previz Coordinator: Jill Ambrosino
Lead Previz Artist: Chris Williams
Production Previz Artists: Huan Phan, Michael Makara, Ben Nelson
2nd Previz Supervisor: Nick Markel
2nd Previz Lead Artists: Dave Weinstein, Barry Howell
Production Previz Editor: Trevin Matcek
Stereo D Stereographer: David SP Saunders
Stereo D Stereo Prod Sr Sup: Mark Simone
Stereo D Stereo Supervisor: Ross Edgar
Stereo D Finaling Supervisors: Russell Resendez McCoy, Travis Murphy
Stereo D Tracking Supervisor: Bryan Higgins
Stereo D Roto Supervisor: Daniel Schrepf
Stereo D VFX Supervisor: Katherine Jones
Stereo D Final QC Sup: Sarah Reese Edwards
Stereo D Senior Stereo Editor: Greg Emerson
Stereo D Post-Prod Sr Sup: Chris McClintock
Stereo D Roto Manager: Andrea R. Stephens
Stereo D Finaling Manager: Chuck Giarratano
Stereo D Ass't Finaling Manager: Rebecca Kramp
Stereo D Prod Coordinators: Adam Fisk, Elaine Kelley, Sam Carter, Alexandra Gonzalez, Tagui Chilyan
Stereo D Execs: William Sherak, Aaron Parry, Mike Gunter, Mike Bookin
PFV Stereographer: Ben Murray
PFV Head of Production: Rohan Desai
PFV Sr Production Manager: Chad Cortvirendt
PFV Associate Stereoscopic Supervisor: Ritesh Ricky Aggarwal
PFV Production Manager: Cassius Vaz
PFI Head of View-D: Merzin Tavaria
PFI Exec Prod Manager: Stephen Mascarenhas
PFI Sr Stereoscopic Supervisor: Jimmy Philip
PFI Stereoscopic Supervisor: Swapnil Shellar
PFI Head of Production: Sharad Tandon
PFI Senior Prod Manager: Franklin Mascarenhas
PFI Production Manager: Gufran Khan
PFI 3D Technical Supervisor: Parminder Chadda
PFI Pipeline TDs: Swapnil Kulkarni, Piyush Jain
CO3 Executive Producer & Supervising Finishing Colorist: Stefan Sonnenfeld ASC
CO3 DI Finishing Manager: Annie Johnson
CO3 Digital Conform Editor & Finishing Artist: Joe Ken
CO3 DI Finishing Technologist: Michael Chiado
CO3 DI Color Finishing Assistant: Jared Pecht
CO3 Ass't Finishing Colorist: James Cody Baker
CO3 Head of Finishing Production: Andy Kaplan
CO3 DI Finishing Accountant: Ian Sullivan
CO3 Additional Dailies Colorist: Matt Wallach
Dolby Sound Consultant: Trevor Ward
Prologue Sequence Designer: Kyle Cooper
Filming Dates: 22 March 2013 - 6 August 2013, January 2014 - April 2014 (Add'l Filming)
Camera: Alexa Plus 4:3 (2.8K ARRIRAW)
Lenses: Panavision C-, E-, G-Series Anamorphic Primes, Anamorphic Telephoto Zoom & Anamorphic Wide-Angle 2:1 Zoom
AR: 2.35:1 (Anamorphic)
Budget: 125-150 Million USD
Printed on: Kodak Vision 2383
Sound Editorial Provided by: E²
Special Visual Effects & Animation Provided by: Industrial Light & Magic
Additional Visual Effects Provided by: Shade VFX Lola VFX
3D Conversion Provided by: Stereo D
View-D Stereo Creation Provided by: Prime Focus World
Digital Intermediate Finishing Provided by: Company 3
Opening Sequence Designed & Produced by: Prologue
Attribute: Filmed in Panavision - DirectorStiles WhiteStarsOlivia CookeAna CotoDaren KagasoffA group of friends must confront their most terrifying fears when they awaken the dark powers of an ancient spirit board.Director/Co-Writer: Stiles White
Screenwriter/Executive Producer: Juliet Snowden
Producers: Michael Bay, Andrew Form, Bradley Fuller, Jason Blum
Exec Producers: Jeanette Voltruno-Brill, Couper Samuelson, Brian Goldner
Cinematographer/Steadicam Operator: David Emmerichs SOC
Production Designer: Barry Robison
Film Editor: Ken Blackwell
Costume Designer: Mary Jane Fort
Co-Producer/Unit Prod Manager: Rick A. Osako
Co-Producer: Daniel Persitz
Composer/Score Orchestrator: Anton Sanko
Composers (Add'l Music): Joel Thompson, Nate Finan
Associate Producer, Key 1st AD & 2nd Unit Director: James Moran
Key 2nd Ass't Director: Gregory J. Pawlik Jr
2nd Assistant Director: Eric Glasser
Associate Producer: Phillip Dawe
Stunt Coordinators: Ben Bray, Mike Gunther
Production Supervisor: Laura Altmann
Post-Production Supervisor: Steven Kaminsky
Supervising Art Director: Jeremy Woolsey
Supervising Set Decorator: Kristin V. Peterson
1st Unit "B" Camera Operator & 2nd Unit "A" Camera Operator/Director of Photography: David Richert
"A" Camera 1st Assistant: Lawrence B. Nielsen
"A" Camera 2nd Assistant: Adam Newall
"B" Camera 1st Assistant: Naomi Villanueva
"B" Camera 2nd Assistant: Josh Benavidez
Digital Camera Loader: Austin Swenson
Production Coordinator: Mandy Yaeger
Ass't Prod Coordinator: Chris Ruiz
Production Accountant: Justin Carville
Supervising Chief Lighting Tech: Kevin Massey
Key Grip: John Janusek
Supervising Prop Master: Derrick Hinman
Ass't Prop Master: Jason Thirlaway
Production SFX Coordinator: Jim Schwalm
SFX Set Coordinator: Sean Amborn
Production SFX Technician: Thomas Amborn
Supervising Loc Manager: Kandice Billingsley
Ass't Location Manager: Martin J. Cummins
Production Assistant: Ericka Arguedas Leiton
Art Dept. Coordinator: Mamie Young
Art Consultant: Mark Millicent
Art Dept. Prod Assistant: Sally Schnellinger
Production VFX Supervisor: Jamison Goei
Supervising Sound Editor: Kelly Oxford
1st Assistant Editor: Eric R. Brodeur
Production VFX Editor: Mark Herman
Music Editor: Zig Gron
Post-Prod Coordinators: Vinka Jurisic, Niccole Osborn
1st Unit 2nd 2nd AD & 2nd Unit 1st AD: Daniel A. Giles-Valera
Add'l 2nd ADs: Jason Z. Kemp, Mark Ballou, Marc Turchin
Post-Production Assistant: Brett Sobel
1st Ass't Director (Add'l Photog): Mark Cotone
Line Producer (Add'l Photog): Mark D. Katchur
Prod Sup (Add'l Photog): Michael A. Galasso
Add'l Set Designer (Add'l Photography): Meghan C. Roberts
Art Director (Add'l Photography): Cate Bangs
Set Decorator (Add'l Photog): Brana Rosenfeld
Set Designer (Add'l Photog): Jack G. Taylor Jr
"A" Cam 1st Ass't (Add'l Photog): David Seekins
"A" Cam 2nd Ass't (Add'l Photography): Roxanne Stephens
Digital Loader (Add'l Photography & 2nd Unit): Jaswinder Bedi
Prod Coord (Add'l Photography): Caleb Brewster
Ass't Prod Coord (Add'l Photog): Sofie Dejus
Prod Accountant (Add'l Photog): Amy Smolev
Ass't CLT (Add'l Photography): Bryan Lee Taylor
Key Grip (Add'l Photography): Jimmy Sweet
Prop Master (Add'l Photography): Treven Bedwell
Ass't Prop Master (Add'l Photography): Jocelyn Coffman
SFX Coordinator (Add'l Photog): Wayne Burnes
Loc Manager (Add'l Photog): Michael Burmeister
Key ALM (Add'l Photography): Justin W. Hill
ALM (Add'l Photography): Shelly D. Wilson
Add'l Costume Designer (Add'l Photog): Pamela Lee Incardona
2nd 2nd AD (Add'l Photog): Denise Anderson Poore
2nd Unit Underwater "B" Camera Operator: Rob Settlemire
2nd Unit "A" Camera 1st Ass't: Louie DeMarco
2nd Unit "A" Camera 2nd Ass't: Kevin Miles
2nd Unit "B" Camera 1st Ass't: Steve Smith
2nd Unit "B" Camera 2nd Ass't: Matt Freedman
2nd Unit Ass't CLT: Eric Stillions
2nd Unit Key Grip: Dave Zera
2nd Unit SFX Technician: Fernando Garcia-Marcel
Score Orchestrator: Joachim Morsley
Add'l Score Orchestrator: Amie Doherty
Score Recordist: Mike Greene
Score Mixer: Hugo Nicolson
Rez-Illusion VFX Producer: Mark Maccora
Rez-Illusion VFX Coordinator: Mark Cramer
Rez-Illusion Graphic Designer: Jay Miller
Legion VFX Supervisor: James David Hattin
Legion VFX Producer: Nate Smalley
Legion Pipeline Support Manager: Katlan Merrill
Legion Bookkeeping Supervisor: Michaela O'Brien
CO3 Executive Producer & Supervising Finishing Colorist: Stefan Sonnenfeld ASC
CO3 DI Finishing Producer: Christian Prejza
CO3 Digital Conform Editor & Finishing Artist: Joe ken
CO3 DI Finishing Technologist: Michael Chiado
CO3 Color Finishing Assistant: Jared Pecht
CO3 Dailies Producer: Arthur Tremeau
CO3 Dailies Colorist: Adrian DeLude
CO3 Finishing Account Executive: Jackie Lee
Pro Films Title Designer: Kyle Cooper
Dolby Sound Consultant: Bryan Pennington
Filming Dates: Mid-December 2013 - January 2014, June 2014 (Reshoots)
Camera: Arri Alexa (1080p/24FPS ProRes 4:4:4)[SxS Pro]
Lenses: Cooke 5/I Primes
AR: 2.35:1 (3-Perf Super 35mm)
Budget: 5-8 Million USD
Printed on: Kodak Vision 2383
Visual Effects Provided by: Rez-Illusion & Legion
Digital Intermediate Finishing & Dailies Provided by: Company 3
Main Titles Designed & Produced by: Prologue Films
Attribute: Camera Equipment Provided by Alternative Rentals - DirectorDean IsraeliteStarsAmy LandeckerSofia Black-D'EliaVirginia GardnerA group of teens discovers secret plans for a time machine, and construct one. However, things start to get out of control.Director: Dean Isrealite
Writers: Jason Harry Pagan, Andrew Deutschman
Producer: Michael Bay, Andrey Form, Bradley Fuller
Exec Producers: Josh Appelbaum, Andre Nemec
Cinematographer: Matthew J. Lloyd ASC CSC
Cinematographer (Concert Unit): Lukas Ettlin
Cinematographer (Add'l Photography): Jonathan Freeman ASC
Production Designer: Maher Ahmed
Film Editors: Julian Clarke ACE, Martin Bernfeld
Costume Designer: Mary Jane Fort
Casting: Denise Chamian CSA, Ania O'Hare CSA
Supervising Stunt Coordinator: Anderson Martin
Unit Production Manager: Scott Thaler
1st Assistant Director: James Rip Murray
2nd Assistant Director: Christina Fong
Add'l Film Editor: Max Unterfenger
Supervising Art Director: Austin Gorg
Supervising Set Decorator: David Smith
A-Camera Operator: Dana Morris
"A" 1st Ass't Photographer: David Esdall
"A" 2nd Ass't Photographer: Ross Davis
Digital Imaging Technician: Jonathan Carbonaro
Chief Lighting Technician: David McLean
Ass't Chief Lighting Tech: Daniel John Lerch
Chief Rigging Electrician: David Shakibanasab
Rigging Grip: Benny Smyth
Production SFX Coordinator: Lee Alan McConnell
Production SFX Technician: Trey Gordon
Supervising Location Manager: Sam Tedesco
Ass't Location Manager: Caleb Hinshaw
Supervising Prop Master: Mychael Bates
Ass't Prop Master: Greg Gonzalez
1st Assistant Editor: Patrick Gallagher
2nd Assistant Editor: Alain J. Romi
Production VFX Editor: Steve Rhee
Production VFX Compositor: Eran Barnea
Post-Production Assistant: Max Engoian
Production Coordinator: Day Permuy
Ass't Prod Coordinator: Kelly Morkis
2nd 2nd Ass't Director: Cody Williams
Art Dept. Coordinator: Jessica Jackson
Storyboard Artist: Martin L. Mercer
Casting (Atlanta): Jackie Burch CSA
Production Accountant: Denise Morgan McGrath
Re-Recording Mixer: Marc Fishman
Re-Recording Mixer/E² Supervising Sound Editor: Joe Dzuban
E² Supervising Sound Editor: PK Hooker
Music Editor: Kevin McKeever
Music Consultant: Jeff McClusky
Publicity Consultant: Carolyn Sloss
SWS/LE Technician: James Springham
Concert Unit "B" 1st Ass't Photog: Patrick Sokley
Concert Unit "B" 2nd Ass't Photographer: Ron Ruanphae
Concert Unit Location Manager: Al Cohn
Concert Unit Ass't Loc Manager: Adam Boor
Concert Unit Ass't Prop Master: Holly Todd
Concert Unit Production Supervisor: Don J. Hug
Concert Unit Prod Coord: Elizabeth L. Chambers
Concert Unit 2nd Ass't Director: D. Dsoul Willis
Stunt Coordinator (Add'l Photography): John Robotham
Unit Production Manager (Add'l Photog): Robert Dohrmann
Art Director (Add'l Photog): Timothy O'Brien
Set Decorator (Add'l Photog): Karen O'Hara
Chief Lighting Tech (Add'l Photog): Greg Argarin
SFX Coordinator (Add'l Photog): John Baker
Location Manager (Add'l Photog): Leif Tilden
Prop Master (Add'l Photog): Brett Andrews
Prod Coordinator (Add'l Photog): Michyl-Shannon Quilty
Ass't Prod Coord (Add'l Photog): Alex Capaldi
Method Studios VFX Supervisor: Mark O. Forker
Method VFX Producers: Charlotte Raffi, Karen Czukerberg
Method VFX Coordinator: Katherine Filtranti-Soares
Method Studios 3D Supervisor: Robert East
Method Studios 2D Supervisor: Ryan Leonard
Method Studios VFX Editor: Christian Madera
CO3 Executive Producer & Supervising Finishing Colorist: Stefan Sonnenfeld ASC
CO3 Senior DI Finishing Producer: Erik Rogers
CO3 Add'l Finishing Colorist: Travis Flynn
CO3 Digital Conform Editor & Senior Feature Finishing Artist: Matthew Johnson
CO3 DI Finishing Technologist: Michael Chiado
CO3 Color Finishing Assistant: John Tripp
CO3 Head of Finishing Production: Devin Sterling
CO3 Finishing Account Executive: Jackie Lee
Filming Dates: June 2013 - August 2013
Camera: Red Epic (4K Redcode RAW)
Lenses: Cooke S4 Primes
AR: 2.35:1 (3-Perf Super 35mm)
Budget: 12 Million USD
Printed on: Kodak Vision 2383
Post-Production Sound Services Provided by: E²
Specialty Props Provided by: Stan Winston Studio/Legacy Effects
Visual Effects Provided by: Method Studios
Digital Intermediate Finishing Provided by: Company 3
Attribute: Camera Equipment Provided by Keslow Camera - DirectorDave GreenStarsMegan FoxWill ArnettTyler PerryThe Turtles get into another battle with their enemy the Shredder, who has acquired new allies: the mutant thugs Bebop and Rocksteady and the alien being Krang.Director: Dave Green
Writers/Exec Producers: Josh Appelbaum, Andre Nemec
Producers: Michael Bay, Andrew Form, Bradley Fuller
Exec Producer/Unit Prod Manager: Denis Stewart
Executive Producer: Grant Curtis
Cinematographer: Lula Carvalho ASC ABC
Cinematographer (2nd Unit; Buffalo): Jacques Haitkin
Cinematographer (2nd Unit; NY): Peter Lyons Collister ASC
Production Designer: Martin Laing
Film Editors: Bob Ducsay ACE, James May ACE, Debra Neil-Fisher ACE
Costume Designer: Sarah Edwards
Composer: Steve Jablonsky
Composers (Add'l Music): David Fleming, Jay Flood, Corey Jackson, John Debney, John Murphy
Production VFX Supervisor & 2nd Unit Director: Pablo Helman
Casting: Lisa Fields CSA
Assoc. Producer/Unit Prod Manager: Basil Bryant Grillo
Key 1st Ass't Director: Alexander H. Gayner
Lead 2nd Ass't Director: Deanna Leslie Kelly
Supervising Stunt Coordinator/2nd Unit Director: Spiro Razatos
Production VFX Producer: Crystal Dowd
ILM Senior VFX Producer: Susan Greenhow
ILM Senior Animation Supervisor: Kevin Martel
ILM VFX Co-Supervisor: Robert Weaver
Supervising Sound Editors: Jason W. Jennings, Nancy Nugent Title
Re-Recording Mixers: Terry Porter, Anna Behlmer
Stunt Coordinator: Jonathan Eusebio
Ass't Stunt Coordinator: Jared Burke
Fight Coordinator: Jon Valera
Stunt Rigging Coordinator: Rockey Dickey
Sports Coordinator: Michael Fisher
Assoc. Producer/Prod Controller: Lori Scowley
Assoc. Producers: Marc Pappalardo, Bret Rowe
Art Director: Miguel Lopez-Castillo
Set Decorator: Debra Schutt
A-Camera/Steadicam Operator: Matt Moriarty
B-Camera Operator: Tim Norman
1st Assistant A-Camera: Robert Mancuso
1st Assistant Steadicam: Scott Tinsley
1st Assistant B-Camera: Chris Silano
2nd Assistant A-Camera: Anthony Coan
2nd Assistant Steadicam: Andrew Nelson
2nd Assistant B-Camera: Troy Sola
A-Cam/Steadicam Film Loader: Justin Mancuso
B-Camera Film Loader: Connie Huang
Digital Imaging Technician: Nicholas Kay
Add'l Cinematographers: Patrick Capone, Jack Donnelly
Add'l 1st Ass't A-Camera: John Oliveri
Add'l Digital Imaging Technician: Robert A. Strait
Sound Mixers: Tom Nelson CAS, Pete Fonda
Video/CG Supervisor: C. Alexander Sears
Production CG Supervisor: Rick Lupton
Chief Lighting Technician: Jay Fortune
Ass't Chief Lighting Technician: Brian McClean
Chief Rigging Electrician: Thomas Dolan
Ass't Chief Rigging Electricians: James Quinlan, Christopher Baldi
Libra Head Technician: Matthew Pebler
Production SFX Supervisor: JD Schwalm
Production SFX Coordinator: James D. Schwalm
SFX Set Foreperson: John E. Gray
SFX Shop Foreperson: Joseph Judd
SFX Foreperson (NY): Jeff Brink
Production SFX Foreperson: HB Aaris
SFX Lead Fabricator: Troy Dederick
SFX CAD Designer: Thomas Amborn
SFX Office Administrator: Colleen Daniel
Supervising Location Manager: Nils Widboom
Supervising Prop Master: Diana Burton
Ass't Prop Master: David Schanker
Ass't Set Decorator: Sarah Dennis
Costume Supervisors: Kate Edwards, Winsome G. McKoy
Add'l Costume Supervisor: Kathleen Gerlach
1st Assistant Editors: Debbie Tennant, Samuel Bollinger
2nd Assistant Editor: Jamie Clarke
3rd Assistant Editor: Christian Sharaf
4th Assistant Editor: David Clark
5th Assistant Editor: Maria Gonzales
6th Assistant Editor: Greg Thompson
Post-Production Assistant: Stephanie Coats
Production VFX Editor: Ray Bushey III
VFX 1st Ass't Editor: Ron San Agustin
VFX 2nd Ass't Editor: Kevin La Neave
Prod Supervisors: John Naclerio, John De Simone
Add'l Prod Supervisor: Daren Hicks
Production Associate: Isaiah Guyman Martin IV
Ass't Prod Coordinator: Shima Majidi
Key 2nd 2nd ADs: Luca Waldman, Woodrow Travers
Add'l 2nd Ass't Director: Joseph Landry, Alex Scricco
1st Assistant Director: Stephen Hagen
Key 2nd Ass't Director: Anna Olshansky
2nd 2nd Ass't Director: John McKenna Jr
Graphic Designer: Gregory Hill
Model Maker: Rachel Nemec
Storyboard Artists: Dave Lowery, Todd Harris
VFX Production Supervisor: Marcus Taormina
Production VFX Coordinators: Nick Irving Allen, Skylar Nichols, Melissa Franco
VFX Ass't Coordinator: Damian J. Gonzales
VFX Production Assistant: Alexandria Johnson
Production VFX Data Wrangler: Hannah Macklin
VFX Set Prod Assistant: Gaston Dalmau
Production VFX Compositors: Scott Gastellu, Nina Harlan
Executive Stereographer: Corey Turner
3D Production Supervisor: Glorivette Somoza
3D Coordinator: Chance Turner
3D 1st Ass't Editor: Michael Rosker
3D 2nd Ass't Editor: Julian Andraus
3D Database Manager: Matt Brooks
3D Ass't Prod Coordinator: David Black
E² Supervising Sound Designers: Ethan Van Der Ryn, Erik Aadahl
E² Dialogue Editor: Michael Hertlein
E² Supervising Foley Editor: Jonathan Klein
E² Sound Designer/FX Editor: John Marquis
Supervising Music Editor: Alex Gibson
Score Conductor: James Sale
Supervising Orchestrator: Penka Kouneva
Music Contractor: Peter Rotter
Score Mixer & Recordist: Jeff Biggers
Add'l Score Recordist: Scott Michael Smith
Picture Car Supervisor: Graham Kelly
Picture Car Coordinator: Robert Griffon
Camera Scenic Supervisor: M. Tony Trotta
UPM (2nd Unit; Buffalo): Wendy Williams
1st AD (2nd Unit; Buffalo): James La Rocca
2nd Ass't Director (2nd Unit; Buffalo): Ken C. Wu
A-Camera Op (2nd Unit; Buffalo): Nino Pansini
B-Camera Op (2nd Unit; Buffalo): Henry Tirl
C-Camera Op (2nd Unit; Buffalo): Daniel Nichols
A-Cam 1st ACs (2nd Unit; Buffalo): Greg Luntzel, Robert M. Sagaser
B-Camera 1st ACs (2nd Unit; Buffalo): Ethan Borsuk, R. Todd Schlopy
C-Camera 1st ACs (2nd Unit; Buffalo): Stephen Wong, Symon Mink
A-Cam 2nd ACs (2nd Unit; Buffalo): Matthew Fortlage, Eve Strickman
B-Cam 2nd ACs (2nd Unit; Buffalo): Brendan K. Russell, Terry Wolcott
C-Cam 2nd AC (2nd Unit; Buffalo): Brett Roedel
Film Loader (2nd Unit; Buffalo): Abdelkarim Belkasemi
DIT (2nd Unit; Buffalo): Dave Satin
RF Techs (2nd Unit; Buffalo): Benton Ward, Derek Johnson
CLT (2nd Unit; Buffalo): James A. Dolan
Ass't CLT (2nd Unit; Buffalo): Kane Delaney
Ass't CRE (2nd Unit; Buffalo): Kyle Simmons
Edge Crane Op (2nd Unit; Buffalo): Jason Tubbs
Edge Crane Head Tech (2nd Unit; Buffalo): James Spud Danicic
Tracker Tech (2nd Unit; Buffalo): Kyle Padelford
Camera Car Mechanic (2nd Unit; Buffalo): Adam Jeffrey
Loc Manager (2nd Unit; Buffalo): Rafael Lima
Ass't Location Manager (2nd Unit; Buffalo): Corri Hopkins
Stunt Coordinator (2nd Unit; Buffalo): Andy Gill
2nd Unit Director: David Leitch
1st Ass't Dir (2nd Unit; NY): James G. Currier
2nd AD (2nd Unit; NY): Noreen R. Cheleden
A-Cam 1st AC (2nd Unit; NY): Craig Pressgrove
1st Ass't B-Cam (2nd Unit; NY): Kyle Knudson
2nd Ass't A-Cam (2nd Unit; NY): James A. Sylvia
2nd Ass't B-Cam (2nd Unit; NY): Alex Worster
Film Loader (2nd Unit; NY): Alexander W. Lewis
DIT (2nd Unit; NY): Ilya Akiyoshi
Ass't CLT (2nd Unit; NY): Robert Mabin
Stunt Coordinator (2nd Unit; NY): Jack Gill
Brazil Unit 1st Ass't Director: Malu Miranda
Brazil Unit Production Manager: Fernando Zagallo
Brazil Unit A-Camera Operator: Fabricio Tadeu
Brazil Unit B-Camera Operator: Sandro Galvão
Brazil Unit 1st Ass't A-Camera: Eduardo Duque Pimenta
Brazil Unit 1st Ass't B-Camera: Pedro Von Kruger
Brazil Unit 2nd Ass't A-Camera: Diogo Ribeiro
Brazil Unit 2nd Ass't B-Camera: Nicolau Saldanha
Brazil Unit Location Manager: Jazmin Castillo
Brazil Unit Ass't Location Manager: Marcelo San Martin
Brazil Unit Prod Coordinator: Amanda Haddad
Brazil Unit Set Manager: Alex Borges Perigoso
Brazil Unit Aerial Co-Pilot: Everson Braga
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit Coordinator/Pilot: Frederic North
Aerial Unit Helicopter Pilots: Alan Purwin, David Paris
Aerial Unit Shotover Technician: Peter Graf
Aerial Unit Ground Coordinator: Louis Delavenne
ILM Associate VFX Producer: Marissa Gomes
ILM Associate Animation Supervisor: Shawn Kelly
ILM VFX Supervisors: Julian Foddy, Dan Seddon
ILM Senior Comp Supervisor: Nelson Sepulveda
ILM Sr CG Supervisors: Brian Cantwell, Leandro Estebecorena
ILM Lead VFX Producers: Danielle Legovich, Ben Lock
ILM Senior VFX Art Directors: Thang Le, Daniel Wheaton
ILM CG Supervisors: Laurent Hugueniot, Anthony Zwartouw
ILM Digital Comp Supervisors: Paolo Acri, Donny Rausch, Dan Snape
ILM Digital Production Supervisor: Kevin Barnhill
ILM Layout Supervisor: Owen Calouro
ILM Creature Supervisors: Bradford De Caussin, Chase Cooper
ILM Lead Lighting Tech Director: Bora Dayioglu
ILM Texture Supervisor: Erik Halsey
ILM FX Supervisor: John Hansen
ILM Digital Model Supervisors: Kelvin Lau, Jung-Seung Hong
ILM Lighting Supervisor: Celia Jepson
ILM Look Development Leads: Anthony Rispoli, Kibum Kim, Damian Steel
ILM Generalist Supervisor: Andy Proctor
ILM Digital R&P Supervisor: Alan Travis
ILM VFX Editors: Lorelei David, Sam Willing
ILM VFX Production Managers: Chris Bannister, Pei'An Lau, Alé Melendez, Shawn Smolensky
ILM Mocap Supervisor: Roderick Fransham
ILM VFX Producer: Carol Norton
ILM VFX Concept Artists: Luis Carrasco, Ryan Drue, John Giang, Tyler Scarlet
ILM Prod Coordinators: Brooke Meacham, Eranka Weerasuriya
ILM Executive VFX Producer: Wayne Billheimer
ILM Heads of Production: Sue Lyster, Randal Shore
ILM VP of Operations: Jessica Teach
ILM Head of Studio: Mark Thorley
Shade VFX Supervisor: Bryan Godwin
Shade VFX DFX Supervisor: Harimander Singh Khalsa
Shade VFX DFX Producer: Molly Pabian
Shade VFX CG Supervisor: Gabriel Vargas
Shade VFX Coordinator: Karina Benesh
Shade VFX FX Animation Lead: Andres Berkstein
Shade VFX Tracking Lead: Moshe Swed
Shade VFX CG Artist: Eric Schoellnast
Shade VFX Compositors: Charles Baden III, Kyle Gray
Lola VFX Supervisor: Dan Bartolucci
Lola VFX Executive Producer: Thomas Nittmann
Lola VFX Producer: Mare McIntosh
Lola VFX Coordinator: Anwei Chen
Lola VFX Matte Painter: Sun Lee
U11 Previz Supervisor: Steven Yamamoto
PFW Stereoscopic Supervisors: James Rees, Jimmy Philip, Ritesh Ricky Aggarwal
PFW Senior Stereoscopic Producer: Chad Cortvriendt
PFW Global Resource Manager: Monika Hada
PFW Prod Managers: Cassius Vas, Annsh Patel
CO3 Supervisor/Colorist: Stefan Sonnenfeld ASC
CO3 DI Finishing Manager: Annie Johnson
CO3 Digital Conform Editor & Finishing Artist: Matthew W. Johnson VES
CO3 DI Finishing Technologist: Michael Chiado
CO3 DI Finishing Color Assistants: John Tripp, Jared Pecht
CO3 Dailies Colorist: Kevin Krout
CO3 Dailies Colorist, AP: Matt Wallach
CO3 Add'l Finishing Colorist: Jill Bogdanowicz ASC
CO3 Ass't Finishing Colorist: James Cody Baker
CO3 Head of Production: Andy Kaplan
CO3 DI Finishing Accountant: Ian Sullivan
Dolby Sound Consultant: Jim Wright
Filming Dates: 27 April 2015 - 17 May 2015, 30 January 2016 - 1 February 2016 (Add'l Filming)
Camera: Alexa XT Plus (2.8K ARRIRAW)
Lenses: Panavision C-, E-, G-Series Anamorphic Primes, Anamorphic Telephoto Zoom & Anamorphic Wide-Angle 2:1 Zoom
AR: 2.35:1 (Anamorphic)
Budget: 135 Million USD
Printed on: Kodak Vision 2383
Sound Editorial Services Provided by: E²
Special Visual Effects & Animation Provided by: Industrial Light & Magic, Shade VFX + Lola VFX
Previsualization Provided by: Unit 11
Stereo Conversion Provided by: Prime Focus World
Digital Intermediate Finishing Provided by: Company 3
Attribute: Filmed in Panavision - DirectorJames DeMonacoStarsFrank GrilloElizabeth MitchellMykelti WilliamsonFormer Police Sergeant Barnes becomes head of security for Senator Charlie Roan, a Presidential candidate targeted for death on Purge night due to her vow to eliminate the Purge.Director/Writer: James De Monaco
Producers: Jason Blum, Michael Bay, Andrew Form, Brad Fuller
Exec Producer/Unit Prod Manager: Luc Etienne
Cinematographer/"A" Cam Op: Jacques Jouffret
Cinematographer (Drone Photog): Judson Bell
Cinematographer (Add'l Photog): Anastas N. Michos ASC GSC
Production Designer: Sharon Lomofsky
Film Editor: Todd E. Miller
Costume Designer: Elisabeth Vastola
Composer: Nathan Whitehead
Composer (Add'l Arrangements): Erik Lutz
Co-Producer: Phillip Dawe
Key 1st Ass't Director: Stephen Hagen
1st AD (Add'l Photog; DC Shoot)/Key 2nd AD: Johnny Recher
Supervising Stunt Coordinator: Hank Amos
Stunt Co-Coordinator: Adam Hart
Stunt Coordinator (DC): Rick Kain
1st Assistant Director: Jayson Merrill
2nd Assistant Director: Aaron J. Stone
Production Supervisor: Don J. Hug
"A" Camera 1st Assistant: Jimmy Jensen
"A" Camera 2nd Assistant: M. Dean Egan
"B" Camera Operator: Alex Martin
"B" Camera 1st Assistant: Thomas Fitzgerald
"B" Camera 2nd Assistant: Matt Hedges
Camera Loader: Tosha Palani
Camera Utility Assistant: Thomas Belloti
"B" Camera Add'l 1st Ass't: Nolan Ball
DIT Operator: Kyo Moon
Video Assist Operator: Jon Kobs
Video Supervisor: Joe Doyle
Phantom Camera Technician: Sasha Burdett
Libra Head Technician: Pierson Silver
Drone Pilot: Chris Walsh
Art Director: David Blankenship
Supervising Set Designer: Martin Fahrer
Art Dept. Coordinator: Jason Mayoh
Graphic Designer: Megan Blake
Art Dept. Production Ass't: Danielle Glynn
Set Decorator: Vanessa Knoll
Supervising Prop Master: Hilary Taillie
Ass't Prop Master: Bob Flannerty
Prop Master (Add'l Photog)/Supervising Armorer: Chris Wdowin
Picture Car Coordinator: Bob Anderson
Production SFX Coordinator: John Ruggieri
Production SFX Foreman: Diana Roche
Production SFX Techs: Melissa Asci, Tom Carroll
Chief Lighting Technician: Jesse Goldberg
Rigging Chief Lighting Technician: David Cambria
Key Grip: Woody Bell
"A" Dolly Grip: Jennifer Evans
"B" Dolly Grip: Rob Kelly
Rigging Key Grip: David Romano
Ass't Costume Designer: Sarah Richmond
Key/Costume Supervisor (Main Unit & Add'l Photog): Kimberly Durkin
Supervising Location Managers: Mike Buonanno, Alison Taylor
Locations Assistant: Brit MacFarland
Location Scout: J. Peter Gonzalez
Location Production Assistant: Matt Beltz
Production Coordinator: Roy Bogy
Ass't Prod Office Coord: Timothy Mendonca
2nd 2nd Ass't Director: Chad Goyette
Add'l 2nd Ass't Director: Scooter Perrotta
Key Set Production Assistant: Nicholas Rexford
Picture Car Driver: Michael Papa
Aerial Unit DoP: Brian Heller
Aerial Unit Coordinator/Pilot: Al Cerullo
Associate Film Editor: Donna Madrigal
Production VFX Producer: Jamison Goei
Production VFX Editor: Christian Kelley-Madera
1st Ass't VFX Editor: Michael Wooldridge
2nd Ass't VFX Editor: Morgan Heller
Post-Production Coordinator: Ricki Reisner
Score Mixer: Daniel Kresco
Add'l Score Mixer: Phil McGowan
Music Editor: Dan Evans Farkas
Score Orchestrator: Peter Bateman
Score Technical Assistant: Seth Johnson
Loop Group Coordinator: Dann Fink
CO3 Executive Producer & Supervising Finishing Colorist: Stefan Sonnenfeld ASC
CO3 Finishing Colorist: Rob Sciarratta
CO3 Feature Finishing Producer: Phil Majdalani
CO3 Digital Conform Editor & Finishing Artist: John Diesso
CO3 Color Finishing Assistants: Brett Price, Giovanni Di Giorgio
CO3 Head of Finishing Production: Nick Monton
CO3 Finishing Account Executive: David Feldman
Method VFX Supervisor: Gong Myung Lee
Method Executive VFX Producer: Angela Lupo
Method Head of Production: Jennifer Hargreaves
Method VFX Supervising Producers: Jeff Wolfe, David Derwin, Shaina Holmes
Method Studios VFX Coordinator: Monica Barraza
Method Comp Supervisor: Rob Nick Dauphinais
Method Studios CG Supervisor: John Kilshaw
Method Studios Production TD: Matt Kushner
Method Studios VFX Editor: Pinar Comezoglu
Method Pipeline TDs: Zach Lewis, Stephen MacKenzie
Method Technical Ops Manager: David Toepfer
Pixomondo Senior VFX Producer: Patrick Neighly
Pixomondo Division VFX Producer (Frankfurt): Viktorija Ogureckaja
Pixomondo Division VFX Producer (Stuttgart): Nina Goldner
Pixomondo VFX Supervisor (LA): Randall Smith
Pixomondo VFX Supervisor (Frankfurt): Piet Hohl
Pixomondo FX Coordinator: Sabrina Harrison
Pixomondo Exec FX Producer: Joni Jacobson
Pixomondo Matchmove Artist: Nadja Ding
Pixomondo VFX Editor: Timur Yesilfiliz
Pixomondo Pipeline Tech Director: Johannes Pink
VFX Legion VFX Supervisor: Joe Harkins, James David Hattin, Matthew T. Lynn
VFX Legion VFX Producer: Christopher Sinnott
VFX Legion VFX Coordinators: Brenton Murrell, Matthew Noren
VFX Legion Head of Production: Nate Smalley
VFX Legion VFX Editor: Herbert Dwight Raymond IV
VFX Legion Lead 3D Artist: Rommel S. Calderon
VFX Legion Animation Lead: Sean Kinnear
VFX Legion DMP Lead: Yvonne Muinde
VFX Legion Lead Compositor: Haden Hammond
Rez-Illusion Digital Compositors: Simon Harrison, August Coleman
FuseFX VFX Supervisor: Tommy Tran
FuseFX VFX Producers: Jason Spratt, Tim Jacobsen
FuseFX Head of Production: David Altenau
FuseFX Comp Supervisor: Kevin Yuille
FuseFX VFX Editor: Brooke Noska
Molecule VFX Supervisor: Luke Di Tommaso
Molecule Lead VFX Exec Producer: Chris Healer
Molecule VFX Executive Producer: Andrew Bly
Molecule VFX Producer: David McElfresh
Molecule FX Bid Producer: Jamie McIntyre
Molecule Comp Supervisor: Mark Friedman
Molecule VFX Coordinator: Joshua Sacavage
Wolverine VFX Supervisor: Charles Dulin
Dolby Sound Consultant: Jason Bales
Filmograph Title Designer: Aaron Becker
Filmograph Titles Exec Producer: Seth Kleinberg
Filmograph Animator: Zachary Carnes
Prod Sup (Add'l Photog): Kyle David Crosby
"A" Camera Op (Add'l Photog): Davie Insley
"A" Camera 1st Ass't (Add'l Photog): Ian Axilrod
"A" Camera 2nd Ass't (Add'l Photog): Michael Panczenko
"B" Camera 1st Ass't (Add'l Photog): Chris Horne
"B" Camera 2nd Ass't (Add'l Photog): Stu Stein
Camera Loader (Add'l Photog): Sunil Devadana
DIT Operator (Add'l Photog): John Vallon
Video Assist Op (Add'l Photog): Alex Applefeld
Set Decorator (Add'l Photog): Susan Kessel
Ass't Prop Master (Add'l Photog): Jack Dorsey
Picture Car Coord (Add'l Photog): Tom Lombardi
SFX Coordinator (Add'l Photog): William Catania
SFX Foreman (Add'l Photog): Hank Atterbury
SFX Techs (Add'l Photog): Dave Scheper, Holly Horst, Tom Turnbol, Manon Wilkes
Chief Lighting Tech (Add'l Photog): Robert Waybright
Key Grip (Add'l Photog): Brian Mattes
"A" Dolly Grip (Add'l Photog): Joe Kurtz
Location Manager (Add'l Photog): Chan Claggett
Ass't Loc Manager (Add'l Photog): Chris Gear
Location PA (Add'l Photog): Nick Sidor
Prod Coord (Add'l Photog): Ann S. Christman
Ass't POC (Add'l Photog): Tia Goodson
2nd Ass't Dir (Add'l Photog): Douglas Jones
2nd 2nd AD (Add'l Photog): Bill Hardy
Key Set Production Ass't (Add'l Photog): Trevor Schliefer
Panavision VP of Optical Engineering: Dan Sasaki ASC
Camera: Alexa XT Plus (3.4K ARRIRAW)
Lenses: Panavision Primo Spherical Zooms, Primo V Spherical Primes & Primo Compact Zoom
Budget: 10 Million USD
Digital Intermediate Finishing Provided by: Company 3 NY
Visual Effects Provided by: Method Studios, VFX Legion, FuseFX, Pixomondo, Rez-Illusion, The Molecule & Wolverine VFX
Main Title Design Provided by: Filmograph
Attribute: Filmed in Panavision - DirectorMike FlanaganStarsElizabeth ReaserLulu WilsonAnnalise BassoIn 1967 Los Angeles, a widowed mother and her daughters add a new stunt to bolster their seance scam business by inviting an evil presence into their home, not realizing how dangerous it is.Director, Writer & Film Editor: Mike Flanagan
Writer: Jeff Howard
Prods: Michael Bay, Jason Blum, Andrew Form, Brad Fuller, Brian Goldner, Stephen Davis
EPs: Cooper Samuelson, Jeanette Volturno, Trevor Macy
Executive Producer / Unit PM: Victor Ho
Cinematographer: Michael Fimognari
Production Designer: Patricio M. Farrell
Costume Designer: Lynn Falconer
Composers: John Andrew Grush, Taylor Newton Stewart
Casting Director: Terri Taylor CSA
First Assistant Director: James Moran
Second Assistant Director: Marc Newland
Unit Production Manager, AP: Rick A. Osako
First Assistant Director, AP: Richard Graves
Key Second Assistant Director, AP: Ron Recio
2nd Second Assistant Director, AP: Emily Hogan
CO3 EP/Super. Colorist: Stefan Sonnenfeld ASC
CO3 Digital Inter. Colorist: Jill Bogdanowicz ASC
Filming Dates: September 2015 - 21 Oct. 2015
Camera: Alexa XT Plus (ARRIRAW)
Lenses: Panavision® C-Series AL Primes & ATZ 70-200mm Zoom
AR: 1.85:1 (Anamorphic)
Budget: 9-12 Million USD
Special Make Up Effects Designed & Created by: Illusion Industries
Visual Effects by: Rez-Illusion & VFX Legion
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision® - DirectorJohn KrasinskiStarsEmily BluntJohn KrasinskiMillicent SimmondsA family struggles for survival in a world where most humans have been killed by blind but noise-sensitive creatures. They are forced to communicate in sign language to keep the creatures at bay.Director/Screenwriter/Executive Producer: John Krasinski
Exec Producers/Co-Writers: Scott Beck, Bryan Woods
Producers: Michael Bay, Andrew Form, Bradley Fuller
Executive Producer: Celia Costas
Cinematographer: Charlotte Bruus Christensen ASC
Cinematographer (Add'l Photog): Eric Steelberg ASC
Associate Producer/Production Designer: Jeffrey Beecroft
Film Editor: Christopher Tellefsen ACE
Costume Designer: Kasia Walicka Maimone
Production VFX Supervisor: Scott Farrar ASC
Composer/Conductor: Marco Beltrami
Composers (Add'l Music): Brandon Roberts, Miles Hankins
Composer (Add'l Music) & Score Orchestrator: Marcus Trumpp
Co-Producer/Unit Production Manager: Deb Dyer
1st Assistant Director: John Saunders
2nd Assistant Director: Josh Muzaffer
Stunt Coordinators: Victor Paguia, Mike Gunther
Associate Producer: Alexa Ginsburg
Add'l Film Editor: Roger Barton ACE
Sr Supervising Art Director: Sebastian Schroeder
Art Director: R. Scott Purcell
Set Decorator: Heather Loeffler
Ass't Art Director: Ali Kashfi
Art Dept. Coordinator: Leah Palen
Ass't Set Decorator: Mary Fellows
A Cam-Steadicam Operator-2nd Unit DoP: David Emmerichs SOC
"A" 1st Ass't Photographer: Stanley Fernandez
"A" 2nd Ass't Photographer: Christopher Eng
"B" 1st Ass't Photographer: Paul Colangelo
"B" 2nd Ass't Photographer: Tony De Francisco
Film Loader: Ronnie Wrase
Aerial Unit DoP: Jason Aron
Chief Lighting Technician: William Almeida
Ass't Chief Lighting Technician: Peter A. Russell
Chief Rigging Electrician: Clay Liversidge
Ass't Chief Rigging Electrician: John Billeci
Production SFX Supervisor: Mark Hawker
Production SFX Coordinator: Eric Rylander
Supervising Location Manager: Mark Alcaly
Ass't Location Manager: Monica Cohen
Supervising Prop Master: Michael Jortner
Hair Designer: Mandy Lyons
Supervising Sound Editors: Ethan Van Der Ryn, Erik Aadahl
Re-Recording Mixer: Brandon Proctor
Add'l Re-Recording Mixer: Michael Barry
1st Assistant Editor: David Rogow
2nd Assistant Editor: Daniel Preston Triller
Post-Production Supervisor: Jeff Robinson
Post-Production Coordinator: Andrew K. Ruotolo
Post-Production Assistant: Forrest Hendricks
Production Coordinator: John Edmundson
Ass't Production Coordinator: Shanae Rivers
2nd 2nd Ass't Director: Dustin Bewley
E² Co-Supervising Sound Editor: Brandon Jones
E² ADR Supervisor: Robert Jackson
E² Supervising Foley Editor: Jonathan Klein
Supervising Music Editor: Jim Schultz
Music Editor: Del Spiva
Score Conductor/Orchestrator: Pete Anthony
Score Production & Electric Acoustic Designer: Buck Sanders
Music Consultant & Pro Tools Operator: Tyson Lozensky
Score Orchestrator: Mark Graham
Music Contractor: Peter Rotter
Camera Scenic Supervisor: Janet Cleveland
ASL Interpreter: Lynnette Taylor
ASL Coach: Douglas Ridloff
Safety Consultant: Steven Kvalheim
ILM Senior Animation Supervisors: Scott Benza, Rick O'Connor
ILM Senior VFX Producer: Ryan Wiederkehr
ILM VFX Executive Producer: Luke O'Byrne
ILM Digital VFX Supervisors: Chris Balog, Kevin Barnhill, Jeremy Bloch, Greg Bossert, Jacob Buck, Enrico Damm, Alison Farmer, Kelvin Lau, Daniel Pearson, Anthony Rispoli, Michael Van Eps, Adam Walker
ILM Associate VFX Supervisor: Jeff Sutherland
ILM Concept Artists: Luis Carrasco, Karl Lindberg
ILM VFX Editor: Sam Willing
ILM VFX Assoc. Prod Manager: Grettel Batoon
ILM VFX Production Coordinator: Ashley Doss
DI Executive Producer/Senior Finishing Colorist: Stefan Sonnenfeld ASC
DI Add'l Colorist: Andrew Geary
DI Head of Production: Margaret Lewis
Digital Conform Editor & Finishing Artist: John Diesso
Finishing Color Assistant: Nicholas Figueroa
DI Finishing Account Executive: Jim Gardner
Dailies Colorist: John Vladic
Special Thanks: JJ Hook
Filming Dates: May 2017 - November 2017
Cameras: Arriflex 235, 35-IIC & Panaflex XL2 (35mm Kodak Vision3 250D 5207/500T 5219)
Lenses: Panavision Primo Anamorphic 3:1 Hubble Zoom, C-, G-, T-Series Anamorphic Primes, Anamorphic Zooms, Sphero 65 Primes, Macro Auto Panatar Anamorphic Primes, Super Speed MKII Spherical Primes & Angenieux Optimo Zooms
AR: 2.39:1 (Anamorphic)(4-Perf S35mm: Some Scenes)
Budget: 17 Million USD
Sound Editorial Services Provided by: E²
Special Visual Effects & Animation Provided by: Industrial Light & Magic
Digital Intermediate Finishing Provided by: Company 3 NY
Shot on: Kodak Film
Attribute: Filmed in Panavision - DirectorGerard McMurrayStarsY'lan NoelLex Scott DavisJoivan WadeAmerica's third political party, the New Founding Fathers of America, comes to power and conducts an experiment: no laws for 12 hours on Staten Island. No one has to stay on the island, but $5,000 is given to anyone who does.Director: Gerard McMurray
Writer/Executive Producer: James DeMonaco
Producers: Jason Blum, Michael Bay, Andrew Form, Brad Fuller
Exec Producer/Unit Production Manager: Steven R. Molen
Cinematographer: Anastas N. Michos ASC GSC
Production Designer: Sharon Lomofsky
Production Designer (Add'l Photog): Wing Lee
Film Editor: Jim Page ACE
Costume Designer: Amela Baksic
Composer: Kevin Lax
Music Supervisor: Jonathan Christensen
Co-Producer: Phillip Dawe
1st Assistant Director: Cory Johnson
2nd Assistant Director: Cyndi Cutter Martin
Production Supervisor: Paige Pemberton
Post-Production Supervisor: Alexis Wiscomb
Production Coordinator: Kristy Choo
Ass't Prod Coordinator: Rose Beale
Production Accountant: Michael Collins
Supervising Art Director: David Lee Blankenship
Graphic Designer: Tiffany Apple
Storyboard Artist: Juan Sanchez
Supervising Prop Master: James Rosenthal
Ass't Prop Master: Robin Simmerly
Prop Assistant: Brian Roedel
Gunfight Coordinator: Samuel Glen
Ass't Armorer: Kunzang Gyasto
Supervising Set Decorator: Matthew Sullivan
'A' Camera/Steadicam Operator: Marcis Cole
'B' Camera Operator: Quenell Jones
B Camera 1st Assistant: Jerome Williams
A Camera 2nd Assistant: Yale Gropman
B Camera 2nd Assistant: Brett Roedel
Add'l 1st Ass't A-Camera: Deb Peterson
Digital Imaging Technician: Lewis Rothenberg
Camera Loader: Kristina Lally
Chief Lighting Technician: Matt Noughton
Ass't Chief Lighting Technician: Jared Dubinski
Rigging Chief Lighting Tech: Jamal Jason Jones
Key Grip: Sean Cassidy
Key Rigging Grip: Greg Cahill
Production SFX Coordinator: Ray Bivins
Production SFX Foreman: Ralph Pivirotto
Ass't Costume Designer: Kelsey Ettman
Supervising Stunt Coordinator/2nd Unit Director: Hank Amos
Co-Stunt Coordinator: Mike Massa
Stunt Utility Supervisor: Martin De Boer
Supervising Location Manager: Alison A. Taylor
Location Assistant: Jhane Sanders
Creative Associate: Camila Ohara Tanabe
Picture Car Coordinator: Jimmy Hays
Picture Car Assistant: Pete Nastasi
Picture Car Production Assistant: Julia Fleming
Warehouse Manager: Sean E. Walker
Ass't UPM (Add'l Photog): Heather Levenstone
1st Ass't Dir (Add'l Photog): Yori Tondrowski
2nd AD (Add'l Photog): Anne Marie Gammon
Prod Coord (Add'l Photog): Nash Rahman
Ass't Prod Coord (Add'l Photog): Samantha Esposito
Art Director (Add'l Photog): Carl Baldasso
Art Dept. Coord (Add'l Photog): Jennifer Kim
Prop Master (Add'l Photog): Katie Clinebelle
Prop Ass't (Add'l Photog): Robin Voth
Set Decorator (Add'l Photog): Robert Covelman
'A' Cam/Steadicam Op (Add'l Photog): Gregor Tavenner
'B' Cam Op (Add'l Photog): David Kimmelman
'A' Cam 1st Ass't (Add'l Photog): Cory Stambler
'B' Camera 1st Ass't (Add'l Photography): Jamie Fitzpatrick
2nd Ass't A-Cam (Add'l Photog): Tony Coan
2nd Ass't B-Cam (Add'l Photog): Chris Cafaro
Add'l A-Cam Op (Add'l Photog): Rachel Cafaro
Add'l 1st Ass't A-Cam (Add'l Photog): DJ Carrol
Add'l 2nd Ass't A-Cam (Add'l Photog): Kris Enos
SFX Coordinator (Add'l Photog): Michael Meyers
SFX Foreman (Add'l Photog): Joseph Mortelliti
Loc Manager (Add'l Photog): Joaquin D. Prange
Key ALM (Add'l Photog): Josh Samataro
ALM (Add'l Photog): Hakiem Greehut
Parking Coord (Add'l Photog): Leighton Phillips
2nd 2nd AD (Add'l Photog): Jonathan Wu
Add'l 2nd AD (Add'l Photog): Deshaun Wright
Camera Scenic Sup (Add'l Photog): Julie Marr
Post-Production Coordinator: Mallory Trice
1st Assistant Editor: Julie Carr
2nd Assistant Editor: Morgan Heller
Post-Production Assistants: Derek Larsen, Kali Kasashima
Production VFX Producer: Rachel Jablin
Production VFX Editor: David Smith
Spin VFX Executive Producer: Neishaw Ali
Spin VFX Sr VFX Supervisors: Stevie Ramone, Wesley Sewell
Spin VFX Supervising VFX Producer: Carrie Richardson
Spin VFX Senior VFX Producers: Caitlin Schooley Groneveldt, Michelle Brennan
Spin VFX Sr Animation Supervisor: Peter Gilberti
Spin VFX Senior FX Supervisor: Tim Sibley
Spin VFX Assoc. CG Supervisor: Aadel Forootan
Spin VFX Sr Comp Supervisors: Eric Doiron, Erwan Leroy
Spin VFX Lighting Artist: Ayindrilla Dey
Spin VFX QC Supervisor: Mark Neysmith
Sim NY VFX Flame Artist: Charles Quinn
Sim NY VFX Producer: Eric Rapp
Re-Recording Mixer: Josh Berger
Re-Recording Mixer, Supervising Sound Editor & Designer: Jacob Ribicoff
Sound Post Producer: Kelsea Wigmore
Music Coordinator: Justin Feldman
Score Mixer: Michael Feldman
Score Orchestrator: Corey Wallace
Title Designer: Richie Adams
CO3 Finishing Colorist: Tim Stipan
CO3 DI Finishing Producer: Dean Mozian
CO3 Digital Conform Editor & Finishing Artist: John Diesso
CO3 Color Finishing Assistant: Nicholas Figueroa
CO3 Head of Finishing Production: Marge Lewis
CO3 Finishing Account Executive: Jim Gardner
CO3 Executive Finishing Producer & Color Consultant: Stefan Sonnenfeld ASC
CO3 Dailies Producer: Wade Rudolph
CO3 Lead Dailies Technician: Chris Zarcone
CO3 Dailies Techs: Keisha Howie, Steven Sosa
Dolby Sound Consultant: Paul Sacco
FotoKem 35mm Digital Recording Scheduler: Rico Hernandez
FotoKem Film Lab Supervisor: Bill Roskilly
FotoKem Film Lab Scheduler: Steven Mitchell
FotoKem Film Color Timer: Saul Escobedo
Dedicated to: Aaron Khristeus
Filming Dates: Mid-September 2017 - 8 November 2017
Camera: Alexa Mini (2.8K ARRIRAW)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (Open-Gate Super 35mm)
Budget: 13 Million USD
Visual Effects Provided by: Spin VFX & Sim NY
Digital Intermediate Finishing & Dailies Provided by: Company 3 NY
Film Laboratory Service Provided by: FotoKem
Attribute: Filmed in Panavision - DirectorAdam MasonStarsK.J. ApaSofia CarsonCraig RobinsonIn 2024 a pandemic ravages the world and its cities. Centering on a handful of people as they navigate the obstacles currently hindering society: disease, martial law, quarantine, and vigilantes.Director, EP, Writer & Title Seq. Designer: Adam Mason
Score Composer & Producer: Lorne Balfe
Production VFX Supervisor & Producer: Daniel Levitan
Costume Designer: Lisa Norcia
Film Editor: Geoffrey O'Brien
Production Designer: Jennifer Spence
Cinematographer & A Cam Op: Jacques Jouffret
EPs: Robert Simonds, Adam Fogelson, Samuel J. Brown
Exec Producer/Unit Prod Manager: Michael Kase
Writer & Executive Producer: Simon Boyes
Producer-B Cam Op-2nd Unit Director: Michael Bay
Unit Production Manager: Marcei A. Brown
1st Assistant Director: Marc Newland
2nd Assistant Director: Kelly Stevens
Supervising Stunt Coordinator: Tim Mikulecky
Set Decorator: Lisa Son
Graphic Designer: Anna Maria Siciliano
Supervising Prop Master: Thomas Spence
Prop Assistant: Mike Cook
1st Assistant A Camera: Jimmy Ward
2nd Assistant A Camera: Sean Kisch
Digital Imaging Technician: Urban Olsson
Gaffer: Paul Postal
Key Grip: Dana Baker
Production SFX Coordinator: Zak Knight
Supervising Location Manager: Catherine Kagan
Ass't Location Manager: Jonathan Sanchez
Location Scout: Chuck Aguirre
2nd 2nd Ass't Director: Steven Hacker
Covid Monitor: Audrey Feldman
1st Ass't Dir (Add'l Photography): James Moran
2nd Ass't Directors (Add'l Photog): Phil Desanti, Danny Giles
Stunt Coordinator (Add'l Photog): Mike Gunther
1st Ass't A-Cam (Add'l Photography): Alex Scott
2nd Ass't A-Camera (Add'l Photog): Arturo Rojas
SFX Supervisor (Add'l Photography): Eric Frazier
Motorcycle Tech (Add'l Photog): Nick Brocha
Office Prod Coord (Add'l Photography): Madison Lacerte
Co-Producer: Max Votolato
Re-Recording Mixer: Gregory King
Re-Recording Mixer/Supervising Sound Designer: Jon Greasley CAS
Supervising Sound Editor: John-Thomas Graves
Associate Film Editor: Jared Simon
1st Assistant Editor: Ricki Reisner
2nd Assistant Editor: Carmen Chung
President of Physical Production: Ross Fanger
President of Business & Legal Affairs: Philip Gore
EVP (Development & Production): Drew Simon
SVP (Post-Production): Tim Weyers
SVP (Production & Finance): Fran Lucci
President of Music: Jason Markey
2nd Co-Producer: Cameran Surles
Associate Producer: Austin Kilgore
3rd Assistant Editor: Edward Albolote
Assistant to Michael Bay: Quinn Halleck
Post-Production Consultant: John Wiseman
Footage Consultant: Jodi Tripi
Post-Production Coordinator: Matthew Walsh
Title Sequence Designer: Zenon Kohler
Production VFX Assistant: Angela Levitan
Opsis Executive VFX Producer: Henrik Fett
Opsis VFX Supervisor: Mike G. Jackson
Opsis VFX Producer: Lena Bahrs
Opsis VFX Coordinator: Siena Elliott
Opsis Co-VFX Supervisor: Michael Shelton
Opsis VFX Editor: Paul Bird
Opsis VFX Graphics Designer: Billy Brooks
Opsis Comp Lead: Johnny Banta
Opsis Digital Matte Painter: Rick Rische
VFX Coordinator (Legion): Matthew Noren
CG Supervisor (Legion): Rommel S. Calderon
CG Artist (Legion): Bryan Sheppard
Ollin VFX Supervisor: Ernesto Cespedes
Ollin VFX Executive Producer: Alejandro Diego
Ollin VFX Producer: Armando Ricalde
Ollin VFX Production Manager: Maximiliano Dives
Ollin VFX Coordinator: Maria Fernanda Gomez
Ollin VFX Production Assistant: Edgar Ortiz
Ollin VFX Editor: Mariana Lira
Ollin VFX Lead Comp Artist: Isaac Camacho
CO3 Executive Producer/Supervising Finishing Colorist: Stefan Sonnenfeld ASC
Add'l Finishing Colorist: James Cody Baker
Finishing Producer: Carl SG Moore
Finishing Associate Producer: Tatianna Kroha
Finishing Editor: Paul Carlin
Finishing Image Scientist: John Quartel
Finishing Technologist: Michael Chiado
Finishing Color Assistant: Nick Nassif
Finishing Executive: Lindsey Arnold
CO3 Head of Production: Laura Geucherian
Music Supervisor: Julia Sessing
Add'l Music Supervisor: Jason Tregoe Newman
Special Thanks: Michael Cioni, Kimberly Clark, Adam Gallagher
RED Komodo Designer: Jarred Land ASC
Filming Dates: 8 July 2020 - 3 August 2020
Camera: Red Komodo (6K Redcode RAW)
Lenses: Vantage One Spherical Primes
AR: 2.39:1 (Super 35mm)
Budget: 700 Thousand–2.5 Million USD
Visual Effects Services Provided by: Opsis & Ollin VFX
Color & Finish Provided by: Company 3
Score Mixed at: Remote Control Productions
Attribute: Shot on Red - DirectorJohn KrasinskiStarsEmily BluntMillicent SimmondsCillian MurphyFollowing the events at home, the Abbott family now face the terrors of the outside world. Forced to venture into the unknown, they realize the creatures that hunt by sound are not the only threats lurking beyond the sand path.Director/Writer/Producer: John Krasinski
Producers: Michael Bay, Andrew Form, Bradley Fuller
Exec Producer/Unit Production Manager: JoAnn Perritano
Cinematographer: Polly Morgan ASC BSC
Production Designer: Jess Gonchor
Film Editor: Michael P. Shawver ACE
Costume Designer: Kasia Walicka-Maimone
Production VFX Supervisor & 2nd Unit Director: Scott Farrar ASC
Composer: Marco Beltrami
Composers (Add'l Music): Brandon Roberts, Miles Hankins
Composer (Add'l Music) & Score Orchestrator: Marcus Trumpp
Unit Production Manager: Randy Manion
1st Assistant Director: David H. Venghaus Jr
2nd Assistant Director: Jeff Overfield
Co-Producer: Alexa Ginsburg
Supervising Stunt Coordinator: Mike Gunther
Stunt Coordinator: Kyle Woods
Marine Coordinator: Don Abbatiello
Add'l Film Editor: Christopher Rouse ACE
Supervising Art Director: Christopher J. Morris
Supervising Set Decorator: Nancy Haigh
Ass't Art Directors: Zack Gonchor, Benjamin Fox, Dan Kuchar
Set Designer: Adam Mull
Concept Illustrator: Landon Lott
Graphic Designer: Sean Andrew Murray
Add'l Graphic Designer: Laurel Kolsby
Ass't Set Decorator: Amy Kempf
A-Cam/Steadicam Op: Matthew Moriarty SOC
B-Cam Ops: Lawrence Karman SOC, Christopher Duskin
"A" 1st Ass't Photographer: Steven Cueva
"B" 1st Ass't Photographer: Hayden Pazanti
"A" 2nd Ass't Photographer: Kate Iuele
"B" 2nd Ass't Photographer: Robin Bursey
Film Loader: Joshua Schnose
DITs: Luke Taylor, Jason Bauer
Video Playback Operator: Nicolas Graziadei
Underwater Unit DoP: Pete Romano ASC
2nd 2nd Ass't Director: Elyse Archie
Add'l 2nd ADs: Catherine Cospelich, Luke Crawford
Chief Lighting Techs: Dan Riffel, Matt Naughton
Ass't Chief Lighting Techs: Jim Hatridge, Alex Stevens
DMX Tech: Scotty Franklin
Production SFX Supervisor: Daniel Sudick
Production SFX Coordinator: Joel Mitchell
SFX Set Foreperson: Charles Cooley
SFX Tool Person: Roy Martinez
Supervising Location manager: Mara Alcaly
Location Coordinator: Tyler M. Wieland
Location Unit Prod Assistant: Jhane Sanders
Supervising Prop Master: Alexis Weiss
Picture Car Coordinator: Seth Tyler Black
Train Coordinator: Ray Morquecho
Associate Costume Designer: Brittany Loar
Assistant Costume Designer: Abigail Geoghegan
Makeup SFX Character Designer: Joel Harlow
Supervising Sound Editors & Sound Designers: Ethan Van Der Ryn, Erik Aadahl MPSE
Re-Recording Mixer: Brandon Proctor
1st Ass't Editors: Adam Kimmerlin, Julie Carr, Mark Fitzgerald
Production VFX Editor: Jordan Lindblad
Production VFX Producer: Leslie Lerman
Post-Production Supervisor: Jeff Robinson
Post-Production Coordinator: Andrew K. Ruotolo
Post-Production Assistant: Michael Chernak
Production Coordinator: Tina Yeh
Production Controller: Sheilah Sullivan
Production Accountant: Erin Morris
Lead Set Production Assistant: Andrew Sitter
E² Sound Designers: Malte Nieler, Brandon Jones
E² ADR/Dialogue Supervisors: Nancy Nugent Title, Vanessa Lapato
E² Supervising Foley Editor: Jonathan Klein
Score Conductor & Orchestrator: Pete Anthony
Music Contractor: Peter Rotter
Score Orchestrators: Mark Graham, Jon Kull, Dana Niu
Music Score Recorder & Mixer: Tyson Lozensky
Score Production & Electro Acoustic Design Supervisor: Buck Sanders
A-Camera Op (Reshoots): Stanley Fernandez Jr
B-Camera Operator (Reshoots): Heather Norton
ILM VFX Supervisors: Aleksei Chernogorod, Jason Snell
ILM Animation Supervisors: Rick O'Connor, Edward Zhou
ILM Comp Supervisors: Chris Balog, Nicolas Caillier
ILM CG Supervisor: Steve Sauers
ILM VFX Editor: Sam Willing
ILM VFX Executive Producer: Luke O'Byrne
ILM VFX Producers: Lee Briggs, Laurence Berkani
ILM Associate VFX Supervisor: Paolo Acri
ILM Associate Animation Supervisor: Maia Keysar
ILM VFX Associate Producer: Ale Menendez
ILM VFX Prod Manager: Keith Anthony-Brown
ILM VFX Assoc. Prod Manager: Phui Yung Chan
ILM Lighting Supervisor: Bora Dayioglu
ILM R/P Supervisor: Justin Kosnikowski
ILM Modeling Supervisor: Michal Kriukow
ILM Lead Generalist: Yateen Mahambrey
ILM Lead Layout Supervisor: Oliver Kirchhoff
ILM FX Technical Director: Huai Yuan Teh
ILM Creature TD: Michael King Sutanto
ILM Modeler: Mike Hong
ILM On-Set Data Wrangler: Chris F. Moore
FotoKem Developing Supervisor: Rob Lurie
CO3 Executive Producer/Supervising Finishing Colorist: Stefan Sonnenfeld ASC
CO3 Add'l Finishing Colorist: Andrew Geary
CO3 Finishing Producer: Margaret Lewis
CO3 Finishing Editor: John Diesso
CO3 Color Finishing Assistant: Melina Smith
CO3 Digital Restoration Supervisor: Dave Olonoff
CO3 Finishing Artist (Marketing): Rob Doolittle
EC3 Dailies Colorist: Richard Flores Jr
EC3 Dailies Producer: Arthur Tremeau
EC3 Dailies Supervisor: Leeza Diott
EC3 Dailies Engineer: Terry Morrison
EC3 Dailies Operator: Chris McDonald
EC3 Dailies Film Scanner: Thomas Kuo
CO3 Dailies Account Executive: Marc Ross
Filming Dates: 15 July 2019 - September 2019
Cameras: Alexa Mini & Panaflex XL2 (35mm Kodak Vision3 250D 5207/500T 5219)
Lenses: Panavision Primo Anamorphic + Spherical Primes & T-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)(3.4K ARRIRAW & 4-Perf Super 35mm: Some Scenes)
Budget: 55-61 Million USD
Printed on: Kodak Vision 2383
Sound Editorial Services Provided by: E²
Special Visual Effects & Animation Provided by: Industrial Light & Magic
Film Processing Provided by: FotoKem
Color & Finishing Provided by: Company 3 NY
Shot on: Kodak Film
Attribute: Filmed in Panavision - DirectorEverardo GoutStarsAna de la RegueraTenoch HuertaJosh LucasAll the rules are broken as a sect of lawless marauders decides that the annual Purge does not stop at daybreak and instead should never end.Director/Executive Producer: Everardo Gout
Writer/Producer: James DeMonaco
Producers: Jason Blum, Michael Bay, Andrew Form, Brad Fuller
Exec Producer/Unit Prod Manager: Marcei A. Brown
Cinematographer/A-Cam Op: Luis David Sansans AMC
Cinematographer (Burbank Unit): Anastas N. Michos ASC
Production Designer: Jennifer Spence
Production Designer (Burbank Unit): Bill Boes
Film Editors: Todd E. Miller, Vincent Tabaillon, Tim Alverson ACE
Costume Designer: Leah Butler
Composers/Score Producers: Andy Grush, Taylor Newton Stewart
Music Supervisor: John Bissell
Co-Producer/Key 1st Ass't Director: James Moran
Co-Producer: Jennifer Scudder Trent
2nd Assistant Director: Marc Newland
Supervising Stunt Coordinator/2nd Unit Director: Mike Gunther
Stunt Coordinator: David W. Phillips
Production VFX Producer: Melissa Brockman
Post-Production Supervisor: Jordan Kessler
Production Supervisor: Vickie De Varona Hsieh
Supervising Art Director: Clint Wallace
Ass't Art Directors: Ella J. Thompson, Jamie Hall
Graphic Designer: Anna Maria Siciliano
Supervising Set Decorator: Lisa Son
Supervising Prop Master: Michael A. Casey
Ass't Prop Master: Greg M. Edgar
Storyboard Artists: Eric E. Yamamoto, Warren Drummond
"A" 1st Assistant Camera: Ignacio Musich
"A" 2nd Assistant Camera: Joseph Di Bartolomeo
"B" Camera/Steadicam Operator: Dennis Noyes
"B" 1st Assistant Camera: Joe Segura
"B" 2nd Assistant Camera: Jordan Cramer
"C" Cam Op/2nd Unit DoP: Roham Rahmanian
"C" 1st Assistant Camera: Rick Osborn
"C" 2nd Assistant Camera: Matt Sumney
"D" Camera Operator: Matthew Baker
"D" 1st Assistant Camera: Chad Nagel
"D" 2nd Assistant Camera: Rachel Wiederhoeft
Digital Imaging Technician: Oliver Mancebo
Camera Loader: Evan Metcalf-Church
Digital Utility Supervisor: Carlos Chuck Roque
Production Sound Mixer: William B. Kaplan
Gaffer: Roberto Junior Oliva
Rigging Gaffer: John Manocchia
Key Grip: Ray Garcia
Rigging Key Grip: Matt Floyd
Production SFX Coordinator: Zak Knight
Production SFX Foreman: Matthew Wilson
Pyrotechnician: Jonathan Kombrinck
Ass't Costume Designer: Kate Crowley
Supervising Location Manager: Catherine Kagan
Ass't Location Manager: Dujuan Johnson
Production Coordinator: David Halagrada
Ass't Prod Coordinator: Kendra Rasmussen
2nd 2nd Ass't Director: Tamara Woofard
Main Unit Add'l 2nd AD & 2nd Unit Key 1st AD: Matthew D. Smith
2nd Unit "D" Camera Operator: Vincent Foeillet
2nd Unit "D" 2nd Ass't Camera: Corey Bringas
2nd Unit Gaffer: Gustavo Oliva
1st Assistant Editor: Patrick J. Gallagher
2nd Assistant Editor: Kali Kasashima
3rd Assistant Editor: Derek Larsen
4th Assistant Editor: Gregg London
5th Assistant Editor: Jim Schulte
Production VFX Editors: Linda Drake, Drew Sacks
Production VFX Coordinator: Cameron Kashton
Post-Production Coordinator: Ben Simpkins
Supervising Sound Editor, Sound Designer & Re-Recording Mixer: Paul Hackner
ADR/Dialogue Supervisor: Robert Jackson
Re-Recording Mixer/Score Mixer: Jonathan Wales
Music Editor: Ben Zales
Music Coordinator: Nicole Weisberg
Add'l Synth Programmer & Arranger: James Burkholder
Main Titles Creative Lead: David Woodward
Main Titles Designers/Animators: Kyle Reynolds, Carlos Velasquez
Main Titles Producer: Maria Hill
Main Titles Exec Producer: Robert Kirkpatrick
Main Titles Editor: Steve Schuff
Dailies Producer: Denise Woodgerd
Dailies Colorists: Aaron Moore, Brandon Lippard
Dailies Assistants: Joseph Kirwan, Joshua Risk
Dailies Operation Manager: Chris Van Duyn
Dailies & Finish Project Manager: Ladd Lanford
Dailies Engineer: Christian Figueroa
Sr Supervising Finishing Colorist: Maxine Gervais
Associate Finishing Colorist: Jeff Pataleo
Senior Finishing Editor: Erik Kaufmann
Senior DI Finishing Producer: Nancy Fuller
Crafty Apes Co-VFX Supervisors: Joshua La Cross, Gabriel Sanchez
Crafty Apes VFX Producer: Jasion Sanford
Crafty Apes CG Supervisor: Nick Spier
Crafty Apes VFX Coordinators: Andrew Kalicki, Casey Roberts
Crafty Apes VFX Editor: Yu Ying Chien
Crafty Apes Digital Matte Painter: Brandon Katchel
Crafty Apes VFX Prod Assistant: Danielle Willis
Burbank Unit Line Producer/UPM: Joshua Thorne
Burbank Unit Production Supervisor: Aimee Clark
Burbank Unit Production Coordinator: Laura Pena
Burbank Unit Ass't Prod Coord: Kaitlin Goodhart
Burbank Unit Art Director: Susie Alegria
Burbank Unit 2nd Ass't Director: Phil De Santi
Burbank Unit 2nd 2nd Ass't Dir: Josue Aguilar
Burbank Unit "A" Camera Op: Twojay Dhillon
Burbank Unit "A" Cam 1st Ass't: Joseph Segura
Burbank Unit "A" Cam 2nd Ass't: Colleen Mleziva
Burbank Unit "B" Camera Operator: Craig Bauer
Burbank Unit "B" Cam 1st Ass't: Sarah Brandes
Burbank Unit "B" Camera 2nd Ass't: Rio Noel Zumwalt
Burbank Unit DIT: Lance Hashida
Burbank Unit Digital Loader: Chris Hosey
Burbank Unit Gaffer: Jim Plannette
Burbank Unit Dolly Grip "A": Kenny Davis
Burbank Unit Dolly Grip "B": David Stacey
Burbank Unit Hair Consultant: Jose Zamora
Burbank Unit H&S Supervisor: Edward Bates
Burbank Unit H&S Manager: Alec Berger
Burbank Unit COVID Scheduler: Guy Ross
Burbank Unit COVID Compliance Officer: Trent MacAllister
Burbank Unit Location Manager: Alex Georges
Burbank Unit Ass't Loc Manager: Brian Kinney
Burbank Unit Prop Master: Mike Casey
Burbank Unit SFX Supervisor: Sam Dean
Burbank Unit Sup Pyrotechnician: Ray Wilkerson
Burbank Unit SFX Gang Boss: Eric Alajarin
Burbank Unit Stunt Coordinator: Adam Hart
Prod Supervisor (Drone Units): Laura Altmann
Texas Unit Drone DoP: Matt Trub
Texas Unit Drone Associate: Kay Trub
Texas Unit Drone Pilot: Richard Trub
Mexico Unit Line Producer: Alejandra Cardenas
Mexico Unit Location Manager: Oscar Salazar
Mexico Unit Drone Co-Manager: Luciano Laborina
Mexico Unit Drone Pilot: Alex Sanchez Chiu
Production Executive: Michelle Poole
Special Thanks: Ethan Hawke
Filming Dates: November 2019 - February 2020
Camera: Alexa Mini LF (4.5K ARRIRAW)
Lenses: CamTec Falcon Full Frame Primes
AR: 1.85:1 (3-Perf Super 35mm)
Budget: 18 Million USD
Main Titles Designed by: Lava Studio
Visual Effects Provided by: Crafty Apes
Laser Film Recording & Film Laboratory Support Provided by: FotoKem
Attribute: Camera Equipment Provided by CamTec MPCS - DirectorMichael SarnoskiStarsJoseph QuinnDjimon HounsouAlex WolffA woman named Sam must survive an invasion in New York City by bloodthirsty alien creatures with ultrasonic sound hearing.Director: Michael Sarnoski
Writer: Jeff Nichols
Original Story Writer & Producer: John Krasinski
Producers: Michael Bay, Andrew Form, Bradley Fuller
Executive Producer: Allyson Seager
Filming Dates: 6 February 2023 - TBA
AR: 2.39:1 - Plot under wraps.