Production Details on Jerry Bruckheimer Films
The best way for me to celebrate the legendary producer is by making a list dedicated to all the movies Bruckheimer acted as a producer on.
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- DirectorDick RichardsStarsGary GrimesBilly Green BushLuke AskewYoung farmboy who always wanted to be a cowhand talks a tough trail boss into hiring him on a cattle drive.Director & Story Writer: Dick Richards
Art Directors: Carl Anderson, Jack Martin Smith
Set Decorator: Walter M. Scott
Supervising Film Editor: John F. Burnett ACE
Additional Film Editor: Desmond Marquette
Special Mechanical FX Supervisor: Cliff Wenger
Composer - Stock Music & Score Orchestrator: Jerry Goldsmith
Composer: Tom Scott
Cinematographers: Lawrence Edward Williams, Ralph Woolsey ASC
Cinematographer - Still Photog: Suzan W. Webb
Associate Producer: Jerry Bruckheimer
Screenwriters: Eric Bercovici, Gregory Prentiss
Producer: Paul A. Helmick
Unit Production Manager-1st AD: Terry Morse Jr
Re-Recording Mixer: Don Bassman
Production Sound Mixers: Jesus Gancy, Richard Overton
A Camera Operator: Sherman Kunkel
B Camera Operator: Lee Smithy
2nd Unit C Camera Operator: Rexford Metz ASC
A, B & C 1st AC (1st & 2nd Units): Roger Smith
Production Makeup Artist: Del Armstrong
Property Master: Douglas Stubbs
Stunt Coordinator: Hal Needham
Stunts: Denny Arnold, Billy Burton, James Halty
Negative Format: 35mm Eastman 100T 5254
AR: 1.85:1 (4-Perf 35mm Spherical)
Color Provided by: Deluxe®
Budget: 1 Million USD
Budget (2022): 7 Million USD
Distributed by: Walt Disney Studios Motion Pictures - DirectorDick RichardsStarsAlan ArkinSally KellermanMackenzie PhillipsHapless driving instructor and former Gunnery Sergeant Rafferty, living in squalor near Hollywood, California, doesn't put up too much of a fight when two ladies hitch a ride and attempt to kidnap him in their attempt to get to New Orleans; while initially put off, Rafferty finds he's charmed by the kooky pair of misfits and the three of them drive to Las Vegas, Nevada and later Tucson, Arizona, where their bond eventually unravels.Director: Dick Richards
Art Director: Joe Schiller
Set Decorator & Costume Designer: Don Feld
Film Editor: Walter Thompson
1st Assistant Film Editor: Joel Cox ACE
Composer: Artie Butler
Cinematographer: Ralph Woolsey ASC
Associate Producer: Jerry Bruckheimer
Producers: Michael Gruskoff, Art Linson
Writer: John Kaye
Unit Production Manager: Clark L. Paylow
1st Assistant Director: Charles Myers
2nd Assistant Director: Henry Lange Jr
A Camera operator: Chris Schweibert
Production Makeup Artist: Leo Lotito
Supervising Property Master: Barry Bedig
Production Property Master: Robert Flynn
Assistant Property Master: Gene Poseteri
Production Special FX Supervisor: Paul Pollard
Stunt Coordinator; Buddy Joe Hooker
Camera: Panavision® R 200 (35mm Eastman Color Negative Film II, Type 5247)
Lenses: Panavision® C-Series AL Primes
AR: 2.35:1 (Anamorphic)
Budget: 2 Million USD
Budget AFI (2022): 11 Million USD
Printed on: 35mm Eastman Color SP Print Film, Type 5383
Color Provided by: Technicolor®
Attribute: Filmed in Panavision® - DirectorDick RichardsStarsRobert MitchumCharlotte RamplingJohn IrelandLos Angeles private eye Philip Marlowe is hired by paroled convict Moose Malloy to find his girlfriend Velma, former seedy nightclub dancer.Director: Dick Richards
Presenter & Executive Producer: Elliot Kastner
Art Director: Angelo Graham
Set Decorator: Bob Nelson
Film Editors: Walter Thompson, Joel Cox ACE
Score Composer-Conductor-Orchestrator: David Shire
Score Orchestrator: Jack Hayes
Production Designer: Dean Tavoularis
Cinematographer: John A. Alonzo ASC
Executive Producer: Jerry Bick
Screenwriter: David Zelag Goodman
Producers: Jerry Bruckheimer, George Pappas
UPM & Key 1st AD: Tim Zinnemann
2nd Assistant Director: Henry Lange Jr
3rd Assistant Director: David O. Sosna
Title Designer: Wayne Fitzgerald
Re-Recording Mixer: Dick Portman
Music Editor: Ralph James Hall
Music Engineer & Score Mixer: Dan Wallin
Gaffer: Earl Gilbert
A Camera Operator: Chris Schwiebert
1st Assistant A Camera: Chuy Elizondo
2nd Assistant A Camera: Joseph Cosko Jr
A Camera Key Grip: Gary Dodd
Prop Master: Barry Bedig
Executive Accountant: Stanley Mark
Production Assistant: Barry Bernardi
Stunts: Dave Cass Sr, Bob Herron, Tommy Huff
Picture Car Supervisor: John Brumby
Production SFX Supervisor: Chuck Gaspar
Filming Dates: 23 February 1975 - 6 April 1975
Camera: Panavision R 200 (35mm Eastman Color Negative Film II, Type 5247)
Lenses: Panavision Ultra Speed MKII Spherical Primes
Capture Format: 4-Perf 35mm Spherical
AR: 1.37:1 (Original Ratio), 1.78:1 (Blu-Ray), 1.85:1 (Theatrical Ratio)
Budget: 2.5 Million USD
Budget AFI (2022): 13.1 Million USD
Printed on: 35mm Eastman Color SP Print Film, Type 5383
Attribute: Filmed in Panavision (As Panavision Equipment) - DirectorDick RichardsStarsGene HackmanTerence HillCatherine DeneuveDuring the 1920s, French Foreign Legion Major William Foster's (Gene Hackman's) unit is protecting an archaeological dig, but the discovery of an Arab sacred burial site prompts the angry Arab tribes to attack Foster's small garrison.Director, Story Writer & Producer: Dick Richards
Presenter: Sir Lew Grade
Casting - Rome: Guidarino Guidi
Casting - London: Maude Spector
Casting - Paris: Catherine Vernoux
Casting - Morocco: Larbi Yacoubi
Film Editors: Stanford C. Allen, John C. Howard, O. Nicholas Brown
Composer & Conductor: Maurice Jarre
Production Designer: Gil Parrondo
Cinematographer: John Alcott BSC
Co-Writer: David Zelog Goodman
Producer: Jerry Bruckheimer
Associate Producer - Morocco: Patrick Guide
Cameras: Arriflex (35mm Eastman 125T 5247)
Lenses: Arri
Budget: 8-9 Million USD
Budget AFI (2022): 39.1-44 Million USD
Printed on: Eastman 5383 - DirectorPaul SchraderStarsRichard GereLauren HuttonHector ElizondoA Los Angeles escort is accused of a murder which he did not commit.Director & Writer: Paul Schrader
Executive Producer: Freddie Fields
Producer: Jerry Bruckheimer
Composers: Giorgio Moroder & Blondie
Film Editor: Richard Halsey ACE
Cinematographer: John Bailey ASC
Filming Dates: 13 February 1979 - April 1979
Camera: Panavision Panaflex (35mm Eastman 100T 5254)
Lenses: Panavision PanaZooms
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 4.8-5 Million USD
Budget AFI (2022): 17 Million USD - DirectorJohn FlynnStarsJan-Michael VincentTheresa SaldanaDanny AielloAn out-of work merchant seaman single-handedly tames a powerful street gang "The Souls" that has been terrorizing his neighborhood on New York City's Lower East Side.Director: John Flynn
Presenters: Samuel Z. Arkoff, Sylvio Tabet
Composer: Dominic Frontiere
Composer (Original Songs): Gerard McMahon
Co-Writer: Thomas Dean Donnelly
Story Writer: Mark Tulin
Executive in Charge of Production: Jere Henshaw
Executive Producer: Robert J. Wunsch
Producers: Jerry Bruckheimer, William Gilmore Jr
Film Editor: David Finfer
Cinematographer: Ric Waite ASC
Filming Dates: 30 October 1978 - November 1978
Camera: Panavision Panaflex (35mm Eastman 100T 5254)
Lenses: Panavision PanaZooms
AR: 1.85:1 (4-Perf 35mm Spherical)
Color Provided by: Movielab - DirectorMichael MannStarsJames CaanTuesday WeldWillie NelsonAn ace safe cracker wants to do one last big heist for the mob before going straight.Director, Writer, EP & 2014 Criterion Transfer Supervisor: Michael Mann
Composers: Tangerine Dream
Film Editor: Dov Hoenig ACE
Production Designer: Mel Bourne
Cinematographer: Donald E. Thorin Sr ASC
Cinematographer (Special Photog): Gusmano Cesaretti
Cinematographer - Add'l Photog: Chris Nibley
Producers: Jerry Bruckheimer, Ronnie Caan
Unit Production Manager: Gene Levy
Additional Cinematographer: Don Cahill
Transfer Supervisor-2014 Criterion Release: Lee Kline
MVF Burbank Colorist (2014 Criterion Release): Gregg Garvin
Camera: Panaflex Gold (35mm Eastman 100T 5247)
Lenses: Panavision® Super Speed MKII SL Primes
AR: 1.85:1 (Spherical)
Budget: 5.5 Million USD
Budget AFI (2022): 17.6 Million USD
Color Provided by: Technicolor®
2014 Criterion Remaster Color & Finish Provided by: Modern VideoFilm Burbank
Attribute: Filmed in Panavision® - DirectorPaul SchraderStarsNastassja KinskiMalcolm McDowellJohn HeardA woman who was orphaned from a young age finally reunites with her older brother. Matters start to go awry when she slowly discovers the true nature of her family.Director: Paul Schrader
Producer: Charles Fries
Writer: Alan Drimsby
Special Visual Effects Supervisor: Albert Whitlock
Composer: Giorgio Moroder
Theme Song Singer & Lyricist: David Bowie
Cinematographer: John Bailey ASC
Executive Producer: Jerry Bruckheimer
Filming Dates: 6 April 1981 - 10 July 1981
Camera: Panavision Panaflex (35mm Eastman 100T 5254 & 125T 5247)
Lenses: Panavision Ultra Speed MKII SL Primes & Cooke PanaZooms
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 12.5-18 Million USD
Budget AFI (2022): 38.3-55.2 Million USD - DirectorGarry MarshallStarsMichael McKeanSean YoungGary FriedkinIn a zany parody of hospital soap operas, a new batch of doctors begins their internship at City Hospital.Director & Executive Producer: Garry Marshall
Film Editor: Dov Hoenig ACE
Cinematographer: Donald Peterman ASC
Writer: Michael Elias, Rich Eustis
Producer: Jerry Bruckheimer
Filming Dates: 30 November 1981 - 1 February 1982
Camera: Panavision Panaflex (35mm Eastman 125T 5247)
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 7.02-7.5 Million USD
Budget AFI (2022): 21.5-23 Million USD - DirectorAdrian LyneStarsJennifer BealsMichael NouriLilia SkalaAn 18-year-old female amateur dancer who performs nightly at a dancing bar, and works as a welder during the day, dreams of joining the Pittsburgh ballet school.Director: Adrian Lyne
Score Composer: Giorgio Moroder
Score Conductor: Sylvester Levay
Music Supervisor: Phil Ramone
Film Editors: Walt Mulconery, Bud Smith
Cinematographer: Donald Peterman ASC
Executive Producer: Peter Guber
Co-Writer: Tom Hedley Jr
Screenwriter: Joe Eszterhas
Producer: Jerry Bruckheimer
Filming Dates: 18 October 1982 - 30 December 1982
Camera: Arriflex 35 BL (35mm Eastman 125T 5247 & 250T 5293)
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 7-7.5 Million USD
Budget AFI (2022): 20.5-22 Million USD - DirectorMartin BrestStarsEddie MurphyJudge ReinholdJohn AshtonA freewheeling Detroit cop pursuing a murder investigation finds himself dealing with the very different culture of Beverly Hills.Director: Martin Brest
Costume Designer: Tom Bronson
Composer: Harold Faltermeyer
Associate Producer: Linda Horner
Film Editor: Billy Weber ACE, Arthur Coburn ACE
Production Designer: Angelo Graham
Cinematographer: Bruce Surtees ASC
Exec Producer/Unit Prod Manager: Mike Moder
Co-Writer: Daniel Petrie Jr
Story Writer: Danilo Bach
Producer: Jerry Bruckheimer
Stunts: Mic Rodgers
1st Assistant Director: Peter Bogart
2nd Assistant Director: Richard Graves
Art Director: James J. Murakami
Set Decorators: Jeff Haley, John M. Dwyer
A-Camera Operator: Jack N. Green ASC SOC
A-Camera Assistant: Michael D. Weldon
B-Camera Assistant: Jeffrey Lee Miller
2nd Unit Director: Tom Wright
Music Consultant: Kathy Nelson
1st Ass't Director (2nd Unit): Steve McRoberts
Music Editor: Bob Badami
Supervising Sound Mixers: George Watters II, Cecelia Hall
Sound Editors: Teri Dorman, Bruce Lacey, Paul Bruce Richardson
Re-Recording Mixer: Rick Kline CAS
Digital Consultant: Brian Reeves
1st Assistant Editor: Claudia Winkle
2nd Assistant Editor: John A. Haggar
1st Apprentice Editor: Markus Schaub
Location Managers: Jim Herbert, Robert C. Decker, William Bowling
Production Auditor: Robert Thorson
Stunt Coordinator: Gary McLarty
Gaffer: Donald O. Nygren
Key Grip: Peter Wagner
A-Camera Dolly Grip: Peter J. Breen
B-Camera Dolly Grip: Jim Rose
Production SFX Supervisor: Kenneth D. Pepiot
Prop Master: Tom Tomlinson
Technical Consultant: Chuck Adamson
Art Gallery Consultant: Simon Doonan
Computer FX Consultant: Steve Grumette
Senior Finishing Colorist (2020 Remaster): Stefan Sonnenfeld ASC
Camera: Panaflex Gold (35mm Eastman 125T 5247)
Lenses: Panavision Ultra Speed MKII Spherical Primes
AR: 1.37;1 (4-Perf 35mm Spherical: Negative Ratio), 1.85:1 (Intended Ratio)
Budget: 13 Million USD
Budget AFI (2022): 35.1 Million USD
Printed on: Fuji Film
Titles Designed by: R/Greenberg Associates
2020 4K Remaster Provided by: Company 3
Shot on: Eastman Kodak Film
Attribute: Filmed in Panavision - DirectorTony ScottStarsTom CruiseTim RobbinsKelly McGillisAs students at the United States Navy's elite fighter weapons school compete to be best in the class, one daring young pilot learns a few things from a civilian instructor that are not taught in the classroom.Director: Tony Scott
Producer: Jerry Bruckheimer
Associate Producer & Co-Writer: Warren Skaaren
Composer: Harold Faltermeyer
Film Editors: Chris Lebenzon ACE, Billy Weber ACE
Production Designer: John De Cuir Jr
Cinematographer: Jeffrey Kimball ASC
Cinematographer (Aerial & Underwater Units): Jack Cooperman ASC
Cinematographer (USFX Crew): Rick Fichter
Animation Cinematographer (USFX Crew): Donald Smith
Executive Producer/Unit Production Manager: Bill Badalato
Writers: Jim Cash, Jack Epps Jr
Stunt Coordinator/Stunts: RA Rondell
Stunts: Gary Epper, Randy Peters, Steve Holladay, Donna Keegan
1st Assistant Director: Daniel P. Colsrud
2nd Assistant Directors: Sharon Mann, Patrick Cosgrove
Supervisor of Special Photographic Effects: Gary Gutierrez
Set Decorator: Richard R. Benton
Production Special Effects Coordinator: Allen Hall
Prop Master: Robert Wade
A Camera Operator: John J. Connor
B Camera Operator: Bob Carmichael
1st Assistant B Camera: Greg Schmidt
2nd Assistant A Camera: D. Michael Wheeler
2nd Assistant B Camera: William F. Coss
Music Editor: Bob Badami
1st Assistant Film Editor: Claudia Finkle
2nd Assistant Film Editor: Mark Elson
1st Apprentice Film Editor: Mike Moskowitz
Chief Lighting Technician: Ward Russell
Assistant Chief Lighting Technician: Dan Delgado
Set Designer: Craig Dennis Edgar
Aerial Unit Consultants: Richard Stevens, Thomas R. Harmon
Technical Advisor: Peter "Viper" Pettigrew
Navy Aerial Unit Coordinator: Robert "Rat" Willard
F-14 Aerial Unit Coordinator: Lloyd "Bozo" Abel
F-14 Aerial Unit Camera Consultants: John Gilbert, George Leahy
Aerial Unit Astrovision & G Cam Op: David B. Nowell ASC
Steadicam Operator: Joe Valentine
Navy Dialogue Consultant: Jim "Flex" Destafney
Aerial Unit A Camera Operator: Nick Alavardo
Aerial Unit B Camera Operator: Dan Koblash
Aerial Unit D Camera Operator: William Kelley Jr
Aerial Unit E Camera Op: CJ "Heater" Heatley
Aerial Unit F Camera Operator: George Howe
Aerial Unit H Camera Operator: Larry Blanford ASC
Production Manager (USFX Crew): Whitney Green
Production Coordinator (USFX Crew): Christine Whitney
Key Grip (USFX Crew): Peter Thomas
Grip (USFX Crew): Jan Heyneker
Ass't Grip (USFX Crew): James Campana
Model Dept. Sup (USFX Crew): David Sosalla
Armature Designer (USFX Crew): Gary Platek
Camera Ass't (USFX Crew): John Gadzik
Animation Sup (USFX Crew): William Groshelle
Animator (USFX Crew): Wes Takahashi
Senior Finishing Colorist (2006, 2013 & 2020 Remasters): Stefan Sonnenfeld ASC
Stereoscopic Producer (2013 3D Version): Chris Longo
Legend3D Stereoscopic Comp Sup (2013 3D Version): Adam Ghering
Legend3D Production Coordinator (2013 3D Version): Kevin Bennett
Filming Dates: 26 June 1985 - October 1985
Cameras: Arriflex 35-III, Bell & Howell Eyemo + Panaflex Gold (35mm Eastman 125T 5247/400T 5294)
Lenses: Panavision C-Series Anamorphic Primes & Super Speed MKII Spherical Primes
AR: 1.33:1 (Full Open Matte Negative), 2.00:1 (Univisium: 1998 DVD Version), 2.20:1 (70mm Prints), 2.39:1 (4-Perf Super 35mm)(Anamorphic: Some Shots)
Budget: 15 Million USD
Budget AFI (2020): 35.6 Million USD
Special Visual Effects Provided by: USFX/Colossal Pictures
2006, 2013 & 2020 Remasters Provided by: Company 3
2013 3D Conversion Provided by: Legend3D
Attribute: Filmed in Panavision - DirectorTony ScottStarsEddie MurphyJudge ReinholdJürgen ProchnowAxel Foley returns to Beverly Hills to help Taggart and Rosewood investigate Chief Bogomil's near-fatal shooting and the series of "alphabet crimes" associated with it.Director: Tony Scott
Composer: Harold Faltermeyer
Film Editors: Chris Lebenzon ACE, Michael Tronick ACE, Billy Weber ACE
Production Designer: Ken Davis
Cinematographer: Jeffrey Kimball ASC
Story Writer: Eddie Murphy
Co-Writer: Larry Ferguson
Producer: Jerry Bruckheimer
Unit Production Managers: Fred Caruso, Arthur Seidel
Art Director: James J. Murakami
Set Decorator: John Anderson
A-Camera Operator: Mike Benson SOC
B-Camera Operator: Charles Mills
Add'l Camera Operators: Robert Edesa, William Kelley Jr
Steadicam Operator: Ronald Vidor
1st Assistant A-Camera: Aaron Pazanti
Music Consultant for MCA Records: Kathy Nelson
Music Editor: Bob Badami
Re-Recording Mixers: Rick Kline, Kevin O'Connell
Personal Consultant for Bridgitte Nielsen: Anthony Clavet
Chief Lighting Technician: Ward Russell
Stunt Coordinators: Gary McLarty, Alan Oliney
Production SFX Coordinator: Tom Ryba
Titles Designer: Dan Curry
Senior Finishing Colorist (2020 Remaster): Stefan Sonnenfeld ASC
Filming Dates: 10 November 1986 - 20 March 1987
Cameras: Arriflex 35-III, Panaflex Gold & Platinum (35mm Eastman 125T 5247/400T 5294)
Lenses: Panavision Ultra Speed MKII Spherical Primes
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 28 Million USD
Budget AFI (2020): 64.1 Million USD
2020 Remaster Provided by: Company 3
Attribute: Filmed in Panavision - DirectorTony ScottStarsTom CruiseNicole KidmanRobert DuvallA young hot-shot stock car driver gets his chance to compete at the top level.Director: Tony Scott
Costume Designer: Susan Becker
Composer: Hans Zimmer
Film Editors: Chris Lebenzon ACE, Billy Weber ACE
Supervising Art Directors: Benjamin Fernandez, Thomas Sanders
Cinematographer: Ward Russell
Cinematographer (Add'l Photography): Charles Mills
Executive Producer/Unit Production Manager: Gerald Molen
Story Writer: Tom Cruise
Co-Writer: Robert Towne
Producer: Jerry Bruckheimer
Stunt Coordinator: Gary McLarty
Stunts: RA Rondell, Gary Hymes, Glenn Wilder, Buddy Joe Hooker
1st Assistant Director: James W. Skotchdopole
2nd Assistant Director: Michael Neumann
Set Decorator: Thomas L. Roysden
Supervising 1st Ass't Photographer: Gregory Schmidt
A-Camera Operator: Michael Genne
B-Camera Operator: Tony Gaudioz
C-Camera Operator: Aaron Pazanti
2nd Assistant A-Camera: John Skotchdopole
Add'l 1st Ass't Camera: Tony Rivetti
Steadicam Operator: Robert Ulland
Hi-Speed Camera Car Operator: Allan Padelford
Racing Consultant: Dan Greenwood
2nd Film Editors: Michael Tronick ACE, Bert Lovitt, Stuart Waks, Robert C. Jones
1st Assistant Editor: Christian Wagner
Apprentice Film Editor: Tony Ciccone
Re-Recording Mixers: Rick Kline, Kevin O'Connell
Add'l Re-Recording Mixer: Greg P. Russell
Music Consultant: Kathy Nelson
Production SFX Coordinator: Thomas R. Ward
Production Assistant: Jake Scott
Race Car Coordinator: Steve Boyd
Picture Car Coordinator: John Feinblatt
Title Designer: Dan Curry
2nd Unit DoP: Chuck Cohen
2nd Unit 1st Ass't Camera: David S. Campbell
Senior Finishing Colorist (2020 Remaster): Stefan Sonnenfeld ASC
Filming Dates: 11 December 1989 - 7 May 1990
Cameras: Arriflex 35-III, Panaflex GII & Platinum (35mm Eastman)
Lenses: Panavision Primo Anamorphic Primes & E-Series Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)
Budget: 60 Million USD
Budget AFI (2020): 119.5 Million USD
Attribute: Filmed in Panavision - DirectorTed DemmeStarsDenis LearyJudy DavisKevin SpaceyA cat burglar is forced to take a bickering, dysfunctional family hostage on Christmas Eve.Director: Ted Demme
Executive Producer: Jerry Bruckheimer
Composer: David A. Stewart
Film Editor: Jeffrey Wolf
Cinematographer-A Cam Operator: Andy Chmura
Co-Writer: Marie Weiss
Screenwriter & Producer: Richard LaGravanese
Producers: Ron Bozman, Jeff Weiss
Filming Dates: 23 June 1993 - 2 September 1993
Camera: Panaflex Platinum (35mm Eastman EXT 500T 5296)
Lenses: Panavision Primo Spherical Primes
AR: 1.33:1 (4-Perf 35mm SL: Negative Ratio), 1.85:1 (Intended Ratio)
Budget: 11 Million USD
Budget AFI (2022):
Distributed by: Walt Disney Studios Motion Pictures - DirectorMichael BayStarsWill SmithMartin LawrenceLisa BoyleTwo hip detectives protect a witness to a murder while investigating a case of stolen heroin from the evidence storage room from their police precinct.Director: Michael Bay
Composer: Mark Mancina
Composer (Add'l Music): Nick Glennie-Smith
Costume Designer: Bobbie Read
Film Editor: Christian Wagner
Production Designer: John Vallone
Cinematographer: Howard Atherton BSC
Story Writer: George Gallo
Producer: Jerry Bruckheimer
Stunts: William Burton, Chuck Picerni Jr, Steve Picerni
Unit Production Manager: Christopher Conwyn
1st Assistant Director: Bruce Moriarty
2nd Assistant Director: Jonathan M. Watson
A-Camera Operator: Doug O'Neons
B-Camera Operator: Chris Haagensen
Aerial Unit Camera Operators: Dylan Goss, Michael Kelem
Chief Lighting Technician: Gary Ryan
Stunt Coordinator/2nd Unit Director: Kenny Bates
Production SFX Coordinator: Richard Lee Jones
Chief Pyrotechnician: Michael Meinardus
Re-Recording Mixer: Kevin O'Connell
2nd Unit Director/Director of Photography: Peter Lyons Collister ASC
2nd Unit 1st Ass't Director: Barry H. Waldman
2nd Unit Chief Lighting Technician: Eugene Moffatt
Music Consultant: Jeffrey Pollack
Interactive Design Creative Director: Kent Demaine
Digital Colorist: Steve Rodriguez
Senior Finishing Colorist (2018 Remaster): Stefan Sonnenfeld ASC
Filming Dates: 27 June 1994 - 31 August 1994
Cameras: Panaflex GII & Platinum (35mm Eastman EXR 100T 5248/200T 5293/500T 5298)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 19 Million USD
Budget AFI (2022): 34.6 Million USD
2018 Remaster Provided by: Company 3
Attribute: Filmed with Panavision Cameras and Lenses - DirectorTony ScottStarsGene HackmanDenzel WashingtonMatt CravenOn a U.S. nuclear missile sub, a young First Officer stages a mutiny to prevent his trigger happy Captain from launching his missiles before confirming his orders to do so.Director: Tony Scott
Producer: Jerry Bruckheimer
Composer: Hans Zimmer
Costume Designer: George Little
Film Editor: Chris Lebenzon ACE
Production Designer: Michael White
Cinematographers: Dariusz Wolski ASC, Dan Mindel ASC BSC SASC
Cinematographer (2nd Unit Lighting): Jan Richter-Friis
Co-Writer: Michael Schiffer
Story Writer: Richard P. Henrick
Screenwriter: Quentin Tarantino
Stunt Coordinator: Steve Picerni
Assoc. Prod/1st AD: James Skotchdopole
Unit Production Manager: Michael Fottrell
2nd Assistant Director: John Wildermuth
Production VFX Supervisor: Hoyt Yeatman ASC
Production Coordinator: Tracy Kettler
Ass't Prod Coordinator: Jennifer Good
2nd 2nd Ass't Director: Angela Tortu
A-Cam Operator: Michael St. Hilaire SOC
A- & B-Camera Operator: Martin Schaer
B-Camera/Steadicam Op: Chris Haarhoff
Steadicam Operator: Dan Kneece
1st Assistant A-Camera: Dennis Laine
1st Assistant B-Camera: Gregory Schmidt
1st Assistant C-Camera: Heather Page
2nd Assistant A-Camera: John Ellingwood
2nd Assistant B-Camera: Jeff Vine
Aerial Unit A-Camera Operator/Director of Photography: Kurt E. Soderling SOC
Associate Film Editor: David Dresher
Production VFX Editor: Thomas R. Bryant
1st Assistant Editor: Rick Howe
2nd Assistant Editor: Andrea Bottigliero
3rd Assistant Editor: Paul Silver
1st Apprentice Editor: Tzarina Edillon
2nd Apprentice Editor: Guy Sappington
Music Editors: Bob Badami, Will Kaplan
Supervising Sound Editor: George Watters II
Supervising ADR Editor: Juno J. Ellis
Supervising Foley Editor: Victoria Martin
Re-Recording Mixers: Kevin O'Connell, Rick Kline, Gregory Watkins
Add'l Re-Recording Mixer: Greg P. Russell
Chief Lighting Technic: Claudia Miranda ASC ACC
Assistant Chief Lighting Technician: Al De Mayo
Key Grip: J. Michael Popovich
Supervising Prop Master: Michael Papac
Ass't Prop Masters: Rick Chavez, Randy Gunter
Production SFX Coordinator: Alfred DiSarro
Production SFX Foreman: Joe Ramsey
Art Directors: James Murakami, Donald Woodruff, Dianne Wager
Ass't Art Director: Daniel Maltese
Set Designers: Richard Lawrence, Nick Navarro
Illustrator: Sean Hargreaves
Set Decorator: Mickey Michaels
Sup Location Manager: Craig Pointes
Ass't Location Manager: Mark B. Johnson
Advisor to Tony Scott: Neville Shulman
DQI VFX Senior Producer: Dennis Hoffman
DQI Executive VFX Producer: Keith Shartle
DQI Production Coordinator: Crys Forsyth
DQI Production Assistant: Brenda Finster
DQI FX Photography Sup: Scott Beattie
DQI FX Editor: Kevin Clark
DQI FX 1st Ass't Editor: Scott Sohan
DQI Model Shop Sup: David Goldberg
DQI Model Shop Coord: Warren Farinia
DQI Model Shop Foreman: John Hess
Producer (DQI Underwater Miniatures): Robert Stead
DQI Director of Underwater Photography: Jim Dixon
DQI Engineering Supervisor: Fred Iguchi
DQI DFX Supervisor: Dan DeLeeuw
DQI FX Digital Producer: Angelica Casillas
DQI Senior CG Animator: Rob Dressel
DQI Comp Supervisor: Blaine Kennison
DQI Comp Art Director: Marlo Paban
DQI Digital Prod Supervisor: Rob Burton
VIFX Senior Crew: Rhonda C. Gunner, Richard E. Hollander, Gregory L. McMurry ASC, John C. Wash
VIFX Video Supervisor: Janet L. Earl
ILM & WKR Model FX Supervisor: Tad Krzanowski
Production VFX Producer: Cecil Kramer
Underwater Unit Lead Camera Op: Wayne Baker
Underwater Unit B-Camera Op: Tom Boyd
Underwater Unit 1st Ass't A-Cam: Edward Gutentag
Underwater Unit On-Set Tech: Emmanuel Vouniozos
Music Scoring Mixer: Jay Rifkin
Score Consultant: Alan Meyerson
Orchestrators: Bruce Fowler, Ladd McIntosh, Suzette Moriarty
Orchestra Conductor: Nick Glennie-Smith
Orchestra Contractor: Sandy DeCrescent
Choir Recordist: Paul Hulme
Choir Conductor: Harry Gregson-Williams
Choir Supervisor: Maggie Rodford
Assistants to Hans Zimmer: Emma Burnham, Marc Streitenfeld
Title Designer: Robert Dawson
Senior Finishing Colorist (Home Video Remasters): Stefan Sonnenfeld ASC
Filming Dates: 15 August 1994 - 1 December 1994
Cameras: Moviecam Compact, Panaflex GII & Platinum (35mm Eastman EXR 500T 5298)
Lenses: Panavision E-Series Anamorphic Primes, 5:1 & 10:1 Anamorphic PanaZooms
AR: 2.39:1 (Anamorphic)
Budget: 53 Million USD
Budget AFI (2022): 97.7 Million USD
Visual Effects Provided by: Dream Quest Images
Additional Model Effects Provided by: Industrial Light & Magic
Score Recorded at: Media Ventures
Choir Recorded at: Air Studios, London
Produced & Distributed on: Eastman Kodak Film
Distributed by: Walt Disney Studios Motion Pictures
Home Video Remasters Provided by: Company 3
Attribute: Filmed in Panavision - DirectorJohn N. SmithStarsMichelle PfeifferGeorge DzundzaCourtney B. VanceLouAnne, a retired US marine, becomes a teacher in a Californian high school. But her mostly Latino and black students from an impoverished and racially segregated locality do not easily embrace her.Director: John N. Smith
Film Producer/Exec Music Producer: Jerry Bruckheimer
Exec Producers: Sandra Rabins, Lucas Foster
Music Supervisor: Kathy Nelson
Score Composers & Performers: Wendy Melovin, Lisa Coleman
Costume Designer: Bobbie Read
Film Editor: Tom Rolf ACE
Production Designer: Donald Graham Burt
Cinematographer: Pierre Letarte
Original Story Writer: LouAnne Johnson
Screenwriter: Ronald Bass
Unit Production Manager: Peter Bogart
1st Assistant Director: Jerry Gradney
2nd Assistant Director: Eric Wall
Production Supervisor: Kim Boyle
Art Director: Nancy Patton
Set Designer: Philip Toolin
Set Decorator: Catherine Mann
A-Camera Operator: Chris Squires
B-Camera Operator: Kristin R. Glover
1st Assistant A-Camera: Rodney Taylor
B-Camera 1st Assistant: Frank Del Baccio
2nd Assistant A-Camera: Andrea Chesney
B-Camera 2nd Assistant: Steve Aredas
Film Loader: Lydia Smith
Associate Film Editor: Vicki Hiatt
1st Assistant Editors: Andi KV Kirk, Gabriel Wrye
1st Apprentice Film Editor: Richie Conkling
2nd Apprentice Film Editor: Gina Zappala
Music Editor: Bob Badami
Chief Lighting Technician: Tom Stern ASC AFC
Ass't Chief Lighting Tech: Victor Perez
Supervising Prop Master: Tracy Farrington
Ass't Prop Master: Robert Loyal Good
Production SFX Coordinator: Darrell D. Pritchett
Supervising Location Manager: Barry Gremillion
Ass't Location Manager: Gregory Bartlett
Production Coordinator: Karen Shaw
Ass't Prod Coordinator: Barbara Williams
2nd 2nd Ass't Director: Jessica Kreps
Production Associate: Connie Johnson
Ass't to Jerry Bruckheimer: Andrew Form
Stunt Coordinator: Bernie Pock
Music Consultant: Cedra Walton
Score Consultant: Carmen Rizzo
SF Unit Loc Manager: Jonathan Shedd
SF Unit Storyboard Artist: Donna Clyne
SF Unit Ass't Prod Coord: Joan Wellman
2nd Unit Director: Eric Schwab
2nd Unit A-Camera Operator/Director of Photography: Kim Marks
2nd Unit 1st Ass't A-Cam: Patrick McArdle
2nd Unit 2nd Ass't A-Cam: Paul G. Sanchez
Prod Sup (Add'l Photography): Ross Fanger
2nd AD (Add'l Photography): David Larson
Prod Coord (Add'l Photog): Carolyn Hagan
Art Director (Add'l Photog): Dan Maltese
B-Cam Op (Add'l Photog): Joe Urbanczyk
Loc Manager (Add'l Photog): Lisa Stewart
Ass't Loc Manager (Add'l Photog): Stephen Fisher
Filming Dates: 28 February 1994 - 10 May 1994, January 1995 (Add'l Photography Reshoots)
Cameras: Panaflex GII & Platinum (35mm Eastman EXR 500T 5296)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 23 Million USD
Budget AFI (2022): 42.8 Million USD
Produced & Distributed on: Eastman Kodak Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorMichael BayStarsSean ConneryNicolas CageEd HarrisA mild-mannered chemist and an ex-con must lead the counterstrike when a rogue group of military men, led by a renegade general, threaten a nerve gas attack from Alcatraz against San Francisco.Director/C-Camera Operator: Michael Bay
Executive Producer: Sean Connery
Composers/Arrangers: Hans Zimmer, Nick Glennie-Smith
Composer (Add'l Music): Harry Gregson-Williams
Costume Designer: Bobbie Read
Film Editor: Richard Francis-Bruce ACE
Production Designer: Michael White
Cinematographer: John Schwartzman ASC
Co-Writers: Jonathan Hensleigh, Aaron Sorkin, Quentin Tarantino
Producer: Jerry Bruckheimer
Dedicated to: Don Simpson
Assoc. Prod/Stunt Coord/2nd Unit Dir: Kenny Bates
Ass't Stunt Coordinator: Steve Picerni
Stunts: Ivan Bates, Andy Gill, Jack Gill, Mic Rodgers
Associate Producer/Unit Production Manager: Barry H. Waldman
2nd Ass't Director/Underwater Unit 1st Ass't Director: John G. Scotti
Add'l Film Editors: Mark Goldblatt ACE, Glen Scantlebury ACE
Production VFX Supervisor: Hoyt Yeatman
Technical Advisor: Harry Humphries
2nd 2nd Ass't Director: Darin Rivetti
A-Camera Operator: Mitch Dubin SOC
B-Camera/Steadicam Operator: Chris Haarhoff SOC
Underwater Unit DoP: Pete Romano ASC
Add'l Cinematographer: Mauro Fiore ASC
1st Assistant A-Camera: Christopher Duskin
Film Loader: Eric Amundsen
Camera Technician: Steven J. Winslow
AVID Ass't Editor: Todd E. Miller
Re-Recording Mixers: Kevin O'Connell, Greg P. Russell
Supervising Music Editor: Bob Badami
Chief Lighting Technician: Andy Ryan
Ass't Chief Lighting Technician: Brian Evans
Aerial Unit Coordinator/Helicopter Pilot: Alan Purwin
Production SFX Coordinator: Michael Meinardus
Supervising Art Director: Mark W. Mansbridge
Art Director: Ed McAvoy
Set Decorator: Rosemary Brandenburg
VFX Unit VistaVision Camera Operator: Mark Gutterud
DQI VFX Producer: Rae Griffith
DQI Executive VFX Producer: Dennis Hoffman
DQI Effects Photography Supervisor: Scott Beattie
DQI Effects Unit DoPs: Kevin Fitzgerald, Rick Johnson, Craig Moore, Brian Mussetter
DQI SFX Supervisor: John Gray
DQI Model Shop Supervisor: Jim McGeachy
DQI Model Shop Coordinator: Warren Farina
DQI DFX Supervisor: Dan DeLeeuw
SF Unit Production Supervisor: Nancy King
2nd Unit 1st Ass't Director: KC Hodenfield
2nd Unit 2nd Ass't Director: Jeff Okabayashi
Alcatraz 2nd Unit DP: Peter Lyons Collister ASC
Aerial Unit DoPs: David B. Nowell ASC, Larry Blanford ASC
Executive in Charge of Music for Disney: Kathy Nelson
Music Contractor: Sandy DeCrescent
Assistant to Composers: Marc Streitenfeld
Title Designer: Robert Dawson
BVI Optical Effects Supervisor: Mark Dornfeld
Senior Colorist (2007 Blu-Ray Release): Stefan Sonnenfeld ASC
Filming Dates: 30 October 1995 - 22 February 1996
Cameras: Arriflex 35-III, Panaflex GII & Platinum (35mm Eastman EXR 100T 5248/200T 5293/500T 5298)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (Super 35mm)
Budget: 75 Million USD
Budget AFI (2021): 132.8 Million USD
Distributed By: Walt Disney Studios Motion Pictures
Visual Effects Provided by: Dream Quest Images
Video Displays Provided by: Video Image
Additional Optical Effects & Titles Designed by: Buena Vista Imaging
Attribute: Filmed with Panavision Cameras and Lenses - DirectorSimon WestStarsNicolas CageJohn CusackJohn MalkovichNewly-paroled ex-con and former U.S. Ranger Cameron Poe finds himself trapped in a prisoner-transport plane when the passengers seize control.Director: Simon West
Producer: Jerry Bruckheimer
Composers: Marc Mancina, Trevor Rabin
Costume Designer: Bobbie Read
Film Editors: Chris Lebenzon ACE, Steve Mirkovich ACE, Glen Scantlebury ACE
Supervising Art Director: Edward T. McAvoy
Cinematographer: David Tattersall BSC
Exec Producers: Chad Oman, Lynn Bigelow Kouf
Exec Producers/Co-Writers: Jonathan Hensleigh, Jim Kouf
Exec Producer/Unit Prod Manager: Peter Bogart
Writer: Scott Rosenberg
1st Assistant Director: Mike Topoozian
2nd Assistant Director: Bob Wagner
Visual Consultant: Deborah Evans
production VFX Supervisor: David Goldberg
Associate Producer, Supervising Stunt Coord & 2nd Unit Director: Kenny Bates
Stunt Actor: Mark Ginther
Stunt Co-Coordinator: Steve Picerni
Stunts: Jack Gill, Steve Kelso, Phil Neilson
Production Supervisors: Carl Griffin, Mark Indig
Technical Consultants: Katherine Humphries, Harry Humphries
Production Coordinator: Jacqui Popelka
Ass't Prod Coordinators: Kristie Anne Reed, Gary L. Trentham
Key 2nd 2nd Ass't Director: Allen Kupetsky
Tattoo Designer: Kirby White
A-Camera Operator: Michael St. Hilaire SOC
B-Camera/Steadicam Op: David Emmerichs SOC
1st Assistant A-Camera: Johnny Karls
1st Assistant B-Camera: Heather Page
2nd Assistant A-Camera: Garrett Benson
2nn Assistant B-Camera: Charles B. Katz
2nd Assistant Steadicam: Janene Garey
A-Camera Loader: Steven Aredas
B-Camera Loader: Jasmine Kaiser
1st Assistant Editors: Tim Alverson ACE, Joel Negron ACE
Lightworks 1st Ass't Editor: William Yeh
2nd Assistant Editor: Jeffrey L. Jamison
3rd Assistant Editor: Richard Villa
1st Apprentice Editor: Cort Wright
2nd Apprentice Editor: Olivia Patton
Lightworks 2nd Ass't Editor: Todd Miller
Lightworks 3rd Ass't Editor: Sara Hyoun
Production VFX Editor: Kathy Chasen-Hay
Post-Production Assistant: Jason Fetchik
Supervising Sound Editor: George Watters II
Post-Production Supervisor: Pat Sandston
Re-Recording Mixers: Kevin O'Connell, Greg P. Russell
Music Supervisor: Kathy Nelson
Supervising Music Editor: Bob Badami
Music Editors: Will Kaplan, Zigmund M. Gron
Supervising ADR Editor: Juno J. Ellis
Supervising Dialogue Editor: Teri E. Dorman
Supervising Foley Editor: Victoria Martin
Sound Design Supervisors: Chris Boyes, Dave Farmer
Ass't Sound Design Supervisors: Shannon Mills, Matt Wood
Foley Artist: Dan O'Connell
ADR Mixer: Thomas O'Connell
Add'l Re-Recording Mixer: Gregory H. Watkins
Post-Production Accountant: Ric Morelli
Chief Lighting Technician: Bobby L. Burton
Rigging Gaffer: Michael Bonnaud
Key Grip: J. Michael Popovich
Supervising Prop Master: Mike Blaze
Ass't Prop Masters: Randy Gunter, Stan Cockerell
Aerial Unit Coordinators: Craig Hosking, J. David Jones, Dirk Vahle
Production SFX Coordinator: Chuck Stewart
Production SFX Foremen: Paul Lombardi, John D. Milinac
SFX Dept. Coordinator: Nancy A. King
Co-Art Director: Chas Butcher
Ass't Art Directors: Cosmas A. Demetriou, Mark Hofeling
Set Designers: Barbara Mesney, Daniel R. Jennings
Set Decorator: Debra Echard
Construction Foreman (LA): Frank Carter
Const. Foreman (Wendover): W. Scott Mason
Supervising Location Manager: Ron Carr
Ass't Location Manager: Mimi R. Davis
2nd 2nd Ass't Director: Scott Harris
DQI Senior VFX Producer: Rae Griffith-Gagnon
DQI Executive VFX Producer: Keith Shartle
DQI Production Coordinator: Michele Dani Linse
DQI CG Supervisor: Darin A. Hollings
DQI Digital Comp Supervisor: Marlo J. Pabon
DQI Lead Compositor: Amy Pfaffinger
DQI Digital VFX Coord: Kathryn Liotta-Couture
DQI Production Assistant: Jon Eichelberger
DQI Digital Color Timer: Jay Cox
DQI Data Management Sup: Hank Barrio
DQI S&R Techs: Rick Lopez, Doug Delaney, Mark Canas
DQI Digital Systems Administration Supervisors: James Healy, John Kennedy, Paul Takahashi
DQI Digital Ops Manager: Mike Gunning
DQI Head of Digital Technology: Rob Burton
DQI Digital Dept. Supervisor: Mitch Dobrowner
MWD Matte Painting Sup: Craig Barron ASC
DQI VFX Editor: Frank Soronow
DQI VFX 1st Ass't Editor: Daniel Arkin
DQI VFX 2nd Ass't Editor: Doug Campbell
Moco Unit Sr Engineering Supervisor & DQI VFX 3rd Ass't Editor: Fred Iguchi
DQI Negative Cutter: Cynthia Feyrer
Moco Programmer/Operator (Moco Unit): Kevin Fitzgerald
Moco Technician (Moco Unit): Craig Moore
Moco Unit Production Assistant: Ron Annunziata
Moco Unit Camera Technician: Shawn Jolicoeur
Hi-Speed Miniatures Unit Prod Sup: David Rimer
Hi-Speed Miniatures Unit Prod Manager: Maura McCoy
Hi-Speed Miniatures Unit Ass't Coordinator: Laura Anderson
Director of Miniature Photography (Hi-Speed Miniatures Unit): Scott Beattie
Hi-Speed Miniatures Unit A-Cam Op: Michael May
Hi-Speed Miniatures Unit 1st Ass't A-Camera: Stephanie Rogers
Hi-Speed Miniatures Unit B-Cam 1st AC: David Goldenberg
Hi-Speed Miniatures Unit C-Cam 1st AC: Mark Fragale
Hi-Speed Miniatures Unit D-Cam 1st AC: Jeff Gershman
Hi-Speed Miniatures Unit Gaffer: Martin Hall
Hi-Speed Miniatures Unit SFX Coord: John Gray
Hi-Speed Miniatures Unit SFX Foreman: Don Gray
Miniatures Sup (Model Construction): Michael Stuart
Miniatures Art Director (Model Construction): Forrest Anthony Leathers
Model Dept. Sup (Model Construction): Jim McGeachy
Model Dept. Coord (Model Construction): Warren Farina
Art Dept. Sup (VFX Art Dept.): Allen Battino
Plate Sup (Plate Photography Unit): Chuck Schuman
A-Cam Op (Plate Photography Unit): Kim Marks SOC
1st Ass't A-Cam (Plate Photography Unit): Ed Gutentag
1st Ass't B-Cam (Plate Photography Unit): Peter Schmitt
1st Ass't C-Cam (Plate Photography Unit)/LV Unit VistaVision 1st Ass't A-Cam: Evan Nesbitt
2nd Ass't A-Cam (Plate Photography Unit): Carol Ogihara
Moco Programmer (Plate Photography Unit): Tim Taylor
CFC CG FX Supervisor: Rob Hodgson
CFC CG FX Producer: Janet Yale
LV Unit Set Designer: Stan Tropp
2nd Unit Director: Peter Bloomfield
Unit Prod Manager (2nd Unit): Wayne Carmona
2nd Unit 1st Ass't Director: Greg Simmons
2nd Unit 2nd Ass't Director: David Ascher
2nd Unit 2nd 2nd Ass't Dir: John Hermansen
2nd Unit DoP: Ueli Steiger ASC
2nd Unit A-Camera Operator: Jim LeBlanc
2nd Unit B-Camera Operator: Mark Streapy
Aerial Unit Prod Supervisor (LV): Todd Smith
Aerial Unit DoP: Dean Lyras
Aerial Unit C-123 Flight Engineer: Al Redick
Aerial Unit Technician: Alby Redick II
Aerial Unit A-Camera Operator: Ron Goodman
Aerial Unit B-Camera Operator: Hans Bjerno
Aerial Unit Assistant: Ralph Mendoza
VIFX VFX Producer: Rhonda C. Gunner
VIFX 24FPS Operators: Richard E. Hollander, John C. Wash
VIFX CG Supervisor: Gregory L. McMurry ASC
VIFX 24 FP Supervisor: Candy S. Brock
VIFX Screen Graphs Supervisor: Patti Cerami
Score Conductors & Orchestrators: Gordon Goodwin, Nick Glennie-Smith
Score Orchestrator: Bruce Fowler
Orchestra Recordist & Mixer: Steven Kempster
Orchestra Contractor: Sandy DeCrescent
Score Supervisors: Paul Linford, Christopher Ward
Title Designer: Robert Dawson
BVI VFX Supervisor: Mark Dornfeld
BVI Digital VFX Supervisor: Christopher Dierdorff
Dedicated to: Phil Swartz
Home Video Colorist: Stefan Sonnenfeld ASC
Filming Dates: 24 June 1996 - November 1996
Cameras: Arriflex 35-III, Bell & Howell Eyemo, Panaflex Platinum, Panastar + VistaVision (35mm Eastman EXR 50D 5245/Kodak Vision 320T 5277/Vision 500T 5279)
Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes & Canon Primes
AR: 2.39:1 (Anamorphic)(VistaVision: Visual Effects)
Budget: 75 Million USD
Budget AFI (2022): 131.3 Million USD
Printed on: Eastman EXR 2386
Visual Effects & Matte Paintings Provided by: Dream Quest Images & Matte World Digital
Opticals & Additional Visual Effects Provided by: Buena Vista Imaging
Produced & Distributed on: Eastman Film
Distributed by: Walt Disney Studios Motion Pictures
Home Video Master Provided by: Company 3
Attribute: Filmed in Panavision - DirectorMichael BayStarsBruce WillisBilly Bob ThorntonBen AffleckAfter discovering that an asteroid the size of Texas will impact Earth in less than a month, NASA recruits a misfit team of deep-core drillers to save the planet.Director & Producer: Michael Bay
Producers: Jerry Bruckheimer, Gale Anne Hurd
Sup. Exec in Charge of Music: Kathy Nelson
Music Supervisor: Bob Badami
Composer: Trevor Rabin
Composer - Add'l Music: Harry Gregson-Williams
Costume Designer: Michael Kaplan
Additional Costume Designer: Magali Guidasci
Production Visual FX Supervisors: Pat McClung, Richard Hoover
Film Editors: Mark Goldblatt ACE, Chris Lebenzon ACE, Glen Scantlebury ACE
Production Designer: Michael White
Cinematographer: John Schwartzman ASC
Cinematographer (Int'l Unit): Mark Plummer
Cinematographer (Add'l Photog) & A Cam Op: Mitchell Amundsen ASC SOC
Cinematographer - AP: Janusz Kaminski ASC
Exec Producer/Co-Writer: Jonathan Hensleigh
Executive Producer: Chad Oman
Story Writer: Robert Roy Pool
Co-Writers: Tony Gilroy, Shane Salerno
Screenwriter: JJ Abrams
Assoc. Producer & UPM: Barry H. Waldman
1st Assistant Director: KC Hodenfield
2nd AD & 2nd Unit 1st AD: Jeff Okabayashi
Associate Producer: Pat Sandston
AP, SC & 2nd Unit Director: Kenny Bates
Narrator: Charlton Heston
Stunts: Ivan Bates, Steve M. Davison, Andy Gill, Phil Neilson, Charlie Picerni, Steve Picerni
2nd 2nd Assistant Director: Nick Satriano
Supervising Art Director: Geoff Hubbard
Art Director: Lawrence Hubbs
Assistant Art Director: Doug J. Meerdink
Vehicle Designer: Harald Becker
B Cam & Steadicam Op: David Emmerichs SOC
Underwater Unit DoP: Pete Romano ASC
Libra Head Technician: Chad Rivetti
Product Placement Consultant: David B. Leener
Add'l Film Editor: Michael Miller
Associate Film Editors: Roger Barton ACE, Todd E. Miller
Supervising VFX Editor: Jim May ACE
Production DFX Producer: Michael Cooper
AVID Ass't Editor: Joel Negron ACE
Re-Recording Sound Mixers: Kevin O'Connell, Greg P. Russell
Chief Lighting Technician: Andy Ryan
Ass't Chief Lighting Technician: Brian Evans
Rigging Gaffer: Jeffrey P. Soderberg
Production SFX Supervisor: John Frazier
SFX Set Foreman: Jim Schwalm
Underwater Unit 1st Ass't Camera: Brad Peterman
Aerial Unit DoPs: David B. Nowell ASC, Kurt E. Soderling SOC
Aerial Unit Coordinator/Helicopter Pilot: Alan Purwin
Asteroid Consultant: Ivan Bekey
NASA Consultant: Joseph P. Allen
Mission Control Advisor: Jerry Bostick
Technical Advisor: Harry Humphries
Prop Shop/Electronic Effects Supervisor: Gustavo Ferreyra
Effects Unit Camera Operator: Tom Fraser
DQI VFX Producer: Rae Griffith
DQI VFX Production Manager: Crys Forsyth-Smith
DQI Executive VFX Producer: Keith Shartle
DQI DFX Supervisor: Darin Hollings
DQI VFX Editor: Amy Pawlowski
DQI Director of Miniature Photography (Motion Control 1st Unit): Scott Beattie
DQI Motion Control 1st Unit Gaffer: Martin Hill
DQI Motion Control 2nd Unit DoP: Mike Talarico
DQI High-Speed Miniatures Unit DoP: Scott Campbell
DQI High-Speed Miniatures Unit Gaffer: Mike Curtis
DQI High-Speed Miniatures Unit SFX Coordinators: John Gray, John Striber
DQI Model Construction VFX Art Director: Mike Stuart
DQI Model Construction Miniatures Set Designer: Susan Hippen
DQI Model Construction Model Shop Supervisor: Smokey Stover
DQI Model Construction Model Shop Coordinator: Warren Farina
DQI VFX Supervisor (Paris Destruction Sequence): Hoyt Yeatman
DQI DFX Supervisor (Paris Destruction Sequence): Dan DeLeeuw
DQI VFX Unit Camera Operator (Paris Destruction Sequence): Kevin Fitzgerald
DQI VFX Production Manager (Paris Destruction Sequence): David PI James
DQI SFX Coordinator (Paris Destruction Sequence): Richard Helmer
DQI SFX Supervisor (Paris Destruction Sequence): Bill Schrimer
DQI Compositing Supervisor (VFX Shoot Crew): Adam Howard
DQI VFX Project Supervisor (VFX Shoot Crew): David Sanger
DQI VFX Illustrator (VFX Shoot Crew): Tracey Wilson
DQI VFX Administrator (VFX Shoot Crew): Jennifer Nickson
DQI VFX Plate Unit DoP (VFX Shoot Crew): Timothy Angulo
DQI VFX Unit DoPs (VFX Shoot Crew): Philip Timme, Tony Cutrono
DQI VFX Unit Gaffer (VFX Shoot Crew): Dennis McHugh
DQI DFX Coordinator (VFX Shoot Crew): Mandy Kisthardt
Cinesite Digital VFX Supervisor: Carlos Arguello
Cinesite Digital VFX Producer: Aaron Dem
Cinesite VFX Producer: Karin Joy
Cinesite Composite Supervisor: Kevin Lingenfelser
Cinesite Digital Compositors: David Lingenfelser, Patrick Tubach
Cinesite CGI Supervisor: Sean Dever
Cinesite CGI Animators: Lubo Hristov, Richard Kidd
Cinesite Matte Painting Supervisor: Charles Darby
Cinesite Roto Supervisor: Karen Klein
CFC DFX Supervisor: Rob Hodgson
CFC DFX Producer: Aisling O'Brien
CFC Executive DFX Producer: Daniel Lombardo
Tippett Studio VFX Supervisor: Bruce Nicholson
Tippett Studio Animation Supervisor: Blair Clark
Tippett Studio Digital Lighting Supervisor: Julie Newdoll
Tippett Studio Compositing Supervisor: Zoe Peck
Tippett Studio VFX Producer: Ken Kokka
Tippett Studio VFX Coordinator: Molly Lynch
Tippett Studio Art Department Supervisor: Joel Friesch
Tippett Studio DFX Animation Supervisor: Darby Johnson
Editel Executive DFX Producer: Melissa Hagman
Editel DFX Producer: Janette Shaw
Blue Sky/VIFX VFX Supervisor: Richard E. Hollander
Blue Sky/VIFX VFX Producer: Josh R. Jaggers
Blue Sky/VIFX Digital VFX Supervisor: Anthony Max Ivins
Digital Domain VFX Supervisor: Erik Nash
Digital Domain VFX Creative Supervisor: Robert Legato ASC
Digital Domain VFX Producer: Cari Thomas
Digital Domain Digital Compositing Supervisor: Mark O. Forker
Digital Domain Digital 3D Supervisor: Matthew Butler
Digital Domain Digital Production Manager: Lisa Spence
Digital Domain VFX Associate Producer: Steve Dietrich
Digital Domain VFX Coordinator: Jennifer Califano
Digital Domain Digital Compositor: Darren Poe
Rainmaker DFX Supervisor: Peter Sternlicht
Rainmaker DFX Producer: Tim Belcher
MWD VFX Supervisor: Craig Barron ASC
MWD VFX Producer: Krystyna Demkowicz
525 Executive VFX Producer: Jenny Bright
Digital Magic DFX Supervisor: Bryan Grill
Digital Magic DFX Producer: JB Levine
Digital Magic CG Supervisor: Stephen Brand
POP Digital Compositor: Michael Peterson
BVI VFX Supervisor: Mark Dornfeld
BVI Digital VFX Supervisor: Christofer Dierdorff
Miniatures VFX Art Director: George Trimmer
Miniatures Supervisor: Alan Faucher
Ass't Miniatures Supervisor: Erika McKee
Miniatures VFX Set Designer: Lorrie Steiben
Physical Effects Supervisor: Richard Stutsman
2nd Unit DoP: Mauro Fiore ASC
2nd Unit 1st Ass't A-Camera: Chris Schenck
Kennedy Space Center/Florida Unit Production Coordinator: Leslie Stevens
Kennedy Space Center/Florida Unit Add'l 2nd AD: Jayson Merrill
Galveston & Johnson Space Center/Houston Unit Production Supervisor: Nancy King
Unit Production Manager (NYC Unit): Carl Clifford
NYC Unit Chief Lighting Technician: William O'Leary
NYC Unit Aerial DoP: Larry Blanford ASC
Int'l Unit Associate Producer: Scott Gardenhour
Int'l Unit Aerial Coordinator: Fred North
Title Designer: Robert Dawson
Producer - 1999 Criterion DVD: Karen Stetler
Co-Producer & Menu Designer - Criterion DVD: Sean Wright Anderson
Exec Producer - 1999 Criterion DVD: Pete Becker
Technical Director - '99 Criterion DVD: Lee Kline
PMs - '99 Criterion DVD: Cathy Gray, Grace Kim
Editorial Coordinator - Criterion DVD: Shannon Attaway
Audio Coordinator & Mixer + Commentary Editor & Recordist - Criterion DVD: Michael W. Wiese
Commentary Editors - 1999 Criterion DVD: Rex Arthur, Fletcher Chenn
Asst Audio Editor - Criterion DVD: Heather Shaw
MGRS LA Commentary Recordist - 1999 Criterion DVD: Julien Cook
PNP DC Commentary Recordist - Criterion DVD: Dave Berger
Westlake LA Commentary Recordist - Criterion DVD: Charity Lomax
BPS NYX Commentary Recordist - Criterion DVD: Butch Jones
MVF Telecine Colorist - 1999 Criterion DVD: Skip Kimball
Production Assistant - Criterion DVD: Peter Hahn
Contributor - Criterion DVD: Jeanine Basinger
Final Colorist - Blu-Ray: Stefan Sonnenfeld ASC
Filming Dates: 27 August 1997 - 29 January 1998
Cameras: Bell & Howell Eyemo, Panaflex Lightweight, Platinum, Panastar & VistaVision (35mm Eastman EXR 100T 5248/200T 5393/Kodak Vision 500T 5279)
Lenses: Panavision Primo AL 11:1 + 3:1 Hubble Zooms, C- & E-Series AL Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(8-Perf VV: VFX)
Budget: 140 Million USD
Budget AFI (2021): 238.7 Million USD
Digital Visual Effects & Animation Provided by: Dream Quest Images, Cinesite & Computer Film Company
Rock Storm Sequence Designed by: Tippett Studio & Editel
"End of the World" Opening Sequence Designed by: Blue Sky/VIFX, Digital Domain, Rainmaker, Matte World Digital & Digital Magic
Digital Compositing Provided by: 525 Post & Pacific Ocean Post
Opticals & Additional Visual Effects Provided by: Buena Vista Imaging
1999 Criterion DVD Master Provided by: Modern VideoFilm
2010 Blu-ray Master Provided by: Company 3
Distributed By: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorTony ScottStarsWill SmithGene HackmanJon VoightA lawyer becomes targeted by a corrupt politician and his N.S.A. goons when he accidentally receives key evidence to a politically motivated crime.Director: Tony Scott
Composers: Trevor Rabin, Harry Gregson-Williams
Costume Designer: Marlene Stewart
Film Editor: Chris Lebenzon ACE
Production Designer: Benjamin Fernandez
Cinematographer: Dan Mindel ASC BSC SASC
Executive Producer: Chad Oman
Exec Producer/2nd Unit Director: James W. Skotchdopole
Producer: Jerry Bruckheimer
Co-Writers: Tony Gilroy, Aaron Sorkin
Unit Production Manager: Eric McLeod
Associate Producer: Pat Sandston
Stunt Coordinator: Charles Picerni Jr
Stunts: Jeff Imada, Troy Brown
Aerial Unit Coordinator/Helicopter Pilot: Alan Purwin
Art Director: James J. Murakami
Lead Set Designer: Peter J. Kelly
Baltimore Unit Set Designer: Andrew Menzies
Graphic Designer: Jason Sweers
A-Camera Operator: Martin Schaer
B-Camera Operator: P. Scott Sakamoto SOC
C-Camera Operator: Paul Edwards
Add'l Camera Operator: Chris Haarhoff
1st Assistant A-Camera: John Skotchdopole
1st Assistant B-Camera: John T. Connor
1st Assistant C-Camera: Jeff Vine
2nd Assistant A-Camera: Daniel Moder
2nd Assistant D-Camera: Sergius Nafa Nofield
Location Consultant: Marshall Vernet
Set Decorator: Garrett Lewis
Chief Lighting Technic: Claudio Miranda ASC ACC
Mechanical FX Coordinator: Michael Meinardus
Mechanical Effects Set Foreman: David Fletcher
Associate Film Editor: Joel Negron ACE
Optical Supervisor: Ladd Lanford
Music Supervisor: Bob Badami
Music Supervisor/Exec in Charge of Music: Kathy Nelson
Re-Recording Sound Mixers: Kevin O'Connell, Greg P. Russell
Digital Graphics Supervisor: Chris B. Holt
Director of Aerial Photography: David B. Nowell ASC
Aerial Unit 1st Ass't Camera: Scott C. Smith
Aerial Unit Gyrosphere Ass't Camera: Richard Brooks Burton
Technical Advisors: Chase Brandon, Larry Cox, Harry Humphries, Martin Kaiser, Anthony Pellicano, Stephen Uhrig
Technical Consultant: Don Ferrarone
Visual Consultant: Dariusz Wolski ASC
Production VFX Supervisor: James E. Price
Mill Film Executive VFX Producer: Robin Shenfield
Mill Film DFX Supervisor/Lead Compositor: Tim Burke
Mill Film VFX Producer: Robin Griffin
Mill Film DFX Producer: Emma Norton
Mill Film VFX Coordinator: Diana Stulic
Mill Film Lead CGI Artists: Ben White, Tim Zaccheo
Mill Film CGI Artists: Kevin Modeste, Chris Shaw
Mill Film VFX Unit DoP: John Mathieson BSC
Digiscope Executive VFX Producer: Mary Stuart Welch
Digiscope DFX Supervisor: Dion Hatch
Digiscope DFX Producer: Lauren Lyn Schulman
Digiscope Lead Digital Artist: Todd Mesher
Digiscope Digital Artist: Grady Cofer
Orchestra Contractor: Sandy DeCrescent
Filming Dates: 5 November 1997 - 6 April 1998
Cameras: Arriflex 35-III, 435, Panaflex Millennium, Lightweight & Platinum (35mm Eastman EXR 100T 5248/Kodak Vision 500T 5279)
Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes & Anamorphic Canon Zooms
AR: 2.39:1 (Anamorphic)
Budget: 90 Million USD
Budget AFI (2020): 143.7 Million USD
Distributed by: Walt Disney Studios Motion Pictures
Special Digital Visual Effects Provided by: Mill Film & Digiscope
Computer Graphics Provided by: Black Box Digital
Miniature Effects Provided by: Asylum
Attribute: Filmed in Panavision - DirectorDavid McNallyStarsPiper PeraboAdam GarciaJohn GoodmanAspiring songwriter Violet Sanford, after getting a job at a women-run NYC bar that teases its male patrons, comes out of her shell.Director: David McNally
Composer & Music Consultant: Trevor Horn
Composers (Add'l Music) & Score Arrangers: Steve Bartek, Garry Hughes, Jamie Muhoberac
Music Supervisors: Kathy Nelson, Bob Badami
Costume Designer: Marlene Stewart
Film Editor: William Goldenberg ACE
Production Designer: Jon Hutman
Cinematographer: Amir Mokri
Exec Producers: Mike Stenson, Scott Gardenhour
Producers: Jerry Bruckheimer, Chad Oman
Writers: Kevin Smith, Jeff Nathanson, Carrie Fisher, Gina Wendkos
Key Unit Prod Manager: Alma Kuttruff
Sup Unit Prod Manager (Main & NY Units): Carl Clifford
1st Assistant Directors: Thomas J. Mack, Stephen Dunn
2nd Assistant Directors: David Kelley, Christina Stauffer
Associate Producers: Pat Sandston, Jennifer Krug Worthington, Jeff Eamer
Choreographer: Travis Payne
Add'l Choreographer: Lavelle Smith Jr
Special Appearance: LeAnn Rimes
Photographer Actor: Michael Bay
Stunt Coordinator (NY): Danny Aiello III
Stunt Coordinator (LA): Buddy Joe Hooker
Bridget Moynahan Stunt Double (NY): Kelly Craig
Fire Breathing Technician: Ted Shred
Exec in Charge of Prod: Kristie Anne Reid
Production Supervisor: Christine Fransen
Prod Coordinator: Melissa Wiechmann
Ass't Prod Coordinator: Lisa Davidson
Art Directors: Gae Buckley, Bruce Alan Miller
Set Decorator: Rosemary Brandenburg
Add'l Costumer: Ann Foley
A-Camera Operator: Will O'Drobinak SOC
B-Camera/Steadicam Op: Stephen St. John
1st Assistant A-Camera: Steven Meizler
1st Assistant B-Camera: Joe Miller
2nd Assistant A-Camera: Tom Jordan
2nd Assistant B-Camera: Mark Spath
Prod Placement Advisor: David B. Leener
1st Assistant Editor: Monica Anderson
1st Ass't Editor/AVID: Bryan H. Carroll
2nd Assistant Editor: Fabienne Rawley
1st Apprentice Editor: Gary Lynn Trentham
Post-Prod Coordinators: Shannon Wynne, Allison Siddons
Post-Prod Assistants: Brett M. Reed, Tami R. Goldman
Music Editor: Shannon Erbe
Super Music Prod Mixer: Joseph Magee
Music Prod Ass't: Katie Greathouse
Sup Sound FX Editor: Randle Akerson
Supervising Dialogue Editor: Teri E. Dorman
Supervising ADR Editor: Juno J. Ellis
Supervising Foley Editor: Victoria Martin
ADR Mixer: Thomas O'Connell
Re-Recording Sound Mixers: Kevin O'Connell, Greg P. Russell
Prod Supervisor (Add'l Photography): Diane Sabatini
Gaffer: Max Pomerleau
Rigging Gaffer: George A. Hock
Key Grip: Michael J. Coo
Supervising Prop Master: Kirk Corwin
Ass't Prop Master: John Curtis Pattison
Production SFX Coordinator: Joe Ramsey
2nd 2nd Ass't Directors: Andrew Ward, Jack Steinberg
Set Designers: John Warnke, John Perry Goldsmith
Supervising Location Manager: Janice Polley
Ass't Location Managers: Steven Lee, Julie Hannum
Bartending Consultant: Jennifer Curran
Consultants: Elizabeth Gilbert, Liliana Lovell
Clogging Consultant: Stephen Harbin
Score Mixers & Recordists: Tim Wiedner, Steve Macmillan
Strings Orchestrator & Conductor: David Campbell
Strings Recordist: Peter Fernandez
Music Coordinator: Mary Anne Campagna
Title Designer: Robert Dawson
NY Unit 2nd Ass't Directors: Gregory Hale, Denis Doyle
NY Unit Art Directors: Ray Kluga, Richard Butler
NY Unit Ass't Art Director: Henry Dunn
NY Unit Set Decorator: Beth Rubino
NY Unit Ass't Set Decorator: Paul Cheponis
NY Unit 1st Ass't B-Camera: Tim Metivier
NY Unit 2nd Ass't B-Cam: Jamie Fitzpatrick
NY Unit 1st Ass't Editor: John Hill
NY Unit 2nd Ass't Editor: Morgan A. Neville
NY Unit Chief Lighting Tech: William Ward
NY Unit Rigging Gaffer: James Malone
NY Unit Prop Master: John B. McDonnell
NY Unit Ass't Prop Master: Clifford Klatt
NY Unit SFX Supervisor: Steven Kirshoff
NY Unit SFX Coordinator: Robert J. Scupp
NY Unit Prod Coordinator: Shell Hecht
NY Unit Ass't Prod Coord: Karen Sossiadis
NY Unit 2nd 2nd Ass't Dir: Eric Yellin
NY Unit Ass't Loc Manager: Jack Bavaro
2nd Unit Director/Director of Photography: Dariusz Wolski ASC
2nd Unit A-Camera Operator: Kenn Ferro
2nd Unit B-Cam Op: Simon Jayes SOC ACO
2nd Unit 1st Ass't A-Camera: Glenn Deitell
2nd Unit 2nd Ass't A-Camera: Daniel Taylor
2nd Unit 2nd Ass't B-Camera: Kenneth C. Bender
Home Video Colorist: Stefan Sonnenfeld ASC
Filming Dates: 14 August 1999 - 3 December 1999
Camera: Panaflex Platinum (35mm Kodak Vision 200T 5274/500T 5219)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (4-Perf Common-Top Super 35mm)
Budget: 45 Million USD
Budget AFI (2022): 73.4 Million USD
Main Titles Designed by: Asylum VFX
Produced & Distributed on: Eastman Kodak Film
Distributed by: Walt Disney Studios Motion Pictures
Home Video Mastering Provided by: Company 3
Attribute: Filmed in Panavision - DirectorDominic SenaStarsNicolas CageAngelina JolieGiovanni RibisiA retired master car thief must come back to the industry and steal fifty cars with his crew in one night to save his brother's life.Director: Dominic Cena
Music Supervisors: Kathy Nelson, Bob Badami
Composer: Trevor Rabin
Composers (Add'l Music): Paul Linford, Tim Heintz
Film Editors: Thomas Muldoon, Chris Lebenzon ACE
Costume Designer: Marlene Stewart
Production Designer: Jeff Mann
Cinematographer: Paul Cameron ASC
Exec Producer/Co-Writer: Jonathan Hensleigh
Exec Producers: Chad Oman, Denice Shakarian Halicki, Robert Stone, Webster Stone
Exec Producer/Unit Production Manager: Barry H. Waldman
Producers: Jerry Bruckheimer, Mike Stenson
Screenwriter: Scott Rosenberg
1st Assistant Director: Steve Danton
2nd Assistant Director: David J. Venghaus Jr
Associate Producers: Pat Sandston, Aris McGarry
2nd Unit Director/Director of Photography: Philip C. Pfeiffer
2nd Film Editor: Roger Barton ACE
Production VFX Supervisor: Boyd Shermis
Supervising Stunt Coordinator: Chuck Picerni Jr
Co-Stunt Coordinator: Johnny Martin
Stunts: Andy Gill, Jack Gill, Freddie Hice
Production Supervisor: Diane L. Sabatini
Precision Driving Team Coordinators: Bill Young, John McKnight
Production Coordinator: Trevor Waterson
Ass't Production Coordinator: Elona Tsou
2nd 2nd Ass't Director: Philip L. Hardage
Art Directors: Stacey Mann, Andrew Laws
Ass't Art Director: Martin Whist
Set Designers: Greg Hooper, Eric Sundahl
Graphic Designer: David E. Scott
Exec in Charge of Production: Kristie Anne Reed
A-Camera/Steadicam Op: James Michael Muro
B-Camera Operator/2nd Unit Add'l DoP: Chris Moseley
A-Camera Operator (Add'l Photography)/1st Ass't A-Camera: Dana Gonzalez ASC
2nd Assistant A-Camera: Glenn D. Kaplan
1st Assistant B-Camera: Lee Blasingame
2nd Assistant B-Camera: Joe A. Martinez
Film Loader: Peter Geraghty
Product Placement Advisor: David B. Leener
Add'l Film Editor: Joel Negron ACE
Production VFX Editor/1st Ass't Editor: Paisley Pappe
AVID 1st Ass't Editor: Jason Hellmann
Post-Production Coordinator: Shannon Wynne
Post-Production Assistant: Katie Greenhouse
Supervising Music Editor: Will Kaplan
Ass't Music Editor: Angelo Palazzo
Supervising Sound Editor: George Watters II
Re-recording Sound Mixers: Kevin O'Connell, Greg P. Russell
Supervising Dialogue Editor: Teri E. Dorman
Supervising ADR Editor: Juno J. Ellis
Supervising Foley Editor: Victoria Martin
Chief Lighting Technician: Jeffrey Murrell
Ass't Chief Lighting Tech: Steve Reinhardt
Rigging Gaffer: Brian R. Lukas
Production SFX Coordinator: Michael Meinardus
Production SFX Foreman: Anthony Simonaitis
SFX 1st Unit Foreman: David Fletcher
Supervising Prop Master: Michael Papac
Set Decorator: Don Diers
Supervising Location Manager: Laura Sode-Matteson
Aerial Unit Coordinator/Helicopter Pilot: Chuck Tamburro
Aerial Unit Helicopter Pilot: John Tamburro
Aerial Unit Co-Pilot/Helicopter: Wayne F. Richardson
Technical Advisors: Harry Humphries, Jaime Baez
GSGI Law Enforcement Consultants: Edward W. Clair, Michael Mello, David Woofter, Todd D. Taylor
Picture Car Coordinator: Michael D. Antunez
Vehicle Designers: Chip Foose, Steve Stamper
Score Recordist: Steve Kempster
Score Conductor & Orchestrator: Gordon Goodwin
Orchestra Contractor: Sandy DeCrescent
Title Designer: Robert Dawson
Digital Telecine Colorist: Stefan Sonnenfeld ASC
2nd Unit 1st Ass't Director: Lisa Satriano
2nd Unit 2nd Ass't Director: Nick Satriano
2nd Unit Prod Coordinator: Page Rosenberg-Marvin
2nd Unit A-Camera Operator: Don Reddy
2nd Unit B-Camera Operator: Joseph Valentine
2nd Unit 1st Ass't A-Camera: Duane Manwiller
2nd Unit 1st Ass't B-Camera: Trevor Loomis
2nd Unit 2nd Ass't A-Camera: Glenn Brown
2nd Unit 2nd Ass't B-Camera: Don "Jr" Duffield
2nd Unit Gaffer: Alan Brownstein
2nd Unit Prop Master: Clifford R. Bernay
TSL Senior VFX Producer: John Kilkenny
TSL Digital Comp Supervisor: Jammie Friday
TSL CG Supervisor: Charles Anderson
TSL DFX Producer: Allyse Manoff
TSL Texture Map Painter: David Palmer
TSL Matte Painter: Karen DeJong
TSL Digital VFX Color Timer: Elisabeth Cotter
TSL Digital VFX Coordinator: Erik Muenker
TSL Production Coordinator: Julie D. Milstead
TSL Ass't Prod Coordinator: Jennifer Meislohn
TSL VFX Editor: Joseph Yanuzzi
Asylum VFX Digital VFX Supervisor & Inferno Artist: Nathan McGuinness
Asylum VFX DFX Producer: Donna Langston
Asylum VFX Prod Coordinators: Darcie Tang, Jeff Werner
Asylum VFX Technical Supervisor: Tommy Hooper
Special Thanks: Michael Lynton
Filming Dates: 24 May 1999 - 10 October 1999
Cameras: Arriflex 35-III, 435 & Panaflex Platinum (35mm Kodak Vision 200T 5274/500T 5279)
Lenses: Panavision C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 90-103.3 Million USD
Budget AFI (2022): 146.9-168.6 Million USD
Printed on: Kodak Vision Premier 2393
Visual Effects, Main Titles & Digital Opticals Designed by: Asylum VFX & The Secret Lab
Selective Telecine Finish Provided by: Company 3
Produced & Distributed on: Eastman Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorBoaz YakinStarsDenzel WashingtonWill PattonWood HarrisIn 1971 Virginia high school football was everything to the people of Alexandria. But when the school board was forced to integrate an all-black school with an all-white one, the very foundation of football's tradition was put to the test.Director: Boaz Yakin
Music Supervisors: Kathy Nelson, Bob Badami
Composer/Orchestrator: Trevor Rabin
Composer, Orchestrator & Arranger (Marching Band Music): Sidney James
Costume Designer: Judy Ruskin Howell
Film Editor: Michael Tronick ACE
Production Designer: Deborah Evans
Cinematographer: Philippe Rousselot ASC AFC
Executive Producer: Mike Stenson, Michael Flynn
Producers: Jerry Bruckheimer, Chad Oman
Writer: Gregory Allen Howard
Unit Production Manager: Tom Luse
1st Assistant Director: Randy Fletcher
2nd Assistant Director: Brian O'Kelley
Associate Producers: Pat Sandston, Jennifer Krug Worthington
Exec in Charge of Production: Kristie Anne Reid
Production Coordinator: Katie Willard Troebs
Ass't Prod Coordinator: Tatiana Komlos
2nd 2nd Ass't Director: Dale Pierce Nielsen
Add'l 2nd Ass't Director: Matt Feitshans
Art Director: Jonathan Short
Ass't Art Director: Tim Beach
Set Decorator: Anne Kuljian
A-Camera Operator: Neal Norton
B-Camera Operator: Paul Varrieur
1st Assistant A-Camera: Pam Rittlemeyer
1st Assistant B-Camera: David Galbraith
2nd Assistant B-Camera: Robert McMahon
Football Coordinator: Mike Fisher
Ass't Football Coord: Derrick Lassic
Product Placement Advisor: David Leener
Choir Director: Tim Thompson
2nd Film Editor: Greg Parsons
2nd Assistant Director: Aaron Brock
1st Apprentice Film Editor: Anna Wilborn
Post-Production Coord: Shannon Wynne
Post-Production Ass't: Tami R. Goldman
Music Editor: William Kaplan
Supervising Foley Editor: Victoria Martin
Chief Lighting Technician: Jack English
Rigging Gaffer: Danny Mooradian
Balloon Light Supervisor: Eric Hirsch
Supervising Prop Master: Dwight Benjamin Creel
Production SFX Coordinator: Robert M. Shelley Jr
Production SFX Foreman: Lisa Reynolds
Supervising Location Manager: Maida Morgan
Ass't Location Manager: Laura Lancas
Extras On-Set Coordinator: Greg Cotton
2nd Unit Director/Director of Photography: Alexander Witt ASC
2nd Unit 1st Ass't Director: Cellin Gluck
2nd Unit 2nd Ass't Director: Todd Turner
2nd Unit A-Camera Operator: Ken Fisher
2nd Unit 1st Ass't A-Cam: Robert Robinson
2nd Unit 1st Ass't B-Camera: Dudley J. Voll
2nd Unit 2nd Ass't A-Camera: Chris Jones
2nd Unit 2nd Ass't B-Cam: Todd Marshall
2nd Unit Chief Lighting Tech: Brian Gunter
2nd Unit Location Manager: AB Cooper
A-Camera Op (Titan 16mm Footage): Ryan Hurst
B-Cam Op (Titan 16mm Footage): Sean Mewshaw
Score Mixers/Recordists: Dennis S. Sands, Steve Kempster
Score Orchestrator: Gordon Goodwin
Orchestra Contractor: Sandy DeCrescent
Title Designer: Robert Dawson
Sr Finishing Colorist (2021 Re-Release): Stefan Sonnenfeld ASC
Filming Dates: 3 October 1999 - 14 December 1999
Cameras: Arriflex 435 & Panaflex Platinum (35mm Eastman EXR 59D 5245/Kodak Vision 500T 5219)
Lenses: Panavision Primo Anamorphic Primes, C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 30 Million USD
Budget AFI (2022):
Main Titles Designed by: Asylum VFX
Produced & Distributed on: Eastman Kodak Film
Distributed by: Walt Disney Studios Motion Pictures
2021 Remaster Provided by: Company 3
Attribute: Filmed in Panavision