The Cinephile Chronicles: The GOATS, WOATS, and all in-between
*WARNING* NOT a list for people who can't handle other opinions or raunch! I don't give a shit if you're a woke liberal or pious conservative -- I'm here out of love for the art. But don't mistake me for being apolitical; I'm a quasi-independent libertarian who has opinions on and for both sides. I have a passion for entertainment and I review shit on here as a hobby to chronicle my "cultured tastes". I'm not like other cinephiles who feel the need to watch everything in order to fellate their egos; I care if it looks INTERESTING and I personally find them to be a valuable piece of art. Coming from a film student, they teach you not to see things as simply good-bad, which part of me always applies, but a bigger part of me thinks its mega bullshit and ALL pieces of art are good-bad subjective to individuals. My philosophy is: shows, movies, games, anime -- are valuable art or "high art" -- a concept created during the European Enlightenment I tend to agree with profusely -- if it executes its themes and artistic vision in a way that either makes you immersed, feel, see differently in perspective or thought, or most importantly, CARE. Moreover, I banned myself from listing anime 'cause I'm not a weirdo, and did it properly and separately on MyAnimelist. My anime reviews (aka the tags on the 'completed' page) are a lot more creative than the shit I do here. I'm also unafraid to say I use A.I as a TOOL, so the reason why all this shit looks the same and so prosaic is because it gave me a formula that took me a long time to get down; and I don't have time to worry about being Shakespeare every time I review something. But of course, because I barely change the structuring, the minute the shit is put in A.I detectors, it MUST BE FUCKING ---- ....just like how the Bible and the Declaration of Independence is A.I written too. Every now and then, I go creative and try to be Roger Ebert and don't do the "formula". Anyway, enjoy bitches.
4 Ultra Cool Anime Stuff: https://myanimelist.net/animelist/MistaBoo?order=11&order2=4&status=7
4 Ultra Cool Anime Stuff: https://myanimelist.net/animelist/MistaBoo?order=11&order2=4&status=7
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- CreatorEric HeissererStarsJessie Mei LiBen BarnesArchie RenauxDark forces conspire against orphan mapmaker Alina Starkov when she unleashes an extraordinary power that could change the fate of her war-torn world.S1-2=4
Surface-level fantasy & one of Netflix's "money-makers" given the higher-average production. Ruined by typical YA genre BS that made me cringe up the wazoo, dull characters & strangely convoluted plotting for a story that isn't hard-to-follow. Or maybe its the worldbuilding. All I know is that the characters tasted worse than communion wafers. - CreatorTravis BeachamRené EchevarriaStarsOrlando BloomCara DelevingneSimon McBurneyA human detective and a fairy rekindle a dangerous affair in a Victorian fantasy world, where the city's uneasy peace collapses when a string of murders reveals an unimaginable monster.S1=5
S2=3
Orlando Bloom going into Daddy status now, but that was the only good thing. Forgettable as hell - CreatorPatrick McKayJohn D. PayneStarsMorfydd ClarkIsmael Cruz CordovaCharlie VickersEpic drama set thousands of years before the events of J.R.R. Tolkien's 'The Hobbit' and 'The Lord of the Rings' follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth.An abomination w/ the highest TV budget in history. Doesn't even deserve a 1. The WOAT of TV shows. Nuff said
- CreatorRafe JudkinsStarsRosamund PikeDaniel HenneyMadeleine MaddenSet in a high fantasy world where magic exists, but only some can access it, a woman named Moiraine crosses paths with five young men and women. This sparks a dangerous, world-spanning journey. Based on the book series by Robert Jordan.Amazon just doesn't know how to do fantasy, do they? They're really following Netflix in that regard. I would give it higher to praise the merits of the production or acting, but I'm not giving objective ratings....It's pointless giving each season a rating b/c is WOAT status
- CreatorMickey DownKonrad KayStarsMyha'laMarisa AbelaHarry LawteyYoung bankers and traders make their way in the financial world in the aftermath of the 2008 collapse.S1=5
S1=2
Superb acting, cinematography, and sex scenes. Problem is: everyone is just fucking terrible. I don't mind this type of storytelling or "format", but it isn't compelling. Especially when most the show's appeal is its licentiousness instead of engaging characters and story. It just didn't work for me. Take notes from Succession; cuz Industry is the edgelord version of it - CreatorJesse ArmstrongStarsNicholas BraunBrian CoxKieran CulkinThe Roy family is known for controlling the biggest media and entertainment company in the world. However, their world changes when their father steps down from the company.S1-S4=10
Subjectively S1-S4=6
Slowly solidified itself as one of TV's greatest dramas. A scathing and compelling exploration of wealth, power, and dysfunction within a wealthy media family empire. The show centers around the Roy family, led by the ruthless patriarch, Logan Roy, portrayed by the iconic Brian Cox. It expertly navigates the intricacies of family dynamics, corporate intrigue, and moral ambiguity as the Roy siblings vie for control and validation from their domineering father. The series boasts a stellar ensemble cast, with standout performances from Jeremy Strong as the troubled Kendall Roy and Matthew Macfadyen as the opportunistic Tom Wambsgans. The writing is sharp, filled with razor-sharp wit and biting social commentary that exposes the greed and ruthlessness that often accompanies immense wealth and power. It successfully captures the essence of contemporary media moguls and the cutthroat nature of the business world. With its acerbic humor, powerful performances, "Succession" stands as a brilliant and unflinching examination of the corrosive effects of immense wealth and familial power struggles. I also must impress the extensive amount of apathy I have toward the shows approach. Often, you barely scrape by every episode without hating the characters -- no matter how comical or witty the dialogue was. Comparatively, Mad Men, also succumbed to this same issue, but explored it in a way where the human condition was gigantically evident. Where Mad Men is a bunch of outstanding subtext & empathetic character-writing with suited men being powerful & skirted women trying to be, Succession crafts a Shakespearean dramedy where the characters are a chore to watch. Mad Men just happened to bore the ever living shit outta me instead of being a chore. If you remove the social commentary on capitalism, raunchiness, and Dynasty-style soap, Succession has little to offer...especially in comparison to Mad Men. Whether I like it or not, its still damn perfect - CreatorVince GilliganStarsBryan CranstonAaron PaulAnna GunnA chemistry teacher diagnosed with inoperable lung cancer turns to manufacturing and selling methamphetamine with a former student in order to secure his family's future.S1-5=11
The GOAT of TV. My third favorite show of all time. The groundbreaking television series created by Vince Gilligan, is a masterclass in storytelling and character development. Follows the transformation of Walter White, a high school chemistry teacher turned methamphetamine manufacturer, into the ruthless drug lord known as Heisenberg. Bryan Cranston's Emmy-winning performance as Walter White is nothing short of phenomenal, as he brilliantly navigates the character's descent into darkness and moral ambiguity which only is rivalled by Gandolfini's Tony. Aaron Paul's portrayal of Jesse Pinkman, Walter's former student and partner in crime, adds another layer of complexity to the narrative, highlighting the tragic consequences of their choices. The legendary Gustavo Fring, impeccably portrayed by Giancarlo Esposito, is a character of calculated elegance, a drug kingpin whose icy demeanor and hidden ruthlessness make him a formidable adversary for Walter, and one of TV's greatest villains. Hank Schrader, brought to life by Dean Norris, is a character who is scarily similar to my own father in most ways, is a tenacious DEA agent with a strong sense of justice. His pursuit of Heisenberg, his brother-in-law, brings a personal and moral dimension to the story, leading to some of the series' most gripping moments. The show's writing is flawless, sharp and unrelenting, building tension and suspense with every episode. Skyler White, portrayed by Anna Gunn, undergoes her own transformation from a seemingly conventional housewife to a character grappling with her husband's criminal activities; and it's highly likely her character was solely inspired by Carmela Soprano. Of course, I'd give credit to Maria, Walter Jr., Mike, Saul or even Tuco -- who are also brilliant -- but I'd be here forever. Explores themes of power, morality, and the consequences of one's actions, leaving viewers questioning the boundaries of right and wrong. The series is complemented by meticulous attention to detail, and breathtaking cinematography that captures the desolate landscapes of Albuquerque, New Mexico. "The Sopranos" may be the most influential show ever, but Breaking Bad remains to be the most pop culturally influential TV show ever: its bold storytelling, compelling characters, and unflinching examination of the human psyche. - CreatorDavid ChaseStarsJames GandolfiniLorraine BraccoEdie FalcoNew Jersey mob boss Tony Soprano deals with personal and professional issues in his home and business life that affect his mental state, leading him to seek professional psychiatric counseling.S1-6=10
The GOAT of TV. The landmark television series created by David Chase, revolutionized the medium and set new standards for storytelling in the 21st century. The show's influence on television cannot be overstated. It not only introduced the world to the complex, morally ambiguous character of Tony Soprano, portrayed with astonishing depth and complexity by James Gandolfini, but it also pioneered the antihero protagonist archetype, paving the way for a new era of television where flawed, multi-dimensional characters took center stage inspiring the inception of countless iconic characters: Walter White, Don Draper, Nucky Thompson, Vic Mackey, etc. What truly sets "The Sopranos" apart is its unflinching exploration of the human condition. It delves into the psyche of its characters, exposing their vulnerabilities, desires, and inner demons. Tony Soprano, in particular, is a character for the ages, a mob boss struggling with anxiety, depression, and the constant weight of his criminal empire. Gandolfini's performance is nothing short of extraordinary, making Tony simultaneously terrifying and deeply sympathetic. Unless a miracle happens, I still hold the belief it is the greatest performance in TV history. The show's narrative is a tapestry of interwoven storylines, combining elements of crime drama, family saga, and psychological exploration. It masterfully balances the high-stakes world of organized crime with the everyday challenges of family life. Edie Falco's portrayal of Tony's wife, Carmela, adds another layer of complexity, as she grapples with her complicity in her husband's criminal activities while trying to maintain a semblance of normalcy for their children. The other characters, also deliver powerhouse performances, such as Michael Imperoli's Christopher, Steve Van Zandt's Silivio, Tony Sirico's Paulie, Lorraine Bracco's Dr. Melfi, or the uniquely villainous Nancy Marchand's Livia Soprano. It's also marked by its innovative storytelling techniques and bold narrative choices. It wasn't afraid to challenge conventional television tropes, often leaving audiences in suspense with unexpected twists and unresolved storylines. Its willingness to explore the gray areas of morality, often without providing easy answers, added to its narrative richness. Even years after its conclusion, "The Sopranos" remains the most influential show of all time: a testament to its unparalleled storytelling, unforgettable characters, and its profound exploration of the complexities of the human soul in a world where morality is often elusive. - CreatorDavid SimonStarsDominic WestLance ReddickSonja SohnThe Baltimore drug scene, as seen through the eyes of drug dealers and law enforcement.S1-5=10
The GOAT of TV. If it ain't Breaking Bad or The Sopranos, then its The Wire. Another magnum opus of television, transcending the boundaries of the crime drama genre to become an incisive and sprawling sociopolitical epic. Set in Baltimore, Maryland, the series presents a visceral and unflinching portrayal of the city's institutions and the lives of its residents, spanning across five seasons. What sets "The Wire" apart is its unwavering commitment to realism and its exploration of the systemic issues plaguing American urban centers. Each season meticulously examines a different facet of the city, from the drug trade and the police department to the education system and the media. Its sprawling ensemble cast, including Dominic West, Idris Elba, and the revolutionary & legendary Omar Little of Michael K. Williams, deliver performances of unparalleled depth and authenticity, and the supporting cast breathing life into a wide array of characters, from corner boys to detectives. The series resists the temptation to provide easy answers or moral absolutes, instead opting for a nuanced and often bleak portrayal of a world where institutions are often more interested in self-preservation than genuine reform. "The Wire" stands as a searing critique of the failures of the American Dream, a treatise on the cyclical nature of systemic problems, and a testament to the enduring power of storytelling in shedding light on the darkest corners of society. It's a landmark achievement in television that demands not only to be watched but to be studied and pondered for its unflinching examination of the urban American experience and its profound, often sobering, reflections on the human condition. - CreatorLisa JoyJonathan NolanStarsEvan Rachel WoodJeffrey WrightEd HarrisAt the intersection of the near future and the reimagined past, waits a world in which every human appetite can be indulged without consequence.S1=10
S2=5
S3=4
S4=3
Small rant time because I would write an essay for this. I don't need to say much to explain how this became a dumpster fire, when others have already said it better on countless YouTube analysis videos. S1 of Westworld was the peak of TV, and I daresay the greatest first season of a show besides "True Detective". It had the potential to be a GOAT. It was conceptually confounding, perfectly acted (Anthony Hopkins literally stole every scene), cinematographically inspiring, and had plain brilliant writing which I essentially consider to be benchmark sci-fi. Then.......S2-S4 happened. And they took a massive, politically-driven, feminist shit on the show. It was the girl boss Dolores show after that. Not even the A-list actors who've been in the show like Jeffrey Wright or Ed Harris could save it. Season 1 is a masterpiece that is thankfully very easy to pretend a mini-series w/ an open-ending -- though the other seasons is just insanely good-looking, well-acted shit - CreatorDavid BenioffD.B. WeissStarsEmilia ClarkePeter DinklageKit HaringtonNine noble families fight for control over the lands of Westeros, while an ancient enemy returns after being dormant for millennia.S1-3=10
S4=11
S5-6=10
S7=7
S8=4
My favorite show ever and the longest review I'll ever make besides "Lord of the Rings". A monumental television achievement that redefined the fantasy genre on the small screen. The show's vast and intricately woven narrative follows the power struggles, political intrigue, and warfare among the noble families of the fictional continents of Westeros and Essos. With its sprawling ensemble cast which is the greatest in TV, it presents a rich tapestry of complex characters, each with their motivations and moral ambiguity. I mean, half to most of the fucking cast put on legendary performances that trump most ENTIRE castings of TV shows and movies. From the valor and resilience of House Stark: the steadfast Jon Snow, the honorable Ned Stark, the fierce Arya Stark, the diplomatic Sansa Stark, the enigmatic Bran Stark, the valiant Robb Stark, the nurturing Catelyn Stark, the young Rickon Stark, the wise Maester Luwin, and the tragic Theon Greyjoy, once of House Stark. From the scheming and power-hungry House Lannister: the cunning Cersei Lannister, the conflicted Jaime Lannister, the witty Tyrion Lannister, the commanding Tywin Lannister, the detestable Joffrey Baratheon (by adoption), the tragic Myrcella Baratheon (by adoption), the gentle Tommen Baratheon (by adoption), and the devout Lancel Lannister. From the once-mighty and dominatable House Targaryen: the liberator and conqueror Daenerys Targaryen, the naively ambitious Viserys Targaryen, the wise Maester Aemon Targaryen, and the lineage-bound Jon Snow. From the rebellious House Baratheon: the boisterous drunkard Robert Baratheon, the stern Stannis Baratheon, the charismatic Renly Baratheon, the innocent Shireen Baratheon, and the legitimatized Gendry. From the progressive and resourceful House Tyrell: the siren Margaery Tyrell, the sharp-tongued Olenna Tyrell, the gallant Loras Tyrell, and the pushover Mace Tyrell. From seafaring pillagers of House Greyjoy: the broken Theon Greyjoy, the bold Yara Greyjoy, the ruthless Euron Greyjoy, and the late Balon Greyjoy. From prideful House Martell: the passionate, vengeful, bisexual dynamic duo of Oberyn Martell and Ellaria Sand. From the usurping House Bolton: the usurping Roose Bolton and his uninhibited sadistic bastard son, Ramsay Bolton. And don't forget the others: the Machiavellian Petyr Baelish, the mysterious Varys, the tormented Sandor Clegane (the Hound), the monstrous Gregor Clegane (the Mountain), the mystical Melisandre (the Red Woman), the loyal Davos Seaworth (the Onion Knight), the pragmatic Bronn, the devoted Jorah Mormont, the honorable Brienne of Tarth, the wild Tormund Giantsbane, the scholarly Samwell Tarly, the innocent Gilly and Hodor, the assassin Jaqen H'ghar, the conniving Maester Pycelle, the ambitious Qyburn, the duplicitous Shae, the loyal Podrick Payne, the compassionate Missandei, the disciplined Grey Worm, the resilient Beric Dondarrion, the faithful Thoros of Myr, the charming Daario Naharis, the devout High Sparrow, the treacherous Walder Frey, the fierce Ygritte, the wise Jojen Reed, and the loyal Meera Reed. The series is marked by its willingness to subvert traditional fantasy tropes, raunchy and quippy dialogue, and often eschewing conventional happy endings for shocking plot twists and character deaths. For those curious, Varys & Tyrion are my primary favorites among the ocean of favorites. Of course, I would have to mention the mega bullshit in its later seasons for rushed character arcs and its divisive narrative choices. I don't need to repeat the infinite analysis videos you see explaining how the ending was the worst -- blah, blah. If anyone's curious, I'll briefly explain the bullshit character arcs that pissed me off: worst of all was Jaime's redemption (that's unforgivable), and second was Jon's lineage or succession meaning nothing, Daenerys's ham-fisted 'Mad Queen' descent, Euron just existing, Loras being victim to "bury your gays" as the token gay guy (not a problem in books FYI because he's actually badass. As a gay guy, I have a personal rant: I'd love a good medieval fantasy one day that doesn't treat gay guys like Goody Proctor in Salem. Or doesn't pretend they don't exist like in Tolkien's legendarium; Tolkien probably hated gays, and that doesn't change my obsession with Middle Earth, but since its a European-Catholic mythology it's not THAT curious. That's why I vibe so much with Greeks and their mythologies -- far more in touch. But why does everyone think hating gays is a necessity for medieval shit? More disturbingly, justifying the persecution due to it. Crack a book, it's fantasy and a lot of historical societies had no problem with it until Catholic Inquisitions), Varys getting burned for betrayal, Littlefinger being outsmarted, Bran becoming king, and the Night King amounting to little as a threat especially forcing focus to Cersei. But "chaos is a ladder", and David Benioff & D.B. Weiss kept climbing in those final seasons; though, I still find it more thrilling than most shows. And yet, it still remains a cultural phenomenon that left an indelible impact on popular culture in a way never seen before with a TV show: widespread discussions about its themes and characters, massive subcultures created, sprawling merchandise, and worldwide recognition. Ultimately, "Game of Thrones" will be remembered as a groundbreaking and influential television series that pushed the boundaries of epic storytelling, captivating with its intricate political intrigue, complex characters, and unrelenting portrayal of the brutality and unpredictability of the human condition. "Breaking Bad" may be the pop culture benchmark for television, but "Game of Thrones" is the pop culture PHENOMENOM of television. After all, it's the only show on IMDB with a higher number of rating count than BB. - CreatorRyan J. CondalGeorge R.R. MartinStarsMatt SmithEmma D'ArcyOlivia CookeAn internal succession war within House Targaryen at the height of its power, 172 years before the birth of Daenerys Targaryen.S1-2=10
A long-awaited return to the captivating world of Westeros. It dives into the volatile reign of the Targaryens, and the complex web of royal bloodlines, power struggles, and rivalries, centering on the ascension to the throne after King Jaeharys I. The narrative navigates through political intrigue, generational succession, and the thirst for power, echoing the familiar themes of its predecessor. While comparisons to "Game of Thrones" are inevitable, "House of the Dragon" brings its own flavor, selectively toning down on the violence and sex in favor of a glorified soap opera. The casting, led by the transcendent and Shakespearean performance of Paddy Considine's Viserys I, and following: the bold, ambitious duo of Matt Smith's Daemon and Emma D'Arcy's Rhaenyra Targaryen, the cunning, manipulative duo of Rhys Ifans's Otto and Olivia Cooke's Alicent Hightower, the wise, shrewd duo of Steve Toussaint's Corlys Velaryon and Eve Best's Princess Rhaenys and standalone's like Ewan Mitchell's Aemond Targaryen or Graham McTavish's Ser Harrold. And for the matter, Viserys walking down the throne room in "Lord of the Tides" looking like a Dark Souls boss is one of the most epic things I've ever seen. The series adeptly utilizes what "Game of Thrones" did masterfully—political intrigue, complex character dynamics, and nuanced storytelling—to build upon the established foundation. It skillfully weaves its draconic elements, showcasing the unique, fantastical era in which Fire & Blood ruled Westeros. The show's CGI and cinematography are the franchise's zenith, with mesmerizing visual landscapes, complementing the grandeur of the Targaryen legacy and Westeros. "House of the Dragon" is a stellar addition to the fantasy genre, inviting an exploration of Westerosi history through the fiery conflicts that consumed the Blacks vs. Greens. - DirectorPeter JacksonStarsElijah WoodIan McKellenOrlando BloomA meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.Directed by the visionary Peter Jackson, stands as an unparalleled cinematic masterpiece that has etched its place in the annals of film history. Adapted from J.R.R. Tolkien's epic fantasy saga, the trilogy's monumental achievement lies in its seamless fusion of breathtaking world-building, intricate storytelling, and exceptional performances by a remarkable ensemble cast. At the heart of this epic journey is the unassuming yet resolute Frodo Baggins (Elijah Wood), whose portrayal captures the essence of courage and vulnerability as he shoulders the weight of the One Ring. Alongside him, the loyal and steadfast Samwise Gamgee (Sean Astin) stands as a testament to friendship and unwavering devotion, forming an indomitable bond that resonates deeply as one of the greatest heroes. Viggo Mortensen's portrayal of Aragorn is a masterclass in stoicism, growth, and infectious masculinity, evolving from a rugged ranger to a true king. While the wisdom and ethereal presence of Cate Blanchett's enchanting Galadriel casts a veil with her monologues and powers. The Istari wizards: Ian McKellen's Gandalf and Christopher Lee's Saruman both exude infectious gravitas; Gandalf oozing wisdom as a guiding force of light, and Saruman, a corruption of wisdom as a dejection to the light. While the endearing hobbits Pippin (Billy Boyd) and Merry (Dominic Monaghan) infuse the narrative with camaraderie and bravery, as they turn into unexpected heroes alongside Frodo and Sam. The elegant Liv Tyler embodies Arwen's beauty (inherited from Luthien) and willfulness, and Hugo Weaving's Elrond exudes regal authority among the elves as a bastion of common sense. John Rhys-Davies's Gimli provides both comic relief and heartfelt camaraderie, showing the hardiness of dwarves and delicacy, by way through Orlando Bloom's Legolas that provides loyalty and elven graces of combative prowess. Sean Bean's Boromir delivers a poignant exploration of the ring's effects on man, with redemption and sacrifice, while his brother, David Wenham's portrayal of Faramir, adds a layer of complexity to the themes of duty and family. The enigmatic Gollum, brought to life through Andy Serkis's groundbreaking motion-capture performance, is perhaps the most complex and tragic character in the narrative. Miranda Otto's Eowyn defies conventions with her courage and determination, challenging gender norms. Where Bernard Hill's King Théoden is a pinnacle of inspiration and gravitas, with a sharp shrewdness and authority, but also insecurities of leadership. John Noble's Denethor captures the tragic descent into madness and despair, mirroring the One Ring's effect on the realm of Man. The malevolent presence of Sauron, an embodiment of darkness and malevolence, casts a shadow over Middle-earth, epitomizing the ultimate villainy that threatens to consume all. The dazzling visual effects, brought to life by Weta Digital, seamlessly integrate the fantastical landscapes and awe-inspiring battles, complemented by my favorite scoring of all time, Howard Shore's transcendent musical score that captures the emotional depth of the narrative. Jackson's visionary direction ensures every frame is a testament to meticulous attention to detail, enveloping audiences in a fully realized Middle-earth. The trilogy's triumph lies not only in its technical prowess but in its thematic resonance—exploring enduring themes of friendship, heroism, the battle between light and darkness, and the indomitable human spirit. The intricate tapestry of cultures, languages, and races reflects a profound commitment to storytelling that made Tolkien's legendarium a story like no other. The "Lord of the Rings" trilogy isn't just a cinematic achievement; it's an exploration of humanity's capacity for greatness and its ability to overcome adversity. This is shown through such sequences of The Bridge of Khazad-dum, The Battle of Helm's Deep or Battle of the Pelennor Fields -- three of the greatest cinematic moments in history, among the many others in the trilogy. Through its characters, performances, and the sheer scope of its storytelling, the trilogy has left an indelible mark on both cinema and popular culture, securing its place as an everlasting masterpiece. No other story comes close to the catharsis this trilogy gives me, no other films comes close to their greatness, and forevermore will be my all-time favorite movies ever
- DirectorPeter JacksonStarsElijah WoodViggo MortensenIan McKellenGandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.Directed by the visionary Peter Jackson, stands as an unparalleled cinematic masterpiece that has etched its place in the annals of film history. Adapted from J.R.R. Tolkien's epic fantasy saga, the trilogy's monumental achievement lies in its seamless fusion of breathtaking world-building, intricate storytelling, and exceptional performances by a remarkable ensemble cast. At the heart of this epic journey is the unassuming yet resolute Frodo Baggins (Elijah Wood), whose portrayal captures the essence of courage and vulnerability as he shoulders the weight of the One Ring. Alongside him, the loyal and steadfast Samwise Gamgee (Sean Astin) stands as a testament to friendship and unwavering devotion, forming an indomitable bond that resonates deeply as one of the greatest heroes. Viggo Mortensen's portrayal of Aragorn is a masterclass in stoicism, growth, and infectious masculinity, evolving from a rugged ranger to a true king. While the wisdom and ethereal presence of Cate Blanchett's enchanting Galadriel casts a veil with her monologues and powers. The Istari wizards: Ian McKellen's Gandalf and Christopher Lee's Saruman both exude infectious gravitas; Gandalf oozing wisdom as a guiding force of light, and Saruman, a corruption of wisdom as a dejection to the light. While the endearing hobbits Pippin (Billy Boyd) and Merry (Dominic Monaghan) infuse the narrative with camaraderie and bravery, as they turn into unexpected heroes alongside Frodo and Sam. The elegant Liv Tyler embodies Arwen's beauty (inherited from Luthien) and willfulness, and Hugo Weaving's Elrond exudes regal authority among the elves as a bastion of common sense. John Rhys-Davies's Gimli provides both comic relief and heartfelt camaraderie, showing the hardiness of dwarves and delicacy, by way through Orlando Bloom's Legolas that provides loyalty and elven graces of combative prowess. Sean Bean's Boromir delivers a poignant exploration of the ring's effects on man, with redemption and sacrifice, while his brother, David Wenham's portrayal of Faramir, adds a layer of complexity to the themes of duty and family. The enigmatic Gollum, brought to life through Andy Serkis's groundbreaking motion-capture performance, is perhaps the most complex and tragic character in the narrative. Miranda Otto's Eowyn defies conventions with her courage and determination, challenging gender norms. Where Bernard Hill's King Théoden is a pinnacle of inspiration and gravitas, with a sharp shrewdness and authority, but also insecurities of leadership. John Noble's Denethor captures the tragic descent into madness and despair, mirroring the One Ring's effect on the realm of Man. The malevolent presence of Sauron, an embodiment of darkness and malevolence, casts a shadow over Middle-earth, epitomizing the ultimate villainy that threatens to consume all. The dazzling visual effects, brought to life by Weta Digital, seamlessly integrate the fantastical landscapes and awe-inspiring battles, complemented by my favorite scoring of all time, Howard Shore's transcendent musical score that captures the emotional depth of the narrative. Jackson's visionary direction ensures every frame is a testament to meticulous attention to detail, enveloping audiences in a fully realized Middle-earth. The trilogy's triumph lies not only in its technical prowess but in its thematic resonance—exploring enduring themes of friendship, heroism, the battle between light and darkness, and the indomitable human spirit. The intricate tapestry of cultures, languages, and races reflects a profound commitment to storytelling that made Tolkien's legendarium a story like no other. The "Lord of the Rings" trilogy isn't just a cinematic achievement; it's an exploration of humanity's capacity for greatness and its ability to overcome adversity. This is shown through such sequences of The Bridge of Khazad-dum, The Battle of Helm's Deep or Battle of the Pelennor Fields -- three of the greatest cinematic moments in history, among the many others in the trilogy. Through its characters, performances, and the sheer scope of its storytelling, the trilogy has left an indelible mark on both cinema and popular culture, securing its place as an everlasting masterpiece. No other story comes close to the catharsis this trilogy gives me, no other films comes close to their greatness, and forevermore will be my all-time favorite movies ever
- DirectorPeter JacksonStarsElijah WoodIan McKellenViggo MortensenWhile Frodo and Sam edge closer to Mordor with the help of the shifty Gollum, the divided fellowship makes a stand against Sauron's new ally, Saruman, and his hordes of Isengard.Directed by the visionary Peter Jackson, stands as an unparalleled cinematic masterpiece that has etched its place in the annals of film history. Adapted from J.R.R. Tolkien's epic fantasy saga, the trilogy's monumental achievement lies in its seamless fusion of breathtaking world-building, intricate storytelling, and exceptional performances by a remarkable ensemble cast. At the heart of this epic journey is the unassuming yet resolute Frodo Baggins (Elijah Wood), whose portrayal captures the essence of courage and vulnerability as he shoulders the weight of the One Ring. Alongside him, the loyal and steadfast Samwise Gamgee (Sean Astin) stands as a testament to friendship and unwavering devotion, forming an indomitable bond that resonates deeply as one of the greatest heroes. Viggo Mortensen's portrayal of Aragorn is a masterclass in stoicism, growth, and infectious masculinity, evolving from a rugged ranger to a true king. While the wisdom and ethereal presence of Cate Blanchett's enchanting Galadriel casts a veil with her monologues and powers. The Istari wizards: Ian McKellen's Gandalf and Christopher Lee's Saruman both exude infectious gravitas; Gandalf oozing wisdom as a guiding force of light, and Saruman, a corruption of wisdom as a dejection to the light. While the endearing hobbits Pippin (Billy Boyd) and Merry (Dominic Monaghan) infuse the narrative with camaraderie and bravery, as they turn into unexpected heroes alongside Frodo and Sam. The elegant Liv Tyler embodies Arwen's beauty (inherited from Luthien) and willfulness, and Hugo Weaving's Elrond exudes regal authority among the elves as a bastion of common sense. John Rhys-Davies's Gimli provides both comic relief and heartfelt camaraderie, showing the hardiness of dwarves and delicacy, by way through Orlando Bloom's Legolas that provides loyalty and elven graces of combative prowess. Sean Bean's Boromir delivers a poignant exploration of the ring's effects on man, with redemption and sacrifice, while his brother, David Wenham's portrayal of Faramir, adds a layer of complexity to the themes of duty and family. The enigmatic Gollum, brought to life through Andy Serkis's groundbreaking motion-capture performance, is perhaps the most complex and tragic character in the narrative. Miranda Otto's Eowyn defies conventions with her courage and determination, challenging gender norms. Where Bernard Hill's King Théoden is a pinnacle of inspiration and gravitas, with a sharp shrewdness and authority, but also insecurities of leadership. John Noble's Denethor captures the tragic descent into madness and despair, mirroring the One Ring's effect on the realm of Man. The malevolent presence of Sauron, an embodiment of darkness and malevolence, casts a shadow over Middle-earth, epitomizing the ultimate villainy that threatens to consume all. The dazzling visual effects, brought to life by Weta Digital, seamlessly integrate the fantastical landscapes and awe-inspiring battles, complemented by my favorite scoring of all time, Howard Shore's transcendent musical score that captures the emotional depth of the narrative. Jackson's visionary direction ensures every frame is a testament to meticulous attention to detail, enveloping audiences in a fully realized Middle-earth. The trilogy's triumph lies not only in its technical prowess but in its thematic resonance—exploring enduring themes of friendship, heroism, the battle between light and darkness, and the indomitable human spirit. The intricate tapestry of cultures, languages, and races reflects a profound commitment to storytelling that made Tolkien's legendarium a story like no other. The "Lord of the Rings" trilogy isn't just a cinematic achievement; it's an exploration of humanity's capacity for greatness and its ability to overcome adversity. This is shown through such sequences of The Bridge of Khazad-dum, The Battle of Helm's Deep or Battle of the Pelennor Fields -- three of the greatest cinematic moments in history, among the many others in the trilogy. Through its characters, performances, and the sheer scope of its storytelling, the trilogy has left an indelible mark on both cinema and popular culture, securing its place as an everlasting masterpiece. No other story comes close to the catharsis this trilogy gives me, no other films comes close to their greatness, and forevermore will be my all-time favorite movies ever
- StarsIndia AmarteifioAdjoa AndohMichelle FairleyBetrothed against her will to King George, young Charlotte arrives in London on her wedding day and faces scrutiny from the monarch's cunning mother.This mini series just reinforced to me that Golda Rosheuvel is just an absolute knockout in her role. In many ways surpassing its successor, the mini series offers a forethoughtful, mature, and layered look into the characters of which we were left in the dark of. The series presents a more mature and layered dissection of class structure and royal hierarchy. This hierarchy shows themes of duty, family, nationalism, and in Bridergton style -- a sardonic social commentary of the dynamics of monarchy. The romance, is arguably treated with more tact and authenticity than Bridgerton. Charlotte and George's romance is matched by cruel realities and a constant sense of poignancy, Reynolds and Brimsely's forbidden romance is unabashedly touching and steamy, but also has its own touch of cruel realities. I have no qualms whatsoever calling this better than the original; and infinitely more rewatchable
- CreatorChris Van DusenStarsNicola CoughlanLuke NewtonJulie AndrewsThe eight close-knit siblings of the Bridgerton family look for love and happiness in London high society.S1=7
S2=6
One of those Netflix phenomenon's that gets insanely popular for whatever reason. A romance dramedy for middle-aged women to masturbate to. I must admit to bewilderment, as to how good I actually found this. The show's diverse cast and colorblind casting approach bring a modern sensibility to the Regency-era setting, such as it is being a byproduct of its satirical nature. The lavish production design, elaborate costumes, and captivating music create an immersive and enchanting world for viewers to indulge in. it adeptly tackles important themes, such as societal expectations, gender roles, and the complexities of love and marriage. It stands as a delightful and innovative period drama that combines romance, drama, and societal commentary with visual splendor and modern sensibilities. - StarsJodie ComerRebecca BensonJacob Collins-LevyBased on the Philippa Gregory book of the same name, the story of Elizabeth of York, the White Queen's daughter, and her marriage to the Lancaster victor, Henry VII.A dull sequel. The actors did their best, especially the likes of Michelle Fairley, Jodie Comer, and Jacob Levy, but the script was fucking poor. It kinda felt like a video game with how the costuming and set design was executed. Definitely not on the White Queen's level, but not as bad as Spanish Princess.
- StarsAneurin BarnardRebecca FergusonAmanda HaleThree different, yet equally relentless women vie for the throne in 15th-century England.Not a historical I'd ever watch again, but was genuinely a good show. The casting is excellent (I loved Rebecca Ferguson & Janet McTeer), the costuming is fabulous, the set design & locations is superb, and the story was generally engaging. Not one of those people up their ass ab "accuracy", but compared to other historicals, it just didn't do much for me
- CreatorEmma FrostMatthew GrahamStarsLaura CarmichaelAaron CobhamCharlotte HopeSpanish princess Catherine of Aragon navigates the royal lineage of England with an eye on the throne.Ruairi O'Connor was delightful to look at, but this show is garbage
- CreatorJustin HaytheStarsSamantha MortonRaza JaffreyAmrita AchariaSeries based on Leonie Frieda's book "Catherine de Medici: Renaissance Queen of France."A passionate rollercoster of a drama horribly spoiled by pointless cacophonous music, ridiculous modern dialoge and endless 4th wall breaking. Despite the glaring inaccuracy, the plot is entertaining and the Serpent Queen carries the show, managing to make up for some pretty mediocre performances by some of the rest of the cast. If you can bear the patronising need to present historical characters as modern 21st century people, the action should carry you along. Idc ab S2.
- CreatorSam EsmailStarsRami MalekChristian SlaterCarly ChaikinElliot, a brilliant but unstable cyber-security engineer and vigilante hacker, becomes a key figure in a complex game of global chaos when he and his shadowy allies try to take down the corrupt corporation his company is paid to protect.S1-4=10
A groundbreaking series that stands out for its innovative storytelling, complex characters, and gripping exploration of societal issues. The show follows Elliot Alderson, brilliantly portrayed by Rami Malek, a cybersecurity engineer and vigilante hacker plagued by mental health struggles and a desire to dismantle corrupt corporations. The series' visual style, with its unique framing and cinematography, mirrors Elliot's disjointed reality, effectively immersing viewers into his mind. Christian Slater's enigmatic Mr. Robot serves as both Elliot's alter ego and a symbol of rebellion against the system. The writing, spearheaded by creator Sam Esmail, expertly delves into themes of power, control, identity, and the dark underbelly of technology. Its nonlinear narrative keeps audiences on edge, offering twists and turns that challenge perceptions and keep the suspense high. The supporting cast, including Carly Chaikin as the complex Darlene and Martin Wallström as the ruthless Tyrell Wellick, contributes to the show's depth. "Mr. Robot" is a thought-provoking and visually stunning series that delves deep into the human psyche, delivering a narrative that's both psychologically intricate and socially relevant, making it a standout in contemporary television. - CreatorNoah HawleyStarsDan StevensRachel KellerAubrey PlazaDavid Haller is a troubled young man diagnosed as schizophrenic, but after a strange encounter he discovers special powers that will change his life forever.S1=8
S2=5
S3=5
The epitome of style over substance. At once, an extremely engaging show, but for most of it, an audiovisual & cinematographic masterpiece that's better off being a film student essay on cinematography than it is being a good show. It's unquestionably one of Marvels most ambitious works to date, and severely underrated and obscure -- but not for the right reasons. - CreatorSam CatlinEvan GoldbergSeth RogenStarsDominic CooperJoe GilgunRuth NeggaAfter a supernatural event at his church, a preacher enlists the help of a vampire and his ex to find God.S1=7
S2=5
S3=5
S4=5
The first season was promising, and had executed all of its comic-book, supernatural elements effectively. But everything after that was pretty dull and boring. It got way too self-indulgent w/ the comic book adaptation thing and ended up being a cringefest of rule-of-cool profanity & action - CreatorCraig SilversteinStarsJamie BellHeather LindSamuel RoukinA Long Island farmer bands together a group of childhood friends to form an unlikely group of spies who turn the tide in America's fight for independence.S1=8
S2=7
S3=6
S4=6
Being basically the only TV show set in the Revolutionary Era, I was VERY intrigued by it. Suffice it to say, that it became a very tedious show for me as the seasons went by. Kevin McNally and Burn Gorman were the saving graces throughout, but Jamie Bell was rather stale, and Samuel Roukin was just plain comical w/ his character. I don't think this was an average show by any means, but after a while the Colonial espionage lost its appeal and frankly, got stupid. The series suffers from excessive slowness in events and repetitive boredom, making it boring to watch a lot of times. It also lacks the artistic essence that makes viewers feel excitement and thrill. - CreatorJulian FellowesStarsHugh BonnevillePhyllis LoganElizabeth McGovernA chronicle of the lives of the British aristocratic Crawley family and their servants in the early twentieth century.S1-6=10
Captured the hearts of audiences worldwide with its lush depiction of early 20th-century British aristocracy. Unfolds against the backdrop of the Crawley family and their estate, capturing the social transformations of early 20th-century England. At the heart of the series is the distinguished Crawley family, led by the stoic yet caring Robert Crawley, Earl of Grantham (portrayed by Hugh Bonneville), navigating the challenges of aristocratic responsibility amid societal changes. Lady Cora Crawley (Elizabeth McGovern) serves as the poised and compassionate American-born countess, offering a fresh perspective to the aristocratic setting. Their three headstrong daughters - Mary (Michelle Dockery), Edith (Laura Carmichael), and Sybil (Jessica Brown Findlay) - each embody varying degrees of societal rebellion and personal struggles, shaping the family's dynamics. The formidable Dowager Countess Violet Crawley (Maggie Smith) quickly turns to be something legendary in performance and character in the annals of TV, providing witty quips and unwavering wisdom, acting as both a guardian of tradition and an agent of change; she is my favorite, and one the best TV characters ever. Downstairs, the loyal butler Mr. Carson (Jim Carter) symbolizes the dignity and traditions of service, while housekeeper Mrs. Hughes (Phyllis Logan) and cook Mrs. Patmore (Lesley Nicol) embody the backbone of domestic management. The ambitious footman Thomas Barrow (Rob James-Collier) struggles with societal constraints of his homosexuality and personal identity reflecting the era's challenges, and is arguably the series most dimensional character. Throughout its run, "Downton Abbey" skillfully intertwines these characters' lives, blending upstairs and downstairs narratives, showcasing societal shifts, personal triumphs, and tribulations, while offering a nuanced exploration of class, tradition, and progress in a rapidly changing world. One of my favorite shows ever. - DirectorMichael EnglerStarsStephen Campbell MooreMichael FoxLesley Nicol1927. The Crawleys prepare to host King George V and Queen Mary at Downton Abbey.Gracefully brings back the opulence, charm, and intricate dynamics of the Crawley family and their dedicated staff onto the big screen. This cinematic extension of the beloved series offers a delightful reunion with the aristocratic Crawleys, led by Hugh Bonneville's Robert Crawley, Earl of Grantham, and Elizabeth McGovern's Lady Cora Crawley. The film showcases the family's preparations for a royal visit, reigniting the personal journeys of Michelle Dockery's Mary, Laura Carmichael's Edith, and the memorable matriarch, Maggie Smith's Dowager Countess Violet Crawley. It seamlessly intertwines the upstairs and downstairs worlds, rekindling the spirit of camaraderie and dedication among the loyal staff, notably Jim Carter's Mr. Carson and Phyllis Logan's Mrs. Hughes. Against the backdrop of societal changes, the film skillfully captures the essence of the series, delivering nostalgia, grandeur, and the familiar blend of wit and warmth. It provides an enchanting escape back to the beloved estate while celebrating the endearing characters that have charmed audiences for
- DirectorSimon CurtisStarsHugh BonnevilleJim CarterMichelle DockeryThe Crawley family goes on a grand journey to the South of France to uncover the mystery of the dowager countess's newly inherited villa.Continues the tradition of delivering charming, polished escapism that captivated audiences throughout the series and its predecessor film. It maintains the allure of period drama with its sumptuous visuals, evoking nostalgia and elegance through stunning cinematography, lavish sets, and evocative costumes. However, the film's shortcomings are evident in its editing, which occasionally feels abrupt and disjointed, affecting the flow of scenes, and its overcrowded narrative that underutilizes certain characters and subplots, particularly in the Riviera sequences. The shorter length seems limiting, almost compressing a season's worth of content into a single film. Notably, the film's strengths shine through in its exquisite visuals, restrained direction that elevates the drama, and a heartwarming script filled with witty dialogues and standout performances culminating in Maggie Smith's Violet's sendoff -- a perfect end to the 'Era'. The Downton sequences remain charming and enjoyable, though the underutilization of certain talents, like Nathalie Baye and Brendan Coyle, feels regrettable. Despite its flaws, "Downton Abbey: A New Era" is executed well and manages to evoke sentimentality and entertain, though not without reminders of missed opportunities and narrative overcrowding.
- StarsIan McShaneMatthew MacfadyenEddie RedmayneSet against a backdrop of war, religious strife and power struggles which tears lives and families apart.This mini-series blew me away -- which is not something I say often. A sweeping and engrossing historical drama that brings to life the complex and turbulent world of 12th-century England, with a particular focus on the construction of a grand cathedral in the fictional town of Kingsbridge. The series is founded by its compelling characters: the resourceful builder & respectable father-figure, Tom Builder (Rufus Sewell), the ambitious & righteous Prior Philip (Matthew Macfadyen), the winsome, young artist Jack (Eddie Redmayne), the headstrong feminist Aliena (Hayley Atwell), the mysterious Ellen (Natalia Wörner), the dastardly, love-to-hate Lord William (David Oakes) -- and his family that are basically Lannister's 2.0 -- and standing tall is the cunning, ruthless Bishop Waleran Bigod (Ian McShane). The show's meticulous attention to period detail and the intricacies of cathedral construction provide an immersive experience for viewers. "The Pillars of the Earth" is a story of power, love, and ambition, set against the backdrop of a society rife with political intrigue and religious conflict. It delves into themes of faith, morality, and the enduring human spirit. The ensemble cast besides the standout ones I mentioned are absolutely stunning; it is notable for its complex exploration of female characters in a medieval setting -- since the setting is usually focused patriarchally. With its epic storytelling, beautiful cinematography, drop-dead inspiring soundtrack, and intricate character development, "The Pillars of the Earth" stands as a captivating and one of the most richly textured historical dramas and shows that I have ever seen. Even more impressive, is how its storytelling is so powerful that when its religious sentiments occur, it is still profound -- and I'm an atheist. It will forever remain one of my favorite shows of all time.
- CreatorJulian FellowesStarsCarrie CoonMorgan SpectorLouisa JacobsonThe series follows the conflicts surrounding the new money Russell family and their old money neighbors, the van Rhijn family, in 1880s New York City high society.S1-2=6
Oh, Julian Fellowes. Presents a sumptuous, sprawling depiction of New York City's opulent era at the turn of the 20th century, masterfully exploring the clash of old money aristocracy and nouveau riche ambition. Julian Fellowes, known for "Downton Abbey," brings his signature blend of lavish period drama and intricate character dynamics to this series, weaving a tale of social ascent, power struggles, and societal transformation. The show's opulent visuals and meticulous attention to historical detail immerse in a world of lavish mansions, exquisite costumes, and grand balls. The ensemble cast, led by Christine Baranski and Cynthia Nixon, delivers compelling performances, portraying characters navigating the complexities of wealth, ambition, and societal norms. While the series provides a vivid portrayal of the era's glamour and excess, it also explores pertinent themes of class divide, gender dynamics, and racial tensions, offering a nuanced reflection on the societal shifts of the time. However, it is unfortunate to say that the show's biggest flaw is the very thing it tries to avoid: not being Downton Abbey. The narrative often feels very tedious and slow, wherein the halfway engaging cast isn't enough to support it's detached identity. Yet, intricate character arcs and the clash of societal forces in an era of transformative change renders "The Gilded Age" a promising addition to period dramas, poised to delve deeper into the intricacies of wealth, power, and social dynamics. Even if I think it finds itself in an inescapable rut of identity in which it desperately clings out of. - CreatorSally WainwrightStarsSuranne JonesSophie RundleGemma WhelanA dramatization of the life of lesbian trailblazer, voracious learner, and cryptic diarist Anne Lister.S1=6
S2=3
Look, I get it, this series is so great cuz of the LGBT rep. I'm all for representation, as long as its done right. I can't help but feel that this series identity relies on all that. And that's not this series' problem, its the dull as dishwater drama and story. Suranne Jones is sublime as Anne Lister, and as the performance saves the show. But it ain't enough. Glad its cancelled, cuz I never cared enough to begin with. - CreatorJoss WhedonStarsLaura DonnellyAnn SkellyOlivia WilliamsAn epic tale following a gang of Victorian women who find themselves with unusual abilities, relentless enemies, and a mission that might change the world.What the fuck, James Gunn did this? I would've never have guessed, considering how uncharacteristically it ISN'T James Gunn. Boring asf Victorian X-men. Meh.
- CreatorDamon LindelofTom PerrottaStarsJustin TherouxAmy BrennemanChristopher EcclestonThree years after the disappearance of 2% of the global human population, a group of people in a small New York community try to continue their lives while coping with the tragedy of the unexplained nature of the event.S1-3=5
An extraordinary exploration of grief, faith, and the human condition in the wake of a mysterious global event where 2% of the world's population inexplicably disappears. The series is a masterclass in character-driven storytelling, anchored by compelling performances from Justin Theroux, Ann Dowd, Liv Tyler, Carrie Coon, and Christopher Eccleston, among others. Lindelof's growth as a writer from "Lost" is noticeable and drastically improved upon his flaws; his willingness to embrace ambiguity and resist easy answers propels the narrative into profound and often unsettling territory. But Lindelof is still plagued with the case of never-explaining-shit-ever, and ultimately it led me to become indifferent to the show as a whole. Suffice it to say that I hate Lindelof's brand of writing. Back to the good, the show's multi-season arc takes viewers on a visceral journey through the emotional landscapes of its characters, delving deep into their struggles to make sense of a world turned upside down. Its thematic richness is mirrored by stunning visuals and a hauntingly evocative score. While "The Leftovers" is often a profound drama, it ultimately gets swallowed by the engima that it prizes itself on. Where Lost became disinvesting due to its length & aimless plotting, with constant flashbacks, it still boasted some of the most investing characters on TV ever. The Leftovers doesn't have that; the drama is visceral, sure, but not in a way that makes you feel. This circlejerk of redundant mystery just doesn't work, and that's why "Lost" pissed me off because I still care. I never cared for this - CreatorPatrick SomervilleStarsMackenzie DavisHimesh PatelMatilda LawlerA post apocalyptic saga spanning multiple timelines, telling the stories of survivors of a devastating flu as they attempt to rebuild and reimagine the world anew while holding on to the best of what's been lost.Turned out to be a better Leftovers. Even though this series was also plagued with similar issues, at least it had ambition and didn't pretend like it was building up to some ultra-super-mega finale because it was a slow-burn. But just like Leftovers, it left much leftover too
- CreatorMarti NoxonStarsAmy AdamsPatricia ClarksonChris MessinaAfter treating her mental illness, crime reporter Camille Preaker returns to her hometown to solve the murder of two young girls. However, she is forced to face and deal with her own demons too.Patricia Clarkson & Amy Adams were just phenomenal. The mystery payoff was also extremely gratifying but terrifying. It's a great show, but since I am not really invested in this whatsoever -- with little rewatch value -- I have to give it a 7. Also Jean-Marc Vallée is a phenomenal director.
- CreatorDavid E. KelleyStarsReese WitherspoonNicole KidmanShailene WoodleyThe apparently-perfect lives of upper-class mothers of students at a prestigious elementary school unravel to the point of murder when a single mother moves to their quaint California beach town.S1=8
S2=5
Was a really good show in S1. With Jean-Marc Vallée directing, the powerhouse actors, and the gripping drama, it had everything going for it. Untilllllll, S2. Then, it all crumbled into edgy soap opera bullshit. It also doesn't help that there probably ain't gunna be a S3 ever. So rewatching is virtually fucking useless. - CreatorSally WainwrightStarsSarah LancashireSiobhan FinneranJames NortonYorkshire-based crime drama centering on the personal and professional life of Police Sergeant Catherine Cawood.S1-3=10
Set in the picturesque but troubled Calder Valley, the show follows Catherine Cawood, a strong and determined police sergeant played by Sarah Lancashire, as she grapples with personal tragedies and confronts the brutal criminal underbelly of her community. Lancashire's powerhouse performance anchors the series, showcasing Catherine's resilience and moral complexity. Has a realistic portrayal of crime and its impact on the lives of both victims and perpetrators, delving into complex themes of revenge, guilt, and redemption. The show's nuanced and multi-dimensional characters, from the troubled Tommy Lee Royce portrayed by James Norton to Catherine's loyal and eccentric sister Clare played by Siobhan Finneran, add depth and authenticity to the story. Additionally, the series skillfully weaves together multiple plotlines, building tension and suspense while exploring the intricate web of relationships in the valley. Its an engrossing and thought-provoking crime drama that transcends the genre's conventions, offering a searing and unflinching portrayal of human nature and the pursuit of justice.One of the rare shows that wraps up the present, and puts the bow on top. - CreatorAllan CubittStarsGillian AndersonJamie DornanJohn LynchA seemingly cold but very passionate policewoman goes head to head with a seemingly passionate father who is in fact a cold serial killer in this procedural out of Belfast. The only thing they share is their common complexity.S1=7
S2=5
S3=3
Gillian Anderson whispers everything. Just why. But this crime thriller doesn't quite hit the mark. The actors who're cast in this series are brilliant, widely-known and respected actors. Gillian Anderson and her colleagues deserved far more in script, in directing, in production. The utterly 'blah' facial expressions and muted dialogue delivery did not in any way move the characters forward to advance the several plot lines. Comparing The Fall with other Brit procedurals, the Fall falls. Too many inconsistent plot lines and too few firmly presented procedures. And saying it's slow to develop is an understatement; it didn't develop. - CreatorNeil CrossStarsIdris ElbaDermot CrowleyMichael SmileyJohn Luther is a brilliant homicide detective with a knack for getting inside the minds of murderers. Unfortunately, his unconventional methods and personal demons put him at odds with his team.S1-5=10
A riveting and dark crime drama that hinges on the brilliance of Idris Elba's portrayal of Detective Chief Inspector John Luther. The show's narrative is a psychological rollercoaster, delving into the mind of a deeply troubled yet immensely talented detective, haunted by his past and consumed by his pursuit of justice. Elba's performance brings Luther to life, portraying him as a complex, enigmatic, and morally ambiguous character, toeing the line between brilliance and chaos. The series' bleak and atmospheric tone, coupled with its gritty cinematography and suspenseful storytelling, creates an immersive experience, plunging viewers into the gritty underbelly of London's criminal world. The dynamic between Luther and his adversaries, notably Ruth Wilson's chillingly compelling Alice Morgan, adds the infectious intensity and intrigue to the narrative. And when Ruth Wilson isn't stealing scenes: Dermot Crowley, in the role of DSU Martin Schenk, adds a layer of bureaucratic complexity to Luther's investigations, showcasing the challenges within the police hierarchy. Michael Smiley, as Benny Silver, Luther's friend and confidant, provides moments of levity and emotional depth, contributing to the intricate tapestry of Luther's personal life. Warren Brown's portrayal of DS Justin Ripley is a poignant aspect of the series, depicting the evolving dynamic between Luther and his dedicated protege. However, some occasional lapses in plot coherence and a tendency towards sensationalism contribute to the shows flaws. Yet, the show's magnetic central performance by Elba that can put Oscar winners to shame, compelling character dynamics, and its exploration of the darker facets of human nature make "Luther" an enthralling and frankly legendary crime drama. - DirectorJamie PayneStarsIdris ElbaCynthia ErivoAndy SerkisBrilliant but disgraced detective John Luther breaks out of prison to hunt down a sadistic serial killer who is terrorising London.Idris Elba's acting is the only saving grace of this movie
- CreatorChris ChibnallStarsDavid TennantOlivia ColmanJodie WhittakerThe murder of a young boy in a small coastal town brings a media frenzy, which threatens to tear the community apart.S1=7
S2-3=6
I'm apparently among the small minority of viewers who didn't like this series; plodding and ponderous, overly complicated, and crushed by so many red herrings that I was apathetic watching it toward the end of season 2 no longer caring who killed Danny. Well, not really as I watched the rest for the review. David Tennant spent his on-screen time constantly wide-eyed and angry with almost no other emotions expressed. Olivia Colman's and Charlotte Rampling's characters were the only ones I thought well written and played. The cliff at the base of which Danny's body was found is a striking geological image but had no speaking lines, so it was a brooding presence that overshadowed the town. Overall, most of the enjoyment came from the performances rather than what was going on. - CreatorNeil GaimanStarsDavid TennantMichael SheenMiranda RichardsonThe End of the World is coming, which means a fussy Angel and a loose-living Demon who've become overly fond of life on Earth are forced to form an unlikely alliance to stop Armageddon.S1=7
S2=2
I'm a big fan of Neil Gaiman. I share the same enthusiasm for mythology, gods, monsters, demons, and creatures alike. But Good Omens is a prodding mess. David Tennant and Michael Sheen, of course, are electric together. But this show is just a cacophony of sung ideas & cool concepts. I mean, you could discuss the allegorical meanings within the show about the light vs. dark shit, but its not interesting enough to even do that. - CreatorMark GatissSteven MoffatStarsBenedict CumberbatchMartin FreemanUna StubbsThe quirky spin on Conan Doyle's iconic sleuth pitches him as a "high-functioning sociopath" in modern-day London. Assisting him in his investigations: Afghanistan War vet John Watson, who's introduced to Holmes by a mutual acquaintance.S1-2=10
S3=8
S4=6
A modern reimagining of Sir Arthur Conan Doyle's iconic detective stories, masterfully blending the classic mysteries with a contemporary setting. Starring Benedict Cumberbatch as the brilliant but socially challenged Sherlock Holmes and Martin Freeman as his steadfast friend and chronicler, Dr. John Watson, the series is a brilliant showcase of intricate storytelling, character development, and sharp wit. Cumberbatch's portrayal is both captivating and complex, embodying the character's keen intellect and emotional detachment, while Freeman's Watson provides a relatable and humanizing counterpoint. One thing: I did NOT like Moriarty; Andrew Scott does his thing as a character actor brilliantly, but his "thing" wasn't working for me. The supporting cast like Mark Gatiss's Mycroft Holmes, Una Stubbs Mrs. Hudson, and Rupert Graves DI Lestrade, contribute to the shows forever enduring charm and depth. It's renowned for its clever and intricate mysteries, often enhanced by the show's modern London setting, and it masterfully incorporates elements of technology and forensics into the traditional detective work. The series explores themes of friendship, addiction, and the price of genius, all while providing a captivating update to the classic detective tales. With its exceptional writing, stellar performances, and visually arresting cinematography, "Sherlock" is a testament to the enduring appeal of Sherlock Holmes and a modern classic in the world of television despite ending on more than a sour taste. It's among, if not the pinnacle of British television, showcasing how easily it could trump American productions with sheer refinement - CreatorEric Ellis OvermyerStarsTitus WelliverJamie HectorAmy AquinoAn L.A.P.D. homicide detective works to solve the murder of a 13-year-old boy while standing trial in federal court for the murder of a serial killer.S1-S7=7
Bosch is an unfortunate example of a great series I don't care enough about. I can gawk on-and-on about the greats of the show, but I'm barely enthusiastic as it is trying to write this lol. - CreatorJack ThorneStarsDafne KeenKit ConnorRuth WilsonA young girl is destined to liberate her world from the grip of the Magisterium which represses people's ties to magic and their animal spirits known as daemons.S1=9
S2=5
S3=4
Why do all fantasy shows always fucking fail? Especially the ones like Dark Materials that has boundless potential. Amazing production value and CGI. James MacAvoy and Ruth Wilson are outstanding as usual, but they can only save it so much until the story, worldbuilding, and writing went full retard in the other two seasons. It didn't help that it slowly injected woke bullshit in subtlety as the show went on. - CreatorDebbie HorsfieldStarsAidan TurnerEleanor TomlinsonJack FarthingRoss Poldark returns home after the American Revolutionary War and rebuilds his life with a new business venture, making new enemies and finding a new love where he least expects it.S1-4=7
S5=3
Emerges as a period drama that intricately weaves together romance, social commentary, and historical intrigue. At its heart, the series revolves around the compelling character dynamics of Ross Poldark, portrayed by Aidan Turner, whose charismatic and brooding performance anchors the show. The character dynamics are enriched by Eleanor Tomlinson's portrayal of Demelza Carne, Ross's resilient and resourceful wife. The story intricately weaves themes of love, class struggle, and societal change as Ross endeavors to revive his family's copper mining business and navigate the complexities of his relationships. The ensemble cast, including standout performances by Jack Farthing as the antagonistic George Warleggan and Heida Reed as the conflicted Elizabeth Chynoweth, contributes to the show's overall strength. The series captures the essence of the historical period with its attention to detail in costumes, settings, and societal norms. The stunning cinematography captures not only the beauty of Cornwall but also the harsh realities faced by the characters. "Poldark" successfully combines romance, intrigue, and historical drama, making it a compelling and immersive viewing experience, but its lack of levity, pandering nature of such romance, and stagnant characterization leave much desired. For historical sluts like me it's hard not to find it engaging despite functioning like a fan-fiction novel. And speaking of sluts: who wouldn't for Aidan Turner. - CreatorRonan BennettKit HaringtonDaniel WestStarsKit HaringtonLiv TylerEdward HolcroftRobert Catesby leads Guy Fawkes a group of English Catholic traitors plan to blow up the Palace Of Westminster and kill King James I in the infamous Gunpowder Plot.Wow, Jon Snow is looking good these days.
- CreatorVeena SudStarsMireille EnosJoel KinnamanBilly CampbellA police investigation, the saga of a grieving family, and a Seattle mayoral campaign all interlock after the body of 17-year-old Rosie Larsen is found in the trunk of a submerged car.S1=10
S2-4=9
Distinguishes itself within the crime drama genre with its moody atmosphere, complex characters, and slow-burning narrative that delves deep into the intricacies of a murder investigation. Set in Seattle, the series follows detectives Sarah Linden, portrayed by Mireille Enos, and Stephen Holder, played by Joel Kinnaman, as they investigate a single murder case across multiple seasons. The show's strength lies in its meticulous storytelling, which peels back layers of the investigation while delving into the personal lives and vulnerabilities of its characters. Enos and Kinnaman's performances are exceptional, bringing depth and authenticity to their respective roles, portraying detectives who are flawed yet deeply committed to uncovering the truth. The series' atmospheric cinematography captures the city's dreary and rainy landscape, setting a tone of suspense and melancholy that envelops each episode. While the deliberate pacing and red herrings may frustrate some viewers, the show's emphasis on character development and the exploration of the emotional toll of crime investigations sets it apart. "The Killing" excels in its portrayal of the impact of crime on individuals and communities, making it a compelling and immersive crime drama that transcends the typical procedural format. - CreatorPhoebe Waller-BridgeStarsJodie ComerSandra OhFiona ShawAfter a series of events, the lives of a security operative and an assassin become inextricably linked.S1-3=10
S4=8
Seductive and surprising, Killing Eves' twist on the spy vs. spy conceit rewards with an audaciously entertaining show that finally makes good use of Sandra Oh, Fiona Shaw, and Jodie Comer's talents. A wildly inventive and genre-defying series that expertly blends dark comedy, espionage, and psychological thriller elements to create a unique and intoxicating narrative. The show's central dynamic revolves around the compelling and at times twisted relationship between the two main characters, MI6 agent Eve Polastri (Sandra Oh) and the enigmatic assassin Villanelle (Jodie Comer). Both Oh and Comer deliver outstanding performances, capturing the complexity of their characters and their evolving connection of toxicity and genuine heart. While Fiona Shaw, as Carolyn Martens, the erudite head of the Russian desk of MI6, and Kim Bodnia's Konstantin, Villanelle's eccentric handler carry the show when Oh & Comer are not loving-hating each other. "Killing Eve" is marked by its sharp, witty writing and its willingness to subvert genre conventions, offering viewers a fresh take on the spy thriller. It's a series that explores themes of obsession, identity, and the blurred lines between good and evil. The show's distinctive style and global settings add to its appeal, and it doesn't shy away from humor, even in the darkest moments. "Killing Eve" is a bold and stylish series that takes risks with storytelling and character development, ultimately resulting in a thrilling and thought-provoking experience that stands as a testament to the power of complex female characters and non-traditional narratives in television. Regardless of the misgivings of the final season and the decisions it made, "Killing Eve" is one of my favorite shows. I fucking love it to death. - CreatorSteven KnightStarsCillian MurphyPaul AndersonSophie RundleA gangster family epic set in 1900s England, centering on a gang who sew razor blades in the peaks of their caps, and their fierce boss Tommy Shelby.S1-6=10
A gritty and stylish crime drama of the dark and dangerous world of the Shelby crime family in post-World War I Birmingham, England. At its center is Cillian Murphy's portrayal of Thomas Shelby, the enigmatic and ambitious leader of the Shelby crime family. Murphy infuses Shelby with a mesmerizing blend of charm, intelligence, and ruthlessness, making him a captivating anti-hero whose complex motivations drive the narrative forward. Alongside Murphy, Paul Anderson delivers a standout performance as Arthur Shelby, Thomas's volatile and fiercely loyal brother, bringing depth and intensity to the character's inner turmoil and struggles for power within the family. Helen McCrory's portrayal of Polly Gray, the matriarch of the Shelby family, is nothing short of remarkable, imbuing the character with a mix of strength, vulnerability, and moral ambiguity that makes her a force to be reckoned with. Sophie Rundle shines as Ada Shelby, the fiercely independent sister who challenges societal norms and fights for her own agency in a male-dominated world. Natasha O'Keeffe delivers a compelling performance as Lizzie Stark, the former prostitute turned confidante of Thomas Shelby. Harry Kirton's portrayal of Finn Shelby, the youngest member of the family, brings a some innocence and vulnerability. But don't get me fucked started on Finn Cole, whose acting is as wooden and uncharismatic as Megan Fox in Transformers or Kristin Stewart in Twilight. The series excels in its attention to period detail, immersing the in the tumultuous era of power, revenge, and family loyalty; moreover the renowned distinctive style, featuring sharp tailoring and flat caps. Though, where it fails is the hyperviolence that undercuts emotion or grit, and contemporary music that becomes increasingly jarring towards the period immersion -- and frankly, fucking infuriating. That, with the rinse-and-repeat storytelling of the Shelby's over-the-top depravity and machismo threats can become extremely tiring; an element which "The Sopranos", "The Wire", or "Breaking Bad", for example, cleverly avoid. It almost was enough to make it a 9. The series weaves historical and political elements into its narrative, offering a nuanced look at the aftermath of the Great War. With its moody cinematography and stellar acting ensemble, "Peaky Blinders" is a compelling and immersive exploration of a bygone era, filled with unforgettable characters and riveting drama. - CreatorAlex GansaHoward GordonStarsClaire DanesMandy PatinkinDamian LewisA bipolar CIA operative becomes convinced a prisoner of war has been turned by al-Qaeda and is planning to carry out a terrorist attack on American soil.S1-3=9
S4-5=7
S6-8=5
Homeland is a classic case of a great show losing its greatness cause of too many seasons. Mandy Patinkin & Claire Danes literally kill in their respective roles, but as the seasons go on I was just not into it. Plus, if I REALLY went into this show, the review would be too long, and I would be too apathetic to care. - CreatorJonathan NolanStarsJim CaviezelTaraji P. HensonKevin ChapmanAn ex-CIA agent and a wealthy programmer save lives via a surveillance AI that sends them the identities of civilians involved in impending crimes. However, the details of the crimes, including the civilians' roles, are left a mystery.S1-3=10
S4-5=5
A series that should've been condensed into a third, if not, half of its runtime. After 100 episodes, this shit just becomes redundant. As genius as Jonathan Nolan is when it comes to sci-fi writing, it loses steam very quick. Michael Emerson murders his role, and Jim Caviezel is rather basic. The show could've been an all-time great for me, if it knew when to fucking quit. - CreatorJulie PlecKevin WilliamsonStarsNina DobrevPaul WesleyIan SomerhalderThe lives, loves, dangers and disasters in the town, Mystic Falls, Virginia. Creatures of unspeakable horror lurk beneath this town as a teenage girl is suddenly torn between two vampire brothers.S1=6
S2=6
S3=8
S4=7
S5-8=5
Oh, Vampire Diaries. This was my SHIT when I was younger. But now, I'm older -- and the novelty wore off. The best season was the Mikaelson one obviously; they're the best thing about this soap opera. But there was other things I loved: Katherine, Caroline's Mother, Salvatore brother dynamic, Bonnie, Kai Parker. I still vividly remember all the "lore" important stuff, so thankfully I don't have to rewatch ever. Especially because ELENA FUCKING EXISTS. - CreatorJulie PlecStarsJoseph MorganDaniel GilliesClaire HoltA family of power-hungry thousand-year-old vampires look to take back the city that they built and dominate all those who have done them wrong.S1-2=9
S3=8
S4=6
S5=4
Oh, The Originals. This was my SHIT when I was younger. But now, IT STILL IS. Well, if I ever make time to watch it unlike other shows. This is how you do a consistent supernatural show people. The Mikaelson family dynamic is pure gold, and Joseph Morgans Klaus is one of the most compelling protagonists for TV. Obviously, at times, it just gets ridiculous with the plot points and situations, but thats rather the point. Characters were emotionally investing, captivating, and mostly had arcs that were very fulfilling. Its latter seasons were really poor, and yet they still stuck the ending -- which gives major credit. *Spoiler*I cried like a baby when Klaus died at the end. Has my seal of approval of being probably the most consistent vampire show ever made. Though, over time, I must admit I became less "into" shows like The Originals or even Once Upon A Time where they structure the scenes like its Law & Order. It's all very procedural; the scenes always end with an audio spike or effect. - CreatorAlan BallStarsAnna PaquinStephen MoyerSam TrammellTelepathic waitress Sookie Stackhouse encounters a strange new supernatural world when she meets the mysterious Bill Compton, a southern Louisiana gentleman and vampire.S1-4=10
S5=6
S6=4
S7=3
Aside from The Originals, True Blood is the benchmark Vampire show. Infinitely grittier than The Originals, True Blood tackled vampire politics which serves as an allegory to gay rights with utter finesse. Sookie is a more mature Elena Gilbert, but just as annoying and useless. The show is really defined by the supporting cast, who are all more interesting than Sookie. Alexander Skarsgård and Kristin Bauer are a magnetic duo, and Nelsan Ellis as Lafayette is one of the greatest characters in TV and dominates his scenes; Denis O'Hare plays one of the best TV villains, Russel Edgington, and they bring him back in later seasons because they couldn't come up with new, compelling characters. As a rant, Anna Camp's cliche conservative character I have mixed feelings about. Overall, I'd say True Blood deserves to be among the greats in terms of its impact on genre television, but not a show I'll ever look at fondly thanks to Alan Ball's departure after S5 - CreatorBryan FullerMichael GreenStarsRicky WhittleEmily BrowningYetide BadakiA recently released ex-convict named Shadow meets a mysterious man who calls himself "Wednesday" and who knows more than he first seems to about Shadow's life and past.S1=10
S2=4
S3=3
American Gods is cinematography: the series. I mean, its a goddamn work of art as a tv show. Season 1 was one of the best first seasons ever. Everything was perfect, and Ian McShane was a standout as per usual. But then, like many good to great shows, it got SJW and political, and descended into madness. There was barely any story anymore, and the characters were just skipping down the yellow-brick-road without a care in the world if they went to Oz - CreatorBrad FalchukRyan MurphyHalley FeifferStarsLady GagaKathy BatesAngela BassettAn anthology series centering on different characters and locations, showcasing different aspects of horror.S1=9
S2=10
S3=9
S4=5
S5=5
S6=4
S7=3
S8=3
S9=6
S10=2
S11=1
This one is loaded so I'm not gunna bother with properly reviewing it; I'd rather just say what's on my mind. The early days of AHS were exceptional, and downright revolutionary for TV. I mean, Asylum is a straight-up masterpiece (even though I fucking hate the alien BS), and Coven is the indefatigably stylish even if lacking substance. I could ramble on for days about those seasons and all their glory. The early seasons had something fresh, always a story with a twist, and they had the legend Jessica Lange frontrunning -- with the recurring powerhouses like Sarah Paulson, Lily Rabe, Frances Conroy, Kathy Bates, Angela Bassett or Evan Peters. What defined it was the dark, gritty style, changing from season to season with their own brand of horror that, while flamboyant in presentation, were absolutely gripping. It eventually trademarked its directing and cinematography with the iconic Dutch angles (which are definitely overused), theme song, acerbic dialogue, and film-grained look. Ergo, I deeply cherish the first three seasons, warts 'an all. Not to mention, it spawned one of the biggest cult followings in TV; for those that know -- don't get me started on the Hot Topic people. Unfortunately, after Freak Show, the departure of Jessica Lange made a big void, and the other versatile stars were left to their own devices to further on the shows legacy. But Hotel was the beginning of a decline, with controversy surrounding it on being centered on glorifying serial killers. This glorification is nothing new for AHS, but instead of using this glorified horror to something meaningful like the earlier seasons, it became a circle jerk of shock value. Ryan Murphy himself said he was out of ideas, so it's no surprise why this legendary show fell off so quickly. In later seasons, the new actors are terrible, the writing is self-indulgent, and Murphy's themes became preachy as a hollowed shell of it's former self. As Sister Jude famously said, "If you look in the face of evil, evil's gonna look right back at you." The first three seasons are a must-watch in my intellectual opinion, but I advise a word of extreme caution in any other season afterward -- since the show has a reputation for people hating-loving different seasons. - CreatorTerence WinterStarsSteve BuscemiKelly MacdonaldMichael ShannonAn Atlantic City politician plays both sides of the law by conspiring with gangsters during the Prohibition era.S1-3=10
S4=7
S5=6
Stands as a monumental achievement in television, weaving together exceptional acting, intricate storytelling, and immersive period detail to create a sprawling historical epic that delves into the heart of power, corruption, and human nature. At its core, the series is anchored by Steve Buscemi's remarkable performance as Enoch "Nucky" Thompson, a character whose complexity and charisma make him both captivating and morally ambiguous. Nucky Thompson, the city's treasurer turned kingpin, navigates the treacherous waters of Atlantic City's underworld with a cunning intellect and a calculating demeanor, his charm masking a ruthless ambition. He is supported by a remarkable ensemble cast, including Michael Shannon as the intense and zealous Agent Nelson Van Alden, Michael K. Williams as the charismatic and powerful Chalky White, Bobby Cannavale as the volatile and menacing Gyp Rosetti, who literally stole the show, Stephen Graham as the unpredictable and menacing Al Capone, Kelly Macdonald as the complex and conflicted Margaret Schroeder, and Michael Pitt as the troubled and ambitious Jimmy Darmody. Each character is meticulously crafted, with their own motivations, flaws, and moral dilemmas, adding layers of depth and complexity to the narrative tapestry. Though, some like Lucky Luciano I just couldn't stand. The series' meticulous attention to detail in recreating the atmosphere of the 1920s and 1930s, from the lavish costumes to the pulsating jazz soundtrack, immerses viewers in the world of Prohibition-era Atlantic City. Yet, despite its technical and narrative prowess, "Boardwalk Empire" does suffer from moments of narrative detachment, where there is a struggle to fully engage with the characters or their storylines especially in the last season. However, this does not detract from the series' overall brilliance, as it remains a masterclass in television craftsmanship and storytelling, offering a rich and complex portrait of a fascinating period in American history. Call it a Sopranos wannabe if you will, yet its legacy remains ensconced within the annals of TV legend. For me, I personally dubbed it "Bored-walk Empire", because despite all, I can't say that the characters ever truly invested me -- let alone were likeable. That all went to worldbuilding/immersion. - CreatorNeil GaimanDavid S. GoyerAllan HeinbergStarsTom SturridgeBoyd HolbrookPatton OswaltUpon escaping after decades of imprisonment by a mortal wizard, Dream, the personification of dreams, sets about to reclaim his lost equipment.S1=9
Weaves an intricate tapestry of adult fantasy, mystery, and horror in its titanic budget. The series grapples with blending mythology and history in unearthly realms, epitomized by Tom Sturridge's enigmatic portrayal of Morpheus, also known as The Sandman or Dream. The narrative, anchored in the battle of good versus evil with a mythological twist, is impressive in its execution due to an overwhelming number of characters, leading to an infectious grandiosity. The initial imprisonment of Morpheus sets the stage for a slow quest to reclaim his kingdom and thwart encroaching evil. The array of characters, from dysfunctional family members to average mortals, adds layers to the fantasy-horror narrative. The star-studded cast is outstanding: Boyd Holbrook's Corinthian as the primary antagonist with a sexy malevolence, Charles Dance as the ambitious Roderick Burgess, Joely Richardson as greedy Ethel Cripps, David Thewlis as Ethel's idealistic but mentally scarred son John Dee, Gwendoline Christie's poised Lucifer Morningstar, or Stephen Fry's infinitely compassionate Fiddler's Green. The visually stunning realms, especially Hell, are a testament to the jaw-dropping work of the production and costume designers. The originality and imaginative storytelling, peppered with cameo roles and bonus episodes, create an appealing experience for fantasy and horror enthusiasts, even with occasional narrative interruptions. Notably, episodes like '24/7' and 'The Sound of Her Wings' stand out, delving into profound concepts like truth and mortality: 'The Sound of Her Wings' is probably one of the greatest episodes ever in a TV show, where Kirby Howell-Baptiste delivers an enchanting performance with her compassionate touch as Death, smoothing the edges of her younger brother (Dream); and '24/7' is a brilliant exploration of the human condition and societal facades with Thewlis's character inciting an "incident". Special mention goes to the beautifully animated bonus episode, "A Dream of a Thousand Cats," reminiscent of Japanese animated classics. "The Sandman" very quickly rose the ranks among Netflix's greatest shows, and one of my favorites, captivating with its unique blend of mythology, history, and visual splendor that Gaiman is a maestro of. - StarsJoe ExoticCarole BaskinJohn ReinkeA rivalry between big cat eccentrics takes a dark turn when Joe Exotic, a controversial animal park boss, is caught in a murder-for-hire plot.Joe Exotic is an entire meme in a person. In documentary filmmaking, it's hard not to be in awe of it; but it's not something you'd look fondly at in everything else. At least there's positive polygamy in this for once! It would get tiring though, the more people you add...
- CreatorPendleton WardStarsJohn DiMaggioJeremy ShadaTom KennyA 12-year-old boy and his best friend, a wise 28-year-old dog with magical powers, go on a series of surreal adventures in a remote future.S1-10=10
The animated masterpiece created by Pendleton Ward, is a surreal and emotionally resonant journey that transcends its animated, fantasy setting. Set in the Land of Ooo, the show follows the adventures of Finn the Human and Jake the Dog as they navigate a post-apocalyptic world filled with whimsical characters, absurd humor, and unexpected depth. At its core, Adventure Time is a coming-of-age tale that defies traditional storytelling norms, seamlessly blending episodic fun with overarching narratives -- such as the iconic Lich -- that explore complex themes such as identity, friendship, and existentialism. Ward's creation boasts a distinctive visual style, combining vibrant animation with a charming simplicity that belies the show's profound underlying messages. The series introduces to a myriad of characters, each uniquely crafted and contributing to the show's rich lore, while its willingness to tackle mature and philosophical concepts elevates it beyond mere children's entertainment. John DiMaggio's portrayal of Jake, the shape-shifting dog, is a standout performance, infusing the character with humor, warmth, and an undeniable charm. Jeremy Shada's voice work as Finn, the adventurous human, brings a perfect blend of innocence and determination to the protagonist. Tom Kenny, a voice acting maestro, voices the best character the Ice King, delivering both comedic brilliance and emotion going into extremely nuanced themes of loneliness and bipolar disorder. Hynden Walch brings regality and complexity to Princess Bubblegum, infusing the character with a unique charm and intelligence. Niki Yang's voice work as BMO, the sentient video game console, adds endearing quirkiness to the character, making BMO a fan favorite. Meanwhile, the show's creator, Pendleton Ward, not only shapes the series with his creative vision but also lends his voice to the quirky Lumpy Space Princess, contributing to the character's memorable eccentricity. Dee Bradley Baker and Olivia Olson, as Cinnamon Bun and Marceline respectively, provide additional layers of personality and depth to these beloved characters. The shows strength lies not only in its fantastical world-building and inventive storytelling but also in its ability to connect with on a deeply emotional level. Through its whimsy and wisdom, it's a groundbreaking and enduring piece of animated storytelling that captivates audiences of all ages... Also, gotta give props to Marceline-Bubblegum LGBT romance. - CreatorAlex HirschStarsJason RitterAlex HirschKristen SchaalTwin siblings Dipper and Mabel Pines spend the summer at their great-uncle's tourist trap in the enigmatic Gravity Falls, Oregon.Honestly, I would give this a 9, but I'm not that into the show anymore. But its one of the best written cartoons ever, so don't fucking say a word.
- CreatorJ.G. QuintelStarsJ.G. QuintelWilliam SalyersSam MarinThe surreal misadventures of two best friends - a blue jay and a raccoon - as they seek to liven up their mundane jobs as groundskeepers at the local park.Jesus, this show is relatable as hell when you're old enough to get it. It doesn't have an enduring appeal for me, unfortunately, despite it's impressive theming and writing. They don't make shows like this anymore -- I will say that.
- CreatorGenndy TartakovskyStarsPhil LaMarrMakoKevin Michael RichardsonA samurai, sent through time, fights to return home and save the world.Artistically unforgettable and legendary music. A pioneer in animation for cartoons. But like most Cartoon Network shows with exceptions such as "Adventure Time" or "Clone Wars" -- among others, I simply don't really have the investment.
- CreatorVince GilliganPeter GouldStarsBob OdenkirkRhea SeehornJonathan BanksThe trials and tribulations of criminal lawyer Jimmy McGill in the years leading up to his fateful run-in with Walter White and Jesse Pinkman.S1=9
S2=9
S3-6=10
Better Call Saul does the impossible and is a prequel which is just as masterful and stands on its own as a remarkable work of art just as much as its sequel. A masterclass in character-driven storytelling and a prequel to the iconic series "Breaking Bad." The show centers on Jimmy McGill (Bob Odenkirk), a small-time lawyer with big aspirations, who eventually evolves into the morally flexible and endlessly entertaining Saul Goodman. Odenkirk's performance is nothing short of brilliant, bringing depth and nuance to a character whose transformation is at the heart of the series. "Better Call Saul" is marked by its slow-burning and meticulously crafted narrative, exploring the complexities of Jimmy's personal and professional life, as well as the morally ambiguous world of law and crime. The show's ensemble cast, including the OG's Giancarlo Esposito as Gus Fring & Jonathan Banks as Mike Ehrmantraut, and new kids on the block: Patrick Fabian as Howard Hamlin, Michael Mando as Nacho Varga, Michael McKean as Chuck McGill and most notably, Rhea Seehorn as Kim Wexler, deliver all award-worthy performances. With its stunning cinematography and meticulous attention to detail, the series immerses viewers in the world of Albuquerque, New Mexico. It's a story of ambition, ethics, and the gray areas of human nature, making "Better Call Saul" a prequel that stands on its own as a riveting and emotionally resonant exploration of one man's journey from idealism to moral compromise. - CreatorCharlie BrookerStarsWunmi MosakuMonica DolanDaniel LapaineFeaturing stand-alone dramas -- sharp, suspenseful, satirical tales that explore techno-paranoia -- "Black Mirror" is a contemporary reworking of "The Twilight Zone" with stories that tap into the collective unease about the modern world.S1: E1-8, E2-9, E3-9
S2: E1-9, E2-9, E3-5, E4-10
S3: E1-10, E2-10, E3-10, E4-11, E5-9, E6-9
S4: E1-10, E2-8, E3-9, E4-10, E5-4, E6-10
S5: E1-5, E2-5, E3-4
S6: E1-8, E2-8, E3-6, E4-3, E4-4
Black Mirror is a special case because instead of seasons, its individual episodes. But lemme tell ya, in its highest highs, Black Mirror is one of my all-time favorites; in its lowest lows, I would dance on the grave of those episodes. It's simultaneously a sci-fi masterpiece, exploring confounding philosophies, concepts, and human conditions in stories that are equally transcendent and terrifying; but also a sci-fi flop, whose concepts become muddled and convoluted in its storytelling which end up drawing a curtain of pretention or lifelessness over the episode. Most of it though, is the former. It's self-explanatory why I'm not delving into this one deeper; it would take half the page. - CreatorLaeta KalogridisStarsChris ConnerRenée Elise GoldsberryDichen LachmanSet in a future where consciousness is digitized and stored, a prisoner returns to life in a new body and must solve a mind-bending murder to win his freedom.S1=6
S2=2
Season 1 could've been a true gem of television. A visually stunning and conceptually ambitious science fiction series that immerses viewers in a dystopian future where consciousness can be transferred between bodies. With Joel Kinnaman and later Anthony Mackie in the lead role of Takeshi Kovacs, the series explores themes of identity, mortality, and power in a world where bodies are interchangeable and the ultra-rich can essentially live forever. The show's cyberpunk aesthetic is a feast for the eyes, creating a visually captivating and gritty world filled with neon lights, futuristic technology, and intricate world-building. Though, I think unfortunately, it falls short in nearly every other aspect. While the show's aesthetic appeal is undeniable, it ultimately serves as a facade masking the underlying flaws. The acting performances are largely mediocre, with some veering into the realm of outright bad, such as the portrayal of Ortega. Additionally, the dialogue often feels juvenile and fails to engage in character, further hindered by abrupt switches between the Spanish languages that disrupt the viewing experience. The series suffers from an abundance of typical tropes, clichés, and moments of unintentional humor, detracting from any serious narrative immersion. Only exception is it manages to deliver satisfying action sequences amidst a sea of disappointment. Furthermore, the plot is needlessly convoluted especially with how they juggle the flashbacks, and fails to generate genuine intrigue, resulting in a narrative that feels both overstuffed and tedious. Season 1 fails to live up to its potential, offering little beyond its visually appealing surface and ultimately delivering a lackluster viewing experience that falls short of its ambitions. While the second season underwent a lead actor change, and an apocalyptic dip in quality that's not even worth the review, season 1 remains to be a cyberpunk delight. The show maintains its cyberpunk allure and continues to pose profound questions about the nature of humanity, but overall was an especially disappointing experience for me being a superfan of cyberpunk. That, and it felt like it was an imitation of the greats it's inspired from: "Blade Runner" and likely "Ghost in the Shell" - CreatorGlen A. LarsonRonald D. MooreStarsEdward James OlmosMary McDonnellJamie BamberWhen an old enemy, the Cylons, resurface and obliterate the 12 colonies, the crew of the aged Galactica protect a small civilian fleet - the last of humanity - as they journey toward the fabled 13th colony, Earth.S1-4=10
BSG is an odyssey of odysseys. A space epic that has inspired shows like "The Expanse" and "For All Mankind", setting the benchmark for modern sci-fi shows. It's a groundbreaking and transformative space opera that transcends its genre, delivering a deeply human and politically charged narrative. Set in a distant star system, the series follows the last remnants of humanity as they flee from the genocidal Cylons, humanoid robots created by humans. The characters in "Battlestar Galactica" are the heart of its narrative complexity. The show's heart, led by Edward James Olmos as Admiral William Adama and Mary McDonnell as President Laura Roslin, are among my favorite characters ever; they are richly developed and morally ambiguous, reflecting the complexities of leadership in times of crisis. Gaius Baltar, played by James Callis, is a morally ambiguous scientist whose internal struggles and complex relationships with both humans and Cylons through Number Six add layers of psychological depth to the story. Tricia Helfer's portrayal of multiple versions of the Cylon Number Six is enchanting, showcasing the evolving nature of the Cylons and challenging perceptions of good and evil with her constant religious allegories. Starbuck, portrayed by Katee Sackhoff, is the residential badass character whose journey involves questioning destiny, grappling with trauma, and embodying resilience. Lee Adama, played by Jamie Bamber, evolves from a conflicted military officer to a principled leader, reflecting the show's exploration of duty and morality. Colonel Saul Tigh, portrayed by Michael Hogan, brings a gritty realism to the series as he navigates the challenges of wartime leadership, alcoholism, and the revelation of his Cylon identity. Galen Tyrol, played by Aaron Douglas, represents the working class and grapples with themes of loyalty, sacrifice, and the consequences of rebellion. Sharon Valerii, portrayed by Grace Park, becomes a central figure in the human-Cylon conflict, exploring themes of identity and maternal instincts. Each character's arc is intricately woven into the overarching narrative, contributing to the show's thematic depth and emotional resonance. It has a willingness to take risks, subvert expectations, and craft a gripping and emotionally resonant story that remains relevant and impactful long after its conclusion. It cemented its status as a classic in the realm of science fiction television, and one of my top ten shows of all time. - StarsEdward James OlmosMary McDonnellKatee SackhoffFollowing the destruction of the Twelve Colonies of Kobol by the Cylons, a rag-tag fugitive fleet of the last remnants of mankind flees the pursuing Cylons while simultaneously searching for their true home: Earth.Methinks I said everything in BSG
- CreatorGreg DanielsRicky GervaisStephen MerchantStarsSteve CarellJenna FischerJohn KrasinskiA mockumentary on a group of typical office workers, where the workday consists of ego clashes, inappropriate behavior, tedium and romance.S1-S9=9
True, Ricky Gervais started a brilliant spark with the UK version, but Greg Daniels and his crew just killed it with some improvised brilliance. Full of pure laugh out loud moments, some teary eyed ones – yet low key just like every other office next-door with characters that remind you of colleagues you may have/or are working with, and even that try-hard boss you love to hate and hate to love – it's relatability is why it is so affable. Steve Carell, John Krasinski, Jenna Fischer, Rainn Wilson, Ed Helms and the whole ensemble are a hilarious bunch. Watch out for some memorable and delightful cameos by Amy Adams, Idris Elba, James Spader, Rashida Jones and so many more. There are many good reasons why this became a classic and a rage years after it was aired on TV, and has surprisingly won many admirers from a younger lot of viewers. And I have to mention the beautifully scripted love story arc that find itself embedded in the middle of the hilarity – it's one of the most heart grabbing and "real" ones I have seen. Great writing, perfect comic timing and acts make an aptly prescribed comic relief equalizer for these grim times we find ourselves in. - CreatorScott FrankAllan ScottStarsAnya Taylor-JoyChloe PirrieBill CampOrphaned at the tender age of nine, prodigious introvert Beth Harmon discovers and masters the game of chess in 1960s USA. But child stardom comes at a price.A mesmerizing and elegant masterpiece, transcending the boundaries of a conventional chess drama to craft a compelling narrative about addiction, genius, and empowerment. The series follows Beth Harmon, portrayed by Anya Taylor-Joy, a prodigious chess prodigy grappling with personal demons and societal expectations in the male-dominated world of competitive chess during the 1960s. Frank's direction skillfully intertwines Beth's journey of self-discovery with the intensity of chess matches, capturing the artistry and strategic brilliance of the game. Taylor-Joy's captivating performance as Beth anchors the series, conveying the character's brilliance, vulnerabilities, and inner turmoil with remarkable depth. The supporting cast, including Marielle Heller as Beth's adoptive mother Alma, Moses Ingram's Jolene, and Thomas Brodie-Sangster as the enigmatic chess player Benny Watts, adds layers to Beth's journey, providing nuanced relationships that shape her growth. Beyond the chessboard, the series delves into Beth's struggles with addiction, loneliness, and the quest for personal autonomy, beautifully portraying her triumphs and setbacks. Through its exquisite cinematography, period-accurate visuals, and a richly textured storyline, "The Queen's Gambit" transcends its chess-centric premise to become a resonant and empowering tale of a woman's pursuit of identity, brilliance, and resilience in a world that underestimates her, leaving an enduring legacy as a captivating and empowering drama. One of the most refined mini-series ever, and Netflix's top ten shows.
- DirectorVince GilliganStarsAaron PaulJonathan BanksMatt JonesFugitive Jesse Pinkman runs from his captors, the law, and his past.This movie wasn't perfect, we all know that. But, you motherfuckers would be lying if you said you didn't love it because its an epilogue about Jesse.
- CreatorDaniel AbrahamMark FergusTy FranckStarsSteven StraitDominique TipperWes ChathamThe disappearance of rich-girl-turned-political-activist links the lives of Ceres detective, accidental ship captain and U.N. politician. Amidst political tension between Earth, Mars and the Belt, they unravel the greatest conspiracy.S1-3=9
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A groundbreaking and immersive science fiction epic that transcends the genre with its compelling characters, intricate world-building, and timely socio-political commentary. Set in a future where humanity has colonized the solar system, the series intricately weaves together the stories of disparate characters—from a detective on the asteroid belt to a political leader on Earth—whose lives become intertwined as they navigate the complex dynamics of interplanetary politics, corporate greed, and the existential threat posed by a mysterious alien protomolecule. The series' strength lies in its meticulous attention to detail, from the stunning visual effects that bring the vastness of space to life to the nuanced exploration of socio-economic disparities and the consequences of unchecked power. At its core, it's a riveting exploration of humanity's capacity for both greatness and folly, challenging ethical dilemmas and existential questions in a world that feels both eerily familiar and very distant. Steven Strait portrays James Holden, a principled and determined former naval officer thrust into the center of interplanetary conflict after uncovering a dangerous conspiracy. Dominique Tipper shines as Naomi Nagata, the brilliant engineer and savvy strategist who serves as the heart of the Rocinante crew. Wes Chatham delivers a nuanced performance as Amos Burton, the enigmatic and morally ambiguous mechanic whose loyalty is unwavering. Cas Anvar rounds out the ensemble as Alex Kamal, the skilled pilot whose charm and wit show a deep sense of loyalty and honor. Shohreh Aghdashloo is the show's saving grace as Chrisjen Avasarala, the savvy and formidable politician navigating the treacherous waters of interplanetary diplomacy with grace and cunning. Aghdashloo's performance exudes authority and gravitas, making Avasarala the series' most compelling character. One caveat for me is Frankie Adams as Roberta Draper, a character that never really grew on me despite being the last other main character. With its gripping narrative, thought-provoking themes, and jaw-dropping worldbuilding, "The Expanse" stands as a testament to the enduring power of science fiction storytelling. Though, BEWARE with all the characters. I do not exaggerate in saying that besides Shohreh Aghdashloo and a couple others, the general acting of this show is abysmal. I would never level "The Expanse" to BSG in quality, but its certainly the best successor to it in epic sci-fi TV even if the acting kills it for me. - CreatorBrad IngelsbyStarsKate WinsletJulianne NicholsonJean SmartA detective in a small Pennsylvania town investigates a local murder while trying to keep her life from falling apart.A gripping and nuanced crime drama that transcends the genre's tropes to deliver a compelling narrative steeped in raw emotion, community dynamics, and personal turmoil. The series centers on Mare Sheehan, portrayed by Kate Winslet, a small-town detective grappling with personal grief, professional pressures, and the complexities of a murder investigation in a close-knit Pennsylvania community. Ingelsby's direction expertly balances the intensity of the crime storyline with deep character explorations, painting a vivid portrait of the town's inhabitants and their interconnected lives. Winslet's transformative performance as Mare elevates the series, portraying a flawed yet resilient woman navigating her own traumas while juggling the demands of solving a murder case that deeply affects the community. She's the American imitation of Catherine Cawood from the other masterpiece crime show, "Happy Valley". The ensemble cast, including standout performances by Julianne Nicholson as Mare's friend Lori Ross, Jean Smart as Mare's bold mother, and Evan Peters as the eager detective Colin Zabel, adds layers to the series, enriching the web of relationships and secrets within the town. The series' strength lies in its authentic portrayal of small-town dynamics, adeptly capturing the nuances of grief, family ties, and the impact of long-buried secrets on a community. Through its meticulous storytelling, compelling characters, and Winslet's tour-de-force performance, "Mare of Easttown" stands as a gripping and emotionally resonant crime drama that transcends the typical procedural, leaving a lasting impression as a poignant exploration of human fragility and resilience in the face of tragedy.
- CreatorNic PizzolattoIssa LópezStarsVince VaughnColin FarrellRachel McAdamsAnthology series in which police investigations unearth the personal and professional secrets of those involved, both within and outside the law.S1=10
S2=2
S3=5
S4=4
A masterclass in crime storytelling, blending gripping crime drama with profound character exploration and atmospheric cinematography. Each season stands out as a standalone narrative, weaving intricate tales of crime, corruption, and existentialism against the backdrop of distinct American landscapes. A stellar debut with its first season -- which is the best first season of a TV show ever -- focusing on the enthralling partnership between Rustin "Rust" Cohle and Martin "Marty" Hart as they investigated a haunting murder case in Louisiana. Matthew McConaughey's philosophical and brooding Rust, coupled with Woody Harrelson's nuanced portrayal of Marty, created a dynamic that delved into themes of existentialism, masculinity, and the intricate dance between good and evil. The show's first season stands out not only for its compelling narrative but also for its rich character development and atmospheric storytelling. However, the subsequent seasons faced challenges in living up to the high standards set by the initial installment. Season two, set against the backdrop of California's corruption and crime, struggled to maintain the same level of brilliance. Despite a star-studded cast featuring Colin Farrell and Rachel McAdams, the narrative complexity became convoluted, and the execution failed to match the gripping intensity of the first season. Season three, starring Mahershala Ali, managed to recapture some of the series' earlier magic, exploring the complexities of memory and its impact on investigations. While the pacing faced criticism, Ali's powerful performance and the wintry setting contributed to a more engaging storyline. The fourth season, harks to an atmosphere similar to "The Thing". The remarkable Jodie Foster leads the cast as Detectives Liz Danvers, injecting more life into the series like Ali did with her performance. Not to my surprise, this season too was a muddle: juggling out-of-field supernatural elements, Kali Reis's terrible performance, bland dialogue, and unfortunately -- yes, got infected with woke writing. When it comes to the first season, the show's thematic depth, complex characters, and visually arresting cinematography set against sprawling landscapes remain its defining features, cementing "True Detective" as a hallmark of sophisticated storytelling in the crime drama genre. - CreatorJohn LoganStarsNatalie DormerDaniel ZovattoKerry BishéWhen a grisly murder shocks Los Angeles in 1938, Detective Tiago Vega and his partner Lewis Michener become embroiled in an epic story that reflects the troubled history of the city.WOAT status
- CreatorJohn LoganStarsJosh HartnettTimothy DaltonEva GreenExplorer Sir Malcolm Murray, American gunslinger Ethan Chandler, scientist Victor Frankenstein and medium Vanessa Ives unite to combat supernatural threats in Victorian London.S1-3=10
My second favorite show ever. "Penny Dreadful" is a breathtaking television series that can only be described as a masterpiece of modern Gothic storytelling. Created by John Logan, this dark and enchanting show is a sublime blend of horror, mystery, and Victorian fantasy, captivating with its rich character development, haunting visuals, and profound exploration of human nature. Throughout its duration, "Penny Dreadful" manages to reinvigorate classic literary figures and gothic tropes, elevating the genre to new heights. It's most remarkable aspects is its awe-inspiring, poetically impeccable writing and character development. John Logan's ability to interweave complex and multidimensional characters into a cohesive narrative is nothing short of extraordinary. Vanessa Ives, portrayed by Eva Green, is the tortured and enigmatic heart of the series. Green's performance is nothing short of mesmerizing as she navigates the intricate dance between light and darkness, sanity and madness. Sir Malcolm Murray, a London upperclassmen, played by Timothy Dalton, brings a seasoned gravitas to the narrative, haunted by personal demons and driven by a desperate quest for redemption. Ethan Chandler, the gunslinger werewolf with a haunted past, played by Josh Hartnett, embodies a complex duality, torn between his family trauma, his love for Vanessa and the beast within. The Creature, brilliantly portrayed by Rory Kinnear, transcends the typical portrayal of Frankenstein's monster, offering a poignant exploration of identity, loneliness, acceptance, and the paradoxical bedrock of the series humanity. Lily Frankenstein, portrayed by Billie Piper, undergoes a metamorphosis from an abused woman to a radical feminist challenging societal norms, showcasing Piper's exceptional range. Dorian Gray, played by Reeve Carney, is the epitome of eternal youth and hedonism, challenging societal constraints and moral expectations. Patti LuPone's dual roles as the Cut-Wife and Dr. Seward add a mystical and spiritual layer to the narrative. Helen McCrory's portrayal of Evelyn Poole, also known as Madame Kali, brings a chilling malevolence to the series, while her daughter Hecate, by Sarah Greene, turns to be more nuanced in villainy. Douglas Hodge as Bartholomew Rusk and Brian Cox's cameo as Jared Talbot contribute to the series' rich tapestry of characters...The Joan Clayton episode always gives me chills. To the day, episodes still remain to be one of the most profoundly cathartic storytelling I've ever seen. "Penny Dreadful" transcends the boundaries of conventional storytelling, crafting an immersive experience that will forever be with me - CreatorSteven S. DeKnightStarsJohn HannahManu BennettPeter MensahIn the time before the arrival of Spartacus, the House of Batiatus faces many challenges from competitors, and within its own household.Serves as a compelling and action-packed exploration of the origins of the House of Batiatus. A prequel to the Spartacus series, directed by the legend Steven S. DeKnight, immerses viewers into the brutal and captivating world of Ancient Rome's ludus, exploring the intricate dynamics of power, ambition, and gladiatorial combat. Led by the ambitious and ruthless Quintus Batiatus, portrayed by John Hannah, and his scheming wife Lucretia, played by Lucy Lawless, the narrative delves deep into their manipulative efforts to ascend the social ladder. Among the notable gladiators, Gannicus, portrayed by Dustin Clare, emerges as a heartthrob, complex and charismatic figure, showcasing his journey from celebrated champion to a reluctant player entangled in the Batiatus' power games. The rise of Crixus, played by Manu Bennett, as a formidable warrior within the ludus adds layers of conflict and loyalty. Additionally, the presence of Oenomaus, portrayed by Peter Mensah, as the wise, stoic and skilled Doctore is among the bedrock's for the series emotional core, and idealism of warriors. Despite Spartacus's absence, the series captivates with its visceral depiction of the harsh world of the ludus, showcasing the interplay between politics, ambition, and the primal brutality of gladiatorial combat which the series farcically trademarked, weaving a compelling tapestry of historical drama and human complexity. To think I would've never seen this series, were it not for me coming across a meme of a bunch of sweaty beefcakes
- CreatorSteven S. DeKnightStarsAndy WhitfieldLucy LawlessManu BennettThe life of Spartacus, the gladiator who lead a rebellion against the Romans. From his time as an ally of the Romans, to his betrayal and becoming a gladiator, to the rebellion he leads and its ultimate outcome.S1-S3=10
A visceral and unapologetically intense series that redefines historical drama with its raw portrayal of ancient Rome and the gladiatorial arena. unfolds as a grand and visceral portrayal of rebellion, sacrifice, and the complexities of power dynamics within Ancient Rome. The series traces the journey of Spartacus, portrayed by Andy Whitfield in the initial season, as he evolves from a Thracian warrior enslaved by the Romans to a defiant leader, rallying fellow slaves in a bid for freedom. DeKnight's direction paints a brutal yet captivating picture of Ancient Rome, the gladiatorial training school, and the Roman society's opulent decadence. Spartacus' quest for vengeance against those who wronged him and the poignant evolution of his character after Whitfield's tragic passing in Season 1, leading to Liam McIntyre's portrayal in later seasons, marks a journey of growth and transformation. It is very strong in its multifaceted characters, with the returning characters of Oenomaus, Crixus, and Gannicus from "Gods of the Arena", and the continuing intricate dynamics between the cunning Lucretia, played by Lucy Lawless, and the ambitious Batiatus, portrayed by John Hannah (I talked about them in the other review). The inclusion of strong figures like the fierce warrior Agron, portrayed by Dan Feuerriegel, and his lover Nasir, played by Pana Hema Taylor, adds a legendary, subversive gay romance and a driving force. Naevia's character, portrayed by Cynthia Addai-Robinson and later Lesley-Ann Brandt, undergoes a compelling transformation from innocence to a formidable warrior in another legendary romance with Crixus. While Ashur, played by Nick E. Tarabay, embodies the dyamics of self-serving ambition and manipulation. Ilithyia, portrayed by Viva Bianca, showcases the evils of the Roman elite alongside her husband, Legatus Glaber, villainously played with exceptional gravitas by Craig Parker. A given, if any cultured person knows his chops from Lord of the Rings as Haldir. Although not as potent as Parker's Glaber, some credit is due to Simon Merrells as Marcus Crassus and his "little-shit-character" son -- the most hateable in the show. "Spartacus" engages with a tapestry of characters, each with their own arcs and complexities, crafting a visceral and thought-provoking saga of rebellion and sacrifice against the unforgiving backdrop of Ancient Rome's society and its ever-shifting power structures. Probably in my top ten shows. - CreatorJ. Michael StraczynskiLana WachowskiLilly WachowskiStarsBae DoonaJamie ClaytonTina DesaiA group of people around the world are suddenly linked mentally, and must find a way to survive being hunted by those who see them as a threat to the world's order.S1-2=10
A groundbreaking and ambitious sci-fi drama from the Wachowski's. It revolves around eight individuals from different parts of the world who discover they are mentally and emotionally linked, forming a cluster of "sensates" who can communicate and share experiences across vast distances. This innovative narrative premise serves as a powerful metaphor for unity, diversity, and the strength of human connections. "Sense8" is celebrated for its exceptional commitment to representing a wide range of genders, sexual orientations, cultures, and backgrounds, making it a trailblazer in LGBTQ+ and diversity representation in television. Nomi Marks, a transgender hacker from San Francisco, explores issues of identity, discrimination, and self-acceptance. Lito Rodriguez, a closeted Mexican telenovela actor, journeys through themes of sexuality, authenticity, and the price of fame. Riley Blue, an Icelandic DJ, grapples with grief and trauma from her past while highlighting the healing power of connection. Will Gorski, a Chicago cop, exemplifies loyalty and justice and has it challenged throughout. Wolfgang Bogdanow, a Berlin locksmith and safecracker, confronts themes of violence, power, and morality. Kala Dandekar, from Mumbai, navigates the challenges of tradition and modernity, raising questions about faith, love, and destiny. Capheus "Van Damme" Onyango, from Nairobi, embodies resilience, hope, and the power of community. Sun Bak, a Seoul-based businesswoman and martial artist, confronts themes of revenge, gender discrimination, family loyalty, and personal freedom. And, for the record -- Sun's my favorite; I am way too into her storyline. The show's intricate storytelling combines elements of science fiction, drama, and action while tackling themes of empathy, identity, love, and the collective human experience. Its breathtaking global cinematography and thrilling action sequences are juxtaposed with intimate character development, rendering a beautifully nuanced and emotionally resonant series that champions the importance of understanding and embracing our shared humanity. "Sense8" serves as a testament to the potential of television to not only entertain but also challenge societal norms and foster greater acceptance and empathy in an increasingly interconnected world. Amongst my top 10 shows. - CreatorRobert LevineJonathan E. SteinbergStarsJessica Parker KennedyToby StephensHannah NewFollows Captain Flint and his pirates twenty years prior to Robert Louis Stevenson's classic novel "Treasure Island."S1-4=10
Stands as a captivating and morally intricate prequel to Robert Louis Stevenson's "Treasure Island," delivering a gritty and multi-layered narrative within the world of piracy in the early 18th century Caribbean. The series centers on Captain James Flint, portrayed by Toby Stephens, and his crew's quest for wealth and power in the lawless Nassau, a pirate haven. Steinberg and Levine's direction crafts a morally ambiguous and politically charged world, exploring themes of ambition, loyalty, and the price of freedom. Stephens' nuanced portrayal of Flint anchors the series, portraying a complex figure torn between his ambitions and the greater good; and his standing as a gay character is truly groundbreaking within TV. The series navigates intricate character dynamics, including the enigmatic Long John Silver, played by Luke Arnold, whose evolution from a cunning opportunist to a legendary figure is a narrative highlight. The inclusion of iconic characters like the fierce Eleanor Guthrie, portrayed by Hannah New, and the menacing pirate Charles Vane, played by Zach McGowan, adds depth and complexity to the power struggles and shifting alliances within Nassau. Max, portrayed by Jessica Parker Kennedy, evolves from a brothel worker into a shrewd and resourceful player in the town's intrigues, while the charismatic Jack Rackham, played by Toby Schmitz, weaves his way through the pirate world with cunning and charm. The inclusion of Anne Bonny, portrayed by Clara Paget, as a fierce and independent pirate adds further layers to the series' exploration of gender roles and power dynamics "Black Sails" excels in storytelling, seamlessly blending historical events with fictional elements, while the elaborate production design and impressive naval battles elevate the series' visual appeal. Its exploration of piracy's morally gray nature, the pursuit of personal agendas, and the cost of ambition make it a standout within the genre, leaving a lasting impression as a compelling and character-driven tale of piracy, betrayal, and the quest for freedom on the high seas. One of my favorite shows of all time -- and constantly in question as the best historical show....as there are some STRONG contenders - CreatorDrew GoddardStarsCharlie CoxVincent D'OnofrioDeborah Ann WollA blind lawyer by day, vigilante by night. Matt Murdock fights the crime of New York as Daredevil.S1-3=10
A gritty and groundbreaking addition to the superhero genre, offering a darker and more realistic take on a vigilante crimefighter. Starring Charlie Cox as Matt Murdock, a blind lawyer who moonlights as the titular hero, "Daredevil" stands out for its complex character development, morally ambiguous storytelling, and visceral action sequences. Cox's portrayal of Matt is both vulnerable and resolute, embodying the inner conflict of a man torn between his sense of justice and the brutality of vigilantism. The series masterfully explores the consequences of vigilantism and the blurred line between hero and antihero. Vincent D'Onofrio's Emmy-worthy Wilson Fisk is one of TV's most flawless antagonists; perfectly capturing the balance of Fisk's savagery to his compassionate, unassuming family man side. The ensemble cast, such as that of Elden Henson's Foggy Nelson and Deborah Ann Woll Karen Page, add a much needed sense of personality and normalcy to the criminal underbelly of Hell's Kitchen. "Daredevil" is known for its intense and expertly choreographed fight scenes, which are a testament to the physical and emotional toll of crimefighting. The show doesn't shy away from the physical and psychological costs of being a hero, offering a realistic and grounded portrayal of a superhero in a world filled with corruption and violence. It's a series that is unafraid to tackle complex themes, and it has played the pivotal role in shaping the darker and more mature tone of the Marvel Cinematic Universe's television offerings. Nevertheless, it's the best show that Marvel has ever put out -- and likely ever will; its certainly a contender for the best superhero show ever. P.S. Every time I rewatch this show, I'm reminded how I really don't like Poindexter as a character. I'm very fucking aware that seasons 2 and 3 are more divisive among fans. I'm not......blind......to the flaws lol. - CreatorSteve LightfootStarsJon BernthalAmber Rose RevahBen BarnesAfter his revenge on those who murdered his family, aimless Marine veteran Frank Castle finds a new meaning in life as a vigilante known as "The Punisher".S1-2=8
Second-best thing to Daredevil. Centered around the Marvel anti-hero Frank Castle, offers a gripping and intense exploration of vengeance, morality, and the consequences of violence. Jon Bernthal's performance as Frank Castle is a standout, bringing depth and emotional complexity to the character, while Ben Barnes
as Billy Russo showcases how much better and a powerhouse Barnes is on TV compared to movies -- serving as a brilliant antagonist to Castle. Is it Kilgrave or Kingpin level? No. But Barnes carries regardless with his cheekbones. The show delves into the psychological trauma and inner struggles of a man seeking to avenge the loss of his family, blurring the lines between hero and vigilante. The action sequences are visceral and hard-hitting, portraying the brutal reality of Castle's war on crime. Tackles complex and morally ambiguous themes, challenging viewers to contemplate the boundaries of justice and the cost of seeking retribution. Suffers from pacing issues, with certain episodes feeling slower or less relevant to the main plot. Its powerful, raw and something Marvel has been terrified to replicate only ever since Daredevil - CreatorCheo Hodari CokerStarsMike ColterSimone MissickTheo RossiWhen a sabotaged experiment gives him super strength and unbreakable skin, Luke Cage becomes a fugitive attempting to rebuild his life in Harlem and must confront his past and fight a battle for the heart of his city.S1-2=5
Too apathetic about the show to write why its uninteresting - CreatorScott BuckStarsFinn JonesJessica HenwickJessica StroupA young man is bestowed with incredible martial arts skills and a mystical force known as the Iron Fist.S1-2=3
Trash: the show - CreatorDouglas PetrieMarco RamirezStarsCharlie CoxKrysten RitterMike ColterSet a few months after the events of the second season of Daredevil, and a month after the events of Iron Fist, the vigilantes Daredevil, Jessica Jones, Luke Cage, and Iron Fist team up in New York City to fight a common enemy: The Hand.5 for Sigourney Weaver & Daredevil
- CreatorMelissa RosenbergStarsKrysten RitterRachael TaylorEka DarvilleFollowing the tragic end of her brief superhero career, Jessica Jones tries to rebuild her life as a private investigator, dealing with cases involving people with remarkable abilities in New York City.S1=9
S2=5
S3=5
Amazing first season powered by David Tennant's stunning performance, but once he leaves...the show quickly loses steam. Carrie Anne Moss and Kristen Ritter do what they can and never lose their moxie, but what they were given to work with was anything but after its first season. Regrettably, I find the show was forgettable with exception to the first season. - CreatorMichael WaldronStarsTom HiddlestonOwen WilsonSophia Di MartinoThe mercurial villain Loki resumes his role as the God of Mischief in a new series that takes place after the events of “Avengers: Endgame.”No point in doing each season cuz its all TRASSSH. Tom Hiddleson is still one of sexiest men alive at least
- CreatorJessica GaoStarsTatiana MaslanyGinger GonzagaMalia ArrayahJennifer Walters navigates the complicated life of a single, 30-something attorney who also happens to be a green 6-foot-7-inch superpowered Hulk.WOAT status. BURN IT
- CreatorKyle BradstreetStarsSamuel L. JacksonEmilia ClarkeDon CheadleFury and Talos try to stop the Skrulls who have infiltrated the highest spheres of the Marvel Universe.WOAT status.
- StarsJeremy RennerHailee SteinfeldFlorence PughSeries based on the Marvel Comics superhero Hawkeye, centering on the adventures of Young Avenger, Kate Bishop, who took on the role after the original Avenger, Clint Barton.WOAT status. Don't know why I torture myself watching the Disney+ Marvels
- CreatorJac SchaefferStarsElizabeth OlsenPaul BettanyKathryn HahnBlends the style of classic sitcoms with the MCU, in which Wanda Maximoff and Vision - two super-powered beings living their ideal suburban lives - begin to suspect that everything is not as it seems.Hella overrated and the personification of style over substance nonsense. Merit towards its cinematography and production only
- CreatorDoug MoenchStarsOscar IsaacEthan HawkeMay CalamawySteven Grant discovers he's been granted the powers of an Egyptian moon god. But he soon finds out that these newfound powers can be both a blessing and a curse to his troubled life.Booringggg Knight
- StarsJeffrey WrightTerri DouglasMatthew WoodExploring pivotal moments from the Marvel Cinematic Universe and turning them on their head, leading the audience into uncharted territory.Cool for animation, but I ain't that big of a Marvel fan to be into this shit
- DirectorSam LiuStarsKevin ConroyMark HamillTara StrongAs Batman hunts for the escaped Joker, the Clown Prince of Crime attacks the Gordon family to prove a diabolical point mirroring his own fall into madness.The title is as it says: the movie is a joke -- which killed itself. Half the movie was Barbara soap opera, and the other was Mark Hamill and Kevin Conroy being legends. An utter failure as a movie and adaptation; the adaptation, I have heard, is a gritty masterpiece in its own right
- DirectorPeter JacksonStarsMartin FreemanIan McKellenRichard ArmitageA reluctant Hobbit, Bilbo Baggins, sets out to the Lonely Mountain with a spirited group of dwarves to reclaim their mountain home and the gold within it from the dragon Smaug.A prequel to the unbeatable legend, adapting J.R.R. Tolkien's beloved children's novel. While the trilogy displays moments of visual grandeur and impressive special effects, it falls short of the greatness achieved by its predecessor. The decision to expand a relatively concise book into three lengthy films introduces pacing issues and unnecessary subplots, diluting the overall narrative. Martin Freeman's portrayal of Bilbo Baggins brings charm and wit to the character, Lee Pace as Thranduil is imposing, regal, with an unforgettable bravado, Benedict Cumberbatch gives a legendary voice performance for Smaug, and Richard Armitage endlessly inspires w/ Thorin's leadership & monologues. But the sprawling ensemble cast can sometimes overshadow Bilbo's journey, whether by the writing or simply beacuse they're too goddamn hot; yes -- I'm looking at you: Thranduil, Legolas, Thorin, Tauriel, Kili, Bard, and Galadriel. Despite these shortcomings, "The Hobbit" trilogy still offers glimpses of the magic and wonder that defined "Lord of the Rings." However, the trilogy's tendency to prioritize spectacle over substance ultimately weakens its impact, making it an uneven and somewhat unsatisfying journey. In conclusion, "The Hobbit" trilogy falls short of its predecessor's greatness, struggling with pacing issues, unnecessary additions, and a lack of focus on character development. While the films have their moments of visual splendor, they lack the emotional depth and thematic cohesion that made "Lord of the Rings" a timeless masterpiece. Still, for a whore to Middle-Earth like me, they're still amazing
- DirectorPeter JacksonStarsIan McKellenMartin FreemanRichard ArmitageThe dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim the Lonely Mountain, their homeland, from the dragon Smaug.A prequel to the unbeatable legend, adapting J.R.R. Tolkien's beloved children's novel. While the trilogy displays moments of visual grandeur and impressive special effects, it falls short of the greatness achieved by its predecessor. The decision to expand a relatively concise book into three lengthy films introduces pacing issues and unnecessary subplots, diluting the overall narrative. Martin Freeman's portrayal of Bilbo Baggins brings charm and wit to the character, Lee Pace as Thranduil is imposing, regal, with an unforgettable bravado, Benedict Cumberbatch gives a legendary voice performance for Smaug, and Richard Armitage endlessly inspires w/ Thorin's leadership & monologues. But the sprawling ensemble cast can sometimes overshadow Bilbo's journey, whether by the writing or simply beacuse they're too goddamn hot; yes -- I'm looking at you: Thranduil, Legolas, Thorin, Tauriel, Kili, Bard, and Galadriel. Despite these shortcomings, "The Hobbit" trilogy still offers glimpses of the magic and wonder that defined "Lord of the Rings." However, the trilogy's tendency to prioritize spectacle over substance ultimately weakens its impact, making it an uneven and somewhat unsatisfying journey. In conclusion, "The Hobbit" trilogy falls short of its predecessor's greatness, struggling with pacing issues, unnecessary additions, and a lack of focus on character development. While the films have their moments of visual splendor, they lack the emotional depth and thematic cohesion that made "Lord of the Rings" a timeless masterpiece. Still, for a whore to Middle-Earth like me, they're still amazing
- DirectorPeter JacksonStarsIan McKellenMartin FreemanRichard ArmitageBilbo Baggins and company are forced to engage in a war against an array of combatants and keep the Lonely Mountain from falling into the hands of a rising darkness.A prequel to the unbeatable legend, adapting J.R.R. Tolkien's beloved children's novel. While the trilogy displays moments of visual grandeur and impressive special effects, it falls short of the greatness achieved by its predecessor. The decision to expand a relatively concise book into three lengthy films introduces pacing issues and unnecessary subplots, diluting the overall narrative. Martin Freeman's portrayal of Bilbo Baggins brings charm and wit to the character, Lee Pace as Thranduil is imposing, regal, with an unforgettable bravado, Benedict Cumberbatch gives a legendary voice performance for Smaug, and Richard Armitage endlessly inspires w/ Thorin's leadership & monologues. But the sprawling ensemble cast can sometimes overshadow Bilbo's journey, whether by the writing or simply beacuse they're too goddamn hot; yes -- I'm looking at you: Thranduil, Legolas, Thorin, Tauriel, Kili, Bard, and Galadriel. Despite these shortcomings, "The Hobbit" trilogy still offers glimpses of the magic and wonder that defined "Lord of the Rings." However, the trilogy's tendency to prioritize spectacle over substance ultimately weakens its impact, making it an uneven and somewhat unsatisfying journey. In conclusion, "The Hobbit" trilogy falls short of its predecessor's greatness, struggling with pacing issues, unnecessary additions, and a lack of focus on character development. While the films have their moments of visual splendor, they lack the emotional depth and thematic cohesion that made "Lord of the Rings" a timeless masterpiece. Still, for a whore to Middle-Earth like me, they're still amazing
- DirectorJoachim RønningEspen SandbergStarsJohnny DeppGeoffrey RushJavier BardemCaptain Jack Sparrow searches for the Trident of Poseidon to rule the sea while being pursued by old rival Captain Salazar and a crew of deadly ghosts who have escaped from the Devil's Triangle."Pirates of the Caribbean: On Stranger Tides" (4) and "Pirates of the Caribbean: Dead Men Tell No Tales" (5) failed to live up to the success of the earlier films. The departure of key cast members, including Orlando Bloom and Keira Knightley, weakened the ensemble dynamic that had been a driving force in the earlier films. Additionally, the scripts for both movies suffered from convoluted plots and lackluster character development, introducing new storylines and characters that failed to resonate as strongly. There were exceptions like Ian McShane's exceedingly dimensional Blackbeard or Javier Bardem's Captain Salazar which was carried by performance, but lacked that good dimension. Franchise fatigue set in as well, with multiple sequels leading to diminishing returns and a sense of repetitive themes. The absence of director Verbinski contributed to a lack of creative cohesion and a shift in tone and visual style, impacting the overall consistency of the franchise. Only Rush's Barbossa and Depp's Jack were its saving graces; *spoilers* and however flawed these movies were, Barbossa's death still wrecks me.
- DirectorRob MarshallStarsJohnny DeppPenélope CruzIan McShaneJack Sparrow and Barbossa embark on a quest to find the elusive fountain of youth, only to discover that Blackbeard and his daughter are after it too."Pirates of the Caribbean: On Stranger Tides" (4) and "Pirates of the Caribbean: Dead Men Tell No Tales" (5) failed to live up to the success of the earlier films. The departure of key cast members, including Orlando Bloom and Keira Knightley, weakened the ensemble dynamic that had been a driving force in the earlier films. Additionally, the scripts for both movies suffered from convoluted plots and lackluster character development, introducing new storylines and characters that failed to resonate as strongly. There were exceptions like Ian McShane's exceedingly dimensional Blackbeard or Javier Bardem's Captain Salazar which was carried by performance, but lacked that good dimension. Franchise fatigue set in as well, with multiple sequels leading to diminishing returns and a sense of repetitive themes. The absence of director Verbinski contributed to a lack of creative cohesion and a shift in tone and visual style, impacting the overall consistency of the franchise. Only Rush's Barbossa and Depp's Jack were its saving graces; *spoilers* and however flawed these movies were, Barbossa's death still wrecks me.