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- DirectorJames WilliamsonFirefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the street to a house fire. Inside a man sleeps, he awakes amidst flames and throws himself back on the bed. In comes a firefighter, hosing down the blaze. He carries out the victim, down a ladder to safety. Other firefighters enter the house to save belongings, and out comes one with a baby. The saved man rejoices, but it's not over yet. Another resident appears upstairs. He jumps.
- DirectorJames WilliamsonStarsSam DaltonA hungry vagabond snatches a wrapped leg of lamb and jumps into a large wooden barrel to hide. Will he get away scot-free?
- DirectorJames WilliamsonStarsSam DaltonA man, objecting to being filmed, comes closer and closer to the camera lens until his mouth is all we see. Then he opens wide and swallows camera and cinematographer. He steps back, chews, and grins.
- DirectorFrank S. MottershawA thief jumps a fence and removes the shutter from a house. He enters, but a lad who's witnessed the crime runs off to hail the coppers.
- DirectorRobert W. PaulA satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train
- DirectorGeorge S. FlemingEdwin S. PorterStarsA.C. AbadieFlorence GeorgieA winner and sure to please. In front of one of the largest newspaper offices is a hot air shaft through which immense volumes of air are forced by a blower. Ladies in crossing this shaft often have their clothes slightly disarranged. A young man is escorting a young lady and talking very earnestly. They walk slowly along until they stand directly over the air shaft. The young lady's skirts are suddenly raised to an almost unreasonable height, greatly to her horror and much to the amusement of the newsboys, bootblacks, and passersby.
- DirectorGeorge S. FlemingEdwin S. PorterStarsCharmionIn this short silent film, we see Charmion an early vaudeville strongwomen, perform her famous Trapeze disrobing act. During the Victorian era, Charmion believed in promoting physical culture and dress reform for women.
- Railroad from Georgetown to Silver Plume, Colorado.
- DirectorFerdinand ZeccaStarsJean LiézerBretteauFerdinand ZeccaA burglar is arrested for a murder. He is condemned to death. Before his execution the murderer dreams of his past, of how he was a bank clerk, then turned to crime. The criminal is then taken out of his cell, and a moment later is executed.
- DirectorThomas CrahanHere we see one of the methods employed in the search for gold, where water is scarce. We see the workmen using the water over and over again in the rocker until it becomes too thick with earth for further use. The scene is one of action, as the valuable character of the ground enables many to work profitably in close quarters. An interesting and instructive subject.
- A daredevil rides his bicycle down a ramp and attempts to land in a pool of water as a crowd of spectators watches.
- DirectorGeorge Albert SmithA girl gives a spoonful of medicine to a kitten.
- DirectorFerdinand ZeccaA hotel porter tries in his spare time to find out the secrets of the guests in looking through the keyholes of the different rooms. He must see very funny things, judging from his facial expressions.
- The scene opens showing Reuben and his best girl looking for a quiet place to spoon. A photographer enters and suggests taking their pictures. Reuben gets impatient, and walks over to the photographer and insists on peering in the camera. A bad boy enters and ties Reuben's legs to the tripod. Reuben makes a wild dash for the photographer, but falls to the ground on top of the camera, smashing it to pieces. The scene ends with the lovers and Reuben all mixed up in a confused mess upon the ground
- DirectorEdwin S. PorterA great feature of the Pan-American Exposition, as unanimously conceded by all visitors, was the electric illumination of the Exposition grounds at night. After a great deal of experimenting and patience, we succeeded in securing an excellent picture of the buildings at the Pan-American as they appeared when lighted up at night. All the buildings from the Temple of Music to the Electric Tower are shown, including the Electric Tower itself. The emotional and sensational effects were also secured by starting the panoramic view by daylight and revolving the camera until the Electric Tower forms the center of the field of the lens. Our camera was then stopped and the position held until night, when we photographed the coming up of the lights, an event which was deemed by all to be a great emotional climax to the Pan-American Exposition. Immediately the lights are burning to their fullest brilliancy, the camera is againt set in motion and revolved until the Temple of Music is reached. The motion is then reversed and the camera goes back until it rests on the Electric Tower, thus supplying the climax to the picture. The great searchlights of the Tower are being worked during the entire time the picture is being exposed, and the effect is startling. This picture is pronounced by the photographic profession to be a marvel of photography.
- DirectorGeorge S. FlemingEdwin S. PorterStarsGilbert SaroniAn old maid is walking about the studio while the photographer is getting his camera ready. She first looks at a hanger, which immediately falls from the wall, not being able to stand her gaze. Then she looks at the clock, and her face causes it to fall to the floor with a crash. She then walks over to the mirror, which suddenly cracks in several places. The photographer then poses her. Just as he is to press the button the camera explodes with a great puff of smoke, completely destroying the camera and demolishing the studio. The picture finishes up with the old maid tipping back in her chair and losing her balance, displaying a large quantity of fancy lace goods. A sure winner.
- DirectorEdwin S. PorterStarsCarrie NationReenactment of Carrie Nation's saloon smashing in Wichita.
- DirectorEdwin S. PorterThe scene opens in an artist's studio, the artist asleep in his chair. A large old fashioned clock opens and a young lady comes out and awaking the artist, requests him to paint her picture. While the artist is executing the work a clown comes from the clock, takes in the situation and begins to make love to the lady. The artist detects him and compels him to desist his love making. He continues to paint. The clown becomes interested and asks the artist to allow him to paint the picture, and begins smearing a whitewash brush over the canvas, when lo, a most perfect image of the young lady appears. The image then steps down from the frame, joins the young lady in the studio, and the figures, each a perfect counterpart of the other begin to dance to the great astonishment of the artist. The clown the by waving his hand causes the figures of the two girls to merge into one. The artist then assumes his seat and awakens from his dream with a great shock.
- DirectorEdwin S. PorterThe scene opens in the bedroom of Mr. Nation, husband of the famous Carrie Nation, the "Kansas Saloon Smasher." Mr. Nation suddenly arises from the bed and picks up a crying infant from the cradle, and walks it up and down the floor. He suddenly steps upon a tack, becomes infuriated, and throws the baby back into the cradle. A small boy in the bed next demands his attention. The overworked husband becomes exasperated, and seizes a bottle of whiskey just as Mrs. Nation enters. She is horrified at the sight of her husband drinking from a bottle. She smashes the bottle on the floor, turns her husband over her knee and spanks him soundly.
- DirectorEdwin S. PorterShows a bedroom in a hotel. On the wall of the room is a conspicuous sign "Don't blow out the gas." A hayseed enters the room, accompanied by a bellboy. The boy deposits the Rube's bag and umbrella, turns a somersault, and vanishes through the door. The Rube then removes his hat and coat and places them upon the table. They immediately vanish. He then blows out the gas. The scene then instantly changes to a funeral procession, headed by Reuben's hearse, and followed by the carriages of his country friends. Strictly up-to-date picture.
- Shows the efficiency of modern life-saving methods and apparatus now in use by the fire departments. Shows the front of a building burning and two ladders raised against it. Through a thick cloud of smoke and sparks membes of the fire companies are ascending. Entering the windows they pass unfortunate occupants to their comrades, who in turn take them safely to the ground.
- DirectorFerdinand ZeccaA well-dressed middle-aged man is enjoying a drink at a table with a pretty young woman. He flirts with her, and she seems not to mind his attentions. But is it all too good to be true?
- DirectorFrederick S. ArmitageTime-lapse photography is used to show the manual dismantling and demolition of New York's Star Theatre over a period of about 30 days.