My Favorite Male Celebrities
My favorite male actors, singers, musicians, politicians, reality stars, dancers, historical figures, etc. Men who have had their 15 minutes of fame, achieved legendary status or more.
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With an authoritative voice and calm demeanor, this ever popular American actor has grown into one of the most respected figures in modern US cinema. Morgan was born on June 1, 1937 in Memphis, Tennessee, to Mayme Edna (Revere), a teacher, and Morgan Porterfield Freeman, a barber. The young Freeman attended Los Angeles City College before serving several years in the US Air Force as a mechanic between 1955 and 1959. His first dramatic arts exposure was on the stage including appearing in an all-African American production of the exuberant musical Hello, Dolly!.
Throughout the 1970s, he continued his work on stage, winning Drama Desk and Clarence Derwent Awards and receiving a Tony Award nomination for his performance in The Mighty Gents in 1978. In 1980, he won two Obie Awards, for his portrayal of Shakespearean anti-hero Coriolanus at the New York Shakespeare Festival and for his work in Mother Courage and Her Children. Freeman won another Obie in 1984 for his performance as The Messenger in the acclaimed Brooklyn Academy of Music production of Lee Breuer's The Gospel at Colonus and, in 1985, won the Drama-Logue Award for the same role. In 1987, Freeman created the role of Hoke Coleburn in Alfred Uhry's Pulitzer Prize-winning play Driving Miss Daisy, which brought him his fourth Obie Award. In 1990, Freeman starred as Petruchio in the New York Shakespeare Festival's The Taming of the Shrew, opposite Tracey Ullman. Returning to the Broadway stage in 2008, Freeman starred with Frances McDormand and Peter Gallagher in Clifford Odets' drama The Country Girl, directed by Mike Nichols.
Freeman first appeared on TV screens as several characters including "Easy Reader", "Mel Mounds" and "Count Dracula" on the Children's Television Workshop (now Sesame Workshop) show The Electric Company (1971). He then moved into feature film with another children's adventure, Who Says I Can't Ride a Rainbow! (1971). Next, there was a small role in the thriller Blade (1973); then he played Casca in Julius Caesar (1979) and the title role in Coriolanus (1979). Regular work was coming in for the talented Freeman and he appeared in the prison dramas Attica (1980) and Brubaker (1980), Eyewitness (1981), and portrayed the final 24 hours of slain Malcolm X in Death of a Prophet (1981). For most of the 1980s, Freeman continued to contribute decent enough performances in films that fluctuated in their quality. However, he really stood out, scoring an Oscar nomination as a merciless hoodlum in Street Smart (1987) and, then, he dazzled audiences and pulled a second Oscar nomination in the film version of Driving Miss Daisy (1989) opposite Jessica Tandy. The same year, Freeman teamed up with youthful Matthew Broderick and fiery Denzel Washington in the epic Civil War drama Glory (1989) about freed slaves being recruited to form the first all-African American fighting brigade.
His star continued to rise, and the 1990s kicked off strongly with roles in The Bonfire of the Vanities (1990), Robin Hood: Prince of Thieves (1991), and The Power of One (1992). Freeman's next role was as gunman Ned Logan, wooed out of retirement by friend William Munny to avenge several prostitutes in the wild west town of Big Whiskey in Clint Eastwood's de-mythologized western Unforgiven (1992). The film was a sh and scored an acting Oscar for Gene Hackman, a directing Oscar for Eastwood, and the Oscar for best picture. In 1993, Freeman made his directorial debut on Bopha! (1993) and soon after formed his production company, Revelations Entertainment.
More strong scripts came in, and Freeman was back behind bars depicting a knowledgeable inmate (and obtaining his third Oscar nomination), befriending falsely accused banker Tim Robbins in The Shawshank Redemption (1994). He was then back out hunting a religious serial killer in Se7en (1995), starred alongside Keanu Reeves in Chain Reaction (1996), and was pursuing another serial murderer in Kiss the Girls (1997).
Further praise followed for his role in the slave tale of Amistad (1997), he was a worried US President facing Armageddon from above in Deep Impact (1998), appeared in Neil LaBute's black comedy Nurse Betty (2000), and reprised his role as Alex Cross in Along Came a Spider (2001). Now highly popular, he was much in demand with cinema audiences, and he co-starred in the terrorist drama The Sum of All Fears (2002), was a military officer in the Stephen King-inspired Dreamcatcher (2003), gave divine guidance as God to Jim Carrey in Bruce Almighty (2003), and played a minor role in the comedy The Big Bounce (2004).
2005 was a huge year for Freeman. First, he he teamed up with good friend Clint Eastwood to appear in the drama, Million Dollar Baby (2004). Freeman's on-screen performance is simply world-class as ex-prize fighter Eddie "Scrap Iron" Dupris, who works in a run-down boxing gym alongside grizzled trainer Frankie Dunn, as the two work together to hone the skills of never-say-die female boxer Hilary Swank. Freeman received his fourth Oscar nomination and, finally, impressed the Academy's judges enough to win the Best Supporting Actor Oscar for his performance. He also narrated Steven Spielberg's War of the Worlds (2005) and appeared in Batman Begins (2005) as Lucius Fox, a valuable ally of Christian Bale's Bruce Wayne/Batman for director Christopher Nolan. Freeman would reprise his role in the two sequels of the record-breaking, genre-redefining trilogy.
Roles in tentpoles and indies followed; highlights include his role as a crime boss in Lucky Number Slevin (2006), a second go-round as God in Evan Almighty (2007) with Steve Carell taking over for Jim Carrey, and a supporting role in Ben Affleck's directorial debut, Gone Baby Gone (2007). He co-starred with Jack Nicholson in the breakout hit The Bucket List (2007) in 2007, and followed that up with another box-office success, Wanted (2008), then segued into the second Batman film, The Dark Knight (2008).
In 2009, he reunited with Eastwood to star in the director's true-life drama Invictus (2009), on which Freeman also served as an executive producer. For his portrayal of Nelson Mandela in the film, Freeman garnered Oscar, Golden Globe and Critics' Choice Award nominations, and won the National Board of Review Award for Best Actor.
Recently, Freeman appeared in RED (2010), a surprise box-office hit; he narrated the Conan the Barbarian (2011) remake, starred in Rob Reiner's The Magic of Belle Isle (2012); and capped the Batman trilogy with The Dark Knight Rises (2012). Freeman has several films upcoming, including the thriller Now You See Me (2013), under the direction of Louis Leterrier, and the science fiction actioner Oblivion (2013), in which he stars with Tom Cruise.- Actor
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actor
- Producer
- Writer
Since starring in his first film, Splendor in the Grass (1961), Warren Beatty has been said to have demonstrated a greater longevity in movies than any actor of his generation. Few people have taken so many responsibilities for all phases of the production of films as producer, director, writer, and actor, and few have evidenced so high a level of integrity in a body of work.
In Rules Don't Apply (2016), he writes, produces, directs and stars in. Only Beatty and Orson Welles (Citizen Kane) have been nominated by the Academy of Motion Picture Arts and Sciences as an actor, a director, a writer, and a producer for the same film. Beatty is the only person ever to have done it twice, for Heaven Can Wait (1978) and again for Reds (1981). Beatty has been nominated 15 times by the Academy of Motion Pictures Arts and Sciences, and 8 films he has produced have earned 53 Academy nominations. In 1982 he won the Academy Award for Directing and in 2000 was given the Academy's highest honor, the Irving G. Thalberg Award.
He was awarded Best Director from the Directors Guild of America and Best Writer three times from the Writers Guild of America. He has received the Milestone Award from the Producers Guild, the Board of Governors Award from the American Society of Cinematographers, the Directors Award from the Costume Designers Guild, the Life Achievement Award from the Publicists Guild, and the Outstanding Contribution to Cinematic Imagery Award from the Art Directors Guild. The National Association of Theater Owners has honored him as Director of the Year, as Producer of the Year and as Actor of the Year.
He has won 16 awards from the New York and Los Angeles Film Critics, the National Board of Review, and the Golden Globes. In 1992, he was made a Commander of the Order of Arts and Letters in France; in Italy he received the David di Donatello award in 1968 and again in 1981 and its Lifetime Achievement Award in 1998; in 2001, he received the Donostia Lifetime Achievement Award from the San Sebastian International Film Festival; in 2002, he received the British Academy Fellowship from BAFTA; and in 2011, he was awarded the Stanley Kubrick Britannia Award for Excellence in Film.
In December 2004, Beatty received The Kennedy Center Honor in Washington, D.C. In addition, he is the recipient of the American Film Institute's Lifetime Achievement Award, the HFPA Cecile B. DeMille Award and many others. Politically active since the 1960's, Beatty campaigned with Robert F. Kennedy in his 1968 presidential campaign. That same year he traveled throughout the United States speaking in favor of gun control and against the war in Vietnam. In 1972 he took a year off from motion pictures to campaign with George McGovern.
In 1981, Beatty was a founding board member of the Center for National Policy. He is a founding member of The Progressive Majority, a member of the Council on Foreign Relations, and has participated in the World Economic Forum at Davos, Switzerland.
Beatty serves on the Board of Directors of the Motion Picture and Television Fund Foundation. He previously served on the Board of Trustees of The Scripps Research Institute for several years. He has received the Eleanor Roosevelt Award from the Americans for Democratic Action, the Brennan Legacy Award from the Brennan Center for Justice at the New York University School of Law, and the Philip Burton Public Service Award from The Foundation for Taxpayer and Consumer Rights.
In multiple forums he has addressed campaign finance reform, the increasing disparity of wealth, universal health care and the need for the Democratic Party to return to its roots.
In March of 2013, he was inducted into the California Hall of Fame.
Beatty was born in Richmond, Virginia. He and his wife, Annette Bening, live in Los Angeles and have four children.
His mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and his father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. His sister is actress Shirley MacLaine (born Shirley MacLean Beaty). His ancestry is mostly English and Scottish.- Actor
- Director
- Producer
The award-worthy actor, now enjoying an over five decade career, has a resume that includes everything from Shakespeare to Seinfeld -- from the villainous Senator on Ozark to the wise judge on Lincoln Lawyer.
Born on June 28, 1946, in Philadelphia, Pennsylvania, the son of Clair, an architect and musician, and Marian (Holman) Davison, a secretary, Bruce's parents divorced when he was just three. He developed a burgeoning interest in acting while majoring in art at Penn State and after accompanying a friend to a college theater audition. Making his professional stage debut in 1966 as Jonathan in "Oh Dad, Poor Dad, Mama's Hung You in the Closet and I'm Feelin' So Bad" at the Pennsylvania Festival Theatre, he made it to Broadway within just a couple of years (1968) with the role of Troilus in "Tiger at the Gates" at the Vivian Beaumont Theatre. The year after that he was seen off-Broadway in "A Home Away from Home" and appeared at the Lincoln Center in the cast of "King Lear."
Success in the movies came immediately for the perennially youthful-looking actor after he and a trio of up-and-coming talents (Barbara Hershey [then known as Barbara Seagull], Richard Thomas and Catherine Burns) starred together in the poignant but disturbing coming-of-age film Last Summer (1969). From this he was awarded a starring role opposite Kim Darby in The Strawberry Statement (1970), an offbeat social commentary about 60s college radicalism, and in the cult horror flick Willard (1971) in which he bonded notoriously with a herd of rats.
Moving further into the 70s decade, his film load did not increase significantly as expected and the ones he did appear in were no great shakes. With the exception of his co-starring role alongside Burt Lancaster in the well-made cavalry item Ulzana's Raid (1972) and the powerful low-budget Short Eyes (1977) in which he played a child molester, Bruce's film roles were underwhelming, such as his elder Patrick Dennis in the Lucille Ball musical film version of Mame (1974), as well as The Jerusalem File (1972), Mother, Jugs & Speed (1976), Grand Jury (1976) and Brass Target (1978).
As such, Bruce wisely looked elsewhere for rewarding work and found it on the stage and on the smaller screen. Earning strong theatrical roles in "The Skin of Our Teeth," "The Little Foxes" and "A Life in the Theatre," he won the Los Angeles Drama Critics Award for his work in "Streamers" in 1977. On TV, he scored in mini-movie productions of Mourning Becomes Electra (1978), Deadman's Curve (1978) (portraying Dean Torrence of the surf-era pop duo Jan and Dean) and, most of all, Summer of My German Soldier (1978) co-starring Kristy McNichol as a German prisoner of war in the American South who falls for a lonely Jewish-American girl. In 1972 Bruce married actress Jess Walton who appeared briefly as a college student in The Strawberry Statement (1970) and later became a daytime soap opera fixture. The marriage was quickly annulled the following year.
The 1980s was also dominated by strong theater performances. Bruce took over the role of the severely deformed John Merrick as "The Elephant Man" on Broadway; portrayed Clarence in "Richard III" at the New York Shakespeare Festival; was directed by Henry Fonda in "The Caine Mutiny Court Martial"; played a moving Tom Wingfield opposite Jessica Tandy's Amanda in "The Glass Menagerie"; received a second Los Angeles Drama Critics Award for his work in the AIDS play "The Normal Heart"; and finished off the decade gathering up fine reviews in the amusing A.R. Gurney period piece "The Cocktail Hour". While hardly lacking for work on film (Kiss My Grits (1982), Crimes of Passion (1984), Spies Like Us (1985), and The Ladies Club (1985)), few of them made use of his talents and range.
It was not until he was cast in the ground-breaking gay drama Longtime Companion (1989) that his film career revitalized. Giving a quiet, finely nuanced, painfully tender performance as the middle-aged lover and caretaker of a life partner ravaged by AIDS, Bruce managed to stand out amid the strong ensemble cast and earn himself an Oscar nomination for "Best Supporting Actor". Although he lost out to the flashier antics of Joe Pesci in the mob drama Goodfellas (1990) that year, Bruce was not overlooked -- copping Golden Globe, Independent Spirit, New York Film Critics and National Society of Film Critics awards. Other gay-themed films also welcomed his presence, including The Cure (1995) and It's My Party (1996). The actor eventually served as a spokesperson for a host of AIDS-related organizations, including Hollywood Supports, and has been active with foundations that assist abused children.
Bruce has been all over the screen since his success in Longtime Companion (1989). Predominantly seen as mature, morally responsible dads and politicians, his genial good looks and likability have on occasion belied a weak or corrupt heart. Bruce married actress Lisa Pelikan in 1986 and they have one son, Ethan, born in 1996. (Color of Justice (1997)). Popular films have included Six Degrees of Separation (1993) starring Will Smith, the family adventure film Far from Home: The Adventures of Yellow Dog (1995) and the box-office hit X-Men (2000) and its sequel in the role of Senator Kelly. More controversial art-house showcases include Dahmer (2002), as serial killer Jeffrey Dahmer's father, and Hate Crime (2005), as a bigoted, murderous pastor.
Into the millennium, Bruce has played mature gents and several high-level officials in such films as The Dead Girl (2006), Christmas Angel (2009), Camp Hell (2010), Black Beauty (2015), Displacement (2016), 9/11 (2017), Along Came the Devil (2018), Itsy Bitsy (2019)
Divorced from second wife Lisa Pelikan, Bruce is happily married to Michele Correy and has a daughter with her, Sophia Lucy, born in 2006. They live in the Los Angeles area.- Actor
- Producer
- Writer
Richard Dreyfuss is an American leading man, who has played his fair share of irritating pests and brash, ambitious hustlers.
He was born Richard Stephen Dreyfus in Brooklyn, New York, to Geraldine (Robbins), an activist, and Norman Dreyfus, a restaurateur and attorney. His paternal grandparents were Austro-Hungarian Jewish immigrants, and his mother's family was Russian Jewish.
Richard worked his way up through bit parts (The Graduate (1967), for one) and TV before gaining attention with his portrayal of Baby Face Nelson in John Milius' Dillinger (1973). He gained prominence as a college-bound young man in American Graffiti (1973) and as a nervy Jewish kid with high hopes in The Apprenticeship of Duddy Kravitz (1974). By the latter part of the 1970s Dreyfuss was established as a major star, playing leads (and alter-egos) for Steven Spielberg in two of the top-grossing films of the that decade: Jaws (1975) and Close Encounters of the Third Kind (1977). He won a Best Actor Oscar in his first romantic lead as an out-of-work actor in The Goodbye Girl (1977). Dreyfuss also produced and starred in the entertaining private eye movie The Big Fix (1978). After a brief lull in the early 1980s, a well-publicized drug problem and a string of box-office disappointments (The Competition (1980), Whose Life Is It Anyway? (1981), The Buddy System (1984)), a clean and sober Dreyfuss re-established himself in the mid-'80s as one of Hollywood's more engaging leads. He co-starred with Bette Midler and Nick Nolte in Paul Mazursky's popular Down and Out in Beverly Hills (1986). That same year he provided the narration and appeared in the opening and closing "bookends" of Rob Reiner's nostalgic Stand by Me (1986). He quickly followed that with Nuts (1987) opposite Barbra Streisand, Barry Levinson's Tin Men (1987) in a memorable teaming with Danny DeVito, and Stakeout (1987) with Emilio Estevez. Dreyfuss continued working steadily through the end of the 1980s and into the 1990s, most notably in Mazursky's farce Moon Over Parador (1988), Spielberg's Always (1989), Postcards from the Edge (1990) and Rosencrantz & Guildenstern Are Dead (1990). He appeared as a member of an ensemble that included Holly Hunter, Gena Rowlands and Danny Aiello in the romantic comedy Once Around (1991) and as a pop psychiatrist, the author of several successful self-help books, who is driven to the edge by nutcase Bill Murray in the popular comedy What About Bob? (1991). Dreyfuss has also remained active in the theater ("Death and Maiden", 1992) and on TV. In his next project he starred the thriller Silent Fall (1994) with John Lithgow and Linda Hamilton, being the film debut of Liv Tyler, Steven Tyler's daughter (Aerosmith's lead vocals). Just later Dreyfuss made Another Stakeout (1993), sequel of Stakeout (1987) where was team again with Emilio Estevez accompanied of Rosie O'Donnell, the adaptation of Neil Simon's play Lost in Yonkers (1993) and followed with a supporting turn as the querulous political opponent in The American President (1995). Dreyfuss received some of the best notices of his career as a determined, inspiring music teacher coping with a deaf son and the demands of his career in Mr. Holland's Opus (1995). Closing the 20th century he was in Sidney Lumet's Night Falls on Manhattan (1996) with Andy Garcia, the crime comedy Mad Dog Time (1996) as the mob boss Vic, the screwball comedy Krippendorf's Tribe (1998) about an anthropologist who creates a false lost New Guinea tribe for not losing his job in the university, TV movie Lansky (1999) about the infamous mob boss to end, the too TV movie Fail Safe (2000) playing The President, and The Crew (2000), about four older mobsters retired in Miami, partnering with Hollywood legends Burt Reynolds, Dan Hedaya and Seymour Cassel.
His start in the 21st century was with the adaption of Luis Sepúlveda's novel The Old Man Who Read Love Stories (2001), playing an old man to must to hunt a female jaguar turned crazy. It was followed by the supporting apparition in the comedy Who Is Cletis Tout? (2001) and another TV movie about 1981 Ronald Reagan's shooting The Day Reagan Was Shot (2001). After the short-lived TV series The Education of Max Bickford (2001) about a teacher in a women's college where his daughter is student, Dreyfuss returned to cinema in Silver City (2004) and the box-office bomb Poseidon (2006) with Kurt Russell, Emmy Rossum and Josh Lucas. Playing former vice-president Dick Cheney in the Oliver Stone's biopic W. (2008) and Irv, the cunning tourist in Greece turned in assistant of a troubled tour guide in My Life in Ruins (2009), Dreyfuss participated in low-budget productions as Leaves of Grass (2009) and The Lightkeepers (2009), for making a cameo in the wild and crazy Piranha 3D (2010) about prehistoric men-eater piranhas that make a bloodbath in a spring break. Returning to first line playing evil Alexander Dunning in the actioner RED (2010), his further productions included Paranoia (2013) as Liam Hemsworth's father partnering Harrison Ford and Gary Oldman, road movie Cas & Dylan (2013) opposites Tatiana Maslany and the biopic TV mini-series Madoff (2016) about the infamous multi-billion-dollar and hustler Bernie Madoff. Tireless and always implied in new projects, Dreyfuss played George, the funny online date of Candice Bergen in Book Club (2018), the comedy and road movie The Last Laugh (2019) with Chevy Chase, and the set in wilderness thriller Daughter of the Wolf (2019) with Gina Carano and Brendan Fehr. Making his 73rd birthday in 2020, Dreyfuss is an example of talent, diversity and love for his work, touching not only all the genres in cinema but leaving an unforgettable footprint at any of them.- Actor
- Producer
- Soundtrack
Roberts is an Academy Award nominee for his role in Runaway Train, and a three-time Golden Globe nominee for Runaway Train, Star 80, and King of the Gypsies.
In addition, Roberts received acclaim at the Sundance Film Festival for his role in A Guide to Recognizing Your Saints and It's My Party. He also starred in La Cucaracha, which won Best Film at the Austin Film Festival, and for which Roberts won Best Actor at the New York Independent Film Festival that same year. Other notable performances include his roles in The Dark Knight, Final Analysis, and Paul Thoman Anderson's Inherent Vice for Warner Bros., Millennium Films' Lovelace and The Expendables for Lionsgate.
On television, Roberts' memorable recurring roles include USA's Suits, CSI and Code Black for CBS, NBC's Heroes, and Crash for Starz. He has appeared in guest star roles on ABC's Greys Anatomy, NBC's Will & Grace, Fox's Brooklyn Nine-Nine, CBS' Hawaii Five-O, HBO's Entourage, and so much more.
Upcoming, Roberts plays Matt Dillon's doctor in Head Full of Honey, a Warner Bros. Germany production that is directed by Til Schweiger. Emily Mortimer and Nick Nolte also star. He also has a supporting role in the independent Hard Luck Love Song directed by Justin Corsbie. Roberts will play "Skip," a grizzled doorman whom offers advice to characters played by Michael Dorman and Sophia Bush. The film also stars Dermott Mulroney, and American rapper, RZA. Finally, Roberts is set to recur as DEA boss "Erick Sheldon" in La Reina del Sur for Telemundo Global Studio and Netflix.
Roberts was born in Biloxi, Mississippi, and grew up in and around the Atlanta area. He began his career in theatre in New York City where he won the Theatre World Award for his role on Broadway in Burn This.
He resides in Los Angeles with his wife of 26 years and brood of felines.
Roberts is represented by Sovereign Talent Group, Cultivate Entertainment, and Miles Anthony Associates in the UK.- Actor
- Producer
- Writer
Malcolm John Taylor was born on June 13, 1943 in Leeds, England, to working-class parents Edna (McDowell), a hotelier, and Charles Taylor, a publican. His father was an alcoholic. Malcolm hated his parents' ways. His father was keen to send his son to private school to give him a good start in life, so Malcolm was packed off to boarding school at age 11. He attended the Tonbridge School and the Cannock House School in Eltham, Kent. At school, he was beaten with the slipper or cane every Monday for his wayward behavior. Whilst at school, he decided that he wanted to become an actor; it was also around this time that his love for race cars began. He attended the London Academy of Music and Dramatic Arts (LAMDA) to study acting. Meanwhile, he worked at his parents' pub but lost his job when the pub went bankrupt, his father drinking all the profits. He then had a variety of jobs, from coffee salesman to messenger.
His first big-screen role was in Poor Cow (1967), although his two-minute scene was ultimately cut from the completed film. Soon after, he caught the attention of director Lindsay Anderson who cast him in the role of a rebellious student in his film If.... (1968). The film catapulted Malcolm to stardom in Britain but failed everywhere else. He was so enthusiastic about the film's success that he wanted to do another right away. He began writing what would become the semi-autobiographical O Lucky Man! (1973). Then he starred as Alex DeLarge in Stanley Kubrick's controversial A Clockwork Orange (1971), a role that gave him world fame, and legendary status (although typecasting him as a in villainous roles). In early 1976, he spent nearly a year working on what would later be one of the most infamous films of all time, the semi-pornographic Caligula (1979), financed by Penthouse magazine founder Bob Guccione. Around that time, the British film industry collapsed, forcing him to flee to America to continue working. His first American film was Time After Time (1979). He then did Britannia Hospital (1982), the last part of Lindsay Anderson's working-class trilogy that started with If.... (1968).
In the mid-1980s, the years of alcohol and drug abuse, including $1000 a week on cocaine, caught up with him. Years of abuse took its toll on him; his black hairs were now gray. Looking older than he really was, nobody wanted to cast him for playing younger roles. The big roles having dried up, he did many B-rated movies. The 1990s were kinder to him, though. In 1994, he was cast as Dr. Tolian Soran, the man who killed Captain James T. Kirk in Star Trek: Generations (1994). He was back on the track, playing villains again. He played another in the classic BBC miniseries Our Friends in the North (1996). Today, with more than 100 films under his belt, he is one of the greatest actors in America. He still does not have American citizenship, but he likes the no-nonsense American ways. He resides in the northern suburbs of Los Angeles, California.- Actor
- Composer
- Additional Crew
Al Jolson was known in the industry as "The World's Greatest Entertainer," for well over 40 years. After his death his influence continued unabated with such performers as Sammy Davis Jr., Elvis Presley, Mick Jagger, David Bowie, Jackie Wilson and Jerry Lee Lewis all mentioning him as an inspiration.
Al Jolson was born Asa Yoelson in Seredzius, Lithuania, to a Jewish family, the son of Naiomi Etta (Cantor) and Moise Rubin Yoelson, who emigrated alone to Washington, D.C., to establish himself. After four years he sent for his family. Nine months later his wife died (apparently during childbirth), which devastated the eight-year-old Asa. Young Al would soon find his outlet in the theater. Soon he was singing with his older brother, Harry, for senators and soldiers. He entertained the troops that were headed for the Spanish-American War.
Jolson's career in vaudeville started with his brother in New York, but never really got off the ground. Different partners allowed Jolson to experiment, but it was as a solo act in San Francisco that he finally hit it big. He was signed eventually by Lew Dockstaders' Minstrels. It is important to note that, although performing in blackface, Dockstader's was not a minstrel show in the traditional sense of the "Tambo and Bones" variety of the previous century. It was a sophisticated, topical, Broadway-style revue. The myth lingers to this day that Jolson was a minstrel. He most certainly was not.
Jolson's stay in vaudeville was relatively short, as his talent was quickly recognized by the Shubert Brothers, who signed him to appear in the opening show of their new Winter Garden Theater on Broadway in April of 1912. Thus began what many consider to be the greatest career in the history of Broadway. Not a headliner initially, Jolson soon became "King of the Winter Garden," with shows specifically written for him. "Winter Garden" and "Jolson" became synonymous for close to 20 years. During that time Jolson received reviews that have yet to be matched. Audiences shouted, pleaded and often would not allow the show to proceed, such was the power of his presence. At one performance in Boston, the usually staid and conservative Boston audience stopped the show for 45 minutes! He was said to have had an "electric' personality, along with the ability to make each member of the audience believe that he was singing only to them.
In 1927 Jolson starred in the New York-shot The Jazz Singer (1927) and the rest is film history. But just before it was theatrically released, producer, Warner' His appearance in that film, nowadays considered a somewhat creaky, stodgy and primitive museum piece, electrified audiences and caused a sensation. Jolson was bigger than ever and Hollywood came a-calling. However, Jolson on film was a pale version of Jolson on stage. His screen appearances, with some exceptions, are stiff and wooden. Though he continued into the 1930s to star on radio, he was no longer quite the star he had been.
During World War II, Jolson entertained troops in Africa and Sicily but was cut short by a bout of malaria and pneumonia. Always a favorite with audiences, he continued to entertain in the United States when he met his fourth wife, Erle Chenault Galbraith, an x-ray technician.
By the mid-'40s, though. his stardom had faded quite a bit. Columbia Pictures, inspired by the success of Yankee Doodle Dandy (1942), decided that a Jolson biography might work as well. In 1946 it released The Jolson Story (1946), with song-and-dance man Larry Parks miming to Jolson's vocals. It was the surprise smash hit of the season and the highest grossing film of the year. Parks received an Academy Award nomination for Best Actor. Jolson was now as big, or bigger, than ever. So successful was the film that Columbia made a sequel, Jolson Sings Again (1949), which remains one of a few biography sequels in film history (Funny Girl/Funny Lady - the story of fellow Winter Garden performer Fannie Brice is another rare example). It was also quite successful at the box office. So big had Jolson's star risen that in 1948, when Bing Crosby, Frank Sinatra and Perry Como were at their peaks, Jolson was voted "The Most Popular Male Vocalist" by a Variety poll.
In 1950, against his doctor's orders, Jolson went to Korea to entertain his favorite audience, American troops. While there his health declined and shortly after his return to the U.S. he suffered a massive heart attack and died.- Actor
- Producer
- Writer
Steven Frederic Seagal was born in Lansing, Michigan, to Patricia Anne (Fisher), a medical technician, and Samuel Seagal, a high school math teacher. His paternal grandparents were Russian Jewish immigrants, and his mother had English, German, and distant Irish and Dutch, ancestry. The enigmatic Seagal commenced his martial arts training at the age of seven under the tutelage of well-known karate instructor and author Fumio Demura, and in the 1960s commenced his aikido training in Orange County, CA, under the instruction of Harry Ishisaka. Seagal received his first dan accreditation in 1974, after he had moved to Japan to further his martial arts training. After spending many years there honing his skills, he achieved the ranking of a 7th dan in the Japanese martial art "aikido" and was instructing wealthy clients in Los Angeles when he came to the attention of Hollywood power broker Michael Ovitz.
Ovitz saw star value in the imposing-looking Seagal. The high-octane action movie genre was in full swing in the late 1980s, and Seagal's debut movie, "Above the Law", was wildly received by action fans and actually received some complimentary critical reviews. He followed up "Above the Law" with another slam-bang thriller, Hard to Kill (1990), as a cop shot in an ambush by the mob who revives from a coma to take his revenge. The movie also starred Seagal's wife at the time, leggy Kelly LeBrock, who was married to him from 1987 to 1996 and is the mother of three of his children. His next outing was battling voodoo-using Jamaican drug "posses" in the hyper-violent Marked for Death (1990), before returning to fight psychotic mob gangster William Forsythe in the even more punishing Out for Justice (1991). Seagal was by now enormously popular, and his next movie, the big-budgeted Under Siege (1992), set aboard the battleship USS Missouri and also starring Tommy Lee Jones and Gary Busey, was arguably his best film to date, impressing both fans and critics alike.
Seagal's fighting style was rather different from that of other on-screen martial arts dynamos such as Bruce Lee, Chuck Norris and Jean-Claude Van Damme, who were predominantly fighters from striking arts background such as karate or tang soo do. However, aikido is built around using an opponent's inertia and body weight to employ various locks, chokes and holds that incapacitate him. Seagal carries himself differently, too, and often appears wearing Italian designer clothes and usually favors an all-black outfit, generally with a three-quarter-length coat with an elaborate trim. Additionally, Seagal's on-screen characters were often seemingly benign or timid individuals; however, when the going gets rough they reveal themselves to be deadly ex-CIA operatives, or retired Special Forces soldiers capable of enormous destruction!
As his box-office drawing power grew, Seagal began to infuse his film projects with his personal and spiritual beliefs, especially concerning the abuse of the environment. He appeared as an oil fire expert who turns against his corrupt CEO (played by Michael Caine) in On Deadly Ground (1994) to save the Eskimo population from an oil disaster; in Fire Down Below (1997) he plays an environmental agency troubleshooter investigating the dumping of toxic waste in Kentucky coal mines, and in the slow-moving The Patriot (1998) he plays a medical specialist trying to stop a lethal virus unleashed by an extremist group.
Action fans struggled to come to terms with social messaging being built into bone-crunching fight films; however, Seagal's box-office clout remained fairly strong, and more traditional chopsocky projects followed with the "buddy cop" film The Glimmer Man (1996), then almost a cameo role as a Navy SEAL alongside CIA analyst Kurt Russell before Seagal is sucked out of a jet at 35,000 feet in Executive Decision (1996).
In 1999 Seagal took a different turn in his film projects with the surprising genteel Prince of Central Park (2000), about a child living inside NYC's most famous park. He returned to more familiar territory with further high-voltage, guns-blazing action in Exit Wounds (2001), Half Past Dead (2002), Out for a Kill (2003) and Belly of the Beast (2003).
Unbeknownst to many, in 1997 Seagal publicly announced that one of his Buddhist teachers, His Holiness Penor Rinpoche, had accorded Seagal as a tulku, the reincarnation of a Buddhist Lama. This initial announcement was met with some disbelief until Penor Rinpoche himself gave a confirmation statement on Seagal's new title. Seagal has repeatedly discussed his involvement in Buddhism and how he devotes many hours studying and meditating this ancient Eastern religion.
While his box-office appeal has somewhat declined from his halcyon blockbusters of the mid-'90s, Seagal still has a very loyal fan base in the action movie genre and continues to remain a highly bankable star.- Actor
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John Cameron Mitchell was born on 21 April 1963 in El Paso, Texas, USA. He is an actor and director, known for Hedwig and the Angry Inch (2001), Shortbus (2006) and How to Talk to Girls at Parties (2017).- Actor
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Peter Bogdanovich was conceived in Europe but born in Kingston, New York. He is the son of immigrants fleeing the Nazis, Herma (Robinson) and Borislav Bogdanovich, a painter and pianist. His father was a Serbian Orthodox Christian, and his mother was from a wealthy Austrian Jewish family. Peter originally was an actor in the 1950s, studying his craft with legendary acting teacher Stella Adler and appearing on television and in summer stock. In the early 1960s he achieved notoriety for programming movies at the Museum of Modern Art in New York City. An obsessive cinema-goer, sometimes seeing up to 400 movies a year in his youth, Bogdanovich prominently showcased the work of American directors such as John Ford, about whom he subsequently wrote a book based on the notes he had produced for the MOMA retrospective of the director, and the then-underappreciated Howard Hawks. Bogdanovich also brought attention to such forgotten pioneers of American cinema as Allan Dwan.
Bogdanovich was influenced by the French critics of the 1950s who wrote for Cahiers du Cinema, especially critic-turned-director François Truffaut. Before becoming a director himself, he built his reputation as a film writer with articles in Esquire Magazine. In 1968, following the example of Cahiers du Cinema critics Truffaut, Jean-Luc Godard, Claude Chabrol and Éric Rohmer who had created the Nouvelle Vague ("New Wave") by making their own films, Bogdanovich became a director. Working for low-budget schlock-meister Roger Corman, Bogdanovich directed the critically praised Targets (1968) and the not-so-critically praised Voyage to the Planet of Prehistoric Women (1968), a film best forgotten.
Turning back to journalism, Bogdanovich struck up a lifelong friendship with the legendary Orson Welles while interviewing him on the set of Mike Nichols' film adaptation of Catch-22 (1970) from the novel by Joseph Heller. Subsequently, Bogdanovich has played a major role in elucidating Welles and his career with his writings on the great actor-director, most notably his book "This is Orson Welles" (1992). He has steadily produced invaluable books about the cinema, especially "Who the Devil Made It: Conversations with Legendary Film Directors," an indispensable tome that establishes Bogdanovich, along with Kevin Brownlow, as one of the premier English-language chroniclers of cinema.
The 32-year-old Bogdanovich was hailed by a critics as a Wellesian wunderkind when his most famous film, The Last Picture Show (1971) was released. The film received eight Academy Award nominations, including Bogdanovich as Best Director, and won two of them, for Cloris Leachman and "John Ford Stock Company" veteran Ben Johnson in the supporting acting categories. Bogdanovich, who had cast 19-year-old model Cybill Shepherd in a major role in the film, fell in love with the young beauty, an affair that eventually led to his divorce from the film's set designer Polly Platt, his longtime artistic collaborator and the mother of his two children.
Bogdanovich followed up The Last Picture Show (1971) with a major hit, What's Up, Doc? (1972), a screwball comedy heavily indebted to Hawks' Bringing Up Baby (1938) and His Girl Friday (1940), starring Barbra Streisand and 'Ryan O'Neal'. Despite his reliance on homage to bygone cinema, Bogdanovich had solidified his status as one of a new breed of A-list directors that included Academy Award winners Francis Ford Coppola and William Friedkin, with whom he formed The Directors Company. The Directors Company was a generous production deal with Paramount Pictures that essentially gave the directors carte blanche if they kept within strict budget limitations. It was through this entity that Bogdanovich's next big hit, the critically praised Paper Moon (1973), was produced.
Paper Moon (1973), a Depression-era comedy starring Ryan O'Neal that won his ten-year-old daughter Tatum O'Neal an Oscar as Best Supporting Actress, proved to be the highwater mark of Bogdanovich's career. Forced to share the profits with his fellow directors, Bogdanovich became dissatisfied with the arrangement. The Directors Company subsequently produced only two more films, Francis Ford Coppola's critically acclaimed The Conversation (1974) which was nominated for an Academy Award for Best Picture of 1974 and garnered Coppola an Oscar nod for Best Director, and Bogdanovich's Daisy Miller (1974), a film that had a quite different critical reception.
An adaptation of the Henry James novella, Daisy Miller (1974) spelled the beginning of the end of Bogdanovich's career as a popular, critically acclaimed director. The film, which starred Bogdanovich's lover Cybill Shepherd as the title character, was savaged by critics and was a flop at the box office. Bogdanovich's follow-up, At Long Last Love (1975), a filming of the Cole Porter musical starring Cybill Shepherd, was derided by some critics as one of the worst films ever made, noted as such in Harry Medved and Michael Medved's book "The Golden Turkey Awards: Nominees and Winners, the Worst Achievements in Hollywood History" (1980). The film also was a box office bomb despite featuring Burt Reynolds, a hotly burning star who would achieve super-nova status at the end of the 1970s.
Bogdanovich insisted on filming the musical numbers for At Long Last Love (1975) live, a process not used since the early days of the talkies, when sound engineer Douglas Shearer developed lip-synching at Metro-Goldwyn-Mayer. The decision was widely ridiculed, as none of the leading actors were known for their singing abilities (Bogdanovich himself had produced a critically panned album of Cybill Shepherd singing Cole Porter songs in 1974). The public perception of Bogdanovich became that of an arrogant director hamstrung by his own hubris.
Trying to recapture the lightning in the bottle that was his early success, Bogdanovich once again turned to the past, his own and that of cinema, with Nickelodeon (1976). The film, a comedy recounting the earliest days of the motion picture industry, reunited Ryan O'Neal and 'Tatum O'Neal' from his last hit, Paper Moon (1973) with Burt Reynolds. Counseled not to use the unpopular (with both audiences and critics) Cybill Shepherd in the film, Bogdanovich instead used newcomer Jane Hitchcock as the film's ingénue. Unfortunately, the magic of Paper Moon (1973) was not be repeated and the film died at the box office. Jane Hitchcock, Bogdanovich's discovery, would make only one more film before calling it quits.
After a three-year hiatus, Bogdanovich returned with the critically and financially underwhelming Saint Jack (1979) for Hugh Hefner's Playboy Productions Inc. Bogdanovich's long affair with Cybill Shepherd had ended in 1978, but the production deal making Hugh Hefner the film's producer was part of the settlement of a lawsuit Shepherd had filed against Hefner for publishing nude photos of her pirated from a print of The Last Picture Show (1971) in Playboy Magazine. Bogdanovich then launched the film that would be his career Waterloo, They All Laughed (1981), a low-budget ensemble comedy starring Audrey Hepburn and the 1980 Playboy Playmate of the Year, Dorothy Stratten. During the filming of the picture, Bogdanovich fell in love with Stratten, who was married to an emotionally unstable hustler, Paul Snider, who relied on her financially. Stratten moved in with Bogdanovich, and when she told Snider she was leaving him, he shot and killed her, then committed suicide.
They All Laughed (1981) could not attract a distributor due to the negative publicity surrounding the Stratten murder, despite it being one of the few films made by the legendary Audrey Hepburn after her provisional retirement in 1967 (the film would prove to be Hepburn's last starring role in a theatrically released motion picture). The heartbroken Bogdanovich bought the rights to the negative so that it would be seen by the public, but the film had a limited release, garnered weak reviews and cost Bogdanovich millions of dollars, driving the emotionally devastated director into bankruptcy.
Bogdanovich turned back to his first avocation, writing, to pen a memoir of his dead love, "The Killing of the Unicorn: Dorothy Stratten (1960-1980)" that was published in 1984. The book was a riposte to Teresa Carpenter's "Death of a Playmate" article written for The Village Voice that had won the 1981 Pulitzer Prize. Carpenter had lambasted Bogdanovich and Hugh Hefner, claiming that Stratten was as much a victim of them as she was of Paul Snider. The article served as the basis of Bob Fosse's film Star 80 (1983), in which Bogdanovich was portrayed as the fictional director "Aram Nicholas".
Bogdanovich's career as a noted director was over, and though he achieved modest success with Mask (1985), his sequel to his greatest success The Last Picture Show (1971), Texasville (1990), was a critical and box office disappointment. He directed two more theatrical films in 1992 and 1993, but their failure kept him off the big screen until 2001's The Cat's Meow (2001). Returning once again to a reworking of the past, this time the alleged murder of director Thomas H. Ince by Welles' bete noir William Randolph Hearst, The Cat's Meow (2001) was a modest critical success but a flop at the box office. In addition to helming some television movies, Bogdanovich has returned to acting, with a recurring guest role on the cable television series The Sopranos (1999) as Dr. Jennifer Melfi's analyst.
Bogdanovich's personal reputation suffered from gossip about his 13-year marriage to Dorothy Stratten's 19-year-old-kid sister Louise Stratten, who was 29 years his junior. Some gossip held that Bogdanovich's behavior was akin to that of the James Stewart character in Alfred Hitchcock's necrophiliac masterpiece Vertigo (1958), with the director trying to remold Stratten into the image of her late sister. The marriage ended in divorce in 2001.
Now in his early eighties, Bogdanovich has arguably imitated his hero Orson Welles, but in an unintended fashion, as filmmaker who never regained the acclaim bestowed on their first major success. However, unlike the widely acclaimed master Welles, the orbit of Bogdanovich's reputation has never recovered from the apogee it reached briefly in the early 1970s.
There has been speculation that Peter Bogdanovich's ruin as a director was guaranteed when he ditched his wife and artistic collaborator Polly Platt for Cybill Shepherd. Platt had worked with Bogdanovich on all his early successes, and some critics believe that the controlling artistic consciousness on The Last Picture Show (1971) was Platt's. Parting company with Platt after Paper Moon (1973), Bogdanovich promptly slipped from the heights of a wunderkind to a has-been pursuing epic folly, as evidenced by Daisy Miller (1974) and At Long Last Love (1975).
In 1998 the National Film Preservation Board of the Library of Congress named The Last Picture Show (1971) to the National Film Registry, an honor awarded only to the most culturally significant films.- Producer
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George Stephanopoulos was born on 10 February 1961 in Fall River, Massachusetts, USA. He is a producer and actor, known for House of Cards (2013), Spin City (1996) and This Week (1996). He has been married to Alexandra Wentworth since 20 November 2001. They have two children.- Producer
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Michael Strahan was born on 21 November 1971 in Houston, Texas, USA. He is a producer and actor, known for The Lego Ninjago Movie (2017), Charlie's Angels (2019) and Ice Age: Collision Course (2016). He was previously married to Jean Marie Muggli and Wanda Nicole Hutchins.- Actor
- Music Department
Johnny Weissmuller was born as Peter Johann Weißmüller in Freidorf, today a district of the city of Timisoara in Romania, then a part of the Austro-Hungarian Empire. Weissmuller would later claim to have been born in Windber, Pennsylvania, probably to ensure his eligibility to compete as part of the US Olympic team. Weissmüller was one of two boys born to Petrus Weissmuller, a miner, and his wife Elisabeth Kersch, who were both Banat Swabians, an ethnic German population in Southeast Europe. A sickly child, he took up swimming on the advice of a doctor. He grew to be a 6' 3", 190-pound champion athlete - undefeated winner of five Olympic gold medals, 67 world and 52 national titles, holder of every freestyle record from 100 yards to the half-mile. In his first picture, Glorifying the American Girl (1929), he appeared as an Adonis clad only in a fig leaf. After great success with a jungle movie, MGM head Louis B. Mayer, via Irving Thalberg, optioned two of Edgar Rice Burroughs' Tarzan stories. Cyril Hume, working on the adaptation of Tarzan the Ape Man (1932), noticed Weissmuller swimming in the pool at his hotel and suggested him for the part of Tarzan. Weissmuller was under contract to BVD to model underwear and swimsuits; MGM got him released by agreeing to pose many of its female stars in BVD swimsuits. The studio billed him as "the only man in Hollywood who's natural in the flesh and can act without clothes". The film was an immediate box-office and critical hit. Seeing that he was wildly popular with girls, the studio told him to divorce his wife and paid her $10,000 to agree to it. After 1942, however, MGM had used up its options; it dropped the Tarzan series and Weissmuller, too. He then moved to RKO and made six more Tarzans. After that he made 13 Jungle Jim (1948) programmers for Columbia. He retired from movies to run a private business in Fort Lauderdale, Florida.- Actor
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A former college athlete at the University of Texas, Fess studied drama in the early fifties and debuted in Springfield Rifle (1952). He made only a handful of movies until he was signed by Walt Disney to star in the "Davy Crockett" series. When Walt was looking for an actor to play the part of Davy, he screened the sci-fi movie Them! (1954) with James Arness. When he saw Fess in a scene, he chose him over Arness and Fess became an instant celebrity when "Davy Crockett, King of the Wild Frontier" debuted in 1955. His appeal with children was enormous with the coon-skinned hat, the #1 hit song "The Ballad Of Davy Crockett", The Davy Crockett Bubble Gum Cards and Comic Books. But the craze ended almost as fast as it started in 1956, and Fess was typecast. Fess appeared in other Disney movies dealing with the early years of Davey and also in non-Crockett parts such as Old Yeller (1957). By 1959, unable to achieve the success that he had gained as Crockett, his career had leveled off. He made guest appearances on a number of television shows, but his attempted return to television in the series Mr. Smith Goes to Washington (1962) was not successful. Unable to procure the rights to play Crockett from Disney, Fess tried the frontiersman role once again with the TV series Daniel Boone (1964). He played this role for six years and the fact that he had a beautiful red-headed wife in a color series did not hurt him at all. After Daniel Boone (1964), Fess retired from the screen and went into real estate, which was profitable. He was later forced to sue his "Daniel Boone" producers over the profits generated by the series.- Director
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Christian Nyby, the television and movie director who achieved acclaim as a film editor before moving into the director's chair, was born on September 1, 1913, in Los Angeles, California. He made his reputation as a cutter during the 1940s, when he worked with the great helmer Howard Hawks, winning his sole Academy Award nomination for the editing of Hawks' classic Western Red River (1948) (1948). Nyby first collaborated with Hawks as an editor at Warner Bros., on the director's adaptation of his friend Ernest Hemingway's novel To Have and Have Not (1944) (1944). He edited The Big Sleep (1946), both the original 1944 version and the recut version that put more emphasis on stars Humphrey Bogart and Lauren Bacall that was released in 1946.
In a real-life scenario similar to Robert Wise's cutting of Orson Welles's second masterpiece, The Magnificent Ambersons (1942), Nyby had to cut Red River (1948) on his own when director/producer Hawks had to go to Europe to complete another assignment. Nyby had to shorten Hawks' original cut, and also eliminate scenes that producer Howard Hughes thought plagiarized his own Western The Outlaw (1943), which Hawks had worked on. Though the film became regarded as a genre classic in the original Nyby cut, the original cut that Nyby had made under Hawks' supervision survived and was released during the 1960s, further burnishing the reputation of the film.
Nyby moved to the directors' chair for producer Hawks for the sci-fi movie The Thing from Another World (1951). Although The Thing is rightly regarded as a classic, credit for the direction of the film generally is attributed to Hawks as he reportedly was on the set everyday as the producer, and the film bears his "auteurist" stamp. Furthermore, Nyby's subsequent directorial output in film and on TV was mediocre, unlike this, his debut. Some believe the Hawks was ashamed to put his name on such a lowly genre piece (sci-fi was despised, critically, until Stanley Kubrick's 2001: A Space Odyssey (1968) a generation later, and that film, one of the great classics of cinema, initially engendered hostile reviews from critics). Another theory is that Hawks helmed the film himself but let Nyby, who was on the set learning the ropes of direction, take the director's credit on the picture to receive membership in the Directors Guild. Whatever the truth, "The Thing" -- Nyby's greatest accomplishment as a director -- generally is credited to Hawks in fact or in spirit, so much is his style evident in the picture.
Nyby went on to direct B-movies such as the uninspired ode to the Marine Corps and battlefield sacrifice First to Fight (1967) (1967) and episodic television, never again showing the promise he had as director of "The Thing." He died on September 17, 1993, two weeks after turning 80 years old.- Director
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Lee Philips was born on 10 January 1927 in New York City, New York, USA. He was a director and actor, known for Peyton Place (1957), The Hunters (1958) and The American Girls (1978). He was married to Barbara Schrader and Jean Allison. He died on 3 March 1999 in Brentwood, California, USA.- Actor
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Darby Hinton was born in Santa Monica California August 19th, 1957 to actor Ed Hinton, from Wilmington NC, and his school teacher wife, Marilynn Hinton from Chicago. The Hinton name goes back through early American history even crossing through Daniel Boone's family tree, while Marilynn's parents both immigrated from Germany in their youth.
Darby started his long acting career at the tender age of 6 months old and he hasn't stopped since. His first appearance was on 'Play House 90' followed by commercials and many of the classic TV shows back then. Like, 'Mr. Ed,' 'Wagon Train,' 'Route 66' & The Adventures of Ozzie and Harriet.
Darby's film career didn't start until he was 4 years old when he was featured in a film called 'Hero's Island'. Working with the likes of Harry Dean Stanton, Rip Torn, Neville Brand. and James Mason. Followed by Disneys 'Son of Flubber.' Just before turning 6, Darby landed the plumb role of playing Fess Parker's son 'Israel Boone' on the hugely popular 'The Daniel Boone Show' which ran for 6 seasons and had a Thursday night viewing audience of 30 million by it's 4th season. The show still has millions of loyal fans and lives on in reruns attracting even more fans today.
After 'Boone' ended, Darby tried to shake the all American image by playing a drug user on, 'The Bold Ones: The New Doctors,' a troubled youth on 'Owen Marshall, Counselor at Law' even a drug dealer on Jack Lord's, 'Hawaii Five-0.' But everybody still loved and knew him as 'Israel'. Darby then decided to take time off and focus on education, since most of his had been on set with a studio teacher. He left Hollywood and graduated High School from, The American School in Switzerland. He then started his College experience completing 3 around the world voyages aboard the SS Universe while attending World Campus Afloat. Where he was able to study theatre, and actors, around the word. From Indonesian Shadow Dance, Noh & Kabuki Theatre, to the classic Greek & Roman Tragedies, all in their place of origin. When his academic voyages ended he went right back to work, with featured roles on, 'Magnum, P.I.,' 'The Fall Guy,' 'Hunter' and 'Mike Hammer' to name a few.
Darby took great pleasure in honing his craft over the years with great acting coaches like, Milton Katsales, Howard Fine, Larry Moss, Corey Allen, and the wonderful Joan Darling, even studying and performing with, 'The Groundlings'
Darby continued his film work as well, from martial arts films in the Philippines to a detective in Malibu that couldn't shoot straight in the cult classic, 'Malibu Express.' He did a number of other features as well, at home and abroad. They took him to places like Russia, Romania, Bulgaria. When he started his family however, he decided to look for more steady work closer to home. He became the Probation Officer on 'Days Of Our Lives,' and eventually became 'The Salem Rapist' during some of the shows highest ratings. With more kids, came more responsibilities, and not having a real father growing up, (His father was killed in a plane crash when he was 14 months old), Darby wanted to be there for his kids, to help them and watch them grow. But... he still loved acting. So, he started just pursuing commercials and theatre close to home. That lead him to a role based on Charles Doheny for Theatre 40's, 'The Manor.' A play he has stared in for the last 16 years, performing to sold out audiences in the real 1920s Doheny estate, 'Greystone,' in Beverly Hills.
Having spent a life time studying, characters, people, and human nature, to be able to portray the vastly different characters he has over the decades, Darby felt it also important, and fascinating, to study with some of the master teachers in the world of spirituality and human nature. Teachers like Wayne Dyer, Julia Cameron, Jim Rohn, Brian Tracy, Jack Canfield to name a few and even ended up traveling around as a 'Master Trainer' with Tony Robbins, helping Tony get thousands to walk across hot burning coals.
As soon as the youngest of his 5 children left home to be a ski instructor in New Zealand, Darby started focusing on his acting career again and has since got to portray some memorable historical characters; Like David Burnet, 1st president of Texas in, 'Texas Rising.' George Donner in, 'The Donner Party - Dead of Winter,' and his most recent role, Cole Younger in, 'Bill Tilghman and The Outlaws.' due out in late 2018.
Along with these and other acting roles Darby is also proud to be an advocate for child performers everywhere, having been on the 'SAG-AFTRA Young Performer's Committee,' a long time member of, 'A Minor Consideration'. and since it's very conception in 2003, being on the advisory committee for 'Looking Ahead'. A non profit that helps young performers and their families thrive and avoid pitfalls due to the unique challenges of working in the entertainment industry, with the motto: Grow, Give Back, and Have Fun!!
As much as he loves acting, Darby feels his work with these organizations might be some of his most important work, having lost so many fellow young performers and friends to some of those pitfalls along the way.
Darby has also now written a successful book documenting, with over 500 pictures, his early years in the Business, his love of acting, and mostly what it was like: 'Growing Up Israel.' For more information you can visit his website.- Actor
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Born Malden, Massachusetts on July 9, 1927 (real name Urick), Ed, Vic Ames, Gene Ames and Joe Ames were sons of Ukrainian Jewish parents and four of nine children. They were very poor but Ed attended Boston Public Latin School along with brother Joe. The singing group, The Ames Brothers, was formed in 1947 in Boston and later appeared at the "Roxy Theatre" in New York City. During their early years, they won many amateur contests and made their professional debut at the "Foxes and Hounds", a posh Boston nightclub. They went on to play at the "Chez Paree" in Chicago and "Ciro's" in Hollywood. "The Riviera", just across New York City west of the George Washington bridge, was another nightclub where they appeared regularly. Ed is still best known to audiences for his television role as "Mingo" on the Daniel Boone (1964) series on NBC. Ed also appeared on Broadway in "One Flew Over the Cuckoo's Nest" and "The Crucible". He also appeared in the off-Broadway production of "The Fantasticks" at the Sullivan Street Theatre in Greenwich Village which ran until 2002.- Actor
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Jimmy Dean, the musician, actor and entrepreneur, was instrumental in the mainstreaming of country music, a genre that now enjoys popularity in some regions of the United States but which, back in the 1960s, was accorded little respect by mass media. Jimmy Dean had a #1 hit in the US and England with his song "Big Bad John," which established his fame, fame that continues to this day due to his long stint as a spokesman for "Jimmy Dean Pure Pork Sausage," a company he founded and then sold to Consolidated Foods in 1984. He continued as the pitchman for the eponymous brand for 20 years.
Jimmy Dean, a distant cousin of the actor James Dean, was born Jimmy Ray Dean on August 10, 1928 in Plainview, Texas. He took to the life of a professional singer after serving in the U.S. Air Force during the late 1940s. Dean began building his reputation as a musician touring with his band, The Texas Wildcats, which featured Roy Clark as lead guitarist. In 1953, he scored his first hit, "Bummin' Around."
Dean landed a gig as the host of a TV program in the Washington D.C. market, "Town and Country Time." (The District of Columbia has in many ways always been a Southern town.) Dean was a promoter of rising country acts, and such top country singers as Clark and Patsy Cline got their starts with Dean. (He eventually fired Clark but later promoted his career.) Dean subsequently moved to New York after signing with Columbia Records, where he hosted a TV variety show for the CBS network.
In 1961, his song "Big Bad John" went to No. 1 on the Billboard charts and won him the 1962 Grammy Award for Best Country & Western Recording. Several of his subsequent songs charted in the Top 40, and he scored a Top 10 hit in 1962 with a song commemorating President John F. Kennedy's patrol torpedo boat, "PT 109." Because of his affability and his burgeoning popularity, he occasionally was booked to guest-host "The Tonight Show." ABC offered him a variety show in the mid-1960s, and Dean used it as a forum to present country music on his terms, as a mainstream entertainment. His show offered the first major TV exposure to a number of country singers, including George Jones, Charlie Rich, and Buck Owens. His show also introduced the first Muppet, Jim Henson's Rowlf the Dog.
Aside from a featured part as a Howard Hughes-like billionaire in the James Bond movie Diamonds Are Forever (1971) (Dean said he was offered the role on the basis of his having had a #1 hit with "Big John" in Britain, which surprised him as it had been a decade before), Dean has mostly stuck to his music and the business he founded in 1969, "Jimmy Dean Pure Pork Sausage." The TV commercials featuring the very likable Dean were the best advertising the new brand could have had, and it became #1 in its product category.
In the fall of 2004, Jimmy Dean published his autobiography, "30 Years of Sausage, 50 Years of Ham." He semi-retired and lived with his second wife, the former singer Donna Meade Dean until his death in 2010.- Actor
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Jack Bannon was born on 14 June 1940 in Los Angeles, California, USA. He was an actor, known for Little Big Man (1970), L.A. Heat (1996) and Hard Vice (1994). He was married to Ellen Travolta and Kathleen Larkin. He died on 25 October 2017 in Coeur d'Alene, Idaho, USA.- Charles Horvath was born on 27 October 1920 in Upper Macungie Township, Pennsylvania, USA. He was an actor, known for A Woman Under the Influence (1974), His Majesty O'Keefe (1954) and Vera Cruz (1954). He was married to Margo and Georgiana Walker. He died on 23 July 1978 in Woodland Hills, Los Angeles, California, USA.
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Kurt Vogel Russell was born on March 17, 1951 in Springfield, Massachusetts and raised in Thousand Oaks, California to Louise Julia Russell (née Crone), a dancer & Bing Russell, an actor. He is of English, German, Scottish and Irish descent. His first roles were as a child on television series, including a lead role on the Western series The Travels of Jaimie McPheeters (1963). Russell landed a role in the Elvis Presley movie, It Happened at the World's Fair (1963), when he was eleven years old. Walt Disney himself signed Russell to a 10-year contract, and, according to Robert Osborne, he became the studio's top star of the 1970s. Having voiced adult Copper in the animated Disney film The Fox and the Hound (1981), Russell is one of the few famous child stars in Hollywood who has been able to continue his acting career past his teen years.
Kurt spent the early 1970s playing minor league baseball. In 1979, he gave a classic performance as Elvis Presley in John Carpenter's ABC TV movie Elvis (1979), and married the actress who portrayed Priscilla Presley in the film, Season Hubley. He was nominated for an Emmy Award for the role. He followed with roles in a string of well-received films, including Used Cars (1980) and Silkwood (1983), for which he was nominated for the Golden Globe Award for Best Supporting Actor - Motion Picture. During the 1980s, he starred in several films by director Carpenter; they created some of his best-known roles, including the infamous anti-hero Snake Plissken in the futuristic action film Escape from New York (1981) (and later in its sequel Escape from L.A. (1996)), Antarctic helicopter pilot R.J. MacReady in the horror film The Thing (1982), and Jack Burton in the fantasy film Big Trouble in Little China (1986), all of which have since become cult classics.
In 1983, he became reacquainted with Goldie Hawn (who appeared with him in The One and Only, Genuine, Original Family Band (1968)) when they worked together on Swing Shift (1984). The two have lived together ever since. They made another film together, Garry Marshall's comedy Overboard (1987). His other 1980s titles include The Best of Times (1986), Tequila Sunrise (1988), Winter People (1989) and Tango & Cash (1989).
In 1991, he headlined the firefighter drama Backdraft (1991), he starred as Wyatt Earp in the Western film Tombstone (1993), and had a starring role as Colonel Jack O'Neil in the science fiction film Stargate (1994). In the mid-2000s, his portrayal of U.S. Olympic hockey coach Herb Brooks in Miracle (2004) won the praise of critics. In 2006, he appeared in the disaster-thriller Poseidon (2006), and in 2007, in Quentin Tarantino's Death Proof (2007) segment from the film Grindhouse (2007). Russell appeared in The Battered Bastards of Baseball (2014), a documentary about his father and the Portland Mavericks, which debuted at the Sundance Film Festival in 2014. Russell starred in the Western films Bone Tomahawk (2015) and The Hateful Eight (2015), and had a leading role in the dramatization Deepwater Horizon (2016). He also co-starred in the action sequels Furious 7 (2015) and The Fate of the Furious (2017).
Russell and Goldie Hawn live on a 72-acre retreat, Home Run Ranch, outside of Aspen. He has two sons, Boston Russell (from his marriage to Hubley) and Wyatt Russell (with Hawn). He also raised Hawn's children, actors Oliver Hudson and Kate Hudson, who consider him their father. Russell is also an avid gun enthusiast, a hunter and a staunch supporter of the Second Amendment of the United States Constitution. He is also an FAA-licensed private pilot holding single/multi-engine and instrument ratings, and is an Honorary Board Member of the humanitarian aviation organization Wings of Hope.- Actor
- Stunts
- Additional Crew
William Smith was probably best known for his portrayal as "Falconetti" in Rich Man, Poor Man (1976). He first came to the screen as a child actor in films such as Going My Way (1944) and The Song of Bernadette (1943), before entering the service during the Korean War, where his fluency in foreign languages landed him in the N.S.A. Security Squadron 6907.
While working towards his doctorate, he landed a contract with MGM and never looked back. Over the next thirty years, Smith became one of the kings of B-movie and television villainy.
Smith died in Woodland Hills, Los Angeles in 2021, aged 88.- Actor
- Director
- Additional Crew
Victor French was the son of a stuntman. His debut was a small role in Lassie (1954), uncredited. He had his first real acting experiences in western-films, where he usually played the "bad guy" due to his rather gruff look. This changed with Little House on the Prairie (1974), (as Isaiah Edwards). In 1977, he left Little House on the Prairie (1974) to play in his own sitcom Carter Country (1977), which lasted for two seasons. French then teamed up again with Michael Landon in Highway to Heaven (1984), as (Mark Gordon). French, along with Leonard Nimoy, founded LA's "Company of Angels", one of the area's earliest attempts to establish LA as a type of "Off-Broadway-West Coast". Its limited seating arrangement (99 seats) served as the prototype of LA's Equity-Waiver code. After he left the company in the mid 1970s, he went on to teach acting privately. He was well sought-after, and it became apparent that he had to take students on "by referral only". His philosophy and style was gentle and encouraging to young actors just entering the field. He directed in LA Theaters and won the Critics Circle Award for "12 Angry Men." In the 1980s, he declined to play "bad guys." Victor French died 1989 after finishing the last episode of Highway to Heaven (1984).- Lloyd Bochner had that wonderfully sonorous type of voice that was always tailor-made for radio or for the stage. Unsurprisingly then, by the time he was eleven, Lloyd was already employed as part-time voiceover artist and reader of drama serials by radio stations in Vancouver.
Lloyd Wolfe Bochner was born in Toronto, Ontario, Canada, to Frieda (Kenen) and Charles Abraham Bochner. He was of Russian Jewish and Ukrainian Jewish descent. He made his acting debut as a youth with the Joseph Barrington Juveniles. Lloyd's education at the University of Toronto was interrupted in 1943 by wartime service in the Royal Canadian Navy. However, in 1947, he graduated with a B.A. and a few years later moved to New York to further hone his acting skills. In 1953, he returned to Canada to participate in the inaugural season of the Stratford Festival getting to enact choice Shakespearean roles from Horatio in "Hamlet" to Orsino in "Twelfth Night".
Having made his screen bow in a small Canadian production, The Mapleville Story (1946), Lloyd's first significant exposure in television was as British army officer Nicholas Lacey in the half-hour NBC serial One Man's Family (1949), which had first been performed on radio and starred Bert Lytell and Marjorie Gateson. His real breakthrough came quite a few years later, once having moved to Hollywood, as co-star of the studio-bound crime series Hong Kong (1960). He played local British police-chief Neil Campbell, solving crime in tandem with an American newspaper correspondent (played by Australian actor Rod Taylor). This, in turn, led to other key roles including his almost legendary appearance in the classic The Twilight Zone (1959) episode "To Serve Man" in 1962 (at one time voted 11th in a TV guide poll of 100 best TV episodes of all time). Based on a short story by Damon Knight written in 1950, "To Serve Man" unfolds in flashback as narrated for the viewer by Lloyd's decoding expert Michael Chambers. It has all the elements of great television, with an excellent cast (including Richard Kiel, later known as 'Jaws' from the 'James Bond' movies; and Theodore Marcuse as Citizen Grigori giving an indelible impression of Nikita Khrushchev); and an unexpected and disturbing denouement when it turns out that the supposedly altruistic alien Kanamits have come to earth to harvest humans for food. Lloyd repeated his famous punch-line, "it's a cook book!", years later as a spoof in Leslie Nielsen's The Naked Gun 2½: The Smell of Fear (1991).
For most of the 1960s and 1970s, Lloyd was cast in supporting roles, often as mellifluous, meticulously-attired, upper-class snobs, practically guaranteed to harbour treacherous intent. He appeared in several motion pictures, notably as the malicious, smooth villain Frederick Carter who unsuccessfully tangles with Lee Marvin in Point Blank (1967), and in the same year, as homosexual drug dealer Vic Rood on the receiving end of the beating from Frank Sinatra in Tony Rome (1967). However, on the whole, Lloyd's preferred medium was television. He had a recurring role in the long-running soap-opera Dynasty (1981) as Blake Carrington's manipulative rival, Cecil Colby, in league with archvillain Alexis Carrington (Joan Collins). A versatile character actor, Lloyd's clean-cut, aquiline features and quiet air of authority lent themselves to portraying a vast gallery of medical men, soldiers, politicians and executives. Some of these were men of integrity, but like many a good actor, Lloyd rather enjoyed the challenge of playing the scoundrel.
During his half century-long acting career, Lloyd Bochner garnered two Liberty Awards as best television actor, Canada's equivalent of the Emmy Awards. He was also an active member in the Association of Canadian Radio and Television Artists. He died at age 81 of cancer on October 29, 2005 in Santa Monica, California. His children are actors Hart Bochner, Paul Bochner, and Johanna Courtleigh. - Tall, rangy Jim Davis spent much of his early career in westerns mainly at Republic Pictures. The Missouri-born and -raised Davis' relaxed, easygoing manner and Southern drawl easily fit most moviegoers' image of the cowboy and Republic put him in a ton of them over the years (the fact that, unlike a lot of movie cowboys, he looked right at home on a horse didn't hurt, either). He alternated between good-guy and villain roles, one of his better ones being that of the devious, murderous fur trapper working for Kirk Douglas' competition in The Big Sky (1952). He is best known, however, for his role as Ewing family patriarch Jock in the long-running TV series Dallas (1978).
- Actor
- Soundtrack
Tall, suave and sophisticated Cesar Romero actually had two claims to fame in Hollywood. To one generation, he was the distinguished Latin lover of numerous musicals and romantic comedies, and the rogue bandit The Cisco Kid in a string of low-budget westerns. However, to a younger generation weaned on television, Romero was better known as the white-faced, green-haired, cackling villain The Joker of the camp 1960s TV series Batman (1966), and as a bumbling corporate villain in a spate of Walt Disney comedies, such as chasing a young Kurt Russell in the fun-packed The Computer Wore Tennis Shoes (1969). Fans and critics alike agreed that Romero was a major talent who proved himself an enduring and versatile star in an overwhelming variety of roles in a career as an actor, dancer and comedian that lasted nearly 60 years.
Cesar Romero was born of Cuban parents in New York City in February 1907. He attended the Collegiate School and Riverdale Country School before working as a ballroom dancer. He first appeared on Broadway in the 1927 production of Lady Do, and then in the stage production of Strictly Dishonorable. His first film role was in The Shadow Laughs (1933), after which he gave strong performances in The Devil Is a Woman (1935) and in the Shirley Temple favorite, Wee Willie Winkie (1937).
Critics and fans generally agree that Romero's best performance was as the Spanish explorer Cortez in Captain from Castile (1947). However, he also shone in the delightful Julia Misbehaves (1948) and several other breezy and lighthearted escapades. In 1953 he starred in the 39-part espionage TV serial Passport to Danger (1954), which earned him a considerable income due to a canny profit-sharing arrangement. Although Romero became quite wealthy and had no need to work, he could not stay away from being in front of the cameras. He continued to appear in a broad variety of film roles, but surprised everyone in Hollywood by taking on the role of "The Joker" in the hugely successful TV series Batman (1966). He refused to shave his trademark mustache for the role, and close observation shows how the white clown makeup went straight on over his much loved mustache! The appearances in Batman were actually only a small part of the enormous amount of work that Romero contributed to television. He guest-starred in dozens of shows, including Rawhide (1959), 77 Sunset Strip (1958), Zorro (1957), Fantasy Island (1977) and Murder, She Wrote (1984). However, it was The Joker for which his TV work was best remembered, and Romero often remarked that for many, many years after Batman ended, fans would stop him and ask him to chuckle and giggle away just like he did as The Joker. Romero always obliged, and both he and the fans just loved it!
With a new appeal to a younger fan base, Romero turned up in three highly popular Disney comedies: The Computer Wore Tennis Shoes (1969), Now You See Him, Now You Don't (1972) and The Strongest Man in the World (1975) as corrupt but inept villain A.J. Arno. Throughout the remainder of the 1980s Romero remained busy, and even at 78 years of age the ladies still loved his charm, and he was cast as Jane Wyman's love interest in the top-rated prime-time soap opera Falcon Crest (1981), playing Peter Stavros from 1985 to 1987.
Although Romero stopped acting in 1990, he remained busy, regularly hosting classic movie programs on cable television. A talented and much loved Hollywood icon, he passed away on New Year's Day 1994, at the age of 86.- Producer
- Actor
- Director
Ted Eccles began his entertainment career as a child actor appearing in dozens of movies and television shows. He went to work behind the camera in the feature film marketing departments of Paramount Pictures and Walt Disney Studios. He created movie advertising for the hit films "Witness," "Beverly Hills Cop," "Ruthless People," "Pretty Woman," "Three Men and a Baby," "Honey I Shrunk the Kids," "Dick Tracy," "Sister Act" and "The Lion King." In television Eccles has created marketing campaigns for the successful shows "Seinfeld", "Everybody Loves Raymond", "How I Met Your Mother", "Are You Smarter Than a 5th Grader ?" "Deal or No Deal" and "Modern Family". He has directed over 200 episodes of various television shows.
His work has won multiple Key Art Awards from the Hollywood Reporter, Gold Promax Awards and first place at both the Chicago and Houston International Film Festivals.- Kevin Hagen is the son of professional ballroom dancers, Haakon Olaf Hagen and Marvel Lucile Wadsworth. His father abandoned the family when Kevin was five. He was raised by his mother, grandmother, and two aunts, with some help from his uncle, a physician.
The family moved to Portland, Oregon, when Kevin was a teenager. He played baseball and football at Jefferson High School. He attended Oregon State University before enlisting in the U.S. Navy after World War II; he served in San Diego.
Hagen, married four times, was a single parent for two decades to his son, Christopher Hagen, a Special Education teacher and high school baseball coach in Bakersfield, California. - Jay Silverheels was born on Canada's Six Nation's Reserve and was one of 10 children. He was a star lacrosse player and a boxer before he entered films as a stuntman in 1938. He worked in a number of films through the 1940s before gaining notice as the Osceola brother in a Humphrey Bogart film Key Largo (1948). Most of Silverheels' roles consisted of bit parts as an Indian character. In 1949, he worked in the movie The Cowboy and the Indians (1949) with another "B movie" actor Clayton Moore. Later that year, Silverheels was hired to play the faithful Indian companion, Tonto, in the TV series The Lone Ranger (1949) series, which brought him the fame that his motion picture career never did.
Silverheels recreated the role of Tonto in two big-screen color movies with Moore,The Lone Ranger (1956) and The Lone Ranger and the Lost City of Gold (1958). After the TV series ended in 1957, Silverheels could not escape the typecasting of Tonto. He would continue to appear in an occasional film and television show but became a spokesperson to improve the portrayal of Indians in the media. - Tall, dark, and handsome, Italian actor Cesare Danova (pronounced Chez-a-ray Da-NO-va) was a true Renaissance man. As a boy, it appeared he might become a professional athlete. But his family wanted him to become a doctor. Cesare, by his own account, studied medicine with such diligence that he suffered a nervous breakdown shortly before he was to take his degree. While recuperating, he was sent by a friend to see Dino De Laurentiis, the famous Italian producer, who was so impressed that he gave Danova a screen test. Thinking it was a joke, Danova insisted on seeing the screen test for himself. Soon, he was cast as the lead in La figlia del capitano (1947) (The Captain's Daughter). Thus began his career as an Italian Errol Flynn. In almost 20 European films, Danova played the dashing lead, riding horses, jumping through windows, dueling, and romancing beauties such as Gina Lollobrigida.
Known for his aristocratic bearing, he often played noblemen. The six-foot-four Danova was also an expert athlete. A devotee of strenuous daily workouts from age 12, Danova was a fencing champion by age 15 and a member of the Italian National Rugby Team by age 17. In addition to playing golf, tennis, and croquet, Danova was an amateur swimming champion, an expert horseman and polo player, and a master archer. He won the Robin Hood Trophy when he shot and embedded one arrow inside another arrow within the target's bull's eye. He was also a licensed pilot who flew his own planes (Beechcraft, Piper, Cherokee, and Cessna).
A descendant of famed medieval artist Filippo Lippi, Danova collected antiques and paintings. Describing himself as a fair painter, he taught himself to draw by studying a 75-cent how-to-draw book. Danova owned a library of over 3,000 books, each written in one of the five languages he knew-Italian, English, Spanish, French, and German.
Danova loved the theater and appeared onstage in Rome, Venice, Spain, New York, and Los Angeles. He was in the habit of carrying a small leprechaun good luck charm (and a shamrock ) he'd bought in Ireland, The actor traveled to the Emerald Isle many times. 'I love Ireland and I go there every chance I get,' he once said.
With almost 20 European films under his belt, Danova was spotted by MGM's head of talent in the German-backed 'Don Giovanni'(1955), his first film shown in the U.S. Impressed, the studio signed Danova to a long-term contract in June of 1956, and he traded his flourishing career in Europe for Hollywood. Rumors abounded that MGM had found its Ben-Hur (a role coveted by Tony Curtis and Kirk Douglas, among others) for the upcoming super-epic remake by director William Wyler. The studio said it expected big things from Danova but that it was too soon to say whether he'd play the lead until he'd perfected his English. Still, it was no secret that Danova had been brought to America by Wyler to be groomed for the lead role. Hollywood columnist Bob Thomas referred to Danova as the 'new Italian sensation' and others compared him to 'Tyrone Power (I)' and Robert Taylor, a glamour boy to fill the shoes of Rudolph Valentino.
When Danova arrived, he didn't speak English and insisted on not learning his lines by rote. He spent the next six months learning the language, a not-terribly-difficult feat for a man with a self-professed love of words who already spoke four languages. With a background in classical acting, and his newfound English fluency, Danova was ready for his big break. But just as filming was to get underway in March, 1957, Wyler decided he didn't want an actor with an accent playing Ben-Hur (1959) and, instead, chose Charlton Heston (who would win the best actor Oscar for the role). Danova was shocked - the role would almost certainly have made him an international star.
Although Wyler didn't want Danova, MGM did. The studio said it expected important things from him when they signed him. But now they had no definite alternative plans for him. Danova's career idled for the next two years. MGM kept him on its payroll, paying him well for doing nothing at all. Danova admitted that, although he was not bitter, the lack of work day after day was enough to drive him crazy. He stayed busy reading, writing, taking diction lessons, building furniture, and playing with his two small sons, Fabrizio and Marco, by English actress Pamela Matthews, whom he had wed in 1955.
Finally, with MGM's consent, Danova made his American debut in Los Angeles opposite Paul Muni in a musical version of Grand Hotel (1932). When it flopped, he traveled to Cuba to appear in Catch Me If You Can (1959), a film starring Gilbert Roland and Dina Merrill. Financed by soon-to-be-deposed Cuban dictator Fulgencio Batista, it was apparently never released. Danova's American film debut was as the lover of Leslie Caron in the now-forgotten The Man Who Understood Women (1959), starring Henry Fonda.
When Danova first came to America, he was quoted as saying that he wished to lose his accent so that he would be able to play the role he most wanted, that of an American cowboy. In 1958, he got his wish. He made his American television debut in a first-season episode of The Rifleman (1958) called 'Duel of Honor,' the first of three appearances. United Press International summed up Danova's reversal of fortune this way: "Televiewers will have the opportunity to see the man who almost played the title role in Ben-Hur (1959) - but in place of a chariot he'll be bouncing around in a stage coach...Danova, a ruggedly handsome Italian import, is making his American debut in ABC-TV's The Rifleman (1958). It's quite a comedown from his original intent to star in the most expensive movie in history."
Cesare Danova got a second chance at stardom when he was cast as Cleopatra's court advisor, Apollodorus, in the Cleopatra (1963), starring Elizabeth Taylor. As originally scripted, Danova's character was to be Cleopatra's lover, servicing her when she wasn't being romanced by costars Rex Harrison and Richard Burton. "I'm sort of the third man-the real lover," Danova was quoted as saying.
But then the torrid, real-life love affair between Elizabeth Taylor and Richard Burton became a worldwide media sensation. The resulting scandal, since both stars were married but not to each other, generated badly needed public interest in the troubled, bloated, fantastically over-budget production. Le Scandale (as the French dubbed it) upstaged everything about the film not related to Taylor & Burton. As a result, Danova's performance was now a distraction and most of it was cut, dashing predictions that Danova "should be in big demand after this one."
In October 1963, not quite two-and-a-half months after Cleopatra's release, Pamela and Cesare Danova were divorced. The Associated Press headline stated merely: Wife Divorces Cleopatra Slave.
In his early years in America, Danova turned down the opportunity to appear as a series regular on TV for fear of being typecast and locked out of movies altogether. When he finally accepted, it was for the WWII ensemble cast Garrison's Gorillas (1967), a show patterned somewhat after The Dirty Dozen (1967). Danova said he accepted because he was the first to be cast and his was the best part. He appeared as actor, a con man, expert at disguises and spreading disinformation behind the lines among the Nazis. Although he took pains to distinguish the two roles, Danova's character was obviously similar to that played by TV contemporary Martin Landau on Mission: Impossible (1966). In any event, Garrison's Gorillas (1967) did not last beyond the 1967-1968 season.
In time, as movie roles became fewer, Danova did a great deal of television work. Two of his most memorable later screen roles (and the ones for which he is best remembered) were as Mafia Don Giovanni Cappa in Mean Streets (1973), directed by Martin Scorsese, and as corrupt mayor Carmine DePasto in National Lampoon's Animal House (1978).
Cesare Danova died of a heart attack on March 19, 1992, shortly after his 66th birthday, during a meeting of the Foreign Language Film committee of the Academy of Motion Picture Arts and Sciences (AMPAS), at its Los Angeles headquarters. - Actor
- Soundtrack
Forrest Tucker, best known to the Baby Boom generation as Sergeant O'Rourke on the classic TV sitcom F Troop (1965), was born on February 12, 1919, in Plainfield, Indiana. He began his performing career at age 14 at the 1933 Chicago "Century of Progress" World's Fair, pushing big wicker tourists' chairs by day and singing at night. His family moved to Arlington, Virginia, where he attended Washington-Lee High School in 1938.
Big for his age, as a youth Tucker was hired by the Old Gayety Burlesque Theater in Washington, DC, to serve as a Master of Ceremonies for the burly-cue after consecutively winning Saturday night amateur contests. He was fired when it was found out that he was underage. When he turned 18, he was rehired by the Old Gayety.
After graduating from high school in 1938, the 6'4", 200-lb. Tucker played semi-pro football in the Washington, DC, area. He also enlisted in the National Guard and was assigned to a cavalry unit in Ft. Myers, Virginia. He started at the top when he entered the movies, in a supporting role in William Wyler's The Westerner (1940) opposite Gary Cooper and Walter Brennan, who won his third Oscar for portraying Judge Roy Bean in the picture. He got the role during his 1939 vacation from the Old Gayety, which shut down due to the District of Columbia's horrible summers in the days before air conditioning was common.He was signed to the part in the Wyler picture, which required a big fellow with enough presence for a fight scene with the 6'3" superstar Cooper.
Tucker moved to California and began auditioning for parts in films. After "The Westerner", it was off to Poverty Row, where he appeared in William Beaudine's Emergency Landing (1941) at rock-bottom PRC (Producers Releasing Corp.). He was soon signed by Columbia and assigned to the B-pictures unit, though he was lent to MGM for the Spencer Tracy-Katharine Hepburn vehicle Keeper of the Flame (1942), his last film before going off to World War II.
Tucker served as an enlisted man in the Army during the war, being discharged as a second lieutenant in 1945. He returned to Columbia and resumed his acting career with an appearance in the classic film The Yearling (1946). He signed with Republic Pictures in 1948, which brought him one of his greatest roles, that of the Marine corporal bearing a grudge against gung-ho sergeant John Wayne in Sands of Iwo Jima (1949). At Republic Tucker was top-billed in many of the "B' pictures in the action and western genres the studio was famous for, such as Rock Island Trail (1950), California Passage (1950) and Ride the Man Down (1952), among many others. In 1958 he broke out of action / western pictures and played Beauregard Burnside to Rosalind Russell's Auntie Mame (1958), the highest grossing US film of the year. It showed that Tucker was capable of performing in light comedy.
Morton DaCosta, his director on "Auntie Mame", cast Tucker as "Professor" Harold Hill in the national touring production of The Music Man (1962), and he was a more than credible substitute for the great Broadway star Robert Preston, who originated the role. Tucker made 2,008 appearances in The Music Man over the next five years, then starred in "Fair Game for Lovers" on Broadway in 1964.
However, it was television that provided Tucker with his most famous role: scheming cavalry sergeant Morgan O'Rourke in "F Troop", which ran from 1965 to 1967 on ABC. Ably supported by Larry Storch, Ken Berry and James Hampton, Tucker showed a flair for comedy and he and Storch had great chemistry, but the series was canceled after only two seasons. It has, however, remained in syndication ever since.
Following "F Troop", Tucker returned to films in supporting parts (having a good turn as the villain in the John Wayne western Chisum (1970)) and character leads (The Wild McCullochs (1975)). On television he was a regular on three series: Dusty's Trail (1973) with Bob Denver; The Ghost Busters (1975), which reunited him with Larry Storch; and Filthy Rich (1982). Tucker was also a frequent guest star on TV, with many appearances on Gunsmoke (1955) and in the recurring role of Jarvis Castleberry, Flo's estranged father, on Alice (1976) and its spin-off, Flo (1980). He continued to be active on stage as well, starring in the national productions of Plaza Suite (1971), Show Boat (1936), and That Championship Season (1982). He also toured with Roy Radin's Vaudeville Revue, a variety show in which, as a headliner, he told Irish stories and jokes and sang Irish songs.
Tucker returned to the big screen after an absence of several years in 1986, playing hero trucker Charlie Morrison in the action film Thunder Run (1985). His comeback to features was short-lived, however, as he died on October 25, 1986, in the Los Angeles suburb of Woodland Hills, of complications from lung cancer and emphysema. He was 67 years old. Tucker was buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles.- Actor
- Soundtrack
A golden career was reflected in his name. Robert Golden Armstrong ("Bob" to his friends) was born in Birmingham, Alabama on April 7, 1917. He attended the University of North Carolina at Chapel Hill. While there, he was frequently performing on stage with the Carolina Playmakers. After graduating, R.G. headed to New York, where his acting career really took off. In 1953, along with many of his Actors Studio buddies, he was part of the cast of "End As a Man" -- this became the first play to go from off-Broadway to Broadway. The following year, R.G. got his first taste of movies, appearing in Garden of Eden (1954). However, he returned to New York and the live stage. He received great reviews for his portrayal of Big Daddy in the Broadway production of "Cat On a Hot Tin Roof" in 1955.
In 1958, R.G. took the plunge to Hollywood -- he appeared in two movies, a television series, and did numerous guest appearances on television series that year, usually in Westerns such as The Rifleman (1958), Have Gun - Will Travel (1957) and Zane Grey Theatre (1956), among others. He would go on to appear in 80 movies and three television series in his career, and guest-starred in 90 television series, many of them Westerns, often as a tough sheriff or a rugged land baron. R.G. was a regular cast member in the television series T.H.E. Cat (1966), playing tough, one-handed Captain MacAllister. During the filming of Steel (1979) in Kentucky, watching the mammoth Kincaid Tower being built, he made some good friends in the cast: "You become a family on the set," he said in an interview at the time.
Even though he had a long, versatile career, the younger generation knows him as the demonic Lewis Vandredi (pronounced VON-drah-dee), who just would not let the main characters have a good night's sleep on the television series Friday the 13th: The Series (1987). Finally retiring after six successful decades in show business -- his last film appearance was Purgatory (1999) -- R.G. and his lovely wife Mary Craven were mostly just enjoying life in California, and still traveled and vacationed in Europe occasionally. His upbeat, fun-loving personality made him a delight for all who came in contact with him. R.G. Armstrong died at age 95 of natural causes in Studio City, California on July 27, 2012.- Actor
- Soundtrack
Royal Dano was undoubtedly one of the best, most quirky and striking character actors to ever grace the big and small screen alike in a lengthy and impressive career which spanned 42 years.
Royal Edward Dano was born on November 16, 1922 in New York City, to Mary Josephine (O'Connor) and Caleb Edward Dano, a newspaper printer. He was of mostly Irish descent (his mother was an immigrant). Royal ran away from home at age twelve and lived in such states as Texas, Florida and California. He struck a deal with his father to continue his education, but still be able to travel around the country. Dano eventually attended New York University. His performing career began as part of the 44th Special Service Provisional Company during World War II. Dano soon branched out to the New York stage and made his Broadway debut with a small role in the hit musical "Finian's Rainbow." He was nominated by the New York Critic's Circle as one of the Promising Actors of 1949. Tall and lean, with a gaunt face, dark hair, a rangy build, and a very distinctive deep croaky voice, Dano was usually cast in both movies and TV shows as gloomy and/or sinister characters. He appeared most often in westerns and worked several times with James Stewart and director Anthony Mann. He made his film debut in Undercover Girl (1950). Dano's more memorable roles include the Tattered Soldier in The Red Badge of Courage (1951), a sickly bookworm bad guy in Johnny Guitar (1954), Elijah in Moby Dick (1956), Peter in King of Kings (1961), a cattle rustler in The Culpepper Cattle Co. (1972), a coroner in Electra Glide in Blue (1973), a profanity-spewing preacher in Big Bad Mama (1974), Ten Spot in The Outlaw Josey Wales (1976), a weary factory line worker in Take This Job and Shove It (1981), a lightening rod salesman in Something Wicked This Way Comes (1983), a caterwauling minister who showed up at the doors of newly widowed wives of test pilots, and sang "Eternal Father Strong To Save" in The Right Stuff (1983). He was a stuffy high school teacher in Teachers (1984), rascally zombie old-timer Gramps in House II: The Second Story (1987), a cantankerous farmer in Killer Klowns from Outer Space (1988), and in his last part, a cemetery caretaker in George A. Romero's The Dark Half (1993). Among the numerous TV shows Dano did guest spots on are Twin Peaks (1990), Amazing Stories (1985), CHiPs (1977), Quincy M.E. (1976), Fantasy Island (1977), Little House on the Prairie (1974), Kung Fu (1972), Ben Casey (1961), Planet of the Apes (1974), Cannon (1971), Playhouse 90 (1956), Lost in Space (1965), Gunsmoke (1955), Bonanza (1959), Wagon Train (1957), The Virginian (1962), Hawaii Five-O (1968), Alfred Hitchcock Presents (1955), Wanted: Dead or Alive (1958), Night Gallery (1969), Route 66 (1960), The Rifleman (1958), and Rawhide (1959). Moreover, Dano did the voice of the animatronic Abraham Lincoln for Walt Disney's Hall of Presidents for both Disneyland and Disney World. Dano also portrayed Lincoln on the Omnibus (1952) television series. He's the father of actor Rick Dano. Royal Dano died at age 71 of a heart attack on May 15th, 1994.- Actor
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They don't come any nicer than John Davidson. The dark-haired, Pittsburgh-born singer/TV personality, who was born in 1941 and the son of a Baptist minister, is highly-defined and sometimes cursed by his clean-cut, fresh-faced, apple-cheeked handsomeness. After graduating from high school in White Plains, New York, and earning a B.A. in Theater Arts from Denison University, John took his naturally-gifted baritone voice to the musical stage. The affable six-footer made his Broadway bow with Bert Lahr and Larry Blyden in the short-lived musical, "Foxy", in 1964 at the Ziegfeld Theater. TV producer Bob Banner, who discovered such other formidable talents as Carol Burnett, Dom DeLuise and Bob Newhart, caught John in one of his performances and immediately took him under his wing.
Within a short time, John was moving quickly in the musical fast lane. On TV, he co-starred as "Matt" in a 1964 Hallmark Hall of Fame presentation of the classic musical, "The Fantasticks", alongside an esteemed company that included Mr. Lahr, Ricardo Montalban, Stanley Holloway and the lovely soprano, Susan Watson. He also appeared as a regular on The Entertainers (1964), and grew in stature enough to host The Kraft Summer Music Hall (1966), keeping his face and voice consistently front-and-center on the prime-time variety show circuit. Back on stage, he won a Theater World Award in 1965 for his role as "Curly" in "Oklahoma!", a part he would play many times over the years. Demonstrating leading man potential, John was handed tuneful co-star assignments in the rather antiseptic Disney movies, The Happiest Millionaire (1967) and The One and Only, Genuine, Original Family Band (1968), both featuring the reigning "Cinderella" of the time, Lesley Ann Warren, but he did not move ahead in films.
While an overly cute, lightweight image severely hampered his chances to be taken seriously as a dramatic actor, the bedimpled performer, nevertheless, made great strides as a full-fledged TV presence in the 1970s. He earned his own daytime talk show, The John Davidson Show (1969), and appeared in such mini-movie offerings as Coffee, Tea or Me? (1973) with Karen Valentine. He co-starred with another eternal cutie at the time, Sally Field, in The Girl with Something Extra (1973), playing newlyweds, but the sitcom was unsuccessful. Through the lean years, John maintained by singing on his own TV Christmas specials and guesting in episodes of The Love Boat (1977) and Fantasy Island (1977). Interest in John, however, slacked off.
It wasn't until the next decade when his career revitalized by hosting That's Incredible! (1980). The show's format fit John's buoyant nature to a tee and lasted four years, alongside co-host Cathy Lee Crosby. His talent for self-effacing "straight man" humor showed up first as a The Hollywood Squares (Daytime) (1965) regular, then as takeover host of The New Hollywood Squares (1986), which lasted several years. He also took over Dick Clark's emcee post on the syndicated game show, The $10,000 Pyramid (1973), during the 1992-1993 season.
Music, however, has always been John's first passion. In addition to recording 12 solo albums in both the pop and country music venues, he plays the guitar and banjo and has sung in English, French and Spanish. A perennial nightclub and concert favorite, he has starred in many national tours and stock productions including "The Music Man", "110 in the Shade", "Paint Your Wagon", "Li'l Abner", "Camelot", "Carousel", "I Do! I Do!" and "Will Rogers' Follies", among others. He's appeared in legit plays, including the off-Broadway comedy, "High Infidelity", opposite both Barbara Eden and Morgan Fairchild, and, in 1996, returned to Broadway, after 32 years, in the Rodgers and Hammerstein musical, "State Fair". Two years later, he was inspired to try out his one-man show, "Bully", as Theodore Roosevelt, after playing the president earlier in the musical, "Teddy and Alice". John has made sporadic appearances in films, including the disaster epic, The Concorde... Airport '79 (1979), and Edward Scissorhands (1990).
Divorced in 1982 from singer Jackie Miller, who once was part of the folk duo, Jackie and Gayle, after 13 years of marriage and two children, John is currently with second wife and former backup singer, Rhonda Davidson (nee Rivera) (since 1983). Together, they have a child of their own, Ashleigh Davidson. Most recently, he appeared with one of his children, Ashleigh, in a 2005 musical production of "Shenandoah".- Music Artist
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Burl Ives was one of six children born to a farming family in Hunt City, Jasper, Illinois, the son of Cordellia "Dellie" (White) and Levi Franklin Ives. He first sang in public for a soldiers' reunion when he was age 4. In high school, he learned the banjo and played fullback, intending to become a football coach when he enrolled at Eastern Illinois State Teacher's College in 1927. He dropped out in 1930 and wandered, hitching rides, doing odd jobs, street singing.
Summer stock in the late 1930s led to a job with CBS radio in 1940; through his "Wayfaring Stranger" he popularized many of the folk songs he had collected in his travels. By the 1960s, he had hits on both popular and country charts. He recorded over 30 albums for Decca and another dozen for Columbia. In 1964 he was singer-narrator of Rudolph the Red-Nosed Reindeer (1964), an often-repeated Christmas television special. His Broadway debut was in 1938, though he is best remembered for creating the role of Big Daddy in the 1950s Cat on a Hot Tin Roof (1958) when it ran on Broadway through the early 1950s.
His four-decade, 30+ movie career began with Ives playing a singing cowboy in Smoky (1946) and reached its peak with (again) his role as Big Daddy role in the movie version of Cat on a Hot Tin Roof (1958) and winning an Oscar for best supporting actor in The Big Country (1958), both in 1958. Ives officially retired from show business on his 80th birthday in 1989 and settled in Anacortes, Washington, although he continued to do frequent benefit performances at his own request. Burl Ives died in 1995.- John Pickard was born on 25 June 1913 in Lascassas, Tennessee, USA. He was an actor, known for True Grit (1969), The Twilight Zone (1959) and The Time Tunnel (1966). He was married to Anne Bernard McLaurine. He died on 4 August 1993 in Rutherford County, Tennessee, USA.
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Six-foot-three and weighing in at a lean, mean 215, Michael Forest was a rugged-looking addition to the Roger Corman and Gene Corman's list of leading men during their 1950s heyday. Between Corman films, he was a stage actor who worked in Shakespearean plays and other legitimate productions as classy as his real name (Gerald Michael Charlebois). Born in Harvey, North Dakota, he moved with his family at a very early age to Seattle, attended the University of Washington for a year and then made his way south to the sunnier campuses of San Jose State. Graduating with a B.A. in English and drama, Forest came to Hollywood in 1955 and started acting on TV and on stage at the Players Ring. In 1957, he began to study with veteran actor/acting teacher Jeff Corey, in whose classes Forest first encountered Roger Corman. Forest has also worked extensively on TV and European films.- Actor
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Physically imposing, intense Yaphet Kotto was one of the few actors of his generation to succeed in breaking racial stereotypes in Hollywood. He was born in Harlem, New York, the son of Gladys, a nurse and army officer, and Abraham Kotto, a businessman-turned-construction worker. His father was a Cameroonian immigrant, of royal ancestry (his great-grandfather had been a king in pre-colonial days), and his mother's family was from Antigua and Panama. Yaphet, whose first name means "beautiful" in Hebrew, was raised in the Jewish faith. After his parents divorced, he was brought up by his grandparents in the tough Bronx district of New York. He also had an aunt in showbiz who ran a dance academy. Among her alumni were Marlon Brando and James Dean. In fact, it was Brando's performance in On the Waterfront (1954) which inspired Kotto to go into acting.
He began acting on stage in 1958 with little theatrical experience, making his debut in the title role of Othello, a role he eventually reprised on screen in 1980. He also appeared on Broadway as understudy to James Earl Jones in The Great White Hope. After joining the Actor's Studio, Kotto commenced his screen career and soon gathered critical recognition with several edgy performances across diverse genres. From playing a barkeeper in 5 Card Stud (1968) and a thief in The Thomas Crown Affair (1968), he moved on to juicier supporting roles as the evil Kananga/Mr. Big in the James Bond thriller Live and Let Die (1973), Ugandan dictator Idi Amin in the telemovie Raid on Entebbe (1976) and the ill-fated Nostromo engineer Parker in Alien (1979). Kotto also starred as a street-smart Detroit car worker in Blue Collar (1978) and had a recurring role as a senior detective on television's long-running crime series Homicide: Life on the Street (1993) (in addition to penning several scripts for the show). He was even on a Paramount shortlist for the coveted role of Jean Luc Picard in Star Trek: The Next Generation (1987), alongside Mitchell Ryan and Roy Thinnes). He apparently spurned the role for fear of being typecast, but came to rueing that decision in later years. For the same reason Kotto had also turned down the part of Lando Calrissian in the Star Wars franchise (which went to Billy Dee Williams).
Kotto died on March 15 2021 in Manila, Phillipines at the age of 81.- Judson Pratt was born on 6 December 1916 in Hingham, Massachusetts, USA. He was an actor, known for The Horse Soldiers (1959), Vigilante Force (1976) and Kid Galahad (1962). He was married to Roberta Jonay. He died on 9 February 2002 in Northridge, California, USA.
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Stanton was born in West Irvine, Kentucky, to Ersel (Moberly), a cook, and Sheridan Harry Stanton, a barber and tobacco farmer. He lived in Lexington, Kentucky and graduated from Lafayette Senior High School with the class of 1944. Drafted into the Navy, he served as a cook in the U.S. Navy during World War II, and was on board an LST during the Battle of Okinawa. He then returned to the University of Kentucky to appear in a production of "Pygmalion", before heading out to California and honing his craft at the prestigious Pasadena Playhouse. Stanton then toured around the United States with a male choir, worked in children's theater, and then headed back to California.
His first role on screen was in the tepid movie Tomahawk Trail (1957), but he was quickly noticed and appeared regularly in minor roles as cowboys and soldiers through the late 1950s and early 1960s. His star continued to rise and he received better roles in which he could showcase his laid-back style, such as in Cool Hand Luke (1967), Kelly's Heroes (1970), Dillinger (1973), The Godfather Part II (1974), and in Alien (1979). It was around this time that Stanton came to the attention of director Wim Wenders, who cast him in his finest role yet as Travis in the moving Paris, Texas (1984). Next indie director Alex Cox gave Stanton a role that brought him to the forefront, in the quirky cult film Repo Man (1984).
Stanton was now heavily in demand, and his unique look got him cast as everything from a suburban father in the mainstream Pretty in Pink (1986) to a soft-hearted, but ill-fated, private investigator in Wild at Heart (1990) and a crazy yet cunning scientist in Escape from New York (1981). Apart from his film performances, he was also an accomplished musician, and "The Harry Dean Stanton Band" and their unique spin on mariachi music played together for well over a decade. They toured internationally. He became a cult figure of cinema and music and when Debbie Harry sang the lyric, "I want to dance with Harry Dean..." in her 1990s hit "I Want That Man", she was talking about him. Stanton remained consistently active on screen, lastly appearing in films including Fear and Loathing in Las Vegas (1998), The Green Mile (1999) and The Man Who Cried (2000).- Actor
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Sargent was a trim, handsome man with a longish chin. He played a variety of gawky businessmen roles in feature films before finding a niche in tv history as the second Darrin on "Bewitched". Shortly before his death, Sargent publicly proclaimed he was gay, and became what he called "a retroactive role model" in the battle for gay rights.- Slim Pickens spent the early part of his career as a real cowboy and the latter part playing cowboys, and he is best remembered for a single "cowboy" image: that of bomber pilot Maj. "King" Kong waving his cowboy hat rodeo-style as he rides a nuclear bomb onto its target in the great black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). Born in Kingsburg, near Fresno in California's Central Valley, he spent much of his boyhood in nearby Hanford, where he began rodeoing at the age of 12. Over the next two decades he toured the country on the rodeo circuit, becoming a highly-paid and well-respected rodeo clown, a job that entailed enormous danger. In 1950, at the age of 31, Slim married Margaret Elizabeth Harmon and that same year he was given a role in a western, Rocky Mountain (1950). He quickly found a niche in both comic and villainous roles in that genre. With his hoarse voice and pronounced western twang, he was not always easy to cast outside the genre, but when he was, as in "Dr. Strangelove", the results were often memorable. He died in 1983 after a long and courageous battle against a brain tumor. He was survived by his wife Margaret and children.
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Paul Fix, the well-known movie and TV character actor who played "Marshal Micah Torrance" on the TV series The Rifleman (1958), was born Peter Paul Fix on March 13, 1901 in Dobbs Ferry, New York to brew-master Wilhelm Fix and his wife, the former Louise C. Walz. His mother and father were German immigrants who had left their Black Forest home and arrived in New York City in the 1870s. (The name "Fix" is of Latin/Germanic origin, and is derived from St. Vitus and means "animated" or "vital").
Besides Peter Paul, the Fix family consisted of two girls and three boys, the youngest of whom was six years older than the future actor. Peter Paul's childhood was a happy one. He and his family lived on the 200-acre property on which the Manilla Anchor Brewery, where his father was brew-master, was situated. Such was the importance of the senior Fix to the brewery that when he died at the age of 62 on the eve of America's entry into the First World War (two years after his 54-year old wife had died), the brewery closed.
The orphaned Peter Paul, who kept to himself a lot and had a vivid imagination, was sent to live with his married sisters, first one who lived nearby in Yonkers, and then to another in Zanesville, Ohio. The just-turned-17-year-old Peter Paul Fix joined the U.S. Navy on March 12, 1918, and spent his state-side service time during World War I in Newport, Rhode Island and Charleston, South Carolina. He first tread the boards as an actor while a sailor stationed in Newport, when the baby-faced salt (who looked much younger than his age) was one of six gobs chosen to play female roles in the Navy Relief Show "HMS Pinafore". The Navy staging of the Gilbert and Sullivan operetta was a big hit and chalked up a run of several weeks in Providence and Boston.
Fix was assigned as an able-bodied seaman to the troopship U.S.S. Mount Vernon, which was torpedoed by a German U-boat off the coast of France but did not sink as it was run aground. The rest of Fix's naval career was less exciting, and he was demobilized on September 5, 1919. After his discharge, Fix went back to his girlfriend Frances (Taddy) Harvey, whom he had left behind in Zanesville. He and Taddy were married in 1922 and they moved to California as Fix had always wanted to live in a warm climate.
Fix and his bride settled in Hollywood, not so much because he had set ideas about becoming an actor but because he didn't know what he wanted to do with the rest of his life. He liked writing and acting in local plays, and soon became friends with the fellow tyro actor Clark Gable, who was his own age. Fix and Gable were discovered by the stage actress Pauline Frederick, who hired them to be members of her touring troupe that traveled by train the length of the West Coast putting on plays. In all, Fix - who had informally renamed himself Paul Peter - appeared in 20 plays with Gable.
Paul Fix had one of his earliest acting roles on celluloid in the mid-1920s, appearing in a silent Western starring William S. Hart. The Western genre eventually would become the one he was most identified with. He played uncredited bit parts and small roles in silents before getting his first credited role in an early talkie (which was part-silent and part-talking), The First Kiss (1928), which starred future Hollywood superstar Gary Cooper and the dame that drove King Kong ape, Fay Wray. In all, Fix appeared in 300-400 films. The Western programmers of the silent and early talkie days could be shot in less than a week.
In 1925, Taddy gave birth to their daughter Marilyn Carey, who eventually would marry Harry Carey Jr., the son of one of the first great Western superstars. They would have three more children and become part of the extended family gathered around the director John Ford. In his career, Paul Fix would appear with another Western legend, John Wayne, in 26 films, starting in 1931 with Three Girls Lost (1931). Urged on by Loretta Young, Fix became an acting coach for the young actor, and Wayne later paid him back when he became a star by having Fix appear in his movies. (The Duke also was a part of the close-knit group that collected around John Ford). With the Duke's patronage, the kinds of roles that Fix played changed. He had been typed as villains in the 1930s but, in the 40s, he began assaying a better class of character.
Paul Fix was also a screenwriter, and is credited as the writer on three films: Tall in the Saddle (1944), Ring of Fear (1954) and The Notorious Mr. Monks (1958). His favorites parts included playing the stricken passenger in the John Wayne picture The High and the Mighty (1954), Elizabeth Taylor's father in George Stevens' classic Giant (1956), the grandfather of the eponymous The Bad Seed (1956) and the judge in To Kill a Mockingbird (1962). His last screen appearance was in the Brooke Shields movie Wanda Nevada (1979), but he is most famous for appearing in the recurring role of "Marshal Micah Torrance" in the popular Western TV series The Rifleman (1958). As of 1981, the 80-year old Fix was still getting mail from all over the world from "Rifleman" fans.
Paul Fix died October 14, 1983 of kidney failure. He was survived by his daughter Marilyn Carey and son-in-law Harry "Dobe" Carey, three grandchildren and several great-grandchildren.- Actor
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Born in a small village in Syria, Michael Ansara came to the United States with his American parents at the age of two, living in New England, until the family's relocation to California ten years later. He entered Los Angeles City College with the intention of becoming a doctor, but got sidetracked into the dramatics department. A stint at the Pasadena Playhouse (where fellow students included Charles Bronson, Carolyn Jones and Aaron Spelling) led to roles on stage and in films; the starring role (as Cochise) on the popular television series Broken Arrow (1956) elevated Ansara to stardom.
During the series' run, he met actress Barbara Eden on a date arranged by the 20th Century-Fox publicity department; the two later married. He played the Klingon commander Kang on three Star Trek television series: Star Trek (1966), Star Trek: Deep Space Nine (1993) and Star Trek: Voyager (1995). He also played Buck Rogers' evil adversary Kane on Buck Rogers in the 25th Century (1979), and provided the voice of Mr. Freeze on Batman: The Animated Series (1992) and its spin-offs. Michael Ansara died at age 91 from complications of Alzheimer's disease in his home in Calabasas, California on July 31, 2013.- Actor
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Robert Donner was born in New York City and grew up in New Jersey, Michigan and Texas. Robert joined the Navy after he graduated from high school and served almost 4 years. After he left the Navy he stayed on the West Coast and worked as a shipping clerk, salesman, bartender, commercial artist, gardener, and insurance investigator. Robert attended San Fernando Valley State College (now California State University, Northridge), at nights taking courses in Art History, Psychology and speech. During this time, Robert Donner lived in Studio City and became friends with actor Clint Eastwood who lived in his apartment building. Clint urged Robert to study drama, telling him he was humorous and had a good face. When Robert was not acting he was active in athletics, and was known as one of Hollywood's most enthusiastic golfers. He was a member of the former "Hollywood Hackers" and carried a seven handicap and was the leader of a group of entertainment industry professionals known as Don Porter's Thursday Golf Group as well as joining others at many of the Celebrity Golf Tournaments who raise money for various charities around the world. Robert also played in many tennis tournaments and was frequently called upon during "Celebrity Nights" in which he performed stand-up comedy and promised not to sing. His reputation in this area also led him to become known as one of Hollywood's "in demand" Corporate Speakers.- Actor
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Vic Tayback was born on 6 January 1930 in New York City, New York, USA. He was an actor and director, known for Alice (1976), Alice Doesn't Live Here Anymore (1974) and All Dogs Go to Heaven (1989). He was married to Sheila McKay Barnard. He died on 25 May 1990 in Glendale, California, USA.- Actor
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Olan Soule was born in La Harpe, Illinois and began his acting career in 1926 on radio, performing for 11 years in the daytime soap opera "Bachelor's Children". A versatile actor with a "chameleon-like" voice, Soule played the male lead characters in plays presented on the evening radio show "First Nighter" for 9 years beginning in 1943. Listeners of the show who met him were often surprised, since his slight 135 pound body didn't seem to match the voices he gave to his characters. The First Nighter troupe moved to Hollywood, where Soule stayed and eventually worked his way into television.- Actor
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Best known as Scotty in Star Trek he was educated at High School in Sarnia, Ontario, where he acted in school productions.
When WWII began he joined the Royal Regiment of Canadian Artillery eventually obtaining the rank of Captain. He was wounded on D-Day, suffering severe damage to his right middle finger which was removed ahead of first knuckle, then became a flying observer for the rest of the war. His daring aerial maneuvers flying in an observation plane got him known as the craziest pilot in the Royal Canadian Air Force.
Once the war ended, he found himself on many other adventures although none of them would come anywhere close to what he experienced before.
He would become a popular voice actor who participated in thousands of CBC programs spread across both radio and television.
Later on, during the mid-1960's, he would develop into the Star Trek great we now know as Montgomery Scott, "Scotty".
In 1946 he won a 2 year scholarship to the Neighbourhood Playhouse in New York City and from there went to teach for three years.
In 1953 he returned to Canada and lived in Toronto for 8 years acting on radio, television and some films before moving to Hollywood where he also appeared in a number of popular television series such as the Canadian version of The Howdy Doody Show, Hawkeye and the Last of the Mohicans, R.C.M.P., Gunsmoke, The Twilight Zone, Hazel, The Gallant Men, Bonanza, The Richard Boone Show, The Outer Limits, Ben Casey, Voyage to the Bottom of the Sea, The Fugitive, Laredo, Bewitched, The Virginian, The Man from Uncle, The F.B.I., Peyton Place, Daniel Boone, Marcus Welby M.D., Fantasy Island, Magnum P.I., Danger Bay and The Bold and The Beautiful, while in between he made a return to the stage for various plays.
James Doohan departed the scene at the age of 85 on 20 July 2005.
Many current-day engineers credit Scotty with being their childhood inspiration and in honour of his memory a portion of Doohan's ashes were sprinkled in space by the rocket SpaceLoft XL.- Ralph Moody was born on November 5, 1886 in St. Louis, Missouri, USA as Ralph Roy Moody, the oldest son of Franklin Jerome Moody and Ida M. Hicklin. His introduction to show business was first as an actor on the stage in pre-radio days and then as a radio personality. His first acting role was in 1900 as the boy, Heinrich, in Rip Van Winkle. At the 1904 World's Fair he sang tenor in St. Louis, Missouri, USA. He had a wide following as Uncle Abner on WIBW, CBS Radio, in the 1930's in Topeka, Kansas, USA. As Uncle Abner he was the town's barber, constable, postmaster, and chief source of information. Beginning in the mid-1940's he was a frequent radio cast member on The Roy Rogers Show. When Gunsmoke began its radio show run in 1952, Ralph Moody was one of the regular cast members. He began making film and television appearances at the age of 62. His first television roles were on three 1949-50 The Lone Ranger (1949) episodes, each time as an Indian chief with a different name. Frequently on TV westerns he had roles as an Indian, but was not type cast. His range of characters included a variety of roles with Jack Webb on Dragnet (1951). Many of his dozen appearances on The Rifleman (1958) were as Doc Burrage. He had six appearances on Bonanza (1959), most as an Indian, at the end of his 23 year acting career. He was married to Hazel B. McOwen. He died on September 16, 1971 in Burbank, California, USA.
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Craggy-faced, athletic veteran character actor who played hard-bitten or menacing types in numerous westerns and crime dramas. One of five brothers, Woodward grew up in Arlington, Texas. He had a keen interest in aviation early on and took flying lessons from 1941, getting his pilot's license and subsequently served in both World War II (Army Air Corps) and Korea (Military Air Transport Command). Woodward first acted at Arlington State College, majoring in music and drama. He appeared for a while with the Margo Jones Repertory Theatre '47 in Dallas and then went back to study for a degree in corporate finance at the University of Texas, graduating in 1948. At one time, he sang with a jazz band and as a member of a barber shop quartet as well as having a regular weekly gig as a talk show host on local radio. Possessed of a powerful bass-baritone voice, Woodward's ultimate ambition had been to sing for the Metropolitan Opera. That didn't pan out. Neither did his hope that moving to Hollywood in 1955 might open the door to a career in musicals. Instead, he successfully auditioned at Disney for The Great Locomotive Chase (1956), followed by a part in the western pioneer saga Westward Ho, the Wagons! (1956). His first big break was as co-star opposite Hugh O'Brian in The Life and Legend of Wyatt Earp (1955), playing the role of Earp's deputy Shotgun Gibbs for four seasons. This effectively typecast him as a western genre actor with a record number of guest spots on Gunsmoke (1955) and Wagon Train (1957). Nonetheless, his most famous role was that of ""the man with no eyes", a sinister chain gang overseer in Cool Hand Luke (1967), distinguished by perpetually wearing reflective sunglasses. He also made two appearances on Star Trek (1966) (most famously as Simon Van Gelder, the first human with whom Spock 'mind melds') and played the shrewd Armani-suited oil tycoon Punk Anderson in 55 episodes of Dallas (1978).
Thomas Morgan Woodward was awarded the Golden Boot Award from the Hollywood Motion Picture and Television Fund in August 1988. In 2009, he became an inductee into the Hall of Great Western Performers at the National Cowboy & Western Heritage Museum. Privately, he was a respected authority on Early American Aircraft. According to his website, his main hobby was "restoring, rebuilding and flying antique airplanes".- Actor
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Cameron Mitchell was the son of a minister, but chose a different path from his father. Prior to World War II, in which he served as an Air Force bombardier, Mitchell appeared on Broadway, and, in 1940, an experimental television broadcast, "The Passing of the Third Floor Back". He made his film debut in What Next, Corporal Hargrove? (1945), but continued with stage as well as film work. He gained early recognition for his portrayal of Happy in the stage and screen versions of "Death of a Salesman". Still, out of more than 300 film and TV appearances, he is probably best remembered for his work on The High Chaparral (1967) TV series in which he, as the happy-go-lucky Buck Cannon, and Henry Darrow, as Manolito Montoya, stole the show.- Director
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Charlie Picerni was born in Corona Queens, New York. The fourth of five children to Italian parents. After high school, he worked different jobs, one being construction work on high-rise buildings in Manhattan. He married, at a young age, his childhood girlfriend, Marie. He had a son after one year of marriage and decided he didn't want to work in construction, anymore. So, he headed west to try his luck in the movie business!
His brother, Paul Picerni, was an actor on a hit TV show at that time called The Untouchables (1959). Charlie worked as a stand-in, an extra and started doing stunt double work. Charlie immediately fell in love with this work and moved his family to California. Charlie excelled as a stuntman and then moved up to stunt-coordinating TV shows. He got his big break on Starsky and Hutch (1975), he was the stunt coordinator and Paul Michael Glaser's stunt double. Aaron Spelling and Duke Vincent saw what direction Charlie was heading in - Directing"!
He started second unit-directing Starsky and Hutch (1975) and then moved up to directing episodes of "Starsky". He continued stunt-coordinating and second unit-directing such shows as Kojak (1973) and Magnum, P.I. (1980). He then started directing television for producers Aaron Spelling, Leonard Goldberg and Stephen J. Cannell, for such shows as T.J. Hooker (1982), Matt Houston (1982), Vega$ (1978), Hardcastle and McCormick (1983), Hunter (1984), Stingray (1986), Finder of Lost Loves (1984), The A-Team (1983), J.J. Starbuck (1987), Spenser: For Hire (1985), Blue Thunder (1984), Gavilan (1982) and HBO's Tales from the Crypt (1989).
At that time, Charlie caught Warner Brothers producer Joel Silver's eye. Joel hired Charlie to stunt-coordinate Die Hard (1988). This led to second unit-directing and stunt-coordinating on the films, Die Hard 2 (1990), Road House (1989), Lethal Weapon 2 (1989) & Lethal Weapon 3 (1992), Hudson Hawk (1991), National Lampoon's Christmas Vacation (1989), The Last Boy Scout (1991), Demolition Man (1993), Ghost (1990), Ricochet (1991), Basic Instinct (1992), A Low Down Dirty Shame (1994), True Romance (1993), 2 Days in the Valley (1996), 15 Minutes (2001) and many more. Charlie also, during this time, directed multiple episodes on a TV series, called Seven Days (1998), for Paramount studios.
Charlie also worked as an actor in many TV and film projects throughout his career. Realizing he wanted to further his career as a director, he studied at the "Beverly Hills Playhouse" in the Master class for two years. In 2007, he directed, produced and co-wrote a feature film entitled Three Days to Vegas (2007), starring Peter Falk, Rip Torn and George Segal. In 2010, Charlie directed Ayn Rand's play, "Night of January 16th", at the Odyssey Theatre to rave reviews! While continuing to work in all avenues of the motion picture business, he is developing and writing his own project called "Spaghetti Park", which he will produce and direct.
Charlie is a proud member of "The Academy of Motion Pictures Arts and Sciences".- Actor
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Mike is one of four children. His father, Joe, who died in 1956, was a carpenter at Hollywood studios. Mike attended grammar school with Natalie Wood and Ricky Nelson. He entered the Marines in the 1950s for two years. Later, he attended the University of California at Los Angeles and studied acting at the Jeff Corey Workshop. He started getting big parts in movies, which led to a regular role on Days of Our Lives (1965) and, ultimately, to M*A*S*H (1972). When M*A*S*H (1972) went off the air, he resisted series TV for many years until he was offered Providence (1999). In the meantime, he formed his own production company, which made the Robin Williams vehicle, Patch Adams (1998), based on Mike's own acquaintance with the doctor. Mike is very politically involved. He lobbied against the firing of gay teachers. He was outspoken about the US involvement in El Salvador in the 80s. He served as a member of California's Commission on Judicial Performance from February 2, 1998 to February 28, 2001.- Actor
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Legendary actor Ricardo Montalban was the epitome of Latin elegance, charm and grace on film and television and in the late 1940s and early 1950s reinvigorated the Rudolph Valentino / Ramon Novarro "Latin Lover" style in Hollywood without achieving top screen stardom. Moreover, unlike most minority actors of his time, he fought to upscale the Latin (particularly, Mexican) image in Hollywood. His noted militancy may have cost him a number of roles along the way, but he gained respect and a solid reputation as a mover and shaker within the acting community while providing wider-range opportunities for Spanish-speaking actors via Los Angeles theater.
He was born in Mexico City on November 25, 1920, the youngest of four children to Castilian Spanish immigrants, Ricarda Merino and Jenaro Montalbán. His father was a dry goods store owner. Montalbán moved to Los Angeles as a teen and lived with his much older brother Carlos Montalbán, who was then pursuing show business as both an actor and dancer. Ricardo attended Fairfax High School in Hollywood and was noticed in a student play but passed on a screen test that was offered. Instead, he traveled with his brother to New York, where he earned a bit part in the Tallulah Bankhead stage vehicle "Her Cardboard Lover" in 1940, and won subsequent roles in the plays "Our Betters" and "Private Affair".
Returning to Mexico to care for his extremely ill mother, his dark good looks and magnetic style helped propel him into the Spanish-language film industry. After nearly a dozen or so films, he was on the verge of stardom in Mexico when Metro-Goldwyn-Mayer took an interest in him and he relocated back to Los Angeles. Making his Hollywood leading debut as a robust bullfighter and twin brother of MGM star Esther Williams in the "B"-level musical Fiesta (1947), he attracted immediate attention. His second film with Williams, On an Island with You (1948), led to a contract with the studio, where he routinely ignited "Latin Lover" sparks opposite such prime female stars as Cyd Charisse, Shelley Winters, Anne Bancroft, Pier Angeli, Laraine Day and (once again) Esther Williams, this time in Neptune's Daughter (1949) (one of his MGM extravaganzas opposite gorgeous Lana Turner was actually called Latin Lovers (1953)). His strongest Hispanic competition in films at the time was Argentine-born fellow MGM player Fernando Lamas, who wound up eventually marrying Esther Williams after divorcing another MGM beauty, Arlene Dahl.
Although Montalban was the epitome of the "Latin lover" type, it actually damaged his cinematic career, pigeonholing him and hurting his momentum. He was seldom able to extricate himself from the usual portrayals of bandidos and gigolos, although he did manage to find an interesting film from time to time, such as his turn as a Mexican undercover policeman in the gritty Border Incident (1949), Mystery Street (1950), the classic war film Battleground (1949) and the hard-edged boxing drama Right Cross (1950). Occasionally, he was handed ethnic roles outside the Latino realm, such as his villainous Blackfoot Indian chief in Across the Wide Missouri (1951) starring Clark Gable, his heroic, bare-chested rebel warrior in the steamy Italian sword-and-sandals costumer The Queen of Babylon (1954) alongside Rhonda Fleming and his Japanese Kabuki actor in the Oscar-winning feature Sayonara (1957). It was during the filming of Across the Wide Missouri (1951) that he suffered a serious injury to his spine after he slipped and fell off a running horse, which resulted in a permanent limp.
Well established by this time, Montalban returned to the stage in 1954 with varied roles in such fare as "Can-Can", "The Inspector General", "South Pacific" and "Accent on Youth", before making his Broadway debut as Chico in the original musical "Seventh Heaven" (1955) with Gloria DeHaven, Kurt Kasznar and Bea Arthur. He then earned a Tony Award nomination as the only non-African-American actor in the tropical-themed musical "Jamaica" (1957) co-starring Lena Horne. He also toured as the title role in "Don Juan in Hell" in the 1960s, returning to Broadway with it in 1973 with Agnes Moorehead, Paul Henreid and Edward Mulhare, and touring once again with the show in 1991.
His strong work ethic and reservoir of talent enabled him to continue on television long after his exotic beefcake status in films had waned. He had married Loretta Young's half-sister Georgiana Young in 1944, and appeared on his sister-in-law's television series (The New Loretta Young Show (1962)) several times. He also showed up in a number of television dramatic anthologies (Playhouse 90 (1956) and Colgate Theatre (1958)) and made guest appearances on the popular series of the day, such as Death Valley Days (1952), Bonanza (1959), Burke's Law (1963), Dr. Kildare (1961), The Defenders (1961) and, more notably, a first-season episode of Star Trek (1966) in which he memorably portrayed galaxy arch-villain Khan Noonien Singh. He resurrected this character memorably in Star Trek II: The Wrath of Khan (1982).
Over the years, he continued to appear occasionally on the big screen, typically playing continental smoothies, in such films as Love Is a Ball (1963), Madame X (1966) and Sweet Charity (1969), but it was television that finally made him a household name. Montalban captivated audiences as the urbane, white-suited concierge of mystery Mr. Roarke in the Aaron Spelling series Fantasy Island (1977). He stayed with the series for six seasons, buoyed by his popular "odd couple" teaming with the late Hervé Villechaize, who played Mr. Roarke's diminutive sidekick, and fellow greeter, Tattoo. While it may have seemed a somewhat lightweight and undemanding role for the talented Montalban, it nevertheless became his signature character. The series faltered after Villechaize, who had become erratic and difficult on the set, was fired from the series in 1983. Corpulent Britisher Christopher Hewett, as Lawrence, replaced the Tattoo character but to little avail and the series was canceled one season later. The troubled Villechaize committed suicide on September 4, 1993.
An Emmy Award winner for his role in the miniseries How the West Was Won (1976) and a noteworthy villain in the Dynasty (1981) spin-off series The Colbys (1985), Montalban was also famous for a series of television commercials in which he returned somewhat to his "Latin lover" persona, primarily in a series of slick commercials for Chrysler's Cordoba automobile, pitching the elegant auto with its "rich, Corinthian leather" (it later came to light that this phrase had been conjured up as a marketing tool, and that there was no such product from Corinth or anywhere else!). As for film and television work in his later years, he good-naturedly spoofed his Hollywood image in a number of featured roles, including a hilarious send-up of himself in The Naked Gun: From the Files of Police Squad! (1988). Two of his final, larger-scaled film roles were as the grandfather in the two "Spy Kids" sequels: Spy Kids 2: Island of Lost Dreams (2002) and Spy Kids 3: Game Over (2003). His deep, soothing, confident tones could also be heard in animated features and television series.
Frustrated at Hollywood's portrayal of Mexicans, he helped to found, and gave great support, attention and distinction to, the image-building "Nosotros" organization, a Los Angeles theatre-based company designed for Latinos working in the industry. Nosotros and the Montalban foundation eventually bought the historic Doolittle Theater in Hollywood and renamed the theatre in his honor in 2004. It became the first major theater facility (1200 seats) in the United States to carry the name of a Latino performing artist. In 1980, along with Bob Thomas, he published his memoir, entitled "Reflections: A Life in Two Worlds".
A class act who was beloved in the industry for his gentle and caring nature, the long-term effects of his spinal injury eventually confined him to a wheelchair in his later years. He died in his Los Angeles home of complications from old age on January 14, 2009 at age 88. His wife having died on November 29, 2007, he was survived by their two daughters and two sons: Laura, Anita, Victor and Mark.- This durable, granite-faced actor with the matching steel-edged voice was one of the most interesting and recognisable leads in 1950s and 1960s television. He was born Marvin Jack Richman in South Philadelphia to paper and roofing contractor Benjamin Richman and his wife Yetta Dora (née Peck), the youngest of five siblings. His childhood was -- by his own account -- 'horrendous'. The family was not well off and money was hard to come by. For two years he played football until sidelined by a knee injury. Richman also studied at the Philadelphia College of Pharmacy and Science, from which he graduated in 1951 as a fully qualified pharmacist. He briefly worked in that field, though his interest had always been in the performing arts, spurred on by regular childhood visits to the nearby Alhambra Theater and performances in high school dramatics. Between 1952 and 1954, Richman trained at the Actor's Studio in New York under Lee Strasberg, having already made his stage debut in 1947. Until 1996, he acted on and off-Broadway and on the West Coast, as well as touring nationally in seminal plays like Mister Roberts, The Rainmaker and A Hatful of Rain. For most of his early career he was billed as 'Mark Richman' but in 1971 changed his moniker to Peter Mark Richman because of his abiding belief in Subud, an Eastern spiritualist philosophy.
An amazingly prolific screen actor, Richman was first brought to Hollywood by famed director William Wyler to appear in Friendly Persuasion (1956). There were a few subsequent big screen outings, but the lean, edgy and coldly handsome actor reserved his best for the small screen. By the early 60s, he starred in his own series at NBC, Cain's Hundred (1961). His character was a former syndicate lawyer, Nick Cain, who, after wanting to 'go straight' is targeted for a hit. When his fiancée gets killed in the crosshairs instead, Cain swears revenge and joins an FBI task force to bring down the top 100 mobsters by various legal means. While the series only ran to 30 episodes, it firmly established Richman in the medium. He was henceforth to alternate between nasty villains, stern authority figures and stoic heroes and become one of the most often killed guys on TV. His numerous roles have included appearances in The Twilight Zone (1959), The Fugitive (1963), The Virginian (1962), Mission: Impossible (1966), Longstreet (1971) (as James Franciscus' cynical boss, Duke Paige), The Man from U.N.C.L.E. (1964) (as a rather camp THRUSH operative) and -- having lost none of his edge -- in Star Trek: The Next Generation (1987). Standouts have included The Probe (1965) in which Richman plays a scientist determined to explore another dimension at any cost, and the first of two guest spots on The Invaders (1967) as an ally of the chief protagonist David Vincent. Richman was almost clipped by a helicopter blade during this episode and lucky to survive the experience. He continued to perform on screen well until his late eighties.
In addition to his work on front of the camera, Richman was something of a Renaissance man: a noted humanitarian (for which he was awarded a Silver Medallion from The Motion Picture and Television Fund) and an accomplished painter from an early age, trained at the Philadelphia Sketch Club. Describing himself as a 'figurative expressionist', Richman has had at least seventeen successful one-man exhibitions on the West Coast and in New York (primarily portraits of oil on canvas). He has also written two novels and several stage plays, of which his solo show 4 Faces and the one act play A Medal for Murray were the most acclaimed. His wife of 67 years was the actress Helen Richman (née Landess). - Actor
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New York-born James Gregory gave up a career as a stockbroker for one as an actor, and began on the Broadway stage. He made his film debut in 1948. Gregory specialized in playing loud, brash, tough cops or businessmen. One of his better roles was as the detective out to get Capone in Al Capone (1959). He also played Dean Martin's boss in three of the four cheesy "Matt Helm" spy films. Memorable as the opinionated, loudmouthed Inspector Luger in the television series Barney Miller (1975).- Actor
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Tall, blond and of rugged proportions, handsome actor Philip Carey started out as a standard 1950s film actor in westerns, war stories and crime yarns but didn't achieve full-fledged stardom until well past age 50 when he joined the daytime line-up as ornery Texas tycoon Asa Buchanan on the popular soap One Life to Live (1968) in 1979. He lived pretty much out of the saddle after that, enjoying the patriarchal role for nearly three decades.
He was born with the rather unrugged name of Eugene Carey on July 15, 1925, in Hackensack, New Jersey. Growing up on Long Island, he served with the Marine Corps during World War II and the Korean War. He attended (briefly) New York's Mohawk University and studied drama at the University of Miami where he met his college sweetheart, Maureen Peppler. They married in 1949 and went on to have three children: Linda, Jeffrey and Lisa Ann.
The 6'4" actor impressed a talent scout with his brawny good looks while appearing in the summer stock play "Over 21" in New England, and he was offered a contract with Warner Bros as a result. Billed as Philip Carey, he didn't waste any time toiling in bit parts, making his film debut billed fifth in the John Wayne submarine war drama Operation Pacific (1951). Phil could cut a good figure in military regalia and also showed strong stuff in film noir. A most capable co-star, he tended to be upstaged, however, by either a stronger name female or male star or by the action at hand. He was paired up with Frank Lovejoy in the McCarthy-era I Was a Communist for the F.B.I. (1951), and Steve Cochran in the prison tale Inside the Walls of Folsom Prison (1951). Warner Bros. star Joan Crawford was practically the whole movie in the film noir This Woman Is Dangerous (1952) co-starring the equally overlooked David Brian and Dennis Morgan; Calamity Jane (1953) was a vehicle for Doris Day; and he donned his familiar cavalry duds in the background of Gary Cooper in the Civil War western Springfield Rifle (1952).
In 1953, Carey left Warner Bros. and signed up with Columbia Pictures where he was, more than not, billed as "Phil Carey." Here again he fell into the rather non-descript rugged mold as the stoic soldier or stolid police captain. He did find plenty of work, however, and was frequently top-billed. He battled the Sioux in The Nebraskan (1953); played a former subordinate member of the Butch Cassidy and the Sundance Kid gang who has to clear his name in Wyoming Renegades (1955); was a brute force to be reckoned with in They Rode West (1954); and had one of his standard movie roles (as an officer) in a better quality movie, Columbia's Pushover (1954), which spent more time promoting the debut of its starlet Kim Novak as the new Marilyn Monroe. Overshadowed by James Cagney and Jack Lemmon in Mister Roberts (1955) and by Van Heflin, young Joanne Woodward (in her movie debut) and villain Raymond Burr in the western Count Three and Pray (1955), Phil turned his durable talents more and more to TV in the late 1950s.
The man of action took on the role of Canadian-born Lt. Michael Rhodes on the series Tales of the 77th Bengal Lancers (1956) alongside Warren Stevens. He eventually left Columbia studios to do a stint (albeit relatively short) playing Raymond Chandler's unflappable detective Philip Marlowe (1959). Most of the 60s and 70s, other than a few now-forgotten film adventures such as Black Gold (1962), The Great Sioux Massacre (1965) and Three Guns for Texas (1968), were spent either saddling up as a guest star on The Rifleman (1958), Bronco (1958), The Virginian (1962) and Gunsmoke (1955) or hard-nosing it on such crime series as 77 Sunset Strip (1958), Ironside (1967), McCloud (1970), Banacek (1972) and The Felony Squad (1966). He also played the regular role of a stern captain in the Texas Rangers western series Laredo (1965).
Phil was a spokesperson for Granny Goose potato chips commercials, and his deep voice served him well for many seasons as narrator of the nature documentary series Untamed Frontier (1967). One of his best-remembered TV guest appearances, however, was a change-of-pace role on the comedy All in the Family (1971) in which he played a vital, strapping blue-collar pal of Archie Bunker's whose manly man just happened to be a proud, astereotypical homosexual. His hilarious confrontational scene with a dumbfounded Archie in Kelsey's bar remains a classic.
Phil's brief regular role in the daytime soap Bright Promise (1969) in 1972 was just a practice drill for the regular role he would play in 1979 as Texas oilman Asa Buchanan in One Life to Live (1968). His popularity soared as the moneybags manipulator you loved to hate. Residing in Manhattan for quite some time as a result of the New York-based show, he played the role for close to three decades until diagnosed with lung cancer in January of 2006. Forced to undergo chemotherapy, he officially left the serial altogether in May of 2007, and his character "died" peacefully off-screen a few months later.
Divorced from his first wife, Phil married a much younger lady, Colleen Welch, in 1976 and had two children by her -- daughter Shannon (born 1980) and son Sean (born 1983). Phil lost his battle with cancer on February 6, 2009, at the age of 83.- Actor
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A grand, robust, highly theatrical British classical actor, Maurice Evans was born on June 3, 1901, in Dorchester, England, the son of a justice of the peace who enjoyed amateur play writing on the side. In fact, his father adapted several adaptations of Thomas Hardy's novels and Evans would often appear in them. Early interest also came in London choirs as a boy tenor.
Making his professional stage debut in 1926, Evans made do during his struggling years by running a cleaning and dyeing store. He earned his first triumph three years later in the play "Journey's End." When his resulting attempts as an early 1930's romantic film lead and/or second lead in White Cargo (1929), Raise the Roof (1930), The Only Girl (1933), The Path of Glory (1934), Bypass to Happiness (1934) and Checkmate (1935) didn't pan out, he refocused on the stage.
Following a season with the Old Vic theatre company, he arrived in America and proceeded to conquer Broadway, establishing himself as one of the world's more illustrious interpreters of Shakespeare. His eloquent, florid portrayals of Romeo, Hamlet, Macbeth and Richard II are considered among the finest interps. He was also deemed a master of Shavian works which included superlative performances in "Major Barbara", "Man and Superman" and "The Devil's Disciple".
As a U.S. citizen (1941), Maurice was placed in charge of the Army Entertainment Section, Central Pacific Theater during WWII and left military service with the rank of major. His post-war career included a handful of character film roles, notably Kind Lady (1951), Androcles and the Lion (1952), Gilbert and Sullivan (1953) (as composer Sir Arthur Sullivan), The War Lord (1965), Rosemary's Baby (1968), and as "Dr. Zaius" in the Planet of the Apes (1968) series.
Films would never be Evans' strong suit, earning much more stature on TV. More importantly, he brought Shakespeare and Shaw to 1950's TV, adapting (and directing) a number of his stage classics including King Richard II (1954), The Taming of the Shrew (1956), Man and Superman (1956), Twelfth Night (1957), The Tempest (1960). He won an Emmy award in 1960 for his Macbeth (1960).
Interestingly, for all his legendary performances under the theatre lights and stirring TV classics, the ever-regal stage master is probably best known to generations for his delightful, Shakespeare-spouting appearances on the Bewitched (1964) TV series, as Elizabeth Montgomery's irascible warlock father. Following guest shots on such popular TV shows as "Medical Center," "The Big Valley," "Columbo," "Streets of San Francisco," "Fantasy Island" and "The Love Boat," he made his final on-camera appearance in the TV movie A Caribbean Mystery (1983).
Evans returned to England to live out his remaining years and died there on March 12, 1989, in a Sussex nursing home of heart failure as a result of a bronchial infection, aged 87.- Actor
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Andrew Prine, a well-known stage actor also known for military and western dramas, was first seen in Kiss Her Goodbye (1959), then in The Miracle Worker (1962). Prine, who has a Texan-sounding voice, was also well remembered in westerns like Texas Across the River (1966), Generation (1969) and Chisum (1970), which featured his close and well-known friends Christopher George, John Wayne and Richard Jaeckel. Prine next starred in Simon, King of the Witches (1971), One Little Indian (1973), The Centerfold Girls (1974) and Grizzly (1976), which also featured Christopher George and Richard Jaeckel. Prine also wrote his own little dialogue story for Grizzly (1976). During this time, through the '60s and '70s, Prine was married four times but kept his acting career up. Prine later was in The Evil (1978), Amityville II: The Possession (1982), Eliminators (1986), Chill Factor (1989) and Gettysburg (1993), which got Prine a big and great role. Prine is a great veteran actor in Hollywood who will always be remembered. He has also been in over 30 great films and made 79 guest appearances.- Ed Flanders was born on 29 December 1934 in Minneapolis, Minnesota, USA. He was an actor, known for The Exorcist III (1990), St. Elsewhere (1982) and The Ninth Configuration (1980). He was married to Cody Lambert, Ellen Geer and Bennye Kelly. He died on 22 February 1995 in Denny, California, USA.
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Greg Mullavey was born on 10 September 1939 in Buffalo, New York, USA. He is an actor, known for iCarly (2007), Mary Hartman, Mary Hartman (1976) and Centennial (1978). He was previously married to Meredith MacRae.- Actor
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Whit Bissell came to Hollywood in the 1940s, and by the time he retired he had appeared in more than 200 movies and scores of TV series. He is best known for playing the evil scientist who turned Michael Landon into a half beast in the 1957 cult classic film I Was a Teenage Werewolf (1957). Bissell specialized in playing doctors, military officers and other authority figures. On television he was a regular on Bachelor Father (1957) and The Time Tunnel (1966). He also served on the Screen Actors Guild board of directors for 18 years and represented the actors branch in the Academy of Motion Picture Arts and Sciences board of governors.- Neville Brand joined the Illinois National Guard in 1939, bent on a career in the military. His National Guard unit was activated into federal service shortly after the attack on Pearl Harbor on 7 December 1941. It was while he was in the army that he made his acting debut, in Army training films, and this experience apparently changed the direction of his life. Once a civilian again, he used his GI Bill education assistance to study drama with the American Theater Wing and then appeared in several Broadway plays. His film debut was in Port of New York (1949). Among his earliest films was the Oscar-winning Stalag 17 (1953). His heavy features and gravelly voice made Brand a natural tough guy (and he wasn't just a "movie" tough guy--he was among the most highly decorated American soldiers in World War II, fighting in the European Theater against the Germans). "With this kisser, I knew early in the game I wasn't going to make the world forget Clark Gable," he once told a reporter. He played Al Capone in The George Raft Story (1961), The Scarface Mob (1959), and TV's The Untouchables (1959). Among his other memorable roles are the sympathetic guard in Birdman of Alcatraz (1962) and the representative of rioting convicts in Riot in Cell Block 11 (1954). Perhaps his best-known role was that of the soft-hearted, loud-mouthed, none-too-bright but very effective Texas Ranger Reese Bennett of Backtrack! (1969), Three Guns for Texas (1968), and TV's Laredo (1965).
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John Carradine, the son of a reporter/artist and a surgeon, grew up in Poughkeepsie, New York. He attended Christ Church School and Graphic Art School, studying sculpture, and afterward roamed the South selling sketches. He made his acting debut in "Camille" in a New Orleans theatre in 1925. Arriving in Los Angeles in 1927, he worked in local theatre. He applied for a job as as scenic designer to Cecil B. DeMille, who rejected his designs but gave him voice work in several films. His on-screen debut was in Tol'able David (1930), billed as Peter Richmond. A protégé and close friend of John Barrymore, Carradine was an extremely prolific film character actor while simultaneously maintaining a stage career in classic leading roles such as Hamlet and Malvolio. In his later years he was typed as a horror star, putting in appearances in many low- and ultra-low-budget horror films. He was a member of the group of actors often used by director John Ford that became known as "The John Ford Stock Company". John Carradine died at age 82 of natural causes on November 27, 1988.- Actor
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Jim Backus was born James Gilmore Backus on February 25, 1913 in Cleveland, Ohio. He was one of the few actors to do it all: radio, Broadway, movies, television and cartoons. After attending preparatory school in his hometown Cleveland, Backus enrolled at the American Academy of Dramatic Art, to ply his trade. While waiting for parts, he did radio and became friends with such future notables as Garson Kanin and Keenan Wynn. Backus stuck it out and soon was doing motion pictures in addition to radio. He was typecast in roles as "rich types" but broke the mold when he portrayed James Dean's father in the classic Rebel Without a Cause (1955). With his career in full swing, Backus also tackled two roles that he would be best known for, Mr. Magoo in cartoons and Thurston Howell III in Gilligan's Island (1964). After the series' run ended, he continued doing guest spots on television and movies, before passing away on July 3, 1989.- Actor
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Actor, raconteur, art collector and connoisseur of haute cuisine are just some of the attributes associated with Vincent Price. He was born Vincent Leonard Price, Jr. in St. Louis, Missouri, to Marguerite Cobb "Daisy" (Wilcox) and Vincent Leonard Price, who was President of the National Candy Company. His grandfather, also named Vincent, invented Dr. Price's Baking Powder, which was tartar-based. His family was prosperous, as he said, "not rich enough to evoke envy but successful enough to demand respect." His uniquely cultivated voice and persona were the result of a well-rounded education which began when his family dispatched him on a tour of Europe's cultural centres. His secondary education eventually culminated in a B.A. in English from Yale University and a degree in art history from London's Courtauld Institute.
Famously, his name has long been a byword for Gothic horror on screen. However, Vincent Price was, first and foremost, a man of the stage. It is where he began his career and where it ended. He faced the footlights for the first time at the Gate Theatre in London. At the age of 23, he played Prince Albert in the premiere of Arthur Schnitzler 's 'Victoria Regina' and made such an impression on producer Gilbert Miller that he launched the play on Broadway that same year (legendary actress Helen Hayes played the title role). In early 1938, he was invited to join Orson Welles 's Mercury Theatre on a five-play contract, beginning with 'The Shoemaker's Holiday'. He gave what was described as "a polished performance". Thus established, Vincent continued to make sporadic forays to the Great White Way, including as the Duke of Buckingham in Shakespeare's 'Richard III' (in which a reviewer for the New Yorker found him to be "satisfactorily detestable") and as Oscar Wilde in his award-winning one man show 'Diversions and Delights', which he took on a hugely successful world-wide tour in 1978. While based in California, Vincent was instrumental in the success of the La Jolla Playhouse in San Diego, starring in several of their bigger productions, including 'Billy Budd' and 'The Winslow Boy'. In 1952, Vincent joined the national touring company of 'Don Juan in Hell' in which he was cast as the devil. Acting under the direction of Charles Laughton and accompanied by noted thespians Charles Boyer, Cedric Hardwicke and Agnes Moorehead, he later recalled this as one of his "greatest theatrical excitements".
As well as acting on stage, Vincent regularly performed on radio network programs, including Lux Radio Theatre, CBS Playhouse and shows for the BBC. He narrated or hosted assorted programs ranging from history (If these Walls Could Speak) to cuisine (Cooking Price-Wise). He wrote several best-selling books on his favourite subjects: art collecting and cookery. In 1962, he was approached by Sears Roebuck to act as a buying consultant "selling quality pictures to department store customers". As if that were not enough, he lectured for 15 years on art, poetry and even the history of villainy. He recorded numerous readings of poems by Edgar Allan Poe (nobody ever gave a better recital of "The Raven"!), Shelley and Whitman. He also served on the Arts Council of UCLA, was a member of the Fine Arts Committee for the White House, a former chairman of the Indian Arts & Crafts Board and on the board of trustees of the Los Angeles County Museum of Art.
And besides all of that, Vincent Price remained a much sought-after motion picture actor. He made his first appearance on screen as a romantic lead in Service de Luxe (1938), a frothy Universal comedy which came and went without much fanfare. After that, he reprized his stage role as Master Hammon in an early television production of 'The Shoemaker's Holiday'. For one reason or another, Vincent was henceforth typecast as either historical figures (Sir Walter Raleigh, Duke of Clarence, Mormon leader Joseph Smith, King Charles II, Cardinal Richelieu, Omar Khayyam) or ineffectual charmers and gigolos. Under contract to 20th Century Fox (1940-46), Laura (1944) provided one of his better vehicles in the latter department, as did the lush Technicolor melodrama Leave Her to Heaven (1945) which had Vincent showcased in a notably powerful scene as a prosecuting attorney. His performance was singled out by the L.A. Times as meriting "attention as contending for Academy supporting honors".
His first fling with the horror genre was Dragonwyck (1946), a Gothic melodrama set in the Hudson Valley in the early 1800's. For the first time, Vincent played a part he actually coveted and fought hard to win. His character was in effect a precursor of those he would later make his own while working for Roger Corman and American-International. As demented, drug-addicted landowner Nicholas Van Ryn, he so effectively terrorized Gene Tierney's Miranda Wells that the influential columnist Louella Parsons wrote with rare praise: "The role of Van Ryn calls for a lot of acting and Vincent admits he's a ham and loves to act all over the place, but the fact that he has restrained himself and doesn't over-emote is a tribute to his ability". If Vincent was an occasional ham, he proved it with his Harry Lime pastiche Carwood in The Bribe (1949). Much better was his starring role in a minor western, The Baron of Arizona (1950), in which he was convincingly cast as a larcenous land office clerk attempting to create his own desert baronetcy.
With House of Wax (1953) , Vincent fine-tuned the character type he had established in Dragonwyck, adding both pathos and comic elements to the role of the maniacal sculptor Henry Jarrod. It was arduous work under heavy make-up which simulated hideous facial scarring and required three hours to apply and three hours to remove. He later commented that it "took his face months to heal because it was raw from peeling off wax each night". However, the picture proved a sound money maker for Warner Brothers and firmly established Vincent Price in a cult genre from which he was henceforth unable to escape. The majority of his subsequent films were decidedly low-budget affairs in which the star tended to be the sole mitigating factor: The Mad Magician (1954), The Fly (1958) (and its sequel), House on Haunted Hill (1959), the absurd The Tingler (1959) (easily the worst of the bunch) and The Bat (1959). With few exceptions, Vincent's acting range would rarely be stretched in the years to come.
Vincent's association with the genial Roger Corman began when he received a script for The Fall of the House of Usher, beginning a projected cycle of cost-effective films based on short stories by Edgar Allen Poe. As Roderick Usher, Vincent was Corman's "first and only choice". Though he was to receive a salary of $50,000 for the picture, it was his chance "to express the psychology of Poe's characters" and to "imbue the movie versions with the spirit of Poe" that clinched the deal for Vincent. He made another six films in this vein, all of them box office winners. Not Academy Award stuff, but nonetheless hugely enjoyable camp entertainment and popular with all but highbrow audiences. Who could forget Vincent at his scenery chewing best as the resurgent inquisitor, luring Barbara Steele into the crypt in The Pit and the Pendulum (1961)? Or as pompous wine aficionado Fortunato Luchresi in that deliriously funny wine tasting competition with Montresor Herringbone (Peter Lorre) in Tales of Terror (1962)? Best still, the climactic battle of the magicians pitting Vincent's Erasmus Craven against Boris Karloff's malevolent Dr. Scarabus in The Raven (1963) (arguably, the best offering in the Poe cycle). The Comedy of Terrors (1963) was played strictly for laughs, with the inimitable combo of Price and Lorre this time appearing as homicidal undertakers.
For the rest of the 60s, Vincent was content to remain in his niche, playing variations on the same theme in City in the Sea (1965) and Witchfinder General (1968) (as Matthew Hopkins). He also spoofed his screen personae as Dr. Goldfoot and as perennial villain Egghead in the Batman (1966) series. He rose once more to the occasion in the cult black comedy The Abominable Dr. Phibes (1971) (and its sequel Dr. Phibes Rises Again (1972)) commenting that he had to play Anton Phibes "very seriously so that it would come out funny". The tagline, a parody of the ad for Love Story (1970), announced "love means never having to say you're ugly".
During the 70s and 80s, Vincent restricted himself mainly to voice-overs and TV guest appearances. His final role of note was as the inventor in Edward Scissorhands (1990), a role written specifically for him. The embodiment of gleeful, suave screen villainy, Vincent Price died in Los Angeles in October 1993 at the age of 82. People magazine eulogized him as "the Gable of Gothic." Much earlier, an English critic named Gilbert Adair spoke for many fans when he said "Every man his Price - and mine is Vincent."- Actor
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Richard Anderson appeared in high school plays, served a hitch in the Army and, upon his discharge, began doing summer stock, radio work, a movie bit part (a wounded soldier in Twelve O'Clock High (1949)) and all the other minor jobs required of your basic struggling actor. He did comedy scenes on a "screen test"-like TV series called Lights, Camera, Action! (1950) and impressed the right people at MGM, who offered him a contract. After leaving MGM he continued to dabble in movies while at the same time becoming a huge presence on TV. He was a regular (Police Lt. Drum) during the last season of TV's Perry Mason (1957); in the series' last episode, he interrogates witnesses to a murder in a TV studio--the witnesses being played by the "Perry Mason" crew. In the high-rated last episode of The Fugitive (1963) he plays Richard Kimble's (David Janssen) brother-in-law, and is briefly suspected of being the real killer of Kimble's wife. A regular on The Six Million Dollar Man (1974), Anderson has more recently produced the TV-movie reprises of that series.- Actor
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Leslie William Nielsen was born in Regina, Saskatchewan, and raised in Tulita (formerly Fort Norman), Northwest Territories. His mother, Mabel Elizabeth (Davies), was Welsh. His father, Ingvard Eversen Nielsen, was a Danish-born Mountie and a strict disciplinarian. Leslie studied at the Academy of Radio Arts in Toronto before moving on to New York's Neighborhood Playhouse. His acting career started at a much earlier age when he was forced to lie to his father in order to avoid severe punishment. Leslie starred in over fifty films and many more television films. One of his two brothers became the Deputy Prime Minister of Canada. On October 10, 2002, he was appointed Officer of the Order of Canada (OC) in recognition of his contributions to the film and television industries. On November 28, 2010, Leslie Nielsen died at age 84 of pneumonia and was buried at Evergreen Cemetery in Fort Lauderdale, Florida.- Actor
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It would no doubt be a real shock to most people to discover that the rich baritone Bronx-like accent of great veteran character actor Lloyd Nolan was a product of the San Francisco streets--not the urban jungle of New York City. Nolan was born in the City by the Bay, and his father, James Nolan, was a successful shoe manufacturer of hard-working Irish stock. Lloyd caught the acting bug while at Santa Clara College (at the time, a junior college). He gained as much theatre experience as he could, attaining his AA in the process. Though he continued on to Stanford, he was still focused on acting and soon flunked out of that school, preferring to focus his attention on acting opportunities rather than studies. Forsaking his father and the family shoe business, Nolan went to sea on a freighter, which soon burned, and then headed south to Hollywood.
He continued to hone his acting skills by first taking up residence at the Pasadena Playhouse (1927). With his father's passing he was able to sustain himself on a small inheritance. Continuing at PP and elsewhere in stock for two years, he headed east to Broadway, where he landed a role in a musical revue, "Cape Cod Follies", in late 1929. He continued with two other similar roles through 1932 before breaking out with an acclaimed performance as less-than-wholesome small-town dentist Biff Grimes in the original hit play "One Sunday Afternoon" (1933). He would stay on for two more plays until mid-1934, when he headed back to Hollywood with heightened expectations of success in the movies. His voice and that rock-solid but somehow sympathetic face made Nolan someone with whom audiences could immediately identify, and ahead were over 150 screen appearances. Nolan didn't waste any time; he signed with Paramount and had five roles in 1935, getting the lead role in two and working with up-and-coming James Cagney and George Raft. In the next five years Nolan settled into his niche as a solid and versatile player in whatever he did. His genre was more "B", and he could play good guys and heavies with equal skill. The production values on some B-level efforts were every bit as good as those of "A" pictures. Everybody starting out did at least a few "B" pictures, and Nolan was doing quality work, even in pictures that are little-known--if known at all--today, pictures like King of Gamblers (1937) with Claire Trevor and King of Alcatraz (1938). He was a mainstay at Paramount until 1940, competing with Warner Brothers in that studio's popular gangster films. Unlike better known Cagney and Humphrey Bogart across town, Nolan's bad and not-so-bad guys often had more depth, and again it was that face along with his verve and that distinctive voice that helped to bring it out.
The 1940s saw Nolan moving around within the studio system. He was taking on more familiar roles, such as private detective, government agent or police detective--tough and hard-boiled but sympathetic and understanding at the same time--and World War II action heroes. He landed the role of "Mike Shayne" in the private-eye series from 20th Century-Fox--seven of them between 1940 and 1942. Nolan showed a surprising flair for comedy in this series, with a continuing stream of wisecracks along with the fisticuffs. The Shayne series was well received by both critics and audiences, but Nolan is best known during that period as one of the familiar faces of World War II action films. The first is, at least to this observer, the best, but probably least known--Manila Calling (1942). It was a part of Hollywood's concerted effort to boost civilian morale during the war, with the subject being the Japanese invasion of the Philippines, its conquest and liberation, as center stage in the War in the Pacific. Most films dealt with both retreat and return later in the war years; this 1942 film was perhaps the first to deal with the beginning and hope for the future. Nolan is his usual reliable, get-things-done professional here, an ace communications technician trying to keep the radio airways open amid the onslaught of Japanese invaders. Of all the flag-waving messages given in so many WWII films, none is as stirring as Nolan's, who by the way gets the girl, Carole Landis. It's she who stays behind with him while the rest of the radio team escapes with bombs falling. Microphone in hand and in his best hard-boiled monotone, Nolan spits out: "Manila calling, Manila calling - and I ain't no Jap!" Significantly, Nolan appeared in several other films dealing with the struggle in the Pacific, turning in a particularly strong performance in Bataan (1943).
By 1950 Nolan was ready for television (nearly half of his career roles would tally on that side of the ledger). In addition to his series work, television in the 1950s also played a lot of Nolan's action films from the 1930s and 1940s, earning him a whole new generation of fans--kids who would sit for hours in front of the TV, watching not only current shows but "old" movies. Nolan appeared in many different genres on television, and he could be seen in everything from distinguished dramatic productions to variety and game shows, in addition to having his own series, including Martin Kane (1949) and Special Agent 7 (1958).
After having been away from Broadway for nearly 20 years, Nolan returned in early 1954 in the original production of the hit play "The Caine Mutiny Court Martial", in the pivotal role of the paranoid Captain Queeg. He spent a year in this production, to great critical acclaim. He repeated the role on television in a Ford Star Jubilee (1955) production in 1955. His TV roles kept him busy. It must have been fun for him when, at nearly 60 years of age, he played notorious Chicago gangster George Moran, aka "Bugs" Moran--who in real life was much younger than Nolan was at the time--on the popular The Untouchables (1959), as well as appearing in five continuing episodes of the extremely popular 77 Sunset Strip (1958) series, and he appeared in other crime dramas playing, in one form or another, the kinds of roles he played on the big screen in the 1930s and 1940s.
In the 1970s, when cameo roles by older stars were becoming a popular means of luring people back to the theaters, Nolan was happy to oblige in box-office hits like Ice Station Zebra (1968), Airport (1970) and Earthquake (1974). When the same circumstances spread to episodic TV, Nolan was only too happy to be on hand. Most older actors--even those with good reputations--have a tendency to be a bit difficult, but Nolan was such a professional. His joy at still being able to work at the craft he loved was profound, almost childlike in enthusiasm. He never complained or claimed special privilege.
That was the measure of the man--what had been and what would continue to be. Unconventional in a natural sort of way was the norm for Lloyd Nolan. Call it keeping to one's dignity. He kept no Hollywood secrets, as was the fashion. He was very open about his autistic son. Into the 1980s and entering his 80s, Nolan still deftly handled a few final TV and screen roles, though his noted memory for lines began to fade and cue cards became necessary. He was inspired in his final film role as a retired actor, husband of showy, boozy has-been Maureen O'Sullivan and three individualistic daughters in Hannah and Her Sisters (1986). It's a great role, and probably the most even and satisfying film effort of director Woody Allen.
Nolan's last role was a Murder, She Wrote (1984) TV episode with old friend Angela Lansbury. He still had not revealed his final secret--he was dying with lung cancer--which by then revealed itself just the same. Ravaged as he was by the disease, Lloyd Nolan--with the help of his friends and well-wishers--successfully wrapped his 156th professional acting performance before his passing. His was a life of quality, commitment, character and integrity. Were things increasingly rare in Hollywood. But, which described Lloyd Nolan, plain and simple.- Actor
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The burly character actor Gordon Jump will probably be best remembered for the role of the radio station manager Arthur Carlson in the TV sitcom WKRP in Cincinnati (1978). This is coincidental since, in the first part of his working life, he was found either behind a microphone or camera in stints with radio and TV stations in the Midwest, including producing jobs at stations in Kansas and Ohio.
Moving to Los Angeles in 1963, he quickly became involved in stage productions with Nathan Hale and Ruth Hale, a couple who had opened a small theater in Glendale, California, several years earlier, in order to make ends meet. The Hales preferred the stage to film, and they abandoned Hollywood film hopes when their theater was successful. Others developing their acting talents with the Hales included Mike Farrell and Connie Stevens. Jump always credited Ruth Hale for the real start of his career as an actor, and it has been said that Jump remained most passionate about acting in live theater.
He soon started appearing in numerous TV series, including Daniel Boone (1964), Get Smart (1965), and Green Acres (1965). Through his association with the Hale clan, he became a member of The Church of Jesus Christ of Latter-Day Saints, which led to appearances in educational and religious short films produced and directed by Judge Whitaker at Brigham Young University in the 1960s. He played a Mormon bishop in "You Make the Difference", a thoughtful husband in Marriage: What Kind for You? (1967), and even the Apostle Peter in Mormon Temple Film (1969). Ruth was instrumental in getting Jump to give up smoking, and she also admonished him to turn down offers to do beer commercials. To the end of his life, he took his membership in his faith seriously, including its health codes. He also was in other LDS church films including When Thou Art Converted 1967, What about Thad? 1969, The Guilty 1978 and Families are Forever 1982.
Gordon remained predominantly a television actor throughout a long career in the arts, but he did appear in some small parts in feature films such as Conquest of the Planet of the Apes (1972). He also had a cameo appearance in The Singles Ward (2002), a comedy involving young Latter-Day Saint cultural experiences, which was written and directed by Kurt Hale, the grandson of Ruth and Nathan.
Beyond his acting career, Gordon produced The Tony Randall Show (1976) and directed an episode of WKRP in Cincinnati (1978). In the last years of his life, he was readily recognizable as the lonely Maytag Washer repairman in commercials that ran on television for several years starting in 1989. He effectively portrayed Ol' Lonely until retiring from the role just before his death. (The repairman was lonely because the machines never broke down.) As is often the case for actors with a flair for comedy, he was also adept at playing dramatic roles. As is also often the case with character actors, his face is recognizable to many who never knew his name.- Actor
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National Cowboy & Western Heritage Museum "Hall of Great Western Performers" Inductee, and Multi-Western Heritage Award Winner, most recently for roles in the critically acclaimed movie Hell or High Water (2016) (Outstanding Theatrical, 2017), The Road to Valhalla (2013) (Outstanding Documentary, 2015) and Truce (2005) (Outstanding Theatrical, 2007), Buck Taylor is an All-Around Western Enthusiast and Cowboy at heart. Born on May 13, 1938 in Hollywood, Los Angeles, California as Walter Clarence Taylor III, he is most notably known for his work on the beloved television western Gunsmoke (1955). He tours the United States promoting awareness for organizations that support our Men and Women in Blue, our brave Military Veterans and those deployed protecting America's Freedoms. Buck Taylor is a Artist who continues to attend annual shows and events, such as the Fort Worth Stock Show & Rodeo, to promote our Western Heritage through his watercolor paintings in between movie roles. He has been married to Goldie Ann Mauldin since 1995.- Actor
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Born in Canada, John Ireland was raised in New York. Performing as a swimmer in a water carnival, he moved into the legitimate theater, often appearing in minor roles in Broadway plays. His first big break in pictures came in 1945 when he appeared as Windy the introspective letter-writing G.I. in the classic war epic A Walk in the Sun (1945). Ireland was then often featured (mostly as a heavy) in several films. In 1949, he was nominated for best supporting actor for his role as the reporter in All the King's Men (1949). During the early 1950s, Ireland often starred as the emoting, brooding hero, almost exclusively in "B" pictures. In 1953, with his son Peter Ireland and wife, Joanne Dru, Ireland co-produced and co-directed the western mini-classic Hannah Lee: An American Primitive (1953) (aka Outlaw Territory). From the mid-'50s on. he appeared mainly in Italian "quickie" features and showed up occasionally in supporting roles in major pictures (Spartacus (1960)). Occasionally, his name was mentioned in tabloids of the times, in connection with young starlets, namely Natalie Wood and Sue Lyon. He was to play the role of the patriarch on the Ponderosa in Bonanza: The Next Generation (1988) but the series was not picked up. In addition to Hannah Lee: An American Primitive (1953), his best work was in Little Big Horn (1951) and The Bushwhackers (1951). In his later years, he owned and operated a tiny restaurant, Ireland's, in Santa Barbara, California.- Actor
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In the late 1960s, Henry Darrow was THE ultimate Latin heartthrob on television. With a smooth, ingratiating style and a killer smile that brightened up the small screen, he also hit a cultural acting landmark as the first Hispanic actor to portray Zorro on television.
He was born Enrique Tomás Delgado in New York City, on September 15, 1933, the first son of Puerto Rican parents Enrique St. and Gloria Delgado. He made his debut at age 8 in a school play, which piqued his interest. The father moved his family (which included younger brother Dennis) back to his homeland out of prospective business concerns. While there Henry was elected president of his class at high school and attended the University of Rio Piedras as a political science and theater major. His fluency in two languages helped earn him supplementary income as an interpreter.
Henry returned to the United States on scholarships received from the Little Theater of Puerto Rico and the University of Puerto Rico, and eventually received his Bachelor of Arts degree. He initially trained at the Pasadena Playhouse (1954), in the Los Angeles area, where he met and later married first wife, Lucy, an aspiring actress. They went on to have two children, Denise (Dee-Dee) and Tom. He began seeking employment in movies and television, making his big screen debut unbilled in the light comedy Holiday for Lovers (1959).
However, Henry found steadier work on television and appeared in a number rugged series, primarily westerns, including Wagon Train (1957), Voyage to the Bottom of the Sea (1964), Bonanza (1959), Gunsmoke (1955) and Daniel Boone (1964). On stage, he continued to hone his craft in such plays as "The Alchemist" (1963) and "Dark of the Moon" (1966). While appearing in the 1965 stage production of "The Wonderful Ice Cream Suit" at the Coronet Theatre in Los Angeles, the by-now television veteran was spotted by producer David Dortort. Dortort later remembered Henry (who was then going by the name Henry Delgado) and thought him perfect for his upcoming western series The High Chaparral (1967).
Billed now as Henry Darrow, the actor stole women's hearts and much of the proceedings as the roguish ladies' man Manolito Montoya, who would rather make love than war. He reached his television peak in the western program, which also starred Leif Erickson, Cameron Mitchell and Linda Cristal, who played his sister. The series ran for four seasons.
Following this peak, Henry went on to earn a daytime Emmy for his role on Santa Barbara (1984) after joining the cast in 1989. Although he never found a strong footing in movies, his better supporting work has been seen in Badge 373 (1973) and Walk Proud (1979). television movies have included Night Games (1974), Aloha Means Goodbye (1974), Centennial (1978) and Attica (1980). As for his enduring relationship with the famous Zorro character, Darrow was not only the first Latino Zorro on television, but also provided the title voice for two 1980s animated series. In the early 1990s, Henry replaced Efrem Zimbalist Jr. as Zorro's father in yet another cable reincarnation of the series. This series was shot in Spain.
Henry continued to perform on the stage with opportunities ranging from the role Iago in "Othello" to a (still-running) one-man show entitled "That Certain Cervantes", which made its premiere in 2001. A founder of "Nosotros", an organization that gears Hispanic actors toward non-stereotyped roles, Darrow was the inaugural winner of the Ricardo Montalban/Nosotros Award for his contributions to improving the image of Latinos.
Millennium credits included elderly roles in the movies Runaway Jury (2003), Angels with Angles (2005), Primo (2008) and Soda Springs (2012). On television, Henry enjoyed a recurring role on The Bold and the Beautiful (1987) in 2001, while also guest starring on such series as Family Law (1999), The Lot (1999), Diagnosis Murder (1993), The Brothers Garcia (2000), Just Shoot Me! (1997) and One Tree Hill (2003).
In 1972, Darrow co-founded the Screen Actors Guild Ethnic Minority Committee with actors Ricardo Montalban, Carmen Zapata and Edith Diaz. Until his death on March 14, 2021, he resided in Wilmington, North Carolina with his second wife of many years, Lauren Levinson (aka Lauren Levian). She is an actress/screenwriter/producer who guest starred on her husband's "Zorro" series.- Actor
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Harold Gould earned a Ph.D. in theater and taught speech and drama at Cornell University.
Pursuing off-Broadway work in the 1950s, he decided to practice what he preached and became a full-time professional actor in the 1960s.
He appeared in hundreds of TV programs during his distinguished performing career, usually playing a father, grandfather, or other varieties of authority figures.- Actor
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British character actor of wry charm, equally at home in amused or strait-laced characters. A native of Bourton-on-the-Water in Gloucestershire, he attended Marlborough College and the Royal Academy of Dramatic Arts. His stage debut came in 1922, and by 1925 he was a busy London actor. He married actress Blanche Glynne (real name: Blanche Hope Aitken) and in 1932 toured South Africa in plays. Alleged to have been spotted by George Cukor during a performance in Aldritch, Hyde-White (with or without Cukor's help) made his film debut in 1934. He often appeared under the name Hyde White in these early films. He continued to act upon the stage, playing opposite Laurence Olivier and Vivien Leigh in "Caesar and Cleopatra" and "Antony and Cleopatra" in 1951. With scores of films to his credit, he will always be remembered for one, My Fair Lady (1964), in which he played Colonel Pickering. Active into his ninth decade, Hyde-White died six days before his 88th birthday. He was survived by his second wife, Ethel, and three children.- Actor
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Gary Conway was born on 4 February 1936 in Boston, Massachusetts, USA. He is an actor and writer, known for Over the Top (1987), American Ninja 2: The Confrontation (1987) and Burke's Law (1963). He has been married to Marian McKnight since 21 December 1958. They have two children.- Producer
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Academy Award-winning filmmaker Ron Howard is one of this generation's most popular directors. From the critically acclaimed dramas A Beautiful Mind (2001) and Apollo 13 (1995) to the hit comedies Parenthood (1989) and Splash (1983), he has created some of Hollywood's most memorable films.
Howard made his directorial debut in 1978 with the comedy Grand Theft Auto (1977). He began his career in film as an actor. He first appeared in The Journey (1959) and The Music Man (1962), then as Opie on the long-running television series The Andy Griffith Show (1960). Howard later starred in the popular series Happy Days (1974) and drew favorable reviews for his performances in American Graffiti (1973) and The Shootist (1976).
Howard and long-time producing partner Brian Grazer first collaborated on the hit comedies "Night Shift" and "Splash." The pair co-founded Imagine Entertainment in 1986 to create independently produced feature films.
Howard's portfolio includes some of the most popular films of the past 20 years. In 1991, Howard created the acclaimed drama "Backdraft", starring Robert De Niro, Kurt Russell and William Baldwin. He followed it with the historical epic Far and Away (1992), starring Tom Cruise and Nicole Kidman. Howard directed Mel Gibson, Rene Russo, Gary Sinise and Delroy Lindo in the 1996 suspense thriller Ransom (1996). Howard worked with Tom Hanks, Kevin Bacon, Ed Harris, Bill Paxton, Gary Sinise and Kathleen Quinlan on "Apollo 13," which was re-released recently in the IMAX format.
Howard's skill as a director has long been recognized. In 1995, he received his first Best Director of the Year award from the DGA for "Apollo 13." The true-life drama also garnered nine Academy Award nominations, winning Oscars for Best Film Editing and Best Sound. It also received Best Ensemble Cast and Best Supporting Actor awards from the Screen Actor's Guild. Many of Howard's past films have received nods from the Academy, including the popular hits Backdraft (1991), "Parenthood" and Cocoon (1985), the last of which took home two Oscars.
Howard directed and produced Cinderella Man (2005) starring Oscar winner Russell Crowe, with whom he previously collaborated on "A Beautiful Mind," for which Howard earned an Oscar for Best Director and which also won awards for Best Picture, Best Screenplay and Best Supporting Actress. The film garnered four Golden Globes as well, including the award for Best Motion Picture Drama. Additionally, Howard won Best Director of the Year from the Directors Guild of America. Howard and producer Brian Grazer received the first annual Awareness Award from the National Mental Health Awareness Campaign for their work on the film.
Howard was honored by the Museum of Moving Images in December 2005, and by the American Cinema Editors in February 2006. Howard and his creative partner Brian Grazer, were honored by the Producers Guild of America with the Milestone Award in January 2009, NYU's Tisch School of Cinematic Arts with the Big Apple Award in November 2009 and by the Simon Wiesenthal Center with their Humanitarian Award in May 2010. In June 2010, Howard was honored by the Chicago Film Festival with their Gold Hugo - Career Achievement Award. In March 2013, Howard was inducted into the Television Hall of Fame. In December 2015, Howard was honored with a star in the Motion Pictures category, making him one of the very few to have been recognized with two stars on the Hollywood Walk of Fame.
Howard also produced and directed the film adaptation of Peter Morgan's critically acclaimed play Frost/Nixon (2008). The film was nominated for five Academy Awards including Best Picture, and was also nominated for The Darryl F. Zanuck Producer of the Year Award in Theatrical Motion Pictures by the PGA.
Howard has also served as an executive producer on a number of award-winning films and television shows, such as the HBO miniseries From the Earth to the Moon (1998), Fox's Emmy Award winner for Best Comedy, Arrested Development (2003), a series which he also narrated, Netflix's release of new episodes of "Arrested Development," and NBC's "Parenthood."
Howard's recent films include the critically acclaimed drama Rush (2013), staring Chris Hemsworth and Daniel Brühl, written by Peter Morgan; and Made in America (2013), a music documentary he directed staring Jay-Z for Showtime.
Howard's other films include In the Heart of the Sea (2015), based on the true story that inspired Moby Dick; his adaptation of Dan Brown's best-selling novels Angels & Demons (2009), and The Da Vinci Code (2006) staring Oscar winner Tom Hanks; the blockbuster holiday favorite "Dr. Seuss' How the Grinch Stole Christmas (2000)" starring Jim Carrey; "Parenthood" starring Steve Martin; the fantasy epic Willow (1988); Night Shift (1982) starring Henry Winkler, Michael Keaton and Shelley Long; and the suspenseful western, The Missing (2003), staring Oscar winners Cate Blanchett and Tommy Lee Jones.
Recently, Howard directed Inferno (2016), the third installment of Dan Brown 's Robert Langdon franchise and The Beatles: Eight Days a Week - The Touring Years (2016), a documentary about the rock legends The Beatles. He also produced the second season of Breakthrough (2015), Mars (2016), and directed the first episode of Genius (2017), based on the life of Albert Einstein, all for NatGeo.- Actor
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One of the truly great and gifted performers of the century, who often suffered lesser roles, Burgess Meredith was born in 1907 in Cleveland, Ohio. He was educated in Amherst College in Massachusetts, before joining Eva Le Gallienne's Student Repertory stage company in 1929. By 1934 he was a star on Broadway in 'Little 'Ol Boy', a part for which he tied with George M. Cohan as Best Performer of the Year.. He became a favorite of dramatist Maxwell Anderson, premiering on film in the playwright's Winterset (1936). Other Broadway appearances included 'The Barretts of Wimpole Street'. 'The Remarkable Mr Pennypacker', 'Candida', and 'Of Mice and Men. 'Meredith served in the United States Army Air Corps in World War II, reaching the rank of captain. He continued in a variety of dramatic and comedic roles often repeating his stage roles on film until being named an unfriendly witness by the House Un-American Activities Committee in the early 1950s, whereupon studio work disappeared. His career picked up again, especially with television roles, in the 1960s, although younger audiences know him best for either the Rocky (1976) or Grumpy Old Men (1993) films. Meredith also did a large amount of commercial work, serving as the voice for Skippy Peanut Butter and United Air Lines, among others. He was also an ardent environmentalist who believed pollution one of the greatest tragedies of the time, and an opponent of the Vietnam War. Burgess Meredith died at age 89 of Alzheimer's disease and melanoma in his home in Malibu, California on September 9, 1997.- Actor
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Will Geer was born William Aughe Ghere in Frankfort, Indiana, to Katherine (Aughe), a teacher, and Roy Aaron Ghere, a postal worker. Will admired his grandfather, a man who said hello to trees by their Latin names and who had used what he brought back to Indiana from the California gold rush to build Frankfort's first opera house. Will pursued a college major in botany, from Chicago through a Master's degree at Columbia, but ultimately gave in to his need to perform. Starting with touring company tent shows and river boats, his six-decade career included Broadway, movies, television; many Shakespeare roles; one-man performances as Walt Whitman and Mark Twain. His best known role was his last, Zebulon Walton, grandpa in the long-running television series The Waltons (1972). Less well-known was his life-long role as a political agitator and radical ("Someone who goes to the roots, which is the Latin derivation of radical") and folklorist/folksinger - he toured U.S. government work camps in the 1930s, singing with Woody Guthrie and Burl Ives. He was blacklisted during the McCarthy era for refusing to testify before the House Committee on Un-American Activities. In 1951, he formed the "Theatricum Botanicum," a repertory theater in Topanga Canyon, California, where he not only coached actors but also encouraged outdoor philosophical discussion and, of course, folksinging. At his deathbed, his family sang "This Land Is Your Land" and recited Robert Frost poems. His ashes lie in a corner of the Shakespearean garden on the grounds of his Theatricum Botanicum.- Actor
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A former song-and-dance man and veteran of vaudeville, burlesque and Broadway, Jack Albertson is best known to audiences as "The Man" in the TV series Chico and the Man (1974), for which he won an Emmy. In 1968 Albertson, the brother of actress Mabel Albertson, won the Oscar for Best Supporting Actor in The Subject Was Roses (1968), a part which also won him the Tony award during its Broadway run.- Tim O'Connor was born on July 3, 1927 in Chicago, Illinois. Best known to viewers as Elliott Carson on the long-running television series Peyton Place (1964), he began his acting career with the Goodman Memorial Theatre in Chicago just after World War II. Moving to New York City in the early 1950s, he became one of television's busiest actors during the medium's dramatic coming-of-age. He appeared frequently on the The United States Steel Hour (1953) and became a mainstay of the "Family Classics" series, starring in such productions as "The Three Musketeers" and "A Tale of Two Cities". Until 1964, when "Peyton Place" became a runaway hit, O'Connor lived on an island in the center of Glen Wild Lake near Bloomingdale, New Jersey. He soon found that commuting between the East Coast and Los Angeles was too wearing, and moved to California.
He settled in Santa Monica, a few short blocks from the Pacific Ocean, and established himself as one of filmdom's most versatile performers. O'Connor specialized in playing military officials and police officers. Some of his other best known roles include Dr. Elias Huer on Buck Rogers in the 25th Century (1979) and Jack Boland on General Hospital (1963). He also appeared in two episodes of the mystery television series "Columbo", starring Peter Falk as the rumpled detective. His credits included Wheels (1978), The Man with the Power (1977), Tail Gunner Joe (1977) and Murder in Peyton Place (1977) a TV special which reunited him with many of his co-stars in the original show. An avid sailor, O'Connor owns a 32-foot Pearson Vanguard sailboat and is studying both sailing to the waters off Mexico and Central America. - Actor
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Aldo DaRe was born in the borough of Pen Argyl, in Northampton County, Pennsylvania on 25 September 1926. He attended the University of California at Berkeley, served as a US Navy frogman during WWII and saw action on Iwo Jima.
While constable of Crockett, California, he drove his brother Guido to an audition for the film Saturday's Hero (1951). Director David Miller hired him for a small role as a cynical football player. Ray's husky frame, thick neck and raspy voice made him perfect for playing tough sexy roles. He was the star of George Cukor's The Marrying Kind (1952) and starred opposite Rita Hayworth in Miss Sadie Thompson (1953). Ray was the none-too-bright boxer in Cukor's Pat and Mike (1952) and an escaped convict in 'Michael Curtiz''s We're No Angels (1955). His career started downhill in the 1970s, with him appearing in a string of low-budget films as a character actor. His last film was Shock 'Em Dead (1991).
Ray was married three times, with one daughter Claire born in 1951 to his first wife Shirley Green whom he married on on 20 June 1947. Ray was then briefly married to actress Jeff Donnell and then had two sons and a daughter with his third wife, Johanna Ray, one of whom is the actor Eric DaRe. Aldo Ray died of throat cancer on 27 March 1991.- Actor
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American film and television actor MacDonald Carey became famous for his role as Dr. Tom Horton on NBC's soap opera Days of Our Lives (1965). For three decades he was the centered cast member of the show.
His film career was from the 1940s-'60s, and he appeared mostly in second-features (aka "B" pictures). He became known in Hollywood as "The King of the B's" (much like Lucille Ball, who was known as the "Queen of Bs"). He occasionally played second leads or supporting parts in "A" pictures, such as his role as a detective investigating suspected serial killer Joseph Cotten in Alfred Hitchcock's thriller Shadow of a Doubt (1943). He also had a successful career on Broadway and on radio.
He was on "Days of Our Lives" from its inception in 1965 until his death in 1994.- Actor
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Robert Emhardt looked and sounded as if he had intentionally been created by some perverse god to play villains. Though rotund, he had hooded, lizard-like eyes and a drawling whine in his voice. The real Robert Emhardt, however, was a well-educated, cultured, generous man, not at all like the characters he often portrayed.
Robert Christian Emhardt was born in Indianapolis, Indiana. His father was C.J. Emhardt, a lawyer, judge, and onetime mayor of the city. The younger Emhardt received his early training as an actor in the theater at Butler University. He then went to London, England, where he gained experience at The London Academy of Dramatic Art in 1937-38, and played in repertory with the British Broadcasting Company while there.
While in England, he met the woman who would become his wife, the well-known English actress Silvia Sedeli. The couple would go on to have four children. Eventually he found himself understudying Sydney Greenstreet on an American tour. He stayed in the United States, debuting on Broadway in 1942 in "The Pirate." He went on to win the Critics' Circle Award as best supporting actor in "Life with Mother" (1948-49) and appeared in eleven other plays in New York until his last in 1959. He made his film debut in The Iron Mistress (1952), a fictionalized life of Jim Bowie starring Alan Ladd. Among his other memorable movies were 3:10 to Yuma (1957), Underworld U.S.A. (1961), and The Stone Killer (1973) with Charles Bronson. His favorite and probably best film role was as Shirley Knight's paunchy and gracious but ultimately insane father in The Group (1966).
Emhardt had a busy career. He also acted in 125 summer stock productions and 250 television programs, such as Have Gun - Will Travel (1957), The Untouchables (1959), Perry Mason (1957), Bonanza (1959), and six episodes of Alfred Hitchcock Presents (1955). He had a recurring role on the soap opera Another World (1964).
Emhardt was extremely active in St. Augustine's Episcopal Church in Santa Monica and gave a great deal of support to The Boy Scouts of America. In his spare time (Emhardt had spare time?) he followed sports and enjoyed ballet.
Robert Emhardt died due to heart failure on December 26, 1994, in Ojai, California.- Actor
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Paul Brinegar was born on 19 December 1917 in Tucumcari, New Mexico, USA. He was an actor, known for High Plains Drifter (1973), Rawhide (1959) and Maverick (1994). He was married to Shirley Talbott. He died on 27 March 1995 in Los Angeles, California, USA.- Actor
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Mahoney is of French and Irish extraction, with some Cherokee. At the University of Iowa, he was outstanding in swimming, basketball and football. When World War II broke out, he enlisted as a Marine fighter pilot and instructor. In Hollywood, he was a noted stunt man, doubling for Errol Flynn, John Wayne, and Gregory Peck. Gene Autry signed him for the lead in his 78-episode The Range Rider (1951) TV series. He tested to replace Johnny Weissmuller, as Tarzan but lost out to Lex Barker. In 1960, he played the heavy in Gordon Scott's Tarzan the Magnificent (1960), and his part there led Sy Weintraub to hire him as Scott's replacement. In his two Tarzan movies, he did all his own stunts. In Tarzan's Three Challenges (1963), he continued working in spite of dysentery, dengue fever and pneumonia. By this time, Weintraub was looking for a younger Tarzan, envisioning a future TV series. By mutual agreement, his contract with Mahoney was dissolved. After a couple of years regaining his strength and weight, Jock returned to making action films.- Actor
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Jeff Pomerantz attended Northwestern University, volunteered to serve in the US Infantry during the Viet Nam era and graduated from the prestigious Royal Academy of Dramatic Art in London. He subsequently studied with Stella Adler and Lee Strasberg who invited him to work at the Actors Studio.
He has had an extremely varied career which has included performing on Broadway and off with stellar actors such as Jeff Daniels, Dianne Wiest, Richard Dreyfuss, and Richard Burton to name only a few. He has done a great variety of film and TV, starring for years on daytime dramas while performing nightly on and off Broadway.
For over 28 years he has performed in literally thousands of venues world over doing what has been basically a one man improvisational show promoting human rights and social betterment activities.
He founded Hollywood Says No to Drugs in 1986, gaining support on an individual basis from people as varied as Lord Laurence Olivier and civil rights icon Rosa Parks. Having successfully elicited help on an individual basis from scores of celebrities, he eventually wound up at the White House and has virtually never stopped. Along the way he met with Presidents (Ronald Reagan) and Princesses (Princess Di and Princess Christina of Denmark), Prime Ministers, military leaders, etc. While raising funds for black education, he stayed in every black township in South Africa...during Apartheid. He has spoken at the United Nations in Geneva, and was the Moderator of the White House Conference For A Drug Free America.
In addition to his long list of credits Jeff has been a prolific Voice Over artist over the past 25 years.- Actor
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Hans Conried was born in Baltimore and raised both there and in New York City. He studied acting at Columbia University, and played many major classical roles onstage. After having been a member of Orson Welles' Mercury Theatre Company, he was heard as Prof. Kropotkin on the radio show "My Friend Irma" and had various roles on the "Edgar Bergen - Charlie McCarthy Show". He was in the original cast of Cole Porter's 1953 Broadway hit "Can-Can" and stayed with the show for more than a year. Known for his sharp wit, Conried was in demand as an actor, panelist and narrator, appearing frequently in television series and movies throughout the 1960s and 1970s.- Actor
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Herbert Anderson was born on 30 March 1917 in Oakland, California, USA. He was an actor, known for Battleground (1949), The Bride Came C.O.D. (1941) and Dennis the Menace (1959). He was married to Mary Virginia Palmer. He died on 11 June 1994 in Palm Springs, California, USA.- Actor
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Towering 7' 2" tall actor who cornered the market on playing giants, intimidating henchmen, bayou swamp monsters and steel toothed villains! Kiel worked in numerous jobs including as a night club bouncer and a cemetery plot salesman, before breaking into film & TV in several minor roles in the late 1950s / early 1960s. Noted among these was the alien "Kanamit" in the classic The Twilight Zone (1959) episode "To Serve Man", and terrorizing Arch Hall Jr. while clad in a loincloth in the prehistoric caveman meets virile teenage drama Eegah (1962).
Kiel turned up in two episodes of the classic horror TV series Kolchak: The Night Stalker (1974). On one occasion playing a Native American evil spirit with the ability to transform into various animals. On his second appearance, Kiel was unrecognizable as a Spanish moss covered, Louisiana swamp monster brought to life by a patient involved in deep sleep therapy.
However, his biggest break came in 1977 when he was cast as the unstoppable, steel toothed henchman "Jaws" in the finest Roger Moore film of the Bond series The Spy Who Loved Me (1977). Such was Kiel's popularity with movie audiences, that his character was brought back for the next Bond outing Moonraker (1979). However, audiences were quite split on opinions when Kiel's "Jaws" character changes sides near the film's conclusion and assists 007, Roger Moore, in saving the Earth.
Over the next few years, Kiel appeared in relatively non-demanding comedy or fantasy type films taking advantage of his physical stature and presence. Kiel then decided to try his hand behind the camera and co-wrote and produced, plus took the lead role, in the well received family movie The Giant of Thunder Mountain (1990). Demand for Kiel's unique attributes dropped very sharply in the 1990's, leading to only a handful of roles including reprising his "Jaws" character in the Matthew Broderick film Inspector Gadget (1999). In 2002, Kiel penned his informative autobiography entitled "Making it BIG in the movies". He passed away in 2014.- Actor
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American character actor who achieved considerable fame in the last decade of his life. A native of Kokomo, Indiana, Strother Martin Jr. was the youngest of three children of Strother Douglas Martin, a machinist, and Ethel Dunlap Martin. His family moved soon after his birth to San Antonio, Texas, but quickly returned to Indiana. Strother Jr. grew up in Indianapolis and in Cloverdale, Indiana. He excelled at swimming and diving, and at 17 won the National Junior Springboard Diving Championship. He attended the University of Michigan as diving team member. He served in the U.S. Navy as a swimming instructor in World War II. Nicknamed "T-Bone" Martin for his diving style, his 3rd place finish in the adult National Springboard Diving Championships cost him a place on the 1948 Olympic team. He moved to California to become an actor, but worked in odd jobs and as a swimming instructor to Marion Davies and the children of Charles Chaplin. He found work as a swimming extra in several films and as a leprechaun on a local children's TV show, "Mabel's Fables." Bit parts came his way, leading to television work with Sam Peckinpah, which led to a lifelong relationship. He also found memorable roles for John Ford and by the 1960s was a familiar face in American movies. With Cool Hand Luke (1967) in 1967 came new acclaim and a place among the busiest character actors in Hollywood. He worked steadily and in substantial roles throughout the 1970s and seemed at the peak of his career when he died suddenly of a heart attack in 1980.- Actor
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Alex Karras was born on 15 July 1935 in Gary, Indiana, USA. He was an actor and producer, known for Blazing Saddles (1974), Victor/Victoria (1982) and Porky's (1981). He was married to Susan Clark and Ivalyn Joan Jurgensen. He died on 10 October 2012 in Los Angeles, California, USA.- Actor
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Canadian-born Jack Kruschen entered films after years on the stage, and became a dependable character actor both in movies and on television. Often cast as ethnic comedy relief, Kruschen occasionally landed a role as a villain, but was more often the volatile, emotional Italian or Jewish neighbor patriarch. He was nominated for an Academy Award for his role in The Apartment (1960).- Christopher Connelly was born on 8 September 1941 in Wichita, Kansas, USA. He was an actor, known for Benji (1974), Atlantis Interceptors (1983) and Peyton Place (1964). He was married to Cindy Carol. He died on 7 December 1988 in Burbank, California, USA.
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Roger Miller was born on 2 January 1936 in Fort Worth, Texas, USA. He was an actor and writer, known for Robin Hood (1973), Superman III (1983) and Into the Wild (2007). He was married to Mary Miller, Leah Kendrick and Barbara Louise Crow. He died on 25 October 1992 in Los Angeles, California, USA.- Actor
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George Lindsey quickly became an icon on television in the 1960's playing the part of 'Goober Pyle" on the The Andy Griffith Show (1960). He replaced Jim Nabors who portrayed "Gomer Pyle" who ran the "fillin station" on "The Andy Griffith Show." As Jim Nabors was tapped for his own show Gomer Pyle: USMC (1964), cousin "Goober" was introduced to become the new mechanic and running the "fillin station" on "The Andy Griffith Show." He fit in perfectly with his country wit, impersonations of Cary Grant, "Judy, Judy, Judy," and playing the a dim-witted bulb often to the consternation of Sheriff Andy Taylor. He always wore his stocking type cap which always looked worn and dirty. Lindsay played this role also in Mayberry R.F.D. (1968) and continued playing basically the same and other characters on Hee Haw (1969) for many years. Although he did not perform in a myriad of shows, he was always recognizable as Goober and did not have a shortage of work. Between "The Andy Griffith show" and "Hee Haw," this provided him with almost 25 years worth of work a busy schedule for anyone. George frequented other country and western TV shows and movies including Gunsmoke (1955), Cannonball Run II (1984), Take This Job and Shove It (1981), and others. But he also found work on The Alfred Hitchcock Hour (1962), The Rifleman (1958), The Twilight Zone (1959), and many others. George provided much comedic relief to millions of viewers for over a generation and will never be forgotten by those who enjoyed him.- Actor
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Broad-shouldered and beefy Claude Akins had wavy black hair, a deep booming voice and was equally adept at playing sneering cowardly villains as he was at portraying hard-nosed cops. The son of a police officer, Akins never seemed short of work and appeared in nearly 100 films and 180+ TV episodes in a career spanning over 40 years. He originally attended Northwestern University, and went on to serve with the US Army Signal Corps in World War II in Burma and the Phillipines. Upon returning, he reignited his interest in art and drama and first appeared in front of the camera in 1953 in From Here to Eternity (1953). He quickly began notching up roles in such TV shows as Dragnet (1951), My Friend Flicka (1955), Gunsmoke (1955) and Zane Grey Theatre (1956). He also turned in several strong cinematic performances, such as gunfighter Joe Burdette in the landmark western Rio Bravo (1959), Mack in the excellent The Defiant Ones (1958), Sgt. Kolwicz in Merrill's Marauders (1962) and Earl Sylvester in the gripping The Killers (1964). In the early 1970s Akins turned up in several supernatural TV films playing "no-nonsense" sheriffs in both The Night Stalker (1972) and The Norliss Tapes (1973), and was unrecognizable underneath his simian make-up as war-mongering Gen. Aldo in Battle for the Planet of the Apes (1973). Akins continued starring in films and TV right up until the time of his death from cancer in 1994. By all reports a very gregarious, likable and friendly person off screen, Akins was married for over 40 years to Theresa "Pie" Fairfield, and had three children, Claude Marion Jr., Michele & Wendy.- Henry Silva was born on September 23, 1926 in Brooklyn, New York. He quit public school to attend drama classes at age 13, supporting himself as a dishwasher in a Manhattan hotel. By 1955, Silva had moved up from dishwasher to waiter, and felt ready to audition for the Actors Studio. He was one of five students chosen out of more than 2500 applicants. When the Actors Studio staged Michael V. Gazzo's play "A Hatful of Rain" as a classroom project, it proved so successful it came to Broadway--with students Ben Gazzara, Shelley Winters, Harry Guardino, Anthony Franciosa and, of course, Silva in key roles. Called to Hollywood, he played a succession of heavies in films, including The Bravados (1958), Green Mansions (1959), Ocean's Eleven (1960), The Manchurian Candidate (1962) and Johnny Cool (1963).
An Italian producer made Henry an offer he could not refuse--to star as a hero for a change--and he moved his family overseas. Silva's turning-point picture was a spaghetti Western, The Hills Run Red (1966), which made him a hot box office commodity in Spain, Italy, Germany and France. His popularity was enhanced by a gift for languages. He speaks Italian and Spanish fluently and has a flair for the kind of gritty, realistic roles that also catapulted Charles Bronson to European stardom. Returning to the United States, he co-starred with Frank Sinatra in the film Contract on Cherry Street (1977), then signed on as Buck Rogers' evil adversary Kane in Buck Rogers in the 25th Century (1979) and the television series of the same name. Silva now calls the San Fernando Valley home, but makes continual film forays back to Europe's production centers. A dedicated jogger, he puts in five miles a day "to keep in shape and relieve tension".