The Works of Director Roland Emmerich
From Universal Soldier, onward. I'm skipping some of his early work from before the latter film for obvious reasons.
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- DirectorRoland EmmerichStarsJean-Claude Van DammeDolph LundgrenAlly WalkerSoldiers who were killed in action are brought back to life in a top secret military experiment that creates superhuman warriors.Composer: Christopher Franke
Cinematographer: Karl Walter Lindenlaub ASC BVK
Editorial Consultant: Mark Goldblatt ACE
Film Editor: Michael J. Duthie
Add'l Film Editor: Peter S. Elliot ACE
Ass't FIlm Editor: Nicolas De Toth
Production Designer: Holger Gross
Art Director: Nelson Coates
Add'l Set Art Director: Jeff Wallace
Costume Designer: Joseph Porro
Stunt Coordinator/2nd Unit Director: Vic Armstrong
SFX Designer/Senior SFX Supervisor: Kit West
SFX Foreman: Yves De Bono
2nd Unit SFX Supervisors: David Amborn, Charles W. Hessey
Fight Choreographer: Clint Cadinha
Camera Operator: Peter Krause
Steadicam Operator: Chris Haarhoff SOC
2nd Unit DP: Daniel L. Turrett
Gyrosphere Unit Camera Operator: Michael Kelem
2nd Unit 1st Ass't Camera: Henry Tirl
Filming Dates: 12 August 1991 - 30 October 1991
Camera: Panaflex Platinum (35mm)
Lenses: Panavision Primo Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 23 Million USD
Budget AFI (2021): 44.1 Million USD
Attribute: Filmed in Panavision - DirectorRoland EmmerichStarsKurt RussellJames SpaderJaye DavidsonAn interstellar teleportation device, found in Egypt, leads to a planet with humans resembling ancient Egyptians who worship the god Ra.Writer: Roland Emmerich
Writer/Producer: Dean Devlin
Composer: David Arnold
Cinematographer (Main & Model Units): Karl W. Lindenlaub ASC BVK
Film Editors: Derek Brechin, Michael J. Duthie
Production Designer: Holger Gross
Yuma Unit Art Director: Mark Zuelzke
Costume Designer: Joseph Porro
Ass't Costume Designer: Sanja Milkovic Hays
2nd Assistant Director: Kim Winther
Creature Hair Supervisor: Stuart Artingstall
Mechanical Effects Supervisor: Wayne Beauchamp
SFX Floor Supervisor: John Cazin
Creature Shop Coordinator: Oana Bogdan Miller
Mechanical Supervisor: Russell Shinkle
Special Creature FX Creator & Supervisor: Pat Tatopoulos
SFX Workshop Supervisor: Trevor Wood
SFX Supervisor: Ken Estes
Model Unit Coordinator: Robert Gerard Brown
Special Visual Effects Supervisor: Kit West
Special Digital Visual Effects Supervisor: Jeffrey A. Okun
Digital Visual Effects Producers: Jeffrey Diamond, Michael Van Himbergen
Digtal Visual Effects Executive Producer: Jeffrey Kleiser
Camera Operator/Model Unit DoP: Peter Krause
Model Unit DoP: Jonathan Taylor ASC
Special Visual & Digital Effects Unit DoP: David Stump ASC
Stunt Coordinator: Andy Armstrong
B-Camera/Steadicam Operator: Chris Haarhoff SOC
Add'l Camera Operator: Andrew Parke
Add'l Film Editors: Peter S. Elliot ACE, Roy Watts
Ass't Film Editor: Nicolas De Toth
Props Assistant: Len Wiseman
Filming Dates: November 1992 - 13 September 1993
Cameras: Panaflex GII & Platinum (35mm)
Lenses: Panavision Primo Anamorphic Primes & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 55 Million USD
Budget AFI (2021): 99.9 Million USD
Attribute: Filmed in Panavision - DirectorRoland EmmerichStarsWill SmithBill PullmanJeff GoldblumThe aliens are coming and their goal is to invade and destroy Earth. Fighting superior technology, mankind's best weapon is the will to survive.Writer & Executive Producer: Roland Emmerich
Writer-Producer-2nd Unit Director: Dean Devlin
Executive Producer: Ute Emmerich
UPM (NY Unit) & Exec Producer: William Fay
Cinematographer: Karl Walt Lindenlaub ASC BVK
Cinematographer-Add'l Photog: Ueli Steiger ASC
VFX Cinematographers (VFX Camera Unit): Anna Foerster ASC, Philipp Timme
Production Designer: Oliver Scholl
Production-Alien Creature FX Designer & Supervisor: Patrick Tatopoulos
Film Editor: David Brenner ACE
Composer: David Arnold
Costume Designer: Joseph Porro
Associate Producer: Peter Winther
Unit Production Manager: Kelly Van Horn
2nd Assistant Director: Kim Winther
Production VFX Supervisors: Volk Engel, Douglas Hans Smith
Production DFX Supervisor & Producer: Tricia Ashford
Production Visual FX Producer: Terry Clotiaux
Miniature Pyro & Mechanical FX Sup: Joe Viskocil
Model Shop Supervisor: Michael Joyce
Mechanical Effects Supervisor: Clay Pinney
Stunt Coordinator: Dan Bradley
Aerial 2nd Unit Director/Coord: Kevin LaRosa
Art Director: Jim Teegarden
Set Designer/Assist Art Director: Lauren Polizzi
Set Designer: Sean Haworth
Key Set Production Assistant: Lars P. Winther
A Camera Operator: Peter Joachim Krause
B Cam/Steadicam Operator: Randy Nolen SOC
Assistant Costume Designer: Sanja Milkovic Hays
Score Mixer: Dennis S. Sands
Assistant Prop Master: Len Wiseman
Production Visual FX Editor: Peter S. Elliot ACE
VFX Prod Sup (VFX Camera Unit): Bob Hurrie
VFX Coord (VFX Camera Unit): Mark D. Katchur
Ass't VFX Prod Coord (VFX Camera Unit): Roger Loftis
High Speed A Cam Op (VFX Camera Unit): Jeff Sturgill
VFX Gaffer (VFX Camera Unit): Mark Weingartner ASC
VFX Prod Supervisors (VFX Moco Unit): Carrie Owens, Lisa Knaggs
VFX Prod Coordinators (VFX Moco Unit): Joan Schneider, Yolie Moreno
Ass't VFX Prod Coord (VFX Moco Unit): Tricia Mulgrew
Moco A Cam Op (VFX Moco Unit): Harry J. Alpert
Moco B Camera Op (VFX Moco Unit): Jim Balsam
VFX Gaffer (VFX Moco Unit): Rick Sands
Model Unit Art Dir (Model Dept.): Steven Legler
Mechanical FX 1st Unit Supervisor: Hans Metz
Mechanical Effects 2nd Unit Supervisor: Mike Edmondson
DFX Producer (Digital Visual Effects): Steven T. Puri
Digital VFX CG Supervisors: Tara Handy Turner, Joseph Francis
Digital VFX Digital Optical Sup.: Greg Kimble
Unit Digital Animation Supervisor (CG Film & Video Unit): Hartmut Engel
POP Exec VFX Producers: Alan Kozlowski, Jeff Ross
POP Digital VFX Producers: Andrea D'Amico, Stan Szymanski
POP VFX Production Executive: Scott McGrail
POP Digital Comp Supervisor: Pablo Helman
VisionArt Digital VFX Producer: Joshua D. Rose
VisionArt Digital VFX Coordinator: Richard Cook
VisionArt Technical Supervisor: Rob Bredow
Digiscope Executive FX Producer: Thomas Thill
Digiscope Effects Producer: Mary Stuart Welch
Digiscope Digital Imaging Supervisor: Dion Hatch
Digiscope Digital Prod Supervisor: Lorraine Silver
Digiscope Supervising Digital Artist: Mitch Drain
Digiscope Digital Technician: Tommy Hooper
Digiscope Digital Artist: Marc Scott
TPG VFX Executive Producer: Marc Franco
TPG Compositing Supervisor: Peter Sternlicht
TPG Sr Digital Compositor: Steven J. Scott ASC
TPG VFX Coordinator: Karen Skouras
TPG Digital Data Coordinator: Linda Cordella
Pix Mag Digital VFX Supervisor: Ray McIntyre Jr
Pixel Magic Digital VFX Producer: Philip O'Hanlon
Video Unit Producer: Lincoln D. Hiatt
Video Seq. Designer (Video Unit): Ed W. Marsh
Video Unit Consultant: Doug Blush
2nd Unit DoP: Jonathan Taylor ASC
2nd Unit Gaffer: Bruce McCleery ASC
NY Unit Art Director: Bonnie Brinkley
NY Unit A Camera Operator: Bruce MacCallum
NY Unit B Camera Operator: Tony C. Jannelli
NY Unit Steadicam Operator: Rick Raphael
NY Unit SFX Supervisor: Steve Kirshoff
NY Unit Gaffer: Michael Delaney
Aerial Unit DoP: Kurt E. Soderling SOC
Filming Dates: 28 July 1995 - 2 November 1995
Cameras: Panaflex Platinum & Clairmont (35mm Eastman EXR 100T 5248/200T 5293/500T 5298)
Lenses: Panavision Primo Spherical Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Common-Top Super 35mm)(8-Perf VistaVision: Visual Effects)
Budget: 75 Million USD
Budget AFI (2021): 128.6 Million USD
Digital Visual Effects Provided by: Pacific Ocean Post, VisionArt, Digiscope, The Post Group & Pixel Magic
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with Panavision Cameras & Lenses - DirectorRoland EmmerichStarsMatthew BroderickJean RenoMaria PitilloFrench nuclear tests irradiate an iguana into a giant monster that heads off to New York City. The American military must chase the monster across the city to stop it before it reproduces.Executive Producer/Co-Writer: Roland Emmerich
Costume Designer: Joseph Porro
Godzilla Designer-Supervisor: Patrick Tatopoulos
Production Visual FX Supervisor: Volker Engel
Co-Executive Producers: Rob Fried, Cary Woods
Co-Producer: Peter Winther
Co-Producer/Unit Prod Manager: Kelly Van Horn
Composer: David Arnold
Co-Composer: Michael Lloyd
Film Editors: Peter Amundson, David Siegel ACE
Production Designer: Oliver Scholl
Cinematographer: Ueli Steiger ASC
Cinematographer (Falls Lake Unit): Chuck Schuman
Executive Producer: Ute Emmerich
UPM (Hawaii Crew) & EP: William Fay
Producer & Co-Writer: Dean Devlin
Story Writers: Ted Elliott, Terry Rossio
Creature Motion Specialists: Kurt Carley, Bruce Marrs
Supervising Stunt Coordinator: RA Rondell
Assist Stunts Coord: Thomas Robinson Harper
Assistant Stunt Coordinator: Colin CL Fong
Aerial Unit Coordinator & Pilot: Kevin LaRosa
1st Assistant Director: Kim Winther
2nd Ass't Directors: Lars P. Winther, Paul Bernard
Visual FX Supervisor (Main Titles): Mark Kolpack
Associate VFX Supervisor: Karen E. Goulekas
Production Visual FX Producer: Terry Clotiaux
Production Digital Effects Producer: Fiona Bull
Exec in Charge of Production: Dionne McNeff
Location Manager: Kenneth Fix
Supervising Art Director: William Ladd Skinner
Art Director: Robert Woodruff
Assistant Art Director: Maya Shimoguchi
Set Decorator: Victor Zolfo
Production Visual FX Editor: Peter S. Elliot ACE
A Camera Operator: Nathaniel Goodman
B Camera-Steadicam Op: Stephen St. John SOC
1st Assistant A Camera: Joseph Sanchez
1st Assistant B Camera: Brian Nordheim
VistaVision 1st Assistant Camera: Evan Nesbitt
2nd Assistant A Camera: Gary Camp
2nd Assistant B Camera: Max Neal
Aerial Unit Camera Operator: Dylan Goss
Aerial Unit Wescam Operator: David Norris
Chief Lighting Technician: Jim Grace
Assist Chief Lighting Technician: Ronald Kline
Mechanical Effects Supervisor: Clay Pinney
MFX Main Unit Supervisor: Hans Metz
2nd Unit Assist Prop Master: Len Wiseman
Set Designers: Jann Engel, Robert Fetchman, Luis Hoyos, Richard Reynolds
Graphic Designer: Martin Charles
NY 2nd Unit Director (NY 2nd Unit Crew) & Storyboard Artist: Peter Ramsey
Production Digital FX Coordinator: Glenn R. Karpf
Video Unit Producer-Main Title Designer: Lincoln Douglas Hiatt
Video Unit Coordinator, Footage & Research Consultant: Daniel Hsu Accomando
Video Unit Editor: Daniel Lawrence
Post Prod Supervisors: Tamara Smith, Candace Cornell
Associate Visual FX Editor: Alessandra Carlino
Ass't VFX Editor: Vince Filippone
Re-Recording Sound Mixers: Kevin O'Connell, Greg P. Russell
VFX Supervising Art Director: Steven Legler
VFX Art Director: Nanci B. Roberts
Production VFX Coordinator: Patricia Ellis
VFX Project Manager: Tricia Mulgrew
Centropolis FX CGI Supervisors: Carolin Quis, Steffan M. Wild
Centropolis FX Animation Supervisor: Andy Jones
Centropolis FX Supervisor: Sean Cunningham
Centropolis FX Animators: Sean Andrew Faden, Rocco Passionino
Centropolis FX President: Steven T. Puri
Centropolis FX Executive Producer: Marc L. Kolbe
Centropolis FX DFX Line Producer: Craig A. Mumma
VisionArt DFX Supervisor: Joshua D. Rose
VisionArt DFX Producers: Kristen Leigh Branan, Richard J. Cook
VisionArt Animation Supervisors: Daniel Kramer, Carl Hooper
VisionArt Compositing Supervisor: Dorene Haver
VisionArt DFX Coordinator: Nicholas Devore
VisionArt Digital Film I/O Supervisor: Jeff Pierce
VisionArt Director of R&D: Rob Bredow
VisionArt Motion Capture Operator: Dan Michelson
SPI DFX Supervisor: Jerome Chen
SPI DFX Producer: Julia Frey Rivas
SPI CG Supervisors: Jim Berney, Scott Stokdyk
SPI Senior Technical Designers: Sam Richards, Rob Engle
SPI Digital Character Animators: Bill Diaz, David Schaub, Alex Sokoloff
SPI Supervising Rotoscope Artist: Maura N. Alvares
SPI Ass't VFX Editor: Guy Wiedmann
SPI VFX Coordinator: Jamie Stevenson
SPI Lead technical Assistant: Chris Juen
Digiscope Executive VFX Supervisor/Producer: Mary Stuart Welch
Digiscope Executive VFX Producer: Thomas Thill
Digiscope Digital VFX Supervisor: Dion Hatch
Digiscope Supervising Digital Artist: Grady Cofer
Digiscope DFX Producer: Laurel Lyn Schulman
Digiscope VFX Production Coordinator: Alex DeShazer
SLP Miniature VFX Supervisor: Don Baker
SLP VFX Miniatures Unit DoP: Anna Foerster ASC
SLP VFX Producer: Bob Hurrie
SLP VFX Production Supervisor: Mark David Katchur
SLP VFX Production Coordinator: JJ Elam
SLP VFX Unit Coordinator: Rodger Loftis
SLP On-Set Miniature Effects Supervisor: Peter Novitch
SLP VFX Unit 1st Ass't Camera: Jeff Sturgill
SLP VFX Unit 2nd Ass't Camera: Kevin Ivey
SLP VFX Unit Chief Lighting Technician: Roger Sassen
SLP VFX Unit Motion Control 1st AC: Mac Condro
SLP Paint Department Supervisor: Scott Valdes
SLP Lead Miniature Painter: Mark Valdes
SLP Miniature Painter: Lisa Marie Valdes
SLP Miniature SFX Supervisor: Joseph Viskocil
SLP Miniature SFX Coordinator: Salvy Maleki
Falls Lake Unit SFX Set Supervisor: Mike Bell
PTD Art Director: Oana Bogdan
PTD Art Department Supervisor: Jake Garber
PTD Shop Supervisor: Jim Leonard
PTD Foam Supervisor: Richard Davison
PTD Mold Supervisor: Russell Seifert
PTD Paint Supervisor: Gino Acevedo
PTD Sculpting Supervisors: James Kagel, Jose Fernandez
PTD Seaming Supervisor: Karen Keener
PTD Suit Supervisor: Marilee Canaga
PTD Mechanical Department Supervisor: Guy Himber
PTD Key Mechanical Designer: David Kindlon
PTD Key Electronic Supervisor: Tom Whitson
Cinnabar President: Doug Morris
Cinnabar Model Shop Supervisor: Andrea Whittier
SVN Senior Model Supervisor: John K. Stirber
CPS Miniatures Supervisor: Michael Joyce
HGI Miniature Effects Supervisors: Matthew Gratzner, Ian Hunter, Shannon Blake Gans
WKR Tank Mock-Up & Miniature Effects Supervisors: Robert Wilcox, Asim Sehic, Henry Gonzales
WKR Tank Mock-Up & Special Model Effects Supervisor (Physical Effects & Miniatures): Tad Krzanowski
2nd Unit Director: Josef Rusnak
2nd Unit DoP: Peter Joachim Krause
2nd Unit DoP (Limited Engagement): Anette Haellmigk
2nd Unit 1st Ass't Director: Michael Viglietta
2nd Unit 2nd Ass't Director: Jamie Marshall
2nd Unit Add'l Camera Operator: Lance Fisher
2nd Unit 1st Ass't Camera: Andrew Parke
2nd Unit Chief Lighting Technician: Donna Vega
2nd Unit Stunt Coordinator: Troy Brown
2nd Unit Mechanical Effects Supervisors: John Baker, Al Broussard
2nd Unit Production Coordinator: Trevor Waterson
Unit Production Manager (NY Unit): Robert Carl Clifford
NY Unit B-Camera Operator: Florian Ballhaus ASC
NY Unit 1st Ass't B-Camera: Phil Abraham ASC
NY Unit 2nd Ass't A-Camera: Tim Metivier
NY Unit 2nd Ass't B-Camera: Chris Patak
NY Unit Costume Supervisors: Heidi Shulman, Michael Adkins
NY Unit Chief Lighting Technician: Russell Engels
NY Unit Art Director: Charley Beal
NY Unit Set Decorator: James V. Kent
NY Unit Picture Vehicle Coordinator: Michael Leather
NY Unit 2nd 2nd Ass't Directors: Gregory Hale, Peter Soldo
NY Unit Mechanical Effects Coordinator: Steven Kirshoff
Unit Production Manager (NY 2nd Unit Crew): David Declerque
2nd Ass't Director (NY 2nd Unit Crew): Stuart Feldman
Camera Operator (NY 2nd Unit Crew): John Herron
Filming Dates: 1 May 1997 - 26 September 1997
Cameras: Panaflex Platinum & VistaVision (35mm Kodak Vision 200T 5274/500T 5279)
Lenses: Panavision Primo Spherical Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Common-Top Super 35mm)(8-Perf VistaVision: Visual Effects)
Budget: 130 Million USD
Budget AFI (2021): 214.6 Million USD
Digital Effects & Digital Creature Animation Provided by: Centropolis Effects, VisionArt & Sony Pictures Imageworks
Additional Digital Compositing Provided by: Digiscope
Model & Miniature Photography Provided by: Sight Line Productions
Model & Miniature Construction Provided by: Cinnabar
Madison Square Garden Miniatures Created by: Cinema Production Services
Attribute: Filmed with Panavision Cameras & Lenses - DirectorRoland EmmerichStarsMel GibsonHeath LedgerJoely RichardsonPeaceful farmer Benjamin Martin is driven to lead the Colonial Militia during the American Revolution when a sadistic British officer murders his son.Executive Producer: Roland Emmerich
Composer: John Williams
Cinematographer: Caleb Deschanel ASC
Film Editor: David Brenner ACE
Co-Film Editor: Julie Monroe ACE
Film Editor (Ext'd Version): Christopher Holmes
Production Designer: Kirk M. Petrucelli
Art Director: Barry Chusid
Costume Designer: Deborah Lynn Scott
1st Assistant Director: Kim Winther
2nd Assistant Director: Lars P. Winther
Co-Producer/2nd Unit Director: Peter Winther
Senior SFX Supervisor: Terry Chapman
Snow Effects Supervisors: Dave Crownshaw, Roland Hathaway
Mechanical Effects Supervisor/Senior SFX Coordinator: Yves De Bono
Miniatures SFX Supervisor: Jens Döldissen
Mechanical Effects Technician/SFX Supervisor: David Hill
Ass't Mechanical Effects Supervisor: Andrew Wilson
Motion Capture Consultant: Brett Gassaway
Senior VFX Supervisor: Stuart Robertson
Senior DFX Supervisor: James Marbas
Miniature Effects Supervisor/Producer: Joachim Grüninger
CFX VFX Supervisors: Thomas Dadras, Conny Fauser
CFX Digital Sequence Supervisor: Paolo Moscatelli
CFX Effects Supervisor/VFX Lead Animator: Fong Nickson
Senior VFX Producers: Fiona Bull Stone, Jonathan F. Styrlund
Miniature Effects Producer: Sebastian Cramer
CFX VFX Producer: Drew McKeen
CFX VFX Executive Producer: Mark Franco
Miniature Unit DP: Britta Mangold
Stunt Coordinator: RA Rondell
2nd Unit Stunt Coordinator: Freddie Hice
A-Camera Operator: P. Scott Sakamoto SOC
B-Camera Operator: Dustin G. Blauvelt
C-Camera Operator: Gábor Kövér
Add'l Camera Operator/2nd Unit Camera/Steadicam Operator: Dan Kneece
Assistant Camera: Christopher Blauvelt
Chief Lighting Technician: Colin J. Campbell
2nd Unit DPs: Ueli Steiger ASC, Mark Vargo ASC
2nd Unit Camera/Steadicam Operator: Harry K. Garvin
2nd Unit Chief Lighting Technician: James Grace
Filming Dates: 7 September 1999 - 20 January 2000
Cameras: Arriflex 435, Panaflex Millennium & Platinum (35mm Eastman EXR 100T 5248/Kodak Vision 200T 5274)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 110 Million USD
Budget AFI (2021): 167.29 Million USD
Attribute: Filmed with Panavision Cameras and Lenses - DirectorRoland EmmerichStarsDennis QuaidJake GyllenhaalEmmy RossumJack Hall, paleoclimatologist, must make a daring trek from Washington, D.C. to New York City to reach his son, trapped in the cross-hairs of a sudden international storm which plunges the planet into a new Ice Age.Producer & Co-Writer: Roland Emmerich
Composer: Harold Kloser
Co-Composer: Thomas Wanker
Score Conductor: Blake Neely
Costume Designer: Renee April
Production VFX Supervisor: Karen E. Goulekas
Co-Producer & UPM: Thomas M. Hammel
Film Editor: David Brenner ACE
Production Designer: Barry Chusid
Cinematographer: Ueli Steiger ASC
EPs: Stephanie Germain, Ute Emmerich
Executive Producer & UPM: Kelly Van Horn
Producer: Mark Gordon
Screenwriter: Jeffrey Nachmanoff
Associate Producer & 1st AD: Kim Winther
2nd AD-Main & El Paso Units: David Footman
Stunt Coord (LA & El Paso Units): Charlie Brewer
Montreal Unit Stunt Coordinator: Branko Racki
El Paso Unit Asst. Stunt Coordinator: Kevin Scott
Aerial Unit Pilots: Alan Purwin, Kevin LaRosa
Associate Producer: Lawrence Inglee
Canada Unit Prod Manager: Christina Kontos
Production Visual FX Producer: Mike Chambers
Supervising Art Directors: Tom Reta, Claude Pare
A Camera Operator: Bill O'Drobinak SOC
B Cam/Steadicam Op: Francois Archambault
B-Cam, Steady & Splinter Unit A Cam Op: Gary L. Camp
C Camera Operator: Peter Hutchison
Add'l Camera Operator: Georgia Tornai Packard
Chief Lighting Technician: Jean Courteau
Supervising Special FX Director: Neil Corbould
Canada Unit Special FX Supervisor: Louis Craig
Assistant SFX Supervisors: Clive Beard, David Brighton
Senior Special Effects Technician: David Watkins
Lead Special Effects Technician: Simon Quinn
Snow FX Supervisors: Dave Crownshaw, Roland Hathaway
Snow FX Floor Supervisor: Martin McLaughlin
Special FX Workshop Supervisor: Steve Cullane
SFX Test Technician: Malcolm Crash Corbould
Graphic Designer: Isabelle Cote
Picture Vehicle Coordinator: Michel Brouillette
Research Consultant: Jennifer Bydwell
Military Consultant: David Kennedy
Assistant Military Consultant: Chip Shanley
Medical Consultant: Alan Azueloz
Post Production Supervisor: Jeffrey Harlacker
Production VFX-Add'l Film Editor: Peter Elliot ACE
Additional Film Editor: Michael McCusker ACE
Film 1st Assistant Editor: Sara Cueva
Editorial Assistant: Brad Minnich
DoP (LA Unit; Model-2nd Units)-2nd Unit Director (Splinter Unit)-DD VFX Unit DoP: Anna Foerster ASC
2nd Unit A Camera Operator: Alfonso Maiorana
2nd Unit Senior SFX Technician: Mario Dumont
Splinter Unit Production Manager: Daniel Auclair
Splinter Unit Art Dir.: Jean-François Campeau
Splinter Unit B Camera Operator: Robert Guertin
Additional Unit Camera Operator: Carla Clarke
LA Unit Special FX Coordinator: Al Broussard
Unit Prod Manager (El Paso Unit): Joe Dishner
El Paso Unit 2nd Ass't Director: Lars P. Winther
El Paso Unit C Cam Operator: Annette Haellmigk
EP Unit D Cam Op & 2nd Unit DoP: Tom Yatsko
El Paso Unit E Camera Operator: Martin Schaer
El Paso Unit Gaffer & CLT: Andy Ryan
El Paso Unit Video DoP: Rick Walker
El Paso Unit Pic Car Coordinator: John Echavarria
Ciudad Juarez Unit Prod Manager: Hector Lopez
Mexico Unit Camera Operator: Eric Goethals
Unit Production Manager (NY Unit): Jane Raab
NY Unit Gaffer: JP Dolan
NY Unit C Camera Operator: Tom Weston
NY Unit SpaceCam Operator: Phil Pastuhov
DC Unit Camera Operator: Dave Insley
Additional Visual FX Editor: John Berri
Visual FX Executive Producer: Robin Griffin
Production VFX Consultant: Karen M. Murphy
Production VFX Coordinator: Laurel Schneider
Production Visual FX Accountant: Kimberly Jase
Assistant Visual FX Coordinator: Aaron Cullen
NY Unit Assistant VFX Coordinator: Bene Naudin
Miniature Consultant: Joachim Grüninger
ILM Sr VFX Supervisors: Eric Brevig, Jim Mitchell
ILM Sr Animation Supervisor: Dan Gordon Taylor
ILM Senior VFX Producer: Shari Hanson
ILM Senior CG Supervisor: Christopher Townsend
ILM CG Supervisor: Gregor Lakner
ILM Digital Composite Supervisor: Michael Conte
ILM Associate Animation Supervisor: Scott Benza
ILM Visual FX Art Director: Alexander Laurant
ILM Motion Capture Supervisor: Mike Sanders
ILM Color Timing Supervisor: Bruce Vecchitto
ILM VFX Prod Coordinators: Katie Lynch, Stephen Riera
ILM VFX Editors: Nic Anastassiou, Lars Jensvold
ILM Senior Executive Producer: Vicki Dobbs-Beck
Hydraulx VFX Supervisors: Colin Strause, Greg Strause
Hydraulx VFX Exec Producer: Scott Michelson
Hydraulx VFX Producer: Michael "Tony" Meagher
Hydraulx VFX Coordinator: Adam Lisagor
Hydraulx Inferno Artists: Bill Kunin, Loeng Wong-Savun, Edson Williams
Hydraulx 3D Supervisor: Rina Strause
Hydraulx 3D Modeling Supervisor: Yoshiya Yamada
Hydraulx 3D Lighting Supervisor: Chris Wells
Hydraulx Miniature Iceberg Sculptor: Dann O'Quinn
Hydraulx Systems Support: Dave Strause
Hydraulx Finance Manager: Linda Strause
Hydraulx 3D Software Designer: Chris Haney
Orphanage VFX Supervisor: Remo Balcells
Orphanage VFX Executive Producers: Marc Sadeghi, Luke O'Byrne
Orphanage VFX Producer: Jody Echegaray
Orphanage VFX Associate Producer: Yvette Memory
Orphanage Compositing Supervisor: Ben Grossman
Orphanage Matte Painting Supervisor: Rick Rische
DD1.0 Assoc. VFX Supervisor: Matt Butler
DD1.0 VFX Producers: Todd Isroelit, Julian Levi
Digital Domain Digital FX Supervisor: Bryan Grill
DD1.0 CG Supervisors: Sean Andy Faden, Andy Waisler, Dave Prescott
Digital Domain VFX Digital Producer: Andra Bard
DD1.0 Lead Character Animator: David Hodgins
DD1.0 Lead 3D Integration Artist: Swen Gillberg
DD1.0 Senior DFX CG Coordinator: Tom Clary
DD1.0 Miniatures Supervisor: Alan Faucher
DD1.0 On-Set VFX Data Integrator: Geoffrey E. Baumann
Digital Domain Technical Director: Ryo Sakaguchi
Digital Domain Model Maker: Jen Underdahl
DD1.0 VFX Exec Producer: Nancy Bernstein
DD1.0 Digital Dept. Manager: Evan Jacobs VES
Tweak Films VFX Supervisor: Christopher Horvath
Tweak Films VFX Producer: Alex Brownell
YU+CO VFX Supervisors: Conny Fauser, Abra Grupp
YU+CO VFX Producer: Petra Holtorf-Stratton
YU+CO VFX Coordinator: Sarah Coatts
Zoic Studios VFX Supervisor: Rocco Passionino
Zoic Studios VFX Producer: Raoul Yorke Bolognoni
Zoic Studios CG Supervisor: Andrew Orloff
ROF Studios VFX Supervisors: Greg Anderson, Jerry Spivack
ROF Studios VFX Producer: Casey Conroy
ROF Studios VFX Executive Producer: John Myers
Dreamscape VFX Executive Producer: Stacey Weigert
NDS VFX Supervisor: Ian Hunter
WonderWorks SFX Supervisor: John Palmer
WonderWorks VFX Producer: Brick Price
Digital Color Timer: Michael Eaves
Digital Cinema Colorist: Michael Healey
Digital Colorist Assistant: Jack Lewars
DI Producer: Lorene Simpson
Digital Assist Producer: Jordan Ford
DI Production Supervisor: Josh Haynie
Filming Dates: September 2002 - January 2003
Cameras: Arriflex 35-III, 435, Moviecam Compact & SL (35mm Kodak Vision 200T 5274)
Lenses: Zeiss Ultra Primes, Arri Variable Primes & Angenieux Optimo Zooms
AR: 2.39:1 (Common-Third Super 35mm)
Budget: 125 Million USD
Budget AFI (2021): 178.1 Million USD
Printed on: Kodak Vision 2383
Distributed by: Walt Disney Studios Motion Pictures
Digital Optical Effects Provided by: Custom Film Effects
Special Visual Effects & Digital Animation Provided by: Industrial Light & Magic, Hydraulx, The Orphanage, Digital Domain + Zoic Studios
Additional Miniature Effects Provided by: New Deal Studios
Attribute: Camera Equipment Provided by Rocky Mountain Motion Pictures - DirectorRoland EmmerichStarsCamilla BelleSteven StraitMarco KhanIn the prehistoric past, D'Leh is a mammoth hunter who bonds with the beautiful Evolet. When warriors on horseback capture Evolet and the tribesmen, D'Leh must embark on an odyssey to save his true love.Writer/Producer: Roland Emmerich
Writer/Composer: Harold Kloser
Producers: Mark Gordon, Michael Wimer
Composer: Thomas Wander
Cinematographer: Ueli Steiger ASC
Production Designer: Jean-Vincent Puzos
Film Editor: Alexander Berner
Art Director: Marc Homes
Costume Designers: Renee April, Odile Dicks-Mireaux
2nd Unit Director/Director of Photography/Aerial Unit DP: Anna Foerster ASC
Senior SFX Supervisor: Dominic Tuohy
Workshop SFX Supervisors: David Ford, Jem Lovett
SFX Floor Supervisor: Martin Neill
New Zealand Unit SFX Supervisor: Mike Latham
SFX Buyer/Senior SFX Coordinator: Carmila Gittens
Senior SFX Technicians: Ian Biggs, Andrew Robertson
Miniatures Supervisor: Joachim Grüninger
Creature Designer: Patrick Tatopoulos
Senior VFX Supervisors: Huseyin Caner, Karen E. Goulekas, Jim Mitchell
Senior VFX Coordinator: Toby White
Add'l VFX Coordinators: Clare Herbert, Susan Luciani
Miniatures VFX Coordinator: Lindsay McFarlane
MPC VFX Supervisor: Nicolas Aithadi
DNEG VFX Supervisor: Jesper Kjölsrud
MPC CG Supervisor: Guillaume Rocheron
DNEG VFX Animation Supervisors: Eamonn Butler, Robert Hemmings
DNEG CG Sequence Supervisor: Martin Nguyen
DNEG Compositing Sequence Supervisors: Paul Norris, Gruff Owen, Adam Paschke
Add'l VFX Producer: Mike Chambers
DNEG VFX Producers: Stuart McAra, Dominic Sidoli
Stunt Coordinators: Steve Dent, Franklin Mark Henson
Camera Operator: Adi Visser
A-Camera Operator: Peter Taylor
B-Camera/Steadicam Operator: Gary L. Camp
C-Camera Operator: Trevor Michael Brown
2nd Unit Camera/Steadicam Operator: Sarel Pretorius
Costa Rica 2nd Unit Camera Operator: Mark Larkin
Miniature Unit DP: Britta Mangold
New Zealand Unit C-Camera Operator: Richard Bluck
Add'l Film Editor: Peter Boris Hassmann
Colorist: Richard Etchells, Max Horton
Cameras: Arriflex 235, 435 ES & 535B (35mm Kodak & Fuji)
AR: 2.39:1 (Common-Third Super 35mm)
Budget: 105 Million USD
Budget AFI (2021): 131.2 Million USD
Visual Effects & Animation Provided by: Moving Picture Company & Double Negative
Attribute: Camera Equipment Provided by Arri - DirectorRoland EmmerichStarsJohn CusackThandiwe NewtonChiwetel EjioforA frustrated writer struggles to keep his family alive when a series of global catastrophes threatens to annihilate mankind.Writer & Executive Producer: Roland Emmerich
Writer, Composer & Producer: Harold Kloser
Producers: Mark Gordon, Larry Franco
Exec Producers: Ute Emmerich, Michael Wimer
Director of Photography: Dean Semler ASC ACS
Director of Photography / "C" Operator, Second Unit Crew: Donald McQuaig ASC CSC
Director of Photography / "B" Operator, Second Unit Aerial Crew: Hans Bjerno
Director of Photography, Paris/London Visual Effects Plate Unit: Mark H. Weingartner ASC
Production Designer: Barry Chusid
Editors: David Brenner ACE, Peter S. Elliot ACE
Composer: Thomas Wanker
Co-Producers/Overall Visual Effects Supervisors: Volker Engel, Marc Weigert
Co-Producer / Second Unit Director: Aaron Boyd
Costume Designer: Shay Cunliffe
Casting Director: April Webster CSA
Stunt / Fight Coordinator: John Stoneham Jr.
Asst Stunt Coordinators: Jake Mervine, Layton Morrison, Michael A. Mitchell
Stunt Performer / Coordinator: Andre Alexsen
Unit Production Manager: Michael J. Malone
First Assistant Director: Tommy Gormley
Second Assistant Director: David K. Arnold
Associate Producer: Kristin Winkler
Canada Unit Production Manager: Drew Locke
Production Visual Effects Producer: Josh Jaggars
Supervising Art Director: Don MacAulay
Art Directors: Dan Hermansen, Ross Dempster
Art Director, Second Unit Kamloops: Ken Elliott
Set Decorator: Elizabeth Wilcox
Supervising Prop Master: Wayne McLaughlin
Script Supervisor: Kimi Webber
Script Supervisor, Visual Effects: Ana Sebal
Lead Set Fabricator/Special Effects Foreman: W. A. Andrew Schulthorp
Set Fabricator: Leslie Warren
Assistant Art Directors: Laurel Bergman, Peter Bodnarus, Rachel Cocks, Catherine Ircha, Andy Li
Illustrators: Milena Zdravkovic, Rob Jensen, Warren Flanagan, James Clyne
Concept Artist: Tex Kadonaga
Storyboard Artist: Tim Burgard
Graphic Designers: Loree Cameron, Sally Hudson
Art Department Coordinator: Carie Wallis
On-Set Dresser: MacLeod Sinclaire
Assistant Prop Masters: Marta McLaughlin, Eric Partridge
Prop Assistants: Gavin De West, Paul Wagner
Construction Coordinator: Doug Hardwick
Construction Foremen: Mike McLeod, Mark Stainthorpe, Dave Conway
On-Set Carpenter: Mikal Williams
Head Sculptor: Nick Tattersfield
Metal Fabricators: John Panozzo, Wayne Berarducci, Rory Rennison
Paint Coordinator: Jason Claridge
Painters: Carole Kelly, J.J. Mestinsek
On-Set Painter: Mark Tompkins
Head Greensperson: Glenn Foerster
Lead Greensperson: Stephen Watts
Greensperson: Amy Safhay
Makeup Department Head: Thomas Nellen
Makeup Designer: Connie Parker
Makeup Artist: Gitte Axen
Hair Department Head: Sanna Seppanen
Hair Stylist: Pamela Peitzman
Assistant Hair Stylists: Forest Sala, Debra Wiebe
Costume Supervisor: Kim Foster-Dillon
Costume Maker: Ella McEwan
Assistant Costume Designers: Eduardo Castro, Karin Nosella, Alison Fraser
Costume Coordinator: Jessica Lythgoe-Green
Key Costumer: Dawn Leigh Cline
Costumer: Kevin Harrison
A Camera / Steadicam Operator: John Clothier
B Camera / Steadicam Operator: Peter Wilke
A Camera Operator: Richard Merryman ACS
B Camera Operator: Norbert Kaluza
B Camera Operator/First Assist: Stephen Maier
C Camera Pperator/First Assistant: Sean Elliott
C Camera Operator: Lauren Walker
D Camera Operator: Erin Evans
A First Assistant Camera: Tony Rivetti
A First & Second Assistant Camera: Roger Wall
B First & Second Assistant Camera: Ian Levine
C First & Second Assistant Camera: Scott Cozens
D First & Second Assistant Camera: Andy Capicik
Aerial Unit Director of Photog.: Phil Pastuhov
Underwater Unit Director of Photography: Pete Romano ASC
Digital Imaging Technician: Patrick Hogue
Video Playback Supervisor: David McKnight
Computer and Video Stereoscopic Graphic Designer: Gladys Tong
Chief Lighting Technician: Jim Gilson
Assistant Chief Lighting Technician: Sean Davis
Key Rigging Gaffer: Jarrod Tiffin
Best Boy Rigging Electrics: Sierra Hurst, Chris Stigter
Key Grip: William Paul
Assistant Key Grip: Dan Gorval
First Company Grip: J. Michael Popovich
Second Company Grip: John Connon
Best Boy Grip: Dana Baker
Dolly Grips: Gil Forrester, Bryce Shaw
Key Rigging Grip: Kevin McCloy
Best Boy Rigging Grips: Rick Guenther, Julien Bosse
Production Sound Mixer: Michael McGee
Boom Operator: Charlie O'Shea
Cable Operator: Candice Todesco
Overall Special Effects Supervisor: Mike Vézina
Production Special Effects Coordinator: Cameron Waldbauer
Special Effects Technicians: Stewart Bradley, John Macuspie, Brad Zehr, Mike Splatt, Clancy Scheirer
Overall Special Effects Pyrotechnician: Joel Whist
Production Special Effects Designers: Trevor Hill, Ian Binney, Tim Williams, Tony Suffeedini, David Sousa
Special Effects Electronics Engineer: Jordan Kidston
Production Special Effects Rigger: Rafael Sola
Special Effects Unit Red One Camera A First Asst Camera: Christopher Owen Jones
Location Managers: Ann Goobie, Peter Klassen
Assistant Location Managers: Pauline Giordano, Catherine Pittman, Denise Sanders, Julie Schultz
Transportation Captain: Blue Angus
Transportation Co-Captain: Tim Fortin
Casting Associate: Scott David
Casting Assistant: Gina Sharp
Extras Casting Director: Andrea Brown
Head Animal Trainer: Dave Sousa
Lead Animal Trainer: Mark Harden
Animal Trainer: Raymond W. Beal
Additional Animal Trainers: Tammy Blackburn, Georgina Bradley, James Dew, Mark Echevarria, Thomas L. Gunderson, Susan Humphrey, April Mackin
Animal Coordinator: Mark Forbes
Scientific Consultant: John P. Platt
Second Unit Director of Photog.: Pat Loungway
Second Unit Prod Coordinator: Michael Fossat
Second Unit First Assistant Directors: Andrew Robinson, James Bitonti
Second Unit Key Second AD: Misha Bukowski
Second Unit Third Assistant Director: Aric Dupere
Second Unit Property Master: David Dowling
Second Unit Script Supervisor: Christine Lalonde
Second Unit "B" Camera Operator: Robin Furst
Second Unit "A" First Assistant Camera: Douglas Pruss
Second Unit "B" Second Assistant Camera: Doug Lavender
Second Unit "C" First Assist Camera: Raj Sangha
Second Unit "D" First AC: Cynthia Greer
Second Unit "A" Second Assistant Camera: Rich Sinclair
Second Unit Costume Supervisors: Lisa Heche, Summer Eves, Fay Von Schroeder
Second Unit Makeup Artist: Jayne Dancose
Second Unit Hair Stylist: Ian Ballard
Second Unit Chief Lighting Technic: Cory Hodson
Second Unit Best Boy Electric: Fred Wilson
Second Unit Key Grip: Tony Whiteside
Second Unit Best Boy Grip: Matt Almas
Second Unit Dolly Grip: Russell Hawkes
Second Unit Sound Mixer: Eric Lamontagne
Second Unit Boom Operator: Graham Crowell
Second Unit Video Assist Op: Casey MacIntyre
Second Unit Production Office Coordinator: Evangeline Morgan
Second Unit Production Assistant: Beau Ferris
Second Unit On-Set Dresser: Chad Chilibeck
Second Unit Assist Prop Master: Spencer Louttit
Second Unit Aerial Coordinator: Fred North
Second Unit Aerial DoP: Anna Foerster ASC
Kamloops Unit Production Manager, Second Unit: Bruce Brownstein
Second Unit Underwater DoP: Ian Seabrook Aerial Unit "A" Cam Operator, Italy Crew: Jeremy Braben BSC
Aerial Unit DoP, Italy & Brazil Shoot Crews: Sam Nicholson ASC
Production Visual Effects Editor: Samuel Craven
First Assistant Editors: Rob Malina, Rick Malina
EFilm Senior Digital Colorist: Yvan Lucas
EFilm Digital Colorists: Michael Hatzer ASC, Robert Hatfield, Rick J. Brown
Legacy Effects Supervisor: J. Alan Scott
LE Animatronic Animals Designer/Supervisor: Jim Boulden
Digital Effects Production Mgr.: Danielle Costa
Production Visual Effects Coordinators: Katie Spinelli, Lisa Marra
Prod Visual Effects Accountant: John D. Vaughan
Visual Effects Playback Operator Chris F. Moore
Overall Post Visualization Artist: Tom Bruno Jr
Visual Effects Production Assist: Kohl Harrington
Data Wrangler & Visual Effects Set Supervisor: Gord Dunick
Data Wrangler, Visual Effects: Stephen Chan
Virtual Camera Operator: Alistair MacLeod
Uncharted CG Supervisor: Michael Grobe
Uncharted Compositing Supervisor: Marc Rienzo
Uncharted CG Effects Supervisor: Ari Zeltzer
Uncharted Visual Project Managers: Katherina Koepke, Magdalena Wolf
Uncharted Light & Modeling Lead: Andre Cantarel
Uncharted Territory Lighting Lead: Greg Tsadilas
Uncharted Territory Lead Compositor: Niki Bern
Uncharted Matte Painting Supervisor: Ivo Horvat
Uncharted Territory Modeling Lead: Justin Mijal
Uncharted Texture Leads: Greg Strasz, Federico Rivia
Uncharted Territory Rebel Unit Compositors: Ryan Smolarek, Rony Soussan
Uncharted Territory VFX Producer: Julia Frey
Uncharted Senior CG Effects Artists: Attila Zalanyi, Joe Scarr, Christian Zurcher, Sam Khorshio
Uncharted CG Effects Artists: Derek Blume, Rudy Cortes, Jason Grosby, Rif Dagher, Nick Danico, Brian Demetz, Wayne England, Ian Farnsworth, David Glickman, Joe Gunn
Uncharted Senior Lighting Artists: Erica Schiele, Joe Mangione
Scanline VFX Senior Visual Effects Supervisor: Stephan Trojansky
Scanline VFX Visual Effects Supervisor: John Han
Scanline VFX Executive Producers: Joel Mendias, Ismat Zaidi
Scanline VFX Visual Effects Producer: Mike Mielke
Scanline VFX Digital Producer: Lisa K. Spence
Scanline VFX CG Supervisors: Ivo Klaus, Danielle Plantec, Roman Schmidt
Scanline VFX Digital Supervisor: Deborah Carlson
Scanline VFX Comp Supervisor: Chris LeDoux
Scanline VFX Addition. Visual Effects Supervisor: Bryan Grill
Scanline VFX Production Manager: James Dornoff
DNEG Visual Effects Supervisor: Alex Wuttke
DNEG Visual Effects Producer: Lorna Paterson
DNEG CG Supervisor: Gavin Graham
DNEG Compositing Supervisor: Matthew Twyford
DNEG Line Producer: Emma Larsson Cummins
SPI Visual Effects Supervisor: Peter Nofz
SPI Visual Effects Producer: Lisa Goldberg
SPI CG Supervisors: Daniel Eaton, John Haley
SPI Crowd Effects Supervisor Garcia Cunningham
SPI CG Modeling Supervisor: Kui Han Lee
SPI Digital Prod Supervisor: Evangeline Monroy
SPI Supervising Visual Effects Coordinator: Keith Luczyeo
SPI Visual Effects Coordinator: Ian J. McIntosh
SPI VFX Production Supervisor, Matchmove & Rotoscope: Joe Gareri
SPI CG Supervisor, Matchmove & Roto: Gomathi Ramalingam
SPI VFX Production Manager Matchmove & Roto: Navin Venkatesh
SPI 3D Vis Development Artist: James Battersby
SPI Senior Digital Color Timer: Paul McGhee
Digital Domain Visual Effects Supervisor: Mohen Leo
Digital Domain Visual Effects Producer: Kelly L'Estrange
Digital Domain Digital Effects Supervisors: David Hodgins, Darren M. Poe
Digital Domain CG Supervisors: Haarm-Pieter Duiker, David J. Stephens
Digital Domain Digital Producer: Kymber Lim
Digital Domain CG Effects Animation Leads: Ryo Sakaguchi, Mårten Larsson
Digital Domain CG Lighting Lead: Hanzhi Tang
Digital Domain On-Set Survey Lead: Geoffrey Baumann
Pixomondo VFX Supervisor: Rainer Gombos
Pixomondo VFX Producer: Steve Kullback
Pixomondo Digital Producers: Annemarie Gribbs, Jan Heinze, Sebastian Leutner
Pixomondo VFX Coordinators: Franzisca Puppe, Lisa Hansen
Pixomondo CG Supervisor: Boris Schmidt
Pixomondo CG Effects Supervisor: Mohsen Mousavi
Hydraulx Visual Effects Supervisor: Chris Wells
Hydraulx Visual Effects Designers: Colin Strause, Greg Strause
Hydraulx Sr Executive Producer: Tony Meagher
Hydraulx Executive Producers: Scott Michelson, Guy Botham
Hydraulx Visual Effects Coordinator: Will Marlett
Hydraulx Character Supervisor: Joseph Harkins
Hydraulx Animation Supervisor: Joshua Cordes
Hydraulx Modeling Supervisor: Yoshiwa Yamada
Hydraulx Pipeline Supervisor: Chris Haney
Hydraulx Sr Inferno Compositor: Loeng Savun
Technicolor Beijing Visual Effects Supervisor: Phil Jones
CHE Visual Effects Supervisor: Paul Graff
CHE Visual Effects Producer: Christina Graff
NDS Visual Effects Supervisor: Ian Hunter
NDS Visual Effects Producer: David Sanger
Filming Dates: 23 July 2008 - December 2008
Cameras: Red One, Panavision® Genesis & Panaflex Platinum (35mm Kodak Vision3 500T 5219, 1080p HDCAM SR & 4K Redcode RAW)
Lenses: Panavision® Primo Spherical Primes
AR 2.39:1 (3-P & 4-Perf Super 35mm)
Budget: 200 Million USD
Budget AFI (2021): 250.9 Million USD
Post Production Services Provided by: Skywalker Sound & Sony Pictures Studios
Digital Intermediate Provided by: EFilm
Animatronic Effects Provided by: Legacy Effects
Special Visual Effects, Digital Animation & Digital Environments + Pre-Vis Created by: Uncharted Territory, Scanline VFX, Double Negative, Sony Pictures Imageworks, Digital Domain, Hydraulx, Pixomondo, Café FX, The Post Office, Gradient FX, Technicolor Beijing, Evil Eye, Lemke VFX, Rotofactory, Universal Production Partners, Crazy Horse Effects, Image Engine & Proof
Lidar Scanning by: Gentle Giant & Lidar VFX
Miniatures Provided by: New Deal Studios
Prints Provided by: Deluxe
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision® (Panavision® Genesis) - DirectorRoland EmmerichStarsRhys IfansVanessa RedgraveDavid ThewlisThe theory that it was in fact Edward De Vere, Earl of Oxford, who penned Shakespeare's plays. Set against the backdrop of the succession of Queen Elizabeth I and the Essex rebellion against her.Director (Theatre Scenes): Tamara Harvey
Composers: Harold Kloser, Thomas Wander
Cinematographer: Anna Foerster ASC
Film Editor: Peter R. Adam
Production Designer: Sebastian Krawinkel
Supervising Art Director: Stephan Gessler
Costume Designer: Lisy Christl
Senior SFX Supervisor: Gerd Nefzer
Senior SFX Technician: Gonzalo Outeda Giménez
Senior VFX Supervisor: Volker Engel
VFX Supervisor: Marc Weigert
Stunt Coordinator: Rainer Werner
Ass't Stunt Coordinator: Armin Sauer
A-Camera/Steadicam Operator: Sebastian Meuschel
B-Camera Operator/2nd Unit DP: Vladimir Subotic
C-Camera Operator: Philip Peschlow
Add'l Camera Operator: Isabelle Arnold
Add'l Film Editor: Christoph Strothjohann
Digital Colorist: Florian Utsi Martin
Arri Alexa Technical Supervisor: Christoph Hoffsten
Red Camera Supervisor: Jonathan Smiles
Filming Dates: 22 March 2010 - 18 June 2010
Cameras: Arri Alexa & Red One MX (2K ARRIRAW)
Lenses: Arri Master Primes, Zeiss Ultra Primes & Angenieux Optimo Zooms
AR: 2.39:1 (Super 35mm)(4.5K Redcode RAW: Some Scenes)
Budget: 30 Million USD
Budget AFI (2021): 35.9 Million USD
Printed on: Kodak Vision 2383
Attribute: Captured with Alexa - DirectorRoland EmmerichStarsChanning TatumJamie FoxxMaggie GyllenhaalWhile on a tour of the White House with his young daughter, a Capitol policeman springs into action to save his child and protect the president from a heavily armed group of paramilitary invaders.Costume Designer: Lisy Christl
Re-Record Mixer, Sup Sound Editor & Designer: Paul NJ Ottosson
Co-Producer/Production VFX Supervisor: Volker Engel
Co-Producer/Production VFX Supervisor/2nd Unit Director: Marc Weigert
Producer/Composer: Harold Kloser
Composer: Thomas Wander
Composers (Add'l Music): Tom Schobel, Marcus Trumpp
Film Editor: Adam Wolfe
Production Designer: Kirk M. Petrucelli
Cinematographer: Anna Foerster ASC
Cinematographer (Washington DC Unit): Mark Vargo ASC
Exec Producers: Ute Emmerich, Channing Tatum, Reid Carolin
Producer/Writer: James Vanderbilt
Producer/Unit Production Manager: Larry Franco
Producer: Laeta Kalogridis
Supervising Stunt Coordinator: John Stoneham Jr
Fight/Stunt Coordinator: Layton Morrison
Unit Production Manager: Josette Perrotta
Production Manager: Daniel Auclair
1st Assistant Director: Joseph P. Reidy
2nd Assistant Director: Bethan Mowat
Supervising Art Director: Isabelle Guay
A Camera Operator: François Daignault
B Camera Operator/Splinter Unit DoP: Sylvaine Dufaux
C Camera Operator: Geoffroy St-Hilaire
C Camera Operator (Dailies)/Underwater Unit A Camera Operator: Brent Robinson
Add'l Camera Operator: George Peters
Aerial Unit DoP: Hans Bjerno ASC
Aerial Unit Camera Technician: Dane Bjerno
Underwater Unit Photog Coordinator: Emmanuel Béhier Migeon
Military Costume Consultant: Enrico Squeri
Chief Lighting Technician: Jean Courteau
Production SFX Supervisors: Louis Craig, Cam Waldbauer
SFX Floor Supervisor: Terry Flowers
SFX Workshop Supervisor: Jamie Murrell
SFX Senior Techs: Paul Brady, Andrew Verhoeven
Senior SFX Pyrotechnic Supervisor: Terry Glass
Ass't Production Manager: Drew Locke
Technical Consultants: Josh Young, Rob Yalden
Washington DC Consultant: Richard Klein
Action Vehicle Supervisor: Graham Kelly
Ass't Action Vehicle Coordinator: Michael Brinkley
2nd Unit DoP: Ronald Hersey
2nd Unit A Camera Operator: Hugues Tremblay
2nd Unit B Camera Operator: Michel Bolduc
Washington DC Unit Aerial Cons.: Andrew Dutton
Digital Finishing Colorist: Steve Bowen
VFX Technology Consultant: Alberto Menache
Production VFX Producer: Julia Frey
Add'l VFX Producer: Asha Joseph
VFX Plate Producer: Ivy Agregan
VFX Art Supervisor: Greg Strasz
Production VFX Coordinators: Zack Fox, Francesca Mancini
VFX Ass't Coordinator: Dadrian Flavors
Uncharted Territory CG Sup.: Marion Spates
Uncharted Territory CG Modeling Sup.: Andre Cantarel
Uncharted Territory Previz Supervisor: Conrad Murrey
Uncharted Territory Lead Sr Compositor: Ryan Smolarek
Uncharted Territory VFX Project Manager: Stacey Weigert
Uncharted Territory Sr Pipeline Engineer: Chris Reid
Method VFX Supervisors: Ollie Rankin, Matthew Dessero
Method VFX Producers: Chris Anderson, Aurelia Abate
Method VFX Prod Manager: Laurel Montgomery
Method VFX Coordinators: Yi Shen, Carly Wilson, Penelope Scott
Method Studios VFX Editor: Jennifer Pearson
Method VFX Executive Producer: Shauna Bryan
Method CG Supervisors: Blake Sweeney, Sean Schur
Method Lighting Supervisor: Andrew McPhillips
PFW VFX Supervisor: Alex Pejic
PFW CG Supervisor: Rob Allman
PFW 2D Supervisor: David Shere
PFW VFX Producer: Nick King
PFW Associate VFX Supervisors: Fred Sundqvist, Shailendra Swarnkar
PFW Associate VFX Producer: Justin Gladden
PFW VFX Line Producers: Ryan Delaney, Asha Lillian Joseph
PFW Sr VFX Coordinator: Ann-Marie Blommaert
PFW VFX Coordinators: Emma Cooper, Jake Delaney, Tom Parker, Zachary Mallett
PFW Animation Supervisor: Craig Bardsley
PFW Digital Matte Painting Supervisor: Neil Miller
PFW Modeling Supervisor: Matthew Hughes
PFW Animation Rigging Sup.: Jakub Krompolc
PFW Prep Supervisor: Shayne Ferrier
PFW Roto Supervisor: Abu Thahir
Hybride VFX Supervisors: Joseph Kasparian, Philippe Theroux
Hybride VFX Prod Manager: Thierry Delattre
Hybride VFX Exec Producers: Daniel Leduc, Pierre Raymond, Michel Murdock
Hybride VFX Producer: Louise Bertrand
Hybride Compositing Supervisor: Richard Martin
Hybride CG Supervisor: Marco Tremblay
Luxx Studios VFX Supervisor: Christian Haas
Luxx VFX Supervisor/Producer: Andrea Block
Scanline VFX Supervisor: Jan Krupp
Scanline VFX Producer: Matthias Winter
Scanline VFX Sr FX Supervisor: Roland Langschwert
Scanline VFX FX Supervisor: Ivo Klaus
Scanline Executive VFX Producer: Ismat Zaidi
Crafty Apes VFX Supervisors: Chris LeDoux, Tim LeDoux
Crafty Apes Digital Compositor: Mark LeDoux
Factory VFX DFX Supervisor: Radley Teruel
Fuse FX VFX Producer: Tim Jacobsen
Camera: Alexa Plus (2.8K ARRIRAW)
Lenses: Arri Master Primes, Master Macro Primes, Zeiss Ultra Primes, Lightweight Zoom & Fujinon Alura Zoom
AR: 2.39:1 (Super 35mm)
Budget: 150 Million USD
Visual Effects Production Management Provided by: Uncharted Territory, Method Studios, Prime Focus World, Hybride Technologies & Scanline VFX
Attribute: Filmed in Arri - DirectorRoland EmmerichStarsJeremy IrvineJonny BeauchampJoey KingA young man's political awakening and coming of age during the days and weeks leading up to the Stonewall Riots.Composer: Rob Simonsen
Cinematographer: Markus Forderer ASC BVK
Film Editor: Adam Wolfe
Production Designer: Michele Laliberte
Set Decorator: Sébastien Thivierge
Costume Designer: Simonetta Mariano
Associate Producer/Production Manger: Daniel Auclair
Senior SFX Supervisor: Guillaume Murray
Senior VFX Supervisor: Pierre-Simon Lebrun-Chaput
VFX Supervisor: Greg Strasz
On-Set VFX Supervisors: Thomas Chesny, Marc-Antoine Desjardins
VFX Coordinator: Marie-Eve Bedard-Tremblay
Senior VFX Producer: George Jardon
VFX Producer: Benoît Brière
Stunt Coordinator: Patrick Kerton
Camera Operators: François Daignault, Maarten Kroonenburg
B-Camera Operator: Alfonso Maiorana
DI Colorist: Walter Volpatto
Camera: Red Epic Dragon (6K Redcode RAW)
Lenses: Hawk V-Lite Anamorphic Primes, Vintage '74 Anamorphic Primes & V-Plus Anamorphic Zooms
AR: 2.39:1 (Anamorphic)
Budget: 12-14 Million USD
Visual Effects Provided by: Oblique FX
Attribute: Camera Equipment Provided by Vantage Film - DirectorRoland EmmerichStarsLiam HemsworthJeff GoldblumBill PullmanTwo decades after the first Independence Day invasion, Earth is faced with a new extra-Solar threat. But will mankind's new space defenses be enough?Producer & Co-Writer: Roland Emmerich
Producer & Co-Writer: Dean Devlin
Co-Writers: Nicolas Wright, James A. Woods
Screenwriter: James Vanderbilt
Producer & Composer: Harold Kloser
EPs & UPMs: Larry Franco, Carsten Lorenz
Executive Producer: Ute Emmerich
Cinematographer: Markus Forderer ASC BVK
Cinematographer, AP: Robby Baumgartner
Cinematographer (EPK Camera): James Mulryan
Production Designer: Barry Chusid
Film Editor: Adam Wolfe
Co-Producer & Production VFX Supervisor: Volker Engel
Co-Producer: Marco Shepherd
Composer: Thomas Wander
Costume Designer: Lisy Christl
Casting: John Papsidera CSA
Dedicated to: Robert Loggia
Sup. Stunt Coordinator: John Stoneham Jr
Assistant Stunt Coordinator: Jake Mervine
Stunt Riggers: Monte Thompson, Kai Hirvonen, Rafael Sola
Production Puppeteers: Bernhard Eichholz, Eric Fiedler, Gary Grove, Sam Polin, Justin Raleigh
Edge Unit Pursuit Driver: Michael Majesky
Aerial Unit Pilot: Fred North
Key 1st AD & Co-Producer: KC Hodenfield
2nd Assistant Director: Jai James
Conceptual Artwork-Title Design Lead: Johannes Mucke
Production Visual Effects Producer: Marc Weigert
Associate Producer: Jeffrey Harlocker
Supervising Art Director: Patrick M. Sullivan Jr
2nd Art Directors: Clint Wallace, Caty Maxey
3rd Art Directors: Christa Munro, Eric D. Sundahl
Art Director (Vehicle Design): Ron Mendell
1st Assistant Art Director: Samantha Avila
2nd Assistant Art Director: Lauren Abiouness
3rd Assistant Art Director: Tammy S. Lee
Production Graphic Artist: Susan A. Burig
Assistant Graphic Designer: Alan Chao
Art Department Coordinator: Nancy A. King
Creature Design Supervisor: Patrick Tatopoulos
Supervising Set Decorator: Jay Hart
Assistant Set Decorator: Kevin Kropp
Set Dec Coordinator: Anne Tobin
Prop Shop Coordinator: Michael Maloney
Set Dec Assistant: Molly Ebner
2nd 2nd Assistant Director: Kevin Collins
2nd Visual Effects Producer: Terry Clotiaux
Production DFX Supervisor: Marion Spates
Production VFX Accountant: Chris Rockwell
Digital Production Supervisor: Devon Patterson
Editorial Coordinator: James Uddo
Marketing Coordinator: Amanda Newby
Production Postviz Coordinator: Clay Shank
Production VFX Coordinators: Jessica Wilson-Silas, Shelley Andagan
Additional VFX Supervisor: Douglas Hans Smith
Visual Effects Art Director: Michael G. Maher
Centropolis Visual FX Supervisor: Greg Strasz
Production Illustrator: Sean M. Hargreaves
On Set Visual Effects Manager: Carla Schwam
Set Visual Effects Coordinator: Denise Gayle
Lead Data Wranglers: Derrek P. Horn, Shawn Wayman
'A' Camera Operator: Francois Daignault
1st Assistant 'A' Camera: Nick Shuster
2nd Assistant 'A' Camera: Hayden Pazanti
'B' Camera Operator: James Goldman
1st Assistant 'B' Camera: Steven Cueva
2nd Assistant 'B' Camera: JoJo Zovko
Camera Loader: Ryan Bushman
DIT: Jeroen Hendriks
Post Production Supervisor: Jason Miller
Post Production Coordinator: Ricardo Marrero
Additional Film Editors: David Brenner ACE, Joe Hutshing ACE, Mitchell J. Glaser
1st Assistant Editors: Evan Fisher, Yvonne Valdez
2nd Assistant Editor: Paul O'Bryan
3rd Assistant Editors: Joe Rockom, Sam Restivo
Production Visual Effects Editor: Tom Reagan
1st Assist VFX Editor: Claudia Guerrero-Zalokar
2nd Assistant Visual Effects Editor: Todd Busch
Post Production Assistant: Joel Lin
Digital Operator: Kory Voxen
Supervising Re-Recording Mixer & Sound Design Editor: Paul NJ Ottosson CAS
Re-Recording Mixer: Michael Minkler CAS
Gaffer: Jay Douglas Kemp
Rigging Gaffer: Lamarr Gray
'A' Dolly Grip: Ian J. Hanna
'B' Dolly Grip: Lea Miller
Technocrane Operator: Tom Shaughnessy
Technocrane Tech: Evan Nelson
Assistant Costume Designer: Mary Iannelli
2nd Assistant Costume Designer: Shanna Knecht
Costume Supervisor: Dana Hart
Supervising Location Manager: Becca Puck Stair
Key Assistant Location Manager: Clay DeVelvis
Production Location Assistant: Bryce Palmer
Supervising Prop Master: Brad Einhorn
Assistant Prop Master: Brad Good
Props Department Coordinator: Camelia Raftery
Props Assistant (CA): Lorie Arms
Production Special FX Coordinator: David Greene
On Set Coordinator - Special FX: Ray Wilkerson
General Foreman - Special FX: Joe Montenegro
Shop Foreman - Special Effects: Michael Rifkin
Pyro Foreman - Special Effects: Doug Passarelli
Sheet Metal Foreman-SFX: Chad Van Baalbergen
Production Machinist - SFX: Michael D. Roundy
Design Engineer - Special Effects: Don Gray
Production Purchaser - SPFX: Joshua R. Pinney
Production SPFX Assistant: Angela Maldonado
Production Supervisor: Brendan Garst
Production Coordinator: Tamara Allen
Assistant Production Coordinator: Brandon Harris
Production Assistant: Kim Winther
Transport Captain-Pic Car Coordinator: Jay Vigil
DOT Supervisor: Keith L. White
ADR Supervisor: Kimberley Harris
Foley Supervisor: Mark Pappas
Title Design Lead: Patrick Strum
Production Preview Engineer: Lee Tucker
Lead Dailies Project Manager: Christina E. Wasell
FCS Dailies Project Manager: Jenni Sorokin
FCS Senior NextLAB® Operator: Timothy Moxey
FCS NextLAB® Operator: Rich Caputo
FCS Lead DI Colorist: Walter Volpatto
FCS Senior DI Editor: Philip Beckner
FCS Lead DI Project Manager: Jose Parra
FCS DI Project Managers: Christopher Stack, Sue Alexander
FCS N/F Artists: Rene Simon, Karen Nichols
FCS I/O Supervisor: David Rosenthal
Supervising DI Colorist: Florian Utsi Martin
Production Stereographer, Stereo D: Simon Kern
Additional Stereographer: Graham Clark
Stereo Production Supervisor: Whitney Richman
Production Stereo Editor: Michael Buck
Production Stereo Assistant: Rachel Decker
UT Sr Visual Effects Producer: Katharina Salinger
UT VFX Plate & 2D Supervisor: Ryan Smolarek
UT Animation Supervisor: Conrad Murrey
UT CG Model Supervisor: Andre Cantarel
UT CG Supervisor: Andrew Roberts
UT Effects Supervisor: Jason Crosby
Scanline VFX Sups: Bryan Grill, Mohsen Mousavi
Scanline VFX Add'l Super.: Stephan Trojansky
Scanline VFX Visual Effects Prod: Robert E. Evans
Weta Senior Visual Effects Supervisor: Joe Letteri
Weta Lead Visual Effects Supervisor: Matt Aitken
Weta Sr Visual Effects Producer: Marvyn Young
Weta Executive VFX Producer: David Conley
Weta Sr Animation Supervisor: David Clayton
Weta Comp Supers: Scott Chambers, Sam Cole
Weta Effects Supervisor: Jason Lazaroff
Weta Look Dev Lead: Yann Provencher
Weta Layout Lead: Teresa L. Winters
Weta CG Sups: Phil Leonhardt, Sean Noel Walker, Ronnie Menahem
Weta Visual Effects Prod Manager: Cole Smith
Weta International Prod Sup: Steven McKendry
MPC VFX Supervisor: Sue Rowe
MPC VFX Producer: Simon Kenny
Cinesite Senior Visual FX Supervisor: Holger Voss
Cinesite Senior Visual FX Producer: Alain Lalanne
Cinesite Digital FX Supervisor: Aymeric Perceval
Cinesite Add'l Sups: Christian Nickel, Eamonn Butler, Etienne Daigle, Stephane Paris
DD1.0 Visual Effects Supervisor: Dave Hodgins
DD1.0 Visual Effects Producer: Steve Won
DD1.0 Digital Effects Supervisor: Mårten Larsson
Stereo D EPs: William Sherak, Aaron Parry, Mike Gunter
Stereo D Stereo Producer: Cindy Rago
Stereo D Production Supervisor: Adam Fisk
Score Recordist: Dennis S. Sands
Filming Dates: 20 April 2015 - 22 August 2015
Cameras: Red Epic Dragon & Weapon Dragon (4K/6K Redcode RAW)
Lenses: Hawk V-Lite AL Primes, V-Lite 1.3x AL Primes, V-Plus AL Zooms, Fujinon Alura Zoom & Zeiss Compact Zoom
AR: 2.39:1 (Anamorphic & 3-Perf Super 35mm)
Budget: 165 Million USD
Digital Dailies, 2D & 3D Digital Intermediate by: FotoKem Creative Services
Visual Effects, Previsualization, Animation & VFX Production Management Created by: Uncharted Territory, Scanline VFX, Weta Digital, MPC, Cinesite & Digital Domain
3D Conversion Provided by: Stereo D & Legend3D
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Cameras Provided by Keslow Camera - DirectorRoland EmmerichStarsEd SkreinPatrick WilsonWoody HarrelsonThe story of the Battle of Midway, told by the leaders and the sailors who fought it.Producer: Roland Emmerich
Producer/Composer: Harold Kloser
Writer: Wes Tooke
Composer: Thomas Wander
Cinematographer: Robby Baumgartner
Production Designer: Kirk M. Petrucelli
Film Editor: Adam Wolfe
Supervising Art Director: Isabelle Guay
Costume Designer: Mario Davignon
Senior SFX Supervisor: Guillaume Murray
Scanline VFX Supervisor: Nick Crew
Pixomondo VFX Supervisor: Derek Spears
Pixomondo VFX Unit Add'l DP: Paul James Bird
Stunt Coordinator: Patrick Kerton
Hawaii Unit Stunt Coordinator: Brian L. Keaulana
Hawaii Unit Camera Operator: Reid Murphy
Underwater Unit Camera Operator: Don King
DI Colorist: Walter Volpatto
Filming Dates: 24 September 2018 - 12 December 2018
Camera: Millennium DXL2 (8K Redcode RAW)
Lenses: Panavision H-Series Spherical Primes
AR: 2.39:1 (3-Perf Super 35mm)
Budget: 100 Million USD
Digital Intermediate Provided by: EFilm Company 3
Visual Effects Provided by: Scanline VFX, Pixomondo, MELS & Zero VFX
Attribute: Filmed in Panavision - DirectorRoland EmmerichStarsHalle BerryPatrick WilsonJohn BradleyA mysterious force knocks the moon from its orbit and sends it hurtling on a collision course toward earth.Writer/Producer: Roland Emmerich
Composer (Original Music), Writer & Producer: Harold Kloser
Writer/Executive Producer: Spencer Cohen
Executive Producer: Ute Emmerich
Exec Producer/Key Unit Prod Manager: Carsten Lorenz
Cinematographer: Robby Baumgartner
Cinematographer (Add'l Photog - Vancouver Unit & Splinter Unit)/"B" Camera Operator: Michel St-Martin
Production Designer: Kirk M. Petrucelli
Film Editor: Adam Wolfe
Film Editor, Title & End Credit Designer: Ryan Stevens Harris
Composer (Original Music) & Score Orchestrator: Thomas Wanker
Composer (Add'l Music) & Music Editor: Thomas Schobel
Composer (Add'l Music) & Score Orchestrator: Lukas Knoebl
Costume Designer: Mario Davignon
Costume Designer (Add'l Photog - Vancouver Unit): Florence Barrett
Production VFX Supervisor: Peter G. Travers
Production VFX Producer: Tricia Mulgrew
Key 1st Assistant Director: Bethan Mowat
Unit Production Manager: Anne-Marie Roberge
Unit Prod Manager/Co-Producer: Daniel Auclair
Key 2nd AD & Assoc. Producer: Esteban Sanchez
Associate Producer & Post-Prod Supervisor: John Amicarella
Associate Producer: Michael Klaus Ritter
Co-Assoc. Producers: Caroline Saunders, Tobias Gutzwiller
1st Ass't Editor & Add'l Film Editor: Paul O'Bryan
Sound Re-Recording Mixers: Greg P. Russell, Tom Marks
Key Concept Artist: Johannes Mucke
Supervising Stunt Coordinator: Patrick Kerton
Key Stunt Rigger: Martin Williams
Supervising Art Director: Félix Larivière-Charron
Supervising Art Dept. Coord: Cecile Braemer
Production Art Dept. Coord: Genevieve Ferderber
2nd Ass't Art Directors: Yen-Chao Lin, Steban Sanfacon
Set Designers: Frédéric Amblard, Marc-Andre Tratch, Simon Theberge
Graphic Designer: Isabelle Cote
Graphic Artist: Anne-Marie Giroux
Supervising Set Decorator: Ann Victoria Smart
Production Set Dec Coordinator: Viviane Vallee
Ass't Set Dec Coordinator: Valerie Caron
Leadman Decorator: Hans Laliberte
Set Decorators: Philippe Lord, Suzanne Cloutier
Ass't Set Dec Coord (Props): Genevieve Parent
Key 3rd Assistant Director (Set): Ela Miszkurka
Key 3rd AD (Basecamp): Geneviéve Duguay
Trainee Assistant Director: Walid Ghodbane
Daily 3rd Ass't Directors: Lisa Diallo, Tanya Van Blokland, Marlee Gruss-Neidhardt
"A" Camera/Steadicam Op: François Daignault
"A" Camera 1st Assistant: Dany Racine
"A" Camera 2nd Ass't: Soupharak Keoborakoth
"B" Camera 1st Assistant: Gary Pachany
"B" Camera 2nd Assistant: Eric Aubin
D.I.T.: Julie Garceau
Data Wrangler: Yann Mongrain
"A" Camera Utility Assistant: Isabelle Lauzon
"B" Camera Utility Assistant: Ashley Doucet
Video Coordinator: Vincent Gouin
Video Assist #1: Jean-Sebastien Houle
Video Assist #2: Liuvia Melodie Rondeau
Add'l Video Assist: Charles Castonguay
Specialized Cam Op/Underwater Unit A-Cam Op: Emmanuel Béhier Migeon
Playback Supervisor: Anatol Treba
MP Video Coordinator: Mitchell Wiener
Add'l "B" Camera Operator: Robert Mattigetz
Add'l "C" Camera Op: Frédéric Chamberland SOC
"A" Camera Trainee: Noemie Gilbert
"B" Camera Trainee: Mathieu Vaillancourt
Aerial Unit UAV Cam Operator: David Marcotte
Aerial Unit UAV Pilot: Patrick Cote
2nd Assistant Editor: Cory Gath
VFX Editors (LA): Harold Parker, Ryan Turner
VFX Editor (Montreal): Tom Randaxhe
1st Assistant VFX Editor: Linda Sundlin
2nd Assistant VFX Editor: Claudia Guerrero
3rd Assistant VFX Editor: Christopher Hills Wright
Post-Prod Consultant: Christopher Kulikowski
Post-Production Coordinator: Ana Paula Martinez
Score Conductor & Orchestrator: James Brett
Chief Lighting Technician: Eames Gagnon
Key Rigging Gaffer: Gilles Fortier
Key Rigging Grip: Daniel Robidoux
Key Military Costumer/Consultant: Harlan Glenn
Supervising Loc Manager: Michele St-Arnaud
Key Ass't Location Manager: Josee Francis
Prop Master: Lise Pharand
Production SFX Supervisor: Guillaume Murray
SFX Shop Supervisor: Chris Nankoo
SFX Office Coordinator: Marie-Andree La Fleur
Key On Set SFX Supervisor: Michel Gagnon
SFX Key Rigger: Benoit Cote
Production SFX Rigger: Samuel Guillard Beach
Aviation FX Supervisor: Doug Scroggins III
Development Executive: Tay Centineo
Production Coordinator: Maire-Elaine Bailly
Ass't Production Coordinator: Carole J. Guignard
Post-Production Accountant: Ami Francis
Base Camp Technician: Maxime Langevin
Logistics Manager: Alain Bernard
Supervising Picture Car Coordinator: Réal Hamel
On-Set Picture Car Coordinator: Eric Brais
Health & Safety Supervisor: Melanie Bergeron
Weapons Coordinator: Christian Labrie
Ass't Weapons Coordinator: Carole Pitre
Astronaut Consultant: David Saint-Jacques
Space Shuttle Advisor: Bjarni Tryggvason
Aerospace Consultant: Thad Chilcoat
Scientific Consultants: Dennis R. Jenkins, Mika McKinnon, Christa Van Laerhoven
Astro-Physical Consultant: Werner Gruber
Splinter Unit 1st Assistant Director: Carl Kouri
Splinter Unit Gaffer: Paul Pierre Daudelin
Line Producer (Add'l Photog - Vancouver Unit): Aaron Au
Prod Manager (Add'l Photog - Vancouver Unit): Ricardo Plaza-Rosselot
1st Ass't Dir (Add'l Photog - Vancouver Unit): Jeremy Doiron
2nd Ass't Dir (Add'l Photog - Vancouver Unit): Trevor Zurkan
Prod Coord (Add'l Photog - Vancouver Unit): Steven Learmonth
Art Director (Add'l Photog - Vancouver Unit): Sophie Graham
"A" Camera/Steadicam Op (Add'l Photography - Vancouver Unit): Dean Webber
1st Ass't "A" Camera (Add'l Photog - Vancouver Unit): Christian Eggenberger
2nd Ass't "A" Camera (Add'l Photog - Vancouver Unit): Tamara Cesarac
DIT (Add'l Photography - Vancouver Unit): Frank Devine
Gaffer (Add'l Photog - Vancouver Unit): Agustin Little
Loc Manager (Add'l Photog - Vancouver Unit): Michael Roberts
Ass't Loc Manager (Add'l Photog - Vancouver Unit): Derek Sutherland
Transport Sup (Add'l Photog - Vancouver Unit): Andrew O'Brey
H&S Manager (Add'l Photog - Vancouver Unit): Joshua Lam
Add'l VFX Producer: Iskra Nacheva
VFX Production Supervisor (LA): Paul Aton
VFX Coordinator (LA): Natasha Simonson
VFX Ass't Coordinator (LA): Na'Shawn Jackson
VFX Production Assistant (LA): Cooper Dinowitz
In-House Artist (LA): Ryan Wieber
Plate Data Wrangler (LA): James Dornoff
Plate Photographer (LA): Travis Geske
Senior Illustrator (LA): Philip Ballard
VFX Plate Data Wrangler (MTL): Ken Caines
VFX Ass't Plate Data Wrangler (MTL): Alex Gaipo
VFX On-Set Coordinator (MTL): Timothy Ferris
VFX Ass't Coordinator (MTL): Patricia Ferris
VFX On Set Prod Ass't (MTL): Slaven Djakovic
VFX Office Clerk (MTL): Jacob Reardon
Lead NCAM Operator (MTL): Devin Lyons
Scanline VFX Sr VFX Supervisor: Laurent Taillefer
Scanline VFX Add'l VFX Supervisor: Mat Giampa
Scanline VFX Sr VFX Producers: Patrice Cormier, Alain Lalanne
Scanline VFX Sr FX Supervisor: Ahmad Ghourab
Scanline VFX CG Supervisors: Ashley Blyth, Brian Gossart
Scanline VFX Comp Supervisors: Ed Walters, Natalia De La Garza, Dmitry Uradovskiy
Scanline VFX Digital Production Manager: Thelma Rangel
Scanline VFX Dept. Supervisors: Ben Lepine, Charana Mapatuna, Maxime Guillemin
Scanline VFX Environment Sup.: Didier Muenza
Scanline VFX Producer: Zachary Mallett
Scanline VFX FX Supervisor: Jean Claude Nouchy
Scanline VFX Modeling Sup.: Matthew Bullock
Scanline VFX Rigging Sup.: Azadeh Iranban
Framestore Sr VFX Supervisor: Robert Winter
Framestore Senior VFX Producer: Sophie Carroll
Framestore CG Supervisors: Laurent Pancaccini, Tom Fonvillars
Framestore FX Supervisor: Kevin Brown
Framestore Comp Supervisor: Renaud Madeline
Framestore Animation Sup.: Thiago Martins
Framestore VFX Line Producer: Tommy Souza
DNEG Senior VFX Supervisor: Stephane Paris
DNEG Lead Executive VFX Producer: Melinka Thompson-Godoy
DNEG DFX Supervisor: Romain Bouvard
DNEG Executive VFX Producer: Philipp Wolf
DNEG VFX Producer: Blair Brownlee
DNEG CG Supervisors: Lad Rohit, Nicolas Sparks, Jeremy Dineen
DNEG Comp Supervisors: Alexis Bechet, Sharon David
DNEG VFX Production Manager: Natasha Pereiro
DNEG FX Supervisor: Hesham Eissa
DNEG Animation Supervisor: Bartek Kujbida
DNEG CG Creature Supervisor: Chiara Licandro
DNEG Build Supervisor: Ganesh Poojari
DNEG Pipeline Supervisor: Andy Cuthbert
Pixomondo Exec VFX Producer: Benoit Touchette
Pixomondo Sr VFX Supervisor: Arek Komorowski
Pixomondo VFX Producer: Maria Mira
Pixomondo CG Supervisor: Graham Houston
Pixomondo Comp Supervisors: Rex Alerta, Kodie MacKenzie
Pixomondo Previz Supervisor: Chris De Souza
RBF Senior VFX Supervisor: Rainer Gombos
RBF Senior VFX Producer: Yannick Sadler
RBF VFX CG Supervisor: Robert Rioux
RBF Executive VFX Producer: Marc Cote
RBF VFX Comp Supervisor: Michael Beaulac
RBF VFX Production Manager: Rebecca Harvey
Lola VFX Executive Producer: Thomas Nittmann
Lola VFX EP/Sr VFX Supervisor: Edson Williams
Lola VFX Supervisor: Jonathan West
Lola VFX Coordinator: Katharine Meadows
Lola VFX Producer: William Wright Anderson
Lola VFX Editor: John Polyson
Proof Sr Visualization Supervisor: Eric Benedict
Proof Visualization Lead: Jeremiah Forkkio
Proof Visualization Producer: Patrice Avery
CO3 Senior Finishing Colorist: Walter Volpatto
CO3 Finishing Producer: Vanessa Galves-Morez
CO3 Finishing Executive: Sheryl Goodhead
CO3 Finishing Editor: Chris Doerr
CO3 Head of Production: Chris Taft
CO3 Image Scientist: Michael Kannard
CO3 President: Stefan Sonnenfeld ASC
NASA Consultants: Bert Ulrich, Sheva Moore, James Green, Cheryl Warner, Lindsay Aitchinson
Executive Music Producers: James Gibb, Simon Fawcett
Music Supervisor: Rupert Hollier
Filming Dates: February 2020 - August 2020
Camera: Red Monstro (8K Redcode RAW)
Lenses: Arri DNA LF Primes
AR: 2.39:1 (3-Perf Super 35mm)
Budget: 140-150 Million USD
Visual Effects Provided by: Double Negative, Framestore, Pixomondo, Scanline VFX & Lola VFX
Color & Finish Provided by: Company 3
Attribute: Shot on Red